Opposing Girl Quotes

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We used to laugh at our small selves, saying that I was a bad girl trying to be good and that he was a good boy trying to be bad. Through the years these roles would reverse, then reverse again, until we came to accept our dual natures. We contained opposing principles, light and dark.
Patti Smith (Just Kids)
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion. You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world. You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue. That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
Mrs. Bonneville never buckled her seat belt, even though it was required by state law; an ardent libertarian, she opposed government meddling in all matters of personal choice.
Carl Hiaasen (Nature Girl)
So there’s no way home?” Agatha asked, eyes welling. “Not unless it’s your ending,” the School Master said. “And going home together is a rather far-fetched ending for two girls fighting for opposing sides, don’t you think?
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls ... There is one subject which I am emphatically opposed to: any kind of representation of a little girl.
Vladimir Nabokov
But sitting here beside this girl as unknown to him now as outer space, waiting for whatever she might say to unfreeze him, now he felt like he could see the edge or outline of what a real vision of hell might be. It was of two great and terrible armies within himself, opposed and facing each other, silent. There would be battle but no victor. Or never a battle- the armies would stay like that, motionless, looking across at each other and seeing therein something so different and alien from themselves that they could not understand, they could not hear each other's speech as even words or read anything from what their faces looked like, frozen like that, opposed and uncomprehending, for all human time. Two hearted, a hypocrite to yourself either way.
David Foster Wallace (The Pale King)
Juliet felt slighted yet relieved. It was curious how you could hold two quite opposing feelings at the same time, an unsettling emotional discord. She felt an odd pang at the sight of him. She had been fond of him. She had been his girl. Reader, I didn’t marry him, she thought.
Kate Atkinson (Transcription)
I hit on something I believe when I wrote that I meant to be a Poet and a Poem. It may be that this is the desire of all reading women, as opposed to reading men, who wish to be poets and heroes, but might see the inditing of poetry in our peaceful age, as a sufficiently heroic act. No one wishes a man to be a Poem. That young girl in her muslin was a poem; cousin Ned wrote an execrable sonnet about the chaste sweetness of her face and the intuitive goodness shining in her walk. But now I think -- it might have been better, might it not, to have held on to the desire to be a Poet?
A.S. Byatt (Possession)
But Ocean was all the traditionally pleasant things a girl might like about a guy, which made his friendliness dangerous to me. I might’ve been an angry teenager, but I wasn’t also blind. I wasn’t magically immune to cute guys, and it had not escaped my notice that Ocean was a superlative kind of good-looking. He dressed nicely. He smelled pleasant. He was very polite. But he and I seemed to come from worlds so diametrically opposed that I knew better than to allow his friendship in my life.
Tahereh Mafi (A Very Large Expanse of Sea)
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
Italo Calvino (Invisible Cities)
The girl with the shaved head has a scar tattooed on her scalp. It looks like a long, sutured gash. You tell her it is very realistic. She takes this as a compliment and thanks you. You meant as opposed to romantic. “I could use one of those right over my heart,” you say.
Jay McInerney (Bright Lights, Big City)
I’m almost 36, and I have learned that I don’t really need to “appreciate everyone’s point of view.” I mean, you can have politics that are opposed to mine. Fine. But if you do, we are not going to be friends.
Mia McKenzie (Black Girl Dangerous On Race, Queerness, Class and Gender)
You have no choice but to live through whatever’s happening. I mean . . . as opposed to what? If you’re going to continue to live, then you’re going to deal with it. You have no choice. You can say, ‘I’m going to fall apart now.
Catherine Ryan Hyde (Brave Girl, Quiet Girl)
Not once after graduating from Bryan was I asked to make a case for the scientific feasibility of miracles, but often I was asked why Christians aren't more like Jesus. I may have met one or two people who rejected Christianity because they had difficulties with the deity of Christ, but most rejected Christianity because they thought it means becoming judgmental, narrow-minded, intolerant, and unkind. People didn't argue with me about the problem of evil; they argued about why Christians aren't doing more to alleviate human suffering, support the poor, and oppose violence and war. Most weren’t looking for a faith that provided all the answers; they were looking for one in which they were free to ask questions.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
As a woman, you walk into all kinds of unknown situations that cause you to fall in love, put someone else’s needs before your own, and make unbelievable sacrifices. As time goes by, falling in love has its consequences. You fall in love with your mate, children, family, and job. However, you do not receive a fraction of what you have given in return. Sadly, nobody sees you are beyond exhausted. They want you to go, go and go without complaining. If they carefully pay attention and think about it; when was the last time they saw you smile, truly smile? When was the last time they saw you happy, truly happy? When was the last time they offered to help you, as opposed to asking could you do this or that? When was the last time they gave you a moment to breathe?
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Look at Tain Shir and you cannot fathom the name behind the cartouche. You cannot extract her reasons. You only see why men turn to religion: for hope that there are gods to oppose her.
Seth Dickinson (The Monster Baru Cormorant (The Masquerade, #2))
Courtney replied that she herself is a big fan of the non sequitur which really only means that a conversation is free-flowing and intuitive, as opposed to following a predictable trajectory, so to speak
Bernardine Evaristo (Girl, Woman, Other)
The young lady was once a rose without thorns because she was taught how to take care of everyone else, as opposed to taking care of herself. After the betrayals, hurt, pain and bitterness, she becomes a rose with thorns. However, the thorns pricked and scared her, because she was groomed to be what other people wanted her to be. Now she has to learn how to handle the thorns of life on her own. As the thorns grow thicker and sharper, her personality changes; she is now labeled as bitter, quick-tempered, and a bad influence on others because her attitude has changed. Sad to say, the same people who molded her to be the “perfect” young lady, are the ones who are back-biting her. They fail to realize it was their doing. Everyone should be born with thorns so that they are entitled to make mistakes and learn from them. They will know how it feels to love, to be loved, and to know how to heal if love doesn’t work out accordingly.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I have always enjoyed watching women dress. The appeal isn't sexual. Most girls' first glimpse of private female life is watching their mothers dress and put makeup on. It makes sense that we'd find it comforting. Childhood fascinations often crystallize this way. Isn't beauty forever defined, in a sense, by the first things we found beautiful? Surely part of my pleasure results from the inundation of images that we all experience. But I also love ritual, and it is a mesmerizing one. I enjoy the ritual of dressing myself, too. It is a form of basking in a kind of femininity that I am opposed to as an ideal, but for better or worse, I think we all fetishize the female body, and intellectualization doesn't spare anyone the obsession.
Melissa Febos (Whip Smart: A Memoir)
It’s not a matter of Dad sitting down with his preadolescent son and incorporating 'Don’t be a criminal!' into the 'birds and the bees' talk. (I mean, that couldn’t hurt, probably. But it’s not the point.) It’s about teaching our boys to actively oppose sexual violence. It’s all well and good to say you’re against rape and would never rape anyone, end of story. But somewhere in that crowd of guys laughing about an unconscious girl getting 'a wang in the butthole, dude'—and the one listening to Daniel Tosh say, 'Wouldn’t it be funny if she got gang-raped right now?' and the one reading an op-ed in the Washington Post that puts 'sexual assault' in quotation marks, as though it exists only in the eye of the beholder—somewhere in all of those crowds is the guy who would rape someone. The guy who will rape someone. The guy who has raped someone. And could you blame any of those guys for thinking that rape is not a serious crime, or even something to be particularly ashamed of, when so many 'good' guys around them are laughing at the same jokes?
Kate Harding
showed him some of the gruesome crime-scene photos we worked with every day. I let him experience recordings made by killers while they were torturing their victims. I made him listen to one of two teenage girls in Los Angeles being tortured to death in the back of a van by two thrill-seeking killers who had recently been let out of prison. Glenn wept as his listened to the tapes. He said to me, “I had no idea there were people out there who could do anything like this.” An intelligent, compassionate father with two girls of his own, Glenn said that after seeing and hearing what he did in my office, he could no longer oppose the death penalty: “The experience in Quantico changed my mind about that for all time.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
It's about the ways in which girls deal with anger and aggression, as opposed to the ways in which boys do. The premise is that boys tend to be more direct in their aggression - physical confrontation - while in contrast, girls use an indirect approach known as relational aggression. Relational aggression is a form of aggression where the group is used as a weapon to assault others and others' relationships. It uses lies, secrets, betrayals and a host of other two-faced tactics to destroy or damage the relationships and social standing of others in the group.
