“
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
”
”
Charles Bukowski
“
People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.'
If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen.
They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.'
So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.
”
”
George Carlin (Brain Droppings)
“
There was nothing wrong with being a homebody. There was nothing wrong with not wanting - not needing - the constant jostle and noise of a party or bar or... whatever.
”
”
Charles de Lint (Jack of Kinrowan: Jack the Giant-Killer / Drink Down the Moon)
“
Graduation night was my last party,' he said. 'Or at least my last drink. After that night, I decided I was done with all of it.'
'Why? What changed?'
A sly grin crept across Nathan's face. 'I got really, really wasted graduation night, and when I woke up, some sassy, sexy vixen had stolen my virginity.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
I'd stay there, or not, and I'd eat, or not, and I'd drink, or not, and go home, or not, and what I did or didn't do wouldn't matter to anyone at all. And I walked for most of the day. Do people get sad on holiday sometimes? I can imagine they do, having all that time to think.
”
”
Nick Hornby (A Long Way Down)
“
He poured the tumbler full. Drink up, he said. The world goes on. We have dancing nightly and this night is no exception. The straight and the winding way are one and now that you are here what do the years count since last we two met together? Men's memories are uncertain and the past that was differs little from the past that was not.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Drinks like this tend to get called Traffic Lights or Rainbow's Revenge or, in places where truth is more highly valued, Hello and Good-Bye, Mr. Brain Cell.
”
”
Terry Pratchett (Hogfather)
“
Being Southern isn't talking with an accent...or rocking on a porch while drinking sweet tea, or knowing how to tell a good story. It's how you're brought up -- with Southerners, family (blood kin or not) is sacred; you respect others and are polite nearly to a fault; you always know your place but are fierce about your beliefs. And food along with college football -- is darn near a religion.
”
”
Jan Norris
“
Yet Dives himself, he too lives like a Czar in an ice palace of frozen sighs, and being a president of a temperance society, he only drinks the tepid tears of orphans.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
May I bring you a drink to go with those warm nuts, Mr. Sedaris?" this woman looking after me asked - this as the people in coach were still boarding. The looks they gave me as they passed were the looks I give when the door of a limousine opens. You always expect to see a movie star, or, at the very least, some better dressed than you, but time and time again it's just a sloppy nobody. Thus the look, which translates to, Fuck you, Sloppy Nobody, for making me turn my head.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
By my soul, I can neither eat, drink, nor sleep; nor, what's still worse, love any woman in the world but her.
”
”
Samuel Richardson (Clarissa, or, The History of a Young Lady)
“
Life has become a bitter drink to me, and yet it must be taken in drops, counted one by one.
”
”
Søren Kierkegaard (Either/Or: A Fragment of Life)
“
There is no safe," Kaz snarled. "Not in the Barrel. Not anywhere." He threw his strength into rowing. No seal. No ship. Their money spent.
"What do we do now?" Wylan said quietly, his voice barely audible above the sound of the water and the other boats on the canal.
"Pick up a pair of oars and make yourself useful," said Kaz. "Or I'll put your pampered ass in the drink and let your father fish you out.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Where in this pukehole can a man get a drink? he said
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Guilt is also a way for us to express to others that we are a person of good conscience. 'I feel really guilty about getting drunk last night,' we say, when in actual fact we feel no guilt whatsoever or, at least, we could choose to feel no guilt. When people say to me, 'I drank too much last night,' I always reply, 'I drank exactly the right amount.
”
”
Tom Hodgkinson (The Freedom Manifesto)
“
My lovers suffocate me! Crowding my lips, and thick in the pores of my skin, Jostling me through streets and public halls...coming naked to me at night, Crying by day Ahoy from the rocks of the river...swinging and chirping over my head, Calling my name from flowerbeds or vines or tangled underbrush, Or while I swim in the bath....or drink from the pump on the corner....or the curtain is down at the opera.....or I glimpse at a woman’s face in the railroad car; Lighting on every moment of my life, Bussing my body with soft and balsamic busses, Noiselessly passing handfuls out of their hearts and giving them to be mine
”
”
Walt Whitman
“
For one week, all I could think about was drinking margaritas--well, that and running my tongue along Reyes's teeth--but I didn't have salt--or Reyes's teeth. I'd also lacked the energy to leave my apartment to get some--or the desire to stoop low enough to beg Reyes to let me lick his teeth after what he did--so I could only wish for a margarita. And dream of Reyes's teeth.
I'd secretly hoped a margarita would magically appear in my hand, but that would mean I would have to put down the remote, and God knew that was not going to happen.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
We wish you a merry Christmas” is the most demanding song ever. It starts off all nice and a second later you have an angry mob at your door scream-singing, “Now bring us some figgy pudding and bring it RIGHT HERE. WE WON’T GO UNTIL WE GET SOME SO BRING IT RIGHT HERE.” Also, they’re rhyming “here” with “here.” That’s just sloppy. I’m not rewarding unrequested, lazy singers with their aggressive pudding demands. There should be a remix of that song that homeowners can sing that’s all “I didn’t even ask for your shitty song, you filthy beggars. I’ve called the cops. Who is this even working on? Has anyone you’ve tried this on actually given you pudding? Fig-flavored pudding? Is that even a thing?” It doesn’t rhyme but it’s not like they’re trying either. And then the carolers would be like, “SO BRING US SOME GIN AND TONIC AND LET’S HAVE A BEER,” and then I’d be like, “Well, I guess that’s more reasonable. Fine. You can come in for one drink.” Technically that would be a good way to get free booze. Like trick-or-treat but for singy alcoholics. Oh my God, I finally understand caroling.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Never despise a drink because it is easy to make and/or uses commercial mixes. Unquestioning devotion to authenticity is, in any department of life, a mark of the naive - or worse.
”
”
Kingsley Amis (Everyday Drinking: The Distilled Kingsley Amis)
“
Wait, we can not break bread with you. You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, and you will play golf, and eat hot h'ors d'ourves. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They said do not trust the pilgrims, especially Sarah Miller. And for all of these reasons I have decided to scalp you and burn your village to the ground.
”
”
Paul Rudnick
“
Give me a mirror.Or holy water. I'll drink it,even!" I gasped as someone threw water on the side of my face. "A little warning next time would be nice.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
One of the things that strikes me most though is how some people don't realise they're self-harming. The phrase 'self-harm' brings up thoughts of 'cutting', but that's only a small portion of it. When you drink excessively to drown your sorrows to the point you throw up and can't see straight and/or, like a girl at my school, ended up being driven to hospital to have her stomach pumped, you've brought harm to yourself. If you take drugs to feel numb and it becomes an addiction that you can't break, you've self-harmed. When you starve yourself or binge eat to fit the latest fashions, you're pushing your body further than it can go.
