“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
I put my book down, finding a Post-it note to use as a bookmark, because folding the corner of a page—even in a thirty-year-old book—is sacrilege.
”
”
Simone St. James (The Sun Down Motel)
“
But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
The Old Ones say you can feel your spirit during a Vision Quest.
”
”
Dianne Harman (Blue Coyote Motel (Coyote #1))
“
10 PLACES TO NEVER, EVER, EVER GO UNDER ANY CIRCUMSTANCES Rooms lit by a single hanging light bulb. Rooms lit by nothing. Any graveyard that isn’t Arlington National Cemetery. Summer camps whose annual counselor murder rate exceeds 10 percent. Maine. “The old_____________.” Hotels/motels that aren’t part of giant international chains. Upstairs. Downstairs. Any log cabin anywhere on the face of the earth.
”
”
Seth Grahame-Smith (How to Survive a Horror Movie: All the Skills to Dodge the Kills (How to Survive))
“
Old houses make funny noises. One time I stayed in a decaying place that made sounds like John Waite's 1984 radio hit "Missing You." Personally, I liked it, but the 13 ducks I was sharing a bathtub with didn't agree, so they made me take them to the luxury hotel known as Motel 6.
”
”
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
“
There was the flu that exploded like a neutron bomb over the surface of the earth and the shock of the collapse that followed, the first unspeakable years when everyone was traveling, before everyone caught on that there was no place they could walk to where life continued as it had before and settled wherever they could, clustered close together for safety in truck stops and former restaurants and old motels.
”
”
Emily St. John Mandel (Station Eleven)
“
I was tossed into a pool beside the Suwannee River. Out behind an old motel. Sink or swim. Arms flailing in the deep end. Chlorine and Fear. I hurt my shoulder. Tweaked my ankle. Had to be pulled out. They laughed about it all summer. Now pools are reminders. That your friends watched you sink.
”
”
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
“
Look at ’em intimidating those old bastards. Check out that satanic sparkle in their eyes. You don’t get that from Folgers.
”
”
Tim Dorsey (Hammerhead Ranch Motel (Serge Storms, #2))
“
Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith's, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.
”
”
Janet Fitch (Paint it Black)
“
—
If love wants you; if you’ve been melted
down to stars, you will love
with lungs and gills, with warm blood
and cold. With feathers and scales.
Under the hot gloom of the forest canopy
you’ll want to breathe with the spiral
calls of birds, while your lashing tail
still gropes for the waes. You’ll try
to haul your weight from simple sea
to gravity of land. Caught by the tide,
in the snail-slip of your own path, for moments
suffocating in both water and air.
If love wants you, suddently your past is
obsolete science. Old maps,
disproved theories, a diorama.
The moment our bodies are set to spring open.
The immanence that reassembles matter
passes through us then disperses
into time and place:
the spasm of fur stroked upright; shocked electrons.
The mother who hears her child crying upstairs
and suddenly feels her dress
wet with milk.
Among black branches, oyster-coloured fog
tongues every corner of loneliness we never knew
before we were loved there,
the places left fallow when we’re born,
waiting for experience to find its way
into us. The night crossing, on deck
in the dark car. On the beach wehre
night reshaped your face.
In the lava fields, carbon turned to carpet,
moss like velvet spread over splintered forms.
The instant spray freezes
in air above the falls, a gasp of ice.
We rise, hearing our names
called home through salmon-blue dusk, the royal moon
an escutcheon on the shield of sky.
The current that passes through us, radio waves,
electric lick. The billions of photons that pass
through film emulsion every second, the single
submicroscopic crystal struck
that becomes the phograph.
We look and suddenly the world
looks back.
A jagged tube of ions pins us to the sky.
—
But if, like starlings, we continue to navigate
by the rear-view mirror
of the moon; if we continue to reach
both for salt and for the sweet white
nibs of grass growing closest to earth;
if, in the autumn bog red with sedge we’re also
driving through the canyon at night,
all around us the hidden glow of limestone
erased by darkness; if still we sish
we’d waited for morning,
we will know ourselves
nowhere.
Not in the mirrors of waves
or in the corrading stream,
not in the wavering
glass of an apartment building,
not in the looming light of night lobbies
or on the rainy deck. Not in the autumn kitchen
or in the motel where we watched meteors
from our bed while your slow film, the shutter open,
turned stars to rain.
We will become
indigestible. Afraid
of choking on fur
and armour, animals
will refuse the divided longings
in our foreing blue flesh.
—
In your hands, all you’ve lost,
all you’ve touched.
In the angle of your head,
every vow and
broken vow. In your skin,
every time you were disregarded,
every time you were received.
Sundered, drowsed. A seeded field,
mossy cleft, tidal pool, milky stem.
The branch that’s released when the bird lifts
or lands. In a summer kitchen.
On a white winter morning, sunlight across the bed.