Anonymous
I'm opposed to segregation. It's basically antisocial and gives rise to the worst kind of sexism... When a boy or girl has been forced along the straight and narrow for an unnatural length of time, most of them rush headlong into unexplored territory at the first brush with freedom. I think it causes a lot of disillusion and unhappiness.
Emma Darcy (A World Apart)
star stays alive as a result of two opposing actions, the fusion at its core forcing it outwards and the gravitational pull keeping it together. She saw it as a balancing act, a tug of war from which a victor eventually emerges, once the fuel for the reactions runs out and the explosions weaken. When gravity gains the upper hand, the celestial body shrinks like a punctured balloon and becomes smaller and smaller. In this way, a star can vanish into nothing. Salander liked black holes. She felt an affinity to them.
David Lagercrantz (The Girl in the Spider's Web (Millennium, #4))
I liked the idea of marking the place where a life ends as opposed to the place a corpse is buried. And also the idea of leaving remains uncollected. It's bad enough being dead, but it's worse to have people see you dead, and to have living hands feel a dead you, jostle and dress you, push your stiffening arms into clean sleeves and cry over your blood-drained body.
Hilary Thayer Hamann (Anthropology of an American Girl)
In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.
Leo Tolstoy (Anna Karenina)
bugs me are the trans troublemakers, you should have seen the stick I got when I announced my festival was for women-born-women as opposed to women-born-men, I was accused of being transphobic, which I’m not, I’m absolutely not, I have trans friends, but there is a difference, a man raised as a man might not feel like one but he’s been treated as one by the world, so how can he be exactly the same as us?
Bernardine Evaristo (Girl, Woman, Other)
You know, they did let you have that room,” I said. “In fact, I think they’re assuming you’ll use it, as opposed to lingering in strange hallways.” She responded to me with, “Girl, I am bored outta my tits.” “Can we have one cross-country quest without talking about your tits?” Her pretty dark eyes went narrow and thoughtful, and she caressed her cheek with a long fingernail colored jack-o’-lantern orange. After a thoughtful pause, she shook her head. “I don’t see how.” “I figured.
MaryJanice Davidson (Undead and Unwelcome (Undead, #8))
With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
It was the middle-class female solidarity, defending a nice girl from charges of calculation and viciousness. Nice girls marry for love. But should they fall out of love, they must be free to love another. No decent husband will oppose the heart.
Saul Bellow (Herzog)
For me, madness was definitely not a condition of illness; I did not believe that I was ill. It was rather a country, opposed to Reality, where reigned an implacable light, blinding, leaving no place for shadow; an immense space without boundary, limitless, flat; a mineral, lunar country, cold as the wastes of the North Pole. In this stretching emptiness, all is unchangeable, immobile, congealed, crystallised. Objects are stage trappings, placed here and there, geometric cubes without meaning. People turn weirdly about, they make gestures, movements without sense; they are phantoms whirling on an infinite plain, crushed by the pitiless electric light. And I - I am lost in it, isolated, cold, stripped purposeless under the light.
Marguerite Sechehaye (Autobiography of a Schizophrenic Girl)
After six months of writing to one another, they met. It was like nothing she’d ever experienced. Like magnets finding their opposing force. It was love in all the ways she had never known. There was everything to learn about each other. Everything to unlearn about herself.
Lucy Clarke (One of the Girls)
But war is a terrible thing," said Tip, thoughtfully. "This war will be pleasant," replied the girl, cheerfully. "Many of you will be slain!" continued the boy, in an awed voice. "Oh, no", said Jinjur. "What man would oppose a girl, or dare to harm her? And there is not an ugly face in my entire Army." Tip laughed.
L. Frank Baum (The Illustrated Land of Oz)
Emotionally unavailable means not fully emotionally present. It’s struggling or being unable to access emotions healthily and as a result, being emotionally distant due to ‘walls’ which basically act as barriers to true emotional intimacy. Fully experiencing all feelings, whether good, bad, or indifferent, is avoided because they create vulnerability, so feelings are experienced often for a limited time and in bursts as opposed to consistently feeling on an ongoing basis. Emotionally unavailable equates to intimacy issues, which is being afraid of the consequences of getting truly emotionally close to someone such that to lose them would hurt.
Natalie Lue (Mr Unavailable & The Fallback Girl)
I believe women’s groups are essential for each of us individually but also for society generally—because progress depends on inclusion, and inclusion begins with women. I’m not saying we should include women and girls as opposed to men and boys, but along with them and on behalf of them. This is not about bringing women in and leaving others out. It’s about bringing women in as a way to bring everyone in.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The mental agony I have suffered, during the last two days, wrings from me the avowal to you of a passion which, as you well know, is not one of yesterday, nor one I have lightly formed. On Rose, sweet, gentle girl! my heart is set, as firmly as ever heart of man was set on woman. I have no thought, no view, no hope in life, beyond her; and if you oppose me in this great stake, you take my peace and happiness in your hands, and cast them to the wind. Mother, think better of this, and of me, and do not disregard the happiness of which you seem to think so little.
Charles Dickens (Oliver Twist)
There is a principle to be learned by studying the biological origins of moral reasoning. It is that outside the clearest ethical precepts, such as the condemnation of slavery, child abuse, and genocide, which all will agree should be opposed everywhere without exception, there is a larger gray domain inherently difficult to navigate. The declaration of ethical precepts and judgments made from them requires a full understanding of why we care about the matter one way or the other, and that includes the biological history of the emotions engaged. This inquiry has not been done. In fact, it is seldom even imagined. With deepened self-understanding, how will we feel about morality and honor? I have no doubt that in many cases, perhaps the great majority, the precepts shared by most societies today will stand the test of biology-based realism. Others, such as the ban on artificial conception, condemnation of homosexual preference and forced marriages of adolescent girls, will not. Whatever the outcome, it seems clear that ethical philosophy will benefit from a reconstruction of its precepts based on both science and culture. If such greater understanding amounts to the “moral relativism” so fervently despised by the doctrinally righteous, so be it.
Edward O. Wilson (The Social Conquest of Earth)
Flowers, you who end in close affinity to the arrangers’ hands (Hands of girls then, hands of girls now), You who cover the garden table from end to end, Grown weak, gently injured, Waiting for water which revives you once more From a death already commenced - and now Again taken up between the opposing, sorting Fingers and their feeling of you, and which can so well Show you favour, give ease more than you had imagined, As you recover yourselves in a jug, Cooling slowly, and the ardour of the girls like confessions Given up by you, seeping forth like muddy and tiresome sins You committed by being plucked, - these are another tie between you, So joined in alliance by both your blossomings.
Rainer Maria Rilke (Sonnets to Orpheus)
Jenny Marzen made millions of dollars, as opposed to nickels, by writing novels that got seriously reviewed while selling big. Amy had skimmed her first one, a mildly clever thing about a philosophy professor who discovers her husband is cheating on her with one of her grad students, and who, while feigning ignorance of the affair, drives the girl mad with increasingly brutal critiques and research tasks, at one point banishing her to Beirut, first to learn fluent Arabic and then to read Avicenna's Al-Qanun fi al-Tibb, housed in the American University. This was, Amy thought, a showoffy detail that hinted at Marzen's impressive erudition but was probably arrived at within five Googling minutes.
