Opening Cafe Quotes

Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.

Well, there's this new girl who just moved in on floor three. Her family's re-opening the cafe. I hear she likes to lie, and hit people." "Oh yeah? Well, there's that strange goth guy, the one who's always lurking around Five C." "Strangely hot in a mysterious way, though, right?

There was something about being in the vicinity of Grahame Coats that always made Fat Charlie (a) speak in cliches and (b) begin to daydream about huge black helicopters first opening fire upon, then dropping buckets of flaming napalm onto the offices of the Grahame Coats agency. Fat Charlie would not be in the office in those daydreams. He would be sitting in a chair outside a little cafe on the other side of Aldwych, sipping a frothy coffee and occasionally cheering at an exceptionally well-flung bucket of napalm.

The cafe door opened. A young man in dusty white leathers entered, and the wind blew in empty crisp packets and newspapers and ice cream wrappers in with him. They danced around his feet like excited children, then fell exhausted to the floor.

She felt her heart open and fill with the pure wonder of being alive and making it through.

Love reduces the complexity of living. It amazes me that when Henry walks towards the cafe table where I wait for him, or opens the gate to our house, the sight of him is sufficient to exult me. No letter from anyone, even in praise of my book, can stir me as much as a note from him.

There is nothing in back of this cafe. Since the place sits right on the margin between the edge of the world and infinite possibility, he back door opens out to a void. It takes courage to turn the knob and heart to leave the steps.

The front of the cafe was all open glass, and the seating was arranged so that wherever you sat you faced the beach, as if you were there to watch the sea perform a show. As Jane looked around her, she felt that dissatisfied feeling she often experienced when she was somewhere new and lovely. She couldn't quite articulate it except with the words "If only I were here". This little beachside cafe was so exquisite, she longed to really be there -- except, of course, she was there, so it didn't make any sense.

Now there was some motivation to get over this problem quickly. Chloe was a notorious betty.On the rare occasion when she graced the slopes with her prescence, boys zoomed toward her because she was so cute in her pink snowsuit,then zoomed away again as she lost control and threatened to crash into them. She'd made the local snowboarding news a few years ago when she lost control at the bottom of the main run, boarded right through the open door of the ski lodge,skidded to a stop at the entrance to the cafe,and asked for a table for one.

It is often difficult, I find, for people today to grasp the notion that one family, working through several restaurants could change the eating habit of an entire country. But such was the achievement of the Delmonicos in the United States of the last century. Before they opened their first small cafe on William Street in 1823, catering to the business and financial communities of Lower Manhattan, American food could generally be described as things boiled or fried whose purpose was to sustain hard work and hold down alcohol - usually bad alcohol. The Delmonicos, though Swiss, had brought the French method to America, and each generation of their family refined an expanded the experience ... The craving for first-rate dining became a kind of national fever in the latter decades of the century - and Delmonico's was responsible.

A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.

Some people won't dog-ear the pages. Others won't place the book facedown, pages splayed. Some won't dare make a mark in the margin. Get over it. Books exist to impart their worlds to you, not to be beautiful objects to save for some other day. We implore you to fold, crack, and scribble on your books whenever the desire takes you. Underline the good bits, exclaim "YES!" and "NO!" in the margins. Invite others to inscribe and date the frontispiece. Draw pictures, jot down phone numbers and Web addresses, make journal entries, draft letters to friends or world leaders. Scribble down ideas for a novel of your own, sketch bridges you want to build, dresses you want to design. Stick postcards and pressed flowers between the pages. When next you open the book, you'll be able to find the bits that made you think, laugh, and cry the first time around. And you'll remember that you picked up that coffee stain in the cafe where you also picked up that handsome waiter. Favorite books should be naked, faded, torn, their pages spilling out. Love them like a friend, or at least a favorite toy. Let them wrinkle and age along with you.

named her restaurant Magic Cafe. But that had been when she was young and still foolishly believed in all that nonsense. A lone blue heron flew past her. She watched as it flapped its wings in a rhythmic motion, continuing down the beach until she lost it in the distance. The breeze tossed her gray-sprinkled hair this way and that. The gray she never considered coloring back to its original chestnut brown, there was no time for such frivolities. She glanced at her watch. It was time to head back to the cafe. It might not open until eleven, but she had a ton of work to do each morning before she unlocked the doors. Plus, this was her monthly get-together with her friends Susan and Julie, a date that was never broken. Her friends would come by for

Around us, the city twinkled, the stars themselves seeming to hang lower, pulsing with ruby and amethyst and pearl. Above, the full moon set the marble of the buildings and bridges glowing as if they were all lit from within. Music played, strings and gentle drums, and on either side of the Sidra, golden lights bobbed over riverside walkways dotted with cafes and shops, all open for the night, already packed. Life- so full of life. I could nearly taste it crackling on my tongue.

Jess and Flora met in a cafe. Unfortunately, their part of town was completely lacking in style, and the only place open on Sundays was a little religious charity place that sold snacks made by poor people in Africa. 'God!' growled Jess, trying to free her teeth from a cereal bar made of tree bark, gravel, and superglue. 'Is this actually food or some kind of building material?