”
”
Anne Michaels
“
Tourists and transients lived in hotels and motels along the waterfront. Behind them a belt of slums lay ten blocks deep, where the darker half of the population lived and died. On the other side of the tracks - the tracks were there - the business section wore its old Spanish facades like icing on a stale cake.
”
”
Ross Macdonald (The Way Some People Die (Lew Archer, #3))
“
Nancy, blue-eyed, and with reddish-gold glints in her blond hair, was at the wheel. She gazed anxiously across a long expanse of water to the distant shores of Twin Lakes. The Pinecrest Motel, where the eighteen-year-old girl and her older friend were staying, was almost two miles away on the smaller of the two lakes. Helen Corning, dark-haired and petite, looked at Nancy with concern. “I think we’re in for a cloudburst,” she said, “and Twin Lakes becomes as rough as the ocean in a storm.
”
”
Carolyn Keene (The Bungalow Mystery (Nancy Drew, #3))
“
The office was the first door on the left, on the ground floor. There was a clerk behind the desk. He was a short old guy with a big belly and what looked like a glass eye. He gave the woman the key for room 214, and she walked out without another word. Reacher asked him for a rate, and the guy said, “Sixty bucks.” Reacher said, “A week?” “A night.” “I’ve been around.” “What’s that supposed to mean?” “I’ve been in plenty of motels.” “So?” “I don’t see anything here worth sixty bucks. Twenty, maybe.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
When older people ask me, “How have you been so successful after age 65?” I tell them, “Anyone who’s reached 65 years of age has had a world of experience behind him. He’s had his ups and downs and all the trials and tribulations of life. He certainly ought to be able to gather something out of that, something he can put together at the end of his 65 years so he can get a new start.” The way I see it, a man’s life is written by the way he lives it. It’s using any talent God has given him, even if his talent is cooking food or running a good motel.
You can reach higher, think bigger, grow stronger and live deeper in this country of ours than anywhere else on Earth. The rules here give everybody a chance to win. If my story is different, it’s because my life really began at age 65 when most folks have already called it a day.
I’d been modestly successful before I hit 65. After that I made millions. When they’re about 60 or 65, a lot of people feel that life is all over for them. Too many of them just sit and wait until they die or they become a burden to other people. The truth is they can make a brand new life for themselves if they just don’t give up and hunker down.
I want to tell people, “You’re only as old as you feel or as you think, and no matter what your age there’s plenty of work to be done.” I don’t want to sound like I’m clearing my throat and giving advice about how a man can be successful. I’m not all puffed up. My main trade secret is I’m not afraid of hard, back-cracking work. After all, I was raised on a farm where hard work is the way of life.
”
”
Harland Sanders (Colonel Harland Sanders: The Autobiography of the Original Celebrity Chef)
“
We drove north to Kramer’s motel and turned east through the cloverleaf and then north on I-95 itself. We covered fifteen miles and passed a rest area and started looking for the right State Police building. We found it twelve miles farther on. It was a long low one-story brick structure with a forest of tall radio masts bolted to its roof. It was maybe forty years old. The brick was dull tan. It was impossible to say whether it had started out yellow and then faded in the sun or whether it had started out white and gotten dirty from the traffic fumes. There were stainless-steel letters in an art deco style spelling out North Carolina State Police all along its length.
”
”
Lee Child (The Enemy (Jack Reacher, #8))
“
He said, “Guys, you’ve got thirty seconds, so go ahead and state your case.” The guy on the right folded his arms high across his chest, like a bouncer at a nightclub door. A show of support, Reacher figured, for the other guy, who was presumably the spokesperson. The other guy said, “It’s about the motel.” His hands were still by his sides. Reacher said, “What about it?” “That’s our uncle who runs it. He’s a poor old handicapped man, and you’re giving him a hard time. You’re breaking all kinds of laws.” His hands were still by his sides. Reacher stepped out from behind the door and moved up next to the Ford’s right-hand headlight. He could feel the heat from the engine. He said, “What laws am I breaking?
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
She thinks she’s fighting against lethargy. She does jumping jacks in the motel courtyard, calls her best friend in Juneau from the motel pay phone and anxiously tries to reminisce about their shitty high school band. They sing an old song together, and she feels almost normal. But increasingly she finds herself powerless to resist the warmth that spreads through her chest, the midday paralysis, the hunger for something slow and deep and unnameable. Some maid has drawn the blackout curtains. One light bulb dangles. The dark reminds Angie of packed earth, moisture. What she interprets as sprawling emotion is the Joshua tree. Here was its birth, in the sands of Black Rock Canyon. Here was its death, and its rebirth as a ghostly presence in the human. Couldn’t it perhaps Leap back into that older organism? The light bulb pulses in time with Angie’s headache. It acquires a fetal glow, otherworldly.
”
”
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
“
Do you remember Zhitomir, Vasily? Do you remember the Teterev, Vasily, and that evening when the Sabbath, the young Sabbath tripped stealthily along the sunset, her little red heel treading on the stars?
