“
All these people talk so eloquently about getting back to good old-fashioned values. Well, as an old poop I can remember back to when we had those old-fashioned values, and I say let's get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States -- and to hell with the censors! Give me knowledge or give me death!
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Kurt Vonnegut Jr.
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To succeed in life, you need three things: a wishbone, a backbone and a funnybone.”—Reba McEntire
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Reba McEntire (Comfort from a Country Quilt: Finding New Inspiration and Strength in Old-Fashioned Values)
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For instance? Well, for instance, what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person. Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home. Which permitted savagery and barbarism in its own great cities. At the same time, the pressure of human millions who have discovered what concerted efforts and thoughts can do. As megatons of water shape organisms on the ocean floor. As tides polish stones. As winds hollow cliffs. The beautiful supermachinery opening a new life for innumerable mankind. Would you deny them the right to exist? Would you ask them to labor and go hungry while you yourself enjoyed old-fashioned Values? You—you yourself are a child of this mass and a brother to all the rest. or else an ingrate, dilettante, idiot. There, Herzog, thought Herzog, since you ask for the instance, is the way it runs.
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”
Saul Bellow (Herzog)
“
All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies.
The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.
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Iain Banks (The Player of Games (Culture #2))
“
We are now ready to tackle Dickens. We are now ready to embrace Dickens. We are now ready to bask in Dickens. In our dealings with Jane Austen we had to make a certain effort to join the ladies in the drawing room. In the case of Dickens we remain at table with our tawny port. With Dickens we expand. It seems to me that Jane Austen's fiction had been a charming re-arrangement of old-fashioned values. In the case of Dickens, the values are new. Modern authors still get drunk on his vintage. Here, there is no problem of approach as with Austen, no courtship, no dallying. We just surrender ourselves to Dickens' voice--that is all. If it were possible I would like to devote fifty minutes of every class meeting to mute meditation, concentration, and admiration of Dickens. However my job is to direct and rationalize those meditations, that admiration. All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder-blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle. Let us be proud of being vertebrates, for we are vertebrates tipped at the head with a divine flame. The brain only continues the spine, the wick really runs through the whole length of the candle. If we are not capable of enjoying that shiver, if we cannot enjoy literature, then let us give up the whole thing and concentrate on our comics, our videos, our books-of-the-week. But I think Dickens will prove stronger.
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Vladimir Nabokov (Lectures on Literature)
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There's no such thing as old-fashioned values. There are just values. Right has always been right and wrong has always been wrong...People have just lost sight of what's truly important.
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J.M. Hill (Saving Grace)
“
What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.
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Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
I wouldn’t have turned out the way I was if I didn’t have all those old-fashioned values to rebel against.
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Madonna
“
They suffered cold and heat, hard work and privation as did others of their time. When possible they turned bad into good. If not possible, they endured it. Neither they nor their neighbors begged for help. No other person, nor the government, owed them a living. They owed that to themselves and in some way they paid the debt. And they found their own way.
Their old fashioned character values are worth as much today as they ever were to help us over the rough places. We need today courage, self reliance and integrity.
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Laura Ingalls Wilder
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Deep work is at a severe disadvantage in a technopoly because it builds on values like quality, craftsmanship, and mastery that are decidedly old-fashioned and nontechnological. Even worse, to support deep work often requires the rejection of much of what is new and high-tech.
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Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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More recently, we’ve reached the lowest common denominator, and populism, politics and media have dispensed with old-fashioned values such as truth, honour and chivalry, to the point of arguing, in an Orwellian way, that “up is down”, “wrong is right”, and “truth is fake news”.
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H.M. Forester (Secret Friends: The Ramblings of a Madman in Search of a Soul)
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The quotes, talks, and speeches presented here are rooted in the old-fashioned Midwestern values for which Charlie has become known: lifelong learning, intellectual curiosity, sobriety, avoidance of envy and resentment, reliability, learning from the mistakes of others, perseverance, objectivity, willingness to test one’s own beliefs, and many more. But his advice comes not in the form of stentorian admonishments; instead, Charlie uses humor, inversions (following the directive of the great algebraist [Carl] Jacobi to “invert, always invert”), and paradox to provide sage counsel about life’s toughest challenges.
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Charles T. Munger (Poor Charlie’s Almanack: The Essential Wit and Wisdom of Charles T. Munger)
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A traditionalist’s values are gleaned from all that is good in the past.
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Fennel Hudson (Traditional Angling: Fennel's Journal No. 6)
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There are people everywhere who form a Forth World, or a diaspora of their own. They are the lordly ones. They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to believe that its natural capital is Trieste.
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Jan Morris (Trieste and The Meaning of Nowhere)
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the tart values of New England were the essence of his character. He was full of Yankee quirks and biases. He could be crotchety in his behavior and literary taste, obtuse and old-fashioned. And yet, Brooks believed, Windsor and all it stood for had kept him at heart ”so direct, so uninfluenced by prejudice, so unclouded by secondary feelings, so immediate, so fresh.“ Max’s was a New England mind, filled with dichotomies.
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A. Scott Berg (Max Perkins: Editor of Genius)
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There are people everywhere who form a Fourth World, or a diaspora of their own.
They are the lordly ones! They come in all colors.
They can be Christians or Hindus or Muslims or Jews or pagans or atheists.
They can be young or old, men or women, soldiers or pacifists, rich or poor.
They may be patriots, but they are never chauvinists.
They share with each other, across all the nations, common values of humor and understanding.
When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically.
They laugh easily. They are easily grateful. They are never mean.
They are not inhibited by fashion, public opinion, or political correctness.
They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it.
It is the nation of nowhere.
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”
Jan Morris
“
Even though the woman was not human—the land—or was less than human—a cow—farming had the symbolic overtones of old-fashioned agrarian romance: plowing the land was loving it, feeding the cow was tending it. In the farming model, the woman was owned privately; she was the homestead, not a public thoroughfare. One farmer worked her. The land was valued because it produced a valuable crop; and in keeping with the mystique of the model itself, sometimes the land was real pretty, special, richly endowed; a man could love it. The cow was valued because of what she produced: calves, milk; sometimes she took a prize. There was nothing actually idyllic in this. As many as one quarter of all acts of battery may be against pregnant women; and women die from pregnancy even without the intervention of a male fist. But farming implied a relationship of some substance between the farmer and what was his: and it is grander being the earth, being nature, even being a cow, than being a cunt with no redeeming mythology. Motherhood ensconced a woman in the continuing life of a man: how he used her was going to have consequences for him. Since she was his, her state of being reflected on him; and therefore he had a social and psychological stake in her welfare as well as an economic one. Because the man farmed the woman over a period of years, they developed a personal relationship, at least from her point of view: one limited by his notions of her sex and her kind; one strained because she could never rise to the human if it meant abandoning the female; but it was her best chance to be known, to be regarded with some tenderness or compassion meant for her, one particular woman.
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Andrea Dworkin (Right-Wing Women)
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He was a noisy robust little man with a gleam of real talent concealed in the messy obscurity of his verse. But because he did his best to shock people with his monstrous mass of otiose words (he was the inventor of the “submental grunt” as he called it), his main output seems now so nugatory, so false, so old-fashioned (super-modern things have a queer knack of dating much faster than others) that his true value is only remembered by a few scholars who admire the magnificent translations of English poems made by him at the very outset of his literary career,—
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Vladimir Nabokov (The Real Life of Sebastian Knight)
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Some of his [Chester Bowles's] friends thought that his entire political career reflected his background, that he truly believed in the idea of the Republic, with an expanded town-hall concept of politics, of political leaders consulting with their constituency, hearing them out, reasoning with them, coming to terms with them, government old-fashioned and unmanipulative. Such governments truly had to reflect their constituencies. It was his view not just of America, but of the whole world. Bowles was fascinated by the political process in which people of various countries expressed themselves politically instead of following orders imposed by an imperious leadership. In a modern world where most politicians tended to see the world divided in a death struggle between Communism and free-world democracies, it was an old-fashioned view of politics; it meant that Bowles was less likely to judge a country on whether or not it was Communist, but on whether or not its government seemed to reflect genuine indigenous feeling. (If he was critical of the Soviet leadership, he was more sympathetic to Communist governments in the underdeveloped world.) He was less impressed by the form of a government than by his own impression of its sense of legitimacy. ... He did not particularly value money (indeed, he was ill at ease with it), he did not share the usual political ideas of the rich, and he was extremely aware of the hardships with which most Americans lived. Instead of hiring highly paid consultants and pollsters to conduct market research, Bowles did his own canvassing, going from door to door to hundreds of middle- and lower-class homes. That became a crucial part of his education; his theoretical liberalism became reinforced by what he learned about people’s lives during the Depression.