Let’s see it,” Boyd calls from outside the dressing room. “How do you know I like this one enough to come out?” “Because you’ve been in the same dress for five minutes and you’re wearing pretend heels,” he answers drily. Wait. I fling open the door. “Are you watching me under the fitting room door? That’s kind of pervy.” He smiles slowly. “All I can see are your feet to mid calf.” “Maybe you have a foot fetish.

A Belgian journalist, struggling to describe the scene, had said that it resembled a cross between a permanent mass wake, an ongoing grad night for at least a dozen subcultures unheard of before the disaster, the black market cafes of occupied Paris, and Goya's idea of a dance party (assuming Goya had been Japanese and smoked freebase methamphetamine, which along with endless quantities of alcohol was clearly the Western World's substance of choice). It was, the Belgian said, as though the city, in its convolsion and grief, had spontaneously and necessarily generated this hidden pocket universe of the soul, its few unbroken windows painted over with black rubber aquarium paint. There would be no view of the ruptured city. As the reconstruction began around it, it had already become a benchmark in Tokyo's psychic history, an open secret, an urban legend.

The hidden master of the Filipino-style Chinese donut is Benito Taganes, proprietor and king of the bubbling vats at Mabuhay. Mabuhay, dark, cramped, invisible from the street, stays open all night long. It drains the bars and cafes after hours, concentrates the wicked and the guilty along its chipped Formica counter, and thrums with the gossip of criminals, policemen, shtarkers and shlemiels, whores and night owls. With the fat applauding in the fryers, the exhaust fans roaring, and the boom box blasting the heartsick kundimans of Benito’s Manila childhood, the clientele makes free with their secrets. A golden mist of kosher oil hangs in the air and baffles the senses. Who could overhear with ears full of KosherFry and the wailing of Diomedes Maturan?

Finally, after a glance at Notre Dame and a brisk trot through the Louvre, we sat down at a cafe on the Place de l'Opera and watched the people. They were amazing -- never had we seen such costumes, such make-up, such wigs; and, strangest of all, the wearers didn't seem in the least conscious of how funny they looked. Many of them even stared at us and smiled, as though we had been the oddities, and not they. Mr. Holmes no doubt found it amusing to see the pageant of prostitution, poverty and fashion reflected in our callow faces and wide-open eyes.

Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.

I’m impressed at your tenacity. You set a goal and you achieved it.” “My goal is Finn,” I remind him. “Everly, we’ve already established that you haven’t been holding out exclusively for Professor Camden,” he says, his lip twitching. “Which tells me that while you envision him as the perfect man, you’ve kept your options open. It tells me that while you might have a vivid fantasy of the perfect happily ever after, you’re open”— he checks my response—“ reluctantly, to being swept off your feet by someone other than Finn.” Well. I don’t know how to respond to that, so what comes out of my mouth is, “Maybe I’m just a nymphomaniac.” This car ride just went from bad to worse. “If you were a nymphomaniac you’d have given me a blowjob fifty miles ago.” “True,” I agree. Damn it! I just said that out loud. I bite my lip and side-eye him. He’s wearing a very satisfied smile.

Like a Small Cafi, That's Love" Like a small cafe on the street of strange.— that's love... its doors open to all. Like a cafe that expands and commas with the w.then if it pours with rain its customers increase, if the weather's fm, they are few and weary... I am here, stranger, sitting in the comer. (What color .e your eyes? What is your name? How shall I call to you as you pass hy, as I sit waiting for you?) A small caa, that's love. I order two glass. of wine and drink to my health and yours. I am carrying two caps and umbrella. It is raining now. It is raining more than ever, and you do not come hA I say to myself at last: Perhaps she who I was waiting for was waiting for me, or was waiting for some other ma, or was waiting for us, and did not find him/me. She would sap Here I am waiting for you. (What color are your eyes? What is your name? What kind of wine do you prefer? How shall I call to you when you pass hyl) A small that's love...

I'm open to trying whatever your thing is. Unless it's anal. I'm saving an for marriage." "Saving anal for marriage," he repeats back to me. "Is that an actual thing?" "It's a thing." "I don't think that's a thing." "Well I think it's a thing and it's my ass." "Fair." he nods. "Just out of curiousity, how do you see that playing out? Wedding night anal? Honeymoon anal? Or are you talking first anniversary anal?" "Wedding night anal doesn't seem right does it? Post-honeymoon, pre-first anniversary seems like the anal sweet spot.

I feel more like I am in the Middle East than in any recognizable part of Europe. There really are wild dogs everywhere, and they cry all night long. There is a least a miserable, bohemian glamour to the life here. There are a ton of outdoor cafes with people smoking and drinking rakia. Gypsies leading dancing bears around on leashes, attractive people, glue-sniffing teenage gangs - contradictions everywhere. My email is hard-wired into a big, gaping hole in the apartment wall and ants and little spiders keep crawling out. I am trying to keep an open mind.

Door’s not locked,” Zerbrowski said. “You’re a cop. How can you leave your car unlocked?” I opened the door and stopped. The passenger seat and floorboard were full. McDonald’s take-out sacks and newspapers filled the seat and flowed onto the floorboards. A piece of petrified pizza and a herd of pop cans filled the rest of the floorboard. “Jesus, Zerbrowski, does the EPA know you’re driving a toxic waste dump through populated areas?” “See why I leave it unlocked. Who would steal it?” He knelt in the seat and began shoveling armfuls of garbage into the backseat.