THe slender horn of the moon bathed its arrows in the black waters of the Teterev. Funny little Gedali, founder of the Fourth International, was taking us to Rabbi Motele Bratzlavsky’s for evening service. Funny little Gedali swayed the cock’s feathers on his high hat in the red haze of the evening. The candes in the Rabbi’s room blinked their predatory eyes. Bent over prayer books, brawny Jews were moaning in muffled voices, and the old buffoon of the zaddiks of Chernobyl jingled coppers in his torn pocket...
...Do you remember that night, Vasily? Beyond the windows horses were neighing and Cossacks were shouting. The wilderness of war was yawning beyong the windows, and Robbi Motele Bratzslavsky was praying at the eastern wall, his decayed fingers clinging to his tales. (...)
”
”
Isaac Babel (Benya Krik, the Gangster and Other Stories)
“
Most living things are small and easily overlooked. In practical terms, this is not always a bad thing. You might not slumber quite so contentedly if you were aware that your mattress is home to perhaps two million microscopic mites, which come out in the wee hours to sup on your sebaceous oils and feast on all those lovely, crunchy flakes of skin that you shed as you doze and toss. Your pillow alone may be home to forty thousand of them. (To them your head is just one large oily bon-bon.) And don’t think a clean pillowcase will make a difference. To something on the scale of bed mites, the weave of the tightest human fabric looks like ship’s rigging. Indeed, if your pillow is six years old—which is apparently about the average age for a pillow—it has been estimated that one-tenth of its weight will be made up of “sloughed skin, living mites, dead mites and mite dung,” to quote the man who did the measuring, Dr. John Maunder of the British Medical Entomology Center. (But at least they are your mites. Think of what you snuggle up with each time you climb into a motel bed.)‡ These mites have been with us since time immemorial, but they weren’t discovered until 1965.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Hickock whistled and rolled his eyes. "Wow!" he said, and then, summoning his talent for something very like total recall, he began an account of the long ride--the approximately ten thousand miles he and Smith had covered in the past six weeks. He talked for an hour and twenty-five minutes--from two-fifty to four-fifteen--and told, while Nye attempted to list them, of highways and hotels, motels, rivers, towns, and cities, a chorus of entwining names: Apache, El Paso, Corpus Christi, Santillo, San Luis Potosi, Acapulco, San Diego, Dallas, Omaha, Sweetwater, Stillwater, Tenville Junction, Tallahassee, Needles, Miami, Hotel Nuevo Waldorf, Somerset Hotel, Hotel Simone, Arrowhead Motel, Cherokee Motel, and many, many more. He gave them the name of the man in Mexico to whom he'd sold his own 1940 Chevrolet, and confessed that he had stolen a newer model in Iowa. He described persons he and his partner had met: a Mexican widow, rich and sexy; Otto, a German “millionaire”; a “swish” pair of Negro prizefighters driving a “swish” lavender Cadillac; the blind proprietor of a Florida rattlesnake farm; a dying old man and his grandson; and others. And when he had finished he sat with folded arms and a pleased smile, as though waiting to be commended for the humor, the clarity, and the candor of his traveler’s tale.
”
”
Truman Capote (In Cold Blood)
“
Hold On"
They hung a sign up in our town
"If you live it up, you won't live it down"
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, "don't look back, just come on, Jim"
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone's looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said, "baby, I still love you"
Sometimes there's nothin' left to do
Oh, but you got to hold on, hold on
Babe, you gotta hold on and take my hand
I'm standing right here, you gotta hold on
Well, God bless your crooked little heart
St. Louis got the best of me
I miss your broken China voice
How I wish you were still here with me
Oh, you build it up, you wreck it down
Then you burn your mansion to the ground
Oh, there's nothing left to keep you here
But when you're falling behind in this big blue world
Oh, you've got to hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it's so hard to dance that way
When it's cold and there's no music
Oh, your old hometown's so far away
But inside your head there's a record that's playing
A song called "Hold On", hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
”
”
Tom Waits (Tom Waits: Mule Variations Piano, Vocal and Guitar Chords)
“
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
”
”
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
“
easy. Unable to slow my mind. The room temperature was a pleasant seventy degrees, yet beads of sweat dripped down my neck onto the hard pillow. There was no noise from other motel rooms. No wild teenage party down the walkway. No loud snores from a traveling salesman next door. Just the unsteady rattle of an old air conditioner in the ceiling, the squeak
”
”
Chad Zunker (The Tracker (Sam Callahan, #1))
“
Reacher kept the guy talking all the way through Minnesota, which he figured was his job, like human amphetamine. Anything to keep the guy awake. Anything to avoid the old joke: I want to die peacefully in my sleep like Grandpa. Not screaming in terror like his passengers. The resulting conversation spiralled off in all kinds of different directions. Institutional injustices in the milk business were exposed. Grievances were aired. Then the guy wanted to hear war stories, so Reacher made some up. The big truck stop came along soon enough. The guy had not been exaggerating. There was an acres- wide fuel stop, and a spreading two- storey motel a hundred yards long, and a warehouse- sized family restaurant, blazing with neon outside and fluorescence inside. There were back- to- back eighteen- wheelers wheezing in and out, and all kinds of cars and trucks and panel vans.
