β
Now I have neither happiness nor unhappiness.
Everything passes.
That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.
Everything passes.
β
β
Osamu Dazai (No Longer Human)
β
This I want to believe implicitly: Man was born for love and revolution.
β
β
Osamu Dazai (The Setting Sun)
β
Whenever I was asked what I wanted my first impulse was to answer "Nothing." The thought went through my mind that it didn't make any difference, that nothing was going to make me happy.
β
β
Osamu Dazai (No Longer Human)
β
The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness
β
β
Osamu Dazai (No Longer Human)
β
For someone like myself in whom the ability to trust others is so cracked and broken that I am wretchedly timid and am forever trying to read the expression on people's faces.
β
β
Osamu Dazai (No Longer Human)
β
Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being.
β
β
Osamu Dazai (No Longer Human)
β
I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind-of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another.
β
β
Osamu Dazai (No Longer Human)
β
He could only consider me as the living corpse of a would-be suicide, a person dead to shame, an idiot ghost.
β
β
Osamu Dazai (No Longer Human)
β
As long as I can make them laugh, it doesnβt matter how, Iβll be alright. If I succeed in that, the human beings probably wonβt mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky.
β
β
Osamu Dazai (No Longer Human)
β
Living itself is the source of sin.
β
β
Osamu Dazai (No Longer Human)
β
Last year nothing happened
The year before nothing happened
And the year before that nothing
happened.
β
β
Osamu Dazai (The Setting Sun)
β
What did he mean by "society"? The plural of human beings?
β
β
Osamu Dazai (No Longer Human)
β
The thought of dying has never bothered me, but getting hurt, losing blood, becoming crippled and the likeβno thanks.
β
β
Osamu Dazai (No Longer Human)
β
People talk of βsocial outcasts.β The words apparently denote the miserable losers of the world, the vicious ones, but I feel as though I have been a βsocial outcastβ from the moment I was born. If ever I meet someone society has designated as an outcast, I invariably feel affection for him, an emotion which carries me away in melting tenderness.
β
β
Osamu Dazai (No Longer Human)
β
I am afraid because I can so clearly foresee my own life rotting away of itself, like a leaf that rots without falling, while I pursue my round of existence from day to day.
β
β
Osamu Dazai (The Setting Sun)
β
All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? - I don't know.
β
β
Osamu Dazai (No Longer Human)
β
I could believe in hell, but it was impossible for me to believe in the existence of heaven.
β
β
Osamu Dazai (No Longer Human)
β
I thought, βI want to die. I want to die more than ever before. Thereβs no chance now of a recovery. No matter what sort of thing I do, no matter what I do, itβs sure to be a failure, just a final coating applied to my shame. That dream of going on bicycles to see a waterfall framed in summer leavesβit was not for the likes of me. All that can happen now is that one foul, humiliating sin will be piled on another, and my sufferings will become only the more acute. I want to die. I must die. Living itself is the source of sin.
β
β
Osamu Dazai (No Longer Human)
β
I shall be nothing, the wind, the sky.
β
β
Osamu Dazai (No Longer Human)
β
I have always shook with fright before human beings. Unable as I was to feel the least particle of confidence in my ability to speak and act like a human being, I kept my solitary agonies locked in my breast. I kept my melancholy and my agitation hidden, careful lest any trace should be left exposed. I feigned an innocent optimism; I gradually perfected myself in the role of the farcical eccentric.
β
β
Osamu Dazai (No Longer Human)
β
After being hurt by the world so much, they began to see the demons within humans. So without hiding it through trickery, they worked to express it.
β
β
Osamu Dazai (No Longer Human)
β
Disqualified as a human being.
β
β
Osamu Dazai (No Longer Human)
β
I like roses best. But they bloom in all four seasons. I wonder if people who like roses best have to die four times over again.
β
β
Osamu Dazai (The Setting Sun)
β
The world, after all, was still a place of bottomless horror. It was by no means a place of childlike simplicity where everything could be settled by a simple then-and-there decision.
β
β
Osamu Dazai (No Longer Human)
β
Is it painful to be the person who waits? Or is it more painful to be the person who makes others wait? Either way, there's no need to wait anymore. That's what is most painful." - Osamu Dazai
β
β
Osamu Dazai (Run, Melos! and Other Stories)
β
The weak fear happiness itself.