I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.

We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.

Prabhakar was waiting for me at the bus station, smiling happily through the rain. He led me through the people gathered at the bus station, past shops selling cheap household items and eating places where pakoras were being fried in bubbling oil. The brands and consumerism of urban India had disappeared, and although I felt an acute sense of displacement, I was oddly comforted by the rough utilitarianism of the place, which reminded me of the India I had grown up in. There were no cafes where I could hide my loneliness behind a cup of coffee and an open laptop, no shopping aisles where I could wander, picking out items that momentarily created an image of a better life. There was no escape here except through human relationships, and for that I was utterly dependent on Prabhakar speeding through the rain on his motorcycle.

What are you doing here? What have you come for?' 'Work,' said Psmith, with simple dignity. 'I am now a member of the staff of this bank. Its interests are my interests. Psmith, the individual, ceases to exist, and there springs into being Psmith, the cog in the wheel of the New Asiatic Bank; Psmith, the link in the bank's chain; Psmith, the Worker. I shall not spare myself,' he proceeded earnestly. 'I shall toil with all the accumulated energy of one who, up till now, has only known what work is like from hearsay. Whose is that form sitting on the steps of the bank in the morning, waiting eagerly for the place to open? It is the form of Psmith, the Worker. Whose is that haggard, drawn face which bends over a ledger long after the other toilers have sped blithely westwards to dine at Lyons' Popular Cafe? It is the face of Psmith, the Worker.

You're serious." "As serious as an accountant at an IRS audit." His face closed off, reminding her of the ruthlessness she had first noticed about him on the front steps. "You have no business opening a restaurant." "Says who?" "Says the guy who watched you try to extricate yourself from a burger suit with a knife." Her mouth fell open. "Burger suits and restaurants are two different kettles of fish." "Kettles of fish? Now there's great business terminology." "Yep, Texas style." "You're in New York, sweetheart." "I am not your sweetheart, thank my lucky stars." "Another of your quaint Texas sayings? What was the last one I heard you use? 'Bless your heart'?" She sliced him a tooth-grinding smile. "While you might not like them, you can bet your backside that a cafe that serves the kind of fare we create in Texas would have people lined up around the corner. Or, as we say in Texas, till the cows come home.

We each took a cup as we passed and drank the sweet chilled beverage- it was refreshing and tasted like ginger ale with a swirl of summer peaches. Then Peaseblossom waved us through the open door. "Wow," said Henry. We stepped into an enchanted culinary forest. The walls had been painted to look like a thicket of trees, and the ceiling resembled the summer sky in the woods, complete with overhanging branches. There were topiaries and baskets overflowing with wildflowers. The tables were grouped to one side, still draped in their shimmering coverings. Dreamy music floated through the air, and piney, herby scents wafted on gentle currents. Butterflies flitted around and landed on people's heads and shoulders. And everywhere we looked, there were trays of baked goods- most of them, I realized, straight from the pages of Puffy Fay's cookbook. The pastry case and the counter near it were hidden behind curtains that looked like a wall of evergreens.

And in many other cities which for him were all identical - hotel, taxi. a hall in a cafe or club. These cities, these regular rows of blurry lamps marching past and suddenly advancing and encircling a stone horse in a square, were as much a habitual and unnecessary integument as the wooden pieces and the black and white board, and he accepted this external life as something inevitable but completely uninteresting. Similarly, in his way of dressing and in the manner of his everyday life, he was prompted by extremely dim motives, stopping to think about nothing, rarely changing his linens, automatically winding his watch at night, shaving with the same safety blade until it ceased to cut altogether, and feeding haphazardly and plainly. From some kind of melancholy inertia he continued to order at dinner the same mineral water, which effervesced slightly in the sinuses and evoked a tickling sensation in the corner of his eyes, like tears for the vanished Valentinov. Only rarely did he notice his own existence, when for example lack of breath - the revenge of a heavy body - forced him to halt with open mouth on a staircase, or when he had a toothache, or when at a late hour during his chess cogitations an outstretched hand shaking a matchbox failed to evoke in it the rattle of matches, and the cigarette that seemed to have been thrust unnoticed into his mouth by someone else suddenly grew and asserted itself, solid, soulless, and static, and his whole life became concentrated in the single desire to smoke, although goodness knows how many cigarettes had already been unconsciously consumed, In general, life around him was so opaque and demanded so little effort of him that it sometimes seemed someone - a mysterious, invisible manager - continued to take him from tournament to tournament; but occasionally there were odd moments, such quietness all around, and when you looked out into the corridor - shoes, shoes, shoes, standing at all the door, and in your ears the roar of loneliness.

A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.

