Creatures Of Chaos Quotes

I will love you until the day after forever.

I saw his face change. His eyes widen. He lunged at me. I wouldn't let go. We stared into eachother's eyes and clawed at eachother's throats. As we rolled over the edge of the water tower and fell the whole way down, I was only thinking one thing ...Lena

I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.

I’m not a creature of vengeance any more. I’m not just the girl whose gift is chaos. I’m the girl who endured.

Know then thyself, presume not God to scan, The proper study of mankind is Man. Placed on this isthmus of a middle state, A being darkly wise and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between, in doubt to act or rest; In doubt to deem himself a God or Beast; In doubt his mind or body to prefer; Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little or too much; Chaos of thought and passion, all confused; Still by himself abused or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; Go, soar with Plato to th’ empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!

It’s funny how the good things are all tied up with the bad. Sometimes it’s hard to tell which is which. But either way, you end up taking your sugar with your salt and your kicks with your kisses.

People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other. They don't look quite like real science. But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.

It was lunar symbolism that enabled man to relate and connect such heterogeneous things as: birth, becoming, death, and ressurection; the waters, plants, woman, fecundity, and immortality; the cosmic darkness, prenatal existence, and life after death, followed by the rebirth of the lunar type ("light coming out of darkness"); weaving, the symbol of the "thread of life," fate, temporality, and death; and yet others. In general most of the ideas of cycle, dualism, polarity, opposition, conflict, but also of reconciliation of contraries, of coincidentia oppositorum, were either discovered or clarified by virtue of lunar symbolism. We may even speak of a metaphysics of the moon, in the sense of a consistent system of "truths" relating to the mode of being peculiar to living creatures, to everything in the cosmos that shares in life, that is, in becoming, growth and waning, death and ressurrection.

There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip's eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months. 'Oh, life,' he cried in his heart, 'Oh life, where is thy sting?

This is what it means to be an adventurer in our day: to give up creature comforts of the mind, to realize the possibilities of imagination. Because everything around us says no you cannot do this, you cannot live without that, nothing is useful unless it's in service to money, to gain, to stability. The adventurer gives in to tides of chaos, trusts the world to support her - and in doing so turns her back on the fear and obedience she has been taught. She rejects the indoctrination of impossibility.

Human female choosiness is also why we are very different from the common ancestor we shared with our chimpanzee cousins, while the latter are very much the same. Women’s proclivity to say no, more than any other force, has shaped our evolution into the creative, industrious, upright, large-brained (competitive, aggressive, domineering) creatures that we are.42 It is Nature as Woman who says, “Well, bucko, you’re good enough for a friend, but my experience of you so far has not indicated the suitability of your genetic material for continued propagation.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

My head is throbbing. I need coffee. Leaving the marbled papers in a state of controlled chaos, I walk through the office and past the page's desk in the Reading Room. I am halted by Isabelle's voice saying, "Perhaps Mr. DeTamble can help you," by which she means "Henry, you weasel, where are you slinking off to?" and this astoundingly beautiful amber-haired tall slim girl turns around and looks at me as through I am her personal Jesus. My stomach lurches. Obviously she knows me, and I don't know her. Lord only knows what I've said, done, or promised to this luminous creature, so I am forced to say in my best librarianese, "Is there something I can help you with?" The girl sort of breathes "Henry!" in this very evocative way that convinces me that at some point in time we have a really amazing thing together. This makes it worse that I don't know anything about her, not even her name. I say "Have we met?" and Isabelle givs me a look that says You asshole. But the girl says, "I'm Claire Abshire. I knew you when I was a little girl," and invites me out to dinner. I accept, stunned.

She shook the voices out of her head, but the words left a shadow, a phantom image that never entirely disappeared.

You are a creature of darkness and chaos and starlight

If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths?

Get off that damn chair and pull yourself together. You're supposed to be an ageless creature of chaos and all I'm getting right now is sulking city boy.

Stone, sea, forest, city—and every creature that ever lived—all share the same struggle. Being resists unbeing. Order wars against the chaos of dissolution, of disorder.

I need you to tell people this; I need you, when you get back, to tell them: the brutality is terrible. And yes: the chaos is very great. But tell them: greater than the world’s chaos are its miracles. (p 309)

He was the most inconsiderable creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.

A high degree of intelligence yes in no other creature in the natural world. That's why nature shuns us and why we subconsciously hate her and seek to obliterate her. High intelligence leads to the concept of progress. Progress leads to nuclear weapons, bio-engineering chaos and ultimately to annihilation.

Hunger is such an incredible inconvenience.

God wants man to be His creature. Furthermore, He wants him to be His PARTNER. There is a causa Dei in the world. God wants light, not darkness. He wants cosmos, not chaos. He wants peace, not disorder. He wants man to administer and to receive justice rather than to inflict and to suffer injustice. He wants man to live according to the Spirit rather than according to the flesh. He wants man bound and pledged to Him rather than to any other authority. He wants man to live and not to die. Because He wills these things God is Lord, Shepherd, and Redeemer of man, who in His holiness and mercy meets His creature; who judges and forgives, rejects and receives, condemns and saves.