We need to start treating ourselves how we deserve to be treated, even if you feel that no one else does. Prove to the world you ARE worth something by treating yourself with the utmost respect and hope that other people will follow your example. And even if they don't, at least one person in the world is treating you well: YOU.
”
”
Carrie Hope Fletcher (All I Know Now: Wonderings and Reflections on Growing Up Gracefully)
“
Wake up naked drinking coffee
Making plans to change the world
While the world is changing us
It was good good love
You used to laugh under the covers
Maybe not so often now
But the way I used to laugh with you
Was loud and hard
”
”
Dave Matthews
“
Karma has been a pop culture term for ages. But really, what the heck is it?
Karma is not an inviolate engine of cosmic punishment. Rather, it is a neutral sequence of acts, results, and consequences.
Receiving misfortune does not necessarily indicate that one has committed evil. But it is a sufficient indicator of something else.
And that something else can be anything, as long as it is a logical consequence of what has come before.
Consider: if you fall into a well, you are not a bad person who deserves to suffer—you are merely someone who took a wrong step. Or someone who had one drink too many. Or got a head rush due to poor circulation. Or forgot to wear your glasses. Or—
The reasons are plentiful, and all plausible. But the chain of cause and effect goes way, way back into the deepest hoariest recesses of your personal past.
So never rule out retribution. But never expect it.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
Gregor was a real drinker..he didn't drink because he was sad..(or) cheerful. He drank because he was a thorough man, who like to get to the bottom of things, of bottles as well as everything else.
”
”
Günter Grass (The Tin Drum)
“
Oh, "Tanstaafl." Means "There ain't no such thing as a free lunch." And isn't,' I added, pointing to a FREE LUNCH sign across room, 'or these drinks would cost half as much. Was reminding her that anything free costs twice as much in long run or turns out worthless.
”
”
Robert A. Heinlein (The Moon Is a Harsh Mistress)
“
If you can finally go to the bathroom wherever you find one, if you can finally order a cup of coffee and drink it wherever coffee is available, but you cannot follow your heart-you cannot respect the response of your own honest body in the world-then how much of what kind of freedom does any one of us possess?
Or, conversely, if your heart and your honest body can be controlled by the state, or controlled by community taboo, are you not then, and in that case, no more than a slave ruled by outside force?
”
”
June Jordan (Some of Us Did Not Die: New and Selected Essays)
“
I don't think you can get really out of anorexia (or any addiction, for that matter) until you simply have no other choice, until the sense that your back's against the wall grows too strong and too irrefutable, until you are simply in too much pain - too desperate and deeply bored and unhappy - to go on.
”
”
Caroline Knapp (Drinking: A Love Story)
“
Seriously, why do you read that crap?" asked the girl.
Book Boy snapped his volume shut and removed his glasses from his nose. "I speak the truth! In all of these books the girls are throwing themselves at the romantic heroes- romantic heroes who are dead, ho drink human blood. Be of good cheer, my brothers, for I tell you there is hope!"
One of the other guys, a large black chap, rolled his lone eye. "Okay, you're cut off. Someone get him a cookbook or something."
"Or, you know, some fair damsel to seduce," the girl said, looking up from her reflection.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
Does Yggdrasil drink from it because it is the Well of Wisdom, or is it the Well of Wisdom because Yggdrasil drinks from it?
”
”
J. Aleksandr Wootton (Her Unwelcome Inheritance (Fayborn, #1))
“
With heart at rest I climbed the citadel's
Steep height, and saw the city as from a tower,
Hospital, brothel, prison, and such hells,
Where evil comes up softly like a flower.
Thou knowest, O Satan, patron of my pain,
Not for vain tears I went up at that hour;
But like an old sad faithful lecher, fain
To drink delight of that enormous trull
Whose hellish beauty makes me young again.
Whether thou sleep, with heavy vapors full,
Sodden with day, or, new appareled, stand
In gold-laced veils of evening beautiful,
I love thee, infamous city! Harlots and
Hunted have pleasures of their own to give,
The vulgar herd can never understand.
”
”
Charles Baudelaire
“
Unjust! - unjust!' said my reason, forced by the agonising stimulus into precocious though transitory power; and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression - as running away, or, if that could not be effected, never eating or drinking more, and letting myself die.
”
”
Charlotte Brontë
“
Every woman needs at least one of each of these friends (and all in one works): Someone who will drink and/or eat cookie dough in times of stress, someone who will take off her earrings and do battle, someone who will listen to all of your secrets, no matter how dark and NOT TELL, someone with the courage to tell you the truth, the whole truth, and nothing but the truth, and someone who will play the role of fool to lift your spirits.
”
”
Susan Thatcher
“
They were in good spirits, scrubbed and combed, clean shirts all. Each foreseeing a night of drink, perhaps of love. How many youths have come home cold and dead from just such nights and just such plans.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
And when you speak of tea or coffee or wine or any of our liquid spells, the drink must be matched perfectly with the drinker to get the best effect. If the match is a good one, the coffee will get to know you a little while you drink it, to know you and love you and cheer for your victories, lend you bravery and daring. The tea will want you to do well, will stand guard before your fear and sorrow. Afternoon tea is really a kind of séance. And at the end of it all, the grounds—or leaves!—left in the bottom of your little cup are not really prophecies but your teatime trying to talk to you, to tell you something secret and dear, just between the two of you.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
26. Don’t marry someone with intolerable characteristics in the hopes of changing him or her. If you can’t live with someone who drinks or someone who isn’t a Christian or someone who isn’t clean, then don’t marry that kind of person. The chances for miraculous improvements or changes in behavior are slim. What you see is what you get!
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
I'm not a vampire" he snapped.
"Well, you drink blood to live and you have retractable fangs just like your wings. I'd say that makes you a vampire." I thought for a moment. "Or a Venezuelan fruit bat."
Michael was not amused.
”
”
Kristina Douglas
“
Oh, ‘tanstaafl.’ Means ‘There ain’t no such thing as a free lunch.’ And isn’t,” I added, pointing to a FREE LUNCH sign across room, “or these drinks would cost half as much. Was reminding her that anything free costs twice as much in long run or turns out worthless.
”
”
Robert A. Heinlein (The Moon is a Harsh Mistress)
“
What?” The word exploded out of me. “What do you want me to tell you? You want to hear about how they tied us up like animals to bring us into the camp—or, hey! How about that time a PSF once beat in a girl’s skull so badly she actually lost an eye? You want to know what it was like to drink rotten water for an entire summer until new pipes finally came? How I woke up afraid and went to bed in terror every single day for six years? For God’s sake, leave me alone! Why do you always have to dig and dig when you know I don’t want to talk about it?
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
If there was a moment that determined the course of my future, I'm pretty sure this was it. I had two somewhat simple choices. I could make a run for it and go back to Uncle Al's. Back to the bonfire where my cousins and dear sister would be drinking and revel in the normalcy of a Saturday night and forget I ever went to this horrid place and ran into this weirdo. Or I could go with said weirdo up the stairs in this decrepit old lighthouse, which was most likely condemned and unsafe, towards some unknown person (or thing) that was walking around, potentially waiting to murder us in horrific ways.
