“
Maybe I’m an open book, or maybe love is like a magnifying glass straight into the souls of those who own your heart.
”
”
Mia Sheridan (Leo)
“
He held his head back to let the rain fall on his face with a small grin. When he opened his eyes, he looked across the crowd, straight at Cassandra. All the rain in the world could not wash down the growing heat of her passion for him.
”
”
Marie Montine (Arising Son: Part Two (The Guardians of the Temple Saga))
“
Edward unlocked a drawer of his desk where he kept valuables, opened it, and withdrew the Buck knife Amelia had given him a few days after he’d turned eighteen, about a month before they were to be married. He stared straight ahead, feeling its weight in his hand. He looked down at the knife, opened it, and scraped his finger lightly across the blade. Still sharp. He had used it for only a month, but after Amelia left him at the altar, he stored it away, rarely touching it. Today, however, he wanted to remember the pain.
”
”
Steven Decker (One More Life to Live (Edward and the Bricklayer Book 1))
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
The professor taught with the confidence that books change you. They mess up your insides. They make you drool over the prospect of being a better human and a better lover and a better friend. They pull at your stomach and leave you raw and open and naked. Books can straight up mangle you and sometimes it’s just better if you let them do their work.
”
”
Hannah Brencher (If You Find This Letter: My Journey to Find Purpose Through Hundreds of Letters to Strangers)
“
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.
...
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said:
“Well, what’s the matter with you?”
I said:
“I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.”
And I told him how I came to discover it all.
Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.
I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back.
He said he didn’t keep it.
I said:
“You are a chemist?”
He said:
“I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.”
I read the prescription. It ran:
“1 lb. beefsteak, with
1 pt. bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And don’t stuff up your head with things you don’t understand.”
I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
So maybe if I had found all this stuff on my own, I would have really enjoyed learning about it. But instead, I got a pile of books from Mom, and now it was like I had gay homework from my mother. I was like, Thanks for making this exciting new thing a chore, Mom. Awesome.
”
”
Bill Konigsberg (Openly Straight (Openly Straight, #1))
“
This story is one for which some people will have to suspend their belief. If it wasn't me and this wasn't happening to me, I would be one of those people.
Many won't struggle to believe it, though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. Those people are either born that way or, as babies, when their minds are like little buds, they are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open, they go through life aware and accepting, seeing light where there is dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some peoples' minds open later in life, through tragedy or triumph. Either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say goodbye to pragmatism and straight lines.
But then there are those whose minds are merely a bouquet of stalks, which bud as they learn new information - a new bud for a new fact - but yet they never open, never flourish. They are the people of capital letters and full stops, but never of question marks and ellipses...
”
”
Cecelia Ahern (The Book of Tomorrow)
“
Aside from wanting to write cracking good books that turn children into lifelong readers, I really want to create stories that enable kids to LOOK at the world around them. To see it for what it is, with wide open, wondering eyes. Our mass media is so horribly skewed. It presents this idea of 'normalcy' which excludes and marginalises so many for an idea of commercial viability which is really nothing but blinkered prejudice. People who are black and Asian and Middle Eastern and Hispanic, people who are gay or transgendered or genderqueer, people who have disabilities, disfigurements or illnesses - all have this vision of a world which does not include them shoved down their throats almost 24-7, and they're told 'No one wants to see stories about people like you. Films and TV shows about people like you won't make money. Stories about straight, white, cisgendered, able-bodied people are universal and everyone likes them. You are small and useless and unattractive and you don't matter.'
My worry is that this warped version of 'normal' eventually forms those very same blinkers on children's eyes, depriving them of their ability to see anyone who isn't the same as them, preventing them from developing the ability to empathise with and appreciate and take joy in the lives and experiences of people who are different from them. If Shadows on the Moon - or anything I write - causes a young person to look at their own life, or the life of another, and think, 'Maybe being different is cool' I will die a happy writer.
-Guest blog - what diversity means to me
”
”
Zoë Marriott
“
Ivan just sneered, opening his mouth to say something else. But that something else was lost when Thel turned around and straight punched him in the balls.
”
”
Theodora Taylor (Her Russian Beast: 50 Loving States, New Mexico (Ruthless Russians Book 3))
“
The moment he finally succeeded in putting her out of his thoughts was the one when she opened the door.
He glanced up, then dropped his book straight to the floor.
”
”
Sherrilyn Kenyon (The Guardian (Dark-Hunter, #20; Dream-Hunter, #5; Were-Hunter, #6; Hellchaser, #5))
“
Knock upon yourself as on a door, and walk upon yourself as on a straight road. For if you walk on that road, you cannot get lost, and what you open for yourself will open. GOSPEL OF THOMAS
”
”
Sue Monk Kidd (The Book of Longings)
“
Knock upon yourself as on a door,
and walk upon yourself as on a straight road.
For if you walk on that road, you cannot get lost,
and what you open for yourself will open.
-Gospel of Thomas
”
”
Sue Monk Kidd (The Book of Longings)
“
Clara’s twin sister, Violet, passed by the open entrance to the den, heading toward the front door. “Hi, ladies.” She waved, passing on by, but then froze mid-step and turned toward us, staring straight at me, obviously taking in my presence amongst the High Tea Book Club with a frilly teacup on my knee. Then she burst into laughter and walked on toward the front door, muttering, “Priceless.
”
”
Juliette Cross (Grim and Bear It (Stay a Spell, #6))
“
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
”
”
David Nicholls (One Day)
“
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room.
"I heard a noise from the drop box," Jean said.
"What kind of noise?"
"I think it's an animal."
"A what?"
"An animal," Jean said. "I think there's an animal in the drop box."
That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat.
Gurr-gug-gug. Gurr-gug-gug.
But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk.
What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe.
I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole.
At that moment, I lost every bone in my body and just melted.
”
”
Vicki Myron (Dewey the Library Cat: A True Story)
“
He's looking at me intensely now like he can read my mind. Which of course, he can. Maybe I'm an open book, or maybe love is like a magnefying glass straight into the souls of those who own your heart.
”
”
Mia Sheridan (Leo)
“
Besides, I wasn't the only one with sleep problems, as Victor had been talking in his sleep since he was a kid. When he was eight he was travelling with his dad and sat up in a darkened hotel room at two a.m., opened his eyes, and raised his arm to point toward the dark hall, saying, "Who's that man standing in the corner?" Then he lay back down and went straight back to sleep while his father quietly shit himself. Metaphorically. Probably.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
You’ll never understand why he lied because it isn’t in your nature to lie. Remember, you’re straight, no chaser. Being vulnerable doesn’t mean you’re weak. It takes strength to be open. If he lied the entire time, who’s really the weak one?
”
”
A.E. Valdez (A Worthy Love (Rise & Fall Series Book 4))
“
I found that I could not contemplate an adult life in which books were not dominant. I wanted to live and work with them...I had to be able to take books from their places, run my finger over their backs, see how they opened, flick their corners straight. I wanted a perspective of bookshelves always in my eye. And books, books, books. This was not a rational way of determining on a career and was much tainted by mushiness. But it was the way in which my decision hardened, before I was fifteen years old, to become a librarian.
”
”
Clifford Currie Librarian of the Ashmolean Library Oxford
“
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop?
Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book.
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
Why may you not kiss me?” she had demanded. “Am I a corpse?”
“Of course not.”
“Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?”
“Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.”
“So you’re afraid my kisses will take what little brain you have left?”
“I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.”
“Did you ever think to ask them the reasons behind their demands?”
“When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.”
“You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.”
Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.”
She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.”
“I don’t love the angels.”
“Clearly you don’t love me either.”
They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in.
“All is well, Hawk?’ he had asked.
Hawk had learned their tongue.
“It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.”
The chief had thought this over and laughed. "That would bring you great honor."
"I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back."
The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?"
"I couldn't be happier."
(from The Name of the Hawk, Book 2)
”
”
Murray Pura (Legion (The Name of the Hawk, #1))
“
I figured I’d come out to my parents, get my first boyfriend, and then just live my life. No. Instead, it was like this thing had happened, and now we all had to mobilize. (I should have known. My mom is a mobilizer.) Suddenly there were six books I had to read about what it’s like to be gay. I said to her, "Mom, can’t I just be gay, and not read about it?" But she explained — and Dad backed her up — that we need to know history.
”
”
Bill Konigsberg (Openly Straight (Openly Straight, #1))
“
Then the bandit turned tail and broke for the open.
Greeley hit the sidewalk only seconds after him, big as he was and with a panic-stricken woman to detour around. A slice of hindmost heel was all he saw of the man. The store entrance adjoined a corner; that gave the fugitive a few added seconds of shelter, and as Greeley flashed around it in turn, again the breaks were the lawbreaker's.
There was a school midway up the street toward the next avenue. It was a couple of minutes past three now, and a torrent of young humanity came pouring out of the building by every staircase and exit, flooding the street. In through them the sprinting man plunged, knocking over right and left the ones that didn't get out of his way quickly enough. If it had been hazardous to take a shot at him in the store, it would have been criminal out here.
The kids parted, screaming in delighted excitement, as Greeley tore through them after the bandit with uptilted gun, but he couldn't just callously knock them flat like the man before him had. He sidestepped, got out of their way as often as they did his, and he began to fall behind the other, lose ground.
The kids weren't just on that one street - they had dispersed over the entire vicinity by now, for a radius of a block or more in every direction, in frisky, milling, homeward-bound groups. Through them the quarry zigzagged, pulling slowly but surely away. He kept going in a straight line, because it was to his advantage to do so - the presence of these kids made for greater safety - but he was already far enough in the lead so that when he should finally decide to turn off - the answer was pretty obvious; a taxi or a doorway or a basement. Any of them would do.
("Detective William Brown")
”
”
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
“
We don't even know if what ends with daylight terminates in us as useless grief, or if we are just an illusion among shadows, and reality just this vast silence without wild ducks that falls over the lakes where straight and stiff reeds swoon. We know nothing. Gone is the memory of the stories we heard as children, now so much seaweed; still to come is the tenderness of future skies, a breeze in which imprecision slowly opens into stars.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together. You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet. You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife. But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line. Two years of boredom: staring out a bus window, sitting in an airport terminal. One year reading books. Your eyes hurt, and you itch, because you can’t take a shower until it’s your time to take your marathon two-hundred-day shower. Two weeks wondering what happens when you die. One minute realizing your body is falling. Seventy-seven hours of confusion. One hour realizing you’ve forgotten someone’s name. Three weeks realizing you are wrong. Two days lying. Six weeks waiting for a green light. Seven hours vomiting. Fourteen minutes experiencing pure joy. Three months doing laundry. Fifteen hours writing your signature. Two days tying shoelaces. Sixty-seven days of heartbreak. Five weeks driving lost. Three days calculating restaurant tips. Fifty-one days deciding what to wear. Nine days pretending you know what is being talked about. Two weeks counting money. Eighteen days staring into the refrigerator.