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David Halberstam (The Best and the Brightest)
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Catch a customer with emotion and you will have a customer for a day; but, capture a customer with value and you will keep a customer for a lifetime. I truly believe in good, old-fashioned values when it comes to business. That is what timelessness is made of! At the end of the day, the question is, “Do you want to build a good hut for a day or do you want to build a good fortress for a lifetime?” Quality, value, understanding the needs of your clientele— that’s how you build a legacy. Connect with people, because you can never underestimate just how many people out there are yearning for any form of good interpersonal connection that they can find and when you can provide that as a brand name, you can allow the person behind your business to shine through. That’s how timelessness is created. It’s not created by luring people into a myth; it’s created by making connections, by remembering people’s names, by being genuinely interested in everybody.
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C. JoyBell C.
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[Obituary of atheist philosopher Richard Robinson]
An Atheist's Values is one of the best short accounts of liberalism (a term Robinson accepted) and humanism (a term he ignored) produced during the present century, all the more powerful for its lucidity and moderation, its wit and wisdom. It may now seem old-fashioned, but during those confused alarms of struggle and fight between the ignorant armies of left and right, thousands of readers must have taken inspiration from Richard Robinson's rational defence of rationalism.
It is a pity that it is now out of print, when there is still so much nonsense and so little sense in the world.
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Nicolas Walter
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One often hears that today’s cultural war is fought between traditionalists who believe in a firm set of values and postmodern relativists who consider ethical rules, sexual identities, and so on as a result of contingent power games. But is this really the case? The ultimate postmodernists today are conservatives themselves. Once traditional authority loses its substantial power, it is not possible to return to it—all such returns today are a postmodern fake. Does Trump enact traditional values? No, his conservativism is a postmodern performance, a gigantic ego trip. Playing with “traditional values,” mixing references to tradition with open obscenities, Trump is the ultimate postmodern president, while Sanders is an old-fashioned moralist.
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Slavoj Žižek (Heaven in Disorder)
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She concluded with a statement of her philosophy: “Running through all the stories, like a golden thread, is the same thought of the values of life. They were courage, self reliance, independence, integrity and helpfulness. Cheerfulness and humor were handmaids to courage.” Describing her parents’ travails, she wrote: When possible, they turned the bad into good. If not possible, they endured it. Neither they nor their neighbors begged for help. No other person, nor the government, owed them a living. They owed that to themselves and in some way they paid the debt. And they found their own way. Their old fashioned character values are worth as much today as they ever were to help us over the rough places. We need today courage, self reliance and integrity.107
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Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
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I’m about as political as a Bengal tiger. . . . I have a feeling that a nation is more than just government, laws and rules. It’s an attitude. It’s the people’s outlook. Dean Martin once asked me what I wanted for my baby daughter, and I realize now that my answer was kind of an attitude toward my country. Well, he asked me this on election day and the bars were closed anyway, so he had a lot of time to listen and I told him. . . . I told him that I wanted for my daughter Marisa what most parents want for their children. I wanted to stick around long enough to see that she got a good start and I would like her to know some of the values that we knew as kids, some of the values that an articulate few now are saying are old-fashioned. But most of all I want her to be grateful, as I am grateful for every day of my life that I spend in the United States of America. . . . I don’t care whether she ever memorizes the Gettysburg Address or not, but I want her to understand it, and since very few little girls are asked to defend their country, she will probably never have to raise her hand to that oath, but I want her to respect all who do. I guess that is what I want for my girl. That is what I want for my country, and that’s what I want for the men that you people are going to pick from here to go shape our destinies.
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Scott Eyman (John Wayne: The Life and Legend)
“
There are people everywhere who form a Fourth World, or a diaspora of their own. They are the lordly ones. They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but they are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to think that its natural capital is Trieste.
”
”
Jan Morris (Trieste and The Meaning of Nowhere)
“
The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What’s new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow
”
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Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
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Karl Popper urges us to be constantly on our guard against the fashionable disease of our time: the assumption that things cannot be taken at their face value, that an apparent syllogism must be the rationale of an irrational motive, that a human avowal must conceal some self-seeking baseness. (Freud assures us that Leonardo’s John the Baptist is a homosexual symbol, his upward-pointing index finger seeking to penetrate the fundament of the universe; art historians know that it is a centuries-old cliché of Christian iconography.)
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Kyril Bonfiglioli (Don't Point That Thing at Me (Charlie Mortdecai #1))
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Anyway, you now owe $117,500 on the house. After that five years, once the house gets 90 percent loan-to-value—that means you’re getting close to getting underwater—the bank ‘recasts’ the loan and now flips you to a full am, which means you pay an old-fashioned mortgage, which is principal plus interest on $117,000. You now have a thirty-year loan at 7 percent. Plus you have to buy the mortgage insurance because you don’t have anything down, which puts you somewhere at $900 a month. Your payments have more than tripled overnight. A $200,000 house is now costing you $1,800 a month and we both know the guy was never making that kind of money.
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Charlie LeDuff (Detroit: An American Autopsy)
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For Lewis, people are too easily taken in by the latest cultural and intellectual fashions. Wanting to be “up to date” in their thinking, they uncritically accept the latest ideas they read about in the media. Reading older books, Lewis argues, helps us to realise that “basic assumptions have been quite different in different periods.” We need to remember that the ideas we tend to regard as hopelessly old fashioned and out of date were once seen as cutting edge. What was once new and brilliant becomes old and stale. Perhaps Lewis seems a little too scathing when he declares that “much which seems certain to the uneducated is merely temporary fashion.”[90] Yet his point is fair: much recent thought is fleeting, lacking the staying power to excite and inform later generations. So is Lewis saying that only old ideas are any good, and that new ideas are invariably wrong? No.[91] He is asking us to be critical. New ideas need to be looked at carefully. They may be good; they may be bad. But ideas are not automatically good because they are new. Similarly, many—but not all—old ideas have permanent value. They have proved themselves through the centuries, and will continue to be important in the future. We need to figure out which ideas and values are of lasting importance, and hold fast to them.
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Alister E. McGrath (If I Had Lunch with C. S. Lewis: Exploring the Ideas of C. S. Lewis on the Meaning of Life)
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[After a period of separation, Phaeton and Daphne are cuddling.]
Diomedes, meanwhile, was leaning to look behind Helion, staring with open fascination at the display Phaethon and Daphne made. “I have not seen non-parthenogenic bioforms before. Are they going to copulate?”
Atkins and Helion looked at him, then looked at each other. A glance of understanding passed between them.
Atkins put his hand on Diomedes’s elbow, and pulled him back in front of Helion. “Perhaps not at this time,” Atkins said, straight-faced.
“They are young and in love,” explained Helion, stepping so as to block Diomedes’s view. “So perhaps the excesses and, ah, exuberance of their, ah, greeting, can be overlooked this once.”
Diomedes craned his neck, trying to peer past Helion. “There’s nothing like that on Neptune.”
Helion murmured, “Perhaps certain peculiarities of the Neptunian character are thereby clarified, hmm…?”
“It looks very old-fashioned,” said Diomedes.
Helion said, “It is that most ancient and most precious romantic character of mankind which impels all great men to their greatness.”
Atkins said, “It’s what young men do before they go to war.”
Diomedes said, “It is not the way Cerebellines or Compositions or Hermaphrodites or Neptunians arrange these matters. I’m not sure I see the value of it. But it looks interesting. Do all Silver-Gray get to do that? I wonder if Phaethon would mind if I helped him.”
“He’d mind.” Atkins interrupted curtly. “Really. He’d mind.
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John C. Wright (The Golden Transcendence (Golden Age, #3))
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Grit. It’s part of who we are. Who we are meant to be. How we were raised. One of the most important things we were taught was how to work. When you do something yourself, with your own two hands, the intrinsic value increases exponentially. It is one of the core principles in the JG Mantra of DIY: Your pride in the end result is directly proportional to the amount of work and dedication you put into the project. We were taught the value of down-and-dirty, sweat-on-your-brow, muscles-achin’, backbreakin’, baby-needs-a-new-pair-of-shoes physical labor. It’s a little thing called “sweat equity.” Elbow grease. Good old-fashioned “get in there and get it done.” And thank goodness, because now we’re more intimidated by long lines at the shopping mall than we are by our JG job requirements.