It didn't seem like a very hard decision to make. In fact, I think 99.7% of people in the right frame of mind would have picked from column A and gone on with their merry lives. But for some freaking crazy reason, I thought that maybe, just maybe I should go with this stranger up those kelp-ridden stairs and toward the lair of unimaginable horror. You know, because it was the more interesting alternative.
”
”
Karina Halle (Darkhouse (Experiment in Terror, #1))
“
Marriage is about compromising,’ he told me. ‘Families are about compromising, being anything other than a hermit is about compromising. Parliamentary democracy certainly is.’ He snorted. ‘Nothing but.’ He drained his glass. ‘You either learn to compromise or you resign yourself to shouting from the sidelines for the rest of your life.’ He looked thoughtful. ‘Or you arrange to become a dictator. There’s always that, I suppose.’ He shrugged. ‘Not a great set of choices, really, but that’s the price we pay for living together. And it’s that or solitude. Then you really do become a wanker. Another drink?
”
”
Iain Banks (Stonemouth)
“
They sat on a bench and Sproule held his wounded arm to his chest and rocked back and forth and blinked in the sun.
What do you want to do? said the kid.
Get a drink of water.
Other than that.
I dont know.
You want to try and head back?
To Texas?
I don't know where else.
We'd never make it.
Well you say.
I aint got no say.
He was coughing again. He held his chest with his good hand and sat as if he'd get his breath.
What have you got, a cold?
I got consumption.
Consumption?
He nodded. I come out here for my health.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Prohibition is to abstain from intoxicating liquor, as it makes us morbid and sometimes drunk. But we get drunk every day, nevertheless, not so much by the strength of what we sip from the cup, but that which we eat, the water we drink, and the air we inhale, which at fermentation conspire at eventide to make us so drunk and tired that we lose control of ourselves and fall asleep. Everybody is a drunkard, and if we were to enforce real prohibition we should all be dead.
”
”
Marcus Garvey (The Philosophy and Opinions of Marcus Garvey, Or, Africa for the Africans (The New Marcus Garvey Library, No. 9))
“
Joe was probably the only other human on the planet who liked coffee as much as I did. He started drinking it when he was six. I copied him immediately. I was four. Neither of us has stopped since. The Reacher brothers’ need for caffeine makes heroin addiction look like an amusing little take-it-or-leave-it sideline.
”
”
Lee Child (The Enemy (Jack Reacher, #8))
“
What’s the reach on these ear buds?” Zane asked. He refused to slow down, and for once Nick was glad for the man’s stubbornness.
“You got to be in a mile range of the hand unit,” Digger answered. “If Ty’s got his unit on him, we should be able to hear him and he should be able to hear us.”
“So we can’t hear him, that means he dropped his radio?” Owen asked.
“Or his ear bud. Or he went into the drink. Or he’s underground. Or he’s behind lots of concrete. Or somewhere the signal’s getting jacked.”
“Digger!”
“What? They ain’t military grade. Damn.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
He supposed he was only one of several million persons of his generation who had grown up and, somewhere around thirty, made the upsetting discovery that life wasn't going to pan out the way you'd always expected it would; and why this realization should have thrown him and not them—or not too many of them—was something he couldn't fathom. Life offered none of those prizes you'd been looking forward to since adolescence (he less than others, but looking forward to them all the same, if only out of curiosity). Adulthood came through with none of the pledges you'd been led somehow to believe in; the future still remained the future-illusion; a non-existent period of constantly-receding promise, hinting fulfillment, yet forever withholding the rewards. All the things that had never happened yet were never going to happen after all. It was a mug's game and there ought to be a law. But there wasn't any law, there was no rhyme or reason; and with the sour-grapes attitude of “Why the hell should there be”—which is as near as you ever came to sophistication—you retired within yourself and compensated for the disappointment by drink, by subsisting on daydreams, by living in a private world of your own making (hell or heaven, what did it matter?), by accomplishing or becoming in fancy what you could never bring about in fact.
”
”
Charles Jackson (The Lost Weekend)
“
It is your brain that decides to get you out of bed in the morning to exercise, to
give you a stronger, leaner body, or to cause you to hit the snooze button and
procrastinate your workout. It is your brain that pushes you away from the table telling
you that you have had enough, or that gives you permission to have the second bowl of
Rocky Road ice cream, making you look and feel like a blob. It is your brain that
manages the stress in your life and relaxes you so that you look vibrant, or, when left
unchecked, sends stress signals to the rest of your body and wrinkles your skin. And it is
your brain that turns away cigarettes, too much caffeine, and alcohol, helping you look
and feel healthy, or that gives you permission to smoke, to have that third cup of coffee,
or to drink that third glass of wine, thus making every system in your body look and feel
older.Your brain is the command and control center of your body. If you want a better
body, the first place to ALWAYS start is by having a better brain.
”
”
Daniel G. Amen (Change Your Brain, Change Your Body: Use Your Brain to Get and Keep the Body You Have Always Wanted)
“
She said to me, over the phone
She wanted to see other people
I thought, Well then, look around. They're everywhere
Said that she was confused...
I thought, Darling, join the club
24 years old, Mid-life crisis
Nowadays hits you when you're young
I hung up, She called back, I hung up again
The process had already started
At least it happened quick
I swear, I died inside that night
My friend, he called
I didn't mention a thing
The last thing he said was, Be sound
Sound...
I contemplated an awful thing, I hate to admit
I just thought those would be such appropriate last words
But I'm still here
And small
So small.. How could this struggle seem so big?
So big...
While the palms in the breeze still blow green
And the waves in the sea still absolute blue
But the horror
Every single thing I see is a reminder of her
Never thought I'd curse the day I met her
And since she's gone and wouldn't hear
Who would care? What good would that do?
But I'm still here
So I imagine in a month...or 12
I'll be somewhere having a drink
Laughing at a stupid joke
Or just another stupid thing
And I can see myself stopping short
Drifting out of the present
Sucked by the undertow and pulled out deep
And there I am, standing
Wet grass and white headstones all in rows
And in the distance there's one, off on its own
So I stop, kneel
My new home...
And I picture a sober awakening, a re-entry into this little bar scene
Sip my drink til the ice hits my lip
Order another round
And that's it for now
Sorry
Never been too good at happy endings...
”
”
Eddie Vedder
“
Do you have a problem with alcohol? Is it “abuse,” or, worse, do you “depend” on drinking to get through the day? It will not surprise you to find out that the lines between handling liquor well, abusing alcohol, and being dependent on it are far from clear.