I text her from the lobby and tell her I’m on my way up. Having a badge is a really convenient way to get past building security. Not that this place has much. She’s standing in the open doorway of her apartment when I get off the elevator, hand on her hip with her head cocked to the side in question. “I brought donuts,” I offer by way of explanation for showing up unannounced. “Did you need a favor or something?” she asks, taking the box from my hands and setting it on the tiny round dining table just inside the door of her apartment. Not a promising start, but she does allow me to follow her inside. “I just brought you a favor,” I comment then eye her. “Do you own any pants?” She’s wearing another pair of those godforsaken leggings. “What are you talking about? I’m wearing pants right now. And how does this count as a favor when I didn’t ask for it? It shouldn’t count towards my favor tally if I didn’t make the official request.” She pops open the donut box and peeks inside. “You’re like the worst genie ever.” “I know. But your favors are piling up. I gotta work them off. And those aren’t pants.” “Leggings are pants. They’re very popular.” “What the hell is even on them?” I step closer and eye her ass, focusing on the print. Purely for research purposes. “Are those black cats?” “They’re my seasonal leggings!” she retorts and selects a donut as I walk past her into the tiny aisle of a kitchen and pour myself a cup of coffee. “Oh. Did you want something to drink? Let me get that for you,” she says sarcastically before biting into a donut. I ignore her tone. “No, no. I’ve got it, thank you.” I take the mug and pass by her, taking a seat on her couch

They heard Hugo ask if the plan for the hors d'oeuvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries.

The Biggest Property Rental In Amsterdam Amsterdam has been ranked as the 13th best town to live in the globe according to Mercer contacting annual Good quality of Living Review, a place it's occupied given that 2006. Which means that the city involving Amsterdam is among the most livable spots you can be centered. Amsterdam apartments are equally quite highly sought after and it can regularly be advisable to enable a housing agency use their internet connections with the amsterdam parkinghousing network to help you look for a suitable apartment for rent Amsterdam. Amsterdam features rated larger in the past, yet continuing plan of disruptive and wide spread construction projects - like the problematic North-South town you live line- has intended a small scores decline. Amsterdam after rated inside the top 10 Carolien Gehrels (Tradition) told Dutch news company ANP that the metropolis is happy together with the thirteenth place. "Of course you want is actually the first place position, however shows that Amsterdam is a fairly place to live. Well-known places to rent in Amsterdam Your Jordaan. An old employees quarter popularised amang other things with the sentimental tunes of a quantity of local vocalists. These music painted an attractive image of the location. Local cafes continue to attribute live vocalists like Arthur Jordaan and Tante Leeni. The Jordaan is a network of alleyways and narrow canals. The section was proven in the Seventeenth century, while Amsterdam desperately needed to expand. The region was created along the design of the routes and ditches which already existed. The Jordaan is known for the weekly biological Nordermaarkt on Saturdays. Amsterdam is famous for that open air market segments. In Oud-zuid there is a ranging Jordan Cuypmarkt open year long. This part of town is a very popular spot for expats to find Expat Amsterdam flats due in part to vicinity of the Vondelpark. Among the largest community areas A hundred and twenty acres) inside Amsterdam, Netherlands. It can be located in the stadsdeel Amsterdam Oud-Zuid, western side from the Leidseplein as well as the Museumplein. The playground was exposed in 1865 as well as originally named the "Nieuwe Park", but later re-named to "Vondelpark", after the 17th one hundred year author Joost lorrie den Vondel. Every year, the recreation area has around 10 million guests. In the park can be a film art gallery, an open air flow theatre, any playground, and different cafe's and restaurants.

Come in! I don’t like leaving the door open. It lets the fun leak out.

I tap my toes on the floor, admiring the boots from this vantage, and open up my laptop. I’ll just take a quick peek at my Pinterest board first to see what else these boots would look good with. Everything. They look good with everything, I decide after a half hour of pinning. Which somehow ended with me pinning knitting patterns. I don’t knit, but Pinterest is a bitch that way.

She had almost reached the cafe before Céleste identified Pippa, imposterish without beret and lampshade dress, her iPod shining through her pocket. At the time, it was merely something else unexpected, an element of the mildly extraordinary evening. But long after the open windows and the tiny running children had vanished, that memory of Pippa would persist. She made her way towards Céleste like a citizen of the future, her heart rectangular and glowing in the dusk.

Even before zoning, differing locational needs help to nudge the most incompatible uses apart: • Industries need to be where land is cheap and transportation is accessible, and complaining neighbors are few and far between. • Large office and commercial centers thrive on the visibility and access afforded by major corridors and transit interchanges. • Residential developments are content to fill up the quiet side streets in between, along with inoffensive retail—think corner stores and cafes. Homeowners don’t want factories or malls showing up on their cul-de-sacs—and they can rest assured that those factories and malls don’t want to open up on their cul-de-sac either. As the legal scholar Bernard Siegan observed in his landmark study of Houston, the city achieves much of what we might consider to be desirable use segregation

The Higher Grounds Café is officially open for business!” she announced.

Though it was a little shabby and could do with more frequent dusting, sudents flocked to the café for the worn-in armchairs and couches, free wi-fi and cheap coffee. Ingrid particularly liked the topsy-turvy lamps, the bookshelves open for browsing and a live-in cat, Agatha. She was a temperamental, sticky-furred tuxedo who had once single-handedly thwarted an armed robbery.