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Jolie Sikes (Junk Gypsy: Designing a Life at the Crossroads of Wonder & Wander)
“
More and more people will start telling themselves: "I don't understand what all these neuroexperts and consciousness philosophers are talking about, but the upshot seems pretty clear to me. The cat is out of the bag: We are gene-copying bio-robots, living out here on a lonely planet in a cold and empty physical universe. We have brains but no immortal souls, and after seventy years or so the curtain drops. There will never be an afterlife, or any kind of reward or punishment for anyone, and ultimately everyone is alone. I get the message, and you had better believe I will adjust my behavior to it. It would probably be smart not to let anybody know I've seen through the game. The most efficient strategy will be to go on pretending I'm a conservative, old-fashioned believer in moral values.
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Thomas Metzinger (The Ego Tunnel: The Science of the Mind and the Myth of the Self)
“
The truth is that Cato’s version of old-fashioned, no-nonsense Roman values was as much an invention of his own day as a defence of long-standing Roman traditions. Cultural identity is always a slippery notion, and we have no idea how early Romans thought about their particular character and what distinguished them from their neighbours. But the distinctive, hard-edged sense of tough Roman austerity – which later Romans eagerly projected back on to their founding fathers and which has remained a powerful vision of Romanness into the modern world – was the product of a powerful cultural clash, in this period of expansion abroad, over what it was to be Roman in this new, wider imperial world, and in the context of such an array of alternatives. To put it another way, ‘Greeknesss’ and ‘Romanness’ were as inseparably bound up as they were polar opposites.
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Mary Beard (SPQR: A History of Ancient Rome)
“
The truth is that Cato’s version of old-fashioned, no-nonsense Roman values was as much an invention of his own day as a defence of long-standing Roman traditions. Cultural identity is always a slippery notion, and we have no idea how early Romans thought about their particular character and what distinguished them from their neighbours. But the distinctive, hard-edged sense of tough Roman austerity – which later Romans eagerly projected back on to their founding fathers and which has remained a powerful vision of Romanness into the modern world – was the product of a powerful cultural clash, in this period of expansion abroad, over what it was to be Roman in this new, wider imperial world, and in the context of such an array of alternatives. To put it another way, ‘Greeknesss’ and ‘Romanness’ were as inseparably bound up as they were polar opposites. That
”
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Mary Beard (SPQR: A History of Ancient Rome)
“
I wanted to find my own identity and be autonomous at the same time that I wanted to find a mate who would rescue me, who would provide and protect. Of course I wanted to be able to provide for myself. Just in case that did not happen, I wanted the luxury of backup. I was not a free spirit. I wanted to blend old-fashioned values learned at home—which cautioned me to be conservative, take care, and be responsible—with New Age spirituality and radical ideas of freedom and choice. No matter how much I might have longed to free myself from a sense of responsibility to the collective good, to family and community, I was psychically bound. I had the strength to rebel, but I did not have the strength to let go. I was, like generations of women before me, split, torn between two competing identities—the longing to be the liberated, independent, sexually free woman and the desire to settle down and be domesticated.
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bell hooks (Communion: The Female Search for Love (Love Song to the Nation Book 2))
“
At their best, old-fashioned military academies saved students from delinquency. At their worst, they drove boys to it by subjecting them to a culture that valued dominance, violence, and subversion of authorities. The experience is brilliantly told in Pat Conroy’s novel The Lords of Discipline, which depicts life at a military college similar to The Citadel in South Carolina. Although Conroy writes with both dismay and affection, others have offered a more scathing evaluation of these places. In his memoir, Breakshot, former mobster Kenny Gallo noted that his military boarding-school experience transformed him from “a disorderly brat into an orderly outlaw.” Recalling his career at Army and Navy Academy in California, Gallo writes, “I guess you could say my ‘normal’ social development stopped at military school when I was thirteen; I stopped developing as a healthy adult citizen and, first out of self defense and then out of pleasure, began honing my skills as a predator.”7 As
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Michael D'Antonio (Never Enough: Donald Trump and the Pursuit of Success)
“
In marked contrast to the relaxed, typically Latin attitude of the Dominicans the Protestant missionaries were still proceeding at full blast with the fight for souls. These North American evangelists of strictly fundamentalist inclination combined in a curious fashion strict adhesion to the literal meaning of the Old Testament With mastery of the most modern technology. Most of them came from small towns in the Bible Belt, armed with unshakably clear consciences and a rudimentary smattering of theology, convinced that they alone were the repositories of Christian values now abolished elsewhere. Totally ignorant of the vast world, despite their transplantation, and taking the few articles of morality accepted in the rural Amenca of their childhoods to be a universal credo, they strove bravely to spread these principles of salvation all around them.
Their rustic faith was well served by a flotilla of light aircraft, a powerful radio, an ultra-modern hospital and four-wheel-drive vehicles -- in short, all the equipment that a battalion of crusaders dropped behind enemy lines needed.
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Philippe Descola (The Spears of Twilight: Life and Death in the Amazon Jungle)
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The myth that morality and fidelity are old-fashioned and trite can imprison more than just one individual as generations are affected by the choices perpetuated by this lie. The myth that withholding judgment or having charity means that all values are relative and should be given equal importance or loyalty creates a heavy chain that eventually traps a person in doubt and disaffection, leaving him or her to be constantly "driven with the wind and tossed" (see James 1:6). However, confidence that Christ honors those who honor him (see 1 Samuel 2:30) provides an anchor to our souls (see Ether 12:4) whereby we are capable of giving affirmative answers to those who question the "reason of the hope that is in [us]" (1 Peter 3:15). I remember one of my saddest moments as a faculty member at BYU. One of my students came to me in emotional tatters. She had come to BYU looking for a supportive community that shared her values, something she had not enjoyed being the only Mormon in her high school. Instead her peers at BYU teased, sneered at, and demeaned her because she was not willing to watch an R-rated movie. How proud I was of her! Despite the hurt of rejection "by her own," her faith carried her through the social prison created by her peers. To "stand in holy places, and be not moved" (D&C 87:8) in today's world requires faith, courage, poise, and patience.
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Sandra Rogers
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After moving his family from Yakima to Paradise, California, in 1958, he enrolled at Chico State College. There, he began an apprenticeship under the soon-to-be-famous John Gardner, the first "real writer" he had ever met. "He offered me the key to his office," Carver recalled in his preface to Gardner’s On Becoming a Novelist (1983). "I see that gift now as a turning point." In addition, Gardner gave his student "close, line-by-line criticism" and taught him a set of values that was "not negotiable." Among these values were convictions that Carver held until his death. Like Gardner, whose On Moral Fiction (1978) decried the "nihilism" of postmodern formalism, Carver maintained that great literature is life-connected, life-affirming, and life-changing. "In the best fiction," he wrote "the central character, the hero or heroine, is also the ‘moved’ character, the one to whom something happens in the story that makes a difference. Something happens that changes the way that character looks at himself and hence the world." Through the 1960s and 1970s he steered wide of the metafictional "funhouse" erected by Barth, Barthelme and Company, concentrating instead on what he called "those basics of old-fashioned storytelling: plot, character, and action." Like Gardner and Chekhov, Carver declared himself a humanist. "Art is not self-expression," he insisted, "it’s communication.
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William L. Stull
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The God of monotheism did not die, it only left the scene for a while in order to reappear as humanity—the human species dressed up as a collective agent, pursuing its self-realization in history. But, like the God of monotheism, humanity is a work of the imagination. The only observable reality is the multitudinous human animal, with its conflicting goals, values and ways of life. As an object of worship, this fractious species has some disadvantages. Old-fashioned monotheism had the merit of admitting that very little can be known of God. As far back as the prophet Isaiah, the faithful have allowed that the Deity may have withdrawn from the world. Awaiting some sign of a divine presence, they have encountered only deus absconditus—an absent God.
The end result of trying to abolish monotheism is much the same. Generations of atheists have lived in expectation of the arrival of a truly human species: the communal workers of Marx, Mill’s autonomous individuals and Nietzsche’s absurd Übermensch, among many others. None of these fantastical creatures has been seen by human eyes. A truly human species remains as elusive as any Deity. Humanity is the deus absconditus of modern atheism.