”
”
Lee Child (The Midnight Line (Jack Reacher, #22))
“
I’m Mrs. Roach,” the old woman said, writing Mallory’s name down in the book. “Oh! Ha. Roach Motel,” Mallory said, suddenly smiling. “That makes me feel better.” “It shouldn’t. The cockroaches are nicer than I am,” the old woman muttered, slamming the book shut. “Or so I’m told.
”
”
Clayton Smith (Anomaly Flats)
“
Speaking of frightening, have you seen Charlie or Vicky? We made them leave the hotel because they kept loving all over each other. And not the fun to watch kind." "Not since we got back." Queen Victoria XXX and Chester A. Arthur XVII had spent the past two weeks either holding hands and skipping through fields of daisies, or in cheap motels doing terrible, terrible things to one another. Currently, they were at a charming Italian restaurant – situated in an old German restaurant and run by a Chinese family – holding hands, staring deeply into one another's eyes, talking about their future, and "not" having a serious, meaningful relationship.
”
”
Eirik Gumeny (Dead Presidents (Exponential Apocalypse Book 2))
“
But instead, my father sat us down for an explanation of lesbianism....
...I was mortified, and looked over at my girlfriend to see if this was all registering with her, but she was too busy daydreaming to notice the runaway train that was thundering thought the motel room. She hadn't spoken a single word to any of the adults so far on the trip, and even when she occasionally spoke to me, it was in such a eerily quiet tone that only a nine-year-old- girl or a dog could hear it. I'm pretty sure that Bob and Donna thought she was a deaf-mute, albeit one who could miraculously sense the vacuum seal breaking on a can of Pringles from a mile away.
I was eager to let the whole thing go, when my friend asked casually, 'But what's munching the carpet got to do with anything?
”
”
Samantha Bee (I Know I Am, But What Are You?)
“
I liked my old place, a rehabbed motel room in the shadow of the Vegas strip. Really felt like home—until a psycho half-demon pitched a Molotov cocktail through my window.
”
”
Craig Schaefer (The Living End (Daniel Faust, #3))
“
Now Solidarity House was located at 8000 East Jefferson on property that was hauntingly familiar. Edsel and Eleanor Ford once had owned a riverfront mansion on that very site. The family moved there when Henry II, the oldest of four children, was four, and left when he was nine, moving on up to a new mansion in Grosse Pointe Shores designed by Albert Kahn. The old place on East Jefferson was gone now, but the original boathouse still stood in back of an undistinguished building that looked more like a cut-rate motel than UAW headquarters, a center of the labor movement.
”
”
David Maraniss (Once in a Great City: A Detroit Story)
“
To summarize, these are the three main problems of bed-and-breakfast establishments: throw pillows, potpourri, and breakfast conversation, and the fourth problem is gazebos. And the fifth problem is water features. And the sixth problem is themed rooms, and the seventh problem is provenance (who owned the inn before and who owned the inn before that, and who owned it before that, and what year the bed-and-breakfast was built, and how old the timber is in the main hall), and the eighth problem is pride of ownership, because why can't it just be a place you stay, why does it always have to be an ideological crusade? And the ninth problem is excessive amounts of regional advice. And the tenth problem is the absence of telephones. Even if you aren't going to use the telephone, you want to know that the telephone is there. And the eleventh problem is price. There is no bed-and-breakfast that you can see from the interstate that says $39.95 in a neon sign above it, and although you can really sleep peacefully in the bed-and-breakfast if you are the sort of person who can be comfortable in the presence of a superabundance of pillows, that rush of uncertainty and danger that you get from the motel by the interstate is absent.