”
”
David Eagleman (Sum: Forty Tales from the Afterlives)
“
We're embarking on a world of new language and new systems. A world of stares and misunderstandings and humiliations and we'll feel every single one of them, boy. But we mustn't let our inability to know what's what diminish us. Because it'll try. We have to remains curious and open. Two words for you: ley lines.
Ley lines?
Straight lines of electromagnetic energy crisscrossing the Earth at special sites, drawing men and women—and ideas—to their mysterious pulse. We were drawn here, temps. No two ways about it. As many have been before. That Baedeker book? You know what it said?
Go on.
That 'even those whose usual avocations are of the most prosaic nature unconsciously become admirers of poetry and art in Italy.' Would that be so bad? To become an admirer of poetry and art? Until we figure it all out.
It wouldn't, Cress.
To be infused with all the city has to offer and has offered over the centuries? Our purpose revealing itself like the slow unfolding of an iris flower.
Ulysses grinned. It's started already, Cress.
What has?
The poetry.
Cress blushed and stood up. I'll get the cheese, he said.
”
”
Sarah Winman (Still Life)
“
Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it. [...]"
The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there.
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...]
"Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...]
"Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...]
Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned.
Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...]
Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all,” Nicky said [...].
"Don't let him get away with things like that."
Nicky considered him for a moment, his smile fading into something small and tired.
"Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way."
"He's like this because you let him get away with it," Neil said. [...]
"That was my fault. [...] I said something I shouldn't have, and got what I deserved.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
Many of us who have observed our own behavior don't need science to prove that technology is altering us, but let's bring some in anyway. Dopamine, the neurotransmitter that records certain experiences in our brain (typically described as pleasurable) and prompts us to repeat them, plays a part not only in sex and drugs, but also the swiping and tapping we do on our smartphones.
Scott Barry Kaufman--- scientific director of the Imagination Institute...gave me the straight dope on dopamine. "It's a misconception that dopamine has to do with our feelings of happiness and pleasure," he said. "It's a molecule that helps influence our expectations." Higher levels of dopamine are linked to being more open to new things and novelty seeking. Something novel could be an amazing idea for dinner or a new book. . . or just getting likes on a Facebook post or the ping of a text coming in. Our digital devices activate and hijack this dopamine system extremely well, when we let them.
...Kaufman calls dopamine "the mother of invention" and explains that because we have a limited amount of it, we must be judicious about choosing to spend it on "increasing our wonder and excitement for creating meaning and new things like art--- or on Twitter.
”
”
Manoush Zomorodi (Bored and Brilliant: How Spacing Out Can Unlock Your Most Productive & Creative Self)
“
Someone once said to me, 'There are so many religions in the world. They can't all be right.'
And my reply was, 'Well, they can't all be wrong either.'
All religions in the world today share more commonalities than differences, yet language blinds many from seeing these truths. Some people will tell me that what I write about is straight from their holy book, but the truth is that the main principles found in all holy books were already engraved in all our hearts. If you think common sense, the golden rule and knowing right from wrong are exclusive only to your faith, then you need to open yourself up to the rest of the world's religions.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Where are you going this hot day, Mis’ DeJong?”
Selina sat up very straight. “To Bagdad, Mrs. Pool.”
“To — Where’s that? What for?”
“To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.”
Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?”
Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.”
Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious.
The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——”
She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.”
“In the Haymarket! That Pop went to all the time! That is just dumb talk.
”
”
Edna Ferber (So Big)
“
The baby girl who lifted the flaps of Rod Campbell's Dear Zoo becomes the toddler charmed by Ludwig Behmelman's Madeline who turns into the sixth grader listening open-mouthed to Mark Halperin's A Kingdom Far and Clear who grows up to be the young woman swept away by Leo Tolstoy and the beautiful, ill-fated heroine of Anna Karenina. Each book makes straight the path for the next, opening out into sunlit literary meadows where, over time, young people will encounter beautiful writing and characters and scenes that may have been known, loved, and remembered by generations long since past. For the child, or teenager, or anyone else for that matter, getting these tickets to arcadia is a matter of simplicity. All they have to do is listen.
”
”
Meghan Cox Gurdon (The Enchanted Hour: The Miraculous Power of Reading Aloud in the Age of Distraction)
“
Look back at history,” he said, after a minute or two. “Most
great and remarkable men weren't tame or politically correct.
They were raving loonies. They acted out. Heroes are badasses,
not alter-boys.”
“You don't think Jesus was a hero?” I asked.
“Jesus was the bad-ass,” he said, chuckling a little. “...talk
about somebody knowing how to make some noise.”
Nick confused me. Half the time what he said sounded
completely hypocritical. The other half of the time, what he said
sounded completely insane. He always had an opinion though,
no matter how nonsensical it was to me. I admired that about
him.
“You think Jesus would throw a book at someone?” I asked,
before I could stop myself.
His eyes popped open. I dropped my pen again. He sat up
straight and focused his eyes on me.
“I'm not Jesus,” he said simply.
No kidding.
”
”
Elizabeth Nicole (Chronicles of a Mermaid Out of Water)
“
And once we get hold of it, how do you destroy a Horcrux?” asked Ron.
“Well,” said Hermione, “I’ve been researching that.”
“How?” asked Harry. “I didn’t think there were any books on Horcruxes in the library?”
“There weren’t,” said Hermione, who had turned pink. “Dumbledore removed them all, but he--he didn’t destroy them.”
Ron sat up straight, wide-eyed.
“How in the name of Merlin’s pants have you managed to get your hands on those Horcrux books?”
“It--it wasn’t stealing!” said Hermione, looking from Harry to Ron with a kind of desperation. “They were still library books, even if Dumbledore had taken them off the shelves. Anyway, if he really didn’t want anyone to get at them, I’m sure he would have made it much harder to--”
“Get to the point!” said Ron.
“Well…it was easy,” said Hermione in a small voice. “I just did a Summoning Charm. You know--Accio. And--they zoomed out of Dumbledore’s study window right into the girls’ dormitory.”
“But when did you do this?” Harry asked, regarding Hermione with a mixture of admiration and incredulity.
“Just after his--Dumbledore’s--funeral,” said Hermione in an even smaller voice. “Right after we agreed we’d leave school and go and look for the Horcruxes. When I went back upstairs to get my things it--it just occurred to me that the more we knew about them, the better it would be…and I was alone in there…so I tried…and it worked. They flew straight in through the open window and I--I packed them.”
She swallowed and then said imploringly, “I can’t believe Dumbledore would have been angry, it’s not as though we’re going to use the information to make a Horcrux, is it?”
“Can you hear us complaining?” said Ron.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The
”
”
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Some people on bus seats shake at the shoulders,
Stoned Elvises trying to dance after the gig.
Some walk into the rain and look like they’re smiling,
Running mascara writes sad bitter letters on their faces.
Some drive their cars into lay-bys or park edges
And cradle the steering-wheel looking like headless drivers.
Some sink their open mouths into feather pillows
And tremble on the bed like beached dolphins.
Some people are bent as question marks when they weep
And some are straight as exclamation marks.
Some are soaking in emotional dew when they wake,
Salt street maps etched into their faces.
Some find rooms and fall to the floor as if praying to Allah.
Noiseless
Faces contorted in that silent scream that seems like laughter.
Why is there not a tissue-giver? A man who looks for tears,
Who makes the finest silk tissues and offers them for free?
It seems to me that around each corner, beneath each stone,
Are humans quietly looking for a place to cry on their own.
”
”
Lemn Sissay (Gold from the Stone: New and Selected Poems (Canons Book 70))
“
Sitting on the poop deck with my infinitely beloved wife who has acquired an even greater weight of love. I keep on mentally looking around to make sure she's there. For why this new and massive re-affirmation of adoration and worship and a promise to myself that I shall never be nasty to her ever again? I will tell you for why. For because for about three minutes this afternoon I thought that I was about to be killed instantaneously and at once, without time to re-tell her how much I love her, to apologize for breaking my contract to look after her forever, for letting her down with a bang (hysterical pun intended) and for having no time to tell her the million things yet to be told and for not realizing and demonstrating my full potential as a husband, provider, lover, and all. (He goes on to describe how he was in a helicopter with others going to a film location in some mountainous area in Sarajevo in the fog and the came right up to some mountains and barely swerved just in time, this went of for a full three minutes of desperate danger) He goes on to say, "There was one blazing mental image that seemed to last right through the enormity. it was E lying in bed on the yacht with a book open at the page where she'd stopped reading with the title front cover and publisher's blurb on the other face up on the bed near her right hand which was out of the covers. She was wearing one of my favorite nightgowns, a blue thing and shorty which she may have been wearing this morning when I said goodbye to her. (I just asked her and she was) She had one leg bent and the other straight. On another level I was telling her over and over again that I loved her, I loved her...The mind is a remarkable instrument. If I wrote down everything I could remember from those interminable seconds it would be a million words....A shorter catastrophe of this kind happened to me before when I was perhaps 19-20 years old but I hadn't learned to love then and to love obsessively.
”
”
Richard Burton (The Richard Burton Diaries)
“
Many won’t struggle to believe it though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. They’re either born that way or, as babies, their little budlike minds are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open they go through life aware and accepting, seeing light where there’s dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some people’s minds open later in life, through tragedy or triumph, either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say good-bye to pragmatism and straight lines. But then there are those whose minds are merely a bouquet of stalks that bud as they learn new information—a new bud for each new fact—but yet they never open, never flourish. They are the people of capital letters and full stops but never of question marks and ellipses
”
”
Cecelia Ahern (The Book of Tomorrow)
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Then a thought hit me like a ton of slag. Arlene wouldn’t bother taking time in this hellhole to scribble her mark unless she had a damned good reason. Not just to point out the sphere—if she knew it was there, she’d have used it herself like a good soldier. The only logical conclusion was that the arrow pointed the way out of the nuclear plant—the way Arlene Sanders had already gone. Like Arne Saknussen, she marked her own trail for all who followed. So why hadn’t I found it? Same way Arlene missed the patio door: there had to be another hidden door nearby that I had missed. Third time’s the charm. The damned door couldn’t have been more than five feet from the one I had found. One good push and it was open, leading to a beautiful piece of straight, well-lit corridor that reached its end with a clean, massive metal door that had printed on it the welcome letters EXIT—obviously a holdover from the plant’s mundane days as a hangout for humans. Feeling bold and unstoppable, I walked right up to that door and discovered that it required a computer key card before it would bless the lonely traveler with an open sesame. Great. Now I could be miserable again.
”
”
Dafydd ab Hugh (Knee-Deep in the Dead (Doom Book 1))
“
So many socks.
After the pair
the undertaker asks for
(I picture them black
beneath the fold
in your open casket,
your toes still cold)
what else to do,.