A free-thinking atheism would begin by questioning the prevailing faith in humanity. But there is little prospect of contemporary atheists giving up their reverence for this phantom. Without the faith that they stand at the head of an advancing species they could hardly go on. Only by immersing themselves in such nonsense can they make sense of their lives. Without it, they face panic and despair.
According to the grandiose theories today’s atheists have inherited from Positivism, religion will wither away as science continues its advance. But while science is advancing more quickly than it has ever done, religion is thriving—at times violently. Secular believers say this is a blip—eventually, religion will decline and die away. But their angry bafflement at the re-emergence of traditional faiths shows they do not believe in their theories themselves. For them religion is as inexplicable as original sin. Atheists who demonize religion face a problem of evil as insoluble as that which faces Christianity.
If you want to understand atheism and religion, you must forget the popular notion that they are opposites. If you can see what a millenarian theocracy in early sixteenth-century Münster has in common with Bolshevik Russia and Nazi Germany, you will have a clearer view of the modern scene. If you can see how theologies that affirm the ineffability of God and some types of atheism are not so far apart, you will learn something about the limits of human understanding.
Contemporary atheism is a continuation of monotheism by other means. Hence the unending succession of God-surrogates, such as humanity and science, technology and the all-too-human visions of transhumanism. But there is no need for panic or despair. Belief and unbelief are poses the mind adopts in the face of an unimaginable reality. A godless world is as mysterious as one suffused with divinity, and the difference between the two may be less than you think.
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John Gray (Seven Types of Atheism)
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This and Rothbard’s own life-long cultural conservatism notwithstanding, however, from its beginnings in the late 1960s and the founding of a libertarian party in 1971, the libertarian movement had great appeal to many of the counter-cultural left that had then grown up in the U.S. in opposition to the war in Vietnam. Did not the illegitimacy of the state and the non-aggression axiom imply that everyone was at liberty to choose his very own non-aggressive lifestyle, no matter what it was? Much of Rothbard’s later writings, with their increased emphasis on cultural matters, were designed to correct this development and to explain the error in the idea of a leftist multi-counter-cultural libertarianism, of libertarianism as a variant of libertinism. It was false—empirically as well as normatively—that libertarianism could or should be combined with egalitarian multiculturalism. Both were in fact sociologically incompatible, and libertarianism could and should be combined exclusively with traditional Western bourgeois culture; that is, the old-fashioned ideal of a family-based and hierarchically structured society of voluntarily acknowledged rank orders of social authority. Empirically, Rothbard did not tire to explain, the left-libertarians failed to recognize that the restoration of private-property rights and laissez-faire economics implied a sharp and drastic increase in social “discrimination.” Private property means the right to exclude. The modern social-democratic welfare state has increasingly stripped private-property owners of their right to exclude. In distinct contrast, a libertarian society where the right to exclude was fully restored to owners of private property would be profoundly unegalitarian. To be sure, private property also implies the owner’s right to include and to open and facilitate access to one’s property, and every private-property owner also faces an economic incentive of including (rather than excluding) so long as he expects this to increase the value of his property.
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Anonymous
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The culture generated by peer-orientation is sterile in the strict sense of that word: it is unable to reproduce itself or to transmit values that can serve future generations. There are very few third generation hippies. Whatever its nostalgic appeal, that culture did not have much staying power. Peer culture is momentary, transient, and created daily, a “culture du jour,” as it were. The content of peer culture resonates with the psychology of our peer-oriented children and adults who are arrested in their own development.
In one sense it is fortunate that peer culture cannot be passed on to future generations, since its only redeeming aspect is that it is fresh every decade. It does not edify or nurture or even remotely evoke the best in us or in our children. The peer culture, concerned only with what is fashionable at the moment, lacks any sense of tradition or history. As peer orientation rises, young people's appreciation of history wanes, even of recent history. For them, present and future exist in a vacuum with no connection to the past. The implications are alarming for the prospects of any informed political and social decision-making flowing from such ignorance.
A current example is South Africa today, where the end of apartheid has brought not only political freedom but, on the negative side, rapid and rampant Westernization and the advent of globalized peer culture. The tension between the generations is already intensifying. “Our parents are trying to educate us about the past,” one South African teenager told a Canadian newspaper reporter. “We're forced to hear about racists and politics…” For his part, Steve Mokwena, a thirty-six year-old historian and a veteran of the anti-apartheid struggle, is described by the journalist as being “from a different world than the young people he now works with.” “They're being force-fed on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch.on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch.
You might argue that peer orientation, perhaps, can bring us to the genuine globalization of culture, of a universal civilization that no longer divides the world into “us and them.” Didn't the MTV broadcaster brag that children all over television's world resembled one another more than their parents and grandparents? Could this not be the way to the future, a way to transcend the cultures that divide us and to establish a worldwide culture of connection and peace? We think not.
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Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
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In the 1990s legal scholar and public policy advocate Wendy Kaminer published a brace of books engaged with the New Age cultures of recovery and self-help. She represented an Old Left perspective on new superstition, and although she was of the same generation as the cultural studies scholars, she did exactly what Andrew Ross warned academics and elites against. She criticized the middlebrow, therapeutic culture of self-help for undermining critical thinking in popular discourse. She encouraged the debunking of superstition, deplored public professions of piety. Her books were polemical and public interventions that were addressed to the maligned liberal and more or less thoughtful reader who took an interest in the issues of the day. In some ways, her writing was a popularization of some of psychoanalytic theory scholar, sociologist, and cultural critic Philip Rieff’s and Richard Hofstadter’s critiques of a therapeutic culture of anti-intellectualism.77 She speculated that the decline of secular values in the political sphere was linked to the rise of a culture of recovery and self-help that had come out of the popularization of New Age, countercultural beliefs and practices. In both I’m Dysfunctional, You’re Dysfunctional: The Recovery Movement and Other Self-Help Fashions and Sleeping with Extra-Terrestrials: The Rise of Irrationalism and the Perils of Piety, Kaminer publicly denounced the decline of secular culture and the rise of a therapeutic culture of testimony and self-victimization that brooked no dissent while demanding unprecedented leaps of faith from its adherents.78 Kaminer’s work combined a belief in Habermasian rational communication with an uncompromising skepticism about the ubiquity of piety that for her was shared by both conservatives and liberals. For Kaminer, argument and persuasion could no longer be operative when belief and subjective experience became the baseline proofs that underwrote public and private assertions. No speaker or writer was under any obligation to answer his or her critics because argument and testimony were fatefully blurred. When reasoned impiety was slowly being banished from public dialogue, political responsibility would inevitably wane. In the warm bath of generalized piety and radical plurality, everyone could assert a point of view, an opinion, and different beliefs, but no one was under any obligation to defend them. Whereas cultural studies scholars saw themselves contesting dominant forms of discourse and hegemonic forms of thinking, Kaminer saw them participating in a popular embrace of an irrational Counter-Enlightenment. Like Andrew Ross, Kaminer cited Franz Mesmer as an important eighteenth-century pioneer of twentieth-century alternative healing techniques. Mesmer’s personal charisma and his powers of psychic healing and invocation of “animal magnetism” entranced the European courts of the late eighteenth century. Mesmer performed miracle cures and attracted a devoted, wealthy following. Despite scandals that plagued his European career, the American middle class was eager to embrace his hybrid of folk practices and scientific-sounding proofs. Mesmerism projected an alternative mystical cosmology based upon magnets and invisible flows of energy. Mesmer, who was said to control the invisible magnetic flow of forces that operated upon human and animal bodies, built upon a network of wealthy patrons who were devoted to the powers of a charismatic leader, Mesmer himself. Mesmer’s manipulation of magnets and hands-on healing evoked for the French court the ancient arts of folk healing while it had recourse to ostensibly modern scientific proofs. Historian of the French eighteenth century Robert Darnton insisted that mesmerism could not be dismissed as mere quackery or charlatanism but represented a transitional worldview, one that bridged the Enlightenment and the particular forms of nineteenth-century Romanticism that followed.
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Catherine Liu (American Idyll: Academic Antielitism as Cultural Critique)
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Indenturing indigents, young and old, is much in fashion now. The Thirteenth and Fourteenth Amendments—the ones abolishing slavery and guaranteeing citizenship rights—still exist, but they’ve been so weakened by custom, by Congress and the various state legislatures, and by recent Supreme Court decisions that they don’t much matter. Indenturing indigents is supposed to keep them employed, teach them a trade, feed them, house them, and keep them out of trouble. In fact, it’s just one more way of getting people to work for nothing or almost nothing. Little girls are valued because they can be used in so many ways, and they can be coerced into being quick, docile, disposable labor.