This should have been a noble creature: he/ Hath all the energy which would have made/ A goodly frame of glorious elements,/ Had they been wisely mingled; as it is,/ It is an awful chaos-light and darkness-/ And mind and dust- and passions and pure thoughts,/ Mix'd, and contending without end or order,/ All dormant or destructive/

We cannot roam the earth. We cannot dominate mankind any longer, nor make them bend to our will.” The demon lifted her hand to her mouth and ran the end of one finger over the tip of one of her teeth. The skin split open, and silver blood welled up on her fingertip. She lowered the finger to Ruxandra’s lips. “Open your mouth.” Ruxandra wanted to protest, to beg for God’s forgiveness and the creature’s mercy, to run screaming from the cave, but she couldn’t find words or strength in her limbs. She could do nothing but cry as the fallen angel parted her lips. “I send you out instead, my child, “ the fallen angel said, “to sow chaos and fear, to make humans kneel in terror and to ravage the world where I cannot.” “Stop!” Vlad’s voice was shrill. “I command you to stop! Now!” The fallen angel pushed open Ruxandra’s mouth and slipped the finger inside. “Soon you will be freer than you have ever dreamed.” The drop of blood dripped from her finger onto Ruxandra’s tongue.

what is JUST in a world you’ve ripped in two as if there could be a half for me a half for you what is FAIR when there is nothing left to share what is YOURS when your pain is mine to bear this sad math is mine this mad path is mine subtract they say don’t cry back to the desk try forget addition multiply and i reply this is why remainders hate division

Our romantic lives are fated to be sad and incomplete, because we are creatures driven by two essential desires which point powerfully in entirely opposing directions. Yet what is worse is our utopian refusal to countenance the divergence, our naive hope that a cost-free synchronisation might somehow be found: that the libertine might live for adventure while avoiding loneliness and chaos. Or that the married Romantic might unite sex with tenderness, and passion with routine.” “Infatuations aren’t delusions. That way a person has of holding their head may truly indicate someone confident, wry and sensitive; they really may have the humour and intelligence implied by their eyes and the tenderness suggested by their mouth. The error of the infatuation is more subtle: a failure to keep in mind the central truth of human nature that everyone – not merely our current partners, in whose multiple failings we are such experts – but everyone will have something substantially and maddeningly wrong with them when we spend more time around them, something so wrong as to make a mockery of those initially rapturous feelings. The only people who can still strike us as normal are those we don’t yet know very well. The bet cure for love is to get to know them better.

You were everything I never knew I wanted. You were chaos. You were desperation. You were the most mysterious secret I’d ever come across. Everything about you drew me in—your innocence, your vulnerability, hell, even your tragic life. You were the most captivating creature I’d ever come across.

I'm not surprised at Yennefer,' he said as he walked. 'She is a woman and thus an evolutionary inferior creature, governed by hormonal chaos. But you, Geralt, are not only a man who is sensible by nature, but also a mutant, invulnerable to emotions.' He waved a hand. There was a boom and a flash. A lightning bolt bounced off the shield Yennefer had conjured up. 'In spite of your good sense—' Vilgefortz continued to talk, pouring fire from hand to hand '—in one matter you demonstrate astounding and foolish perseverance: you invariably desire to row upstream and piss into the wind. It had to end badly. Know that today, here, in Stygga Castle, you have pissed into a hurricane.

Ordered by subject, by importance, ordered according to whether the book was penned by God or by one of God’s creatures, ordered alphabetically or by numbers or by the language in which the text is written, every library translates the chaos of discovery and creation into a structured system of hierarchies or a rampage of free associations.

You've blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It's as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself-- and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified-- at least that's what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you've turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you've shunted me, for hate, I should hate you. But I don't have it.

I am Marian the Less - but I am also the Hammer of the North, and I am the Malkin Queen. They live in me, too. I am not the soft creature you hope to mould. Not any more, Glorian said. Threaten my family again, and you will remember, as I give you wings.

The clown is a creature of chaos. His appearance is an affront to our sense of dignity, his actions a mockery of our sense of order. The clown (freedom) is always being chased by the policeman (authority). Clowns are funny precisely because their shy hopes lead invariably to brief flings of (exhilarating?) disorder followed by crushing retaliation from the status quo. It delights us to watch a careless clown break taboos; it thrills us vicariously to watch him run wild and free; it reassures us to see him slapped down and order restored. After all, we can condone liberty only up to a point. Consider Jesus as a ragged, nonconforming clown--laughed at, persecuted and despised--playing out the dumb show at his crucifixion against the responsible pretensions of authority.

From the ashes of her anger a new creature was born, creating itself from the cinders and dust. A feeling that fell between terror and doubt, between chaos and logic.

Then she appears, the fantasy which haunts my dreams. The creature who taunts me without having one Goddamn clue of the internal chaos she causes.