”
”
Martin E.P. Seligman (What You Can Change . . . and What You Can't*: The Complete Guide to Successful Self-Improvement)
“
While everybody tries to be as close as possible to the rest, everybody remains utterly alone, pervaded by the deep sense of insecurity, anxiety and guilt which always results when human separateness cannot be overcome. Our civilization offers many palliatives which help people to be consciously unaware of this aloneness: first of all the strict routine of bureaucratized, mechanical work, which helps people to remain unaware of their most fundamental human desires, of the longing for transcendence and unity. Inasmuch as the routine alone does not succeed in this, man overcomes his unconscious despair by the routine of amusement, the passive consumption of sounds and sights offered by the amusement industry; furthermore by the satisfaction of buying ever new things, and soon exchanging them for others. Modern man is actually close to the picture Huxley describes in his Brave New World: well fed, well clad, satisfied sexually, yet without self, without any except the most superficial contact with his fellow men, guided by the slogans which Huxley formulated so succinctly, such as: “When the individual feels, the community reels”; or “Never put off till tomorrow the fun you can have today,” or, as the crowning statement: “Everybody is happy nowadays.” Man’s happiness today consists in “having fun.” Having fun lies in the satisfaction of consuming and “taking in” commodities, sights, food, drinks, cigarettes, people, lectures, books, movies—all are consumed, swallowed.
”
”
Erich Fromm (The Art of Loving)
“
Eating as a simple means of ending hunger is one of the great liberties of being alone, like going to the movies by yourself in the afternoon or, back in those golden days of youth, having a cigarette in the bathtub. It is a pleasure to not have to take anyone else's tastes into account or explain why I like to drink my grapefruit juice out of the carton. Eating, after all, is a matter of taste, and taste cannot always be good taste. The very thought of maintaining high standards meal after meal is exhausting. It discounts all the peanut butter that is available in the world.
”
”
Ann Patchett (Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone)
“
Virtually all his life he had been in the position of leading groups of men, yet the truth was he had never liked groups. Men he admired for their abilities in action almost always brought themselves down in his estimation if he had to sit around and listen to them talk—or watch them drink or play cards or run off after women. Listening to men talk usually made him feel more alone than if he were a mile away by himself under a tree. He had never really been able to take part in the talk. The endless talk of cards and women made him feel more set apart—and even a little vain. If that was the best they could think of, then they were lucky they had him to lead them. It seemed immodest, but it was a thought that often came to him.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
Having poured my drink, I may not live to taste it, or that it may pass a live man's tongue to burn a dead man's belly; that having slumbered, I may never wake, or having waked, may never living sleep. Having heard tick, will I hear tock? Having served, will I volley? Having sugared will I cream? Having eithered, will I or? Itching, will I scratch? Hemming, will I haw?
”
”
John Barth
“
In the corner shop, or, rather, in its window, a purveyor of hot spiced honey drinks had installed himself, with a samovar of red copper and a face just as red as the samovar, so that from a distance you might think that there were two samovars standing in the window, if one samovar hadn’t been wearing a beard black as pitch.
”
”
Nikolai Gogol (Dead Souls)
“
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
So you can’t eat normal food anymore—or are you too good for it?” A question and a challenge. Rhys’s fork clanked on his plate. Elain made a small, distressed noise. And though Nesta had let me use this house, though she’d tried to cross the wall for me and we’d worked out a tentative truce, the tone, the disgust and disapproval … I laid my hand flat on the table. “I can eat, drink, fuck, and fight just as well as I did before. Better, even.” Cassian choked on his water. Azriel shifted on his seat, angling to spring between us if need be.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. Modern man's happiness consists in the thrill of looking at the shop windows, and in buying all that he can afford to buy, either for cash or on installments. He (or she) looks at people in a similar way. For the man an attractive girl—and for the woman an attractive man—are the prizes they are after. 'Attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. During the twenties, a drinking and smoking girl, tough and sexy, was attractive; today the fashion demands more domesticity and coyness. At the end of the nineteenth and the beginning of this century, a man had to be aggressive and ambitious—today he has to be social and tolerant—in order to be an attractive 'package'. At any rate, the sense of falling in love develops usually only with regard to such human commodities as are within reach of one's own possibilities for exchange. I am out for a bargain; the object should be desirable from the standpoint of its social value, and at the same time should want me, considering my overt and hidden assets and potentialities. Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values. Often, as in buying real estate, the hidden potentialities which can be developed play a considerable role in this bargain. In a culture in which the marketing orientation prevails, and in which material success is the outstanding value, there is little reason to be surprised that human love relations follow the same pattern of exchange which governs the commodity and the labor market.
”
”
Erich Fromm (The Art of Loving)
“
I make grilled cheeses for lunch, one for me, two for Will. We don’t have any chips, but I find a far of pickles in the pantry.
“This is the best thing I’ve ever eaten.” He pauses for a drink, staring at me over the rim of his glass of juice.
“It’s the provolone,” I say, swallowing my last bite.
“It’s the chef.”
I smile and look away.
We listen to music. Talk. Kiss until my flesh glimmers gold-red. Warms to the touch from the deep scald at my core. He stops to watch. Leans his face close to my neck and smells my skin. Like I’m something he might taste. He sweeps his hands along my arms . . . making me burn hotter.
“Is this what it’s like for other fire-breathers?” he asks, winks, holding my hand up in his broad palm. “Or is it just me and my magic hands?
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
And I’ve already spent too much time Doing things I didn’t want to So if I want to drink alone dressed like a pirate Or look like a dyke Or wear high heels and lipstick Or hide in a convent Or try to be mayor Or marry a writer Smoke crack and slash tires Make jokes you don’t like Or paint ducks and retire You can bet your black ass that I’m going to. —from An Evening With Neil Gaiman & Amanda Palmer, 2013
”
”
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
“
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite.
Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months.
This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
”
”
Jon Krakauer
“
Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which -- or, rather, all the more because -- here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here.
Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself.
”
”
Haruki Murakami (Dance Dance Dance)
“
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display.
“They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions.
Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.”
“I don’t get what half these descriptions mean . . . What’s a vibrating ring?”
“Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.”
I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’”
“I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.”
“But blue’s my favorite color,” I say, batting my eyelashes at him.
“Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?”
“For the visually impaired?” I ask, reshelving the boxes.
We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave.
“Do you think he knew?” I ask.
“You’re blushing again,” Jase mutters absently. “Did who know what?”
“The sales guy. Why we were buying these?”
A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.”
Okay, I’m ridiculous.
“Or party favors,” I laugh.
“Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.”
“Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans.
“Or little raincoats for . . .” He pauses, stumped.
“Barbie dolls,” I suggest.