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Octavia E. Butler (Earthseed: Parable of the Sower and Parable of the Talents)
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There are people everywhere who form a Fourth World, or a diaspora of their own. They are the lordly ones! They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but they are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to think that its natural capital is Trieste.
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Jan Morris (Trieste And The Meaning Of Nowhere)
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Those with traditional sense will follow what their heart tells them is right.
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Fennel Hudson (Traditional Angling: Fennel's Journal No. 6)
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Today, many of us seem to live our lives like honeybees collecting honey which, at the end, we will leave to others for their enjoyment! Our values are often twisted. Our success is largely measured by the size of our bank account, how beautiful or handsome we are, or how luxurious are our homes, cars or boats. Reality TV shows continue to appeal to millions of us who choose to live vicariously through others, rather than taking charge of our own lives and focusing on manifesting the hidden resources that are invested in our souls.
Women are often encouraged to seek superficial and temporary beauty, at the risk of endangering their health, even killing themselves, while men are encouraged to appreciate and chase a life of pleasure. In contrast, those whose lives are centered on spirituality are frequently ridiculed as old-fashioned or at least looked down upon. We seek surgical procedures to fight the natural aging process and enjoy ‘borrowed youth’ a bit longer, even though we know, deep in our hearts, that it is ultimately a losing battle.
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Farnaz Masumian (The Divine Art Of Meditation: Meditation and visualization techniques for a healthy mind, body and soul)
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And why is it that Homo sapiens was descended from hairy apes but wound up naked—as Wallace had gone to some pains to point out? Even in hottest horrid-torrid Africa, animals such as antelopes had fur to protect them from the wind and rain. So did man…way back in that invisible past, where Evolution lives. Starting out, said Darwin, man was as hairy as the hairiest ape. Why no longer? Blind, aren’t you, Wallace? You didn’t get the second half of my title, The Descent of Man, and Selection in Relation to Sex, did you. Evolution, said Darwin, had turned Homo sapiens into a more sensitive animal, which in turn gave him something approaching aesthetic feelings. The male began to admire females who had the least apelike hides because he could see more of their lovely soft skin, which excited him sexually. The more skin he saw, the more he wanted to see. Obviously valued by the males because their hides were much less hairy, the most sought-after females began to look down their noses at the old-fashioned hairy males, one crude step away from the apes themselves. Generation after generation went by, thousands of them, until, thanks to natural selection, males and females became as naked as they are today, with but two clumps of hair, one on the head and the other in the pubic area, plus wispy, scarcely visible little remnants of their formerly hirsute selves on the forearms and lower legs and, in the case of some males, the chest and shoulders.b Yes, their backs got cold, terribly cold, as Wallace had argued. But what poor Wallace didn’t know was that the heat of passion conquered all…and that was “How Man Lost His Hair Over Love.” (Got that, Wallace?)
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Tom Wolfe (The Kingdom of Speech)
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In typical fashion, Peter jumps in and clarifies how much he and the disciples have given up to follow Jesus: “See, we have left everything and followed you” (Mark 10:28). Jesus responds with a significant explanation of self-denial and kingdom blessings: Truly, I say to you, there is no one who has left house or brothers or sisters or mother or father or children or lands, for my sake and for the gospel, who will not receive a hundredfold now in this time, houses and brothers and sisters and mothers and children and lands, with persecutions, and in the age to come eternal life. But many who are first will be last, and the last first. (Mark 10:29–31) Is Jesus teaching us a simple formula that if we give up our possessions, we can receive the kingdom? Is this a divine promise that if you forsake family and lands, God is obligated to restore family and lands, like he did at the end of Job? No. Jesus is applying a kingdom filter to his disciples’ understanding of blessing in the present age. As we saw in the Old Testament, a growing family and fertile land were both ideas frequently associated with divine blessing. However, Jesus redefines these very images based upon a transformed vision of blessing in Christ’s kingdom. “Jesus speaks of the extended family of his followers (cf. 3:34–35) with new familial relationship and the sharing of possessions (cf. Acts 2:44–45; 4:32–37)—a new reality whose value is far greater than the security that personal possessions can ever give.”23
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William R. Osborne (Divine Blessing and the Fullness of Life in the Presence of God: "A Biblical Theology of Divine Blessings" (Short Studies in Biblical Theology))
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Thankfully, my father never sent me to agricultural college. He was old school and thought those places turned out people who knew the cost of everything and the value of nothing. In my early twenties, I remember telling him, admiringly, about the farm of a friend of mine that was doing lots of cutting-edge technological things, and he simply said, "Let's give them twenty-five years and see how they get on, before we get too carried away." Time was his test, not short-term profit or what was fashionable.
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James Rebanks (Pastoral Song: A Farmer’s Journey)
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The waves of liberation movements from the 1960s have disenchanted us vis à vis ‘old-fashioned’ restrictive values but have also forced upon us new codes of thought and behaviour, summarised in the clumsy phrase ‘political correctness’ and the morality of uncritical respect for difference and diversity. (I lazily say ‘us’ and, of course, this is not true for everyone.) We have learned from psychoanalysis that whatever is repressed will emerge projectively later or elsewhere, often in even more virulent forms. Hence, in recent years we have seen waves of paedophile scandals, celebrated cannibal cases, serial murders, school shootings and mass murders committed by terrorists. The naivety of the nice peaceful Left runs parallel to the converse unbridled greed of bankers, internet criminals, drug dealers and pornographers. These trends might scotch any illusions of linear and easy progress but they do not. If Dostoevsky’s over-quoted ‘If God does not exist, everything is permitted’ is true, nihilism steps into the vacuum, and subsequently moralistic alarm steps in to call for a return to traditional values. But Pandora’s box will not close, every demon is now loose.
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Colin Feltham (Depressive Realism: Interdisciplinary perspectives (Explorations in Mental Health))
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If we can stop undermining our self as Africans and start valuing who are and what we have.
We must stop it ,with the mental of thinking that people who speaks their native tongue. Who following their tradition, practices their culture and value their heritage . Don’t know things, are lame, boring, retards, not interesting, not modern, not clued up and not Important enough. Thinking that they are behind, slow, old fashion and school, because they don’t know western or they don’t know the things we know or following up with trends ,fashion and western as we do. Invest In yourself by embracing who you are.
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D.J. Kyos
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If we can stop undermining ourselves as Africans and start valuing who are and what we have.
We must stop it ,with the mental of thinking that people who speaks their native tongue. Who following their tradition, practices their culture and value their heritage . Don’t know things, are lame, boring, retards, not interesting, not modern, not clued up and not Important enough. Thinking that they are behind, slow, old fashion and school, because they don’t know western or they don’t know the things we know or following up with trends ,fashion and western as we do. Invest In yourself by embracing who you are.
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D.J. Kyos
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Ironically, for all that youth culture rejects classical music as old-fashioned and out-ofdate, it is the way it is because of an excess of rational thought; it is, literally, too modern. Instead, youth culture yearns for a prerational immediacy, that of the body, of libidinal energy, and for the luxury of blind, adolescent emotions without consequences or responsibilities. Ironic, too, is that popular culture presents a prerational consciousness as the absolutely modern.
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Julian Johnson (Who Needs Classical Music?: Cultural Choice and Musical Value)
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It was strange—she thought, in the days that followed, looking at the men around her—that catastrophe had made them aware of Hank Rearden with an intensity that his achievements had not aroused, as if the paths of their consciousness were open to disaster, but not to value. Some spoke of him in shrill curses—others whispered, with a look of guilt and terror, as if a nameless retribution were now to descend upon them—some tried, with hysterical evasiveness, to act as if nothing had happened. The newspapers, like puppets on tangled strings, were shouting with the same belligerence and on the same dates: “It is social treason to ascribe too much importance to Hank Rearden’s desertion and to undermine public morale by the old-fashioned belief that an individual can be of any significance to society.” “It is social treason to spread rumors about the disappearance of Hank Rearden, Mr. Rearden has not disappeared, he is in his office, running his mills, as usual, and there has been no trouble at Rearden Steel, except a minor disturbance, a private scuffle among some workers.” “It is social treason to cast an unpatriotic light upon the tragic loss of Hank Rearden, Mr. Rearden has not deserted, he was killed in an automobile accident on his way to work, and his grief-stricken family has insisted on a private funeral.