YES! a ten! ...eight...nine...ten!" "Landing you in the Enchanted Forest, which is MY domain. 600 gold, please." "My Scottie dog will not pay your tyrannical toll!" "Nimona... " "He rallied the oppressed woodland creatures and organized a revolt!" "It just so happens I am a just ruler and am greatly admired by all my subjects." "Squirrels scale the walls of the castle and bears batter down the gates! Bloody chaos ensues! The Enchanted Forest is ours!" "I'm taking the 600 gold anyway." "HIGHWAY ROBBERY! " "Plus another 600 for damages.

A high level of chaos would mean that they could expect to meet the Fae, creatures of chaos and magic, who were able to take form and cause disorder on such a corrupted world. And that was never good news

“A son,” I say, recalling every detail of the child’s perfect face. Ivory’s smile is blinding. “A most unique creature. The first child to be born to two netherlings who’ve shared a childhood. Wonderland is founded on chaos, madness, and magic. For so long, innocence and imagination have had no place there. As a result, we haven’t had children, at least by your world’s definition. And because of this, we’ve lost the ability to dream. But Morpheus experienced those things via you, each time you played together in your dreams. Through your child, Wonderland will thrive with new magic and strength. Our offspring will become true children once more; they will learn to dream again. And all will be right with our world.

The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.

Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!

ourselves properly, we would have to respect ourselves—but we don’t, because we are—not least in our own eyes—fallen creatures. If we lived in Truth; if we spoke the Truth—then we could walk with God once again, and respect ourselves, and

Chaos, the eternal feminine, is also the crushing force of sexual selection. Women are choosy maters (unlike female chimps, their closest animal counterparts). Most men do not meet female human standards. It is for this reason that women on dating sites rate 85 percent of men as below average in attractiveness. It is for this reason that we all have twice as many female ancestors as male (imagine that all the women who have ever lived have averaged one child. Now imagine that half the men who have ever lived have fathered two children, if they had any, while the other half fathered none).41 It is Woman as Nature who looks at half of all men and says, “No!” For the men, that’s a direct encounter with chaos, and it occurs with devastating force every time they are turned down for a date. Human female choosiness is also why we are very different from the common ancestor we shared with our chimpanzee cousins, while the latter are very much the same. Women’s proclivity to say no, more than any other force, has shaped our evolution into the creative, industrious, upright, large-brained (competitive, aggressive, domineering) creatures that we are.42 It is Nature as Woman who says, “Well, bucko, you’re good enough for a friend, but my experience of you so far has not indicated the suitability of your genetic material for continued propagation.

I am Angrboda Iron-witch,.The Old One, Mother Witch, who birthed the wolves who cahes the sun and moon. Former wife to Loki and mother of both the ruler of the dead and the two creatures of chaos destined to bring about the doom of the very beings who ruined our lives. I can do this on my own.

Why is this happening? Who knows, really? Life and existence can never be fully understood. Stars are born only to explode. Creatures hunt other creatures, and then they die. The universe is a chaos of irrational forces wrestling with one another in a war without end. The human race is on the receiving end now.

Cats, however, are their own creatures. They aren’t social or hierarchical (except in passing). They are only semi-domesticated. They don’t do tricks. They are friendly on their own terms. Dogs have been tamed, but cats have made a decision. They appear willing to interact with people, for some strange reasons of their own. To me, cats are a manifestation of nature, of Being, in an almost pure form. Furthermore, they are a form of Being that looks at human beings and approves.

Be a constant student of life; See the Divine in Nature and Nature in the Divine; Not say a word and be clearly heard; Lead without force and teach without pride; Take the most mundane things and surroundings, sense their inner magick and be able to open that window for others; Stare into the dark infinity of the night sky and feel it as an awesome source; Love the beauty of paradox and always be able to see the cosmic humor in the darkest times; Be a shapeshifter to blend in or be invisible if needed… and make those around feel safe, and heard; Maintain his calm center and clear mind when all about him is chaos; Open his inner eyes and really see; Say “I don’t know…” and realize that is great wisdom, that is okay; Have compassion for all beings, and know when to be a healer and when to be a witness; Know that the secrets of magick are bestowed upon the open-hearted; Speak to the Gods and know he is heard; Cast a sphere of protection and light; Make up his own mind, walk his own path and never follow another blindly; Know the courage and power of nonviolence and the swift strength of a keen mind; Conjure a tale or myth that the moment requires to be understood; Know the plants and creatures of the wild enough to call them friends and allies; See the God and Goddess within all and everyone; Have a spirit that glows in the dark. —Katlyn Breene

The clown is a creature of chaos.

You won't find another creature that feels endless relief as much as someone who escapes from a chaos and comes to a place of total peace!

bad luck,” which any sentient creature should be able to identify as a collision between mortal flesh and the outer chaos of the universe.