Jincy Willett (Amy Falls Down (Amy Gallup, #2))
Sometimes,” she told me, “a girl will give a guy a blow job at the end of the night because she doesn’t want to have sex with him and he expects to be satisfied. So if I want him to leave and I don’t want anything to happen . . .” She trailed off, leaving me to imagine the rest. There was so much to unpack in that short statement: why a young man should expect to be sexually satisfied; why a girl not only isn’t outraged, but considers it her obligation to comply; why she doesn’t think a blow job constitutes “anything happening”; the pressure young women face in any personal relationship to put others’ needs before their own; the potential justification of assault with a chaser of self-blame. “It goes back to girls feeling guilty,” Anna said. “If you go to a guy’s room and are hooking up with him, you feel bad leaving him without pleasing him in some way. But, you know, it’s unfair. I don’t think he feels badly for you.” In their research on high school girls and oral sex, April Burns, a professor of psychology at City University of New York, and her colleagues found that girls thought of fellatio kind of like homework: a chore to get done, a skill to master, one on which they expected to be evaluated, possibly publicly. As with schoolwork, they worried about failing or performing poorly—earning the equivalent of low marks. Although they took satisfaction in a task well done, the pleasure they described was never physical, never located in their own bodies. They were both dispassionate and nonpassionate about oral sex—socialized, the researchers concluded, to see themselves as “learners” in their encounters rather than “yearners.” The concern with pleasing, as opposed to pleasure, was pervasive among the girls I met, especially among high schoolers, who were just starting sexual experimentation.
Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of "If you liked The Music Room, you'll love The Massage Room.
Michel Houellebecq (Platform)
A lot of girls think they're ready to have sex, but then change their mind, after the fact." It took Daniel a minute to find his voice. "Are you saying that my daughter's lying?" "No. But I want you to understand that even if Trixie is willing to testify, you might not get the outcome you're hoping for." "She's fourteen, for God's sake," Daniel said. "Kids younger than that are having sex. And according to the medical report, there wasn't significant internal trauma." "She wasn't hurt enough?" "I'm just saying that given the details-the alcohol, the strip poker, the former relationship with Jason-rape could be a hard sell to a jury. The boy's going to say it was consensual." Daniel clenched his jaw. "If a murder suspect told you he was innocent, would you just let him walk away?" "It's not quite the same-" "No, it's not. Because the murder victim's dead and can't give you any information about what really happened. As opposed to my daughter, the one who's inside there telling you exactly how she was raped, while you aren't fucking listening to her.
Jodi Picoult (The Tenth Circle)
When feminist theorizing of prostitution frames the practice as ordinary work which enables women to express ‘choice’ and ‘agency’, and represents trafficked women in debt bondage as simply ‘migrating for labour’, it serves to normalize the industry and support its growth. It air brushes the harms that girls and women suffer in prostitution and makes it very difficult for feminist activists to oppose the construction of prostitution industries as an ordinary part of economic development, and demand dignified work for women. Such theorizing also supports the campaign by the prostitution industry, sex work organizations and some governments to legalize or decriminalize prostitution. For the industry to prosper, toleration is good, but legalization is better. Thus the approaches that feminist theorists choose to take have important implications. The growth of the industry multiplies the harms that are an integral part of prostitution and other forms of sexual exploitation whether ‘legal’ or not. The sex industry cannot be quarantined, set apart from the rest of the society for men to abuse the women caught within the industry in seclusion.
Sheila Jeffreys (The Industrial Vagina: The Political Economy of the Global Sex Trade)
But it is easy to be angry with the father, the judge, and the friend. It is also fitting, up to a point. Yet it would be a mistake to view them as on a different plane of moral obtuseness, as opposed to merely being on the extreme end of a himpathetic spectrum on which many of us lie. Brock Turner's defenders exhibited forgiving tendencies, and spun exonerating narratives, that are all too commonly extended to men in his position. And such tendencies seem largely from capacities and qualities of which we're rarely critical: such as sympathy, empathy, trust in one's friends, devotion to one's children, and having as much faith in someone's good character as is compatible with the evidence. These are all important capacities and qualities, all else being equal. But they can have a downside, when all else is not equal: for example, when social inequality remains widespread. Their naive deployment will tend to further privilege those already unjustly privileged over others. And this may come at the expense of unfairly impugning, blaming, shaming, further endangering, and erasing the less privileged among their victims. In some cases, the perpetrators, knowing this, select their victims on this basis.
Kate Manne (Down Girl: The Logic of Misogyny)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Herbenick invited me to sit in on the Human Sexuality class she was about to teach, one of the most popular courses on Indiana’s campus. She was, on that day, delivering a lecture on gender disparities in sexual satisfaction. More than one hundred fifty students were already seated in the classroom when we arrived, nearly all of them female, most dressed in sweats, their hair pulled into haphazard ponytails. They listened raptly as Herbenick explained the vastly different language young men and young women use when describing “good sex.” “Men are more likely to talk about pleasure, about orgasm,” Herbenick said. “Women talk more about absence of pain. Thirty percent of female college students say they experience pain during their sexual encounters as opposed to five percent of men.” The rates of pain among women, she added, shoot up to 70 percent when anal sex is included. Until recently, anal sex was a relatively rare practice among young adults. But as it’s become disproportionately common in porn—and the big payoff in R-rated fare such as Kingsman and The To Do List—it’s also on the rise in real life. In 1992 only 16 percent of women aged eighteen to twenty-four said they had tried anal sex. Today 20 percent of women eighteen to nineteen have, and by ages twenty to twenty-four it’s up to 40 percent. A 2014 study of heterosexuals sixteen to eighteen years old—and can we pause for a moment to consider just how young that is?—found that it was mainly boys who pushed for “fifth base,” approaching it less as a form of intimacy with a partner (who they assumed would both need to be and could be coerced into it) than a competition with other boys. Girls were expected to endure the act, which they consistently reported as painful. Both sexes blamed that discomfort on the girls themselves, for being “naïve or flawed,” unable to “relax.” Deborah Tolman has bluntly called anal “the new oral.” “Since all girls are now presumed to have oral sex in their repertoire,” she said, “anal sex is becoming the new ‘Will she do it or not?’ behavior, the new ‘Prove you love me.’” And still, she added, “girls’ sexual pleasure is not part of the equation.” According to Herbenick, the rise of anal sex places new pressures on young women to perform or else be labeled a prude. “It’s a metaphor, a symbol in one concrete behavior for the lack of education about sex, the normalization of female pain, and the way what had once been stigmatized has, over the course of a decade, become expected. If you don’t want to do it you’re suddenly not good enough, you’re frigid, you’re missing out, you’re not exploring your sexuality, you’re not adventurous.
Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
Despite indications of affection, a strong Anti-Semitic bias remained. In an 1878 campaign speech Senator John T. Morgan of Alabama referred to a candidate as a 'Jew-dog,' and the following year Senator Morgan opposed the appointment of a postmaster in Montgomery because he had been endorsed 'by a parcel of Jews.' In Nashville, Tennessee, in 1878, Christian mothers threatened to withdraw their children from a private school for girls after two Jews had been accepted. The principal yielded to the pressure and rescinded the enrollments. And in a Rome, Georgia, courtroom in 1873, the plaintiff's attorney declared that one cannot accept the word of a Jew 'even under oath.' Louisiana had anti-Semitic demonstrations in the late 1880s. Then, in 1893, farmers in the Bayou state wrecked Jewish stores in a particularly harsh outburst. That same year Mississippi night riders burned Jewish farmhouses, and a Baltimore minister preached: 'Of all the dirty creatures who have befouled this earth, the Jew is the slimiest.
Leonard Dinnerstein (The Leo Frank Case (A Brown Thrasher Book))
Those women who fought the original battles suffer more than most. Hated and opposed when originally pushing down the barriers, they now often have to face contempt from a society which takes for granted their achievements. At a recent party I witnessed one such woman being challenged by a young man who had no sense of feminism's history or her involvement in it. 'Do you really call yourself a feminist?' he asked belligerently. 'Yes,' she answered rather wistfully, 'I'd still call myself that.' 'But what on earth does it mean?' he continued. 'I mean, is there really any need for it? Isn't it just part of the way we are, part of our unconscious?' It was a difficult and poignant moment for me, because it encapsulated both sides of my relationship with feminism. I greatly respected the woman for what she had achieved and deplored the man's lack of respect for why she had placed herself as she did. In such circumstances, no wonder she dug her heels in. This continuing lack of credibility and acceptance explains why feminists react badly when the fundamental tenets of the movement are challenged. But when I began to examine feminist ideas critically and challenge the idea that nothing had changed, I too met with resistance. There is a real reluctance to submit feminism's fundamental assumptions to an audit to see just how relevant they are to changing realities. The problem is that, by and large, I also agreed with what the man at that party said. Somewhere along the line something remarkable has happened. Individual feminists still meet with resistance and problems, but feminism as a movement has been extraordinarily successful; it has sunk into our unconscious. Our contemporary social world — and the way the sexes interact in it — is radically different from the one in which modern feminism emerged. Many of feminism's original objectives have been met, including the principle of equal pay for equal work, and the possibility of financial independence. Girls now are growing up in a world radically different from the one described by the early feminists. Feminism no longer has to be reiterated but simply breathed.