“G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Empirical evidence suggests that the relationship between the profitability of larger share and smaller share depends on the industry. Exhibit 7-1 compares the rate of return on equity of the largest firms accounting for at least 30 percent of industry sales (leaders) to the rate of return on equity of the medium-sized firms in the same industry (followers). In this calculation small firms with assets less than $500,000 were excluded. Although some of the industries in the sample are overly broad, it is striking that followers were noticeably more profitable than leaders in 15 of 38 industries. The industries in which the followers’ rates of return were higher appear generally to be those where economies of scale are either not great or absent (clothing, footwear, pottery, meat products, carpets) and/or those that are highly segmented (optical, medical and ophthalmic goods, liquor, periodicals, carpets, and toys and sporting goods). The industries in which leaders’ rates of return are higher seem to be generally those with heavy advertising (soap; perfumes; soft drinks; grain mill products, i.e., cereal; cutlery) and/or research outlays and production economies of scale (radio and television, drugs, photographic equipment). This outcome is as we would expect.
”
”
Michael E. Porter (Competitive Strategy: Techniques for Analyzing Industries and Competitors)
“
Because alcohol is primarily a depressant, we reach for it to take the edge off. Which it does, initially. However, the counteractive process (or the B process) to the depressant nature of alcohol is a release of cortisol and adrenaline into the body. If you drink one glass of wine, you might have about twenty minutes of the desired “relaxed” effect before the drug (A process) wears off, and you’re left with increased amounts of cortisol and adrenaline, which fuel anxiety. This means alcohol causes anxiety; it doesn’t manage it.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Louie's mother, Louise, took a different tack. Louie was a copy of herself, right down to the vivid blue eyes. When pushed, she shoved; sold a bad cut of meat, she'd march down to the butcher, frying pan in hand. Loving mischief, she spread icing over a cardboard box and presented it as a birthday cake to a neighbor, who promptly got the knife stuck. When Pete told her he'd drink his castor oil if she gave him an empty candy box. "You only asked for the box, honey," she said with a smile. "That's all I got." And she understood Louie's restiveness. One Halloween, she dressed as a boy and raced around town trick-or-treating with Louie and Pete. A gang of kids, thinking she was one of the local toughs, tackled her and tried to steal her pants. Little Louise Zamperini, mother of four, was deep in the melee when the cops picked her up for brawling.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
“
The best life is the one in which the creative impulses play the largest part and the possessive impulses the smallest. This is no new discovery. The Gospel says: “Take no thought, saying, What shall we eat? or What shall we drink? or, Wherewithal shall we be clothed?” The thought we give to these things is taken away from matters of more importance. And what is worse, the habit of mind engendered by thinking of these things is a bad one; it leads to competition, envy, domination, cruelty, and almost all the moral evils that infest the world. In particular, it leads to the predatory use of force. Material possessions can be taken by force and enjoyed by the robber. Spiritual possessions cannot be taken in this way.
”
”
Bertrand Russell (Political Ideals)
“
We’ve now established three things. First, we don’t need willpower when we don’t desire to do something, and it isn’t a thing some of us have in excess and some of us don’t have at all. It’s a cognitive function, like deciding what to eat or solving a math equation or remembering your dad’s birthday. Willpower is also a limited resource; we have more of it at the beginning of the day and lose it throughout the day as we use it to write emails or not eat cookies. When you automate some decisions or processes (through forming habits), you free up more brain power. Second, for us to make and change a habit, we need a cue, a routine, and a reward, and enough repetition must occur for the process to move from something we have to think about consciously (“I need to brush my teeth,” “I don’t want to drink wine”) to something we do naturally, automatically. Third, throughout the day, we must manage our energy so that we don’t blow out and end up in the place of no return—a hyperaroused state where the only thing that can bring us down is a glass (or a bottle) of wine. Maybe
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
We had always talked easily and well, and as we carried our drinks away, I asked him what he thought there was in us that forced us to tell stories to ourselves about our own lives - to make up stories that had such an arbitrary resemblance to our actual living. Why did we pick certain dots and connect them and not others? Why did we find it so irresistible to make ourselves into tragic figures with tragic flaws which were responsible for our pain? Maybe unfortunate things just happened; maybe there was just bad luck. Why did it seem like our greatest failures were caused by perversions in our souls?
'Perhaps it's evolutionary,' he said. ' If we saw ourselves in realistic proportions - how tiny we are, and how little ability we have to avoid the suffering that's an inevitable part of life - maybe we would be too discouraged to survive.'
'Or maybe,' I said, 'the truth is so diffuse that our minds cannot even hold on to it.
”
”
Sheila Heti (How Should a Person Be?)
“
Calvin clears his throat. “Do you have anything to drink?”
Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.”
“You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.”
Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night.
“I have vodka.”
He smiles valiantly. “Straight-up vodka it is.”
“It’s Stoli.”
“Straight-up mediocre vodka it is,” he amends with a cheeky wink.
His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year.
Buzz. Buzz.
Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer.
“You can get it,” I assure him. “It’s okay.”
His face darkens with a flush. “I . . . don’t think I should.”
“It’s your phone! Of course it’s okay to answer it.”
“It’s not . . .”
Buzz. Buzz.
Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling?
Why had this not occurred to me?
Buzz. Buzz.
“Oh my God. Do you have a girlfriend?”
He looks horrified. “What? Of course not.”
Buzz. Buzz.
Holy shit, how long until his voicemail puts us out of our misery?
“. . . Boyfriend?”
“I don’t—” he starts, smiling through a wince. “It’s not.”
“ ‘Not’?”
“My phone isn’t ringing.”
I stare at him, bewildered.
His blush deepens. “It’s not a phone.”
When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone.
I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago.
I’m going to need to be pretty drunk to deal with this.
”
”
Christina Lauren (Roomies)
“
Next to enjoying ourselves, the next greatest pleasure consists in preventing others from enjoying themselves, or, more generally, in the acquisition of power. Consequently those who live under the dominion of Puritanism become exceedingly desirous of power. Now love of power does far more harm than love of drink or any of the other vices against which Puritans protest. Of course, in virtuous people love of power camouflages itself as love of doing good, but this makes very little difference to its social effects. It merely means that we punish our victims for being wicked, instead of for being our enemies. In either case, tyranny and war result. Moral indignation is one of the most harmful forces in the modern world, the more so as it can always be diverted to sinister uses by those who control propaganda.
”
”
Bertrand Russell (Sceptical Essays (Routledge Classics))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line.
There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.
”
”
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
“
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?"
"Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways.
"Oh," Toraf says. "It must be someone I know, then."
"Toraf, I swear by Triton's trident-"
"These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna."
"She's not going to any island with you, Toraf!" Emma yells.
"Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles.
Rayna shakes her head. "It's no use, Emma. I really don't have a choice."
She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you."
Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him.
Toraf shakes his head. "She's not staying with you, Emma."
"We'll see about that, tadpole," she returns.
"Galen, do something," Toraf says, not taking his eyes off Emma.
Galen grins. "Such as?"
"I don't know, arrest her or something," Toraf says, crossing his arms.
Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table.
Everyone gasps except Galen-who laughs so hard he almost upturns his chair.
Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?"
The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?"
Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt.
The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago."
This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly.
She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand."