The society we live in today is just an experiment. Nobody has the answers. Nobody knows where it’s going, or why. We don’t even know where we would like it to go. There’s no grown-up out there, looking out for us. Nobody’s home. It’s just one big, glorious chaos engine; busy, busy spawning all manner of unimaginable creatures, existences, relations, exquisite beauties and excruciating tragedies. When you truly see this, an experimental attitude towards society suddenly seems much less reckless or disrespectful. It is the only appropriate stance.

If we wish to take care of ourselves properly, we would have to respect ourselves—but we don’t, because we are—not least in our own eyes—fallen creatures. If we lived in Truth; if we spoke the Truth—then we could walk with God once again, and respect ourselves, and others, and the world. Then we might treat ourselves like people we cared for. We might strive to set the world straight. We might orient it toward Heaven, where we would want people we cared for to dwell, instead of Hell, where our resentment and hatred would eternally sentence everyone.

Giving away my emotions is my business. At least I have those unlike a certain someone.” “Is this the part where I should act offended? Maybe try to shed a tear or two?” “Yeah, and look into ways to grow a heart while you’re at it.” “The world won’t function correctly if all of us are emotional, morally right creatures. There needs to be a balance, or else there’ll be chaos.

Desire for goodness, Mister Reese, leads to earnestness. Earnestness in turn leads to sanctimonious self-righteousness, which breeds intolerance, upon which harsh judgment quickly follows, yielding dire punishment, inflicting general terror and paranoia, eventually culminating in revolt, leading to chaos, then dissolution, and thus, the end of civilisation.” He slowly turned, looked down upon Emancipor. “And we are creatures dependent upon civilisation. It is the only environment in which we can thrive.” Emancipor frowned. “The desire for goodness leads to the end of civilisation?” “Precisely, Mister Reese.” “But if the principal aim is to achieve good living and health among the populace, what is the harm in that?” Bauchelain sighed. “Very well, I shall try again. Good living and health, as you say, yielding well-being. But well-being is a contextual notion, a relative notion. Perceived benefits are measured by way of contrast. In any case, the result is smugness, and from that an overwhelming desire to deliver conformity among those perceived as less pure, less fortunate—the unenlightened, if you will. But conformity leads to ennui, and then indifference. From indifference, Mister Reese, dissolution follows as a natural course, and with it, once again, the end of civilisation.

Now Christianity proposes a completely different account of how history comes to a climax and what precisely constitutes the new order of the ages—which helps to explain why so many of modernity’s avatars, from Diderot to Christopher Hitchens, have specially targeted Christianity. On the Christian reading, history reached its highpoint when a young first-century Jewish rabbi, having been put to death on a brutal Roman instrument of torture, was raised from the dead through the power of the God of Israel. The state-sponsored murder of Jesus, who had dared to speak and act in the name of Israel’s God, represented the world’s resistance to the Creator. It was the moment when cruelty, hatred, violence, and corruption—symbolized in the Bible as the watery chaos—spent itself on Jesus. The resurrection, therefore, showed forth the victory of the divine love over those dark powers. St. Paul can say, “I am certain that neither death nor life, neither angels nor principalities, nor any other creature can separate us from the love of God,” precisely because he lived on the far side of the resurrection.

What if there are hundreds of lobsters, all trying to make a living and raise a family, in the same crowded patch of sand and refuse? Other creatures have this problem, too. When songbirds come north in the spring, for example, they engage in ferocious territorial disputes. The songs they sing, so peaceful and beautiful to human ears, are siren calls and cries of domination. A brilliantly musical bird is a small warrior proclaiming his sovereignty.

War was so many things, and not the least of which confusion. What was wrong? What was right, for that matter? Was killing right or wrong? Brave or cowardly? Human nature or unnatural behavior of creatures too smart for their own good? Loyalty, betrayal, hate, love, fear, friendship, teamwork, violence. War was connected to all of these. Hard work, sadness, suffering, discipline, chaos, questions, few answers, strategy, bravery, foolishness, death, life. And both winning and losing were only two small aspects of the word war.

Death that makes nature quake with dread! today we are gods, tomorrow dust, creatures of poverty and pride, today hope fondly flatters us, tomorrow – man, where are you now? Your hours have barely fled away into the pit of chaos, your time fades like a dream at the new day.

I am your shelter from the storm. I am your strength when you are weak. I am the fire that burns through your veins and heats you when you are in need. I am the one who will fill your womb and protect the children you give me. I am your light in the darkness and the one who guides your way when you are lost. I am the creature who will destroy worlds to keep you and will never allow you to fall. I am Lennox, beast to the High King of the Nine Realms and King of Norvalla. I am your mate, Aria Karnavious.” Leaning closer, locking eyes with mine, Lennox asked, “Who are you?

She's everywhere, in every drop of my blood, in every spark of thought, and I want to fucking destroy her for it. To shatter her just like she's broken me. Because she brings me to my fucking knees. I want to ruin her so that she's mine, my beautiful disaster. My wild creature. My goddess of chaos.