Rosalind Coward (Sacred Cows: Is Feminism Relevant to the New Millennium?)
İn ordinary life we don’t pay it more attention, but our emotions, mind-set, expectations and the content in which our sensations occur -- all have a profound influence on perception. It is experimentally proven fact that people who are warned that they are about to taste something bad rate what they do taste more negatively than people who are told that the taste won’t be so bad. Similarly, people who see images of the same baby rate it as stronger and bigger when they are told it is a boy as opposed to when they are told it is a girl. Most of us don’t have so-called free will, as we suppose that we have. Our emotions, expectations and sensations are controlled by others through different forms of ideology — history, religion, political doctrine and so on. They determine where and how your mind should set in order to perceive what is going around you ‘correctly‘. After all that regulation your brain and mind gets a chance to function ‘independently’. Your freedom is hidden there. Let me introduce you to the amazing experiment from psychology. In short, in one study 12 students are sent to test a research hypothesis concerning maze learning in rats. Although it was not initially revealed to students, indeed, the students themselves were the object of this experiment, but not the rats they were going to examine. 6 of the students were randomly told that the rats they would be testing had been bred to be highly intelligent, whereas the other 6 students were led to believe that the rats had been bred to be unintelligent. However, in reality there were no differences among the rats given to the two groups of students. When the students returned with their data, the result was fascinating. The rats run by students who expected them to be intelligent, showed a significantly better maze learning than the rats run by students who expected them to be unintelligent. What had happened? All rats were only rats without any intelligence, but there was a substantial difference between brains, that is, the ways how they had been manipulated. Somehow the brain manipulation influenced on the mind, despite the fact that all of them followed, at least it seemed so, the same conditions of the experiment. Familiar situation, isn’t it? There is no apparent intention for subjective interpretation of input signals receiving by the brain, there is even no subjective awareness that your brain might be under any manipulation, whereas your brain and mind are subtly controlled and manipulated, to a considerable extent, by others through various forms of ideologies and you automatically feel, perceive, think and act according to them, as do true bio-social robots.
Elmar Hussein
The guard can go to the Rialto and tell the rettori. The councilmen look into crimes such as this. They could send an avogadore to investigate.” Falco spun around to face her again. “Who is she? You don’t know. Who killed her? You don’t know. Even if the guard stopped drinking and playing dice long enough to row over to tell the rettori, I doubt the magistrate will be concerned. They only care about crimes that upset the merchants or that scare away tourists. They won’t care about a robbed tomb out here on San Domenico, or about the murder of an unknown courtesan.” “Maybe you’re afraid they’ll think you killed her.” Cass lifted her chin, forcing herself to meet Falco’s eyes, searching them for signs of evil. She saw none. And yet, there had to be a reason he was so opposed to reporting a murder. Falco folded his arms. “And what will they think about you, trolling the graveyard, unchaperoned, with a stranger? A commoner, no less. What will your parents say when the soldiers drag you home? Won’t they be shocked to find out what late-night company their lovely daughter has been keeping?” “My parents are dead,” Cass said simply. She didn’t say it to make him feel guilty. It just came out of her mouth instinctively. She’d probably said it a hundred times, so often that the words themselves felt dead to her, meaningless. Falco softened. “Your guardians, then. They won’t believe that we weren’t…” He trailed off. “It’ll be the talk of the city by daybreak.” He reached out and stroked her hair. “Fun thought, though, eh? A girl like you with me?” His soft touch made Cass warm and cold at the same time. He was right. Aunt Agnese would lock Cass inside the villa if she found out where Cass had spent the evening. And if she found out Cass was consorting with a commoner? Well, that would be very bad, possibly exiled-to-a-nunnery-in-Spain bad.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people.
Leo Tolstoy (Anna Karenina)
genuinely believe that a positive mental attitude is the key to success, as opposed to survival.
Alexandra Girling (The S.O.S Theory: The Essential Guide To The Hairdressing Industry)
Coach Henley gave his whistle two short blasts to get the team moving. The Westerly Women ambled over and formed a half circle. The Mothers stamped their feet on the bleachers, trying to build excitement for a game that would unfold with the same painful drama as a mime’s funeral. The opposing team hadn’t even bothered to warm up. Their shortest player was six feet tall and had hands the size of dinner plates.
Karin Slaughter (Pretty Girls)
The contemporary Enlightenment world prides itself on its commitment to equality and justice, its open-mindedness, its making opportunity available to all, and its achievements in science and technology. The Enlightenment world is proud, confident, and knows it is the wave of the future. This is unbearable to someone who is totally invested in an opposed and failed outlook. That pride is what such a person wants to destroy. The best target to attack is the Enlightenment’s sense of its own moral worth. Attack it as sexist and racist, intolerantly dogmatic, and cruelly exploitative. Undermine its confidence in its reason, its science and technology. The words do not even have to be true or consistent to do the necessary damage. And like Iago, postmodernism does not have to get the girl in the end. Destroying Othello is enough.[320]
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault)
The opposing team, the Blue Ball Blue Jays—Lancaster County had some weirdly named towns—arrived caravan-style with parents and friends pouring out of cars behind the team bus.
Lucy Score (Rock Bottom Girl)
He crossed his arms. “You know, it is exceedingly rude to stare.” I flinched and began an intent examination of the carpet at my feet. Apparently I could scratch the charming bit as well. “Be pleasant, Tristan,” the Duchesse said. He sniffed. “She’s the rude one, Aunty. First she stares and now she refuses to look at me. I’m quite convinced I have greens or something worse stuck between my teeth.” I glanced up, hoping to catch a glimpse of said teeth. He caught me and grinned. “Were you expecting them to be pointed?” My face burned and I fixed my eyes back on the carpet, determined never to look up again. I immediately caught myself glancing through my eyelashes at him once more. “Pointed teeth would give one an appearance of ferocity,” he said, tapping a straight white tooth. “Although that might require one to follow through with biting someone from time to time, and the thought is enough to make one feel ill. I don’t even like my meat cooked rare.” “You bit Vincent once,” Marc said from behind me. “So you can’t be entirely opposed to the idea.” Tristan shot a vitriolic glare in his direction. “Curse you for bringing up such vile memories, Marc, and in the presence of a girl. In my defense, lady, I was only three and Vincent was sitting on my head. I rather thought I was about to meet my end suffocated between his bum cheeks. Anyone would have done the same. Wouldn’t you agree, mademoiselle… what did you say her name was again?
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
To academic philosophers like me, keen to connect philosophy with working science in fruitful ways and to make appropriately nuanced distinctions between what is discovered by humans in the world as opposed to what is put there by them, Butler’s worldview looks adolescently, simplistically monotonic. In short: she thinks it’s all put there. Yet
Kathleen Stock (Material Girls: Why Reality Matters for Feminism)
I was a stoop boy, as opposed to a corner boy, so I stayed on the courtyard. I was left to find my place among the younger kids and the girls. I was looking to belong, to feel like I mattered. And those desires—for a family, for a place where I felt valued—drew me to Joanie. Joanie and I grew up together—her grandmother would babysit us—but around the time high school started, I decided I liked her.