”
”
Rick Moody (Hotels of North America: A Novel)
“
Supposedly, the cabin was at least a hundred years old, and it had a reputation of bringing lovers together on Christmas Eve. People came there in bad weather, looking for an inn, but there was no record of an inn being on or near that property. There was a Motel 6 twenty miles away and nothing beyond that Keith had ever been able to find on any map, no matter how old. No
”
”
S.E. Jakes (Bound for Keeps (Men of Honor, #5))
“
I’m sure.” I smiled and took a sip of coffee. “I don’t want to be stranded on the side of the road. Will that old thing even make it that far?” He looked toward his truck. “That old thing hasn’t let me down yet.” “So how long will it take to get there?” “’bout six, six and a half hours. That should give me time to get settled into my motel room and practice a little before I go to the studio in the morning.” I nodded. “Have you had breakfast?” “I ate at Mrs. Wrigley’s when I dropped Amy off.” “How about a cup of coffee?” I said. “No thanks. It’ll just make me have to stop and pee.” I laughed. I stood and stepped to him. “Call me when you get there. Okay?” “I’ll call. I promise.” He turned to look down at Bo, who sat in the yard looking up at us, stick in mouth, waiting. “I asked Mike to keep an eye on you while I’m gone,” he said. “The
”
”
Heather Meyer (The Music Box)
“
But you get tired fast,” I tease, “like old men.” Liam laughs lightly. “I know we seem childish and carefree,” he says, “but we actually do have crazy hours. It’s Friday night, so you can bet that we both haven’t had a full night’s sleep all week.” He yawns loudly. “Okay, I can’t even make it to a motel. I saw a sign for a rest stop a few miles back, and I’ll pull over as soon as I see it. I think Owen has blankets in the trunk.” “A rest stop?” I ask nervously. “Is that safe?” “It’s safer than crashing and dying.” I ponder this for a moment, but as I’m worrying, I feel myself beginning to yawn. I must be getting old, too, for I could also use a nap. When Liam pulls over and parks the car, I am already dozing off. I hear the car door open and close as he moves to the trunk to gather blankets. He opens the door nearest to me and drapes a blanket over my legs. “Feel free to lie down and get comfortable,” he tells me. “Would it be better for you to come and rest in the backseat?” I offer quietly. “I don’t want to make you uncomfortable,” he says. “I’ll be fine in the front.” He shuts the door and moves back around the car to the driver’s side. Once he gets into the car, he locks the doors and turns the heat up. “Wow, Owen is completely out,” he observes as he tugs a blanket over his friend. “He doesn’t seem to mind sleeping like this. I think I’m tired enough not to care.” I unbuckle my seatbelt and stretch my legs out on the seat. My feet collide with my backpack, and I reach out to lift it and place it on the ground to give myself more room. I begin
”
”
Loretta Lost (Clarity (Clarity, #1))
“
The civil rights clashes of the 1950s and '60s came and went without changing much in the lives of Forsyth's quiet country people, who in the decades after World War II had been busy erecting chicken houses in their old corn and cotton fields, as America's expanding poultry industry brought new prosperity to north Georgia. The county seat may have been just a short drive from Ebenezer Baptist - the home church of Martin Luther King Jr. and one of the epicenters of the American civil rights movement - but with no blacks residents to segregate from whites, there were no 'colored' drinking fountains in the Cumming courthouse, and no 'whites only' signs in the windows of Cumming's diners and roadside motels. Instead, as segregationists all over the South faced off against freedom riders, civil rights marches, and lunch-counter sit-ins, Forsyth was a bastion of white supremacy that went almost totally unnoticed.
”
”
Patrick Phillips (Blood at the Root: A Racial Cleansing in America)
“
So, you put in a no-show for the turkey,” Sean said. “What’s up with that? You’re stateside, you’re not that far away….” “I have things to do here, Sean,” he said. “And I explained to Mother—I can’t leave Art and I can’t take him on a trip.” “So I heard. And that’s your only reason?” “What else?” “Oh, I don’t know,” he said, as if he did know what else. “Well then, you’ll be real happy to hear this—I’m bringing Mother to Virgin River for Thanksgiving.” Luke was dead silent for a moment. “What!” Luke nearly shouted into the phone. “Why the hell would you do that?” “Because you won’t come to Phoenix. And she’d like to see this property you’re working on. And the helper. And the girl.” “You aren’t doing this to me,” Luke said in a threatening tone. “Tell me you aren’t doing this to me!” “Yeah, since you can’t make it to Mom’s, we’re coming to you. I thought that would make you sooo happy,” he added with a chuckle in his voice. “Oh God,” he said. “I don’t have room for you. There’s not a hotel in town.” “You lying sack of shit. You have room. You have two extra bedrooms and six cabins you’ve been working on for three months. But if it turns out you’re telling the truth, there’s a motel in Fortuna that has some room. As long as Mom has the good bed in the house, clean sheets and no rats, everything will be fine.” “Good. You come,” Luke said. “And then I’m going to kill you.” “What’s the matter? You don’t want Mom to meet the girl? The helper?” “I’m going to tear your limbs off before you die!” But Sean laughed. “Mom and I will be there Tuesday afternoon. Buy a big turkey, huh?” Luke was paralyzed for a moment. Silent and brooding. He had lived a pretty wild life, excepting that couple of years with Felicia, when he’d been temporarily domesticated. He’d flown helicopters in combat and played it loose with the ladies, taking whatever was consensually offered. His bachelorhood was on the adventurous side. His brothers were exactly like him; maybe like their father before them, who hadn’t married until the age of thirty-two. Not exactly ancient, but for the generation before theirs, a little mature to begin a family of five sons. They were frisky Irish males. They all had taken on a lot: dared much, had no regrets, moved fast. But one thing none of them had ever done was have a woman who was not a wife in bed with them under the same roof with their mother. “I’m thirty-eight years old and I’ve been to war four times,” he said to himself, pacing in his small living room, rubbing a hand across the back of his neck. “This is my house and she is a guest. She can disapprove all she wants, work her rosary until she has blisters on her hands, but this is not up to her.” Okay, then she’ll tell everything, was his next thought. Every little thing about me from the time I was five, every young lady she’d had high hopes for, every indiscretion, my night in jail, my very naked fling with the high-school vice-principal’s daughter…. Everything from speeding tickets to romances. Because that’s the way the typical dysfunctional Irish family worked—they bartered in secrets. He could either behave the way his mother expected, which she considered proper and gentlemanly and he considered tight-assed and useless, or he could throw caution to the wind, do things his way, and explain all his mother’s stories to Shelby later.
