Opal Ring Quotes

He's a gem, sir. I wish I had one just like him." He rattled the ring of keys on Artemis's belt. "And what are these?" Artemis scratched his head. "Uh, keys?

No free man needs a God; but was I free? How fully I felt nature glued to me And how my childish palate loved the taste Half-fish, half-honey, of that golden paste! My picture book was at an early age The painted parchment papering our cage: Mauve rings around the moon; blood-orange sun; Twinned Iris; and that rare phenomenon The iridule - when, beautiful and strange, In a bright sky above a mountain range One opal cloudlet in an oval form Reflects the rainbow of a thunderstorm Which in a distant valley has been staged - For we are most artistically caged.

I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. “I know the inscription isn’t original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

He is a most strong man. He put his arms around the penseé girl and he most lifted her off the ground. He did take out a ring of gold and he did tell her it was his mother's wedding ring. A butterfly went by - it was a cream one with a nice ribbon at its wing edge and pinkish spots. He did kiss her again. They didn't see the green caterpillar having sleeps under the hazel leaf. And he did say, "I want you to have all the love in the world." And he kissed her again.

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

Back in the ICU waiting room old Opal-eye blinks, turns her head, fixes her gaze on me, like she knows what I did, what’s hiding in my pocket, and a cruel thought violates the folds of my mind, residue left over from the evil impulse: I got the ring anyway, Laura, it’s mine now, isn’t it, now that you’re dead. I press my pocket, feel the ring’s undeniable there-ness. I need to close myself off to mischievous impulses and bad thoughts. But it’s hard because no one ever taught me how.

...had the management of The Enchanted Hunters lost its mind one summer day and commissioned me to redecorate their dining room with murals of my own making, this is what I might have thought up, let me list some fragments: There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies: a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smearing pink, a sigh, a wincing child.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.

He slid a ring onto the fourth finger of her left hand. It was the most breathtaking ring she had ever seen, a flawless silver opal with flashes of blue and green fire hidden deep inside. With every movement of her hand, the opal glimmered with unearthly color. It was encircled by a rim of glittering small diamonds. "This reminded me of your eyes," he said. "Only not nearly as beautiful.

He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I

Were he to paint the murals in the Enchanted Hunters, the motel where he first raped her, he tells us, he would have painted a lake, an arbor in flames and finally there would have been “a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smarting pink, a sigh, a wincing child.” (Child, please remember, ladies and gentlemen of the jury, although this child, had she lived in the Islamic Republic, would have been long ripe for marriage to men older than Humbert.)

I thought you didn’t trust animus magic and wearing this was a terrible idea,” Snowfall said accusingly. “I’m still right about that,” Lynx said, “but as long as you’re stuck with it, we should figure out what it’s trying to tell us.” “It’s not trying to tell me anything!” Snowfall protested. “It’s a ring! An inanimate object! With no agenda or feelings! Except maybe smugness. You’re very smug,” she snapped at the opal. “Arrgh, Snowfall, tell me what you saw!” Lynx lashed her tail, sending up gusts of sand. “Something happening back in the Ice Kingdom? Something that’s going to happen?” “No!” Snowfall barked. “Nothing useful! Nothing about my tribe or my problems! Nothing important at all! If this is stupid MAGIC, then it’s REALLY STUPID magic! Why would I, queen of the IceWings, need to know about all the inner emotions of a bunch of rainbow dragons from a completely irrelevant continent that I’ll never see?” “Inner emotions?” Lynx asked. “Like — you could feel what the SilkWings were feeling?” “First I was one of those sad-snouts,” Snowfall said, pointing up the beach. “Her name is Atala. Total tragedy face. And then last night I was some RANDOM dragon named Tau who is stuck back over there and freaking out. Why would I need to see that? It’s not like I can do anything to help her!” Not that she would have, even if she could! She wasn’t going to invite MORE invasive, strange-looking dragons here!

With Dimitri grinning, Rose complied, holding out her left hand for the rest of the table to see. It was a remarkable piece of work. A large, perfectly cut round diamond was set into a lacy square of platinum filigree that was edged in tiny blue opals. It was a statement ring if ever there was one, and a wholly unexpected choice.

Initiation into Kriya Yoga: [...] "He touched my forehead. Masses of whirling light appeared: the radiance gradually formed itself into an opal-blue spiritual eye, ringed in gold and centered wit ha white pentagonal star." "'Penetrate your consciousnes through the star into the kingdom of the Infinite' My guru's voice had a new note, soft like distant music. "Vision after vision broke as oceanic surf on the shores of my soul. The panoramic spheres finally melted in a sea of bliss. I lost myself in ever surging blessedness. When I returned hours later to awareness of this world, the master gave me the technique of Kriya Yoga.