Body bags
of old suits, shirts
still pressed, long
johns, the unworn,
unwashed wreckage
of your closet, too many
coats to keep, though I will save
so many. How can I
give away the last
of your scent? And still,
father, you have errands,
errant dry cleaning to pick up--
yellow tags whose ghostly
carbon tells a story
where to look. One
place closed
for good, the tag old.
One place with none
of your clothes,
just stares as if no one
ever dies, as if you
are naked somewhere,
& I suppose you are.
Nothing here.
The last place knows exactly
what I mean, brings me shirts
hanging like a head.
Starched collars
your beard had worn.
One man saying sorry, older lady
in the back saying how funny
you were, how you joked
with her weekly. Sorry—
& a fellow black man hands
your clothes back for free,
don’t worry. I’ve learned death
has few kindnesses left.
Such is charity—so rare
& so rarely free—
that on the way back
to your emptying house
I weep. Then drive
everything, swaying,
straight to Goodwill—
open late—to live on
another body
& day.
”
”
Kevin Young (Book of Hours: Poems)
“
Yorick's Used and Rare Books had a small storefront on Channing but a deep interior shaded by tall bookcases crammed with history, poetry, theology, antiquated anthologies. There was no open wall space to hang the framed prints for sale, so Hogarth's scenes of lust, pride, and debauchery leaned rakishly against piles of novels, folk tales, and literary theory. In the back room these piles were so tall and dusty that they took on a geological air, rising like stalagmites. Jess often felt her workplace was a secret mine or quarry where she could pry crystals from crevices and sweep precious jewels straight off the floor.
As she tended crowded shelves, she opened one volume and then another, turning pages on the history of gardens, perusing Edna St. Vincent Millay: "We were very tired, were very merry, / We had gone back and forth all night on the ferry..." dipping into Gibbon: "The decline of Rome was the natural and inevitable effect of immoderate greatness. Prosperity ripened the principle of decay..." and old translations of Grimm's Fairy Tales: "They walked the whole day over meadows, fields, and stony places. And when it rained, the little sister said, 'Heaven and our hearts are weeping together...
”
”
Allegra Goodman (The Cookbook Collector)
“
That’s your ghoul, isn’t it?” asked Harry, who had never actually met the creature that sometimes disrupted the nightly silence.
“Yeah, it is,” said Ron, climbing the ladder. “Come and have a look at him.”
Harry followed Ron up the few short steps into the tiny attic space. His head and shoulders were in the room before he caught sight of the creature curled up a few feet from him, fast asleep in the gloom with its large mouth wide open.
“But it . . . it looks . . . do ghouls normally wear pajamas?”
“No,” said Ron. “Nor have they usually got red hair or that number of pustules.”
Harry contemplated the thing, slightly revolted. It was human in shape and size, and was wearing what, now that Harry’s eyes became used to the darkness, was clearly an old pair of Ron’s pajamas. He was also sure that ghouls were generally rather slimy and bald, rather than distinctly hairy and covered in angry purple blisters.
“He’s me, see?” said Ron.
“No,” said Harry. “I don’t.”
“I’ll explain it back in my room, the smell’s getting to me,” said Ron. They climbed back down the ladder, which Ron returned to the ceiling, and rejoined Hermione, who was still sorting books.
“Once we’ve left, the ghoul’s going to come and live down here in my room,” said Ron. “I think he’s really looking forward to it—well, it’s hard to tell, because all he can do is moan and drool—but he nods a lot when you mention it. Anyway, he’s going to be me with spattergroit. Good, eh?”
Harry merely looked his confusion.
“It is!” said Ron, clearly frustrated that Harry had not grasped the brilliance of the plan. “Look, when we three don’t turn up at Hogwarts again, everyone’s going to think Hermione and I must be with you, right? Which means the Death Eaters will go straight for our families to see if they’ve got information on where you are.”
“But hopefully it’ll look like I’ve gone away with Mum and Dad; a lot of Muggle-borns are talking about going into hiding at the moment,” said Hermione.
“We can’t hide my whole family, it’ll look too fishy and they can’t all leave their jobs,” said Ron. “So we’re going to put out the story that I’m seriously ill with spattergroit, which is why I can’t go back to school. If anyone comes calling to investigate, Mum or Dad can show them the ghoul in my bed, covered in pustules. Spattergroit’s really contagious, so they’re not going to want to go near him. It won’t matter that he can’t say anything, either, because apparently you can’t once the fungus has spread to your uvula.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
The root of all my ills, thought Amalfitano sometimes, is my admiration for Jews, homosexuals, and revolutionaries (true revolutionaries, the romantics and the dangerous madmen, not the apparatchiks of the Communist Party of Chile or its despicable thugs, those hideous gray beings). The root of all my ills, he thought, is my admiration for a certain kind of junkie (not the poet junkie or the artist junkie but the straight-up junkie, the kind you rarely come across, the kind like a black hole or a black eye, with no hands or legs, a black eye that never opens or closes, the Lost Witness of the Tribe, the kind who seems to cling to drugs in the same way that drugs cling to him). The root of all my ills is my admiration for delinquents, whores, the mentally disturbed, said Amalfitano to himself with bitterness. When I was an adolescent I wanted to be a Jew, a Bolshevik, black, homosexual, a junkie, half-crazy, and—the crowning touch—a one-amred amputee, but all I became was a literature professor. At least, thought Amalfitano, I've read thousands of books. At least I've become acquianted with the Poets and read the Novels. (The Poets, in Amalfitano's view, were those beings who flashed like lightning bolts, and the novels were the stories that sprang from Don Quixote). At least I've read. At least I can still read, he said to himself, at once dubious and hopeful.
”
”
Roberto Bolaño (Woes of the True Policeman)
“
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
”
”
Harper Lee (Go Set a Watchman)
“
Maybe they’d give her everything she wanted.
All it would cost was her secrets.
Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.”
“Confess?” Vicereine echoed, puzzled.
“Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something.
“You cut out pages from Eshe’s book?” Vicereine sounded pissed.
“I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.”
“You are making some very dangerous enemies,” Vicereine told her.
“What’s this all about?” Malik was tight-jawed. “What are you doing?”
“Punish me,” Charlie said. “I’m loads worse than Adeline.”
“You want it tied to you?” Bellamy asked.
The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
Lucy,” came the call again, neither her father’s voice nor Peter’s. She sat up, trembling with excitement but not with fear. The moon was so bright that the whole forest landscape around her was almost as clear as day, though it looked wilder. Behind her was the fir wood; away to her right the jagged cliff-tops on the far side of the gorge; straight ahead, open grass to where a glade of trees began about a bow-shot away. Lucy looked very hard at the trees of that glade. “Why, I do believe they’re moving,” she said to herself. “They’re walking about.” She got up, her heart beating wildly, and walked toward them. There was certainly a noise in the glade, a noise such as trees make in a high wind, though there was no wind tonight. Yet it was not exactly an ordinary tree-noise either. Lucy felt there was a tune in it, but she could not catch the tune any more than she had been able to catch the words when the trees had so nearly talked to her the night before. But there was, at least, a lilt; she felt her own feet wanting to dance as she got nearer. And now there was no doubt that the trees were really moving—moving in and out through one another as if in a complicated country dance. (“And I suppose,” thought Lucy, “when trees dance, it must be a very, very country dance indeed.”) She was almost among them now. The first tree she looked at seemed at first glance to be not a tree at all but a huge man with a shaggy beard and great bushes of hair. She was not frightened: she had seen such things before. But when she looked again he was only a tree, though he was still moving. You couldn’t see whether he had feet or roots, of course, because when trees move they don’t walk on the surface of the earth; they wade in it as we do in water. The same thing happened with every tree she looked at. At one moment they seemed to be the friendly, lovely giant and giantess forms which the tree-people put on when some good magic has called them into full life: next moment they all looked like trees again. But when they looked like trees, it was like strangely human trees, and when they looked like people, it was like strangely branchy and leafy people—and all the time that strange lilting, rustling, cool, merry noise. “They are almost awake, not quite,” said Lucy. She knew she herself was wide awake, wider than anyone usually is.
”
”
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
“
C. M. Knaphle, Jr., of Philadelphia had tried for years to sell fuel to a large chain-store organization. But the chain-store company continued to purchase its fuel from an out-of-town dealer and haul it right past the door of Knaphle’s office. Mr. Knaphle made a speech one night before one of my classes, pouring out his hot wrath upon chain stores, branding them as a curse to the nation. And still he wondered why he couldn’t sell them. I suggested that he try different tactics. To put it briefly, this is what happened. We staged a debate between members of the course on whether the spread of the chain store is doing the country more harm than good. Knaphle, at my suggestion, took the negative side; he agreed to defend the chain stores, and then went straight to an executive of the chain-store organization that he despised and said: “I am not here to try to sell fuel. I have come to ask you to do me a favor.” He then told about his debate and said, “I have come to you for help because I can’t think of anyone else who would be more capable of giving me the facts I want. I’m anxious to win this debate, and I’ll deeply appreciate whatever help you can give me.” Here is the rest of the story in Mr. Knaphle’s own words: I had asked this man for precisely one minute of his time. It was with that understanding that he consented to see me. After I had stated my case, he motioned me to a chair and talked to me for exactly one hour and forty-seven minutes. He called in another executive who had written a book on chain stores. He wrote to the National Chain Store Association and secured for me a copy of a debate on the subject. He feels that the chain store is rendering a real service to humanity. He is proud of what he is doing for hundreds of communities. His eyes fairly glowed as he talked, and I must confess that he opened my eyes to things I had never even dreamed of. He changed my whole mental attitude. As I was leaving, he walked with me to the door, put his arm around my shoulder, wished me well in my debate, and asked me to stop in and see him again and let him know how I made out. The last words he said to me were: “Please see me again later in the spring. I should like to place an order with you for fuel.” To me that was almost a miracle. Here he was offering to buy fuel without my even suggesting it. I had made more headway in two hours by becoming genuinely interested in him and his problems than I could have made in ten years trying to get him interested in me and my product.
”
”
Dale Carnegie (How to win friends and Influence People)
“
Chapter 1
Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.