”
”
Robyn Carr (Temptation Ridge)
“
Coyote Mountain too much for her, alone with pine trees up to your neck, wooden bench by the Pecos River which runs
silver in the winter untold. Dust-bit dirt lonely Indians with wet brown bellies which the moon shines upon like a frosty lake, the silver show of market stalls and paintings of four pitiful horses likes of which the Spanish brought under the Mexican memory of nightfall but the old
Ming china-woman on her rickety bicycle with broken straw hat with bow-legged strength,simply; the perfect depiction of the fellaheen world riddled with ancient endeavour, the old china women of the world you’ll find them so perfect in all your cities under the twinkle of stars. The
would be fishermen of dawn, collected wintery downpours and sunlight situations which never beckon further than his share, meant on this earth , match stick motels which warp your loving tales of good mornings or whichever is left.
”
”
Samuel J Dixey (An evening in Autumn: The unbegotten procession)
“
walked down the hill and stuck out my thumb, standing in the same spot where I had stood when I hitchhiked to high school. My clothes and gear were in my official Boy Scout backpack, a big old thing on an aluminum rack, with my sleeping bag and pup tent lashed to it. I’d been a serious Boy Scout — I joined at 12, after my failed Little League career, and took to it immediately, racking up merit badges and making it all the way to Eagle Scout. I knew first aid, how to start a fire in the rain, how to make a mean camp stew, and lots of other useful stuff. And I didn’t mind sleeping outside, which was a good thing, since there was no way I could afford motels. My official Boy Scout sheath knife, a serious piece of business with a leather-wrapped handle and a five-inch blade, was also in the pack; I’d move it into my boot by the end of the first day.
”
”
David Noonan (Attempted Hippie)
“
we are born into this world on the tailcoats of a scream. born into gritted teeth and a shock of red across the pristine. born into a solemn hush. are you evil? you, who tore into this world on a steed of crimson… are you a monster? we are born as angels, toothless, a mouth a gurgling brook. and as we grow, so do our wings, until we are high enough to see that our church is no more than a small forest and the altar a tree. are you a monster, angel with fangs? all teeth, thick with teeth, you can’t even close your mouth anymore. it rains and it’s like drowning.
corn husk skin and we’re born again. into a time of being tied down, to a person, to a bed. a time of clipped wings. of holy cries out to a void. your wildness a convenience store in the desert, pale pink, dusty, arid. your wildness staring longingly at the screaming horizon and flicking another cigarette butt into the dirt, a lone oscillating fan its only company. we’re born into this concrete world, where sanctuary is to be alone or to pretend to like it. this world of broken bottles instead of leaf crunch. roadside motels proclaiming vacancies. inside and out. that pluck your heartstrings. a new church, a fresh sin. the altar now a white railing against a muted matte pink wall. you lean against it, hips jutted to the side. some of the eighties still lingers. you see a man in a leather jacket kissing a girl’s neck purple. he looks up. teeth are everywhere. hundreds of glistening teeth. you turn away. your wings shush against an old telephone booth, door forced closed. you’re calling your mother to say you’re sorry for hurting her, but when she answers you hang up.
”
”
Taylor Rhodes (calloused: a field journal)
“
Mr. Trump ordered his advance team to book only hotels that were less than six months old. He didn’t care if it was a Motel 6 or a Four Seasons, just as long as it was brand-new. He didn’t like the dust. And if you sneezed around him, he would make you go to the back of the plane. So they decided not to tell him that part of his Secret Service protection was a sweep of the jet by a bomb-sniffing dog. Mr. Trump would have exploded had he known that some wet-nosed mongrel was all over his beautiful leather seats, never mind the dog hairs that were undoubtedly everywhere.
”
”
Corey R. Lewandowski (Let Trump Be Trump: The Inside Story of His Rise to the Presidency)
“
BOXCAR CHILDREN SURPRISE ISLAND THE YELLOW HOUSE MYSTERY MYSTERY RANCH MIKE’S MYSTERY BLUE BAY MYSTERY THE WOODSHED MYSTERY THE LIGHTHOUSE MYSTERY MOUNTAIN TOP MYSTERY SCHOOLHOUSE MYSTERY CABOOSE MYSTERY HOUSEBOAT MYSTERY SNOWBOUND MYSTERY TREE HOUSE MYSTERY BICYCLE MYSTERY MYSTERY IN THE SAND MYSTERY BEHIND THE WALL BUS STATION MYSTERY BENNY UNCOVERS A MYSTERY THE HAUNTED CABIN MYSTERY THE DESERTED LIBRARY MYSTERY THE ANIMAL SHELTER MYSTERY THE OLD MOTEL MYSTERY T
”
”
Gertrude Chandler Warner (Houseboat Mystery (The Boxcar Children Mysteries))
“
Deke smiled at the long, straight highway ahead of him. “Then again, I’d give it all up if I could have what Fiona and Jud have. Or Allie and Blake or Toby and Lizzy. All of them make my heart hurt to have someone to go home at night to like they do,” he said. “I should have listened to Granny Irene when she kept telling me that I couldn’t find a woman to settle down with in the bars.” Cheyenne, Wyoming, was bitter cold that night when he stopped at a small motel with a neon sign that said truckers were welcome. That usually meant they wouldn’t fuss about a dog, and besides it was past nine o’clock. The manager was most likely eager to rent out whatever rooms he could at that point. “Help you, sir?” An older lady looked up from the check-in desk. “Just need a room. Be out early in the morning, but I do have a dog. He’s housebroken and old, so he won’t cause any damage.” “Ten-dollar fee for any animals. It’s not one of those yippy little dogs, is it? I only got one room left and it’s right next door to an elderly couple. Wouldn’t want them calling me because your dog barked
”
”
Carolyn Brown (Wicked Cowboy Charm)
“
It's like crawling into a cave
I always knew was there
but never explored.
I remember putting my head
into his salesman's briefcase
when I was young.
This time the bright eye
I entered pulls
away, a helium balloon.
The musty air wheezes, sighs
trapped for years in old motel rooms.
Further down the sound
turns to grey drippings
that fall on my cheeks.
Some boy has been here before.
Burned matches in a corner,
a tennis shoe, unreadable scratchings
on the walls. This is far
enough. Turning to find my way
out, I tiptoe along a narrow black stream
where white hands are rising,
sinking.
I find myself stepping
into the water: like slipping
my small feet into large dark shoes, it is
deeper than I expected. Up
to my knees, my waist,
I see the opening again—
a circle of sky cut with a dull car key,
a blue mouth singing a melody
I know by heart
but have never heard before.
As I go
under, my arms,
thick as my father's,
reach above the surface
then return
to embrace me.
”
”
William Meissner
“
We were entering New York City now, via some highway that cut across the Bronx. Unfamiliar territory for me. I am a Manhattan boy; I know only the subways. Can’t even drive a car. Highways, autos, gas stations, tollbooths—artifacts out of a civilization with which I’ve had only the most peripheral contact. In high school, watching the kids from the suburbs pouring into the city on weekend dates, all of them driving, with golden-haired shikses next to them on the seat: not my world, not my world at all. Yet they were only sixteen, seventeen years old, the same as I. They seemed like demigods to me. They cruised the Strip from nine o’clock to half past one, then drove back to Larchmont, to Lawrence, to Upper Montclair, parking on some tranquil leafy street, scrambling with their dates into the back seat, white thighs flashing in the moonlight, the panties coming down, the zipper opening, the quick thrust, the grunts and groans. Whereas I was riding the subways, West Side I.R.T. That makes a difference in your sexual development. You can’t ball a girl in the subway. What about doing it standing up in an elevator, rising to the fifteenth floor on Riverside Drive? What about making it on the tarry roof of an apartment house, 250 feet above West End Avenue, bulling your way to climax while pigeons strut around you, criticizing your technique and clucking about the pimple on your ass? It’s another kind of life, growing up in Manhattan. Full of shortcomings and inconve-niences that wreck your adolescence. Whereas the lanky lads with the cars can frolic in four-wheeled motels. Of course, we who put up with the urban drawbacks develop compensating complexities. We have richer, more interesting souls, force-fed by adversity. I always separate the drivers from the nondrivers in drawing up my categories of people. The Olivers and the Timothys on the one hand, the Elis on the other. By rights Ned belongs with me, among the nondrivers, the thinkers, the bookish introverted tormented deprived subway riders. But he has a driver’s license. Yet one more example of his perverted nature.
”
”
Robert Silverberg (The Book of Skulls)
“
What are you up to?
I tell her, a little proud that I can answer with something truthful, that I'm not just passed out in a motel room, begging for sleep to save me from my thoughts. You?
The same thing I do every night, Carlos.
Trying to take over the world? I write, sure she's making a Pinky and the Brain reference, this old cartoon that Felix got me into.
”
”
Adi Alsaid (North of Happy)
“
I started telling him about how when we first got to America, we had to live in Old Man Jimmy’s garage. Old Man Jimmy was an out-of-work truck driver who rented half his garage to us for $200 a month. I would go to sleep curled up next to his Dodge Charger, Shelby, and wake up every morning to the jingle of his keys. Even when we moved out, my parents’ jobs were barely enough to pay for a small one-bedroom apartment. That’s when we applied for a job working and living at the Calivista Motel. But of course the owner, Jason’s dad, turned out to be a real miser.
”
”
Kelly Yang (Room to Dream (Front Desk #3))
“
The headline jumps out at me: Woman Found Murdered in New Hampshire Motel. The woman in question was twenty-five-year-old Christina Marsh.
”
”
Freida McFadden (Do Not Disturb)
“
Nah. We live in that old house right behind the motel.
”
”
Freida McFadden (Do Not Disturb)
“
There is something uniquely ugly and depressing about commercial strips in the old South, great expanses of parking lots, motels, fast-food
”
”
Nelson DeMille (The General's Daughter)
“
I grew up in a day and age where hitting .250 in any given season made you a god. It was a smaller game back then. You had to hit smart and run well. There was mind to it. Then they put in a jackrabbit ball and it became a thing of brawn. You had to pitch the seams off the goddam thing or knock it into the stands every game if you wanted to be anyone. The people want that action and maybe you can give it to them for a time. But your fame will not last. It's how you play the game day in and day out, through cold streaks and shit-hole road trips. You better enjoy every goddam bus and rain delay and asswipe motel and old loud-mouthed manager and drop to the minors. Because that's what this is. It ain't glory. It's a long, ugly haul. And at the end of the day you may be a hero or you may be a washed up never been. That's all.
”
”
Dan Johnson (Brea or Tar)
“
Hank Schacter, Chip’s seventeen-year-old brother, emerged from around the side of the motel, smirking, two more snowballs at the ready. Hank was a meathead and a jerk. I never would have willingly invited him on a mission, but as my resident adviser at spy school, he’d been brought along as a chaperone. Somehow, he’d scored his own space—albeit an extremely cramped one that barely had room for a twin bed. “We’re on a CIA mission, Ripley,” he scolded. “You can’t drop your guard like that. We can’t have anyone making dumb mistakes.” “Like announcing that we’re on a CIA mission in a public space?” I asked. Hank tried to think of a response, failed, and then threw another snowball at me.
”
”
Stuart Gibbs (Spy Ski School (Spy School, #4))
“
I’m not old, but I’ve misused my body and let others misuse it, and I think it shows.
”
”
Lisa Unger (The Sleep Tight Motel (Dark Corners Collection, #2))
“
and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her
”
”
Lee Child (The Midnight Line (Jack Reacher, #22))
“
We inaugurate the evening
Just drumming up a little weirdness
It gets late so early now
The waves come in in mountain phases
Linked impossibilities
Branching possibilities
I’d see fire where it's not supposed to be
In the empty library at suppertime
By the respirating basement door
The dog eats out of an old tambourine on the floor
I’ve been told you can live a long, long time on the love of a dog
And that things get bitter and bad
When the people are wrong
And sleep can be had for the price of a song
Late in the day
When the options are gone
When the seatbelt’s the only hug you’ve felt in weeks
When wrong numbers are the totality of your social life
The obscure strategies of wildlife
Only flummox the hell out of you, kid
I first saw her in a megastore
The Day-Glo raven
Born into a free fall
Like plastic Easter basket grass
Falling from an overpass
The fulfillment of a tenth grade prophecy
A motel masterpiece
Blind to the branching possibilities
Blind to linked impossibilities
Teardrops were standing in my eyes
Like deer before they bolt
It was like I was stretching my arm through the cat door to heaven
I was thinking I could lick the frosting off these summer days if nights were half as sweet
Me like a banged up dog walking half sideways
I adored the way she modified my mornings
When I’d wake up in the calm shoals of her bed
Somersaults and smoke and a universe of sleep
Before she slipped into her heritage
And disappeared
Now every second thought is out of control
I guess in a way I long to be rad
When I was with her it felt wrong to be sad
Did I tell you an angel finally came and shut my mouth?
There was a smile and a tear in her voice too
And she taught me
To relight
Relight and relight again
They tell me you can live a long, long time on the love of a dog
Things get bitter and bad
And sleep can be had
Late in the day when the options seem gone
Please let your eyes be a friend to me again
It’s just malfunctioning teardrops
A cowboy overflow of the heart
”
”
David Berman
“
someone had taken a half-hearted stab at redecorating the motel to a more traditional country-style and succeeded only in making it look like Neptune's Castle had eaten an old barn and thrown half of it up on its shirt.
”
”
Paul Taylor (Shadowville: Book One of The Shadow Eaters)