Michael K. Williams (Scenes from My Life: A Memoir)
Actually I said that these visitors or aryans in Kali or Kaali yuga always write what's important and talks and do tantric. Actually this is not only to protect themselves but also to protect the ultimate universal truths. In srimad Bhagavatam, universe was created by humanoid or godly creatures and from him/her all other unicellular and multi cellular organisms thrived (As opposed to Darwin theory) Yes when you perform yoga this hindu origin and multiverse theory you can really understand and feel it but the problem is this yogic knowledge can not be reproduced in lab experiments thus become anti science or pseudo science. Even rajputs know these facts but still why they are attached to it, because universal truths are not for one day results and one day publications, but universal truths are for centuries to come and generations to come that is why they use tantric method of life, way of living and talking. How they talk or do easily affects climate indeed since they have universal truth. What do i do, I publish research papers that are only reproducible but I am with Nalanda to sustain the universal truth for generations to come, whatever knowledge i have acquired, I will share with them and will get their knowledge for happy and peaceful livelihood. I will not marry and If I do, it has to be Rajput girl because to sustain my energy and to sustain hindu universal knowledge without polluting it, else I will be bramachari wherever I go in the world. What do i do, I publish research papers that are only reproducible but I am with Nalanda to sustain the universal truth for generations to come, whatever knowledge i have acquired, I will share with them and will get their knowledge for happy and peaceful livelihood
Ganapathy K
What it really felt like was a taste of the reality of what might be meant by Hell. Lane Dean had never believed in Hell as a lake of fire or a loving God consigning folks to a burning lake of fire—he knew in his heart this was not true. What he believed in was a living God of compassion and love and the possibility of a personal relationship with Jesus Christ through whom this love was enacted in human time. But sitting here beside this girl as unknown to him now as outer space, waiting for whatever she might say to unfreeze him, now he felt like he could see the edge or outline of what a real vision of Hell might be. It was of two great and terrible armies within himself, opposed and facing each other, silent. There would be battle but no victor. Or never a battle—the armies would stay like that, motionless, looking across at each other, and seeing therein something so different and alien from themselves that they could not understand, could not hear each other’s speech as even words or read anything from what their face looked like, frozen like that, opposed and uncomprehending, for all human time. Two-hearted, a hypocrite to yourself either way.
David Foster Wallace (Good People)
In an attempt to define exactly who they are “compatible” with, a lot of people put together a checklist of what they are looking for in a significant other/spouse. In a way, that seems like a great idea. I’m not opposed to having a list, if it’s the right kind of list. The problem is that people almost always put the wrong things on the list. They want a girl who is short or a guy who is tall. They look for a certain hair color or a certain skin color. Their list includes things such as wanting someone who enjoys sports, watches the same obscure TV shows, or likes to eat sushi. There may be quantifiable numbers involved, like someone who makes at least a certain amount of money or who is no older than a certain age. If your list looks like that, then you are focusing on the wrong attributes. None of those things really matter—or at least they shouldn’t. If money is on your list, then you’re not interested in them; you’re interested in their money. If physical attributes are on your list, then you’re not interested in them; you’re interested in their body—the one thing about them that is guaranteed to change over time.
Jonathan (JP) Pokluda (Outdated: Find Love That Lasts When Dating Has Changed)
I play the guitar, which people think is pretty cool—as opposed to, I don’t know, the bassoon or something,
Tanya Lee Stone (A Bad Boy Can Be Good for a Girl)
So... you and I are friends now?” she asked with a playful grin. “Well, no. I didn’t mean it like that. Like, I’m not gonna ask to tag along with you and your girls to go get your nails done. Not that I’m opposed,” he said, holding up his hands to reveal jet-black painted fingernails. “I just meant that you’re a person that I don’t necessarily hate interacting with. You know, from time to time.
Jacqueline E. Smith (Secondhand: And Other Stories)
Just another reason to choose yourself in business, as opposed to waiting for those gatekeepers to choose you. Nobody is going to work as hard for you as you will for yourself. And that is a fact.
Cara Alwill Leyba (Girl On Fire: How to Choose Yourself, Burn the Rule Book, and Blaze Your Own Trail in Life and Business)
Reluctance to make waves has impacted her at work as well as at home. She’s known as an affable and easygoing woman, but is not 1 considered “high potential” because she won’t express opposing opinions—even ones that could help the company to grow. Being a nice girl has gotten her to where she is—but it won’t get her to where she wants to go.
Lois Frankel (Nice Girls Just Don't Get It: 99 Ways To Win The Respect You Deserve, The Success You've Earned, And The Life You Want)
That nosebleed of yours means something. It means that I want you really badly. When I first met you, you didn’t get any nosebleeds because even though I wanted you, it wasn’t to the degree that I want you now.” His lips lifted into a doting smile. “Perhaps it’s because you’ve become my forbidden fruit. My desire for you grows with every passing day. That alone is reason enough for me to still be here, pursuing you as opposed to going after some other human girl. I only want you, Gracie.
Con Template (An Eternity of Eclipse)
His craft was in dry dock, lifted out of the river by two winches (as opposed to two wenches, which might have worked, too, but only if the girls had been really strong).
Mark Cain (Hell's Super (Circles in Hell, #1))
İn ordinary life we don’t give it more attention, but our emotions, mind-set, expectations and the content in which our sensations occur all have a profound influence on perception. It is experimentally proven fact that people who are warned that they are about to taste something bad rate what they do taste more negatively than people who are told that the taste won’t be so bad. Similarly, people who see images of the same baby rate it as stronger and bigger when they are told it is a boy as opposed to when they are told it is a girl. Most of us don’t have so-called free will, as we suppose that we have. Our emotions, expectations and sensations are controlled by others through different forms of ideology — history, religion, political doctrine and so on. They determine where and how your mind should set in order to perceive what is going around you ‘correctly‘. After all that regulation your brain and mind get a chance to function ‘independently’. Your freedom is hidden there. Let me introduce you to the amazing experiment from psychology. In short, in one study 12 students are sent to test a research hypothesis concerning maze learning in rats. Although it was not initially revealed to students, indeed, the students themselves were the object of this experiment but not the rats they were going to examine. 6 of the students were randomly told that the rats they would be testing had been bred to be highly intelligent, whereas the other 6 students were led to believe that the rats had been bred to be unintelligent. However, in reality there were no differences among the rats given to the two groups of students. When the students returned with their data, the result was fascinating. The rats run by students who expected them to be intelligent showed significantly better maze learning than the rats run by students who expected them to be unintelligent. What had happened? All rats were only rats without any intelligence, but there was substantial difference among brains, that is, the ways how they had been manipulated. Somehow the brain manipulation influenced on the mind, despite of the fact that all of them followed, at least it seemed so, the same conditions of the experiment. Familiar situation, isn’t it? There is no apparent intention for subjective interpretation of input signals receiving by the brain, there is even no subjective awareness that your brain might be under any manipulation, whereas your brain and mind are subtly controlled and manipulated to a considerable extent by others through various form of ideologies and you automatically feel, perceive, think and act according to them, as do true bio-social robots.