”
”
Jennifer Cano (Hinges of Broams Eld (Broams Eld, #1))
“
Every select man strives instinctively for a citadel and a privacy, where he is FREE from the crowd, the many, the majority—where he may forget "men who are the rule," as their exception;—exclusive only of the case in which he is pushed straight to such men by a still stronger instinct, as a discerner in the great and exceptional sense. Whoever, in intercourse with men, does not occasionally glisten in all the green and grey colours of distress, owing to disgust, satiety, sympathy, gloominess, and solitariness, is assuredly not a man of elevated tastes; supposing, however, that he does not voluntarily take all this burden and disgust upon himself, that he persistently avoids it, and remains, as I said, quietly and proudly hidden in his citadel, one thing is then certain: he was not made, he was not predestined for knowledge. For as such, he would one day have to say to himself: "The devil take my good taste! but 'the rule' is more interesting than the exception—than myself, the exception!" And he would go DOWN, and above all, he would go "inside." The long and serious study of the AVERAGE man—and consequently much disguise, self-overcoming, familiarity, and bad intercourse (all intercourse is bad intercourse except with one's equals):—that constitutes a necessary part of the life-history of every philosopher; perhaps the most disagreeable, odious, and disappointing part. If he is fortunate, however, as a favourite child of knowledge should be, he will meet with suitable auxiliaries who will shorten and lighten his task; I mean so-called cynics, those who simply recognize the animal, the commonplace and "the rule" in themselves, and at the same time have so much spirituality and ticklishness as to make them talk of themselves and their like BEFORE WITNESSES—sometimes they wallow, even in books, as on their own dung-hill. Cynicism is the only form in which base souls approach what is called honesty; and the higher man must open his ears to all the coarser or finer cynicism, and congratulate himself when the clown becomes shameless right before him, or the scientific satyr speaks out. There are even cases where enchantment mixes with the disgust—namely, where by a freak of nature, genius is bound to some such indiscreet billy-goat and ape, as in the case of the Abbé Galiani, the profoundest, acutest, and perhaps also filthiest man of his century—he was far profounder than Voltaire, and consequently also, a good deal more silent. It happens more frequently, as has been hinted, that a scientific head is placed on an ape's body, a fine exceptional understanding in a base soul, an occurrence by no means rare, especially among doctors and moral physiologists. And whenever anyone speaks without bitterness, or rather quite innocently, of man as a belly with two requirements, and a head with one; whenever any one sees, seeks, and WANTS to see only hunger, sexual instinct, and vanity as the real and only motives of human actions; in short, when any one speaks "badly"—and not even "ill"—of man, then ought the lover of knowledge to hearken attentively and diligently; he ought, in general, to have an open ear wherever there is talk without indignation. For the indignant man, and he who perpetually tears and lacerates himself with his own teeth (or, in place of himself, the world, God, or society), may indeed, morally speaking, stand higher than the laughing and self-satisfied satyr, but in every other sense he is the more ordinary, more indifferent, and less instructive case. And no one is such a LIAR as the indignant man.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
Every special human being strives instinctively for his own castle and secrecy, where he is saved from the crowd, the many, the majority—where he can forget the rule-bound "people," for he is an exception to them;—but for the single case where he is pushed by an even stronger instinct straight against these rules, as a person who seeks knowledge in a great and exceptional sense. Anyone who, in his intercourse with human beings, does not, at one time or another, shimmer with all the colours of distress—green and gray with disgust, surfeit, sympathy, gloom, and loneliness—is certainly not a man of higher taste. But provided he does not take all this weight and lack of enthusiasm freely upon himself, always keeps away from it, and stays, as mentioned, hidden, quiet, and proud in his castle, well, one thing is certain: he is not made for, not destined for, knowledge. For if he were, he would one day have to say to himself, "The devil take my good taste! The rule-bound man is more interesting than the exception—than I am, the exception!"— and he would make his way down , above all, "inside." The study of the average man—long, serious, and requiring much disguise, self-control, familiarity, bad company - (all company is bad company except with one’s peers):—that constitutes a necessary part of the life story of every philosopher, perhaps the most unpleasant, foul-smelling part, the richest in disappointments. But if he’s lucky, as is appropriate for a fortunate child of knowledge, he encounters real shortcuts and ways of making his task easier; I’m referring to the so-called cynics, those who, as cynics, simply recognize the animal, the meanness, the "rule-bound man" in themselves and, in the process, still possess that degree of intellectual quality and urge to have to talk about themselves and people like them before witnesses;—now and then they even wallow in books, as if in their very own dung. Cynicism is the single form in which common souls touch upon what honesty is, and the higher man should open his ears to every cruder and more refined cynicism and think himself lucky every time a shameless clown or a scientific satyr announces himself directly in front of him. There are even cases where enchantment gets mixed into the disgust—for example, in those places where, by some vagary of nature, genius is bound up with such an indiscreet billy-goat and ape; as in the Abbé Galiani, the most profound, sharp-sighted, and perhaps also the foulest man of his century—he was much deeper than Voltaire and consequently a good deal quieter. More frequently it happens that, as I’ve intimated, the scientific head is set on an ape’s body, a refined and exceptional understanding in a common soul; among doctors and moral physiologists, for example, that’s not an uncommon occurrence. And where anyone speaks without bitterness and quite harmlessly of men as a belly with two different needs and a head with one, everywhere someone constantly sees, looks for, and wants to see only hunger, sexual desires, and vanity, as if these were the real and only motivating forces in human actions, in short, wherever people speak "badly" of human beings—not even in a nasty way—there the lover of knowledge should pay fine and diligent attention; he should, in general, direct his ears to wherever people talk without indignation. For the indignant man and whoever is always using his own teeth to tear himself apart or lacerate himself (or, as a substitute for that, the world, or God, or society) may indeed, speaking morally, stand higher than the laughing and self-satisfied satyr, but in every other sense he is the more ordinary, the more trivial, the more uninstructive case. And no one lies as much as the indignant man.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal.
Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder.
"I saw him first," Nicky said.
"I thought you had Erik," Neil said.
"I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three."
Neil pretended to understand and changed the topic.
"How does anyone lose against the Foxes with Andrew in your goal?"
"He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze."
"Bribed?" Neil echoed.
"Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive."
"He can't play like that and not care."
"Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life."
"But why?" Neil asked. "Andrew hates Kevin's obsession with Exy."
"The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it [...]."
The stadium door slammed open as Andrew showed up at last. [...]
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later."
[...] "Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall.
[...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey.
[...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it.
[...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting."
[...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all [...].
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet.
It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book.
And all the lives we ever lived
And all the lives to be,
Are full of trees and changing leaves,
she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all.
Steer, hither steer your winged pines, all beaten Mariners
she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
”
”
Virginia Woolf (To the Lighthouse)
“
As a person, [Barbara Stanwyck] was a great deal like the character she played in Ball of Fire, a stripper called Sugarpuss O'Shea. She had a wonderful, free, open quality in that picture, and that's what she was like as a woman. Reclusive by nature, she was happy to just stay home, but she read everything. She got me reading books as a way of life and, if I asked her, would help me out with my acting. We only had one scene together in Titanic—I played her daughter's boyfriend!—so there was a limit to what I could learn by working with her. She taught me what to do with my hands, how to get over my self-consciousness, and how to lower my voice, which I thought was still too high. And she taught me to be decisive with things like entrances. "When you walk in," she told me, "be sure you're standing up straight. Walk in with confidence." She didn't want me to sidle into a scene as if I were ashamed to be in the movie. Make the entrance! Take the scene! But I wasn't going there for acting tutorials.
”
”
Robert J. Wagner (Pieces of My Heart: A Life)
“
[comrades] are ashes, entrails, dung, stove smoke, clay, and they’ll all return to clay. They’re full of dirt, candle oil, droppings, dust.
You, O Book, my pure, shining precious, my golden singing promise, my dream, a distant call—
O tender specter, happy chance,
Again I heed the ancient lore,
Again with beauty rare in stance,
You beckon from the distant shore!”
You, Book! You are the only one who won't deceive, won't attack, won't insult, won't abandon! You're quiet--but you laugh, shout, and sing; you're obedient--but you amaze, tease and entice; you're small but you contain countless peoples. Nothing but a handful of letters, that's all, but if you feel like it, you can turn heads, confuse, spin, cloud, make tears spring to the eye, take away the breath, the entire soul will stir in the wind like a canvas, will rise in the waves and flap its wings! Sometimes a kind of wordless feeling tosses and turns in the chest, pounds its fists on the door, the walls: I'm suffocating! Let me out! How can you let that feeling out, all fuzzy and naked? What words ca you dress it in? We don't have any words, we don't know! Just like wild animals, or a blindlie bird, or a mermaid--no words, just a bellowing. But you open a book--and there they are, fabulous, flying words:
O city! O wind! O snowstorms and blizzards!
O azure abyss all raveled and tattered!
Here am I! I'm blameless! I'm with you forever...
...Or there's bile and sadness and bitterness. The emptiness dries your eyes out and you search for the words, and here they are:
But is the world not all alike?
From the Cabbala of Chaldaic signs
Throughout the ages, now and ever more,
To the sky where the even star shines.
The same old wisdom--born of ashes,
And in that wisdom, like our twin,
The face of longing, frailty, fear, and sin,
Stares straight across the ages at us.
”
”
Tatyana Tolstaya (The Slynx)
“
When fate stares you straight in the face, you do not cower in fear. Rather, you welcome it with open arms.
”
”
Sophia Sharp (The Forsaken Saga Complete Box Set (Books 1-4))
“
What super-sure looks like A multitude of fascinating factors come under the ‘looking confident ‘umbrella. There isn’t space here to explore the thousands of subtle signs that signal confidence. I cover them in my book How to Talk to Anyone. However, here are a few hints to tide you over. Self-assureds do the following things instinctively. You can do them consciously until they become second nature. 1. When you are at a gathering, do not stand close to the wall or by the snacks. Walk directly to the dead-centre of the room. That’s where all the important people instinctively stand. 2. When you are going through a large door or open double doors, don’t walk on one side. Walk straight through the middle. It signifies confidence. 3. At a restaurant, unless there is an established hierarchy, go for the seat at the end of the table facing the door. That is the power position. 4. Sit in the highest chair in a meeting or on the arm of the couch – but not higher than the boss! 5. Make larger, more fluid movements. Confident people’s bodies occupy more space. Shys take as little as possible, as if to say, ‘Excuse me for taking up this much of the earth.’ 6. Keep your hands away from your face and never fidget. 7. When you agree with someone, nod your head up from neutral (jaw parallel to the floor), not down. 8. When walking towards someone and passing, be the last person to break eye-contact. 9. For men: Don’t strut like a bantam rooster. But to look like a leader, swing your arms more significantly when you walk. When you are seated, put one arm up on the back of a chair. Occasionally lean back with your arms up and your hands behind your head. 10. For women: To seem self-assured, square your body towards the person you’re talking to and stand a tad closer. Naturally, give a big smile but let it come ever so slightly so it looks sincere, not nervous.
”
”
Leil Lowndes (How to Feel Confident: Simple Tools for Instant Success)
“
not required to stay late in the Whitehall area, I used, as a general routine, to come straight back from duty to a nearby pub, dine there, then retire to bed with a book. At that period the seventeenth century particularly occupied me, so that works like Wood's Athenae Oxonienses or Luttrell's Brief Relation opened up vistas of the past, if not necessarily preferable to one's own time, at least appreciably different. These historical readings could be varied with Proust.
