Ominous Sounding Quotes

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Behind me, I hear War rise. Then, the ominous sound of his footfalls. He comes right up to me. "For your soft heart.
Laura Thalassa (War (The Four Horsemen, #2))
The past is an old armchair in the attic, the present an ominous ticking sound, and the future is anybody’s guess.
James Thurber
What's with the serum?" I don't know, but it sounds ominous. We better put a telepathic direction finder on Benway. The man's not to be trusted. Might do almost anything...Turn a massacre into a sex orgy..." Or a joke." Precisely. Arty type...No principles...
William S. Burroughs (Naked Lunch)
Gunfire doesn’t startle real Texans, particularly those from rural towns. Miranda’s children mastered pistols, shotguns, and rifles like magicians master top hats, rabbits, and playing cards. Texas bravado aside, however, fully automatic gunfire wasn’t kosher. Not even close. Mirandites cowered at the ominous sounds of hoodlums firing M-16s and AK-47s from train cars barreling through the town’s arteries on largely secluded tracks. 
Chad Boudreaux (Homecoming Queen)
I had never been diagnosed with an anxiety disorder, but Dr. Howell said that anxiety and depression often went hand in hand. Comorbidity, he called it. It was an ominous-sounding word. It made me anxious.
Adib Khorram (Darius the Great Is Not Okay (Darius The Great, #1))
I had a character disorder. When I got my diagnosis it didn’t sound serious, but after a while it sounded more ominous than other people’s. I imagined my character as a plate or shirt that had been manufactured incorrectly and was therefore useless.
Susanna Kaysen (Girl, Interrupted)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
When 1:45 came, half the class left, and Danny Hupfer whispered, "If she gives you a cream puff after we leave, I'm going to kill you" - which was not something that someone headed off to prepare for his bar mitzvah should be thinking. When 1:55 came and the other half of the class left, Meryl Lee whispered, "If she gives you one after we leave, I'm going to do Number 408 to you." I didn't remember what Number 408 was, but it was probably pretty close to what Danny Hupfer had promised. Even Mai Thi looked at me with narrowed eyes and said, "I know your home." Which sounded pretty ominous.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
Nobody knocks here, and the unexpected sounds ominous.
D.H. Lawrence (Lady Chatterley’s Lover)
He clutched the harmonica to his chest and cried into his pillow. He could have sworn he heard music...the Brahms...first as a child's lullaby, then a mournful lament, and finally, a staccato march, accompanied by the ominous sound of jackboots.
Pam Muñoz Ryan (Echo)
If I sound as if I'm always predicting ominous things, it's because I'm a pragmatist. I use deductive reasoning to generalize, and I suppose this sometimes ends up sounding like unlucky prophecies. You know why? Because reality's just the accumulation of ominous prophecies come to life. You have to only open a newspaper on any given day and weigh the good news versus the bad, and you'll see what I mean.
Haruki Murakami (Kafka on the Shore)
Downfall? How ominous you make it sound. There is no downfall being plotted. Merely a question being asked. (Callie) Aye, and empires have been splintered apart over the mere utterance of a single word. (Sin)
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
No Absolutes The sound of the human voice like the bell ring of metal and crisp air under grey skies— romantic yet ominous— Don’t worry about contradictions. No one is innocent. No one is guilty. We are all misunderstood even by ourselves. Yet when we know love we know everything.
Belinda Subraman
It was an echoing susurrus, reverberating toward them down the elevator shaft. It was an ominous sound. There was a fullness to it that triggered a cascade of pinpricks down the base of Quinn’s neck. The car rose and the fuzzy, amorphous sound resolved into a familiar bassline. And then voices. And then . . . wolves howling? “That’s Thriller,” Quinn said.
Adam Cesare (Clown in a Cornfield 2: Frendo Lives)
No sound is more ominous than the silence of a patient man.
Joyce Rachelle
That ominous sound heralded a new storm along the path that should have been near its end - a storm greater than any we had yet encountered.
Reki Kawahara (ソードアート・オンライン11: アリシゼーション・ターニング (Sword Art Online Light Novel, #11))
I think that its out very differences that make us a perfect match," he said, and his jaw moved under his fingertips. "You'd die of boredom with Thomas within a year. If I found a lady with a temper similar to mine, we'd tear each other apart within months. You and I, though, we're like bread and butter." She snorted. "That's romantic." "Hush," he said, his voice quivering with laughter, but also with an undertone of gravity. She cradled his jaw as he said, "Bread and butter. The bread provides stability for the butter; the butter gives taste to the bread. Together they're perfect." Her eye brows drew together. "I'm the bread, aren't I?" "Sometimes." His voice was a thread of rumbled sound, low and ominous. She could feel his words as they drifted over her palm. "And sometimes I'm the bread and you're the butter. But we go together--you understand that, don't you?
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
I read somewhere that a man should tell the story of his life at the age of forty, and this deadline is fast approaching as I write these lines, only a few short weeks remain before this ominous birthday arrives.
Juan Gabriel Vásquez (The Sound of Things Falling)
I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.
Roberto Bolaño (By Night in Chile)
For better or for worse, I don't have that kind of power. If I sound as if I'm always predicting ominous things, it's because I'm a pragmatist. I use deductive reasoning to generalise, and I suppose this sometimes ends up sounding like unlucky prophecies. You know why? Because reality's just the accumulation of ominous prophecies come to life.
Haruki Murakami (Kafka on the Shore)
That left two possibilities, really. Possibility one: Magic was so incredibly opaque, convoluted, and impenetrable, that even though wizards and witches had tried their best to understand, they'd made little or no progress and eventually given up; and Harry would do no better. Or... Harry cracked his knuckles in determination, but they only made a quiet sort of clicking sound, rather than echoing ominously off the walls of Diagon Alley. Possibility two: He'd be taking over the world. Eventually. Perhaps not right away.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
From death comes life upon a grave misdeed. Only then can one sow a truly destructive seed. That sounds ominous. Flipping the page, I find another note in the margin. A weapon can be used more than once, and never fully ceases to exist. The ammunition is the loss that comes at a cost you will find the hardest.
Kristy Cunning (One Apocalypse (The Dark Side, #4))
At one edge of the base, pressed between the fenceline and the sea, shimmered the pale archways and columns, the madrone and wind-shaped cypresses of the clifftop campus of College of the Surf. Against the somber military blankness at its back, here was a lively beachhead of drugs, sex, and rock and roll, the strains of subversive music day and night, accompanied by tambourines and harmonicas, reaching like fog through the fence, up the dry gulches and past the sentinel antennas, the white dishes and masts, the steel equipment sheds, finding the ears of sentries attentuated but ominous, like hostile-native sounds in a movie about white men fighting savage tribes.
Thomas Pynchon (Vineland)
There are choices in life which you are aware, even as you make them, cannot be undone; choices after which, once made, things will never be the same. There is that moment when you can still walk away, but if you do, you will never know what might have been. Saint Paul on the road to Damascus might have pleaded sunstroke, for example, and the world would have been a different place. Admiral Lord Nelson at the Battle of Trafalgar might have decided he was outnumbered and fled under full sail to fight another day. I thought for a few moments about these two instances, and then I knocked on Miss Fawlthorne’s door. The hollow sound of knuckles on wood echoed ominously from the
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
merely litter, as if it must have some ominous significance. As it gazed at me from the cupped palm of my right hand, I didn’t realize that the sounds of the city were diminishing, until suddenly I became aware that a profound silence had fallen over the alleyway. For an instant, I thought that I had gone deaf, but then I heard myself say, “What’s happening?
Dean Koontz (The City)
Sounds ominous,” I said. “Do you get a cool code name, too?” “No, but I have handcuffs—” “Kinky.” “—and a gun.” I shook my head. “There you go, ruining the mental image.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
His voice was the sound of gravel crunching underfoot when you went in search of gravestones.
Sonali Dev (A Change of Heart (Bollywood, #3))
Suddenly the theater was plunged into utter blinding darkness, while an ominous rumbling rose from beneath the platform. There were several little screams of alarm, a scattering of laughter, and loud gasps of anticipation. Annabelle’s spine went rigid as she felt the brush of a hand on her back. His hand, sliding with slow deliberateness up her spine…his scent, fresh and beguiling in her nostrils …and before she could make a sound, his mouth, possessing hers in a warm, softly ravishing kiss. She was too stunned to move, her hands in the air like butterflies suspended in midflight, her swaying body anchored by his light clasp on her waist, while his other hand cradled the back of her neck. Annabelle had been kissed before, by brash young men who had stolen a quick embrace during a walk in the garden, or in a corner of the parlor when they would not be observed. But none of those brief, flirtatious encounters had been like this …a kiss so slow and dizzying that it filled her with delirium. Sensations rushed through her, far too strong to manage, and she quivered helplessly in his hold. Compelled by instinct, she lifted blindly into the tenderly restless caress of his lips. The pressure of his lips increased as he demanded more, rewarding her helpless response with a voluptuous exploration that set her senses on fire. Just as she began to lose all sanity, his mouth released hers with startling suddenness, leaving her dazed. Keeping his supportive hand on the downy-soft nape of her neck, he bent his head until a rueful murmur tickled her ear. “Sorry. I couldn’t resist.” His touch withdrew completely, and when red-filtered light finally invaded the theater, he was gone.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
There was no near sound - no steam-engine at work with beat and pant - no click of machinery, or mingling and clashing of many sharp voices; but far away, the ominous gathering roar, deep-clamouring.
Elizabeth Gaskell
Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
The threat might’ve sounded more ominous if she hadn’t lost her balance on her next step—and she would’ve face-planted into the mud if Wylie hadn’t lunged to grab her shoulders. The poor guy ended up sunken all the way to his chest as a reward for his heroics.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Greek has a formula for every event - weddings, christenings, buying a new dress, having a haircut, talking about children, going away, coming back, leaving a house, leaving a home. Kalo risiko is for a new house. Kalo means good. Risiko means fate, but sounds ominously like danger.
John Mole (It's All Greek to Me!: A Tale of a Mad Dog and an Englishman, Ruins, Retsina--and Real Greeks)
For a long while, he sat on the steps and sharpened the chain-saw blade with a round file, dipping it in bar-and-chain oil and raking it over each tooth with sleek, grating sounds. He lost himself in the rhythm of the labor. A victory over tears is a small thing, but it was his. The sky went from indigo to blackness, and he saw nothing ominous in it, nothing but cold stars wheeling in their course, a course determined by the same firm hand he hoped was guiding his own. But satellites, too, crossed the sky in sly, winking arcs. Sull knew that. He could not let himself be confounded. He went inside, to sleep beside his wife.
Matthew Neill Null (Allegheny Front (Mary McCarthy Prize in Short Fiction))
Zoe returned her attention to the map of southern Argentina on the computer. “What on earth could possibly be worth using that much nuclear power on? There’s nothing around there but mountains and sea.” “There’s guanacos,” Murray said helpfully. “What the heck’s a guanaco?” Zoe asked. “It’s a relative of the camel,” Murray explained. “It kind of looks like an anorexic llama. From what I understand, the pampas down there are full of them.” “And you think SPYDER wants to nuke them all?” Zoe said. “What good is a whole bunch of vaporized guanacos?” “Suppose they only nuked one,” Murray said ominously. “What if they focused all that nuclear energy on it? If a single irradiated iguana could turn into Godzilla, just imagine what a giant guanaco would look like. It’d be terrifying!” Zoe gave him a withering look. “The only terrifying thing about this plan is that you actually think it’s possible. Godzilla never existed!” “But maybe he could,” Murray countered. “Or worse . . . Guanacazilla!” He gave a roar that was probably supposed to be half llama, half monster, but it sounded more like an angry hamster. We all considered him for a moment. “Moving on,” Erica said. “Does anyone have a suggestion that isn’t completely idiotic?” “Ha ha,” Murray said petulantly. “You mock me now, but we’ll see who’s laughing when there’s a thirty-story guanaco running rampant through Buenos Aires.
Stuart Gibbs (Spy School Goes South)
Things are so relaxed and uneventful that he thinks to himself in passing, “It is times like these that Murphy strikes.” The PJ is thinking about Murphy’s Law: “If anything can go wrong it will.” Murphy’s Law is particularly notorious for rearing its ugly head during complex military operations. Seconds later, Dan’s thoughts of Murphy prove prophetic. Even though he is wearing a noise-canceling headset, Sergeant Houghton hears a loud pop. He is a trained aircrew member and the unusual noise sets off internal alarm bells in his head. He looks around; the rest of the passengers remain oblivious, but Sergeant Houghton notices flight engineers moving around, nervously referring to their checklists. And then he hears the ominous sound of an engine winding down and losing power. He flips up his night vision goggles and mentally takes stock of his situation. Word quickly circulates around the cabin—hold on!
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
No...I knew a Martin. And was he wiley? If there was one thing he wasn't was wiley, John. Oh? Poor Martin was an inordinately stupid man. He could barely tie his shoelaces. A ha'penny short? Ah listen. Martin kept animals had more wile in them. What kind of animals? He'd sheep. A few cattle, I suppose. Though they'd have been wind-bothered up that way. They'd have been... Bothered, John. By the wind coming in. The way it would unseat cattle. Unseat them? Cornelius lowers his sad eyes - In the mind. You mean you'd have a cow'd take a turn? Cornelius squares his jaw. Do you realise you're looking at a man who's seen a cow step in front of a moving vehicle? Purposefully. On account of? Wind coming easterly. That's the kind of thing that can leave a beast beyond despair. Because of the pure evil sound of it, John. The way it would play across the country in an ominous way. An easterly? If it was to come across you for a fortnight and it might? Sleep gone out the window and a horrible black feeling racing through your fucken blood. Day and night. All sorts of thoughts of death and hopelessness. This is what you'd get on the tail end of an easterly wind. Man nor animal wouldn't be right after it.
Kevin Barry (Beatlebone)
The English Puritans were obsessed with the idea of providence, and that word is more ominous to them than it sounds to us. It means care, but it also means control. It does not just mean that God will provide. It means that God will provide whatever the hell God wants and the Puritans will thank him for it even if He provides them with nothing more than a slow death in a long winter. It means that if they're scared and small and lowly enough He just might toss a half-eaten corncob their way. It means that the world isn't fair and it's their fault. It means that God is the sovereign, the authority. It means manna from heaven, but it also means bow down.
Sarah Vowell (The Wordy Shipmates)
It’s a Snark!” was the sound that first came to their ears, And seemed almost too good to be true. Then followed a torrent of laughter and cheers: Then the ominous words “It’s a Boo–” Then, silence. Some fancied they heard in the air A weary and wandering sigh That sounded like “–jum!” but the others declare It was only a breeze that went by. a face in the underbrush They hunted till darkness came on, but they found Not a button, or feather, or mark, By which they could tell that they stood on the ground Where the Baker had met with the Snark. In the midst of the word he was trying to say, In the midst of his laughter and glee, He had softly and suddenly vanished away— For the Snark was a Boojum, you see. THE END.
Lewis Carroll (The Hunting of the Snark an Agony, in Eight Fits)
Did dinosaurs sing? Was there a teeming, singing wilderness with all the species thumping around, tuning up for the next millennia? Of course, dinosaurs sang, I thought. They are the ancestors of the singing birds and cousins to the roaring crocodiles…turns out, no. Turns out the syrinx, the organ that produces birdsong and the larynx, the organ that produces operatic arias, didn’t evolve until after the dinosaur extinction event…Some dinosaurs blew air into their closed mouths and through nasal cavities into resonance chambers, which we see in fossils as bony crests. They made the forest echo with clear, ominous tones, eerily like a cello. I have heard it in recordings scientists made of the sound they produced when they blew air through crests constructed to mimic lambeosaurus’s. Some dinosaurs cooed to their mates like doves…turns out that even if dinosaurs didn’t sing, they danced. There is evidence in vigorous scrape marks found in 100-million year old Colorado sandstone. From the courting behavior of ostriches and grouse, scientists envision the dinosaur males coming together on courting grounds, bobbing and scratching, flaring their brilliant feathers and cooing. Imagine: huge animals, each weighing more than a dozen football teams, shaking the Earth for a chance at love. What the story of the dinosaurs tells me is that if the earth didn’t have music, it would waste no time inventing it. In birds, tantalizing evidence of birdsong is found in 67-million-year old fossils, marking the first know appearance of the syrinx. Now the whole Earth can chime, from deep in the sea to high in the atmosphere with the sounds of snapping shrimp, singing mice, roaring whales, moaning bears, clattering dragonflies, and a fish calling like a foghorn. Who could catalog the astonishing oeuvre of the Earth? And more songs are being created every year.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
He grinned as she rolled her eyes. “Good grief. You won’t stop trying to seduce me until you get what you want, will you?” “No.” Firmly stated. She heaved a heavy sigh. “Fine.” “What do you mean, fine?” “We’ll eat dinner and then have sex. But don’t take too long would you with the humping and grunting. I’ve got to work in the morning, and I’ll need a shower.” That didn’t sound exactly seductive. He frowned. “You make it sound like a chore.” She angled her head sideways so she could smirk at him. “I guess that depends on who’s doing all the work. In this case, that would be you. So you’d better make it good, or no amount of begging and big, pleading eyes will get you seconds.” Begging? Did she think he begged her? Fur ruffled, he slid back to his seat across from her so he could better read her expression. She, of course, misunderstood his strategic move. “Did I prick someone’s ego?” “We’ll see who gets pricked,” he muttered ominously.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
Star Wars introduced a new way for using the five screen speakers [in theaters]. By pushing left and right sound channels to the farthest out speakers the pair just inside those was made available. Lucas' mixers then placed low frequency effects in those speakers, and named it the 'baby boom' channel. Human ears can hear frequencies up to around 20,000 hertz, and down to around 20 Hertz for very low sounds. Below that you don't *hear* the sound, but if the 'volume' is 'loud' enough, you can *feel* the sound. Super-low frequencies affect us emotionally, usually inducing something like fear. We feel them during earthquakes. Lucasfilm put sound effects in the baby boom channel for audiences to feel--for instance, in the opening shot of Star Wars where the little diplomatic ship is running from the Imperial Cruiser. It's no wonder this is one of the most memorable and ominous shots in cinematic history. It was not only cool looking, but cool *sounding*
Michael Rubin (Droidmaker: George Lucas and the Digital Revolution)
That awkward moment when you realize you’ve lived your entire life inside of a picture.” ~Peregrine Storke~ It was raining when my mother pulled up to the simple two-level brick home. Drops of water pounded on the roof of her beat up red Toyota, the sound both ominous and comfortable, before tunneling down her windows in rivers and tiny tributaries. The damp infiltrated the interior, soaking my skin despite the vehicle surrounding us. Rain was never simple this time of year in Louisiana. It always came followed by lightning, thunder, and a myriad of warnings. Leaves blew against the windshield, still full and green from summer, and I watched as one of them stuck against the glass, the leaf’s veins prominent. I wanted to sketch the way it looked now, alone and surrounded by tears, but there was no time. “Don’t forget to call me when you get there,” Mom murmured. Her knuckles were white against the steering wheel, her lips pinched. She wouldn’t cry. Mom seldom cried, she
R.K. Ryals (The Story of Awkward)
Feeling each move carefully, Len climbed, hilt of the sword held in one hand blade hanging point down. A wet and dripping Rose King hovered above him. Being dripped on wasn't nearly as distracting as the constant sight of his watch on his left wrist. He wanted to look and see how much of the allotted hour he had left. He resisted the urge. He didn't want to risk having this knowledge affect his judgment. They had no time for speed born mistakes. The shaft they climbed down amplified the slightest sound sending it reverberating up and down its length. The slight clank of the sword against the iron rungs of the ladder became enormous. The click of Rose King's chattering teeth reverberated like castanets. Len stepped on a rung. The next second he found himself grappling for security as the rung moved then broke loose. The racket as the metal bar fell rang up and down the narrow oblong space like a pair of dropped cymbals. He looked down. They were approximately ten feet up from the bottom of the well. If he had fallen he would not have been hurt badly if at all. Discovery, however, had a danger all its own. Frozen in place, both he and Rose listened. Something large was down there. It was something large that dragged as it walked. As if investigating the source of the clatter, this something stopped by the grate at the bottom, blocking off the light. Twice there was a rushing of sound as if some huge bellows was blowing air into the grate then pulling it out. The thing seemed to move away from the grate. When he was sure it was well away from the opening Len began again to climb down. The nearer the grate the more he and Rose began to hear something beyond the ominous sounds of large animal. Len thought he knew what it was, but kept silent. He was about to jump the last three feet when a pain wracked cry echoed through the space on the other side of this new grate and up the stone well. Len jumped to the ground. A second later Rose was behind him. Wishing desperately they had more than one weapon between them, Len pushed hard at the grate, rushing through the space as fast as the cramped size of the opening would allow. They were in a large round open torch lit space with a high domed brick ceiling. To their left was an exit to a dark hallway blocked by a barred door; to their right, a curved cave like opening with what looked like a barred gate that could be raised or lowered. On the other side of the room was a barred wall with a door closing off the cell where Tyrone lay. Between them and their goal was a large, reptilian creature. "What the hell is that?" Rose gasped softly. Len swallowed hard and licked his dry lips. It was mad and at the same time made complete sense. "It’s just what it looks like, Major," he whispered. "It's a dragon.
Tabitha Baumander (Castle Doom)
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity. Within seconds, Marlboro Man was running back out the door. “There’s a fire,” he said hurriedly. “A big one--I’ve got to go.” Without pausing, he ran toward the pickup. I stood there, still dazed and fizzy, still unable to feel my knees. And then, just as I was beginning to reflect on the utter irony that a prairie fire may have just saved my eternal soul from burning in hell for carnal sin, Marlboro Man’s pickup flew into reverse and screeched abruptly to a halt at the edge of The Porch--our porch. Rolling down his window, he leaned out and yelled, “You comin’?” “Oh…um…sure!” I replied, running toward the pickup and hopping inside. A prairie fire. A real, live prairie fire, I thought as Marlboro Man’s diesel pickup peeled out of his gravel driveway. Cool! This’ll be so neat! Moments later, as the pickup reached the top of the hill by his house, I could see an ominous orange glow in the distance. I shuddered as I felt a chill go through me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk." "Not on your life," Fletcher growled. From the sound, Breckenridge realized the group had moved closer to the tap. "You don't need to think you're going to give us the slip so easily," Fletcher said again. "My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?" Cobbins opined that she might try to steal a horse and ride off. "Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me." That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush. Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you." Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me." Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up." As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them." Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh. "All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you." From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work. "So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble." "Hmm." Heather's tone was tellingly mild. Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land. "If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution." Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth. A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more." "Thank you, Fletcher. Come, Martha-we don't want to waste the light." Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent. The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
By this unhinged craziness - I sing praises to dead rabbits. Embodied by the craven of sin, their whispers exist in me. No dawn can avert me, just leave me here in this forbidding place. All I want is this noesis to leave me on this crest of soaring Alps. The bliss of this nameless nightmare will make me dwell on its snow-covered form. All I can discern are gateways leading into the deepest frozen infernos. None of them are willing to torment me - as I am already disturbed. Is this the stead where God has died? It seems to be fervently so. No Moon has ascended here - only a pallid eye-like sun was staring down at me. Only this bitter cold shows me a real horror - a dreadful worry that no monster has to reside in it. Vacancy has made the surrounding atmosphere eerily still. All there was, was a weak hum of a chirping bird whistling in the obscurity. Every Tree was massless - nameless - shapeless confined to hostile spaces that grew ahead. This aeonian, a limitless eternity of interminable suffering, has a beckon to endure fourth. Indignant cries erupt from my flaccid throat - sounding for a sob that someone can hear. All there was a deafening hush, with that ominous bird tweeting in the distance; so I believed. Within a moment, a rumbling of a devastating howl was booming and crashing directly in front of me. It was indeed not a wolf, for this was something far more malicious than any canine species. I could not perceive it with my naked eyes, for it was just another aspect of the void that can not be witnessed. Its presence did not want to be detected, it just desired for me to know its existence is here. Inconceivably, I was not able to go face-to-face with this utterly horrific thing that was invisible before me. O’ the great madness and fright was ravaging me, rendering me psychotic and deranged. Discordantly, this nemesis splendor was starting to manifest its fondness for my presence. Barren and bleak when it invoked its cryptic witchcraft, withering away my insecurities to be frightened. The bottomless pit was eager for me to be eternal, wanting to enthrone my image as the coming Lucifer. I was conceived to become the supreme embodiment of blasphemy for the emergence of hell itself. My inner consciousness was being Plunged by the menacing screaming, as my hearing was being bombarded by piercing sounds of a violin shrieking. The God-awful screech of these horribly shrill screams where just the roar of hysterical laughter. Chaos - O’ that glorious disarray - I was condemned to be impelled with an absurd compulsion for madness.
D.L. Lewis
The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.
Lord Byron (Don Juan)
I'm dreading it," says Corinne. "Somehow thirty-one sounds like you might only be just past thirty, still almost technically in your twenties. Thirty-two sounds ominously close to thirty-five.
Jojo Moyes (The Last Letter from Your Lover)
Leo spoke before she could say a word. "I'd like to arrange a room for my wife and myself." His wife? Catherine twisted to give him an offended glance. "I want my own room. And I'm not-" "She doesn't, really." Leo smiled at the innkeeper, the rueful, commiserating smile of one put-upon man to another. "A marital squabble. She's cross because I won't let her mother visit us." "Ahhh..." The innkeeper made an ominous sound and bent to write in the registry book. "Don't give in, sir. They never leave when they say they will. When my mother-in-law visits, the mice throw themselves at the cat, begging to be eaten. Your name?" "Mr. and Mrs. Hathaway." "But-" Catherine began, nettled. She broke off as she felt the carpetbag quiver in her grasp. Dodger wanted to get out. She had to keep him hidden until they were safely upstairs. "All right," she said shortly. "Let's hurry." Leo smiled. "Eager to make up after our quarrel, darling?" She gave him a look that should have stayed him on the spot.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Solaris Sweat trickled down my back, sending an icy chill up my spine. Winter was definitely coming. I ignored the cold and focused on the smack of my vintage Converse on the tarmac. I was almost there. The airplane hangar was like a beacon in the darkness, the shiny white metal brilliant against the backdrop of night. The red and white flag on its domed roof flapped furiously in the wind, an ominous reminder of where I was. Tires squealed just behind me, and I dove behind a stack of wooden crates. My breath came hard and fast. Now that my footfalls weren’t drowning out the sound, my panting
G.K. DeRosa (Dark Fates (The Vampire Prophecy #1))
from Mad for It, a short story in the Asian Erotica anthology: And I didn’t leave California with my pockets full of gold. About 20k in the bank and an old Taylor guitar on my back. I chew on dowry for a week or two, but she doesn’t like delays. I came to Thailand because I can live in a bungalow near the beach, swim every day and eat mango, coconut and banana. Drink red wine. She locks herself in my bedroom and talks on her cellphone for hours. Comes out in a denim mini-skirt and heels and leaves me alone until midnight. I’m licking paint off the walls. She gets distant. Starts the going out thing a few times a week. I try to follow her once, but get lost in the mountains. I’m on a steep, dark incline. No streetlights. Weird sounds from the forest. A cool and ominous wind shakes the trees. I’m the only man on the planet. On the way down, I crash into a guard rail. Call her for help, but she doesn’t answer. I know she’s fucking around. But it feels like a way out. I didn’t come to Thailand to be a wingman.
Erich R. Sysak (Best of Asian Erotica 1)
Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Captain, we’ve got a problem.”  A second crew pilot was driving along the floor of the Mediterranean Sea and reached around to shake the shoulder of Toby Warson, who was in his usual sleeping position behind the two pilot chairs, simultaneously sound asleep and not really resting at all.  Warson blinked, looked at the screens, and shuddered.  Every TV camera on the boat showed the NR‑1 was in the middle of a field of mines that had sunk to the bottom during World War II.  The sonar, for reasons unknown, had not warned the pilot of the danger, and now the boat was completely surrounded by the ominous spines of the black mines. “Jesus!  Don’t move!  Don’t do anything!”  Warson was wide awake, knowing that high explosives become
Lee Vyborny (America's Secret Submarine: An Insider's Account of the Cold War's Undercover Nuclear Sub)
for such nuance, and he knew that being dissociated from schizophrenia merely by degree could be fatal for his credibility. There was nothing he could do, though, so he rose again from the couch, muted the TV, and elected to do the only productive thing he could think of. With a new-found determination, Dan fetched the folder from under his bed and lifted out the unreadable German letter. All of the talk about wartime activity led Dan to think that this letter might be from the 1940s. It would almost explain the stupid writing, he thought. With that in mind he ran each of the letter’s pages through his scanner and looked at the images on his computer, zoomed to a size that helped him identify some of the calligraphic touches as particular letters. The first complete word Dan found — aided initially by the umlaut — was, ominously, Führer. He then successfully identified a few more words from the first page, becoming quite good at spotting instances of “ein” and “eine”. Further progress was hard to come by, though, and Dan soon couldn’t help but feel like he was running through treacle; getting nowhere despite applying himself totally. Dan looked at the time in the top corner of his computer’s screen and did a double take when he saw that more than 90 minutes had passed since he turned it on. He saved his annotated progress and decided to call it a night. The computer chimed as it powered off, which struck Dan as odd, but he shrugged it off. As he walked to turn off the TV — now replaying Billy Kendrick’s tenacious interview from immediately after Richard’s press conference — Dan heard the chime again. Doorbell, he realised. Dan stayed still. In the unlikely event that Mr Byrd had come to check on him this late, he would say so. He usually called through the door. No voice came. After a long gap that left Dan thinking that the caller had gone, he heard three rushed knocks on the window. “Dan McCarthy,” the visitor shouted at the glass. The high-pitched voice sounded vaguely familiar but was heavily muffled by the window. Beginning to realise that the visitor wasn’t going away any time soon, Dan walked towards the door. When he got there he heard footsteps on the other side, and then someone lowering themselves to the ground. “Dan McCarthy!” a chirpy voice called through the gap at the bottom of his door. He recognised it now. After a few seconds, Dan opened the door and saw a smartly dressed young woman crouched to the ground with her head on his doormat. She jumped to her feet, smiling warmly. “Dan McCarthy,” she said, holding out her hand. “Emma Ford. From the phone, remember?
Craig A. Falconer (Not Alone)
before the distinctive sound broke the silence of the blistering Texas afternoon. Turning away from the hundred-year-old stagecoach house, she shielded her eyes against the glare of the June sun. The black pickup sped ominously toward her, dust billowing behind it like a villainous cloak—not at all helping the picture of doom her mind had already conjured up.
Debra Clopton (Treasure Me, Cowboy (Turner Creek Ranch, #1))
I want my own room. And I’m not—” “She doesn’t, really.” Leo smiled at the innkeeper, the rueful, commiserating smile of one put-upon man to another. “A marital squabble. She’s cross because I won’t let her mother visit us.” “Ahhh…” The innkeeper made an ominous sound and bent to write in the registry book. “Don’t give in, sir. They never leave when they say they will. When my mother-in-law visits, the mice throw themselves at the cat, begging to be eaten.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
Ooof! Amy collided at high speed with someone entering the anteroom from the other direction. Her head was still spinning as a pair of capable hands righted her, and a warm chuckle sounded somewhere above her ear. "What an original way to make your presence felt!" "My lord!" Amy hastily stepped back, this time banging into a bust of Brutus that wobbled ominously on its marble pedestal. Amy grabbed at Brutus before he could take a suicidal leap off his stand. "I didn’t…that is…" "Had you known it was me you would have taken care to run into poor Brutus instead?" Lord Richard supplied with a smile of such conspiratorial goodwill that Amy nearly reeled back into poor Brutus once more. "Something like that," admitted Amy weakly. Clearly, she was still slightly dazed from her two collisions.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
The sound of jingling armor and the clomping of dozens of booted, running feet is never quite so ominous as when you know they're coming for you.
Brian Keller (Journeyman Assassin (The Kinsman #2))
This all sounds pretty ominous, but you haven’t seen anything yet. You must add the “multiplier effect” of bank lending practices. Practically no one is aware that, when you make a deposit of $1,000 at your favorite bank, they can now lend out $10,000 as a result of your deposit. It is called the “fractional reserve lending system,” that is, they are creating money out of thin air. (My own description of what they are doing is the world’s largest con game). It is all predicated on the theory that “everyone is not going to withdraw their money at the same time.” For a complete treatise on what is going on in banking I suggest, no, I beg you to read The Case Against The Fed, by Murray Rothbard. You can get it at the Ludwig von Mises Institute located in Auburn, AL.
R. Nelson Nash (Becoming Your Own Banker: Unlock the Infinite Banking Concept)
He liked bombastic requiems that built to a frenzy—German chanting and ominous timpani drums, anything that sounded like someone was being boiled alive at Carnegie Hall.
Anne Hull (Through the Groves: A Memoir)
From beneath a table, he heard an ominous crunching sound. Bending down to peer under it, he was horrified to see Kloof, with the polished walking staff held firmly between her forepaws, her eyes closed and her head tilted to one side for better purchase. The massive jaws were crunching the shining wood. Half its length had already gone, scattered around her in small wood chips. Hal winced. These were the same powerful jaws that had clamped down on the Iberian's sword hand as he prepared to attack Erak's unguarded back. "Kloof! Bad dog!" he (Hal) hissed in a horrified whisper. Kloof's eyes opened and she thumped her tail on the ground.
John Flanagan (The Stern Chase (Brotherband Chronicles, #9))
Dr. Stadler,” asked one of them, pointing at the building on the knoll, “is it true that you consider Project X the greatest achievement of the State Science Institute?” There was a dead drop of silence. “Project . . . X . . . ?” said Dr. Stadler. He knew that something was ominously wrong in the tone of his voice, because he saw the heads of the newsmen go up, as at the sound of an alarm; he saw them waiting, their pencils poised. For one instant, while he felt the muscles of his face cracking into the fraud of a smile, he felt a formless, an almost supernatural terror, as if he sensed again the silent working of some smooth machine, as if he were caught in it, part of it and doing its irrevocable will. “Project X?” he said softly, in the mysterious tone of a conspirator. “Well, gentlemen, the value—and the motive—of any achievement of the State Science Institute are not to be doubted, since it is a nonprofit venture—need I say more?
Ayn Rand (Atlas Shrugged)
Get used to it, baby. This is your life now.” Well, that sounded fucking ominous.
H.D. Carlton (Shallow River)
Are you fucking taking a nap?' I feel him loom overhead. I don't open my eyes. 'Can you just... give me a minute?' The ominous silence that settles in the room grows teeth and claws the longer I lay here. It finally penetrates the exhaustion, shock, and sorrow currently holding me in a state of numbness. I blow out a soft breath. 'How long has it been since anyone made you wait?' 'I. Don't. Wait.' Each word is clipped at the end like he's biting off the sounds.
Abigail Owen (The Games Gods Play (The Crucible, #1))
More than one recent observer has pointed out that the prospective achievement of universal leisure, with the six-hour day and the five-day week, carries the threat of intolerable emptiness and boredom. The hope expressed by Julian Huxley and others that this vacancy will be profitably filled by continued studies in the school and the university, to use the time once occupied by office or factory work, over-rates both the attraction and the nutritive value of such fare, and fails to take note of the ominous rebellion against it already manifested by those college students who find no joy in exercising their minds, and who would rather dull them by drugs or stone them by violent sounds.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
I have money. Lots of it. Which means if I’m intrigued I can indulge in the occasional pro bono case.” “So you’ll take me on?” The flutter of her heart now had more than one reason to stutter fast. “Oh, never fear, little rabbit. I fully intend to take you.” How did he make that sound both ominous and promising at the same time?
Eve Langlais (Growl (Feral Passions, #1))
Sun's down," muttered one of the guardsmen by the windows. "Then it's time." Grady made to push away from the table, and the rest began to follow. "No," said Kit. Grady paused with his palm pressed flat against the tabletop; all the other men froze. "What?" "No," Kit said once more, very polite. "Be seated. All of you." "Why are we wasting-" "Be seated." Even his old nemesis knew to obey that tone. It sliced across the room slick as steel, resounding into silence. The guard at the window let fall the drapery, a soft stir of cloth that barely touched the air. He could almost feel his father's ghost, watching, waiting. Christoff remained silent until they were done, until the last of them had sunk into nervous attention, staring at him through the gloom. "I claim her," he said. "I will hunt her alone." Grady twitched. "But-" "I claim her," he repeated, silkier and more deadly than before. "She is mine. And if you have issue with that-any of you-I invite you to tell me now. We'll settle it here. I will not abide insubordination." Reckless, red-faced, Grady shot back to his feet. Kit was on his own in half a heartbeat, his arm slashing out, a streak of metal flashing across the table. The stiletto struck deep into the wall mere inches behind the other man's head, the hilt of carnelian and worked gold an ominous blur against the silk. Silently, weightlessly, the outermost curl of Parrish Grady's wig drifted down to the dining table, settling feather-light against the dark wood. No one else moved; no one spoke. "I beg your pardon," said Kit cordially into the hush. "Was there something you wished to say?" Grady looked down at the severed lock, then back up at Kit. His throat worked, though no sound came out. Slowly, in awkward motion, he resumed his seat. "Excellent." Christoff sent a cold smile around the room. "Anyone else?" -a guardsmen, Grady, & Kit
Shana Abe (The Smoke Thief (Drakon, #1))
In Nam the psychiatric patients go back to duty. One hundred percent of the combat exhaustion, 90 percent of the character-behavior disorders, 98 percent of the alcoholic and drug problems, 56 percent of the psychosis, 85 percent of the psychoneurosis, 90 percent of the acute situation reaction—they all go back with an operation diagnosis on their record of acute situation reaction. No ominous-sounding names to disturb the patients or their units. It works. The men are not lost to the fight, and the terrifying stupidity of war is not allowed to go on crippling forever. At least, that’s the official belief. But there is no medical or psychiatric follow-up on the boys after they’ve returned to duty. No one knows if they are the ones who die in the very next fire fight, who miss the wire stretched out across the tract, or gun down unarmed civilians. Apparently, the Army doesn’t seem to want to find out.
Ronald J. Glasser (365 Days)
She marched up to the door, banged it open with a satisfying crash, brandished her scythe, and announced herself to any and all therein. “Get your heathen, trespassing backsides out of this carriage house immediately, lest I inform your papas of your criminal conduct—and your mamas.” “Good lord,” a cultured and ominously adult male voice said softly from Ellen’s right, “we’re about to be taken prisoner. Prepare to defend your borders, my friend. Sleeping Beauty has awakened in a state.” Ellen’s gaze flew to the shadows, where a tall, dark-haired man was regarding her with patient humor. The calm amusement in his eyes suggested he posed no threat to her, while his dress confirmed he was a person of some means. Ellen had no time to further inventory that stranger, because the sound of a pair of boots slowly descending the steps drew her gaze across the room. Whoever was coming down those stairs was in no hurry and was certainly no boy. Long, long legs became visible, then muscles that looked as if they’d been made lean and elegant from hours in the saddle showed off custom riding boots and excellent tailoring. A trim, flat torso came next, then a wide muscular chest and impressive shoulders. Good lord, he was taller than the fellow in the corner, and that one was a good half a foot taller than she. Ellen swallowed nervously and tightened her grip on the scythe. “Careful,” the man in the shadows said softly, “she’s armed and ready to engage the enemy.” Those dusty boots descended the last two steps, and Ellen forced herself to meet the second man’s face. She’d been prepared for the kind of teasing censorship coming from the one in the corner, a polite hauteur, or outright anger, but not a slow, gentle smile that melted her from the inside out. “Mrs. FitzEngle.” Valentine Windham bowed very correctly from the waist. “It has been too long, and you must forgive us for startling you. Lindsey, I’ve had the pleasure, so dredge up your manners.” “Mr. Windham?” Ellen lowered her scythe, feeling foolish and ambushed, and worst of all—happy. So
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Everett opened his mouth to argue, but before he could utter a single word, Caroline set aside her cup and began rising from her chair, stopping suddenly as she sucked in a sharp breath of air. A mere second later, Everett discovered what was behind her peculiar behavior. The chair was now firmly attached to Caroline’s behind, sticking out at a very awkward angle. One glance to the twins—both of whom were looking far too innocent—proved who was responsible for the latest disaster. A second later, there was an ominous ripping sound, and to his relief, Caroline was no longer attached to the chair, but when she turned around, he discovered that she was also no longer attached to the back of her skirt. As her shrieks of outrage began bouncing around the room, Everett realized what he was going to have to do. He was, much against his better judgment, going to have to seek out Miss Longfellow and beg her—on bended knee and with flowers, no doubt—to come work for him.
Jen Turano (In Good Company (A Class of Their Own Book #2))
It may sound obvious, but studies of disasters have found that many people remain in denial in the face of evident danger. Nightclub patrons continue to dance and order new rounds of drinks as smoke fills their burning hall; passengers on a sinking ferry sit and smoke cigarettes as the vessel lists ever more ominously to one side. This denial is driven by a mental phenomenon called “normalcy bias.” Psychologists say that people who have never experienced a fatal catastrophe have difficulty recognizing that one could be unfolding.
Jeff Wise (Extreme Fear: The Science of Your Mind in Danger (MacSci))
And life isn’t like the movies: There’s no ominous swell to the sound track, no fatalistic overhead shot, nothing to tell you that this moment is the one your life will turn on; instead it’s like a train silently switching tracks, sheering off midjourney into a whole other part of the night.
Paul Murray
The second thing that always hit was the ominous quiet. The muffled, deadened version of sound that amplified awareness of body, breath, heartbeat.
Toni Anderson (Dangerous Waters (Barkley Sound, #1))
Leigh mentioned that you’re a vet in Winnipeg, here to take some courses to update your skills?” “Yes.” Valerie grimaced. “That was the idea, but if they don’t catch this guy in the next day or two, I’ll have to give up the courses until next semester and if that happens, I might as well head home.” “What?” Anders turned on her sharply. Valerie bit her lip, not very happy at the thought herself. She would have liked to get to know him better, but if she couldn’t do the course now, she’d have to do it next term and it wouldn’t be fair to be away from the clinic that long. Sighing at the very thought, she said, “That’s what my academic advisor said when I talked to him today. I’ve missed the first two weeks of class already. He said if I’m not back by Monday, then I might as well give it up and reapply for next term.” Anders frowned, his gaze shooting to Lucian. It was Leigh who said worriedly, “You can’t go home, Valerie. Not with him still out there.” “Actually, it’s probably better if I did,” Valerie said and pointed out, “He can’t know I’m from Winnipeg, so I’d be safe there, and Anders wouldn’t have to waste his time playing babysitter so he could help hunt for him.” Dead silence met this announcement as the others all exchanged glances. “But your courses,” Anders said finally. “You wanted to upgrade.” “And I still do, but I can’t do that if I can’t attend classes,” she pointed out reasonably. Another moment of silence passed with everyone exchanging glances she didn’t understand and then Lucian said abruptly, “Then you’ll have to attend classes.” When Valerie stared at him with surprise, he added, “Anders will accompany you.” “Oh.” She hesitated briefly and then shook her head. “I don’t think they’ll let him attend with me.” “They might,” Dani said slowly. “I’ve heard of people auditing classes. I even knew someone who audited a couple of mine. She had to get permission from the instructor, and the department chair, and I think her program counselor first though.” “Then he’ll get permission,” Lucian said as if it were the simplest thing in the world. When Anders frowned at this news, he added solemnly, “It’s that or we put her and Roxy on a plane home to Winnipeg.” For some reason, those words sounded ominous to Valerie, and certainly Anders reacted as if they were. His mouth tightened grimly, and he nodded once. It was Friday now, but apparently come Monday, she was attending class and Anders was coming with her.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
How did you live? asked the being on the right. Tell it truthfully, the other said, as, from either side, they gently touched their heads to his. They recoiled, then withdrew to two gray stone pots set down on either side of that grand hall, into which they vomited twin streams of brightly colored fluid. The small versions of themselves rushed to bring towels, upon which they wiped their mouths. May we confirm? said the one on the right. Wait, what did you see, he said. Is there some— But it was too late. The being on the right sang a single ominous note and out came the several smaller versions of himself, but crippled and grimacing, bearing between them a feces-encrusted mirror. The being on the left sang his (somber, jarring) note, and several smaller versions of himself tumbled out, rolling forth via a series of spastic clumsy gymnastic movements that were somehow accusatory, bearing the scale. Quick check, the Christ-prince said sternly. I’m not sure I completely understood the instructions, the funeral-suited man said. If I might be allowed to— The being on the right held the mirror up before the funeral-suited man, and the being on the left reached into the funeral-suited man’s chest with a deft and aggressive movement, extracted the man’s heart, and placed it on the scale. Oh dear, said the Christ-emissary. A sound of horrific opprobrium and mourning echoed all across that kingdom.
George Saunders (Lincoln in the Bardo)
Could you please leave before I am forced to take action?” He presented his most prim and proper appearance. “Take action? That sounds ominously delicious.” Her expression somehow managed to brighten a few more degrees. She flopped onto her back, arms akimbo, lips curved in a wide smile. “Take me, gumdrop. I’m yours.” “Gumdrop?
Eve Langlais (Dragon Squeeze (Dragon Point, #2))
By the time he spotted the City of Naru from afar, moonlight sent long, wiry shadows across the hillside leading up to the towering stone walls. He told himself he could do it. No matter how hard it was to continue carrying her, he was determined to bring her home alive.  Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made it.  He stumbled toward the main gates, barely able to stand. A group of soldiers making their rounds noticed and ran over to help.  “Young Master Talis, what’s wrong?” said Baratis, the captain of the guard. His eyes blazed in fear at the sight of Mara. “Is she alive?” “I can’t talk now… open the gates… she’s hurt!”  “Carem and Jorem! Help them,” Baratis shouted. “You! Ride and fetch a healer. Have them run straightaway to House Lei. Now go!” Two soldiers lifted Mara from Talis' arms and carried her while another raced inside the city. Massive steel shafts stared down at them from inside the stone walls as they jogged past. If they weren’t quick about it, she would die. Ahead, Talis could see a soldier speed off on horseback. He prayed that the healer would arrive in time. He ran ahead, urging them to run faster.    Past the gate was the Arena of the Sej Elders, formed of gigantic white granite blocks, rising over everything in the lower part of the city. Stone towers lined the wide avenue leading up to the arena. They had to move faster. The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding up and around until they reached the gates of the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne.  They were going to be furious; Talis knew he was in serious trouble for taking Mara out on the hunt. But he couldn’t think of that, all that mattered was Mara’s life. As the soldiers carried her into the white marble mansion, Talis worried her wounds were too grave to cure. Today was the worst day and he was all to blame. Why did he have to chase after the boar? Two servants ran up and gasped when they noticed Mara and they quickly helped her inside.  Lady Malvia rushed to them, her silver robe swirling.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
As Magnus turned to walk away from the church, he heard the sound of violin music carried to him on the cloudy London air, and remembered another night, a night of ghosts and snow and Christmas music, and Will standing on the steps of the Institute, watching Magnus as he went. Now it was Tessa who stood at the door with her hand lifted in farewell until Magnus was at the gate with its ominous lettered message: WE ARE DUST AND SHADOWS. He looked back and saw her slight pale figure at the Institute threshold and thought again, Yes, perhaps I was wrong to leave London.
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
What are you laughing about?” The man in question asks from behind me, and the chuckle turns into a full-on snort. “Oh, I don’t think you want to know.” “That sounds ominous. Tell me or I’m going to think you brought me back to sacrifice me to the Satan worshipping family that lives here.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
His words hissed to a stop, and I knew exactly why. As the roiling heat of Liam’s power appeared in the closet with us, my sorrow, fear, and regret no longer felt overwhelming. The ache in my chest eased, allowing me to breathe easier. “Am I interrupting something?” I jerked from Drake’s touch and cringed, knowing Liam would see it as a sign of guilt and believe there was something between Drake and me. “Do you knock?” Drake asked, dropping his hand. “Not when she sounds distressed.” Liam’s voice thundered behind me, the lights in my room flickering ominously.
Amber V. Nicole (The Book of Azrael (Gods and Monsters 1))
At my touch, he jerks his head up. Black veins web the blanched skin around his eyes, which are still that same liquid darkness, only now it’s not only his irises. Even the whites of his eyes have been overtaken. “Go!” he roars, and the deep, reverberating sound of his voice is bone-rattling enough that the echo hits my core in ominous waves. It’s so arresting that I’m shaking, and I almost obey. Almost. I feel magick. Not Nephele’s magick. Not Witch Walker magick. It’s unlike anything I’ve ever experienced, kissing my skin like that charge in the air the first few times I ever met Alexus Thibault’s stare. Only stronger.
Charissa Weaks (The Witch Collector (Witch Walker #1))
I have some things to tell all of you,” Mr. Cataliades said. “And later, some things to tell Sookie individually . . . but now I have to tell you what I’ve witnessed and suspected.” This sounded so ominous that we all turned our attention to the part-demon. “I’d heard that there was a devil in New Orleans,” he said. “The Devil? Or a devil?” Amelia asked. “What an excellent question,” Mr. Cataliades said. “In fact, a devil. The Devil himself seldom makes a personal appearance. You can imagine the crowds.” None of us knew quite what to say, so perhaps we couldn’t.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
It took two breaths for her vision to clear, and but one for her to realize the world was upside down, and someone—a man, judging by the thick calves before her—was standing very close to her. She was dripping wet and freezing cold. A shiver coursed through her, but the uncomfortableness was nothing compared with the pain in her head. Her blood seemed to be filling her entire face at a rapid pace. It whooshed in her ears. She tried to lift her head to see who stood in front of her, but it was useless. Her neck muscles refused to obey. The whooshing became a roar, and darkness began to eat at the corners of her vision. She struggled to form a call for help, but it was nearly impossible. Her tongue was in revolt, and sand seemed to line her throat. She swallowed and strangled out one word. “Help.” A grunt resounded above her, followed by a brown wooden bucket being set beside her head, and then a man appearing as he crouched. Well, not any man, but Thor MacLeod, her husband. He looked as unhappy to see her as she felt to see him. A grimace turned his lips down, his dark eyebrows almost touched in a V, and his eyes, well, his eyes had been transformed to a swirling, violent sea. Crimson smeared across his right cheek in an ominous path. “Hello, wife.” The last word rolled with distaste off his tongue. That was fine with her. She didn’t care to be wed to him either. “It seems wherever ye are trouble finds ye.” “And yet knowing this ye are so dimwitted as to seek me out,” she snapped as a wave of dizziness overcame her. She had to squeeze her eyes shut against it, while inhaling a breath as well as she could, given she was hanging upside down. And why was that? “Why am I upside down,” she demanded, cringing at the weakness of her tone. “One in yer position should nae have such a haughty tone,” the man shot back. She hated that he had a point. “What, pray tell, sort of tone would it please ye for me to take, my lord? If ye’ll tell me, I’ll do my best to adopt it,” she said, trying to sound genuinely like she cared, but she could hear herself, and she knew she’d failed miserably.
Julie Johnstone
Making noise sounded ominous when, from the cradle, one had been taught to be quiet.
Evie Dunmore (A Rogue of One's Own (A League of Extraordinary Women, #2))
...grand oaks, maples, and chestnuts muscle in on one another, flared in their autumn robes; a motley conflagration under the dazzling mid-October sun. We are in the middle of a beautiful nowhere, digging into sprawling hinterlands, into territories of wild earth. The rolling, winding roads away from Bangor took us through towns with names like Charleston, Dover-Foxcroft, Monson, and Shirley, all with their own quaint, beautifully cinematic set dressing. It was like each was curated from grange hall flea markets and movie sets rife with small-town Americana. Stoic stone war memorials. American flags. Whitewashed, chipping town hall buildings from other centuries. Church bell towers in the actual process of tolling, gonging, calling. To me, the sound was ominous in a remote sort of way, unnamable.
Katie Lattari (Dark Things I Adore)
The reality of combat always exceeds the boundaries of imagination. Every battle is an amalgamation of a thousand personal battles, and each man's fight a kaleidoscope of sights, sounds, and smells that burn into his consciousness and echo for as long as his life lasts. A man excited to rage runs across a smoky stubble field. One moment he is bounding ahead on eager legs. A second later he is shocked to find the ground leaping up to dash him rudely in the mouth. His teeth clack, he tastes the gritty soil. He gasps for air. Hot liquid seeps ominously from his belly. Sounds echo and recede. An idea quivers on the edge of his mind. A word forms on his dry tongue. No breath to voice it. The sun shines on him from a night sky.
Jack Kelly
I left the village slowly, getting used to the feel of the car. It was mid-morning, and although the roads were busy, the ominous sky and strong winds were keeping most pedestrians indoors. The weather and the churning grey sea reminded me of childhood trips to the seaside from our home in south London. Hastings and Margate and Eastbourne. It was always either blazingly hot, with my sister running screaming from the wasps that seemed to believe she was their queen, or – more often – pissing down. I had strong memories of sitting in the back seat of the car, eating chips, with the smell of vinegar and the sound of the windscreen wipers squeaking back and forth
Mark Edwards (Keep Her Secret)
Hell calls to Hell sounds ominous enough. Abyssus abyssum invocat is a saying that dates back at least a thousand years. It means "One evil deed leads to another.
Tess Gerritsen (The Mephisto Club (Rizzoli & Isles, #6))
The background noise from the nearest corridor, the hum people make when they want everyone else to know they’re busy, had subsided over the last ten seconds, to be replaced by the lesser but far more ominous sound of the same people reading news alerts on their phones.
Mick Herron (London Rules (Slough House #5))
Ferris’ office in Washington had remained unanswered. The young men had talked—through an exhausting trip by government plane, then a clammy ride in a government car—about science, emergencies, social equilibriums and the need of secrecy, till he knew less than he had known at the start; he noticed only that two words kept recurring in their jabber, which had also appeared in the text of the invitation, two words that had an ominous sound when involving an unknown issue: the demands for his “loyalty” and “cooperation.
Ayn Rand (Atlas Shrugged)
Mommy!" Gracie ran up, water dripping into her eyes. "You haf to come stand over here. It's weally fun. I pwomise. And nuffing will happen." "Sound fishy to me," Angie said. "I wouldn't fall for it." Abby laughed and let Gracie lead her to a precise spot ominously marked on the ground with a skull and crossbones.
Claudia Connor (Worth the Fall (The McKinney Brothers, #1))
You, more than most, know the concept of right and wrong. And so does Julian. Why have you endured, resisted wrong, when others turned? You fought for justice, for our people. You had a code, and you have always lived up to it, as you are doing now. You say you have no feeling, but what of the compassion you felt for your lifemate when she was so frightened? You cannot turn. Every moment is an eternity for you, I know, but you have an end in sight." Gregori's cold eyes seemed to impale Aidan, but the younger Carpathian did not flinch. He held Gregori's gaze until Alexandria could have sworn she saw a flicker of fire, a flame, springing from one to the other. Gregori's hard mouth softened slightly. "You have learned well, Aidan. You are a healer of both body and mind." Aidan inclined his head in acknowledgement of the compliment. The wind howled, the waves crashed, and Gregori launched himself into the dark, roiling clouds. A black shape spread across the sky, an ominous shadow staining the heavens, and then it moved north and faded away as if it had never been, taking the storm with it. Aidan sank into the sand, his head bowed, his shoulders shaking, as if he was trying to control some great emotion that had overcome him. Alexandria circled his head with her arms. She could feel sobs tearing at his throat and chest, yet he made no sound. Only a single, blood-red tear marked his great sorrow. "I am sorry, cara, but he is a great man, one our people cannot afford to lose. I could feel his bleakness, the inner demon waiting to devour him. To have to honor my promise to him, to have to hunt him..." He shook his head. "It is such a disservice to one who has dedicated his life to our people, to our Prince." Alexandria's breath caught in her throat. She had thought Aidan invincible. Capable, even, of hunting vampires and triumphing over their evil power. But Gregori was a different proposition. Even with two hunters such as Aidan, it didn't seem possible that he could be defeated. "Can't you contact this woman, the one who could save him?" Aidan shook his head regretfully. "He would continue to honor his vow, and her presence would only make things worse.
Christine Feehan (Dark Gold (Dark, #3))
(From Chapter 8: Fox and Geese) But then I heard the neighing of a horse; and it came to me that this was not Charley, nor the colt in the barn, but a different horse altogether. A great fear came over me, and my body went entirely cold, and I stood as if paralyzed with fear; for I knew that the horse was no earthly horse, but the pale horse that will be sent at the Day of Reckoning, and the rider of it is Death; and it was Death himself who stood behind me, with his arms wrapped around me as tight as iron bands, and his lipless mouth kissing my neck as if in love. But as well as the horror, I also felt a strange longing. At this the sun came up, not little by little as it does when we are awake, Sir, but all at once, with a great blare of light. If it had been a sound, it would have been the blowing of many trumpets; and the arms that were holding me melted away. I was dazzled by the brightness; but as I looked up, I saw that in the trees by the house, and also in the trees of the orchard, there were a number of birds perching, enormous birds as white as ice. This was an ominous and baleful sight, as they appeared crouched as if ready to spring and destroy; and in that way they were like a gathering of crows, only white. But as my sight cleared, I saw that they were not birds at all. They had a human form, and they were the angels whose white robes were washed in blood, as it says at the end of the Bible; and they were sitting in silent judgment upon Mr. Kinnear’s house, and on all within it. And then I saw that they had no heads.
Margaret Atwood
Something happened in the shed,” I blurted it without thinking. “What?” I laughed uneasily. “That didn’t sound good, did it? Cue the ominous music.” I shook my head. “Never mind. It was silly.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Although at least yours could be handily dealt with. I can’t kill mine.” “That doesn’t sound ominous or anything.
Honor Raconteur (Magic Outside the Box (The Case Files of Henri Davenforth, #3))
You can tell that sound is of great importance to a submariner from reading any book about submarines. It is full of words designed to suggest the noises heard under the sea. Kachung, kachung, kachung is the day-long beat of the diesels. Thum, thum, thum is the noise made by high speed propellers approaching for an attack. Ping is the ominous warning from a destroyer’s sonar gear. Kerblam . . . crump . . . whang is a salvo of depth charges close aboard. To a great extent, sound takes the place of sight as the main link with the outside world to the men who live inside a pressure hull.
Daniel V. Gallery (Twenty Million Tons Under the Sea: The Daring Capture of the U-505)
Many miles away the chilly mist that had pressed against the Prime Minister’s windows drifted over a dirty river that wound between overgrown, rubbish-strewn banks. An immense chimney, relic of a disused mill, reared up, shadowy and ominous. There was no sound apart from the whisper of the black water and no sign of life apart from a scrawny fox that had slunk down the bank to nose hopefully at some old fish-and-chip wrappings in the tall grass. But then, with a very faint pop, a slim hooded figure appeared out of thin air on the edge of the river. The fox froze, wary eyes fixed upon this strange new phenomenon.
J.K. Rowling
Before independence, huge numbers of Somalis, who could best be described as semi-pastoralists, moved to Mogadishu; many of them joined the civil service, the army and the police. It was as if they were out to do away with the ancient cosmopolitan minority known as “Xamari,” Xamar being the local name for the city. Within a short time, a second influx of people, this time more unequivocally pastoralist, arrived from far-flung corners to swell the ranks of the semi-pastoralists, by now city-dwellers. In this way, the demography of the city changed. Neither of these groups was welcomed by a third—those pastoralists who had always got their livelihood from the land on which Mogadishu was sited (natives, as it were, of the city). They were an influential sector of the population in the run-up to independence, throwing in their lot with the colonialists in the hope not only of recovering lost ground but of inheriting total political power. Once a much broader coalition of nationalists had taken control of the country, these “nativists” resorted to threats, suggesting that the recent migrants quit Mogadishu. “Flag independence” dawned in 1960 with widespread jubilation drowning the sound of these ominous threats. It was another thirty years before they were carried out.74
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
J-Just m-my throat,’ I stuttered, my lips quivering from the cold. ‘Let's get you out of here, then,’ Marcel said. He slid his arms under me and lifted me without effort-like picking up an empty box. His chest was bare and warm; he hunched his shoulders to keep the rain off me. My head lolled over his arm. I stared vacantly back toward the furious water, beating the sand behind him. ‘You got her?’ I heard Sam ask. ‘Yeah, I'll take it from here. Get back to the hospital. I'll join you later. Thanks, Sam.’ My head was still rolling. None of his words sunk in at first. Sam didn't answer. There was no sound, and I wondered if he were already gone. The water licked and writhed up the sand after us as Marcel carried me away like it was angry that I'd escaped. As I stared wearily, a spark of color caught my unfocused eyes-a a small flash of fire was dancing on the black water, far out in the bay. The image made no sense, and I wondered how conscious I was. My head swirled with the memory of the black, churning water of being so lost that I couldn't find up or down. So, lost… but somehow Marcel… ‘How did you find me?’ I rasped. ‘I was searching for you,’ he told me. He was half-jogging through the rain, up the beach toward the road. ‘I followed the tire tracks to your truck, and then I heard you scream…’ He shuddered. ‘Why would you jump, Bell? Didn't you notice that it's turning into a hurricane out here? Couldn't you have waited for me?’ Anger filled his tone as the relief faded. ‘Sorry,’ I muttered. ‘It was stupid.’ ‘Yeah, it was really stupid,’ he agreed, drops of rain shaking free of his hair as he nodded. ‘Look, do you mind saving the stupid stuff for when I'm around? I won't be able to concentrate if I think you're jumping off cliffs behind my back.’ ‘Sure,’ I agreed. ‘No problem.’ I sounded like a chain-smoker. I tried to clear my throat and then winced; the throat-clearing felt like stabbing a knife down there. ‘What happened today? Did you… find her?’ It was my turn to shudder, though I wasn't so cold here, right next to his ridiculous body heat. Marcel shook his head. He was still more running than walking as he headed up the road to his house. ‘No. She took off into the water-the bloodsuckers have the advantage there. That's why I raced home- I was afraid she was going to double back swimming. You spend so much time on the beach…’ He trailed off, a catch in his throat. ‘Sam came back with you… is everyone else home, too?’ I hoped they weren’t still out searching for her. ‘Yeah. Sort of.’ I tried to read his expression, squinting into the hammering rain. His eyes were tight with worry or pain. The words that hadn't made sense before suddenly did. ‘You said… hospital. Before, to Sam. Is someone hurt? Did she fight you?’ My voice jumped up an octave, sounding strange with the hoarseness. Marcel’s eyes tightened again. ‘It doesn't look so great right now.’ Abruptly, I felt sick with guilt-felt truly horrible about the brainless cliff dive. Nobody needed to be worrying about me right now. What a stupid time to be reckless. ‘What can I do?’ I asked. At that moment the rain stopped. I hadn't realized we were already back at Marcel’s house until he walked through the door. The storm pounded against the roof. ‘You can stay here,’ Marcel said as he dumped me on the short couch. ‘I mean it right here I'll get you some dry clothes.’ I let my eyes adjust to the darkroom while Marcel banged around in his bedroom. The cramped front room seemed so empty without Billy, almost desolate. It was strangely ominous-probably just because I knew where he was. Marcel was back in seconds. He threw a pile of gray cotton at me. ‘These will be huge on you, but it's the best I've got. I'll-a, step outside so you can change.’ ‘Don't go anywhere. I'm too tired to move yet. Just stay with me.
Marcel Ray Duriez