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Ayn Rand (Atlas Shrugged)
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Purity is not about being self-righteous or old-fashioned but it's about having a heart that is fully surrendered to God. In a world that celebrates worldly wisdom, pleasure, and convenience, Jesus reminds us that true blessedness comes from having a pure heart. Let's strive for a life that honors God, even when it goes against the grain of what the world values.
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Shaila Touchton
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We do well to ask about the catechetical value of our songs of worship. What vision of God do they convey? Do they serve well the proclamation of the biblical Gospel? Are the doctrines they exposit or imply sound doctrines that conform to the Gospel? Are our songs biblically based, and clearly so? Have we humbled ourselves to learn from the saints who have gone before us by singing the best of the songs from of old? Or do we limit ourselves to only the newest of the new songs? How can we do a better job of seizing upon the catechetical nature and formative power of our past and present hymnody?
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J.I. Packer (Grounded in the Gospel: Building Believers the Old-Fashioned Way)
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St. Lawrence River
May 1705
Temperature 48 degrees
From the river they walked back to the town, and the boy was taken into the fire circle outside the powwow’s longhouse. Here he was placed on the powwow’s sacred albino furs. A dozen men, those who were now his relatives, sat in a circle around him. The powwow lit a sacred pipe and passed it, and for the first time in his life, the boy smoked.
Don’t cough, Mercy prayed for him. Don’t choke.
Afterward she found out they diluted the tobacco with dried sumac leaves to make sure he wouldn’t cough on his first pull.
Although the women had adopted him, it was the men who filed by to bring gifts. The new Indian son received a tomahawk, knives, a fine bow, a pot of vermilion paint, a beautiful black-and-white-striped pouch made from a skunk and several necklaces.
“Watch, watch!” whispered Snow Walker, riveted. “This is his father. Look what his father gives him!”
The warrior transferred from his own body to his son’s a wampum belt--hundreds of tiny shell circles linked together like white lace. The belt was so large it had to hang from the neck instead of the waist.
To give a man a belt was old-fashioned. Wampum had no value to the French and had not been used as money by the Indians for many years. But it still spoke of power and honor and even Mercy caught her breath to see it on a white boy’s body.
But of course, he was not white any longer.
“My son,” said the powwow, “now you are flesh of our flesh and bone of our bone.”
At last his real name was called aloud, and the name was plain: Annisquam, which just meant “Hilltop.” Perhaps they had caught him at the summit of a mountain. Or considering the honor of the wampum belt, perhaps he kept his eyes on the horizon and was a future leader. Or like Ruth, he might have done some great deed that would be told in story that evening.
When the gifts and embraces were over, Annisquam was taken into the powwow’s longhouse to sit alone. He would stay there for many hours and would not be brought out until well into the dancing and feasting in the evening.
Not one of Mercy’s questions had been answered.
Was he, in his heart, adopted?
Had he, in his heart, accepted these new parents?
Where, in his heart, had he placed his English parents?
How did he excuse himself to his English God and his English dead?
The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
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Caroline B. Cooney (The Ransom of Mercy Carter)
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Iris released a sigh. 'Honestly, Ruby. we've been over this a hundred times in the past day. Bram and Miss Plum will not be getting married. Your brother was simply being chivalrous, something he tends to do on a far too frequent basis.'
'You say that as if chivalry is not a welcome trait for a gentleman to have,' Ruby said slowly 'Why, having been involved with a gentleman who turned out to have not a single chivalrous bone in his body, I can well attest to the allure that an old-fashioned gentleman with old-fashioned values has to a woman in these trying times.'
'Hear, hear.
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Jen Turano (Playing the Part (A Class of Their Own, #3))
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In a way, the fearful fundamentalists are right: globalism does undermine systems of absolute value and belief. But in a way they are wrong: the systems of value and belief do not immediately disappear—people simply inhabit them in a different fashion, and sometimes the old ways turn out to have a surprising amount of life left in them. The human mind has a great repertoire of ways to accept and honor social constructions of reality without swallowing them whole. Globalizing processes require us to renegotiate our relationships with familiar cultural forms, and remind us that they are things made by people: human, fallible things, subject to revision. Globalism
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Walter Truett Anderson (Reality Isn't What It Used to Be: Theatrical Politics, Ready-to-Wear Religion, Global Myths, Primitive Chic, and Other Wonders of the Postmodern World)
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In response to my ex-Valet’s email, I wrote: Hi Andy, I am surprised by your honesty and openness in relating your early relationship with Toby. I had not expected such frank soliloquy from a ‘perfect’ gentleman like you. Although we often discussed everything candidly in the old days, we had never written down our thoughts and opinions in black and white. Are we finally reaching an Age of Aquarius where truth and freedom are here to enlighten humanity? I am gladdened that we are able to communicate quickly and efficiently in this electronic age. I know you are aware that I am writing my memoirs. Aren’t you concerned that I may reveal the true nature of your feelings you confided to me in my writings? One thing I can promise you; I will never do anything unsavory or conduct myself in an ungentlemanly fashion towards those I love, respect and trust. My dearest Andy, I value your love greatly and laurel you in the highest esteem in my pantheon of cultivated beings. Moreover we are soul mates and as past E.R.O.S. members we also have a duty to our forebears to continue living spiritually and intellectually. To be illustrious examples in the chaotic world we reside…
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Young (Unbridled (A Harem Boy's Saga, #2))
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Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
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Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
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was taught essential life lessons, like the value of a dollar, what hard work feels like, and how important an education is. I was taught why being thoughtful, respectful, and considerate of others makes life more fulfilling, and why trusting God with your life’s decisions is wise. If all that sounds a little old-fashioned, well, that’s because it is. And I’m okay with that.
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Josh Turner (Man Stuff: Devotional Thoughts on Faith, Family, and Fatherhood)
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Many of our leaders are themselves addicted to the Euro-U.S. Westphalian model. They desperately attempt to fabricate simplistic myths – peopled by royal families, military triumphs, heroes, Canadian values or Quebec values – that turn out to be lifted directly from Britain or France or the United States. You might say these are simple, old-fashioned concepts of patriotism. But in this case old-fashioned refers to a model that has never worked here, a model that leads to the kind of patriotic misery experienced in Europe and the United States when races are ranked, languages forbidden, cultures excluded, one religion set in place as the official faith, or all religions marginalized so that the state’s monolithic mythology can become the state religion. This is disingenuously called a secular state. And all of this is done in the name of a safe, aggressively simplified and centralized mythology. But if that is so, you ask, what
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John Ralston Saul (The Comeback: How Aboriginals Are Reclaiming Power And Influence)
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Yes, an old-fashioned feminist “consciousness-raising” still has enormous value. When the subject turns to abortion, cosmetic intervention, birth, motherhood, sex, love, work, misogyny, fear, or just how you feel in your own skin, women still won’t often tell the truth to each other unless they are very, very drunk.
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Caitlin Moran (How To Be A Woman)
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Almost all (93 percent) say that they invest a great deal of effort in shaping the moral character of their children. Their ideology may be permissive, but their actual practice conforms to many old-fashioned values that give them strong families.
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R.R. Reno (Resurrecting the Idea of a Christian Society)
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Deep work is at a severe disadvantage in a technopoly because it builds on values like quality, craftsmanship, and mastery that are decidedly old-fashioned and nontechnological. Even worse, to support deep work often requires the rejection of much of what is new and high-tech. Deep work is exiled in favor of more distracting high-tech behaviors, like the professional use of social media, not because the former is empirically inferior to the latter.
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Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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Hindi films are known and enjoyed worldwide for their songs and dances. These days it is fashionable to battle tradition by using a Western format of telling stories, where music stays in the background. I can't wrap my head around it. I don't think it helps the story move forward. I also believe that a film gets a lot of repeat value when an actor is wooing an actress with a popular song. We represent a dream world and our audiences love it. It may seem old-fashioned but I firmly believe that lip-syncing (by an actor) is the best way to picturize a song, to maximize its appeal. It simply does not have the same magic when the song is played in the background.
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Rishi Kapoor (Khullam Khulla: Rishi Kapoor Uncensored)
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I counter that maybe I could take more hours at the local shop, but he says it’s not right – that it’s a man’s job to provide. He can be pretty stubborn like that, but I always loved him for his old-fashioned values. I just wish they weren’t exhausting him like this.
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A.J. Carter (The Exchange Student)
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Deep work is at a severe disadvantage in a technopoly because it builds on values like quality, craftsmanship, and mastery that are decidedly old-fashioned and nontechnological.