I need to walk down a sidewalk somewhere on a shady afternoon, find a table outside a cafe, sit down, order a drink, and I want to sit there with that drink and I want a fly to land on that table. Then, in the background, I want to hear somebody laugh. Then I want to see a woman walk by in a green dress. I want to see a dog walk by, a fat dog with short brown hair and with grinning eyes. I want to die sitting there. I want to die upright, my eyes still open. I want an airplane to fly overhead. I want a woman to walk by in a blue dress. Then I want that same fat dog with short brown hair and grinning eyes to come walking by again. That will be enough, after all the other, after everything else.

As I passed I saw a cafe, a cafe on the street, with an open door, and one small round table outside, just big enough for two persons, two glasses of wine, two small iron chairs, a diminutive cafe…shabby, with a faded sign, a dull window, lopsided walls, uneven roof. The smallness of it, the intimacy of it, the humanity of its proportion… A human being feels one can sit in such a cafe even if one’s hair is not perfectly in place and one’s shoes are not shined... One could sit there and feel unique, feel in tune with the world, or out of tune, feel human and open to human emotion... One could sit there if one felt the world too big and too barbaric, and feel once more in a human setting, a proper setting for a human being… Why did I feel warmed by imperfections, discomfort, and patina? Because intense living leaves scars…inner scars, softened, human wear and tear.

So, how’s the dating going?” Everly asks. “Have you gotten any more POD’s?” “What’s a POD?” I ask her, confused. “Proof of dick,” Everly says with a nod when we all stare at her. “Is that what it’s called now?” Sophie asks while rubbing the side of her bump with a grimace. “Not yet,” Everly says while swirling the straw in her glass. “But I’m trying to make it catch on. It’s a little classier than ‘dick pic’, don’t you think?” She takes a sip of her iced tea and then sets the glass down, brows raised as we all stare at her. “What?” “How exactly are you intending to make it catch on?” “I’m so glad you asked, Chloe. The thing is, I’m married, so no one is sending me POD’s anymore,” she begins. “Right,” I agree. “I would hope not.” “But you, my friend, are still dating, so I thought you could—” “No,” I interrupt. “No. Stop talking.” “All you need to do,” she continues anyway, “is reply to the dick pics you get and say, ‘Nice POD.’ Or even, ‘Nice POD, LOL.’” “Nope, not doing it. I am not going to encourage dick pics so you can coin a new phrase. No.” “Okay, no problem,” she says with a shrug. She’s quiet for exactly three seconds before her mouth opens again. “How about, ‘Why are you sending me a POD?’ That way you’re still delivering the branding message, but without the encouragement.” I stuff a forkful of pasta into my mouth, glare at Everly and shake my head no.

Do you have a washer and dryer in this place?” He pauses by my front door and glances around. “I didn’t think so. Let’s go.” And he opens the door and walks out. What. The. Hell? “Boyd!” I chase him into the hallway. He’s already two doors down by the time I catch up. “You can’t just steal my laundry. It’s weird. And kinda creepy.” “I think the words you’re looking for are, ‘Thank you.

It's too bright," I complain. "Where am I?" "You're at Baldwin Memorial," Luke says, as he reaches over and hits a switch on the wall, dimming the lights. A moment after that the bed is moving, adjusting me so that I'm sitting up. "Stop, you're annoying me. I'm sleeping." "You're awake and I need to check your pupils." "You're a gynecologist." "I can give you a pelvic when we're done if you like," he replies. "Open your eyes.

Everly, what exactly are you working on?” he asks as we head out. The party is being held in the Ritz-Carlton ballroom, so it’s a short walk to the party. Sawyer clasps my hand in his, this thumb rubbing over the back of my hand as we stroll. “Getting Gabe and Sandra together,” I respond, matter-of-factly. He tilts his head in my direction. “Gabe and… Sandra?” “Yeah, obviously. Why do you keep repeating everything I’m saying? Gabe and Sandra. It’s so obvious.” “My assistant and my Finance VP are not a thing, Everly.” “Yet.” I shake my head. “You are really short-sighted for an almost-billionaire.” “And you’re a human resources nightmare.” We’re on the elevator and he rubs a hand over his jaw and closes his eyes. “Wait, Gabe is your head of finance? I really had him pegged for a tech nerd.” “Because that matters right now?” He opens his eyes, looking bewildered. “Oh, he’s like one of the bosses! This just gets yummier and yummier.” I bounce on my toes and clap my hands in delight.

Yeah, no.” She snaps the laptop lid closed. “This isn’t helping.” “Just go to class, Chloe.” I open the laptop again and hit a key to bring it to life. “It’s Saturday.” Oh. “And I’m not bringing you another can of Pringles.” Oh, no, she didn’t. “So you’re gonna have to get up and leave this room.” Fine. I don’t need to eat. “One more thing,” she says, pulling open the door with one hand and waving a little canister at me with the other. “The fish haven’t eaten yet today. And I’m gonna be gone all day. So they’re going to be hungry if you don’t get off your ass and leave this room. Bye!” The door swings shut behind her, and I realize the canister of fish food was in her hand. Whatever. They’re goldfish. I don’t care. Except. Except that they’re looking at me. I tap my fingertip on the glass and Steve waves his little fin excitedly. He really does. The little guy is totally into me. And then Stella swims to the top looking for food. Fucking Chloe. I grab my stuff and head to the showers.