”
”
Anthony Powell (The Military Philosophers (A Dance of Music and Time))
“
Hey.” A lopsided smirk offers chagrin as he turns my way. “Sorry about that,” he says, and I’m struck by how much I’ve missed his voice. He opens the door and unfolds himself from the tiny car, and then I realize how much I’ve missed him. “You made it.” It’s tough to keep my emotions in check, but I know I need to. “You look tired.” “I took the long way home.” And just like that, he reaches out and pulls me into a hug. Not a shoulder hug, but the real thing, the kind you give to someone you thought of while you were away. I’m surprised at first. I wasn’t expecting…well…that. I was prepared for more of the uncertain off-and-on awkward dance we usually do. Friends…or two people who want something more? We’re never quite sure. But this feels different. I slip my arms under his and hang on. “Tough few days?” I whisper, and he rests his chin on my head. I listen to his heartbeat, feel the sultry warmth of skin against skin. My gaze lingers on the tangle of wisteria vines and crape myrtle branches hiding the ancient structures of Goswood Grove’s once spectacular gardens, concealing whatever secrets they know. “Tough few days all around, it sounds like,” Nathan says finally. “We should go in.” But he hangs on a minute longer. We part slowly, and the next step suddenly seems uncharted. I don’t know how to catalog it. One moment, we’re as natural as breathing. The next, we’re at arm’s length—or retreating to our separate safety zones. He stops halfway across the porch, turns, widens his stance a little like he’s about to pick up something heavy. Crossing his arms, he tilts his head and looks at me, one eye squeezing almost shut. “What are we to each other?” I stand there a moment with my mouth agape before words dribble out in a halting string. “In…in…what way?” I’m terrified, that’s why I don’t give a straight answer. Relationships require truth telling, and that requires risk. An old, insecure part of me says, You’re damaged goods, Benny Silva. Someone like Nathan would never understand. He’ll never see you in the same way again. “Just like it sounds,” he says. “I missed you, Benny, and I promised myself I’d just put it out there this time. Because…well…you’re hard to read.” “I’m hard to read?” Nathan has been largely a mystery I’ve pieced together in fragments. “Me?” He doesn’t fall for the turnabout, or he ignores it. “So, Benny Silva, are we…friends or are we…” The sentence shifts in the wind, unfinished—a fill-in-the-blank question. Those are harder than multiple-choice. “Friends…” I search for the right answer, one not too presumptuous, but accurate. “Going somewhere…at our own pace? I hope.” I feel naked standing there. Scared. Vulnerable. And potentially unworthy of his investment in me. I can’t make the same mistake I’ve made before. There are things he needs to know. It’s only fair, but this isn’t the right moment for it, or the right place. He braces his hands on his hips, lets his head rock forward, exhales a breath he seems to have been holding. “Okay,” he says with a note of approval. His cheek twitches, one corner of his mouth rising. I think he might be blushing a little. “I’ll take that.” “Me, too,” I agree.
”
”
Lisa Wingate (The Book of Lost Friends)
“
We all seemed to be playing a game called Let’s-Follow-Brewster. That was okay with me! I ran along behind him. Big flakes of snow fell on my face, and I kept blinking to keep them away from my eyes. Brewster didn’t seem to care about the snow at all. He just headed straight toward a building with a set of steps up to a door. “He’s got the scent!” Bryan said excitedly. There was a door at the top of the steps. Brewster stood by it and gave Bryan an expectant look and waited. “That’s my office,” Dusty Pants said as he climbed the steps. “I don’t think the foxes could possibly be in there.” He opened the door. Brewster headed in. I trotted up the steps to see Brewster shake snow from his fur, look around, spy a couch in a corner, and hop up for a nap. All the grown-ups laughed.
”
”
W. Bruce Cameron (Lily to the Rescue: Foxes in a Fix (Lily to the Rescue! Book 7))
“
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out:
the Books Dealing With Something You're Working On At The Moment,
the Books You Want To Own So They'll Be Handy Just In Case,
the Books You Could Put Aside Maybe To Read This Summer,
the Books You Need To Go With Other Books On Your Shelves,
the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified.
Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them.
With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new).
All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established.
You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went.
You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it.
Will it happen this time? You can never tell. Let’s see how it begins.
”
”
Italo Calvino (If on a Winter’s Night a Traveler)
“
Every select man strives instinctively for a citadel and a privacy, where he is FREE from the crowd, the many, the majority—where he may forget "men who are the rule," as their exception;—exclusive only of the case in which he is pushed straight to such men by a still stronger instinct, as a discerner in the great and exceptional sense. Whoever, in intercourse with men, does not occasionally glisten in all the green and grey colours of distress, owing to disgust, satiety, sympathy, gloominess, and solitariness, is assuredly not a man of elevated tastes; supposing, however, that he does not voluntarily take all this burden and disgust upon himself, that he persistently avoids it, and remains, as I said, quietly and proudly hidden in his citadel, one thing is then certain: he was not made, he was not predestined for knowledge. For as such, he would one day have to say to himself: "The devil take my good taste! but 'the rule' is more interesting than the exception—than myself, the exception!" And he would go DOWN, and above all, he would go "inside." The long and serious study of the AVERAGE man—and consequently much disguise, self-overcoming, familiarity, and bad intercourse (all intercourse is bad intercourse except with one's equals):—that constitutes a necessary part of the life-history of every philosopher; perhaps the most disagreeable, odious, and disappointing part. If he is fortunate, however, as a favourite child of knowledge should be, he will meet with suitable auxiliaries who will shorten and lighten his task; I mean so-called cynics, those who simply recognize the animal, the commonplace and "the rule" in themselves, and at the same time have so much spirituality and ticklishness as to make them talk of themselves and their like BEFORE WITNESSES—sometimes they wallow, even in books, as on their own dung-hill. Cynicism is the only form in which base souls approach what is called honesty; and the higher man must open his ears to all the coarser or finer cynicism, and congratulate himself when the clown becomes shameless right before him, or the scientific satyr speaks out. There are even cases where enchantment mixes with the disgust—namely, where by a freak of nature, genius is bound to some such indiscreet billy-goat and ape, as in the case of the Abbe Galiani, the profoundest, acutest, and perhaps also filthiest man of his century—he was far profounder than Voltaire, and consequently also, a good deal more silent. It happens more frequently, as has been hinted, that a scientific head is placed on an ape's body, a fine exceptional understanding in a base soul, an occurrence by no means rare, especially among doctors and moral physiologists. And whenever anyone speaks without bitterness, or rather quite innocently, of man as a belly with two requirements, and a head with one; whenever any one sees, seeks, and WANTS to see only hunger, sexual instinct, and vanity as the real and only motives of human actions; in short, when any one speaks "badly"—and not even "ill"—of man, then ought the lover of knowledge to hearken attentively and diligently; he ought, in general, to have an open ear wherever there is talk without indignation. For the indignant man, and he who perpetually tears and lacerates himself with his own teeth (or, in place of himself, the world, God, or society), may indeed, morally speaking, stand higher than the laughing and self-satisfied satyr, but in every other sense he is the more ordinary, more indifferent, and less instructive case. And no one is such a LIAR as the indignant man.
”
”
Friedrich Nietzsche
“
Well, then.” Helias took one of Estienne’s hands and kissed it so tenderly it sent shivers up Estienne’s arm, straight to his heart. “We have eternity together. Let this ring be a promise, should the future be different enough that a cathedral would open its doors to us.”
“You think that could ever truly happen?” Estienne asked, half-teasing, half-genuine. “Two men being allowed to marry?
”
”
Myna Arrow (The Sweetest Shade of Red (Shades of Red Book 1))
“
In the beginning, we were as one.
But God felt we couldn’t satisfy him like that, so God set
about dividing us. God had great fun with us, then God tired
of us and forgot us. God could be so cruel in his indifference,
he horrified me. God knew how to show his gentle side, too,
and I loved him as I’ve loved no one else.
I think we could have all lived happily, in a way, God, me
and the others, if it weren’t for that accursed book. It disgusted me. I knew what bound me to it in the most sickening
of ways, but the horror of that particular knowledge came
later, much later. I didn’t understand straight away, I was too
ignorant.
I loved God, yes, but I despised that book, which he’d open
at the drop of a hat. As for God, he relished it. When God
was happy, he wrote. When God was furious, he wrote. And
one day, when God was in a really bad mood, he did something enormously stupid.
God smashed the world to pieces.
*
It’s coming back to me—God was punished. On that day, I
understood that God wasn’t all-powerful. Since then, I’ve never
seen him again.
”
”
Cristelle Dabos
“
I think we could have all lived happily, in a way, God, me and the others, if it weren’t for that accursed book. It disgusted me. I knew what bound me to it in the most sickening of ways, but the horror of that particular knowledge came later, much later. I didn’t understand straight away, I was too ignorant. I loved God, yes, but I despised that book, which he’d open at the drop of a hat. As for God, he relished it. When God was happy, he wrote. When God was furious, he wrote.
”
”
Cristelle Dabos
“
The Way of combat in Nitō Ichi-ryū is made clear in the Ether Scroll.1 The Ether is a place where there is nothing. I consider this emptiness as something which cannot be known. Of course, Ether is also nothing. Knowing what does exist, one can then know what does not. This is what I mean by “Ether.” People tend to mistake this notion of Ether as something that cannot be distinguished but this is not the true Ether. It is simply confusion in everybody’s minds. So too in the Way of combat strategy, ignorance of the laws of the samurai by those who practice the Way of the warrior is not represented as emptiness. Likewise, those who harbor various doubts explain it as “emptiness,” but this is not the true meaning of Ether. The warrior must scrupulously learn by heart the Way of combat strategy and thoroughly study other martial arts without forgoing any aspect related to the practice of the warrior’s Way. He must seek to put the Way into practice each hour of every day without tiring or losing focus. He must polish the two layers of his mind, the “heart of perception” and the “heart of intent,” and sharpen his two powers of observation, the gazes of kan (“looking in”) and ken (“looking at”). He must recognize that the true Ether is where all the clouds of confusion have completely lifted, leaving not a hint of haziness. When you are impervious to the true Way, faithfully following your own instead thinking all is well, be it Buddhist Law or secular law, you will stray further from the truth. When the spirit is uncurled and compared with overarching universal principles, it becomes evident that a prejudiced mind and a distorted view of things have led to a departure from the proper path. Know this mind and use what is straight as your foundation. Make the sincere heart your Way as you practice strategy in its broadest sense, correctly and lucidly. Ponder the Ether as you study the Way. As you practice the Way, the Ether will open before you. There is Good, not Evil in the Ether There is Wisdom There is Reason There is the Way The Mind, Empty
”
”
Miyamoto Musashi (The Complete Musashi: The Book of Five Rings and Other Works)
“
The purpose of middle game is to get her inside a bedroom while gaming her in a way that lowers her resistance to having sex. Even though middle game is optional, since you can go straight from meet to bedroom on the same night, it’s important for it to be your strength because a large percentage of quality girls aren’t open to one-night stands.