Elmar Hussein
So we suspect that the reformed tiger is also a caricature of a little girl, and the original attributes of a tiger, its uncontrolled, impulsive, and ferocious qualities represent those tendencies within the child which are undergoing a transformation. We notice, too, that Laughing Tiger’s mistress is more severe and demanding than the persons who have undertaken the civilizing of the little girl Jan, and we confirm the psychological truth that the most zealous crusaders against vice are the reformed criminals; the strength of the original impulse is given over to the opposing wish. But let’s get back to imagination and its solutions for childhood problems. Jan’s imaginary tiger gives her a kind of control over a danger which earlier had left her helpless and anxious. The little boy who stalks tigers and bears with his homemade tommy gun and his own sound effects is coming to terms with the Tiger problem in his own way. (I have the impression that little boys are inclined to take direct action on the tiger problem, while the work of reforming tigers is left to the other sex which has long demonstrated its taste and talent for this approach.) Another very satisfactory approach to the tiger problem is to become a tiger. A very large number of small children have worked their way out of the most devilish encounters, outnumbered by ferocious animals on all sides, by disguising themselves as tigers and by out-roaring and out-threatening the enemy, causing consternation, disintegration, and flight in his ranks. Under
Selma H. Fraiberg (The Magic Years: Understanding and Handling the Problems of Early Childhood)
Don’t even think about it,” she said. He grinned in spite of himself. “Come on, Ellie. You can’t make me not think about it.” “I’m not getting mixed up with someone like you. First of all, I’m all wrong for someone like you. Second, I’m clearing out the second I have my kids. Third…” She paused. “I don’t need a third. That’s good enough. Don’t ever do that again.” “I haven’t kissed a woman like that in quite a while,” he said. “That was nice. Are you angry?” he asked. “Did I taste angry?” He just smiled. “You tasted wonderful. You’re right—it’s not such a good idea. Well, I mean, it is a good idea. But I see the potential for disaster.” She pulled away and put a hand against her wild curls as if to smooth her hair into place. The hand trembled a bit; he’d never seen her rattled before. “You’re just going to get yourself in trouble with the Big Guy, and there’s no point in making your life tougher.” “Nah, God’s not opposed to kissing. I think employers taking advantage of employees, however, could put a big black mark on the minus side of my chart. But you liked it,” he said. “You did. And I liked it. It felt pretty consensual to me.” “I’m not the kind of woman a man like you gets interested in, and we both know that. Eventually that could hurt me. And if you really are a nice guy, hurting me will hurt you.” “Because of that dancing thing?” he asked. “That dancing thing, and I’m poor, undereducated, strapped with kids and very, very temporary.” “Wait now,” he said. “I’m not trying to make an argument for interest, because you might be right—it might be a mistake that could get out of control. But you’re smart, no matter how much or little formal education you have. And I don’t believe you see your kids as a liability, and you know I don’t—I like them. And you won’t always be poor, not with your ambition and positive attitude.” He smiled gently. “The dancing doesn’t matter a damn. I understand about that.” “I don’t want to be your bad girl. The one you take chances with for a little walk on the wild side. To break a few rules, have a little sinful fun.” “Ellie, there’s not a bad bone in your body. And we both know it.” “That isn’t really the point, Your Holiness…” “Okay, let’s be rational. I apologize, I won’t do it again, but really—it was just a kiss.” “Not the way you do it,” she said.
Robyn Carr (Forbidden Falls)
Now we suspect a parallel development here. The transformation of a tiger into an obedient and quiescent beast is probably a caricature of the civilizing process which the little girl is undergoing. The rewards and deprivations, the absurd demands which are made upon Laughing Tiger make as little sense to us as we view this comedy as the whims and wishes of the grown-up world make to a little girl. So we suspect that the reformed tiger is also a caricature of a little girl, and the original attributes of a tiger, its uncontrolled, impulsive, and ferocious qualities represent those tendencies within the child which are undergoing a transformation. We notice, too, that Laughing Tiger’s mistress is more severe and demanding than the persons who have undertaken the civilizing of the little girl Jan, and we confirm the psychological truth that the most zealous crusaders against vice are the reformed criminals; the strength of the original impulse is given over to the opposing wish. But let’s get back to imagination and its solutions for childhood problems. Jan’s imaginary tiger gives her a kind of control over a danger which earlier had left her helpless and anxious. The little boy who stalks tigers and bears with his homemade tommy gun and his own sound effects is coming to terms with the Tiger problem in his own way. (I have the impression that little boys are inclined to take direct action on the tiger problem, while the work of reforming tigers is left to the other sex which has long demonstrated its taste and talent for this approach.) Another very satisfactory approach to the tiger problem is to become a tiger. A very large number of small children have worked their way out of the most devilish encounters, outnumbered by ferocious animals on all sides, by disguising themselves as tigers and by out-roaring and out-threatening the enemy, causing consternation, disintegration, and flight in his ranks. Under
Selma H. Fraiberg (The Magic Years: Understanding and Handling the Problems of Early Childhood)
Amy, I er . . . that is to say, what happened between us yesterday has been preying on my mind, and my conscience.  I hope I did not hurt you." "Oh, no, Charles.  Not at all —" "As you know, I pride myself on my conduct, my restraint, my treatment of others, and yesterday — well, yesterday I was not myself.  I don't know what or who I was, but I was certainly not the man I am accustomed to being."  He reached up, searching the empty space above him until he found her face, and let his fingers graze her cheek.  "Forgive me, Amy.  I am making excuses for behavior that cannot be excused.  Allow me to get straight to the point."  He trailed his fingers down her neck, the outside of her arm, then found and raised her hand to his lips.  "I have done you a terrible dishonor, and though I confess my intentions are based more on duty, fairness, and a care for your own future and reputation as opposed to any romantic inclinations I may feel toward you, I know, nevertheless, that I must ask." "Ask what?"  She sounded genuinely confused. "Drat it, girl, what do you think?" he asked, trying to keep the frustration and impatience from his voice.  And then, steeling himself:  "For your hand in marriage." "Marriage?!"  She nearly dropped him.  "Good heavens, Charles, you can't be serious, I'm the very last person on earth you should consider marrying.  You should go home to Katharine Farnsley, you should try to win back Juliet, you should find yourself some genteel English bride who'll do your name and rank justice."  She gave a nervous little laugh.  "Marry me?  How silly.  You cannot marry me!" "I certainly can, if you'll have me." "No, I will not have you.  Please don't be angry with me, Charles, but I know you're only offering this because you're a gentleman and feel guilty about what happened yesterday, but if I accept then I'll feel guilty as well, and then there'll be two of us feeling guilty, and that just won't do.  Don't you see?  Oh no, Charles.  You're very kind for asking, and thank you for it, but I cannot marry you, I simply cannot." "Amy, you are babbling." "You've flustered me!" "I am quite serious about this." "And so am I, Charles, truly I am!  But your heart isn't in this.  You're only trying to make amends, but really, you don't have to, I don't expect you to, I don't want you to.  Besides, you don't love me; you still love Juliet, and to marry me . . .  well, that just wouldn't feel right.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Ray Honeyford was an upright, conscientious teacher, who believed it to be his duty to prepare children for responsible life in society, and who was confronted with the question of how to do this, when the children are the offspring of Muslim peasants from Pakistan, and the society is that of England. Honeyford’s article honestly conveyed the problem, together with his proposed solution, which was to integrate the children into the surrounding secular culture, while protecting them from the punishments administered in their pre-school classes in the local madrasah, meanwhile opposing their parents’ plans to take them away whenever it suited them to Pakistan. He saw no sense in the doctrine of multiculturalism, and believed that the future of our country depends upon our ability to integrate its recently arrived minorities, through a shared curriculum in the schools and a secular rule of law that could protect women and girls from the kind of abuse to which he was a distressed witness. Everything Ray Honeyford said is now the official doctrine of our major political parties: too late, of course, to achieve the results that he hoped for, but nevertheless not too late to point out that those who persecuted him and who surrounded his school with their inane chants of ‘Ray-cist’ have never suffered, as he suffered, for their part in the conflict. Notwithstanding his frequently exasperated tone, Ray Honeyford was a profoundly gentle man, who was prepared to pay the price of truthfulness at a time of lies. But he was sacked from his job, and the teaching profession lost one of its most humane and public-spirited representatives. This was one example of a prolonged Stalinist purge by the educational establishment, designed to remove all signs of patriotism from our schools and to erase the memory of England from the cultural record. Henceforth the Salisbury Review was branded as a ‘racist’ publication, and my own academic career thrown into doubt.
Roger Scruton (How to Be a Conservative)
Marcos Evangelista Pérez Jiménez was a general in the Venezuelan army and served as the President of Venezuela from 1952 to 1958. He brought the Latin American country into the twentieth century by introducing programs to eliminate many of Venezuela's slums. Jiménez built public housing programs to improve the living conditions of the poor and built the Central University of Venezuela giving the country a period of prosperity and tranquility. At the same time he was extremely ruthless against critics who tried to overthrow him and opposed his rule. When Marcos Pérez Jiménez was ousted from government, he fled to the Dominican Republic and later to Miami. Here he met Marita in 1961, presumably because she was “Fidel's girl." They had an affair that resulted in the birth of a daughter (See the blog “Sex & Stupidity”). Jiménez lived in Miami until 1963 but eventually was returned to Venezuela to stand trial for the embezzlement of $200,000,000. For this he spent five years in prison before being convicted, and was then exiled to Spain where he lived in Alcobendas, a suburb of Madrid under Franco’s protection until his death when he was 87 years old.