β
β
Osamu Dazai (No Longer Human)
β
I yearned for everything long gone.
β
β
Osamu Dazai (Schoolgirl)
β
Unhappiness. There are all kinds of unhappy people in the world. I suppose it would be no exaggeration to say that the world is composed entirely of unhappy people. But those people can fight their unhappiness with society fairly and squarly, and society for its part easily understands and sympathizes with such struggles. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody.
β
β
Osamu Dazai (No Longer Human)
β
I want to spend my time with people who don't look to be respected. But such good people won't want to spend their time with me.
β
β
Osamu Dazai (The Setting Sun)
β
In my case such an expression as 'to be fallen for' or even 'to be loved' is not in the least appropriate; perhaps it describes the situation more accurately to say that I was 'looked after.
β
β
Osamu Dazai (No Longer Human)
β
It made me miserable that I was rapidly becoming an adult and that I was unable to do anything about it.
β
β
Osamu Dazai (Schoolgirl)
β
Do not pity yourself. If you wallow in self-pity, life will be an endless nightmare.
β
β
Kafka Asagiri (ζθ±ͺγΉγγ¬γ€γγγ°γΉ 7 [BungΕ Stray Dogs 7])
β
In spite of my suffering, at the thought that I was sure to end up by killing myself, I cried aloud and burst into tears.
β
β
Osamu Dazai (The Setting Sun)
β
What is society but an individual? [...] The ocean is not society; it is individuals. This was how I managed to gain a modicum of freedom from my terror at the illusion of the ocean called the world.
β
β
Osamu Dazai (No Longer Human)
β
Anyway, you can be sure of one thing, a man's got to fake just to stay alive.
β
β
Osamu Dazai (The Setting Sun)
β
Heaven forbid if beauty were to have substance.
β
β
Osamu Dazai (Schoolgirl)
β
Victims. Victims of a transitional period of morality. That is what we both certainly are.
β
β
Osamu Dazai (The Setting Sun)
β
Mornings are grey. Always the same. Absolutely empty.
β
β
Osamu Dazai (Schoolgirl)
β
Is it not true that no two human beings understand anything whatsoever about each other, that those who consider themselves bosom friends may be utterly mistaken about their fellow and, failing to realize this sad truth throughout a lifetime, weep when they read in the newspapers about his death?
β
β
Osamu Dazai (No Longer Human)
β
I felt as though the vessel if my suffering had become empty, as if nothing could interest me now. I had lost even the ability to suffer.
β
β
Osamu Dazai (No Longer Human)
β
To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.
β
β
Osamu Dazai (The Setting Sun)
β
When I pretended to be precocious, people started the rumor that I was precocious. When I acted like an idler, rumor had it I was an idler. When I pretended I couldn't write a novel, people said I couldn't write. When I acted like a liar, they called me a liar. When I acted like a rich man, they started the rumor I was rich. When I feigned indifference, they classed me as the indifferent type. But when I inadvertently groaned because I was really in pain, they started the rumor that I was faking suffering. The world is out of joint.
β
β
Osamu Dazai (The Setting Sun)
β
I was frightened even by God. I could not believe in His love, only in His punishment. Faith. That, I felt, was the act of facing the tribunal of justice with oneβs head bowed to receive the scourge of God. I could believe in hell, but it was impossible for me to believe in the existence of heaven.
β
β
Osamu Dazai (No Longer Human)
β
My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody.
β
β
Osamu Dazai (No Longer Human)
β
Iβm going to paint too. Iβm going to paint pictures of ghosts and devils and horses out of hell.
β
β
Osamu Dazai (No Longer Human)
β
I hope I meet lots of people with lovely eyes.
β
β
Osamu Dazai (Schoolgirl)
β
Disqualified as a human beings. I had now ceased utterly to be a human beings.
β
β
Osamu Dazai (No Longer Human)
β
Addiction is perhaps a sickness of the spirit.
β
β
Osamu Dazai (The Setting Sun)
β
I go about saying how pained and tormented, how lonely and sad I feel, but what do I really mean by that? If I were to speak the truth, I would die.
β
β
Osamu Dazai (Schoolgirl)
β
As for love . . . no, having once written that word I can write nothing more.
β
β
Osamu Dazai (The Setting Sun)
β
I smiled in my weakness.
β
β
Osamu Dazai (No Longer Human)
β
What uneasiness lies in being loved.
β
β
Osamu Dazai (No Longer Human)
β
To break free from this vexatious and awful never-ending cycle, this flood of outrageous thoughts, and to long for nothing more than simply to sleep--how clean, how pure, the mere thought of it is exhilarating.
β
β
Osamu Dazai (Schoolgirl)
β
Good night. I'm Cinderella without her prince. Do you know where to find me in Tokyo? You won't see me again.
β
β
Osamu Dazai (Schoolgirl)
β
But happiness is being able to hope, however faintly, for happiness. So, at least, we must believe if we are to live in the world of today.
β
β
Osamu Dazai (Blue Bamboo: Japanese Tales of Fantasy)
β
the more I feared people the more I was liked, and the more I was liked the more I feared themβa process which eventually compelled me to run away from everybody.
β
β
Osamu Dazai (No Longer Human)
β
Love flies out the window when poverty comes in the door, they say, and itβs true.
β
β
Osamu Dazai (No Longer Human)
β
Then what's a synonym for woman?"
"Entrails."
"You're not very poetic, are you? Well, then, what's the antonym for entrails?"
"Milk.
β
β
Osamu Dazai (No Longer Human)
β
I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.)
β
β
Osamu Dazai (No Longer Human)
β
The "world," after all, was still a place of bottomless horror.
β
β
Osamu Dazai (No Longer Human)
β
What, I wondered, did he mean by βsocietyβ? The plural of human beings? Where was the substance of this thing called βsocietyβ? I had spent my whole life thinkng that society must certainly be something powerful, harsh and severe, but to hear Horiki talk made the words βDonβt you mean yourself?β come to the tip of my tongue. But I held the words back, reluctant to anger him.
βSociety wonβt stand for it.β
βItβs not society. Youβre the one who wonβt stand for it - right?β
βIf you do such a thing society will make you suffer for itβ
βItβs not society. Itβs you, isnβt it?β
βBefore you know it, youβll be ostracized by society.β
βItβs not society. Youβre going to do the ostracizing, arenβt you?β
Words, words of every kind went flitting through my head. βKnow thy particular fearsomeness, thy knavery, cunning and witchcraft!β What I said, however, as I wiped the perspiration from my face with a handkerchief was merely, βYouβve put me in a cold sweat!β I smiled.
From then on, however, I came to hold, almost as a philosophical conviction, the belief: What is society but an individual?
β
β
Osamu Dazai (No Longer Human)
β
They scolded us for not having any real hopes or real ambitions, but if we were to pursue our true ideals, would these people watch and guide us along the way?
β
β
Osamu Dazai (Schoolgirl)
β
Everything passes.
β
β
Osamu Dazai (No Longer Human)
β
A good book is always good, no matter how many times you've already read it.
β
β
Osamu Dazai
β
From then on, however, I came to hold, almost as a philosophical conviction, the belief: What is society but an individual?
β
β
Osamu Dazai (No Longer Human)
β
God, I ask you. Is trustfulness a sin?
β
β
Osamu Dazai (No Longer Human)
β
I drink out of desperation. Life is too dreary to endure. The misery, loneliness, crampedness β they're heartbreaking.[...] What feelings do you suppose a man has when he realizes that he will never know happiness or glory as long as he lives? Hard work. All that amounts to is food for the wild beasts of hunger.
β
β
Osamu Dazai (The Setting Sun)
β
I have no desire for others to take it on themselves to analyze my thoughts. I am without thoughts. I have never, not even once, acted on the basis of any doctrine or philosophy.I am convinced that those people whom the world considers good and respects are all liars and fakes. I do not trust the world.
β
β
Osamu Dazai (The Setting Sun)
β
In the present world, the most beautiful thing is a victim.
β
β
Osamu Dazai (The Setting Sun)
β
At this moment, as I stood on the verge of tears, the words "realism" and "romanticism" welled up within me. I have no sense of realism. And that this very fact might be what permits me to go on living sends cold chills through my whole body.
β
β
Osamu Dazai (The Setting Sun)
β
In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions altogether occupy a bare one per cent of our time. The remaining ninety-nine per cent is just living in waiting.
β
β
Osamu Dazai (The Setting Sun)
β
Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy.
β
β
Osamu Dazai (No Longer Human)
β
Logic, inevitably, is the love of logic. It is not the love for living human beings.
β
β
Osamu Dazai (The Setting Sun)
β
I have sometimes thought that I have been burdened with a pack of ten misfortunes, any one of which if borne by my neighbor would be enough to make a murderer out of him.
β
β
Osamu Dazai (No Longer Human)
β
I also have the impression that many women have been able, instinctively, to sniff out this loneliness of mine, which I confided to no one, and this in later years was to become one of the causes of my being taken advantage of.
β
β
Osamu Dazai (No Longer Human)
β
Human beings never submit to human beings.
β
β
Osamu Dazai (No Longer Human)
β
The real things are apt to be deviant.
β
β
Osamu Dazai (The Setting Sun)
β
My eyes would swim in my head, and the whole world grow dark before me, so that I felt half out of my mind.
β
β
Osamu Dazai (No Longer Human)
β
I have frantically played the clown in order to distangle myself from these painful relationships, only to wear myself out as a result.
β
β
Osamu Dazai (No Longer Human)
β
The wound has gradually become dearer to me than my own flesh and blood, and I have thought its pain to be the emotion of the wound as it lived or even its murmur of affection
β
β
Osamu Dazai
β
If my neighbors manage to survive without killing themselves, without going mad, maintaining an interest in political parties, not yielding to despair, resolutely pursuing the fight for existence, can their griefs really be genuine?
β
β
Osamu Dazai (No Longer Human)
β
Not long ago I learned from a certain person in considerable detail about the worthlessness of your character. All the same, it is you who have given me strength, you who have put the rainbow of revolution in my breast. It is you who have given an object to my life.
β
β
Osamu Dazai
β
Whenever anyone criticized me I felt certain that I had been living under the most dreadful misapprehension. I always accepted the attack in silence, though inwardly so terrified as almost to be out of my mind.
β
β
Osamu Dazai (No Longer Human)
β
Whenever I was asked what I wanted my first impulse was to answer βNothing.β The thought went through my mind that it didnβt make any difference, that nothing was going to make me happy. At the same time I was congenitally unable to refuse anything offered to me by another person, no matter how little it might suit my tastes. When I hated something, I could not pronounce the words, βI donβt like it.β When I liked something I tasted it hesitantly, furtively, as though it were extremely bitter. In either case I was torn by unspeakable fear. In other words, I hadnβt the strength even to choose between two alternatives.
β
β
Osamu Dazai (No Longer Human)
β
I soon came to understand that drink, tobacco and prostitutes were all great means if dissipating (even for a few moments) my dread for human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it.
β
β
Osamu Dazai (No Longer Human)
β
Now even if I die, no one will be so grieved as to do himself bodily harm. No [...] I know just how much sadness my death will cause you. Undoubtedly you will weep when you learn the news--apart, of course, from such ornamental sentimentality as you may indulge in--but if you will please try to think of my joy at being liberated completely from the suffering of living and this hateful life itself, I believe that your sorrow will gradually dissolve.
β
β
Osamu Dazai (The Setting Sun)
β
The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late.
β
β
Osamu Dazai (Schoolgirl)
β
There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are-the quicker to take fright-the more violent they pray that every storm will be β¦ Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms-they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils.
β
β
Osamu Dazai (No Longer Human)
β
Mother, recently I have discovered the one way in which human beings differ completely from other animals. Man has, I know, language, knowledge, principles, and social order, but don't all the other animals have them too, granted the difference of degree? Perhaps the animals even have religions. Man boasts of being the lord of all creation, but it would seem as if essentially he does not differ in the least from other animals. But, Mother, there was one way I thought of. Perhaps you won't understand. It's a faculty absolutely unique to man - having secrets. Can you see what I mean?
β
β
Osamu Dazai (The Setting Sun)
β
Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep believing that it will surely come, tomorrow it will come. I purposely made a loud thump as I fell into bed. Ah, that feels good. The futon was cool, just the right temperature against my back, and it was simply delightful. Sometimes happiness arrives one night too late. The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness... I
β
β
Osamu Dazai (Schoolgirl)
β
To fall for," "to be fallen for"--I feel in these words something unspeakably vulgar, farcical, and at the same time extraordinarily complacent. Once these expressions put in an appearance, no matter how solemn the place, the silent cathedrals of melancholy crumble, leaving nothing but an impression of fatuousness. It is curious, but the cathedrals of melancholy are not necessarily demolished if one can replace the vulgar "What a messy business it is to be fallen for" by the more literary "What uneasiness lies in being loved.
β
β
Osamu Dazai (No Longer Human)
β
Any man who criticizes my suicide and passes judgment on me with an expression of superiority, declaring (without offering the least help) that I should have gone on living my full complement of days, is assuredly a prodigy among men quite capable of tranquilly urging the Emperor to open a fruit shop.
β
β
Osamu Dazai (The Setting Sun)
β
Though I have always made it my practice to be pleasant to everybody, I have not once actually experienced friendship. I have only the most painful recollections of my various acquaintances with the exception of such companions in pleasure as Horiki. I have frantically played the clown in order to disentangle myself from these painful relationships, only to wear myself out as a result. Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy. I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.) It was hardly to be expected that someone like myself could ever develop any close friendsβbesides, I lacked even the ability to pay visits. The front door of another personβs house terrified me more than the gate of Inferno in the Divine Comedy, and I am not exaggerating when I say that I really felt I could detect within the door the presence of a horrible dragon-like monster writhing there with a dank, raw smell.
β
β
Osamu Dazai (No Longer Human)
β
She lay down beside me, Towards dawn she pronounced for the first time the word βdeath.β She too seemed to be weary beyond endurance of the task of being a human being; and when I reflected on my dread of the world and its bothersomeness, on money, the movement, women, my studies, it seemed impossible that I could go on living. I consented easily to her proposal.
β
β
Osamu Dazai (No Longer Human)
β
I am convinced that those people whom the world considers good and respects are all liars and fakes. I do not trust the world. My only ally is the tagged dissolute. The tagged dissolute. That is the only cross on which I wish to be crucified. Though ten thousand people criticize me, I can throw in their teeth my challenge: Are you not all the more dangerous for being without tags?
β
β
Osamu Dazai (The Setting Sun)
β
I must go on living. And, though it
may be childish of me, I can't go on in
simple compliance. From now on I must
struggle with the world. I thought that
Mother might well be the last of those
who can end their lives beautifully and
sadly, struggling with no one, neither
hating nor betraying anyone. In the
world to come there will be no room for
such people. The dying are beautiful,
but to live, to survive β those things
somehow seem hideous and
contaminated with blood.
β
β
Osamu Dazai (The Setting Sun)
β
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror.
β
β
Osamu Dazai (No Longer Human)
β
I feel so unhappy.β
I am sure that this one phrase whispered to me would arouse my sympathy more than the longest, most painstaking account of a womanβs life. It amazes and astonishes me that I have never once heard a woman make this simple statement. This woman did not say, βI feel so unhappyβ in so many words, but something like a silent current of misery an inch wide flowed over the surface of her body. When I lay next to her my body was enveloped in her current, which mingled with my own harsher current of gloom like a βwithered leaf settling to rest on the stones at the bottom of a pool.β I had freed myself from fear and uneasiness.
β
β
Osamu Dazai (No Longer Human)
β
I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind - of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware that they are deceiving one another. But I have no special interest in instances of mutual deception. I myself spent the whole day long deceiving human beings with my clowning. I have not been able to work much up much concern over the morality prescribed in textbooks of ethics under the name as βrighteousness.β I find it difficult to understand the kind of human being who lives, or who is sure he can live, purely, happily, serenely while engaged in deceit. Human beings never did teach me that abstruse secret. If I had only known that one thing I should never have had to dread human beings so, nor should I have opposed myself to human life, nor tasted such torments of hell every night.
β
β
Osamu Dazai (No Longer Human)
β
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, butβbut how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us.
β
β
Osamu Dazai (Schoolgirl)