She laughs and shows him it's empty. "No weapons."
"Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her.
She shrugs. "Survival instinct, maybe?"
He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks.
"Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I never understood rape until it happened to me. It was a concept- of savagery, of violence, of disrespect. I had read my share of Kate Millet and Susan Brownmiller but nothing prepared me for how to handle it. Within a marriage, fighting back has consequences. The man who rapes me is not a stranger who runs away. The man who rapes me is not the silhouette in the car park, he is not the masked assaulter, he is not the acquaintance who has spiked my drinks. He is someone who wakes up next to me. He is the husband for whom I make coffee the following morning. He is the husband who can shrug it away and tell me to stop imagining things. He is the husband who can blame his action on unbridled passion the next day, while I hobble from room to room.
I begin to learn that there are no screams that are loud enough to make my husband stop. There are no scream that cannot be silenced by the shock of a tight slap. There is no organic defence that can protect against penetration. He covers himself with enough lubricant to slide part my resistance. My legs go limp. I come apart.
”
”
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
“
It occurred to me, not exactly for the first time, that psychogeography didn't have much to do with the actual experience of walking. It was a nice idea, a clever idea, an art project, a conceit, but it had very little to do with any real walking, with any real experience of walking. And it confirmed for me what I'd really known all along, that walking isn't much good as a theoretical experience. You can dress it up any way you like, but walking remains resolutely simple, basic, analog. That's why I love it and love doing it. And in that respect--stay with me on this--it's not entirely unlike a martini. Sure you can add things to martinis, like chocolate or an olive stuffed with blue cheese or, God forbid, cotton candy, and similarly you can add things to your walks--constraints, shapes, notions of the mapping of utopian spaces--but you don't need to. And really, why would you? Why spoil a good drink? Why spoil a good walk?
”
”
Geoff Nicholson (The Lost Art of Walking: The History, Science, and Literature of Pedestrianism)
“
I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.
”
”
Amor Towles (A Gentleman in Moscow)
“
When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow.
But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe.
In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings?
If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.
”
”
Boria Sax (The Raven and the Sun: Poems and Stories)
“
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself,
"Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--"
"Can you really smell all those different things in this one wind?" asked the Doctor.
"Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones."
Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open.
For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream.
"Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a
granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting
through the rotting leaves; and--and--and--"
"Any parsnips?" asked Gub-Gub.
"No," said Jip. "You always think of things to eat. No parsnips whatever.
”
”
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle, #1))
“
Women find themselves arguing futilely that ‘just because’ I go out to work/smoke/drink/wear unorthodox clothes/enjoy male company—that doesn’t make me a whore. Is there any comparable good/bad imagery for men? Of course not. The feminist response to being called whores or chhinaal should not be to protest fruitlessly, ‘We are not whores!’ but to turn the insult around and ask, ‘What makes you think this is an insult? We refuse the terms of this insult.’ What if all women were to say we are ‘loose’—we are not tightly controlled—and if that makes us whores, then we are all whores. If we are all bad women, then patriarchy had better watch out. Or, as Archana Verma puts it: ‘One day, I will hear hurled at me the words, loose woman, chhinaal, prostitute … And I will turn around and say, “Thank you for the compliment”. That day will come. And it will be a day of feminist celebration.
”
”
Nivedita Menon (Seeing Like a Feminist)
“
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free.
Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer.
And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
”
”
David Simon
“
In contemporary industrialized democracies, the legitimate administration of violence is turned over to what is euphemistically referred to as “criminal law enforcement”—particularly, to police officers. I say “euphemistically” because generations of police sociologists have pointed out that only a very small proportion of what police actually do has anything to do with enforcing criminal law—or with criminal matters of any kind. Most of it has to do with regulations, or, to put it slightly more technically, with the scientific application of physical force, or the threat of physical force, to aid in the resolution of administrative problems.62 In other words they spend most of their time enforcing all those endless rules and regulations about who can buy or smoke or sell or build or eat or drink what where that don’t exist in places like small-town or rural Madagascar. So: Police are bureaucrats with weapons.
”
”
David Graeber (The Utopia of Rules)
“
Dear . . . God,” she blurted as she recoiled. The hallway beyond was filled with the males of the house, the Brothers and other fighters and Manny sitting on the floor with their backs to the bare walls, their legs stretched out, propped up, crossed at the knees or crossed at the ankles. Apparently there had been quite a bit of drinking going on, empty bottles of vodka and whiskey littered around them, glasses in hands or on thighs. “This is not as pathetic as it looks,” her Butch pointed out. “Liar,” V muttered. “It so fucking is. I think I’m going to start knitting for reals.” As the females emerged with her, each one of them registered shock, disbelief, and then a wry amusement. “Is it me,” one of the males groused, “or did we just perform our own mass castration out here?” “I think that just about sums this shit up,” somebody agreed. “I’m wearing panties under my leathers from now on. Anyone joining me?” “Lassiter already does,” V said as he got to his feet and went to Jane. “Hey.” And then it was group-reunion time. While the other pairs found one another, Butch smiled as Marissa came over to him and put out her hand to help him off the floor. As they embraced, he kissed her on the side of the neck. “Are you out of love with me now?” he murmured. “’ Cuz I’m pussy-whipped?” She leaned back in his arms. “Why? Because you pined after me while I was watching a dirty movie with my girls that wasn’t all that dirty? I think it’s actually— and brace yourself— really pretty cute.” “I’m still all man.” As she rolled her body against him, she let out a mmmm as she felt his erection. “Yes, I can tell.
”
”
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
“
champagne, n.
You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne.
You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water.
"The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time."
You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour.
"But why?" I ask as you hand me my glass.
You raise yours and ask, "Why not? What better way to start the day?"
We drink a toast to that.
”
”
David Levithan (The Lover's Dictionary)
“
One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation
”
”
Amy Chua (Battle Hymn of the Tiger Mother)
“
They walked on into the dark and they slept like dogs in the sand and had been sleeping so when something black flapped up out of the night ground and perched on Sproule's chest. Fine fingerbones stayed the leather wings with which it steadied as it walked upon him. A wrinkled pug face, small and vicious, bare lips crimped in a
horrible smile and teeth pale blue in the starlight. It leaned to him. It crafted in his neck two narrow grooves and folding its wings over him it began to drink his blood.
Not soft enough. He woke, put up a hand. He shrieked and the bloodbat flailed and sat back upon his chest and righted itself again and hissed and clicked its teeth.