”
”
Roosh V. (Bang: The Most Infamous Pickup Book In The World)
“
Be open to genres other than straight realistic fiction. Discover how writers use forms other than straight narrative in middle grade and young adult fiction.
”
”
Tracey E. Dils (You Can Write Children's Books)
“
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
”
”
Peter May (Coffin Road)
“
No, they were," Avery said, clearly confusing her. As he waited for someone to answer the phone, he gave Janice his most cocky grin, a very clear watch-me-get-what-I-want expression. "La Bella Luna, can I help you?" The deep rich timbre turned him on instantly, and his gaze strayed to the corner of his desk, Janice completely forgotten. "Good Morning, this is Avery Adams. Who do I have the pleasure of speaking with?" He already knew the answer, he just wanted to hear Kane's voice again. Avery thought about Kane's hands and how competently he'd handled that bottle of wine. He imagined them using the same care as he picked up the phone from the cradle. The air in the room sizzled, his heartbeat picked up, and his body grew hard with need. He had never in his life been so immediately taken with another. Avery prayed Kane might be at least bi-sexual. Straight men were much harder to work into his bed—not impossible, but harder—and he definitely wanted Kane Dalton in his bed. "Hello, Mr. Adams. This Kane Dalton, would you prefer I transfer this call to someone else?" The soothing voice on the other end of the phone became tense. "No, you're who I was hoping to speak with. It seems you and I may have gotten off on the wrong foot, and I'd like to set things right between us," Avery said, adjusting his gaze to stare out the open window. "I have no issue with you, sir," Kane responded back immediately. "There's a large bouquet of rather expensive lilies sitting in my office that might say otherwise." He cut his eyes back to the flowers on the small conference table. Kane didn't respond this time, there was just silence. Good. Kane got a taste of his own medicine. "Listen, I'd like to book a regular table in your restaurant a couple of days a week. It doesn't have to be the same days each week, but I thoroughly enjoyed myself a few nights ago and got reacquainted with several families from my youth." He was met with more silence, then he heard the rustle of pages being turned. "Sir, I'm sorry, but I just don't have—" "I'll make it worth your while." Avery cut him off, his eyes still on the flowers, but seeing the man who sent them instead of the lovely blooms. "It's not that, sir. We're just incredibly booked." Kane started with the excuses again, but Avery wasn't taking no for an answer. "Please lose the sir. My name's Avery. I'd like you to use it." Avery's voice turned lower and huskier as he spoke from his deepest desires. "Avery," Kane said as if testing the word. "We don't have the space available. We're booked solidly for several months." "No one's that booked," Avery called him on the lie, and left it right there between them. After a long extended pause, Kane finally answered, "You're right, let's get you in Monday and Wednesday evenings. Does that suit you?" "You sure do," Avery said. Now that he'd managed a firm reservation, it was time to draw Kane in. Not surprisingly, he was met with silence. "I'll take whatever days you offer." In fact, I'll take whatever you are willing to give. As the thought faded, Avery realized those were actually terrible days to be seen out and about. "Seven o'clock?" Kane asked, ignoring everything he said. "Whatever works," Avery replied. "All right, would you like to come in tomorrow night?" Kane asked. His tone was back to all business. "Absolutely!
”
”
Kindle Alexander (Always (Always & Forever #1))
“
Before we can fix the situation, we have to first see the situation, the world can't see straight right now, some are blinded by hatred, rage, fear, scepticism, some are blinded by their pains.
We need to pray...pray that God open our eyes to see the problem from the source and not from the surface.
You cannot solve a situation that you cannot see correctly.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
He looked over the counter to see Christopher standing at the bottom of the stairs, stark naked, book under one arm, Bear under the other. Preacher lifted one bushy brow. “Forget something there, pardner?” he asked. Chris picked at his left butt cheek while hanging on to the bear. “You read to me now?” “Um... Have you had your bath?” Preacher asked. The boy shook his head. “You look like you’re ready for your bath.” He listened upward to the running water. Chris nodded, then said again, “You read it?” “C’mere,” Preacher said. Chris ran around the counter, happy, raising his arms to be lifted up. “Wait a second,” Preacher said. “I don’t want little boy butt on my clean counter. Just a sec.” He pulled a clean dish towel out of the drawer, spread it on the counter, then lifted him up, sitting him on it. He looked down at the little boy, frowned slightly, then pulled another dish towel out of the drawer. He shook it out and draped it across Chris’s naked lap. “There. Better. Now, what you got here?” “Horton,” he said, presenting the book. “There’s a good chance your mother isn’t going to go for this idea,” he said. But he opened the book and began to read. They hadn’t gotten far when he heard the water stop, heard heavy footfalls racing around the upstairs bedroom, heard Paige yell, “Christopher!” “We better get our story straight,” Preacher said to him. “Our story,” Chris said, pointing at the page in front of him. Momentarily there were feet coming down the stairs, fast. When she got to the bottom, she stopped suddenly. “He got away from me while I was running the tub,” she said. “Yeah. In fact, he’s dressed like he barely escaped.” “I’m sorry, John. Christopher, get over here. We’ll read after your bath.” He started to whine and wiggle. “I want John!” Paige came impatiently around the counter and plucked him, squirming, into her arms. “I want John,” he complained. “John’s busy, Chris. Now, you behave.” “Uh—Paige? I’m not all that busy. If you’ll tell Jack I’m not in the kitchen for a bit, I could do the bath. Tell Jack, so he knows to lock up if everyone leaves.” She turned around at the foot of the stairs. “You know how to give a child a bath?” she asked. “Well, no. But is it hard? Harder than scrubbing up a broiler?” She chuckled in spite of herself. She put Chris down on his feet. “You might want to go a little easier than that. No Brillo pads, no scraping. No soap in the eyes, if you can help it.” “I can do that,” Preacher said, coming around the counter. “How many times you dunk him?” She gasped and Preacher showed her a smile. “Kidding. I know you only dunk him twice.” She smirked.
”
”
Robyn Carr (Shelter Mountain (Virgin River, #2))
“
Let’s have a bet, then. If I’m right, you kiss me,” he says.
“And if I’m right?”
“Name it.”
It’s like taking candy from a baby. Mr. Macho Guy’s ego is about to be taken down a notch, and I’m all too happy to be the one to do it. “If I win you take me and the class project seriously,” I tell him. “No teasing me, no making ridiculous comments.”
“Deal. I’d feel terrible if I didn’t tell you I have a photographic memory.”
“Alex, I’d feel terrible if I didn’t tell you I copied the info straight from the book.” I look at the research I’d done, then flip open to the corresponding page in my chem book. “Without looking, what does it need to be cooled at?” I ask.
Alex is a guy who thrives on challenges. But this time the tough guy is going to lose. He closes his own book and stares at me, his jaw set. “Twenty degrees. And it needs to be dissolved at one hundred degrees, not seventy,” he answers confidently.
I scan the page, then my notes. Then back at the page again. I can’t be wrong. Which page did I--“Oh, yeah. One hundred degrees.” I look up at him in complete shock. “You’re right.”
“You gonna kiss me now, or later?”
“Right now,” I say, which I can tell shocks him because his hands go still. At home, my life is dictated by my mom and dad. At school, it’s different. I need to keep it that way, because if I have no control in every aspect of my life I might as well be a mannequin.
“Really?” he asks.
“Yeah.” I take one of his hands in mine. I’d never be this bold if we had an audience, and am thankful for the privacy of the nonfiction titles surrounding us. His breathing slows as I sit up on my knees and lean into him. I’m ignoring the fact that his fingers are long and rough and that I’ve never actually touched him before. I’m nervous. I shouldn’t be, though. I’m the one in control this time.
I can feel him restraining himself. He’s letting me make the move, which is a good thing. I’m afraid of what this boy would do if he let loose.
I place his hand against my cheek so it cups my face and I hear him groan. I want to smile because his reaction proves I have the power.
He’s unmoving as our eyes meet.
Time stops again.
Then I turn my head into his hand and kiss the inside of his palm.
“There, I kissed you,” I say, giving him back his hand and ending the game.
Mr. Latino with the big ego got bested by a ditzy, blond bimbo.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Let's have a bet, then. If I'm right, you kiss me," he says.
"And if I'm right?"
"Name it."
It's like taking candy from a baby. Mr. Macho Guy's ego is about to be taken down a notch, and I'm all too happy to be the one to do it. "If I win you take me and the class project seriously," I tell him. "No teasing me, no making ridiculous comments."
"Deal. I'd feel terrible if I didn't tell you I have a photographic memory."
"Alex, I'd feel terrible if I didn't tell you I copied the info straight from the book." I look at the research I'd done, then flip open to the corresponding page in my chem book. "Without looking, what does it need to be cooled at?" I ask.
Alex is a guy who thrives on challenges. But this time the tough guy is going to lose. He closes his own book and stares at me, his jaw set. "Twenty degrees. And it needs to be dissolved at one hundred degrees, not seventy," he answers confidently.
I scan the page, then my notes. Then back at the page again. I can't be wrong. Which page did I- "Oh, yeah. One hundred degrees." I look up at him in complete shock. "You're right."
"You gonna kiss me now, or later?"
"Right now," I say, which I can tell shocks him because his hands go still. At home, my life is dictated by my mom and dad. At school, it's different. I need to keep it that way, because if I have no control in every aspect of my life I might as well be a mannequin.
"Really?" he asks.
"Yeah." I take one of his hands in mine. I'd never be this bold if we had an audience, and am thankful for the privacy of the nonfiction titles surrounding us. His breathing slows as I sit up on my knees and lean into him. I'm ignoring the fact that his fingers are long and rough and that I've never actually touched him before. I'm nervous. I shouldn't be, though. I'm the one in control this time.
I can feel him restraining himself. He's letting me make the move, which is a good thing. I'm afraid of what this boy would do if he let loose.
I place his hand against my cheek so it cups my face and I hear him groan. I want to smile because his reaction proves I have the power.
He's unmoving as our eyes meet.
Time stops again.
Then I turn my head into his hand and kiss the inside of his palm.
"There, I kissed you," I say, giving him back his hand and ending the game.
Mr. Latino with the big ego got bested by a ditzy, blond bimbo.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
In her book, Ask Outrageously! my friend Linda Swindling suggests to “Mimic the body language of the most powerful people you know. They stand up straight, make appropriate eye contact, and use gestures to convey their points. Look at their feet. Usually they are placed about shoulder-width apart. They have an open stance. They smile and nod when they agree.”
Begin paying attention to the poise, postures, and gestures of the people whom you admire and respect the most. How do they carry themselves to project excellence? Adapting their behaviors may serve you well to enhance and improve your body language.
