Violence Funny Quotes

The problem with our society is that our values aren’t in the right place. There’s an awful lot of bleeding and naked bodies on prime-time networks, but not nearly enough cable television on public programming.

I do not know what it was about that boy but just looking at him, even I wanted to clout him on the head. It was a head that invited violence.

Women got that feeling about him, that funny one we all get when we know something isn't right, but we don't know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.

Humans are so Funny. So much moralising about words while at the same time thinking it perfectly "moral" to pepper-bomb cities full of people to protect them from violence.

The amount of educational programming on television today is simply desensitizing. The only reason left to go to school is to see gun violence.

Remember, I'm the only person her who's paid to be nice to you. But not too nice. Give me any lip and I'll break your face. OK?

Now, earn your nickname and try your best to kill me.

I’ve seen daggers pierce the chest, Children dying in the road, Crawling things hooked and baited, Rapists bound and then castrated, Villains singed in public square. Yet none these sights did make me cringe Like when my Love cut all her hair.

You’re a wild and disobedient girl with violence impulses who chafes at authority and your thin veneer of polished civility has all the transparency of a whore’s nightgown.

Love again: wanking at ten past three (Surely he's taken her home by now?), The bedroom hot as a bakery, The drink gone dead, without showing how To meet tomorrow, and afterwards, And the usual pain, like dysentery. Someone else feeling her breasts and cunt, Someone else drowned in that lash-wide stare, And me supposed to be ignorant, Or find it funny, or not to care, Even ... but why put it into words? Isolate rather this element That spreads through other lives like a tree And sways them on in a sort of sense And say why it never worked for me. Something to do with violence A long way back, and wrong rewards, And arrogant eternity.

Sonia, every dog does not bite, nor does each bee sting. For each schoolmate who insults you, there must be fifty who do not. And for every Muslim terrorist, there are thousands of us who oppose violence. Tell those who are cruel to you that in their cruelty, they are the terror. Then inform them that they are forgiven, for such forgiveness may shame some toward kindness.

We should change the name of AR-15s to 'Marco Rubio' because they are so easy to buy

If you're afraid to leave the house unless you're armed, you don't need a gun, you need a psychiatrist.

Lia caught sight of it immediately and glared at him. "You gave me your word. You swore you wouldn't tell him." "I'm a mass murderer," he said pointedly. "Not exactly trustworthy.

You are from Belfast; are you sure that was your first time holding a gun?

Darling daughter' -- Lord Cai pinched the bridge of his nose -- 'get in the car please.' 'Father', Juliette shot back, 'I crave violence.

What I'd like to read is a scientific review, by a scientific psychologist--if any exists--of 'A Scientific Man and the Bible'. By what route do otherwise sane men come to believe such palpable nonsense? How is it possible for a human brain to be divided into two insulated halves, one functioning normally, naturally and even brilliantly, and the other capable only of such ghastly balderdash which issues from the minds of Baptist evangelists? Such balderdash takes various forms, but it is at its worst when it is religious. Why should this be so? What is there in religion that completely flabbergasts the wits of those who believe in it? I see no logical necessity for that flabbergasting. Religion, after all, is nothing but an hypothesis framed to account for what is evidentially unaccounted for. In other fields such hypotheses are common, and yet they do no apparent damage to those who incline to them. But in the religious field they quickly rush the believer to the intellectual Bad Lands. He not only becomes anaesthetic to objective fact; he becomes a violent enemy of objective fact. It annoys and irritates him. He sweeps it away as something somehow evil...

Safe gender is being who and what we want to be when we want to be that, with no threat of censure or violence. Safe gender is going as far in any direction as we wish, With no threat to our health, or anyone else’s. Safe gender is not being pressured into passing, not Having to lie, not having to hide. Sane gender is asking questions about gender - talking To people who do gender, and opening up about our Gender histories and our gender desires. Sane gender is probably very, very funny. Consensual gender is respecting each others’ definition Of gender, and respecting the wishes of some to be alone, And respecting the intentions of others to be inclusive in Their own time. Consensual gender is non-violent in that it doesn’t force Its way in on anyone. Consensual gender opens its arms and welcomes all People as gender outcasts - whoever is willing to admit it.

One of these days I'm gonna beat him in the face with the butt of my service revolver until an eyeball pops out. These are the thoughts that keep me happy.

Love is a damage made to the heart, violence, fate thats written, Changeable by distance, Breakable by time...!

Kools never did get along with partners. He once stabbed a fella over whose turn it was to drive. Kools says I want to drive and the other fella says sure and Kools stabbed him in the face.