The kid was up and had seized a rock but the bat sprang away and vanished in the dark. Sproule was clawing at his neck and he was gibbering hysterically and when he saw the kid standing there looking down at him he held out to him his bloodied hands
as if in accusation and then clapped them to his ears and cried out what it seemed he himself would not hear, a howl of such outrage as to stitch a caesura in the pulsebeat of the world. But the kid only spat into the darkness of the space between them. I
know your kind, he said. What's wrong with you is wrong all the way through you.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
We are supposed to consume alcohol and enjoy it, but we're not supposed to become alcoholics. Imagine if this were the same with cocaine. Imagine we grew up watching our parents snort lines at dinner, celebrations, sporting events, brunches, and funerals. We'd sometimes (or often) see our parents coked out of our minds the way we sometimes (or often) see them drunk. We'd witness them coming down after a cocaine binge the way we see them recovering from a hangover. Kiosks at Disneyland would see it so our parents could make it through a day of fun, our mom's book club would be one big blow-fest and instead of "mommy juice" it would be called "mommy powder" There'd be coke-tasting parties in Napa and cocaine cellars in fancy people's homes, and everyone we know (including our pastors, nurses, teachers, coaches, bosses) would snort it. The message we'd pick up as kids could be Cocaine is great, and one day you'll get to try it, too! Just don't become addicted to it or take it too far. Try it; use it responsibly. Don't become a cocaine-oholic though. Now, I'm sure you're thinking. That's insane, everyone knows cocaine is far more addicting than alcohol and far more dangerous. Except, it's not...The point is not that alcohol is worse than cocaine. The point is that we have a really clear understanding that cocaine is toxic and addictive. We know there's no safe amount of it, no such thing as "moderate" cocaine use; we know it can hook us and rob us of everything we care about...We know we are better off not tangling with it at all.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
There was nothing you could be sure about, it was all lies, and it was all done to mess with minds because the control and the power trip was so important to them, as well as it being necessary in terms of screwing up anything you might remember from an evidential perspective.
They would also build up your hopes, in terms of any tiny thing you did like or were less scared of, so I'd be told that it would be a nice night because Uncle Andrew would be coming, but then it wouldn't be him. There would be someone else There would be someone else who I was told was my Uncle Andrew as he was raping me. Sometimes, this other person would have a mask on but I would know that it wasn't really him. They would be the wrong height or the wrong weight or, sometimes, even obviously a woman. There were occasions when I would be told to call the person Uncle Andrew and then when I did, they would ask me why I was doing that. Sometimes he would be there, too, but that was rare.
Was it Satanic? I don't know.
Personally I don't believe in God or Satan or any of those things, but abusers use whatever they can to silence children because if you go to the police and say something about Satan, you are so much less likely to be believed. I personally think they were just a group of likeminded people who had no beliefs other than that they wanted to get satisfaction out of abusing children and it's as simple and horrible as that.
My uncle certainly doesn't have any satanic beliefs — he just thinks that he loves children and is allowed to get sexual satisfaction from them. Why is there sex involved if it is just about Satan? Why does it always come down to them getting off? No matter what they do that's all it is, whether masturbation or penetration or humiliation, that's what it's about. I encountered people who just liked to humiliate — they wouldn't allow you to go to the bathroom, you would be given drink after drink, fizzy drinks, whatever, so you ended up absolutely desperate and that's where they got off — that's when they started to masturbate themselves, as you stood there peeing yourself. That was just awful, so humiliating. Where is God or Satan in that?
(her Uncle was convicted for abusing her and jailed)
”
”
Laurie Matthew (Groomed)
“
Perhaps some wine will wash things clean,’ suggested Bugg.
‘Won’t hurt. Pour us some, please. You, guard, come and join us—standing there doing nothing must be a dreadful bore. No need to gape like that, I assure you. Doff that helm and relax—there’s another guard just like you on the other side of that door, after all. Let him bear the added burden of diligence. Tell us about yourself. Family, friends, hobbies, scandals—’
‘Sire,’ warned Bugg.
‘Or just join us in a drink and feel under no pressure to say anything at all. This shall be one of those interludes swiftly glossed over in the portentous histories of great and mediocre kings. We sit in the desultory aftermath, oblivious to omens and whatever storm waits behind yonder horizon. Ah, thank you, Bugg—my Queen, accept that goblet and come sit on my knee—oh, don’t make that kind of face, we need to compose the proper scene. I insist and since I’m King I can do that, or so I read somewhere. Now, let’s see . . . yes, Bugg, stand right over there—oh, massaging your brow is the perfect pose. And you, dearest guard—how did you manage to hide all that hair? And how come I never knew you were a woman? Never mind, you’re an unexpected delight—ow, calm down, wife—oh, that’s me who needs to calm down. Sorry. Women in uniforms and all that. Guard, that dangling helm is exquisite by the way, take a mouthful and do pass judgement on the vintage, yes, like that, oh, most perfect!
‘Now, it’s just occurred to me that we’re missing something crucial. Ah, yes, an artist. Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!
”
”
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
“
Modern man is drinking and drugging himself out of awareness, or he spends his time shopping, which is the same thing. As awareness calls for types of heroic dedication that his culture no longer provides for him, society contrives to help him forget. Or, alternatively, he buries himself in psychology in the belief that awareness all by itself will be some kind of magical cure for his problems. But psychology was born with the breakdown of shared social heroisms; it can only be gone beyond with the creation of new heroisms that are basically matters of belief and will, dedication to a vision. Lifton has recently concluded the same thing, from a conceptual point of view almost identical to Rank's. When a thinker of Norman Brown's stature wrote his later book Love's Body, he was led to take his thought to this same point. He realized that the only way to get beyond the natural contradictions of existence was in the timeworn religious way: to project one's problems onto a god-figure, to be healed by an all-embracing and all-justifying beyond. To talk in these terms is not at all the same thing as to talk the language of the psychotherapeutic religionists. Rank was also not nor so messianic: he saw that the orientation of men has to be always beyond their bodies, has to be grounded in healthy repressions, and toward explicit immortality-ideologies, myths of heroic transcendence.
”
”
Ernest Becker (The Denial of Death)
“
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
”
”
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
“
She was the first close friend who I felt like I’d really chosen. We weren’t in each other’s lives because of any obligation to the past or convenience of the present. We had no shared history and we had no reason to spend all our time to gether. But we did. Our friendship intensified as all our friends had children – she, like me, was unconvinced about having kids. And she, like me, found herself in a relationship in her early thirties where they weren’t specifically working towards starting a family.
By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Every time there was another pregnancy announcement from a friend, I’d just text the words ‘And another one!’ and she’d know what I meant.
She became the person I spent most of my free time with other than Andy, because she was the only friend who had any free time. She could meet me for a drink without planning it a month in advance. Our friendship made me feel liberated as well as safe. I looked at her life choices with no sympathy or concern for her. If I could admire her decision to remain child-free, I felt encouraged to admire my own. She made me feel normal. As long as I had our friendship, I wasn’t alone and I had reason to believe I was on the right track.
We arranged to meet for dinner in Soho after work on a Friday. The waiter took our drinks order and I asked for our usual – two Dirty Vodka Martinis.
‘Er, not for me,’ she said. ‘A sparkling water, thank you.’ I was ready to make a joke about her uncharacteristic abstinence, which she sensed, so as soon as the waiter left she said: ‘I’m pregnant.’
I didn’t know what to say. I can’t imagine the expression on my face was particularly enthusiastic, but I couldn’t help it – I was shocked and felt an unwarranted but intense sense of betrayal. In a delayed reaction, I stood up and went to her side of the table to hug her, unable to find words of congratulations. I asked what had made her change her mind and she spoke in vagaries about it ‘just being the right time’ and wouldn’t elaborate any further and give me an answer. And I needed an answer. I needed an answer more than anything that night. I needed to know whether she’d had a realization that I hadn’t and, if so, I wanted to know how to get it.
When I woke up the next day, I realized the feeling I was experiencing was not anger or jealousy or bitterness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t really gone, they were still my friends and I still loved them. But huge parts of them had disappeared and there was nothing they could do to change that. Unless I joined them in their spaces, on their schedules, with their families, I would barely see them.
And I started dreaming of another life, one completely removed from all of it. No more children’s birthday parties, no more christenings, no more barbecues in the suburbs. A life I hadn’t ever seriously contemplated before. I started dreaming of what it would be like to start all over again. Because as long as I was here in the only London I knew – middle-class London, corporate London, mid-thirties London, married London – I was in their world. And I knew there was a whole other world out there.
”
”
Dolly Alderton (Good Material)
“
Rayna does not get sick on planes. Also, Rayna does not stop talking on planes. By the time we land at Okaloosa Regional Airport, I’m wondering if I’ve spoken as many words in my entire life as she did on the plane. With no layovers, it was the longest forty-five minutes of my whole freaking existence.
I can tell Rachel’s nerves are also fringed. She orders an SUV limo-Rachel never does anything small-to pick us up and insists that Rayna try the complimentary champagne. I’m fairly certain it’s the first alcoholic beverage Rayna’s ever had, and by the time we reach the hotel on the beach, I’m all the way certain.
As Rayna snores in the seat across from me, Rachel checks us into the hotel and has our bags taken to our room. “Do you want to head over to the Gulfarium now?” she asks. “Or, uh, rest up a bit and wait for Rayna to wake up?”
This is an important decision. Personally, I’m not tired at all and would love to see a liquored-up Rayna negotiate the stairs at the Gulfarium. But I’d feel a certain guilt if she hit her hard head on a wooden rail or something and then we’d have to pay the Gulfarium for the damages her thick skull would surely cause. Plus, I’d have to suffer a reproving look from Dr. Milligan, which might actually hurt my feelings because he reminds me a bit of my dad.
So I decide to do the right thing. “Let’s rest for a while and let her snap out of it. I’ll call Dr. Milligan and let him know we’ve checked in.”
Two hours later, Sleeping Beast wakes up and we head to see Dr. Milligan. Rayna is particularly grouchy when hungover-can you even get hungover from drinking champagne?-so she’s not terribly inclined to be nice to the security guard who lets us in. She mutters something under her breath-thank God she doesn’t have a real voice-and pushes past him like the spoiled Royalty she is.
I’m just about aggravated beyond redemption-until we see Dr. Milligan in a new exhibit of stingrays. He coos and murmurs as if they’re a litter of puppies in the tank begging to play with him. When he notices our arrival he smiles, and it feels like a coconut slushy on a sweltering day and it almost makes up for the crap I’ve been put through these past few days.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years.
Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest.
“Cecily said it was Colby,” Leta said unsteadily.
“Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.”
“That doesn’t sound like the life of a playboy widower,” Leta said caustically.
“My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.”
“I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.”
“It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?”
She shrugged. “Pick a reason.”
He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily.
“He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks.
“I’ll punch him for that,” Matt said darkly.
“Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.”
“You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…”
He turned back to Cecily and grimaced. “Good God, what did you do that for?”
“Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!”
“I hope you never get mad at me,” Matt said.
“Fat chance.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
if consumer demand should increase for the goods or services of any private business, the private firm is delighted; it woos and welcomes the new business and expands its operations eagerly to fill the new orders. Government, in contrast, generally meets this situation by sourly urging or even ordering consumers to “buy” less, and allows shortages to develop, along with deterioration in the quality of its service. Thus, the increased consumer use of government streets in the cities is met by aggravated traffic congestion and by continuing denunciations and threats against people who drive their own cars. The New York City administration, for example, is continually threatening to outlaw the use of private cars in Manhattan, where congestion has been most troublesome. It is only government, of course, that would ever think of bludgeoning consumers in this way; it is only government that has the audacity to “solve” traffic congestion by forcing private cars (or trucks or taxis or whatever) off the road. According to this principle, of course, the “ideal” solution to traffic congestion is simply to outlaw all vehicles! But this sort of attitude toward the consumer is not confined to traffic on the streets. New York City, for example, has suffered periodically from a water “shortage.” Here is a situation where, for many years, the city government has had a compulsory monopoly of the supply of water to its citizens. Failing to supply enough water, and failing to price that water in such a way as to clear the market, to equate supply and demand (which private enterprise does automatically), New York’s response to water shortages has always been to blame not itself, but the consumer, whose sin has been to use “too much” water. The city administration could only react by outlawing the sprinkling of lawns, restricting use of water, and demanding that people drink less water. In this way, government transfers its own failings to the scapegoat user, who is threatened and bludgeoned instead of being served well and efficiently. There has been similar response by government to the ever-accelerating crime problem in New York City. Instead of providing efficient police protection, the city’s reaction has been to force the innocent citizen to stay out of crime-prone areas. Thus, after Central Park in Manhattan became a notorious center for muggings and other crime in the night hours, New York City’s “solution” to the problem was to impose a curfew, banning use of the park in those hours. In short, if an innocent citizen wants to stay in Central Park at night, it is he who is arrested for disobeying the curfew; it is, of course, easier to arrest him than to rid the park of crime. In short, while the long-held motto of private enterprise is that “the customer is always right,” the implicit maxim of government operation is that the customer is always to be blamed.
”
”
Murray N. Rothbard (For a New Liberty: The Libertarian Manifesto (LvMI))
“
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage.
But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought.
Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his.
"Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it."
He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite.
"I'm glad to see your stomach is better," he said as she was finishing.
She looked up,startled. "What makes you say that?"
"You haven't seemed able to eat regularly of late."
"Oh,well,you know...so many changes...travel...all that."
He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him.
"Rycca?"
She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?"
"Something...?"
"I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot."
"Not so! You could never be that."
"Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?"
"Some women are not all that regular."
"Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-"
She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?"
"What? Will what? Does that mean-"
"I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more."
Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?"
"I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now."
"Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her.
Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered.
Nine...ten...
"We're going to have a baby."
Not long at all.
She nodded happily. "Yes,we are, and you're going to be a wonderful father."
He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her.
"My God-"
Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen."
"True,but still it's absolutely incredible."
Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby."
Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing.
Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))