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Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
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The truth is what it is, and it demands good old-fashioned values from us. So, dressing up what we would love to be true as the truth is always an exercise in futility in the long run.
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Tunde Salami
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We’ve lost sight of the good, old-fashioned value of hard and consistent work.
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Darren Hardy (The Compound Effect)
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For Nietzsche, the avant garde decadence, pessimism and nihilism of the 1880s was more than a fashion. They were 'the logical end-product of our great values and ideals'. Natural science, he argued, produced its own internal disintegration, its own enemies, an anti-science. The consequences of the modes of thought accepted by nineteenth-century politics and economics were nihilist. The culture of the age was threatened by its own cultural products. Democracy produced socialism, the fatal swamping of genius by mediocrity, strength by weakness — a note also struck, in a more pedestrian and positivistic key, by the eugenists. In that case was it not essential to reconsider all these values and ideals and the system of ideas of which they formed a part, for in any case the 'revaluation of all values' was taking place? Such reflections multiplied as the old century drew to its end.
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Eric J. Hobsbawm (The Age of Empire, 1875–1914)
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they can’t think of a car crash in a movie as a violent act. It’s a celebration. A reaffirmation of traditional values and beliefs. I connect car crashes to holidays like Thanks-giving and the Fourth. We don’t mourn the dead or rejoice in miracles. These are days of secular optimism, of self-celebration. We will improve, prosper, perfect ourselves. Watch any car crash in any American movie. It is a high-spirited moment like old-fashioned stunt flying, walking on wings. The people who stage these crashes are able to capture a lightheartedness, a carefree enjoyment that car crashes in foreign movies can never approach.
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Don DeLillo (White Noise)
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The modern sitcom, in particular, is almost wholly dependent for laughs and tone on the M*A*S*H0inspired savaging of some buffoonish spokesman for hypocritical, pre-hip values at the hands of bitingly witty insurgents. [. . .]
Its promulgation of cynicism about authority works to the general advantage of television on a number of levels. First, to the extent that TV can ridicule old-fashioned conventions right off the map, it can create an authority vacuum. And then guess what fills it. The real authority on a world we now view as constructed and not depicted becomes the medium that constructs our world-view. Second, to the extent that TV can refer exclusively to itself and debunk conventional standards as hollow, it is invulnerable to critics' changes that what's on is shallow or crass or bad, since and such judgments appeal to conventional, extra-televisual standards about depth, taste, quality. Too, the ironic tone of TV's self-reference means that no one can accuse TV of trying to put anything over on anybody. As essayist Lewis Hyde points out, self-mocking irony is always 'Sincerity, with a motive.' [. . .]
If television can invite Joe Briefcase into itself via in-gags and irony, it can ease that painful tension between Joe's need to transcend the crowd and his inescapable status as Audience-member. For to the extent that TV can flatter Joe about 'seeing through' the pretentiousness and hypocrisy of outdated values, it can induce in him precisely the feeling of canny superiority it's taught him to crave, and can keep him dependent on the cynical TV-watching that alone affords this feeling. [. . .]
Television can reinforce its on queer ontology of appearance: the most frightening prospect, for the well-conditioned viewer, becomes leaving oneself open to others' ridicule by betraying passé expressions of value, emotion, or vulnerability.
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David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again Signed)
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The idea that time has value resurfaces in a polemic penned by the Englishman Thomas Wilson, an Elizabethan diplomat and judge. In his Discourse Upon Usury (1572) Wilson likens the usurer to ‘hel unsaciable, the sea raging, a cur dog, a blind moul, a venomus spider, and a bottomles sacke, whereby you may well be assured that the dyvell dwelleth tabernacled in such a monstre’.46 Usury, says Wilson, is as great an event as murder, adultery and theft; usurers devour whole kingdoms and deserve nothing better than death. Wilson’s ideas were hopelessly old-fashioned by this date – indeed, between the writing and publication of his Discourse, usury in England was legalized (by Queen Elizabeth’s Statute of 1571).
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Edward Chancellor (The Price of Time: The Real Story of Interest)
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You might be tempted to conclude: “Well, how about we live together, instead of getting married? We will try each other out. It is the sensible thing to do.” But what exactly does it mean, when you invite someone to live with you, instead of committing yourself to each other? And let us be appropriately harsh and realistic about our appraisal, instead of pretending we are taking a used car for a test jaunt. Here is what it means: “You will do, for now, and I presume you feel the same way about me. Otherwise we would just get married. But in the name of a common sense that neither of us possesses, we are going to reserve the right to swap each other out for a better option at any point.” And if you do not think that is what living together means—as a fully articulated ethical statement—see if you can formulate something more plausible. You might think, “Look, Doc, that is pretty cynical.” So why not we consider the stats, instead of the opinion of arguably but not truly old-fashioned me? The breakup rate among people who are not married but are living together—so, married in everything but the formal sense—is substantially higher than the divorce rate among married couples. And even if you do get married and make an honest person, so to speak, of the individual with whom you cohabited, you are still much more rather than less likely to get divorced than you would be had you never lived together initially. So the idea of trying each other out? Sounds enticing, but does not work.
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Jordan B. Peterson (Beyond Order: 12 More Rules For Life)
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I read that office workers spend a staggering 28 percent of their office time on email, but I bet I spend more time than that. To make my email habit more convenient, I decided to cut out salutations and closings. I’d fallen into the habit of writing an email like an old-fashioned letter, instead of using the casualness and brevity now appropriate to email. An email that says: Hi Peter—Thanks so much for the link. I’m off to read the article right now. Warmly, Gretchen takes a lot more work than an email that says: Thanks! Off to read the article right now. The first version is more formal and polite, but the second version conveys the same tone and information, and is much quicker to write. It took a surprising amount of discipline to change my response habits. It can be hard to make things easier. I had to push myself to erase the “Hi” and to hit “send” without typing a closing. But before long, it became automatic. Not long after I’d instituted my new convenient email habits, however, I responded to a reader with an email that omitted a salutation and closing, and received a pointed email in return: “I find it really interesting that you don’t say ‘Hi Lisa’ or end your email in any kind of salutation, or say ‘if I have any more questions to drop you a line.’ Please excuse me if this is rude, I am truly just curious. Is this because you are super busy (understandably) or just not your style? I had this preconceived notion after reading your book that your dialogue would be so much more friendly/ happy and personal.” Sheesh. This was nicely put, but clearly the message was “You don’t sound very friendly.” I was taken aback. Should I go back to using more elaborate courtesy? Then I decided—no. I was sorry if I didn’t sound friendly to her, but I wanted to be able to answer emails from readers, and to keep up, I needed to make this work as convenient as possible. My habits had to reflect my values. I wrote her back, very nicely, and without a salutation or closing, to explain.
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Gretchen Rubin (Better Than Before: What I Learned About Making and Breaking Habits--to Sleep More, Quit Sugar, Procrastinate Less, and Generally Build a Happier Life)
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I shop in a grocery store designed for the haute bourgeoisie.
The prices are ridiculous.
Other than the organic produce, every product in my local grocery has, somewhere on its packaging, a goofy narrative about the company that manufactures the product.
In my neighborhood, it is impossible to go to the local grocery store and buy mustard without encountering a whimsical tale about rural people from Northern California and Oregon and how their quirky values are reflected in the ingredients of their products.
These quirky values are why it costs $3 for a vegan cookie.
The narratives go something like this:
Twenty years ago, my wife Betty and I were in our kitchen, talking about the taste of the mustard that our parents bought. All of the store brands weren’t anything like what we remembered, and they were made with pre-processed ingredients and contained preservatives. These chemicals might have allowed for a longer shelf life, but they reduced flavor, and even worse, no one knew what they did to people’s health. “I wish someone would go back to old-fashioned values,” I said. “Why won’t someone make a mustard that tastes great and is good for people?”
Then Betty asked a question that changed our lives.
“Why don’t we do it?”
I have watched hundreds of people read these narratives.
And as I have watched people read these narratives, the thought has occurred to me that people are more conscientious about their mustard than they are about the media they consume.
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Jarett Kobek (Only Americans Burn in Hell)
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Mysterious forces steer people to meet and love another soul. In my case, it was not because I chose Mona, my wife; rather, it was because fate was stronger than me, and God always manages our lives to the better. While I was busy trying to build my life and my career, my angel bird was on a noble mission to affect my life through great sacrifices of her own.
The culture I was born in respects the sanctity of women and the value of family life. I was raised in a female-dominated environment. I had a strong grandmother, a resilient mother and five sisters. I was raised to value loyalty and faithful commitment to one woman at a time.
Following the principles of my faith, during my teenage youth, I did not know any woman physically or get involved in any serious relationships. Yes, during my university years, I met my angel sweetheart, but I treated her with respect and behaved in the way I was taught. My intentions toward her were good and I made them clear to her. I treated her as an equal and made sure she knew I valued her thoughts.
I may sound old-fashioned, but I do believe the adage that ‘the woman is the temple of the man’. Mona was most certainly my temple.
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Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
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Meaninglessness in philosophical nihilism covers a wide spectrum, ranging from Metaphysical Nihilism, a negation of all existence, to Moral and Political Nihilism, a negation of a society’s values and laws in a world that we acknowledge exists but has the potential to be better. In this last sense, it is easy to see how breaking away from the inherited truths of society, governments, and religion can make life more enjoyable in an old-fashioned, hedonistic sort of way.
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Daniel Klein (Every Time I Find the Meaning of Life, They Change It)
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Because these people are the propagandist’s predestined victims. In an old-fashioned, prescientific democracy, any spellbinder with a good organization behind him can turn that twenty percent of potential somnambulists into an army of regimented fanatics dedicated to the greater glory and power of their hypnotist. And under a dictatorship these same potential somnambulists can be talked into implicit faith and mobilized as the hard core of the omnipotent party. So you see it’s very important for any society that values liberty to be able to spot the future somnambulists when they’re young. Once they’ve been spotted, they can be hypnotized and systematically trained not to be hypnotizable by the enemies of liberty. And at the same time, of course, you’d be well advised to reorganize your social arrangements so as to make it difficult or impossible for the enemies of liberty to arise or have any influence.
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Aldous Huxley (Island)
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On those grounds it rallies citizens who would once have been reliable partisans of the New Deal to the standard of conservatism.2 Old-fashioned values may count when conservatives appear on the stump, but once conservatives are in office the only old-fashioned situation they care to revive is an economic regimen of low wages and tax regulations. Over the last three decades they have smashed the welfare state, reduced the tax burden on corporations and the wealthy, and generally facilitated the country’s return to a nineteenth-century pattern of wealth distribution.
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Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
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Just as important is what writing the book did to Stegner’s thinking. Beyond the Hundredth Meridian is a visionary story of the West, but it is also a biography of Powell’s beautiful mind. Powell was, according to Stegner, “incorrigibly sane,” a man who tried to dispense with fable and “dispel the mists,” a man who saw the facts and not the romance. The real enemies were not just greedy and stubborn congressmen but “credulity, superstition, habit.” In many ways Stegner subsumed Powell’s own thinking and brought it into a new century. Ideas that were before then half-formed for Stegner became habitual. Like Powell himself, Stegner had a “bolder, generalizing imagination” than most who struggle to think historically, and, like Powell, he liked to apply his mind to actual problems in the actual world. Both men believed that through hard thought and focused clarity we can get at certain truths. That our minds, uncultivated, go where they will, to the till or trough, but that trained and focused, they can be put to good, and even selfless, purpose. It was an old-fashioned value and one shared by both biographer and subject.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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The practices and artifacts of Scrum –backlogs, sprints, stand ups, increments, burn charts –reflect an understanding of the need to strike a balance between planning and improvisation, and the value of engaging the entire team in both. As we’ll see later, Agile and Lean ideas can be useful beyond their original ecosystems, but translation must be done mindfully. The history of planning from Taylor to Agile reflects a shift in the zeitgeist –the spirit of the age –from manufacturing to software that affects all aspects of work and life. In business strategy, attention has shifted from formal strategic planning to more collaborative, agile methods. In part, this is due to the clear weakness of static plans as noted by Henry Mintzberg. Plans by their very nature are designed to promote inflexibility. They are meant to establish clear direction, to impose stability on an organization… planning is built around the categories that already exist in the organization.[ 43] But the resistance to plans is also fueled by fashion. In many organizations, the aversion to anything old is palpable. Project managers have burned their Gantt charts. Everything happens emergently in Trello and Slack. And this is not all good. As the pendulum swings out of control, chaos inevitably strikes. In organizations of all shapes and sizes, the failure to fit process to context hurts people and bottom lines. It’s time to realize we can’t not plan, and there is no one best way. Defining and embracing a process is planning, and it’s vital to find your fit. That’s why I believe in planning by design. As a professional practice, design exists across contexts. People design all sorts of objects, systems, services, and experiences. While each type of design has unique tools and methods, the creative process is inspired by commonalities. Designers make ideas tangible so we can see what we think. And as Steve Jobs noted, “It’s not just what it looks like and feels like.
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Peter Morville (Planning for Everything: The Design of Paths and Goals)
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In fact, to describe this anthropological break, where all old values are obsolete and where all events take on another meaning, we would have to introduce the idea of a non-Euclidean space - the space of hegemonic world power, with its unprecedented machinery, but also the space of another type of events-events of another order than historical events - unpredictable events, without continuity or reference-and which are the radical sign of a counter-power at work.
The obsolescence of History opens a space where everything that was historical or political - including revolutions - has become ''fake." All current political events, including the most violent ones, are made up of these fake-events, these ghost-events, which bear witness to a bygone history that is only the shadow of itself. In France, we see it today in melodramatic fashion. But the obsolescence of history and the political stage brings emerging events at the same time, events that I would call, by analogy with rogue states, rogue events - witnesses to the impossible revolution.
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Jean Baudrillard (The Agony of Power)
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An attractional church conducts worship and ministry according to the desires and values of potential consumers. This typically leads to the dominant ethos of pragmatism throughout the church. If a church determines its target audience prefers old-fashioned music, then that’s what they feature in order to attract those people.
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Jared C. Wilson (The Gospel-Driven Church: Uniting Church Growth Dreams with the Metrics of Grace)
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decline of the movement, when the puerilities of the second generation of Surrealists were little more than illustrations of fabricated, unconvincing dreams, of essentially literary anecdotes as old-fashioned as Art Nouveau. Not surprisingly in a man who so valued his privacy, Picasso loathed Freud and all his works, maintaining that Freudian psychology was unscientific; nor, although no man was less of a prude, did he care for Freud’s great emphasis on the sexual drive, which also filled the Surrealist pictures with so many symbols.
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Patrick O'Brian (Picasso: A Biography)
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When T. E. Lawrence was fighting the Turks in the deserts of the Middle East during World War I, he had an epiphany: It seemed to him that conventional warfare had lost its value. The old-fashioned soldier was lost in the enormous armies of the time, in which he was ordered about like a lifeless pawn. Lawrence wanted to turn this around. For him, every soldier's mind was a kingdom he had to conquer. A committed, psychologically motivated soldier would fight harder and more creatively than a puppet.
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Robert Greene (The 48 Laws of Power)
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By contrast, keep on with various versions of old-fashioned monarchy, or with slow or fast socialism, with its betterment-killing policies protecting the favored classes, especially the rich or the Party or the cousins, Bad King John or Robin Hood—in its worst forms a military socialism or a tribal tyranny, and even in its best a stifling regulation of new cancer drugs—and you get the grinding routine of human tyranny and poverty, with their attendant crushing of the human spirit. The agenda of modern liberalism, ranged against tyranny and poverty, is achieving human flourishing in the way it has always been achieved. Let my people go. Let ordinary people have a go. Stop pushing people around.
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Deirdre Nansen McCloskey (Why Liberalism Works: How True Liberal Values Produce a Freer, More Equal, Prosperous World for All)
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Am I going to abide by the cool Gen Z mom way of doing things, or am I going to raise my kids with the values I know are best for their lives—even if they may seem a little old-fashioned? I have to parent with confidence even though the crowd may be doing something different.
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Sadie Robertson Huff (The Next Step: 50 Devotions to Find Your Way Forward (Whoa, That’s Good: Wisdom))
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I glanced up as a tall man in a good black pinstripe suit cut in an old-fashioned Savile Row style sat down in one of the booths that lined the wall behind Stephen, put a half of lager down on the table, carefully folded a copy of the Telegraph on his knee and started in on the crosswords. I let my eyes slide back to Stephen’s face before he noticed. The man was DCI Thomas Nightingale—my boss.
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Ben Aaronovitch (False Value (Rivers of London #8))