Even now, where most kings would be dressed simply for travel, Lemuel Torrien was dressed in robes of greenish-blue silk jacquard, braided golden cord and sewn pearls—hand-selected patterns and colours for his eyes, and the inky black hair flowing over his shoulders like water. Atop the robes, he wore a brocade cape with sleeves billowing all the way to his wrists, where the fabric was tightly bound under cuffs of pure gold. Rings adorned his fingers—diamond and emerald and black opal. The sight of the excess incensed Nara. How had they enjoyed luxury as their allies faced such strife? As their son’s family faltered?

Even now, where most kings would be dressed simply for travel, Lemuel Torrien was dressed in robes of greenish-blue silk jacquard, braided golden cord and sewn pearls—hand-selected patterns and colours for his eyes, and the inky black hair flowing over his shoulders like water. Atop the robes, he wore a brocade cape with sleeves billowing all the way to his wrists, where the fabric was tightly bound under cuffs of pure gold. Rings adorned his fingers—star sapphire and emerald and black opal. The sight of the excess incensed Nara. How had they enjoyed luxury as their allies faced such strife? As their son’s family faltered?

Keeping possession of her hand, he reached into the front welt pocket of his vest. Her eyes widened as she felt him slide something on the ring finger of her left hand, a smooth, cool weight. Tugging her hand free of his, Cassandra looked down at an astonishing multicolored gem set in a platinum filigree of tiny diamonds. She stared at in wonder, tilting her hand in the light. The breathtaking stone contained flashes of every imaginable color, almost as if tiny flowers had been embedded beneath the surface. "I've never seen anything like this. Is it an opal?" "It's a new variety, discovered in Australia last year. A black opal.

This stone for color might an emerald seem, but drops of blood diversify the green: it gifts the wearer with prophetic eye, into the future's darkest depths to pry.

He would not let himself be overawed by her consequence! He was also the son of noble parents, if not of a king. "Then-then they'll need more Dagons," he blurted out. "Let me go, please. Let me serve the king." "It is not my decision to make." "How can you stop me if I refuse to take vows as a monk when my novitiate is ended?" he demanded. She raised an eyebrow. "You have already pledged yourself to enter the church, an oath spoken outside these gates." "I had no choice!" "You spoke the words. I did not speak them for you." "Is a vow sworn under compulsion valid?" "Did I or any other hold a sword to your throat? You swore the vow." "But-" "And," she said, lifting a hand for silence-a hand that bore two handsome rings, one plain burnished gold braid, the other a fine opal in a gold setting, "your father has pledged a handsome dowry to accompany you. We do not betroth ourselves lightly, neither to a partner in marriage-" He winced as she paused. Her gaze was keen and unrelenting. "-nor to the church. If a vow can be as easily broken as a feather can be snapped in two-" She lifted a quill made from an owl feather from her table, displaying it to him. "-then how can we any of us trust the other?" She set down her feather. "Our oaths are what makes us honorable people. What man or woman who has forsworn his noble lord or lady can ever be trusted again? You swore your promise to Our Lady and Lord. Do you mean to swear that oath and live outside the church for the rest of your days?" Said thus, it all sounded so much more serious. No man or woman who made a vow and then broke it was worthy of honor.

What is symbolic significance of the opal ring?

What was she doing? She leaned over to talk to a child and something flashed on her hand. A ring, a large oval opal in a gold setting. Nitnoy felt a deep stab in his chest; he looked up at her face, saw that she was looking at him too. A flame of something like terror jumped inside him, and he ran. He heard a crack as though the sky were breaking and he ran faster in his syncopated skip-hobble, the crowd suddenly running with him. He reached the bank of a khlong, dove in, and swam. Gunfire crackled behind him. Was the lady shooting at him? Others were jumping into the water

I can’t remember if this is the fifth or sixth proposal,” he said. “It’s only the fourth.” “I asked you yesterday. Are you counting that one?” “No, that wasn’t really ‘will you marry me,’ that was more ‘will you come down off the roof.—” One of Leo’s brows arched. “By all means, let’s be technical.” He slid a ring onto the fourth finger of her left hand. It was the most breathtaking ring she had ever seen, a flawless silver opal with flashes of blue and green fire hidden deep inside. With every movement of her hand, the opal glimmered with unearthly color. It was encircled by a rim of glittering small diamonds. “This reminded me of your eyes,” he said. “Only not nearly as beautiful.” He paused, looking at her intently. “Catherine Marks, love of my life … will you marry me?

Though it wasn’t so much her heart leading as her mother’s fiery opal ring, which Elantine believed was some sort of key connected to the Temple of the Stars.