If we isolate the stray thought, the passing thought,” he said, “the thought whose origin is unfathomable, then we begin to understand that we are routinely deranged, everyday crazy.” We loved the idea of being everyday crazy. It rang so true, so real. “In our privatest mind,” he said, “there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.” Our privatest mind, we thought. Did he really say that? “The only laws that matter are laws of thought.” His fists were clenched on the tabletop, knuckles white. “The rest is devil worship," he said.

During the deep sleep of the interval (circa A.D. 375-675) which, intervened between the break-up of the Roman Empire and the gradual emergence of our Western Society out of the chaos, a rib was taken, from the side of the older society and was fashioned into the backbone of a new creature of the same species.

holding the illusion of love on her fucking sleeve. She was this wide-eyed, beautiful creature that looked at the Nine Realms with hope burning within her when there was none here to be found. This place would crush her dreams, stomp her fucking heart into the ground, and ruin the beauty that shined from within her soul before she’d ever make a dent in this hellhole.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

you can easily see a nanometer-size machine, like a little two-legged creature, wait, then suddenly do a quick step, then wait again, step again, and so on. Is this molecule alive? No, not in the full sense of the word. But watching it stride by, you can see how many such machines, interacting in some regulated way, can make a living being. This surely is where life begins.

A small few actually able to do those things of which men whisper—these few could call demons and the dead, could kill with a curse or heal with strange potions. One of these men had been a creature the gunslinger believed to be a demon himself, a creature that pretended to be a man and called itself Flagg. He had seen him only briefly, and that had been near the end, as chaos and the final crash approached his land. Hot on his heels had come two young men who looked desperate and yet grim, men named Dennis and Thomas. These three had crossed only a tiny part of what had been a confused and confusing time in the gunslinger’s life, but he would never forget seeing Flagg change a man who had irritated him into a howling dog. He remembered that well enough.

The history of magical groups is a history of crash landings or slow degeneration. Very seldom do we find success stories about fully developed higher creatures who spread their inner light within group contexts and beyond. Very often it’s an all-too-human scenario of power struggles within groups and secret societies that pushes the potential for self-development back into the shadows in order for ego inflation and chaos to shine. This has usually brought forth a general marginalization of initially very interesting ideas. To a great extent, I believe this has to do with the use of a language and terminology that is too obfuscated, arcane, and symbolic. Instead of simply seeing what needs to be done and how, many individuals haven’t been able to see the beauty of the forest because of all the trees in the way.

Lions in the street and roaming Dogs in heat, rabid, foaming A beast caged in the heart of a city The body of his mother Rotting in the summer ground He fled the town He went down South and crossed the border Left the chaos and disorder Back there over his shoulder One morning he awoke in a green hotel With a strange creature groaning beside him Sweat oozed from its shiny skin Is everybody in? The ceremony is about to begin

Fortunately, the great king did not have to deal with Set on his own. The Egyptians also worshipped Horus, the son of Osiris. Horus took the twin forms of a falcon, the most visually acute of all creatures, and the still-famous hieroglyphic single Egyptian eye (as alluded to in Rule 7). Osiris is tradition, aged and willfully blind. Horus, his son, could and would, by contrast, see. Horus was the god of attention. That is not the same as rationality. Because he paid attention, Horus could perceive and triumph against the evils of Set, his uncle, albeit at great cost. When Horus confronts Set, they have a terrible battle. Before Set’s defeat and banishment from the kingdom, he tears out one of his nephew’s eyes. But the eventually victorious Horus takes back the eye. Then he does something truly unexpected: he journeys voluntarily to the underworld and gives the eye to his father.

Never has a man proposed for himself, voluntarily or involuntarily, a goal more sublime, since this goal was beyond measure: undermine the superstitions placed between the creature and the Creator, give back God to man and man to God, reinstate the rational and saintly idea of divinity in the midst of this prevailing chaos of material and disfigured gods of idolatry. Never has a man accomplished in such a short time such an immense and long lasting revolution in the world.

But since Pontus [the Sea] was male, only the sea creatures that lived in the sea could aspire to be Aphrodite`s mother. And it was for this reason that Aphrodite`s birth was delayed for so long. As Himeros & Chaos did not want to be born by a sea creature. And thus, Uranus` seed & testicles tossed & tossed on the waves for hundreds of years before Himeros & Chaos reached a compromise. Aphrodite would be born from a cockle, Konche, & Himeros & Chaos would be the shell of the baby cockle.

When my avocation became my vocation I was set free. Writing, at first, was a hobby that I loved dearly. It turned into a serious endeavor several years ago when I started writing screenplays. Unfortunately selling one out of every ten was not very lucrative. Success comes in many forms and my poor returns from screenplays matured my writing style, ultimately affording me the ability to author hundreds of magazine articles that generated a decent paycheck. Fast forward to today and I have published my first novel “The Alchemist’s Notebook.” It is a whirlwind story in the style of H. P. Lovecraft’s Cthulhu mythos that takes the reader from Vietnam to Innsmouth then Arkham and eventually to Europe wherein chaos and screaming terror awaits all living creatures on our planet. I pledge to keep the reader on pins and needles hoping that sanity and normalcy will return. “The Alchemist’s Notebook” and all future novels along with my blogs will deal exclusively with that genre.