Hank Bracker
In December 1969, Susan wrote a freelance piece for Playboy on women’s lib, but it never ran—Hugh Hefner spiked it. Hef’s memo as to why he didn’t like the piece was later leaked to the press by a Playboy secretary (who was promptly fired) and it became a cause célèbre. “What I want,” Hef said, “is a devastating piece that takes militants apart.... What I’m interested in is the highly irrational, kooky trend that feminism has taken. These chicks are our natural enemy.... It is time to do battle with them.... All of the most basic premises of the extreme form of the new feminism [are] unalterably opposed to the romantic boy-girl society that Playboy promotes.
Lynn Povich (The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace)
The Master is not trapped in opposites. His this is also a that. He sees that life becomes death and death becomes life, that right has a kernel of wrong within it and wrong a kernel of right, that the true turns into the false and the false into the true. He understands that nothing is absolute, that since every point of view depends on the viewer, affirmation and denial are equally beside the point.   The place where the this and the that are not opposed to each other is called “the pivot of the Tao.” When we find this pivot, we find ourselves at the center of the circle, and here we sit, serene, while Yes and No keep chasing each other around the circumference, endlessly. Mind can only create the qualities of good and bad by comparing. Remove the comparison, and there go the qualities. What remains is the pure unknown: ungraspable object, ungraspable subject, and the clear light of awareness streaming through. The pivot of the Tao is the mind free of its thoughts. It doesn’t believe that this is a this or that that is a that. Let Yes and No sprint around the circumference toward a finish line that doesn’t exist. How can they stop trying to win the argument of life until you stop? When you do, you realize that you were the only one running. Yes was you, No was you, the whole circumference, with its colored banners, its pom-pom girls and frenzied crowds—that was you as well. At the center, the eyes open and again it’s the sweet morning of the world. There’s nothing here to limit you, no one here to draw a circumference. In fact, there’s no one here—not even you. 7 Nothing in the world is bigger than the tip of an autumn hair, and Mount Everest is tiny.
Stephen Mitchell (The Second Book of the Tao)
Instead of blindly making content in a spray-and-pray manner, you can first narrow in on: Your creative unit (such as a standard TikTok video, as opposed to a carousel or photo) Your creative format (such as filming a TikTok video with “pov: you’re a girl dad” in the title), and Platform features you want to use (such as TikTok’s content creation tools to type out the title in-app, as opposed to adding it through a different video editing software).
Gary Vaynerchuk (Day Trading Attention: How to Actually Build Brand and Sales in the New Social Media World)
Some of Gandhi’s oldest disciples were also opposed to his sharing a bed with Manu. These dissenters included Narhari Parikh, who had joined Gandhi as farback as 1917. The criticisms of those close to him prompted a remarkable letter written by Gandhi to Satish Chandra Mukerji, a patriot who was one of the pioneers of the national education movement in Bengal. Mukerji was several years older than Gandhi; and, perhaps more significantly, had renounced worldly pursuits to become a sanyasi, taking renunciation so far as to discard his clothes altogether (earning him the affectionate appellation, ‘Nanga Baba’, or naked saint). Now, writing to Mukerji on 1 February, Gandhi said: 'I put before you a poser. A young girl (19) who is in the place of granddaughter to me by relation shares the same bed with me, not for any animal satisfaction but for (to me) valid moral reasons. She claims to be free from the passion that a girl of her age generally has and I claim to be a practised brahmachari. Do you see anything bad or unjustifiable in this juxtaposition? I ask the question because some of my intimate associates hold it to be wholly unjustifiable and even a breach of brahmacharya. I hold a totally opposite view. As you are an experienced man and as I have regard for your opinion, I put the question. You may take your own time to answer the question. You are in no way bound to answer it if you don’t wish to.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
I should note that some studies have failed to find evidence of harm. One well-known study reported that the association of digital media use with harmful psychological outcomes was so close to zero that it was roughly the same size as the association of “eating potatoes” with such harms.[5] But when Jean Twenge and I reanalyzed the same data sets and zoomed in on the association of social media (as opposed to a broader measure of digital technology use that included watching TV and owning a computer) with poor mental health for girls (instead of all teens merged together), we found much larger correlations.[6] The proper comparison was no longer eating potatoes but instead binge drinking or using marijuana. There is a clear, consistent, and sizable link[7] between heavy social media use and mental illness for girls,[8] but that relationship gets buried or minimized in studies and literature reviews that look at all digital activities
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
DID ANN PUTNAM SR. name Rebecca Nurse because of the border dispute, because her husband opposed Parris and had opposed James Bayley, because—although relative latecomers—the Nurses had managed to secure a large tract of village land, because Rebecca hailed from an intolerably harmonious family, or because she took the sacrament in Salem town, occupying a former Putnam pew in the village when she did not? Would she have been named had she visited the parsonage girls, which she did not do from fear of contagion?
Stacy Schiff (The Witches: Salem, 1692)
It’s not that people are not compassionate. But that compassion has to be aroused. Emotion is a critical factor in helping us understand an event, and it is a motivator that impels action as opposed to just abstract thoughts.
Sonia Faleiro (The Good Girls: An Ordinary Killing)
You have no choice but to live through whatever’s happening. I mean . . . as opposed to what? If you’re going to continue to live, then you’re going to deal with it. You have no choice. You can say, ‘I’m going to fall apart now.’ And you can do that. Whatever falling apart looks like to you. But when you’re done, it’s still
Catherine Ryan Hyde (Brave Girl, Quiet Girl)
A college degree is not a magic wand. The idea that hard work and educational achievement alone will completely reverse the socioeconomic conditions of young families and communities of color is both damaging and inaccurate. A 2015 study will show that White college graduates have more than seven times the wealth of Black college graduates and four times the wealth of Hispanic and Latinx college graduates. Even the households of White single parent graduates have twice the wealth of Black and Hispanic or Latinx college graduate households with two parents.1 A degree cannot completely disrupt legacies of oppression. This type of intervention will require intentional policy changes across every system—financial, educational, correctional, human services, and so much more—as well as investments to address the gaps. As opposed to calling a degree a magic wand, my team and I will describe it as a “leveler” in the effort to overcome these disparities.