The door opens and a man walks in. Not the stadium security who brought me here, someone new. He’s in jeans and a gray long-sleeved t-shirt. The shirt is fitted. Fitted quite nicely, I can’t help but notice. Dude’s got some guns under that shirt. Guns? What the heck is wrong with me? I’m spending too much time with seven-year-olds.

One evening in one of those Over-the-Rhine cafes which were plentiful along Vine Street of the Cincinnati of the nineties, a traveling salesman leaned across his stein of Moerlein's Extra Light and openly accused Ray Schmidt of being innocent.

...an unlikely group pieced together these past few weeks from parties and family references, friend-of-friend happenstance, and (in one case, just now being introduced) sheer, scarcely tolerable intrusiveness-five people who, in normal life back home, would have been satisfied never to have known one another. Five young expatriates hunch around an undersized cafe table: a moment of total insignificance, and not without a powerful whiff of cliche. Unless you were one of them. Then this meaningless, overdrawn moment may (then or later) seem to be somehow the summation of both an era and your own youth, your undeniably defining afternoon (though you can hardly say that aloud without making a joke of it). Somehow this one game of Sincerity becomes the distilled recollection of a much longer series of events. It persistantly rises to the surface of your memory-that afternoon when you fell in love with a person or a place or a mood, when you savored the power of fooling everyone, when you discovered some great truth about the world, when (like a baby duck glimpsing your quacking mother's waddling rear for the first time) an indelible brand was seared into your heart, which is, of course, a finate space with limited room for searing. Despite its insignificance, there was this moment, this hour or two, this spring afternoon blurring into evening on a cafe patio in a Central European capital in the opening weeks of its post-Communist era. The glasses of liqueur. The diamond dapples of light between oval, leaf-shaped shadows, like optical illusions. The trellised curve of the cast-iron fence seperating the patio from its surrounding city square. The uncomfortable chair. Someday this too will represent someone's receding, cruelly unattainable golden age. (4-5)

Guard a nice open space on your calendar. Then let yourself sink into a long, timeless languor, just staring at the gently passing world. Notice growing green things, quirky humans in cafes, the ocean's pulsing waves. Get hopelessly lost in the magic of the moment, with nothing to do and nowhere to go.

When the world one loves is seen to be dying, the viewer dies a little with it. A great American painter, Reginald Marsh, exemplifies this truism. Every day until his death at the age of 56, he sketched and painted the most earthy, sweaty and lusty examples of humanity he could lay his eyes upon. His productive voyeurism led him through the entire spectrum of cheap cafes, carnivals, amusement parks, skid rows, exclusive clubs, opera openings, coming-out parties and everything in-between. His super-realistic canvases were jammed with the kind of people he loved to watch in the environments he loved to haunt. As his closing years approached, Reginald Marsh grew depressed at the changing scene. New styles were emerging and it now became more difficult to immerse himself in the vistas from which he had so long drawn, both in his paintings and life itself. His canvases of lumpy women and pot-bellied men were too unappealing for the “think thin” era of the 1950s, and his floozies violated the then-current Grace Kelly/Ivory Soap look. His disdain for modern masters (“Matisse draws like a three-year-old, “Picasso ... a false front”) became exemplified as he summed up modern art as “high and pure and sterile — no sex, no drink, no muscles.” Marsh’s “out of date” feeling reached its zenith when he was asked to take part in an art symposium. The first speaker, who was a then-popular New York painter, enthusiastically championed current trends. Then followed a professor who advocated new and dynamic experimentation in visual appeal. At last it was Reginald Marsh’s turn to speak. He stood on the platform for a moment, as if trying to collect his thoughts. A sad look of resignation appeared in his eyes as he gazed down at the audience. The talented watcher of his innermost secret lusts and life-giving scintillations declared softly, “I am not a man of this century,” and sat down. He died shortly thereafter.

She's been scouted by Ford and Elite- real New York agencies. Micah, the agent for Elite- a tall black guy in silver eyeliner- said that Felice was "heart-stopping." Everyone says that Felice looks like Elizabeth Taylor- all pleased with themselves, as if she were hearing this for the first time. It used to bug Felice: she pictured that squat, henlike woman in her wig and jewels, holding hands with Michael Jackson. But one day, Duffy brought over an old movie magazine while Felice and Berry lounged at their cafe table. He opened it and jabbed at the photo. "There. Look. You kids really are morons. You really don't know anything, do you? 'That's' Elizabeth Taylor." Berry craned over the page. "Wow, you really kind of do. Look at her. You guys could be related." A little nearsighted, Felice held the magazine closer, startled to see the resemblance- the straight brow bone, glimmering eyes, the fine jaw; only Felice's straight hair was self-hacked below the shoulders and Liz's hair was a sable bob, thick as a paintbrush. She finally realized what a compliment this comparison was.

I struggle again to draw this man's face in a crowd of faces: which dog-eared lines and frayed adjectives do I use? How do I sketch his visage, the way he looked to me then, at first sight, still mysterious? Among countless pairs of brown eyes, how to distinguish those two soft, open, wise ones, their gaze alert but slightly awkward, marveling? How to outline the lips, nose, brows, chin, so that I can see them afresh, as simple as a portrait on a cafe napkin?

This date had started as bland and was speeding right along to abysmal.

There's a beep. And, in that fraction of a second, I see it all → . . Me in bed, covered in lipstick and talcum powder; falling down the coach aisle; smashing into a hat-stall; climbing under a table; thirty hands in the air; spinning under a spotlight; jumping in the snow; a ponytail, cut off; sitting on a catwalk; standing on a doorstep; my first kiss, on a television set. I see a Japanese fish market and an octopus; a sumo stage; a glass box and a hundred dolls; a shining lake; a zebra crossing; a brand-new sister. I see New York and a governess; a fairground ride; a planetarium; a party; Brooklyn Bridge. Toilet paper and Icarus; dinosaur biscuits; posters; Marrakesh and a monkey; parties of stars. Picnics and coffee; an advertising agency; a doppelganger; an Indian elephant and firework clouds of paint; a cafe, filled with pink. I see Sydney and diving and a fashion show that glittered with gold. In short: I see a whole world, opening behind me. And a new world, opening in front. A world that I fit into perfectly.

I found my truck where I had left it, parked with the rear against a juniper. Water in the jugs had frozen. A mouse trap in the back still hadn’t caught the mouse who was living in my wool socks and eating holes in my plastic bags. I drove north. By the time the Milky Way was out I had reached the foot of the Book Cliffs and the remains of Thompson, Utah. The train comes through the town and was heading out for Christmas. I was an hour late. The train is customarily two hours late. I still had time to set pennies on the tracks. This was the only time I had seen another customer in the Silver Grill Cafe. Through the window he sat at one end of the counter gesturing toward the gray-haired woman who runs the place, sitting at the other end. I once ordered a cinnamon roll in there, and she peeled open a box she had gone all the way to Moab City Market a couple days earlier to purchase. By telling me this, she was emphasizing the fact that the cinnamon rolls were fresh. She put it in the microwave for me. Gave me an extra pat of butter, the kind with foil around it. I spent an hour once just up the street talking to the post mistress and her cat. I checked the WANTED bulletins, then ran when the train came through. If you are not standing at the tracks in Thompson, the Amtrak will not stop. They call it a whistle stop. One of the few left in the country. The gray-haired woman shut down the cafe, clicked off the front lights. Electricity was buzzing out of the single street light, so I opened the truck door and turned on the tape deck. After a while I shut it off because my battery has never proved itself to be resilient. A couple of freight trains tore through with the impact of sudden cataclysm, flattening my pennies. Then the buzzing of the street light. Then the coyotes. They were yelping and howling up Sego Canyon, where there are pre-Anasazi paintings on the walls—big, round eyes, huge and red, looking over the canyon. The train was three hours late. I stood nearly on the tracks so they couldn’t miss me with that blinding, drunken light. The conductor threw open the steel door. “Shoot,” he yelled. “It’s dark out here!” I dove through and tackled him with my backpacks, flashing a ticket in his face. He quickly announced that I had too many pieces, but the train was already moving. I looked back out. Utah was black. He pulled the door closed and the train began to rock along the tracks. When I came down the aisle I saw a few passengers who were still awake, on their way to San Francisco or Las Vegas. Overhead lights were trained on paperbacks in their laps. They were staring out their windows into absolute darkness. I knew what they were thinking; there is nothing out there.

Across the street from the bed-and-breakfast, I open a small café where residents can sip cocoa lattes, eat raspberry tarts baked in Valentine's Town, and savor orange whipped toffees that Helgamine and Zeldaborn complain get stuck in their few remaining teeth--yet they keep coming back for more. Wolfman and Behemoth sit together every afternoon sharing a pot of black rose tea, delicately holding their cups between clawed and too-large fingertips, nibbling on coconut macaroons. I even sell my sleeping tonic at the café--in a much milder dose than what I brew for the Sandman, who still stops by for a refill now and then--in scents of lavender and chamomile, herbs harvested from Dream Town.

darshini’, that which is visible. Under Prabhakar’s direction, a friend opened the first Cafe Darshini in Jayanagar in 1983. Roughly modelled on McDonald’s, it had modern kitchen machinery visible from the public area. In front of it was the counter where order-takers handed over the prepared items directly to the customer. There was no furniture other than a new device: an elbow-high pole on which rested a small round tabletop. The customer was to put his plate on the tabletop and eat standing. The only staff in the public area was a cleaning boy who would wipe the tabletop clean as soon as a customer left.

A couple of her friends were already talking about settling down with guys they were dating, but Ameena thought that was dumb. How could you settle down without seeing what else might be out there? Not just who you might spend your life with, but what you might do on your own. She wasn’t quite sure herself of what she’d do or where she’d go, but she was determined to keep her options open.

As soon as the park opens, ride Seven Dwarfs Mine Train in Fantasyland. 3. Take Peter Pan’s Flight in Fantasyland. 4. In Adventureland, take the Jungle Cruise. 5. Experience Pirates of the Caribbean. 6. Ride Big Thunder Mountain Railroad in Frontierland. 7. Ride Splash Mountain. While you’re in line for Splash Mountain, use mobile ordering to order lunch. The best spot nearby is Pecos Bill Tall Tale Inn & Cafe, also in Frontierland. 8. Eat lunch. 9. Ride The Many Adventures of Winnie the Pooh. 10. Take the It’s a Small World boat ride. 11. Tour The Haunted Mansion around the corner in Liberty Square. 12. See the Country Bear Jamboree in Frontierland. 13. Experience Walt Disney’s Enchanted Tiki Room around the corner in Adventureland. 14. Tour the Swiss Family Treehouse. 15. See Mickey’s PhilharMagic in Fantasyland. 16. Ride Under the Sea: Journey of the Little Mermaid. If you’re staying in the park for dinner, order dinner using mobile ordering. 17. Eat dinner.

Khalil seemed to have gotten the communitarianism thing off his chest. Let me ask you something, he said, with mischief in his eye. The American blacks - he used the English expression - are they really as they are shown on MTV: the rapping, the hip-hop dance, the women? Because that's all we see here. Is it like this? Well, I said slowly in English, let me respond this way: Many Americans assume that European Muslims are covered from head to toe if they are women, or that they wear a full beard if they are men, and that they are only interested in protesting perceived insults to Islam. The man on the street - do you understand this expression? - the ordinary American probably does not imagine that Muslims in Europe sit in cafes drinking beer, smoking Marlboros, and discussing political philosophy. In the same way, American blacks are like any other Americans: they are like any other people. The hold the same kinds of jobs, they live in normal houses, they send their children to school. Many of them are poor, that is true, for reasons of history, and many of them do like hip-hop and devote their lives to it, but it's also true that some of them are engineers, university professors, lawyers, and generals. Even the last two secretaries of state have been black. They are victims of the same portrayals as we are, Farouq said. Khalil agreed with him. The same portrayal, I said, but that's how power is, the one who has the power controls the portrayal. They nodded.

London’s first coffeehouse was opened by Jacob, a Jew, in 1652.

In Russia, there is a chain of cafes where everything is free, and you pay based on how long you stay there. They have also opened a branch in London.

On the appointed day, I waited in the vestibule of the boardinghouse until his car rolled up the Chermin de Verey, turned around, and parked outside the gate. He disliked my housemistress intensely and refused to park on school property in case he ran into her. I got into the car, and we drove south in silence, over little highways that wiggled precariously through the mountains, on main streets through half-abandoned villages, on back roads past quiet factories with dark eyes shattered into their windowpanes, past geraniums and lace curtains and dingy cafes. My grandfather pointed out monuments to the Resistance along the way, sad gray stones tucked up onto the banks of the road, where bands of men had been denounced, discovered, shot down. Entire villages, he told me, had been massacred because they wouldn't surrender their resistance fighters. Women and children had burned alive because they would not speak. As I listened, I thought of all the times my grandmother complained to me that Americans had no sense of history. Now I understood that she meant Americans had no sense of her history, of our history. Here the past was everywhere, an entire continent sown with memories. For the first time, I wondered if she had sent me back so I could learn what it was like to live in that punishing landscape. I cracked open the window a tiny bit; I felt suffocated. The wind pierced the silence inside the car, whose pneumatic suspension system I imagined pumping more air into itself to hold the weight of those stories. I wondered what life would be like without that load to carry.

Bad writing does nothing, changes nothing, educates no emotions, rewires no inner circuitry - we close its covers with the same metaphysical confidence in the universality of our own interface as we did when we opened it. But great writing - great writing forces you to submit to its vision. You spend the morning reading Chekhov and in the afternoon, walking through your neighbourhood, the world has turned Chekhovian; the waitress in the cafe offers a non- sequitur, a dog dances in the street.

So society says it's great to be big. But being big can take away from the specialness... The growth thing, it's like a cafe. You open up a really cool little organic vegetarian cafe, and there's a certain type of people that come to it and you really bond with them. And then it gets popular and you wonder if you should make it bigger or open up another one. It's a question of knowing when to stop, knowing when you lose what you had originally.

What the virus did to us. It has always been unimaginable that this pub could be empty while the music played. I am going to talk about what the virus did to us: Do you remember when we sat under trees fighting over which drink we should… drink? How can you possibly forget? We would wake up and imagine what we were going to be in future. We would open our windows and touch each other like we were keys on a pianoforte Do you remember? When we said we were going to go to London Pose in front of The Louvre And raise our hands to the blinding lights on Time Square. We would lay down on the pale moonlight cry and curse the white men for not giving us visas! Do you remember? We had high hopes. Then the virus came omne autem inuicem We watched it like a car without breaks And when it came windows bolted, The music faded, The city of London lost its light, Cafes in Italy bolted and owners run without knowing where they put their keys Times Square became a ghost town And our very little bar we used to insult —— no longer played music And when at night, We sat down to count who we have lost, It didn’t matter if we cried anymore What mattered was when Others would count our dead bodies Like how they count damaged mangoes In the fruit lane at the market.

Stepping outside, all finished, gold porchlight kissed my forehead. The animated nighttime island was a concrete jungle wild with promise, and around any cobblestone corner my big break might exist, disguised as a simple café, waiting for me to open the door.

van and running over to us, with furious expressions and a stream of curses. One of them grabs me just as I’m opening the back door and putting the puppies inside. And the other man snatches a cowering Maisie-Moo and reattaches the metal choke chain, which I can now see, to my horror, has a row of spikes around the inside