Donne loved the trans- prefix: it's scattered everywhere across his writing—'transpose', 'translate', 'transport', 'transubstantiate'. In this Latin preposition—'across, to the other side of, over, beyond'—he saw both the chaos and potential of us. We are, he believed, creatures born transformable. He knew of transformation into misery: 'But O, self-traitor, I do bring/The spider love, which transubstantiates all/And can convert manna to gall'— but also the transformation achieved by beautiful women: 'Us she informed, but transubstantiates you'. And then there was the transformation of himself: from failure and penury, to recognition within his lifetime as one of the finest minds of his age; one whose work, if allowed under your skin, can offer joy so violent it kicks the metal out of your knees, and sorrow large enough to eat you. Because amid all Donne's reinventions, there was a constant running through his life and work: he remained steadfast in his belief that we, humans, are at once a catastrophe and a miracle.

The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.

Honvil approached to commence the lesson. ‘The more passionate and wild the creature your form takes, the harder it is to maintain control over the form without submitting completely to its instinctive desires. There are cases where some of our kindred have lost control of their second forms, and through that lapse, have let the animal mind take over completely.’ Honvil paused to let his words register. ‘If you lose that control,’ he continued, ‘even for a moment, there is great risk that your mind will be consumed by the animal itself. Those who lose control in this way usually live out their life in that form, never returning to society.

Tunuva ran forward, snapped her folding spear to its full length, and threw with all her might. It struck a second wildcat through the hind leg—a bad enough wound to lame it, not kill. She wrenched the spear fear free and rolled, just in time to stop the smallest of the three predators from tearing into her. Reeking breath gusted on her face as the wildcat gnashed at her across the haft of the spear, and huge paws wrestled with her shoulders, claws ripping deep into her arms. Blood flecked its whiskers. On any other day, Tunuva would have admired the creature. As it happened, she was having a bad day. She dropped her shoulder and threw the beast over her back.

Hitler remains undeniably the creation of his time, a creature of German imagination rather than, strictly speaking, of social and economic forces. He was never regarded in the first instance as the prospective agent of social and economic recovery—that was a post facto interpretation—but rather as a symbol of revolt and counteraffirmation by the dispossessed, the frustrated, the humiliated, the unemployed, the resentful, the angry. Hitler stood for protest. He was a mental construct in the midst of defeat and failure, of inflation and depression, of domestic political chaos and international humiliation. ... The ultimate kitsch artist, he filled the abyss with symbols of beauty. The victim he turned into the hero, hell into heaven, death into transfiguration.

The church in the night is being called to own and renounce its threefold syncretistic attachment to sexism, racism, and classism. These attachments have wounded the church and have caused the church to wound the world for far too long. Painful self-reflection, repentance, and much theological work are needed to retrieve the egalitarian ethos of the gospel. As the church is healed from this damaging threefold wound, it will regain the moral authority it needs to speak to a world hurtling toward chaos. Delivered of its demonic attachment to oppressive power, the church will find its God-given conscience toward all living things that have suffered under the centripetal force of domination. The earth and all its creatures will once again become primary foci of the good news, that God is redeeming not just fallen humans but the whole of creation.

Chickens are true creatures of zen - they live only and absolutely for the moment. Their actions one particular second will not necessarily have any influence or bearing on their actions in the next second, nor are they necessarily influenced by their actions of the prior second. Chicken thoughts arrive in their tiny mad little minds like flashes of a strobe light, each light being an action, each flashing with the brilliance of a not very brilliant thing. Each action utterly random. The complete randomness of chaos. Chickens are notorious escape artists, not due to their ability to devise cunning plans as they huddle together in their coop beneath a bare light bulb, scratching out complex diagrams in the dirt, but simply out of sheet unpredictability. They are the pachinko balls of the animal kingdom, effecting their escapes through the simple device of, say, turning left for no particular reason.

Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip’s eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months.

According to the traditional philosophy of the Magicians, every man is a unique autonomous center of individual consciousness, energy, and will—a soul, in a word. Like a star shining and existing by its own inward light, it pursues its way in the star-spangled heavens, solitary, uninterfered with, except in so far as its heavenly course is gravitationally modified by the presence, near or far, of other stars. Since in the vast stellar spaces seldom are there conflicts between the celestial bodies, unless one happens to stray from its appointed course—a very rare occurrence—so in the realms of humankind there would lie no chaos, little conflict, and no mutual disturbance were each individual content to be grounded in the reality of his own high consciousness, aware of his ideal nature In the his true purpose in life, and eager to pursue the road which he must follow. Because men have strayed from the dynamic sources inhering within themselves and the universe, and have forsaken their true spiritual wills, because they have divorced themselves from the celestial essences, betrayed by a mess of more sickly pottage than ever Jacob did sell to Esau, the world in this day presents a people with so hopeless an aspect, and a humanity impressed with so despondent a mien. Ignorance of the course of the celestial orbit, and the significance of that orbit inscribed in the skies forever, is the root which is at the bottom of universal dissatisfaction, unhappiness, and race-nostalgia. And because of this the living soul cries for help to the dead, and the creature to a silent God. Of all this crying there comes usually—nothing. The lifting up of the hands in supplication brings no inkling of salvation. The frantic gnashing of teeth results but in mute despair and loss of vital energy. Redemption is only from within and is wrought out by the soul itself with suffering and through time, with much endeavor and strain of the spirit.