”
”
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
“
Although there is general agreement that the 'Goldstein' book and the Appendix both stem from the same satiric impulse, the degree of Orwell's success in combining satire and naturalism remains a subject of debate. Crick may be right to leave the matter open: 'Perhaps [Orwell] had not solved the structural problem of integrating these two things into the narrative, or perhaps their unintegrated documentary appearance was fully deliberate.' But, if the 'documentary appearance' was deliberate, what did Orwell hope to achieve? Although Samuel Hynes, among others, has rightly noted the dependence of Orwell's imagination on 'the sense of recorded fact,' I cannot agree with him that the 'Goldstein' book and the Appendix serve 'as a kind of make-believe documentation' intended to 'make the world more horrible by verifying it.' On the contrary, I would suggest that the real horror of the 'Goldstein' book is not that it verifies the world of the novel but that it fails to verify any world. Does Big Brother exist? Does Goldstein exist? Does the Brotherhood exist? Did the Party write the 'Goldstein' book? Winston cannot get straight answers to his questions, and neither can the reader.
”
”
Richard K. Sanderson
“
Love one another…as members of one family…. —Romans 12:10 (AMP) I sometimes brood about my mothering days when my children were young. Observing other mothers with their children now, I realize how simple it would have been to have bent over to their level more, hugged more, and said to each of them more often, “I love you.” Now I was certain it was too late. Recently, my daughter Julie was going through a difficult day. As she left my house, we stood at the back door, saying good-bye. Suddenly, she threw her arms around me, and I grabbed her tight. “I love you, Mother.” “I love you too, Julie.” “It’s so good to hear you say it, Mother.” “I thought you were too old.” I tightened my grip. Julie shed her tears openly. Mine got stuck somewhere down inside of me. “You didn’t say it much when we were little,” she whispered so softly, I could have missed the words. “Oh, I’m so sorry, Julie. Can you forgive me?” She nodded, unable to speak. “Thank you, Julie Babe.” “I want to hear them, Mother. I always did.” Still holding my daughter, I spoke the words again. So did she. The powerful words went straight to my heart and rested there like a contented kitten. Now, each time we end a telephone conversation or say good-bye in person, we add “I love you,” simultaneously. Oh, my Father, I’ve neglected to speak the words to You too. Thank You that it's never too late to change. I love You. I love You. —Marion Bond West Digging Deeper: Lk 6:31; Eph 4:32, 6:4
”
”
Guideposts (Daily Guideposts 2014)
“
I received this premonition — a spiritual experience, you could even describe it as. A nun quietly opened the door behind me. As soft as air, she walked around and looked straight into my eyes. Then, without saying a word, she placed a bottle of Queen Ann whisky and one glass in front of me, walked out and closed the door behind her.
”
”
Bill "Swampy" Marsh (The Complete Book of Australian Flying Doctor Stories)
“
The R&B classics were mixed up with our longer workouts, so that ‘Interstellar Overdrive’, which we often used as an opener, might be followed immediately by a very straight cover of Bo Diddley’s ‘Can’t Judge A Book’ or Chuck Berry’s ‘Motivating’, one of Syd’s favourites.
”
”
Nick Mason (Inside Out: A Personal History of Pink Floyd)
“
Anyway, I pushed past Dirk the Jerk, and rushed toward the library. I needed to find an ultimate Minecraft guide with tips and tricks, shortcuts and secrets. My plan was simple. I’d buy the game, study the book, and start playing. It couldn’t be that hard, right? I was determined to beat Dirk the Jerk at something, even if it killed me! I headed to the library’s computer books section. I quickly scanned for game guides. They had books on popular games such as Candy Crusher, Angry Birdbrains, and Minion Marathon. But none about Minecraft? Then, I spotted a thin book crammed way at the back of the shelf. It was covered with a thick layer of dust and spiderwebs. (Yuck! I hate spiders!) I yanked it out: Minecraft: Surviving the First Night: An Insider’s Guide. It was more like a journal. Not exactly what I was looking for but it was better than nothing. I looked closer at the book and noticed that there wasn’t a library sticker on it. The best I could figure was that it must be someone’s personal copy. Maybe he was hiding it from his mom who didn’t approve of computer games. (I knew all about that.) At that point, I was really desperate. And since there wasn’t any way for me to check it out, I decided to take it. I was sure the owner wouldn’t miss it because it hadn’t been touched in forever. Maybe he’d forgotten all about it. And anyway, I’d return it after I crushed Dirk the Jerk in the survival challenge. When I got home, I was faced with the hardest part of my whole plan, convincing Mom to buy Minecraft. She thinks computer and video games are a waste of time, except for educational ones. (She grew up back when Pac Man was hi-tech.) I knew I’d need help coming up with reasons to convince Mom. So I checked with my good friend, Google, and I found a ton of information on why Minecraft was considered educational. Once I explained to Mom that Minecraft taught everything from spatial relationships to electrical circuitry to complex machines, she caved in, and bought it. Now that the hard part was over, all I needed to do was learn the game. I sat down in front of the computer in my room, and launched the game. I opened the Minecraft journal, and there was a bright flash of light! That’s the last thing I remember. The next thing I knew, I was sitting in the middle of a strange library. It took me a minute to figure out what the heck was going on. I looked around. Everything was made of blocks. I looked down at my arms... rectangles. I looked down at my legs... Rectangles! I looked down at my body... a RECTANGLE! Then it hit me... I was literally a blockhead IN Minecraft! *gulp* That’s when I flipped out a little bit. For about ten minutes straight. I probably would have freaked out for longer, but it’s exhausting screaming, flapping my arms, and running in circles on stumpy little legs. After I calmed down a bit and caught my breath, I thought of
”
”
Minecrafty Family Books (Trapped in Minecraft! (Diary of a Wimpy Steve, #1))
“
Before I could knock on the open door of his office I heard, “Get your ass in here!!” I by-passed the knock and went straight to his desk and stopped front and center. “Christ, what the hell is going on out there this morning. I come in here drop my cover and car keys on my desk, look at the morning availability report and see we got 13 aircraft up. I go down to the ready room to get a cup of coffee, see on the schedules board we got an 8 plane launch going out, look at the weather, shoot the shit with the ODO for a couple minutes and by the time I get back to my office, I got 4 aircraft up out of 18 and the entire launch has been scrubbed, what the FUCK?!” “The thunderstorm got us Sir. Flight line had the aircraft all ready to go, canopies up waiting on pilots and everything got drenched before we could close up and run for cover.” “Oh for Christ’s sake, didn’t anyone notice a huge thunderstorm heading our way?
”
”
W.R. Spicer (Sea Stories of a U.S. Marine Book 4 Harrier)
“
The day on which he was buried was beautifully sunny. No matter where one looked, the sky had a clean-washed appearance. There was not a trace of a cloud to be seen anywhere in its vast expanse. It was one of those days that made one want to open doors and gates to release the last traces of winter, to watch them disappear like thin wisps of smoke into the farthest reaches of the sky.
It is true that older people still wore their winter coats, but they no longer wore them buttoned up. As for the children, they seemed to have grown wings at their shoulders and wouldn’t think of wearing coats any longer. They swarmed into the streets on that day with such lively, untrammelled spirits that one might have thought they were a flock of swallows readying themselves for flight—straight or zigzag, high or low, in avian madness.
It was, in short, a day unfit for sorrow.
”
”
Der Nister (The Family Mashber (New York Review Books Classics))
“
another good neighbour they depended on. Emily felt as though Rita were her confidante, her best friend. More than that even, the older sister she had never had. Only a few years older than Emily, but already with a family of her own. Emily’s mother opened her eyes and smiled at Alfred. Emily felt a twinge of jealousy. Her ma and Alfred loved each other so much that Emily often felt excluded by their private exchanges. She dropped back to her knees by the side of the sofa. ‘Mam, are you all right?’ She was vying for her mother’s attention, dragging her away from Alfred and feeling guilty for it. ‘Oh, there you are, queen,’ her mother whispered, with a hint of surprise. ‘I must have known you were home. I’m glad I woke up. Could you just grab the coupons, love, and go down to the shop for me before the kids come home?’ ‘The kids are already home, love. They’ve gone straight to Rita’s,’ Alfred said, smiling at his wife. Rita’s little sons and their own were inseparable. ‘They’ll be back soon, queen. She took them straight from school.’ ‘It’s like we have four little boys, or none at all,’ Emily said, extracting the ration books from the drawer in the wooden kitchen table. ‘One day we’ll find out which ones are ours,
”
”
Nadine Dorries (The Angels of Lovely Lane (Lovely Lane, #1))
“
He considered himself completely comfortable in his sexuality while still being open-minded. He knew that other perfectly straight men dipped their toes into the waters of different sexuality. Experimentation was pretty normal in his book; he’d just never done it before.
”
”
Romeo Alexander (I'm Straight, Right? (Men of Fort Dale, #1))
“
But I’m a deer caught in the headlights after being nailed by a car because his smile blinds me momentarily stupid. It’s not necessarily bright, nor perfectly straight, but it’s so open and it shines a high beam on the most closed-off parts of myself.
”
”
Nikki Lang (One Night in Nashville (O.N.O. #1))
“
Were the women of Trinity Avenue control freaks? Is that a serious question? Because we pulled together as a community to prevent crime? No, no, I know you didn’t mean to offend. Let me answer your question this way: if a control freak gets up every morning to dress and feed her children (herself too, if she’s really on form), take them to school and head straight to the station to cram onto a commuter train to Victoria and then a tube to the West End; if, after working a full-on day, she then comes home and gets on with the kids’ reading, bath-and-bedtime routine (sometimes still with her coat on for the first part), segueing seamlessly into making dinner while unloading and reloading the dishwasher, her email open on the iPad on the counter or, every now and then, a friend propped nearby with a glass of wine because it’s so hard to catch up any other time, even though she gamely signs up for book groups and residents’ association and, yes, meetings with community police officers; if she finishes the evening by making the kids’ packed lunches for the next day and sorting out the recycling and putting the laundry on and ordering groceries online or birthday presents or whatever else needs finding or replacing that day; if she climbs into bed thinking her greatest achievement of the day has been not to scream at her children, not argue with her colleagues, not divorce her husband… If that’s what a control freak does, then yes, I was one.
”
”
Louise Candlish (Our House)
“
Alexis de Tocqueville was the first to master the grammar of print and typography. He was thus able to read off the message of coming change in France and America as if he were reading aloud from a text that had been handed to him. In fact, the nineteenth century in France and in America was just such an open book to de Tocqueville because he had learned the grammar of print. So he, also, knew when that grammar did not apply. He was asked why he did not write a book on England, since he knew and admired England. He replied: One would have to have an unusual degree of philosophical folly to believe oneself able to judge England in six months. A year always seemed to me too short a time in which to appreciate the United States properly, and it is much easier to acquire clear and precise notions about the American Union than about Great Britain. In America all laws derive in a sense from the same line of thought. The whole of society, so to speak, is founded upon a single fact; everything springs from a simple principle. One could compare America to a forest pierced by a multitude of straight roads all converging on the same point. One has only to find the center and everything is revealed at a glance. But in England the paths run criss-cross, and it is only by travelling down each one of them that one can build up a picture of the whole.