Nicole Lynn Lewis (Pregnant Girl: A Story of Teen Motherhood, College, and Creating a Better Future for Young Families)
She had always told me stories about how poor a country Argentina was, being the reason for her girlfriend, Caterina, to move to Spain, which she said was the 13th richest country on the planet. Perhaps Martina's perception of Spain itself was crooked or surrealistic. She didn't realize that the country might be the 13th richest country in the world, but Spain was seriously broke and the people were desperately impoverished since 2007, the economic crisis had never ended, yet Martina seemed oblivious to all that. In her eyes, Spain was a rich country compared to Argentina. Martina perceived Europe and its various nationalities and countries in a surrealistic way, removed from reality; as if all Europeans were the same and equally trustworthy, just like non-Europeans in Spain, and she could not distinguish between people or groups of people coming from different places, with no reservations. This sounds very liberal, but there was only selfish capitalist interest behind it all and sometimes it showed for a moment or two that money was the main reason for her being in Europe in the first place, under the guise of a cover-up not being so much of a secret from me time to time. As if Spain were a playground for children or criminals, which wasn't too far from reality. But I noticed that she saw different false shadows under the same light casting shade of the same crap; she was confident in her beliefs, but at the same time seemingly questioning herself as to whether she was right or wrong, and if it mattered at all. Nonetheless, she was completely unaware of the dangers and trusted people too easily. She had no fear and appeared like a cool kid from the streets of even more dangerous places. Yet, considering her well-educated nature, and the fact that she could also be quite normal, she saw things differently than a European person, almost like a child from the favelas of Brazil, ready to kill for daily nutrition, making it an interesting paradox to observe her personality and her vibes changing like a kaleidoscope beneath the surface for those looking from the right angle. Martina didn't realize that Italy was Romania vol. 2, or what that meant--how history lives on, how the gypsies who died with the Jews never received a country of their own. I was not acutely aware of the fact that Spain was Romania vol. 3. The prospect of warm weather and easy money had been attracting criminals from all corners of the planet. She seemed to be the typical Libra she actually was, quite consciously quite lost and always trying to find her own balance unsuccessfully as if she was dizzy, never managing to attain the perfect measure, making mistakes and constantly questioning her own results and the actions that led to them. She attempted to conceal her lack of confidence with at times an exaggerated display of confidence. She vacillated between being too shy and too cool, never seeming authentic. I attempted to impart Herder's philosophy to her, explaining how opposing things can settle into harmony, where the truth is likely to be found in moderation and synthesis, hoping she would find it easier to maintain her inner balance amidst all the bad people and bad vibes coming from all directions.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
She had always told me stories about how poor a country Argentina was, being the reason for her girlfriend, Caterina, to move to Spain, which she said was the 13th richest country on the planet. Perhaps Martina's perception of Spain itself was crooked or surrealistic. She didn't realize that the country might be the 13th richest country in the world, but Spain was seriously broke and the people were desperately impoverished since 2007, the economic crisis had never ended, yet Martina seemed oblivious to all that. In her eyes, Spain was a rich country compared to Argentina. Martina perceived Europe and its various nationalities and countries in a surrealistic way, removed from reality; as if all Europeans were the same and equally trustworthy, just like non-Europeans in Spain, and she could not distinguish between people or groups of people coming from different places, with no reservations. This sounds very liberal, but there was only selfish capitalist interest behind it all and sometimes it showed for a moment or two that money was the main reason for her being in Europe in the first place, under the guise of a cover-up not being so much of a secret from me time to time. As if Spain were a playground for children or criminals, which wasn't too far from reality. But I noticed that she saw different false shadows under the same light casting shade of the same crap; she was confident in her beliefs, but at the same time seemingly questioning herself as to whether she was right or wrong, and if it mattered at all. Nonetheless, she was completely unaware of the dangers and trusted people too easily. She had no fear and appeared like a cool kid from the streets of even more dangerous places. Yet, considering her well-educated nature, and the fact that she could also be quite normal, she saw things differently than a European person, almost like a child from the favelas of Brazil, ready to kill for daily nutrition, making it an interesting paradox to observe her personality and her vibes changing like a kaleidoscope beneath the surface for those looking from the right angle. Martina didn't realize that Italy was Romania vol. 2, or what that meant--how history lives on, how the gypsies who died with the Jews never received a country of their own. I was not acutely aware of the fact that Spain was Romania vol. 3. The prospect of warm weather and easy money had been attracting criminals from all corners of the planet. She seemed to be the typical Libra she actually was, quite consciously quite lost and always trying to find her own balance unsuccessfully as if she was dizzy, never managing to attain the perfect measure, making mistakes and constantly questioning her own results and the actions that led to them. She attempted to conceal her lack of confidence with at times an exaggerated display of confidence. She vacillated between being too shy and too cool, never seeming authentic. I attempted to impart Hegel's philosophy to her, explaining how opposing things can settle into harmony, where the truth is likely to be found in moderation and synthesis, hoping she would find it easier to maintain her inner balance amidst all the bad people and bad vibes coming from all directions.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Nowhere was this conflict between principle and worldly interest better exemplified than in the marriage of the various dollar princesses to the scions of aristocratic British families. There was a curious dichotomy between two opposing attitudes – triumph at an American girl having scooped up such a prize in the teeth of native opposition, interwoven with resentment at the thought that an American husband was not good enough – which were often found in uneasy reconciliation in the same article.
Anne de Courcy (The Husband Hunters: American Heiresses Who Married into the British Aristocracy)
James 4:6 says that “God opposes the proud, but gives grace to the humble.” Trust God to do what’s best.
Jean Fischer (Sydney and the Wisconsin Whispering Woods (Camp Club Girls Book 14))
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
This means,” she said, “that they can arrest anyone at any time for any reason. They have legalized their repression. It is against the law to oppose them in any way. But, Carolina, only the lucky ones are arrested under this law. Only the lucky ones have a trial.” We were talking in the dark after the girls went to bed. “What happens to the unlucky?” “What happens? They are disappeared. They become desaparecidos. We don’t know after that, unless the corpse is found, and even then we don’t know because they are, how do you say it? Beyond recognition.
Carolyn Forché (What You Have Heard Is True: A Memoir of Witness and Resistance)
I couldn’t really mean what my poems said. Could any sane person really oppose hope, romance, love, marriage, children, family: the most basic materials of human society? Was I—the cool and composed sweetheart of the smart set, the Girl Poet made flesh—secretly a monster for entertaining such suspicions?
Kathleen Rooney (Lillian Boxfish Takes a Walk)
We’d talked in abstract ways about how each of us viewed marriage, and it worried me sometimes how different those views seemed to be. For me, getting married had been a given, something I’d grown up expecting to do someday—the same way having children had always been a given, dating back to the attention I’d heaped on my baby dolls as a girl. Barack wasn’t opposed to getting married, but he was in no particular rush.
Michelle Obama (Becoming)
As he lights up, the sun is setting, turning the sky as many pastels as you see on the side of a rainbow trout. The reddest clouds are the fish cut open. Aspen trees are peaking with yellow. A wind comes up the draw, announced in advance by clapping aspen leaves, and then he can hear it take the pines around the house and he feels it on his cheek and it makes the end of his cigarette glow brighter. He takes a deep drag and looks down past the springhouse nested in orange willow branches. Up over the opposing hill he sees the snow on mountains west of Laramie. Another breath of wind comes up and starts the aspens chattering like nervous girls, and they catch the last low-angling rays of sun and flare. The dark tops of evergreens are red, almost bloody, and for a good thirty seconds he knows that the world is something altogether other than what it appears to be.
James Galvin (The Meadow)
and benches. It was during the late nineteenth century that white church women began to speak out and seek legal remedies on behalf of black women and girls—including repeated, failed attempts to raise the age of consent from ten to fourteen, a move opposed by white
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
Zulu law stated that the woman must not change her name when she married. . . . The white missionaries opposed this recognition of the woman's equality with the man. . . . They forced the Zulus to adopt the . . . customs of the white man; on the day of her marriage, a girl . . . adopted her husband's name.
Jordan K. Ngubane (Ushaba)
Once it happened: a young boy and girl in a local college fell in love. They had really become very passionate and intense. Then, of course, coming from traditional families, the parents came in the way because of caste distinctions. They said, ‘No way. Over our dead bodies.’ Usually, this is a common proclamation the parents make. It is just a threat; they will not die. If the families do not oppose, most love affairs will fall apart. But the moment they resist it, it becomes like a cause. It is like they are fighting an injustice and people will rally behind them. So it went on and a big social scandal happened. When this happened, the lovers thought all this trouble is because of themselves, so they decided that they will end their lives. So they went up the Velliangiri Mountains. On top of these mountains, there is a place where you can leave your body. From there, you have a clear 700–800-feet drop which will give you a free fall without touching anything before you are splattered on the rocks. Some people have discarded their bodies consciously,18 others fall and do it. So the boy and girl reached the top and stood there, hand in hand. They were just about to jump, when the girl said, ‘Raju, I am so scared. You jump first.’ (Somehow the name of the idiot in all the romantic movies is always Raju!) The boy was in full form, so he said, ‘Come, hold my hand and jump.’ She said, ‘No, you do it first, then I will come. I will be right behind you.’ The boy had seen too many Hindi movies, and he jumped. The girl stood at the edge of the cliff and screamed, ‘Oh, Raju, I love you.’ Then she started thinking very pragmatically. ‘Now, Raju is gone. My love is gone. All of the problem is gone. When the problem itself is over, why waste one more life.’ So she walked down, and because she could not go back home, she came and settled down at the Isha Yoga Center.
Sadhguru (Death; An Inside Story: A book for all those who shall die)
Told her that they were two girls who were never going to get along and were made to fight with each other, almost on a visceral, cellular level. As though the smallest pieces that made up Imogen were diametrically opposed to the tiniest pieces that made up Cool Girl.
Aminah Mae Safi (This Is All Your Fault)