New Rule: The White House doesn't have to release the dead Bin Laden photos, but don't pretend we can't take it. We've seen pictures of Britney Spears's vagina getting out of a car. Television has desensitizes us to violence, and porn has desensitized us to people getting shot in the eye.

The Bottom Line: When you say that words are violence, you inherently are saying that violence is an acceptable response to words, because violence is universally considered an acceptable response to violence.

I am a teacher. Pay close attention - this will be on the test. You don't wreck buildings. You don't take children hostage. And you don't threaten people with violence. Okay class dismissed. Looks like you fail!

It’s not a matter of Dad sitting down with his preadolescent son and incorporating 'Don’t be a criminal!' into the 'birds and the bees' talk. (I mean, that couldn’t hurt, probably. But it’s not the point.) It’s about teaching our boys to actively oppose sexual violence. It’s all well and good to say you’re against rape and would never rape anyone, end of story. But somewhere in that crowd of guys laughing about an unconscious girl getting 'a wang in the butthole, dude'—and the one listening to Daniel Tosh say, 'Wouldn’t it be funny if she got gang-raped right now?' and the one reading an op-ed in the Washington Post that puts 'sexual assault' in quotation marks, as though it exists only in the eye of the beholder—somewhere in all of those crowds is the guy who would rape someone. The guy who will rape someone. The guy who has raped someone. And could you blame any of those guys for thinking that rape is not a serious crime, or even something to be particularly ashamed of, when so many 'good' guys around them are laughing at the same jokes?

You told her I was gay." "Yes, but see--" "And she BELIEVED you!" he asked with horror. "Yes, of course. Why would she think I'd lie about something like that?" she asked with exasperation. "Julius," Marguerite chastised gently when his father muffled a guffaw. "Sorry, darling, but he gave me such grief over wooing you that I can't help but think this is funny," Julius said, slipping his arm around Marguerite. "It isn't funny," Christian growled. "She told my lifemate I'm gay." Zanipolo gave a bark of laughter. "And she BELIEVED it." Christian scowled at the man, considering violence until Gia said, "Actually, at first I just said my cugino was gay and didn't tell her which one. She thought it must be you before I said it was Christian.." "What?" Zanipolo cried. "Why would she think that? Do I look gay?" Christian growled impatiently, and turned on Gia. "I don't see how her thinking I am gay is supposed to help." "Is it my hair that made her pick me for the gay one, do you think?" Zanipolo asked suddenly. "Maybe I should cut it." "It could be," Santo said, eyeing him consideringly. "Nah. Christian has long hair too," Raffeale pointed out.

I would not hurt you, little man,' he said. 'I think that I got the disorder in Mullingar,' I explained. I knew that I had gained his confidence and that the danger of violence was now passed. He then did something which took me by surprise. He pulled up his own ragged trouser and showed me his own left leg. It was smooth, shapely and fairly fat but it was made of wood also. 'That is a funny coincidence,' I said. I now perceived the reason for his sudden change of attitude. 'You are a sweet man,' he responded, 'and I would not lay a finger on your personality. I am the captain of all the one-legged men in the country. I knew them all up to now except one—your own self—and that one is now also my friend into the same bargain. If any man looks at you sideways, I will rip his belly.' 'That is very friendly talk,' I said. 'Wide open,' he said, making a wide movement with his hands. 'If you are ever troubled, send for me and I will save you from the woman.' 'Women I have no interest in at all,' I said smiling. 'A fiddle is a better thing for diversion.' 'It does not matter. If your perplexity is an army or a dog, I will come with all the one-leggèd men and rip the bellies. My real name is Martin Finnucane.' 'It is a reasonable name,' I assented. 'Martin Finnucane,' he repeated, listening to his own voice as if he were listening to the sweetest music in the world.

I still carry a picture in my mind of an abuser who is a rageaholic, a monster, a person visibly and uncontrollably angry. Someone easily identifiable as a “bad guy.” I may even have operated under the idea that my own gut instincts would alert me to such a man. And what strikes me immediately—in fact, deeply unsettles me in a way—is how incredibly normal they all seem. Like a bunch of guys I’d go have a beer with. They are charming. They are funny, gregarious, shy, high-strung. Good-looking or not, well-dressed or not. They are Everyman. One of the hallmarks of domestic violence, Adams told me, is this false idea that abusers are somehow angry generally; rather, their anger is targeted—at a partner or at the partner’s immediate family. As a result, friends and acquaintances of abusers are often surprised to hear that they committed an assault.

The depressing majority of comics seem to be about violence of one sort or another, [...] And I just don’t enjoy violence. I can see that narratively it is often a powerful spike in a story, but I certainly don’t want to dwell on it. I don’t want it in my real life, I don’t find violence entertaining in and of itself, or exciting, or funny. But sex is happily part of most people’s lives, and crosses the mind most days, I would say, even if it’s just watching your partner get out of bed in the morning. [...] Most pornography is pretty awful. I mean, it does the job at the most utilitarian level, but it rarely excites other areas of the mind, or the eye. It’s repetitive, bland and often a bit silly. I was interested in trying to do something that has an aesthetic beauty to it if possible, and something that tickles the intellect as well as the more basic areas of the mind. Maybe that’s not possible, and as soon as you start to think too much, it stops working as pornography. I don’t think so, but I guess it’s in the eye and mind of the viewer.

Funny, how quickly a person grows accustomed to their situation, like an animal in a cage that stops trying to escape.

If you don’t like seeing pictures of violence towards animals being posted, you need to help stop the violence, not the pictures." — Johnny Depp

Why ban guns? Let's give everyone a rocket launcher! What could possibly go wrong?

He stumbled on a series called The Pickwick Papers by someone named Charles Dickens, who was very funny but seemed to hate very much anyone who was not white.

Yes, there is humor, lots of it, amid the violence and sexism. But whether you will find it funny is quite a different matter.

Burr would not be the last vice president to shoot a man, but he was a better shot than Dick Cheney,..

He stares at me in disbelief. 'You know what? We're not fighting tonight. Not if you want to learn how to shield.' 'Fine. We're not fighting. Teach me.' I tilt my chin. Gods, I barely reach his collarbone. 'Ask me nicely.' He leans closer. 'Have you always been this tall?' I blurt the first thing that comes to mind. 'No, I was a a child at some point.' I roll my eyes. 'Ask me nicely, Violence,' he whispers. 'Or I'm gone.' ... 'Right then. All right. Will you teach me to shield?' A smile curves his mouth, and my gaze drops to his lips. 'Say please.' 'Are you always this difficult?' 'Only when I know I have something you need. What can I say, I like making you squirm. It's like a sweet little slice of payback for what you've put me through these last couple of months.' He brushes the snow off my hair. 'What I've put you through?' Unbelieveable. 'You've scared me nearly to death once or twice, so I think saying please is a fair request.' Like he's ever played fair a day in his life. I take a deep breath, and swat at a snowflake that lands on my nose. 'As you prefer. Xaden?' I smile sweetly up at him and inch a little closer. 'Would you pretty, pretty please teach me how to shield before I accidentally climb you like a tree and we both wake up with regrets?' 'Oh, I'm firmly in control of my faculties.' He smiles again, and I feel it like a caress. Dangerous. This is so damn dangerous.

the soldier-police were predictably increasing their presence around all Chain-Gang All-Stars events and many politicians had already appeared before holostreams to implore nonviolence. An absurd thing for the murderous state to plead for, but, as always, the massive violence of the state was “justice,” was “law and order,” and resistance to perpetual violence was an act of terror. It would have been funny if there weren’t so much blood everywhere.

We wanted to produce a newspaper which would put (1) class and (2) violence back at the top of the anarchist agenda. It would be big and tabloid brash, lots of short articles and graphics, no long boring shit. It would be fucking funny as fucking fuck.

I guess it's funny -- well maybe 'funny' isn't the word -- but we know who is responsible for the violence that destroyed this place. We know it was the United States that was behind it. But we keep sending our kids there, because they have nowhere else to go.

I think gender can take a lesson from sadomasochism (S/M): gender needs to be safe, sane, and consensual. Gender is not safe. If i change my gender, I'm at risk of homocide, suicide or a life devoid of half my responsibilities. If I'm born with a body that gives mixed gender signals, I'm at risk of being butchered - fixed, mutilated. Gender is not safe. And gender is not sane. It's not sane to call a rainbow black and white. It's not sane to demand we fit into one or the other only. It's not sane that we classify people in order to oppress them as women or glorify them as men. Gender is not sane. And gender is not consensual. We're born: a doctor assigns us a gender. It's documented by the state, enforced by the legal profession, sanctified by the church, and it's bought and sold in the media. We have no say in our gender - we're not allowed to question it, play with it, work it out with our friends, lovers or family. Gender is not consensual. Safe gender is being who and what we want to be when we want to be that, with no threat censure or violence. Safe gender is going as far in an direction as we wish with not threats to our health, or to anyone else's. Safe gender is not being pressured into passing, not having to lie, not having to hide. Sane gender is asking questions about gender - talking to people who do gender and opening up about our gender histories and our gender desires. Sane gender is probably very, very funny. Consensual gender is respecting each others definitions of gender , and respecting the intentions of others to be inclusive in their own time. Consensual gender is non violent in that it doesn't force its way in on anyone. Consensual gender opens its arms and welcomes all people as gender outcasts - whoever is willing to admit to it. Gender has a lot to learn from S/M.

Women aren’t killed in a bubble. They’re killed in a world that disenfranchises them, positions them as other and disadvantages them. They’re killed in a society that sends the message, clearly and repeatedly, that they are sexual objects for men’s gratification and possession. The cultural elements that help to create these messages aren’t the cause of violence against women, but they are the context in which it happens. They help perpetrators to see women as objects. They frame violence against women as titillating, funny or excusable. They help us to blame victims when they come forward. They hamper justice.

Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English. The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake. So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate. Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question. Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it." For more quotes from the novel visit my blog: frommybooks.wordpress.com

When that woman stood up and said, “No, rape is not funny,” she did not consent to participating in a culture that encourages lax attitudes toward sexual violence and the concerns of women. Rape humor is what encourages a man to feel comfortable tweeting to Daniel Tosh, “the only ppl who are mad at you are the feminist bitches who never get laid and hope they get raped so they can get laid,” which is one of the idiotic, Pavlovian responses a certain kind of person has when women have the nerve to suggest that they don’t find sexual violence amusing. In that man’s universe, women who get properly laid are totally fine with rape humor. A satisfied vagina is a balm in Gilead.

This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves.

Women got that feeling about him, that funny one we all get when we know something isn’t right, but we don’t know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.

It is very hard to explain to people that neither J. K. Rowling nor the women of Mumsnet – or, by extension, that middle-aged white woman who looked at you a bit funny in the queue at Tesco – are plotting mass murder when so many online voices respond to them as though they are. The misogyny directed at Rowling for what was a compassionate essay, advocating violence against no one, was off the scale.

Lysimachus probably wouldn’t have listened at all. More likely, he’d have smacked her across the face. Funny, really. I could unleash violence and death on women and children in Mahec, but I could no more hit a woman than fly in the air; because I’m civilised, I suppose. I guess the difference is between what happens offstage and on. A manager once told me, you can have your hero butcher entire nations in a messenger’s report, but for God’s sake don’t have him hit a woman or a child on stage. You’d lose all sympathy.

Oh, lady, there aren’t words for it. I don’t know—it’s the difference between a pair of roller skates and a Ferrari—ah, there aren’t words.’ ‘I think the lady doth protest too much. You wouldn’t promote such blatant lesbian propaganda if you were sure of yourself and your sexual identity.’ ‘Propaganda? I took a few minutes to try to answer a question you asked me. If you want to see blatant propaganda then look at the ads in the subways, magazines, t.v., everywhere. The big pigs use heterosexuality and women’s bodies to sell everything in this country—even violence. Damn, you people are so bad off you got to have computers to match you up these days.’ Polina began to get angry, but then she took some time to think about what I had laid on her. ‘I never thought of it that way, I mean about advertising and all.’ ‘Well, I sure have. You don’t see ads of women kissing to get you to buy Salem cigarettes, do you?’ She laughed. ‘That’s funny, that’s truly funny. Why the entire world must look different to you.’ ‘It does. It looks destructive, diseased, and corroded. People have no selves anymore (maybe they never had them in the first place) so their home base is their sex—their genitals, who they fuck. It’s enough to make a chicken laugh.’ ‘I—are all homosexuals as perceptive as you?

How can I define white privilege? It’s so difficult to describe an absence. And white privilege is an absence of the negative consequences of racism. An absence of structural discrimination, an absence of your race being viewed as a problem first and foremost, an absence of ‘less likely to succeed because of my race’. It is an absence of funny looks directed at you because you’re believed to be in the wrong place, an absence of cultural expectations, an absence of violence enacted on your ancestors because of the colour of their skin, an absence of a lifetime of subtle marginalisation and othering – exclusion from the narrative of being human.

Um, no. The thought of handling a gun terrifies me." Sam burst out laughing. "What's so funny?" "You." "What?" Sam snorted. "You're scared of a gun, but you love karate, even when it wipes you out. You're a walking contradiction, girl." "Guns kill people, Sam." "No, people kill people. Guns are just a vehicle for those types. So are knives. And ropes. And even plastic bags. And yep, even martial arts." "I'm not going to kill anybody. Stop being morbid." Sam snorted again, "I didn't say you were. I was just pointing out that people associate guns with violence but not martial arts. Both can be just as deadly." "True. Guess I never thought about it that way.

It’s no secret that kids with ASD can be aggressive, and people never understand that it’s not because they’re violent. It’s almost always because they’re intensely frustrated or can’t communicate what they want, but nobody ever sees it that way, and their judgment toward Mason only gets worse the older he gets. People used to be so sweet and kind to us. Back then, he was cute as a button, and his huge, half-terrified blue eyes melted your heart even if he was kicking or throwing things at you. All you wanted to do was help him feel better. But now? All that’s different. I see the way everyone looks at him. How they clutch their purses next to themselves when he comes close, like violence and stealing go hand in hand. Nobody’s kind, and they’re definitely not helpful. They turn their noses up at him like they smell something funny when he starts smacking his hands together or repeating the same sentence over and over again. People purposefully cross to the other side of the street when they see us coming. It makes me so angry and heartsick.

It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.

A loud clang of what sounded like a tray hitting the marble kitchen floor made Bree jump and Gianni go wide eyed with apparent terror. He covered his ears and shook his head. “Bang! Bang! Bang!” He fell over and covered his head. Bree rushed over to him as he began shrieking fearfully. “Maaammaaaaaa!” “Is okay, Gianni. Just a ting falled down,” Will said patting Gianni’s back but Bree noticed her little boy’s hand was shaking. “It’s okay, sweetie. Mommy’s here. That’s okay,” she crouched down and gathered Gianni into her arms. “Bang! Mama. It bang!” he wailed into her shoulder, trembling in her arms. “It was just a loud noise. Cook just dropped something, probably a whole big plate of yucky beets. Isn’t that funny?” she said, forcing a laugh. Jesus Christ, how much more violence would her children be forced to endure? Again, Bree felt selfish for bringing her innocent babies into the Dardano world. Gianni looked up at her, picking up on her tone he gave a small watery smile. “Ucky ee “Yucky yucky beets,” Bree repeated bouncing him lightly as her heart returned to its normal rhythm in her chest. Gianni giggled and shuddered against her as the last remnants of his fear dissipated. Bree looked over at Will. “You okay, sweetie?” Will blinked and looked over at her, wide eyed and his lower lip quivered, but he set his chin like she knew he’d watched Alessandro do and nodded. “I bwave. I nod scared.” Bree smiled at him and kissed his cheek as she ran her fingers through his hair. “Wow. That is pretty brave. I know I was scared when I first heard the noise.” “Really?” Will asked hesitantly. “Definitely,” Bree nodded. Gianni echoed the gesture. “Well, dat’s diffen. You’s a girl.” “Oh, is that so?” Bree asked setting Gianni on the blanket next to her. “So you think ’cause mommy’s a girl she’s a fraidy cat. Huh? Huh?” she asked poking him. Will curled in on himself and giggled as he tried to avoid her fingers.

The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.

Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

Humans as a whole are but an unwholesome hole with a sorry ass. In short, a**holes.

But the funny trick that Americans do is that they manage to convince themselves that political violence in the United States that any one of us in the counterterrorism world would call terrorism anywhere else is just violence in the United States.

Fighting is a lot like making love. Timing is everything.

I need to find out who she is,” he told Javier as he entered the shower room with the rest of the team. “If they had to take her out on a stretcher, then chances are someone knows her name.” “Good for you, my friend, for not giving up in the face of obvious adversity. And because I am such a good friend, I shall come with you when you visit her so I might laugh when the female retaliates against you for messing up her face.” Javier flew backward with the force of the punch Ethan laid on him. Rubbing his jaw, his friend glared up at him. “That wasn’t very nice.” Ethan snarled. “Maybe if you hadn’t thrown the ball so damned hard, I wouldn’t be in this position in the first place. I’m glad you find my situation so g**damned funny.” Jumping to his feet, Javier raised his fists. “Alright, my friend. Let’s go. You obviously need to work off some tension, might as well do it now. Think of your coming beating as a courting favor because I’m going to give you some black eyes to match those of your mate.” “I’d like to see you try.” With a feral grin, Ethan lumbered at his friend, paws swinging as the other players in the shower room scattered. Old habits died hard, and when it came to working out frustration, the easiest route still involved violence. Ethan refused to view it as stalling out of fear. Kodiak bears feared nothing, especially not one fated female. But just in case, perhaps once he de-stressed, he would pick up flowers, or buy a whole damned floral shop for her.

Why do you always garden at the night? I mean, isn’t it a day job? Oh I wish I could. The thing is every time my wife sings in bed; I go out to garden so my neighbors don’t get the idea that I indulge in domestic violence.

Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

There is no greater crime than a crime against humanity. There is no greater crime against humanity than usury. The greatest violence, and the greatest threat to humanity, is the growth of MONEY.

The greatest violence, and the greatest threat to humanity, is the growth of MONEY.

Women got that feeling about him, that funny one we all get when we know something isn’t right, but we don’t know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment.

The first thing you have to remember is that we count the days a bit differently. Having 39.6 more minutes each day, and 669 days—or sols, as we call ’em—in a sidereal period, meant that aresians threw out both Greenwich Mean Time and the Gregorian calendar in a.d. 2032, long before the Pax Astra took control of the near-space colonies, way before Mars declared its independence. The Zubrin calendar has twelve months, ranging from 48 to 66 sols in length, each named after a Zodiac constellation; it retroactively began on January 1, 1961, which became Gemini 1, m.y. 1 by local reckoning. The conversion factors from Gregorian to Zubrin calendars are fairly complex, so don’t ask for an explanation here; best to say that one of the first things newcomers from Earth have to realize is that April Fool pranks are even less funny at Arsia Station than they were back in Indiana.

An absurd thing for the murderous state to plead for, but, as always, the massive violence of the state was “justice,” was “law and order,” and resistance to perpetual violence was an act of terror. It would have been funny if there weren’t so much blood everywhere.

Robbie and I disagreed about guns. He believed that owning one was his right as an American, which he must’ve picked up when the Panthers out in Oakland were arming themselves. That was screamingly funny when I thought about it: a black man, one who’d been locked up twice, clinging to the Second Amendment. The strongest gun laws the country had ever passed were to prevent the men who’d inspired him, the Oakland Panthers, from having guns. If he’d been a little more intentional about his stance, it would have been subversive. But he wasn’t. He owned a gun because he liked them, and thought he was entitled to do so. Pop raised me to believe that guns weren’t for civilians. I think that stance was too soft; I think he shouldn’t have taught us to shoot. It wasn’t a beneficial skill, or even a neutral one. It was knowledge that had attracted and bred the violence in my life.

That’s the thing.” He looks at me funny. “My urge for violence has become less important since you.

Unless we all want to end up like our spiritual friend here…” Garryck said, gesturing with the point of his lance at the hole he’d left in the dead man’s body.

Queer contagion, including the anxiety triggered by gender nonnormativity, found its viral materiality in the early 1980s. The diagnosis of gay cancer, or GRID (gay-related immune disorder), the original name for AIDS, was a vengeful nomenclature for the perversion of existing in a world held together, at least in part, by trans/queer undoing. Found by chance, queers began showing symptoms of unexplainable illnesses such as Kaposi's sarcoma (KS) and Pneumocystis carinii pneumonia (PCP). Unresponsive to the most aggressive treatments, otherwise healthy, often well-resourced and white, young men were deteriorating and dying with genocidal speed. Without remedy, normative culture celebrated its triumph in knowing the tragic ends they always imagined queers would meet. This, while the deaths of Black, Brown, and Indigenous trans and cis women (queer or otherwise) were unthought beyond the communities directly around them. These women, along with many others, were stripped of any claim to tragedy under the conditions of trans/misogyny. Among the architects of this silence was then-President Ronald Reagan, who infamously refused to mention HIV/AIDS in public until 1986. By then, at least 16,000 had died in the U.S. alone. Collective fantasies of mass disappearance through the pulsing death of trans/queer people, Haitians, and drug users - the wish fulfillment of a nightmare world concertized the rhetoric that had always been spoken from the lips of power. The true terror of this response to HIV/AIDS was not only its methodological denial but its joyful humor. In Scott Calonico's experimental short film, "When AIDS Was Funny", a voice-over of Reagan's press secretary Larry Speakes is accompanied by iconic still images of people close to death in hospital beds. LESTER KINSOLVING: "Over a third of them have died. It's known as a 'gay plague.' [Press pool laughter.] No, it is. It's a pretty serious thing. One in every three people that get this have died. And I wonder if the president was aware of this." LARRY SPEAKES: "I don't have it. [Press pool laughter.] Do you?" LESTER KINSOLVING: "You don't have it? Well, I'm relieved to hear that, Larry!" [Press pool laughter.] LARRY SPEAKES: "Do you?" LESTER KINSOLVING: "No, I don't.

My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first. Ursula K. Le Guin

Bullying is about judging. It’s about establishing who is more worthy or important. The more powerful kids judge the less powerful kids. They judge them to be less valuable human beings, and they rub their faces in it on a daily basis. And it’s clear what the bullies get out of it. Like the boys in Sheri Levy’s study, they get a boost in self-esteem. It’s not that bullies are low in self-esteem, but judging and demeaning others can give them a self-esteem rush. Bullies also gain social status from their actions. Others may look up to them and judge them to be cool, powerful, or funny. Or may fear them. Either way, they’ve upped their standing. There’s a big dose of fixed-mindset thinking in the bullies: Some people are superior and some are inferior. And the bullies are the judges. Eric Harris, one of the Columbine shooters, was their perfect target. He had a chest deformity, he was short, he was a computer geek, and he was an outsider, not from Colorado. They judged him mercilessly. When we hear about acts of school violence, we usually think it’s only bad kids from bad homes who could ever take matters into their own hands. But it’s startling how quickly average, everyday kids with a fixed mindset think about violent revenge. In our study, the students with the growth mindset were not as prone to see the bullying as a reflection of who they were. Instead, they saw it as a psychological problem of the bullies, a way for the bullies to gain status or charge their self-esteem: “I’d think that the reason he is bothering me is probably that he has problems at home or at school with his grades.” Or “They need to get a life—not just feel good if they make me feel bad.” Their plan was often designed to educate the bullies: “I would really actually talk to them. I would ask them questions (why are they saying all of these things and why are they doing all of this to me).” Or “Confront the person and discuss the issue; I would feel like trying to help them see they are not funny.” The students with the growth mindset also strongly agreed that: “I would want to forgive them eventually” and “My number one goal would be to help them become better people.

If violence is such a bad thing, magic wouldn't make it so fun.

But I woke up and chose violence. And the funny thing was, I’d do it again.

I wanted to punch him. Often. With my fists.' I paused. 'With a dagger.

[The biologist Richard] Dawkins defined memes as ideas that spread from brain to brain—a cultural analogue to genes that replicate and spread. The concept is mostly used now to describe funny or irreverent images that go viral online and then are altered to keep the joke or idea alive as it ricochets around the internet. But in a digital age, when attackers can upload their own words and deeds to social media rather than relying on TV to achieve notoriety, it has a darker connotation….Mass shooters are unique only in that they don’t want to live in the glory of their newly achieved social status and visibility. They want notoriety, to become legends in their deaths.

Your penchant for violence isn't anything to be ashamed of. Not with me. Haven't I told you it turns me on?' 'One too many times,' ...

It's a history and anthropology book! What did you expect? Gratuitous sex and violence?

Read it when you are done with your Bronze floor, please?" "Fine." Kers grumbled. "But sex and violence would make the book better.

I tore out his tongue,' Kieran announced, and both Casteel and I looked at him. 'What?' The Wolven shrugged. 'He annoyed me.' Well,' Casteel murmured. 'Okay, then.

I’m left-handed, so I hate to break it to you, but you chopped off the wrong arm.

The worst of it was, he had come to like the Jacobeans, in all their sophipathic insanity. They might be grotesaries, caricatures, larger than life and full of violence-but they were also shockingly generous and, sometimes, shockingly funny.

I fell deeply in love with the books of Kurt Vonnegut Jr. They parented me, and gave me a sense of what it was to be a decent person, without any of the usual hypocritical rhetoric. They fired my imagination and opened me up; I read them all one after the other, Breakfast of Champions, Cat’s Cradle, The Sirens of Titan, Slaughterhouse-Five, on and on they go, they gave me the soul nutrients I needed. He was bitterly funny and awakened in me a morality that lay dormant and unarticulated. He taught me that it was fun and beautiful to be humble, and that human beings are no more important than rutabagas. That we’ve got to love with all we are, not for some reward down the line, but purely for the sake of being a loving person, and that creativity was the highest part of ourselves to engage. He pointed out the frivolous and insensitive attitudes that birthed the absurd cruelty of war. His humorous detachment from the world’s insane and egotistical violence—“So it goes”—my first hint of a spiritual concept. To this day, his books inform my political and social views, my sense of humor, and touch me deeply. KVJ changed my life, he never gets old.

I do not like that you fear me, Shea. “If you wouldn’t persist in reading my thoughts, Jacques,” she said gently, afraid she had hurt him, “then you wouldn’t have to see these things I worry about. You are capable of violence. You cannot deny it. I see it in you.” She stood up with a return of her quick, restless energy, and he allowed her silken hair to slide through his fingers. With half-closed eyes, Jacques watched the transparent thoughts slipping across her expressive face. Shea was incapable of subterfuge. What she was, who she was, was an open book. “I didn’t think things through, you know. I just rushed out and rescued you. I caused you great suffering.” Her large green eyes fastened on his face. Storm clouds gathered instantly when she felt his faint, mocking amusement echoing through her mind. “What? What’s so funny? Some idiot tried to put a stake through your heart, and he didn’t even hit the darn thing!” For which I am grateful. And I am even more grateful that you rescued me. I did not like being imprisoned and in such pain. “I guess I’m glad I rescued you, too, but the truth is, Jacques, I have watched you healing faster than is possible. You’re even more dangerous now. You are, aren’t you?” Never to you, he denied. She raised an eyebrow. “Is that strictly the truth? I’ve been in your head, too, remember.” She had touched his mind and had recoiled at the seething cauldron of raw violence and black fury often swirling within him. “Sometimes I can even read you as well as you read me. You have no idea what you’re doing half the time. You have no idea who you are.” Perhaps not, Shea, but I know you are my lifemate. I could not harm you now.

Wake her, Gregori,” Mikhail demanded, dragging Raven into his arms. Very gently he cradled her to his chest, rocking her with his body. Gregori complied as his form shimmered translucent, and then took shape beside Mikhail. For the first time there was a hint of anxiety in Gregori’s pale eyes, although there was hard arrogance stamped on his harshly handsome features. Raven blinked, and took a moment to focus. Her breath caught in her throat, and fear leapt into her enormous, expressive eyes. That look stabbed through Mikhail as nothing else might had done. “Csitri--little one.” He breathed the endearment softly, his breath warm against her ear. “Do not ever fear me.” She pressed away from him. “I don’t know you,” she whispered, her voice strangled and raw, her eyes on his bloodstained hands. Mikhail frowned and looked down at his hands. There was no blood there; he had bathed his body in the cleansing energy of the white-hot heat. No blood could remain on him. Vampire blood burned like acid--yet she still saw the scenes from the battle. He glanced at Gregori with a small frown of inquiry. Gregori shook his head in puzzlement. Raven seemed light and insubstantial in Mikhail’s arms, as if she might fade away to nothing. She needed nourishment and care. Very carefully Mikhail touched her mind. His skull exploded with pain. Her mind was a maze of fragments, desperately holding on to her sanity. She feared him, but even more, she was afraid to trust her own judgment. Fragments of the battle, of Mikhail standing in front of Andre, haunted her mind. Her blue-violet gaze, so confused, so frantic and bewildered, sought and found Monique. She gave a small inarticulate cry and strained toward her. Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny. But the exchange eased some of the ferocious need to retaliate in him.

You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny.

Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny.

Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny. But the exchange eased some of the ferocious need to retaliate in him. Mikhail took a deep breath and addressed the couple. “I am sorry we met under such terrible circumstances. I had no choice but to destroy Andre. No prison in the world would have held him,” Mikhail managed quietly. “Aidan, please release the gentleman from those restraints.” Aidan reached casually around Monique and tugged at the chains. A lazy ripple of muscle, and the links parted. Without looking at Alexander, Aidan used his thumb to separate the cuffs, freeing the mortal. Immediately he stepped away from him, abhorring such close proximity with the man. Alexander had wrapped his hands around a Carpathian woman’s throat and threatened to kill her. Every instinct in each of the males urged him to break the mortal’s neck and be done with it. They took their lead from Mikhail, but the tension was almost electric.

Humans were funny that way, captivated by violence and terror.

She frowned at him and rubbed the bridge of her nose. “You’re pretty damned stubborn, aren’t you?” He thought that was evident and not worth answering, so he just let himself disappear into her eyes. She had beautiful eyes. He loved how liquid and soft they were. She started to move away and he caught her arm. “Don’t go.” “I don’t like people touching me.” He should have let go of her, but instead he rubbed the pads of his fingers up and down her bare arm. Her shirt was still half buttoned, and he was tempted to stroke her flat belly just to know the texture of her. “I don’t like it either,” he said. And it was true. Funny. He’d never admitted that to anyone. It didn’t particularly matter, he did what had to be done, but he didn’t like it— maybe not in the same way she meant. His was a matter of personal space, a natural avoidance of closeness with others. But Rikki . . . He studied her face. “I don’t think my touch bothers you that much.” She blinked. She rarely blinked, but he’d struck home. She compressed her lips and then narrowed her eyes at him. “You’re pretty arrogant for a man who can’t move with a pile of weapons sitting next to him.” “You have such a penchant for violence.” She looked outraged. “I do? You’re the one being hostile. I’m Mother Teresa here. And I don’t like sick people.” “Do you like anyone?” Amusement was creeping in again. He was beginning to like the feeling. “Anything?” “Not particularly.

many politicians had already appeared before holostreams to implore nonviolence. An absurd thing for the murderous state to plead for, but, as always, the massive violence of the state was “justice,” was “law and order,” and resistance to perpetual violence was an act of terror. It would have been funny if there weren’t so much blood everywhere.

A few hours of reading will never protect you from your own bad decisions.

We can’t all be emotionless vaults like you, who only feel when violence is involved.” “That’s the thing.” He looks at me funny. “My urge for violence has become less important since you.