”
”
Marshall McLuhan (Understanding Media: The Extensions of Man)
“
(MARTY and THE GIRL exit into the kitchen. THE MOTHER stands, expressionless, by her chair watching them go. She remains standing rigidly even after the porch door can be heard being opened and shut. The camera moves up to a close-up of THE MOTHER. Her eyes are wide. She is staring straight ahead. There is fear in her eyes.)
”
”
Paddy Chayefsky (The Collected Works of Paddy Chayefsky: The Television Plays (Applause Books))
“
It was very brave of them to accept at all, and in hindsight unfair of us to expect them to reveal their innermost psyches to a group of near strangers with a tape recorder set up. They were guarded, very reserved, and we didn’t use any material from their session. We must have had a very clear idea of what we did want, since it would have been unthinkable otherwise for us to turn down two such famous voices. In contrast, Paul’s guitarist Henry McCullough (‘I don’t know, I was really drunk at the time’) and his wife were frighteningly open: they went straight into a story of a recent and somewhat physically violent argument they had had, like some particularly aggressive edition of a Jerry Springer show.
”
”
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
“
Live At Pompeii had turned out to be a surprisingly good attempt to film our live set a year or so before. We had been approached by the director Adrian Maben, whose idea was to shoot us playing in the empty amphitheatre beneath Vesuvius. Adrian described the concept of the movie as ‘an anti-Woodstock film, where there would be nobody present, and the music and the silence and the empty amphitheatre would mean as much as, if not more than, a crowd of thousands’. Opening and closing the set with ‘Echoes’, we played as if to an audience, intercut with shots of bubbling, steaming and flowing lava, or of the band stalking across the volcanic landscape. At a time when rock films were either straight concert footage or attempts to copy A Hard Day’s Night, the idea was appealing.
”
”
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
“
Every select man strives instinctively for a citadel and a privacy, where he is FREE from the crowd, the many, the majority—where he may forget "men who are the rule," as their exception;—exclusive only of the case in which he is pushed straight to such men by a still stronger instinct, as a discerner in the great and exceptional sense. Whoever, in intercourse with men, does not occasionally glisten in all the green and grey colours of distress, owing to disgust, satiety, sympathy, gloominess, and solitariness, is assuredly not a man of elevated tastes; supposing, however, that he does not voluntarily take all this burden and disgust upon himself, that he persistently avoids it, and remains, as I said, quietly and proudly hidden in his citadel, one thing is then certain: he was not made, he was not predestined for knowledge. For as such, he would one day have to say to himself: "The devil take my good taste! but 'the rule' is more interesting than the exception—than myself, the exception!" And he would go DOWN, and above all, he would go "inside." The long and serious study of the AVERAGE man—and consequently much disguise, self-overcoming, familiarity, and bad intercourse (all intercourse is bad intercourse except with one's equals):—that constitutes a necessary part of the life-history of every philosopher; perhaps the most disagreeable, odious, and disappointing part. If he is fortunate, however, as a favourite child of knowledge should be, he will meet with suitable auxiliaries who will shorten and lighten his task; I mean so-called cynics, those who simply recognize the animal, the commonplace and "the rule" in themselves, and at the same time have so much spirituality and ticklishness as to make them talk of themselves and their like BEFORE WITNESSES—sometimes they wallow, even in books, as on their own dung-hill. Cynicism is the only form in which base souls approach what is called honesty; and the higher man must open his ears to all the coarser or finer cynicism, and congratulate himself when the clown becomes shameless right before him, or the scientific satyr speaks out. There are even cases where enchantment mixes with the disgust—namely, whereby a freak of nature, genius is bound to some such indiscreet billy-goat and ape, as in the case of the Abbe Galiani, the profoundest, acutest, and perhaps also filthiest man of his century—he was far profounder than Voltaire, and consequently also, a good deal more silent. It happens more frequently, as has been hinted, that a scientific head is placed on an ape's body, a fine exceptional understanding in a base soul, an occurrence by no means rare, especially among doctors and moral physiologists. And whenever anyone speaks without bitterness, or rather quite innocently, of man as a belly with two requirements, and a head with one; whenever anyone sees, seeks, and WANTS to see only hunger, sexual instinct, and vanity as the real and only motives of human actions; in short, when any one speaks "badly"—and not even "ill"—of man, then ought the lover of knowledge to hearken attentively and diligently; he ought, in general, to have an open ear wherever there is talk without indignation. For the indignant man, and he who perpetually tears and lacerates himself with his own teeth (or, in place of himself, the world, God, or society), may indeed, morally speaking, stand higher than the laughing and self-satisfied satyr, but in every other sense he is the more ordinary, more indifferent, and less instructive case. And no one is such a LIAR as the indignant man.
”
”
Friedrich Nietzsche
“
In drafting Side Affects, other trans folks have told me over and over how relatable a book about, as I describe it in shorthand, "being trans and feeling bad" is. but I have also had many folks ask me why I choose to dwell on negative affect rather than, say, the experience of so-called gender euphoria experienced by subjects when their correct pronouns are used or when they engage in some kind of gender-affirming activity. [...] and I definitely can't pretend that the cultivation of happiness makes any sense at all as a political aim. If and when I feel something akin to gender euphoria, it's surprising, dependent off actors well beyond my own agency, and also somewhat predictably predicated on axes of privilege that structure my quotidian experience. Moreover, it doesn't last. [...] the opening line of Tolstoy's Anna Karenina: all happy families are the same, they say, but every unhappy family is unhappy in its own way. What they mean by this is that happiness is not actually all that interesting: there's nothing there to process, nothing there to illuminate, nothing that's particularly mysterious, enigmatic, confusing, or complex. Happiness is nice, that most lukewarm of adjectives, and in its niceness, it is also banal. They're saying, in these moments, that it's alright that we'll be processing trauma for the rest of our lives; it's to be expected, and it's from and through that collective processing that we'll be most able to approximate anything close to radical transformation, anything that remotely resembles healing. The only way around it is straight through.
”
”
Hil Malatino (Side Affects: On Being Trans and Feeling Bad)
“
Find a quiet place where you can practice consistently. This way the physical space—a room, a corner, a cushion—will help signal to your body that this is a time for your practice. Sit comfortably. If you are sitting on a cushion or chair, try to lean slightly forward, away from the back of the chair so that your back will be straight. If you have chronic back pain, adjust as necessary. Close your eyes or keep them slightly open in a restful position. Place your hands gently on your knees or in your lap. Focus your attention on your breath. Breathe in deeply through your nose as your belly expands. As a jug of water fills from the bottom, your lungs should also fill from the bottom. Breathe out slowly. On each inhalation you can think in, and on each exhalation you can think out. Alternatively, you can count each breath after each exhalation. You can count out five to ten breaths and then repeat. If you lose your focus and your mind begins to wander, as minds do, just gently bring your attention back to your breath. You can start by doing this for five to ten minutes and extend the time as your practice develops. If you are feeling particularly stressed, you can imagine each breath bringing in calming cool air and it spreading throughout your body. Then, as you release your breath, you can imagine the stress leaving your body from the neck, shoulders, back, tummy, or wherever you tend to hold on to stress.
”
”
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
“
Be like an energy , cuz it Gives out what you want to get back
Be like an open book, be a straight shooter
Be like an eagle ,no fear of adversity
Be like an agent, carry material not name
Be like an Ocean, endless and timeless
Be like an ant, small and hardworking
Be like an ultimate novelist ,to realise the practical life
”
”
SOURAV ( me )
“
As they got closer, Dave saw that the outside of the walls was surrounded by a huge moat. The train was heading towards a bridge leading across the moat, but as far as Dave could see, there was no hole for the train to pass through. “Is this train just going to crash into those walls?” said Carl, peering out of one of the broken windows. “Which idiot designed this thing?” They sped across the moat, and Dave had a brief glimpse of a deep pit with water at the bottom of it. They were rushing straight towards the quartz walls, and in a few seconds, they would smash into them. “Everyone, brace yourselves!” Dave shouted. They all held on tightly to the seats as the train sped forward, but the crash never happened. Instead, a pair of large quartz doors opened, allowing the train to pass through. The next thing they knew, they were inside the theme park, still speeding along the train track. Dave caught glimpses of rides and shops and buildings as they zoomed forward, going deeper and deeper into the park. “Robot idiot, why isn’t the train stopping?” Carl demanded. “We’re inside the theme park now.” “When you say ‘robot idiot’, are you referring to me?” the friendly voice on the speakers asked. “Yes,” said Carl. “You’re a robot, and you’re an idiot, so I’m calling you a robot idiot.
”
”
Dave Villager (Dave the Villager 36: Unofficial Minecraft Books (The Legend of Dave the Villager))
“
I arrived at HQ, nodded to a few ender soldiers milling about and totally fanboy-ing at me, and went straight to my room. An ender servant was standing ready outside of the room to assist me. I recognized him. “Hello, Seth,” I said. “I’m going to take a nap. Can you wake me up in forty-five minutes so that I don’t miss my meeting with the Ender King?” Seth stood straight and bowed his head slightly. “Of course, sir. Would you like a snack or any water before you take your nap?” I shook my head. “I’ll eat lunch when I wake up. Please don’t let anyone disturb me. I’m exhausted.” Seth nodded his head and opened the door for me. I walked in and he closed the door behind me. I walked over to my bed and flopped down on it. I closed my eyes and began drifting to sleep but then started to think about my meeting with the Rainbow Creeper. I thought about the different things the head monk had said. My mind started spinning like a top. I would not be able to sleep unless I could take my mind off of all of that stuff. So,
”
”
Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
“
With the Allies on the advance nearly everywhere and invasion talk in the air, London was a welcoming place for young airmen who were taking the fight to Hitler’s doorstep. The first stop for American airmen was usually the nearest Red Cross Club, where helpful volunteers made bookings free of charge at commercial hotels or at one of the Red Cross’s own dormitory-like facilities. After checking in and dropping off their kits, most men headed straight for Rainbow Corner. Located on the corner of Shaftesbury Avenue and Piccadilly Circus, it was a place as close to home as a GI could find in all of England. Administered by the American Red Cross, Rainbow Corner had been designed “to create a strictly American atmosphere.” There was an exact replica of a small-town corner drugstore in the club’s basement, where ice-cold Cokes were sold for a nickel and grilled hamburgers for a dime. Upstairs, in the grand ballroom, servicemen danced with volunteer hostesses to the driving music of soldier bands—the Flying Forts, the Thunderbolts, the Sky Blazers. There was also a lounge with a jukebox and a small dance floor with tables and chairs around it. Lonely GIs dunking donuts in fresh coffee would loaf there, listening to the latest American hits. Rainbow Corner never closed its doors. The key had been symbolically thrown away the day of the grand opening in November 1942.
”
”
Donald L. Miller (Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany)