Foot Goddess Quotes

my 6 foot goddess makes me laugh the laughter of the mutilated who still need love... she has saved me from everything that is not here

And one fine day the goddess of the wind kisses the foot of man, that mistreated, scorned foot, and from that kiss the soccer idol is born. He is born in a straw crib in a tin-roofed shack and he enters the world clinging to a ball.

For Artemis, the virgin goddess,” Colette said with a beaming smile, taking that moment and stamping her dainty little foot on it.

The Goddess of all Things rose naked from Chaos and found nowhere to place her foot. Separating the sea from the sky, she brooded over the waters until she gave birth to life-Herself.

Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

The analysis of the last age, the 'dark age' or Kali Yuga, brings to light two essential features. The first is that mankind living in this age is strictly connected to the body and cannot prescind from it; therefore, the only way open is not that of pure detachment (as in early Buddhism and in the many varieties of yoga) but rather that of knowledge, awakening, and mastery over secret energies trapped in the body. The second characteristic is that of the dissolution typical of this age. During the Kali Yuga, the bull of dharma stands on only one foot (it lost the other three during the previous three ages). This means that the traditional law (dharma) is wavering, is reduced to a shadow of its former self, and seems to be almost succumbing. During Kali Yuga, however, the goddess Kali, who was asleep in the previous ages, is now fully awake. . . . let us say that this symbolism implies that during the last age elementary, infernal, and even abyssal forces are untrammeled.

Through Red’s eyes, this entire Universe is about Relationship — between the most minute particles and the grandest galaxies, between the chicken and the egg, between the ocean and the sand, between this book and the Energy that inspired this book, between the light and the dark, between the masculine and the feminine, between spirit and soul, between everything and no-thing, between true and false, between inner and outer, between friend and foe, between that dimension and this dimension, between my hand and your heart, between your foot and the ground, and most important, between you and You, you (You) and God/dess, you (You) and “Them,” and well, you get the gist. Essentially, this makes everyone and everything our Lovers.

Do not listen to your enemy, Odysseus had once told me. Look at them. It will tell you everything. I looked. Armed and armored, she was (Athena), from head to foot, helmet, spear, aegis, greaves. A terrifying vision: the goddess of war, ready for battle. But why had she assembled such a panoply against me, who knew nothing of combat? Unless there was something else she feared, something that made her feel somehow stripped and weak. Instinct carried me forward, the thousand hours I had spent in my father’s halls, and with Odysseus polymetis, man of so many wiles.

To me, spirituality is less about Sunday mass than it is about love. It’s that simple. When you treat others with love, consistently and fully, you honor your god or goddess. Some of the holiest people I know have never stepped foot in a church. And I’ve met many churchgoing, self-righteous born-again Christians that God himself probably wishes had never been born the first time.

Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.

My silver-footed goddess mother Thetis says that there are two ways my death may come. If I stay here and fight, besieging Troy, my chance of ever going home is lost, but I shall have a name that lasts forever.

Istanbul was an illusion. A magician’s trick gone wrong. Istanbul was a dream that existed solely in the minds of hashish eaters. In truth, there was no Istanbul. There were multiple Istanbuls – struggling, competing, clashing, each perceiving that, in the end, only one could survive. There was, for instance, an ancient Istanbul designed to be crossed on foot or by boat – the city of itinerant dervishes, fortune-tellers, matchmakers, seafarers, cotton fluffers, rug beaters and porters with wicker baskets on their backs … There was modern Istanbul – an urban sprawl overrun with cars and motorcycles whizzing back and forth, construction trucks laden with building materials for more shopping centres, skyscrapers, industrial sites … Imperial Istanbul versus plebeian Istanbul; global Istanbul versus parochial Istanbul; cosmopolitan Istanbul versus philistine Istanbul; heretical Istanbul versus pious Istanbul; macho Istanbul versus a feminine Istanbul that adopted Aphrodite – goddess of desire and also of strife – as its symbol and protector … Then there was the Istanbul of those who had left long ago, sailing to faraway ports. For them this city would always be a metropolis made of memories, myths and messianic longings, forever elusive like a lover’s face receding in the mist.

My silver-footed goddess mother Thetis says that there are two ways my death may come. If I stay here and fight, besieging Troy, my chance of ever going home is lost, but I shall have a name that lasts forever. Or if I go home to my own dear country, I lose my glory but I gain long life.

One afternoon more than thirty-five years ago I set foot on a path that changed my life. I found a name in a book – Brigit – and a brief column of text about her. A spark was kindled and I knew I wanted more. This led me to a search for information about Brigit and connection with her that has never ceased. Though my understanding of her has grown and shifted since those first few paragraphs, I remain drawn to Brigit like a lamb to its mother.

To mark its global centrality, the French sculptor Frédéric-Auguste Bartholdi asked the Egyptian government to let him build a ninety-foot statue of an Arab peasant woman wearing robes and holding a torch above her head to welcome Eastern travelers to the Mediterranean. When Egypt declined on account of the project’s high cost, he took the idea to France, which financed the sculpture. Once the Muslim woman was refashioned into a Roman goddess, France gifted the statue to the United States, where the woman became a symbol of liberty for immigrants entering New York Harbor.

After Guru Rinpoche subdued Tseringma, he pursued her four younger sisters. One by one, they repented and became Buddhist deities, moving to mountains of their own. Miyolangsangma patrols the summit of Everest on the back of a tigress. Now the goddess of prosperity, her face shines like 24-carat gold. Thingi Shalsangma, her body a pale shade of blue, became the goddess of healing after galloping on a zebra to the top of Shishapangma, a 26,289-foot peak in Tibet. Chopi Drinsangma, with a face in perpetual blush, became the goddess of attraction. She chose a deer instead of a zebra and settled on Kanchenjunga, a 28,169-foot peak in Nepal. The final sister—Takar Dolsangma, the youngest, with a green face—was a hard case. She mounted a turquoise dragon and fled northward to the land of three borders. In the modern Rolwaling folklore, this is Pakistan. Guru Rinpoche chased after her and eventually cornered her on a glacier called the Chogo Lungma. Takar Dolsangma appeared remorseful and, spurring her dragon, ascended K2, accepting a new position as the goddess of security. Although Guru Rinpoche never doubted her sincerity, maybe he should have: Takar Dolsangma, it seems, still enjoys the taste of human flesh.

It's not the Virgin Mary," Emily said, "though it is a virgin mother. It's actually Bona Dea, the Roman goddess of fertility, healing, virginity — and of women in general. Her foot on the snake indicates her power over the phallus. She, in turn, was modeled after Isis holding Horus with the serpent of wisdom at her feet. Later Augustus allowed this antique goddess to be identified with the cult of his mother Maia, who was said to have lain with a serpent in the temple to be impregnated with the son of Apollo — and bore Augustus Caesar." She explained that the image of Bona Dea was found on many early Republican coins.

Hekate in Byzantium (also Constantinople, now Istanbul, Turkey) It is probable that Hekate had an established presence in Byzantium from a time before the city was founded. Here Hekate was invoked by her title of Phosphoros by the local population for her help when Philip of Macedon (father of Alexander the Great) attacked the city in 340 BCE. Petridou summarises the account given by Hsych of Miletus: "Hecate, or so we are told, assisted them by sending clouds of fire in a moonless rainy night; thus, she made it possible for them to see clearly and fight back against their enemies. By some sort of divine instigation the dogs began barking[164], thus awakening the Byzantians and putting them on a war footing."[165] There is a slightly alternative account of the attack, recorded by Eustathios. He wrote that Philip of Macedon's men had dug secret tunnels from where they were preparing a stealth attack. However, their plans were ruined when the goddess, as Phosphoros, created mysterious torchlight which illuminated the enemies. Philip and his men fled, and the locals subsequently called the place where this happened Phosphorion. Both versions attribute the successful defence of the city to the goddess as Phosphoros. In thanksgiving, a statue of Hekate, holding two torches, was erected in Byzantium soon after. The support given by the goddess in battle brings to mind a line from Hesiod’s Theogony: “And when men arm themselves for the battle that destroys men, then the goddess is at hand to give victory and grant glory readily to whom she will.” [166] A torch race was held on the Bosphorus each year, in honour of a goddess which, in light of the above story, is likely to have been Phosphoros. Unfortunately, we have no evidence to clarify who the goddess the race was dedicated to was. Other than Phosphoros, it is possible that the race was instead held in honour of the Thracian Bendis, Ephesian Artemis or Hekate. All of which were also of course conflated with one another at times. Artemis and Hekate both share the title of Phosphoros. Bendis is never explicitly named in texts, but a torch race in her honour was held in Athens after her cult was introduced there in the fifth-century BCE. Likewise, torch-races took place in honour of Artemis. There is also a theory that the name Phosphoros may have become linguistically jumbled due to a linguistic influence from Thrace becoming Bosphorus in the process[167]. The Bosphorus is the narrow, natural strait connecting the Black Sea to the Sea of Marmara, separating the European side of Istanbul from the Asian side. The goddess with two torches shown on coins of the time is unnamed. She is usually identified as Artemis but could equally represent Hekate.

Statues of Saints CHALLENGE “The Catholic use of statues of saints is idolatry.” DEFENSE Idolatry involves worshipping a statue as a god. That's not what Catholics do with statues. Statues of saints do not represent gods. They represent human beings or angels united with God in heaven. Even the least learned practicing Catholics are aware that statues of saints are not gods, and neither are the saints they represent. If you point to a statue of the Virgin Mary and ask, “Is this a goddess?” or “Is the Virgin Mary a goddess?” you should receive the answer “no” in both cases. If this is the case for the Virgin Mary, the same will be true of any saint. As long as one is not confusing a statue with a god, it is not an idol, and the commandment against idolatry is not violated. This was true in the Bible. At various points, God commanded the Israelites to make statues and images for religious use. For example, in the book of Numbers the Israelites were suffering from a plague of poisonous snakes, and God commanded Moses to make a bronze serpent and set it on a pole so that those bitten by the snakes could gaze upon the bronze serpent and live (Num. 21:6–9). The act of looking at a statue has no natural power to heal, so this was a religious use. It was only when, centuries later, people began to regard the statue as a god that it was being used as an idol and so was destroyed (2 Kings 18:4). God also commanded that his temple, which represented heaven, be filled with images of the inhabitants of heaven. Thus he originally ordered that craftsmen work images of cherubim (a kind of angel) into curtains of the Tent of Meeting (Exod. 26:1). Later, carvings of cherubim were made on the walls and doors of the temple (1 Kings 6:29–35). Statues were also made. The lid of the Ark of the Covenant included two statues of cherubim that spread their wings toward each other (Exod. 25:18–20), and the temple included giant, fifteen-foot tall statues of cherubim in the holy of holies (1 Kings 6:23–28). Since the Ascension of Christ, the saints have joined the angels in heaven (CCC 1023), making images of them in church appropriate as well.

Pretty,eh?" I jumped a foot. "Nonna!" She was standing in my doorway, beaming like a demented gnome. "For your underwater dance." "It looks like....a toga." "Toga," she sniffed as she stalked across the room to lift the dress from its hanger, "is for boys at silly parties. This is for a goddess." She held it up to me. "You will be Salacia, Roman goddess of water." It still looked like a toga, and not a very big one, although it did almost reach the floor. My legs would be covered, which was all well and good, except that, other than going a little too long without defuzzing, I didn't have much of a problem with my legs. I did know this wasn't going to work. I just had no idea at the moment how I was going to make it not happen. "This is awfully...pagan of you, Nonna." She rolled her eyes. "Ai, sixteen, with the smart mouth and such certainty. You think I just read the Bible? A goddess, she has more fun than a saint." "Nonna!" "Ah!" She poked me in the center of the chest with her middle finger. "Fun, si, but a bad end if she thinks to hold the heart of a boy who wants only to play. Salacia, she let Neptune chase her and chase her and prove his heart was true." I didn't argue. My grasp of Greco-Roman mythology is shaky at best, and derived mostly from the Percy Jackson books. I had my doubts about Neptune's heart, but figured it would only be smart-assy to mention that to my grandmother.

It is no surprise, then, that the earth deities of the Old Religion were demonized or co-opted. A typical task for Greek heroes was to rid the civilized world of those “earth-born bogeys.” The Gorgon Medusa, whose gaze turned men to stone, became an obvious target. Nevertheless, on the periphery of the Greek world, there is evidence that She was venerated in her ancient powers. During the 6th century BCE on the island of Corfu, an eight-foot-high full-bodied sculpture of Medusa was placed at the highest point on the pediment of the temple of Artemis. This Medusa is not raging, but is radiant in her full potency. Snakes with open jaws extend from each side of her head and two copulating serpents encircle her waist, carrying the potential for both death and new life. She wears winged sandals, her great wings are fully extended, sheltering her two children, and her bent-knee posture suggests that she is flying. All shamanic dimensions are Hers—the Great Above, the Great Below, the Primordial Waters, and the entire expanse of the Earth. She is flanked by great felines, just as the Phrygian Mountain Goddess Cybele and the seated Ancestral Mother from Çatalhöyük before her.'' ''The establishment of the Greek patriarchal world shifted the previous cultural valence from the egalitarian continuity of the Old Religion to the extreme imposition of male dominance and the cult of the hero. Under this new world order, all challenges to male hegemonic systems were to be crushed. As the classicist Eva Keuls emphasizes, “the suppression of women, the military expansionism and the harshness in the conduct of civic affairs all sprang from a common aggressive impulse.” That impulse was the expression of “male supremacy and the cult of power and violence.

OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.

When faith is almost gone, and I'm almost to the end of the property line, a piercing scream rises just above the din of the music. A pressure radiates in my chest, then my heart skips a beat. Without realizing it, a brief prayer is on my lips, and I follow in the direction of the sound. “Please God, don't let it be her"... "I see the silhouette of someone retreating in the woods. My mind tells me I should follow them, but my gut tells me otherwise. That's when I see it. A foot. A body. A goddess. I think I'm going to be sick." ~ Gavin

to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day

becoming Lakshmi. Twenty-fingered wanting. My toe skimmed the lake. Absentminded. The sun already legendary above. I want to apologize to you, ripple, you were yielding when my lack of presence was offensive. My violating foot ignoring your unforgettable touch. I want you to know, I am sorry I did not bend reverent to you, goddess of the element. And if you let me back into you, all attention will be on the wet, slow slosh of the swim,

to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the

The River God circled around me as I stood shrouded in darkness and, not knowing what had happened, searched all around the hollow cloud. Twice, unwittingly, he walked around the place where the goddess had hidden me and twice he called: ‘Ho there, Arethusa! Hallo, Arethusa!’ Alas what feelings did I have then! Assuredly I was like a lamb when it hears the wolves howling around the high sheepfold, or like a hare, hiding in the branches, watching the jaws of hostile hounds, and not daring to move. Still Achelous did not depart; for he did not see any footsteps leading further on. He kept watch on the spot where the mist was. A cold sweat broke out on my limbs, when I was just trapped, and dark drops fell from my whole body. Wherever I moved my foot, a pool flowed out, moisture dripped from my hair. More quickly than I can tell of, I was changed into a stream. OVID, METAMORPHOSES, BOOK 5 (TRANS.

We let him sag to the paving beside the pool’s edge. Can we really do it? Who will do it? Which of us has the stomach? But the sun is rising higher. There’s no time to think. A stone goddess waits, her hand protruding just so, ready to crack a drunken falling head, something that might explain his injury. The water is strewn with rose petals, plucked off by the rain, that will tuck over his body like a thick pink blanket. We wait, hanging on to our old selves a little longer. Then Flora nods, and the nod travels from one of us to the other like a parcel of light, a binding acknowledgment of a sisterhood that is bigger than Harry, lust, love, or marriage, a loyalty that rides above all others. In the end, it doesn’t matter who does it—Flora first, a firm hand in the small of his back, then Pam, a second later, harder, with her foot—since we all watch him sink beneath the surface, the back of his shirt bulging with air, like a lung holding on to its last breath. We lean forward, peering through a gap in the

When Diane, a proud six-foot goddess, noticed me slouching one day she made me stand upright and sternly advised me to never shrink myself, figuratively and literally, for anybody. Turn your nose up to the sky to make yourself even taller, Tilly. You’ll be closer to God that way.

through the hull. The ship burst like a rotten pumpkin, and the engine exploded. The images in the northern doorway were even worse. Hazel saw Leo, unconscious—or dead—falling through the clouds. She saw Frank staggering alone down a dark tunnel, clutching his arm, his shirt soaked in blood. And Hazel saw herself in a vast cavern filled with strands of light like a luminous web. She was struggling to break through while, in the distance, Percy and Annabeth lay sprawled and unmoving at the foot of two black-and-silver metal doors. “Choices,” said Hecate. “You stand at the crossroads, Hazel Levesque. And I am the goddess of crossroads.” The ground rumbled at Hazel’s feet. She looked down and saw the glint of silver coins…thousands of old Roman denarii breaking the surface all around her, as if the entire hilltop was coming to a boil. She’d been so agitated by the visions in the doorways that she must have summoned every bit of silver in the surrounding countryside. “The past is close to the surface in this place,” Hecate said. “In ancient times, two great Roman roads met here. News was exchanged. Markets were held. Friends met, and enemies fought. Entire armies had to choose a direction. Crossroads are always places of decision.” “Like…like Janus.” Hazel remembered the shrine of Janus on Temple Hill back at Camp Jupiter. Demigods would go there

Ionce had a jeep at the foot of Mount Kanchenjunga in Jalpaiguri, West Bengal. I would wake up early during the monsoon season, hoping to catch a shimmering, evanescent glimpse of the snowcapped mountain, which was ordinarily shrouded in cloud cover. On good days, I could detect a fleeting breath of cool air before daybreak signaled the start of another sultry day. I had a Muslim driver and a Hindu paramedic, and we were part of a vast army of foot soldiers tasked with confronting a goddess and eventually eradicating a disease.

Later in the day, Holly frowned at her reflection in the mirror. “This can’t be right!” Holly muttered to herself. She looked like a cross between a panda bear and a raccoon. She had tried to apply a more advanced version of makeup than she was used to, and it was not going well. “Smokey eye, my foot! I look like I have two black eyes.” She had not done the proper shading with her eye shadow, and now her large green eyes were encased with a deep black color that spanned her entire eyelid. “Maybe I should try a different one,” Holly mused aloud. She sat in William’s bedroom at his dresser. She already had on her pretty crushed velvet black dress and a small heart-shaped diamond pendant. It had been William’s birthday gift to her last year. “Let me re-read this article again to see if I can make sense of these instructions.” Holly read her magazine article out loud. “Which Greek Goddess are you? Athena, Venus, or Aphrodite? Check out our makeup tips below to turn heads at your next event!” “Hmmmm, that sounds soooooo good, if only I was better at applying makeup.” She had decided to try their Aphrodite look and had been trying to apply the eyeliner to give her a smoky eye effect. Holly had to wash her face four times already and start over because each time was worse than the last. “Concentrate, Holly, or you’ll be late for the gala. This is your last chance; it’s do or die time!” she warned her reflection in the mirror. “So, it says to put the light grey eyeshadow on the inner one-third of my eyelids. Hmmm, maybe that’s the problem. I don’t know where the inner third is.” She got an idea and went to William’s desk. Looking around, she found a ruler. “Ah-ha! Eureka, I got it!” She went back to her position at his dresser and closed her eyes for a quick, small prayer, then held the ruler up to measure her eye. “Ah-ha! Twenty-one millimeters. So, that means the inner one-third of my eye must be from my nose out seven millimeters . . . right about HERE!” Holly expertly applied the light grey eye shadow to the inner third of her eyelids. “What a big improvement already! Wow! I’m not a panda bear anymore! Ok, one-third down, two-thirds to go . . . I can do this!” Reading further, she said, “Ok, now apply the dark grey eye shadow to the next third of your eye, finishing with the dark brown eye shadow on the outer third of your eyelid.” Holly expertly followed the instructions and sat back in her chair, stunned. She looked beautiful! She had achieved the desired effect, and now her green eyes were enhanced to perfection. “Wow, wow, wow!” Holly felt encouraged to keep going. She read the next instructions. “‘Now, apply blush to your face with an emphasis on contouring your cheekbones.’” “‘Contouring my cheekbones? Who do they think I am, Rembrandt?” Holly said with a groan. Holly gingerly picked up her blush container as if it were about to bite her. She decided another quick prayer wouldn’t go amiss. With a deep breath she muttered, “Ok, I’m going in!” She glanced nervously at the picture in the magazine and tried her hardest to follow it along her cheekbones. “That turned out pretty good!” Holly turned her face this way and that, examining it. It may not have been exactly as in the picture, but the blush now accentuated her beautiful high cheekbones. “Whew! Only the lip left, thank goodness! You got this, Holly!” She encouraged her reflection in the mirror.

I was also informed by this kind lady that the Pallars and Paraiyars and other lowered castes are not allowed to walk past the street where he lives. She suggested, unlike Google Maps, that in the interests of my own safety, I take a one-foot-wide, worn-out path that snakes around his backyard. Being a half-caste, quarter-caste, quarter-quarter-caste of dubious multi-casteness, I lost all opportunity for transgression when I was fetched to his home in his own ash-coloured Ambassador.

Love is what I had (I was ten) Holy, mother of god, we are in the shower together he bubbled up yet not covered up, and back down will it around until I would come, I got some just call me, he was just enjoying me being cute, he washed my hair and played with my body, like my boobs feeling the and rubbing, suck, and kissing them, flicking with his fingers and others, HOT steamy water pouring on our head, as we were hugging it out, and do it all. Rubbing my legs and crap- I say freak, yeah, but I don’t swear like that! I fasten the garter around his hip's legs side to side around his hips, and as I am arching my back to slip the silk stocking off my toes, I unclasped my bar for him to see them fall, as we go to bed for the night, we were body unstop of body, and we even had our toes laced, together on one foot, like our hands. I have to bite my lip to stop my impatient moan from escaping, yet it all comes out of me. Scorching flush rivalries over my skin, my face hot and red that down there pink feeling has a handprint on my body. My figure is shaking with shock at the news of us doing this tonight at this age. A baby they say I show them? No freaking way, no way should I be doing this yet they will never- ever no, NO WAY!!! Unserviceable my awareness is tiresome to grasp this staggering bit of data. Of why… Like a small child gets out and the woman is here to say, I’m downhearted, helplessly trying to fit everything together in my mind, like I should some time you have to say what the hell and go with it and piss on them. My inner goddess is quickly losing my virginity, the light in the room fading recklessly as I see it all there looking at it deeply, but I can’t settle on that now. I am not sure we're ready for all of this just yet. Gritty again I feel as I work my way in, I scan the room for anything I might have elapsed to say when my eyes fall on my ribbons on the wall. I would say anything to make him think about not going in so fast, yet I want it all. The blinking to every downward moment, seeing it all so fast, what to do, it was hard, not slow and good, I don’t remember it all.

Well?” Corbin sucked in a breath. “You look lovely. I knew that color would suit you.” “It’s not bad,” I said grudgingly. “It is beautiful, as are you. We need only one more thing. Here.” Before I could ask what the one more thing was, he was suddenly kneeling in front of me with a box in his hands. He opened it, revealing black, strappy heels so high I was surprised they fit in the box. The open-toed design made me glad I’d had a pedicure recently. “Are those Jimmy Choos?” I asked, as he took one out and reached for me. “Manolo Blahniks,” he said absently. “Here, let me put them on you.” “Let me sit down first, I’ll fall over,” I objected as he lifted my right foot. “You’ll be fine. Just hold on to me.” I was forced to do just that, holding on to his broad shoulders as he slipped first one shoe on and then the other. They had a simple yet elegant design with a single strap over the toes and another around the ankle. Corbin’s long fingers seemed like they would be too large to buckle the delicate ankle strap but he managed with no problem. “There,” he murmured when he was done. I expected him to get up but instead he remained kneeling at my feet, looking up at me. “Perfect. Addison, you are a goddess.” “Stop it.” I could feel my cheeks getting hot and it occurred to me that I was still holding on to his shoulders although both my feet were planted firmly on the ground. I caught a whiff of his scent—that cool fragrance that reminded me of the ocean somehow. I wanted to step away but I couldn’t. “Why should I stop?” Corbin growled softly. “Why should I not say what I think? When was the last time a man told you how beautiful you are?

Women are the salt of the earth: but if the salt has lost its taste, What with shall our food be salted? It is thenceforth good for nothing, But to be cast out, and to be trodden under foot; The Patriarchs would wish women to be invisible. But in women are the light of the world. A tree that grows on a hill cannot be hid. Neither do women light a hearth fire, and hide it; As it gives light to all that are in the house. Let your light so shine before humanity, That they may see your good works, and glorify your Queen, the Goddess.

Love revives the barbarian; - it wouldn't mean much, if it didn't. In this one respect, I suppose no man, however civilized, would wish the woman he loves to be his equal. Marriage by capture can't quite be done away with. You say you have not the least love for me; if you had, should I like you to confess it instantly? A man must plead and woo; but there are different ways. I can't kneel before you and exclaim about my miserable unworthiness - for I am not unworthy of you. I shall never call you queen and goddess - unless in delirium, and I think I should soon weary of a woman who put her head under my foot. Just because I am stronger than you, and have stronger passions, I take that advantage, - try to overcome, as I may, the womanly resistance which is one of your charms.

one must pause to observe that he might perhaps have done well, in choosing this comparison, to have reflected on the sheer strangeness, and significance, of the historical and cultural changes that made it possible in the first place for the death of a common man at the hands of a duly appointed legal authority to become the captivating center of an entire civilization’s moral and aesthetic contemplations—and for the deaths of all common men and women perhaps to be invested thereby with a gravity that the ancient order would never have accorded them. It seems to me that here, displayed with an altogether elegant incomprehensibility in Grayling’s casual juxtaposition of the sea-born goddess and the crucified god (who is a crucified man), one catches a glimpse of the enigma of the Christian event, which Nietzsche understood and Grayling sadly does not: the unanticipated lightning bolt that broke from the cloudless sky of pagan antiquity, the long revolution that overturned the hierarchies of heaven and earth alike. One does not have to believe any of it, of course—the Christian story, its moral claims, its metaphysical systems, and so forth. But anyone who chooses to lament that event should also be willing first to see this image of the God-man, broken at the foot of the cross, for what it is, in the full mystery of its historical contingency, spiritual pathos, and moral novelty: that tender agony of the soul that finds the glory of God in the most abject and defeated of human forms. Only if one has succeeded in doing this can it be of any significance if one still then elects to turn away.

Around her waist is a golden girdle that anchors her red silk lower garment—a pleated length of fabric gathered around her waist and fastened between her legs, so that it leaves her calves free, like the skirt of an Indian dancer. She is seated on the back of a white bull, Shiva’s mount, in half-lotus posture, with the top of her right foot resting on her upper left thigh. She is smiling, and her eyes bless you. Say to her, inwardly, “I offer my salutations to you, goddess Parvati. Please bless me and fill me with your Shakti.

An early, and quite remarkable manifestation of this deviant religiosity, and one which briefly united European revivalist polytheism and the continuous Indigenous traditions of North America, took place long before the American Revolution, when Thomas Morton arrived in New England in 1624 as a partner in a fur trading venture. Morton and thirty men indentured to the company defected and founded an independent colony that sought to live in harmony with the native Algonquian people of the region, the Wampanoag, and conduct the fur trade with them on a radically different basis than the prevailing norms. His colony began to attract further defectors from the harsh Puritan regime, and grew rapidly. In addition to intermarrying with local indigenous people, Morton’s colonists also began supplying them with guns. Morton named his colony, in what is now Quincy, Massachusetts, ‘Merry Mount’, and at its center ceremonially erected an 80-foot tall Maypole topped with deer antlers, reading before it odes he had composed to Hellenic Gods and holding dances around it. The Puritans reported that Morton, in addition to having “set up a May-pole, drinking and dancing about it many days together, inviting the Indian women, for their consorts, dancing and frisking together… and worse practices,” had explicitly “anew revived & celebrated the feasts of the Roman Goddess Flora, or the beastly practices of the mad Bacchanalians.”42 Morton was thus combining rural European folk traditions with the classical pagan culture of which he had learned in his higher education and seeking to emulate, if not wholly integrate, Indigenous practices. Morton’s synthesis thus includes all of the ingredients of later Neo-Paganism of the kind we see in Wicca, including its libertine aspects. After about two years of this, Puritan troops invaded Merry Mount, which they called ‘Mount Dagon’, in reference to the Syrian God whom the Bible speaks of as worshiped by the Israelites’ rivals, the Philistines; it’s not clear whether this was their own coinage, or that of Morton’s colonists. The Puritans apprehended Morton, destroyed the Maypole and scattered the colonists in the settlement, though some were still there and reportedly continuing to engage in pagan worship in 1629, when they were raided again.