Silenus hears a voice above the screams and is amazed to find that both the screams and the voice are his: … Thou art a dreaming thing; A fever of thyself—think of the Earth; What bliss even in hope is there for thee? What haven? every creature hath its home; Every sole man hath days of joy and pain, Whether his labours be sublime or low— The pain alone; the joy alone; distinct: Only the dreamer venoms all his days, Bearing more woe than all his sins deserve. He knows the verse, not his, John Keats’s, and feels the words further structuring the seeming chaos of pain around him. Silenus understands that the pain has been with him since birth—the universe’s gift to a poet. It is a physical reflection of the pain he has felt and futilely tried to set to verse, to pin down with prose, all those useless years of life. It is worse than pain; it is unhappiness because the universe offers pain to all. Only the dreamer venoms all his days, Bearing more woe than all his sins deserve!

III. They seek for themselves private retiring places, as country villages, the sea-shore, mountains; yea thou thyself art wont to long much after such places. But all this thou must know proceeds from simplicity in the highest degree. At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity. By tranquillity I understand a decent orderly disposition and carriage, free from all confusion and tumultuousness. Afford then thyself this retiring continually, and thereby refresh and renew thyself. Let these precepts be brief and fundamental, which as soon as thou dost call them to mind, may suffice thee to purge thy soul throughly, and to send thee away well pleased with those things whatsoever they be, which now again after this short withdrawing of thy soul into herself thou dost return unto. For what is it that thou art offended at? Can it be at the wickedness of men, when thou dost call to mind this conclusion, that all reasonable creatures are made one for another? and that it is part of justice to bear with them? and that it is against their wills that they offend? and how many already, who once likewise prosecuted their enmities, suspected, hated, and fiercely contended, are now long ago stretched out, and reduced unto ashes? It is time for thee to make an end. As for those things which among the common chances of the world happen unto thee as thy particular lot and portion, canst thou be displeased with any of them, when thou dost call that our ordinary dilemma to mind, either a providence, or Democritus his atoms; and with it, whatsoever we brought to prove that the whole world is as it were one city? And as for thy body, what canst thou fear, if thou dost consider that thy mind and understanding, when once it hath recollected itself, and knows its own power, hath in this life and breath (whether it run smoothly and gently, or whether harshly and rudely), no interest at all, but is altogether indifferent: and whatsoever else thou hast heard and assented unto concerning either pain or pleasure? But the care of thine honour and reputation will perchance distract thee? How can that be, if thou dost look back, and consider both how quickly all things that are, are forgotten, and what an immense chaos of eternity was before, and will follow after all things: and the vanity of praise, and the inconstancy and variableness of human judgments and opinions, and the narrowness of the place, wherein it is limited and circumscribed? For the whole earth is but as one point; and of it, this inhabited part of it, is but a very little part; and of this part, how many in number, and what manner of men are they, that will commend thee? What remains then, but that thou often put in practice this kind of retiring of thyself, to this little part of thyself; and above all things, keep thyself from distraction, and intend not anything vehemently, but be free and consider all things, as a man whose proper object is Virtue, as a man whose true nature is to be kind and sociable, as a citizen, as a mortal creature. Among other things, which to consider, and look into thou must use to withdraw thyself, let those two be among the most obvious and at hand. One, that the things or objects themselves reach not unto the soul, but stand without still and quiet, and that it is from the opinion only which is within, that all the tumult and all the trouble doth proceed. The next, that all these things, which now thou seest, shall within a very little while be changed, and be no more: and ever call to mind, how many changes and alterations in the world thou thyself hast already been an eyewitness of in thy time. This world is mere change, and this life, opinion.

According to a classic experiment by Wolfgang Kohler, you can take two gray pieces of paper-one dark, one bright-and teach the chickens to expect food on the brighter of the two. If you then remove the darker piece and replace it by one brighter than the other one, the deluded creatures will look for their dinner, not on the identical gray paper where they have always found it, but on the paper where they would expect it in terms of relationships-that is, on the brighter of the two. Their little brains are attuned to gradients rather than to individual stimuli. Things could not go well with them if nature had willed it otherwise. For would a memory of the exact stimulus have helped them to recognize the identical paper? Hardly ever! A cloud passing over the sun would change its brightness, and so might even a tilt of the head, or an approach from a different angle. If what we call "identity" were not anchored in a constant relationship with environment, it would be lost in the chaos of swirling impressions that never repeat themselves.

Furthermore, Kauffman felt that it might ultimately be possible to apply these ideas far beyond the economy. "I think these kinds of models are the place for contingency and law at the same time," he says. "The point is that the phase transitions may be lawful, but the specific details are not. So maybe we have the starts of models of historical, unfolding processes for such things as the Industrial Revolution, for example, or the Renaissance as a cultural transformation,a nd why it is that an isolated society, or ethos, can't stay isolated when you start plugging some new ideas into it." You can ask the same thing about the Cambrian explosion: the period some 570 million years ago when a world full of algae and pond scum suddenly burst forth with complex, multicellular creatures in immense profusion. "Why all of a sudden do you get all this diversity?" Kauffman asks. "Maybe you had to get to a critical diversity to then explode. Maybe it's because you've gone from algal mats to something that's a little more trophic and complex, so that there's an explosion of processes acting on processes to make new processes. It's the same thing as in an economy.

The Pusher, Chapter 3, Part 13: The gunslinger had known magicians, enchanters, and alchemists in his time. Some had been clever charlatans, some stupid fakes in whom only people more stupid than they were themselves could believe (but there had never been a shortage of fools in the world, so even the stupid fakes survived; in fact most actually thrived), and a small few actually able to do those black things of which men whisper—these few could call demons and the dead, could kill with a curse or heal with strange potions. One of these men had been a creature the gunslinger believed to be a demon himself, a creature that pretended to be a man and called itself Flagg. He had seen him only briefly, and that had been near the end, as chaos and the final crash approached his land. Hot on his heels had come two young men who looked desperate and yet grim, men named Dennis and Thomas. These three had crossed only a tiny part of what had been a confused and confusing time in the gunslinger's life, but he would never forget seeing Flagg change a man who had irritated him into a howling dog. He remembered that well enough. Then there had been the man in black.

Know then thyself, presume not God to scan; The proper study of Mankind is Man. Plac'd on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between; in doubt to act, or rest, In doubt to deem himself a God, or Beast; In doubt his Mind or Body to prefer, Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: Chaos of Thought and Passion, all confus'd; Still by himself, abus'd, or disabus'd; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world! Go, wond'rous creature! mount where Science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old Time, and regulate the Sun; Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his follow'rs trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the Sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!

The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.

And who knows (there is no saying with certainty), perhaps the only goal on earth to which mankind is striving Free eBooks at Planet eBook.com lies in this incessant process of attaining, in other words, in life itself, and not in the thing to be attained, which must always be expressed as a formula, as positive as twice two makes four, and such positiveness is not life, gentlemen, but is the beginning of death. Anyway, man has always been afraid of this mathematical certainty, and I am afraid of it now. Granted that man does nothing but seek that math- ematical certainty, he traverses oceans, sacri ces his life in the quest, but to succeed, really to nd it, dreads, I assure you. He feels that when he has found it there will be noth- ing for him to look for. When workmen have nished their work they do at least receive their pay, they go to the tavern, then they are taken to the police-station—and there is oc- cupation for a week. But where can man go? Anyway, one can observe a certain awkwardness about him when he has attained such objects. He loves the process of attaining, but does not quite like to have attained, and that, of course, is very absurd. In fact, man is a comical creature; there seems to be a kind of jest in it all. But yet mathematical certainty is a er all, something insu erable. Twice two makes four seems to me simply a piece of insolence. Twice two makes four is a pert coxcomb who stands with arms akimbo bar- ring your path and spitting. I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes ve is sometimes a very charming thing too. And why are you so rmly, so triumphantly, convinced that only the normal and the positive—in other words, only what is conducive to welfare—is for the advantage of man? Notes from the Underground Is not reason in error as regards advantage? Does not man, perhaps, love something besides well-being? Perhaps he is just as fond of su ering? Perhaps su ering is just as great a bene t to him as well-being? Man is sometimes extraor- dinarily, passionately, in love with su ering, and that is a fact. ere is no need to appeal to universal history to prove that; only ask yourself, if you are a man and have lived at all. As far as my personal opinion is concerned, to care only for well-being seems to me positively ill-bred. Whether it’s good or bad, it is sometimes very pleasant, too, to smash things. I hold no brief for su ering nor for well-being either. I am standing for ... my caprice, and for its being guaran- teed to me when necessary. Su ering would be out of place in vaudevilles, for instance; I know that. In the ‘Palace of Crystal’ it is unthinkable; su ering means doubt, negation, and what would be the good of a ‘palace of crystal’ if there could be any doubt about it? And yet I think man will never renounce real su ering, that is, destruction and chaos. Why, su ering is the sole origin of consciousness. ough I did lay it down at the beginning that consciousness is the great- est misfortune for man, yet I know man prizes it and would not give it up for any satisfaction. Consciousness, for in- stance, is in nitely superior to twice two makes four. Once you have mathematical certainty there is nothing le to do or to understand. ere will be nothing le but to bottle up your ve senses and plunge into contemplation. While if you stick to consciousness, even though the same result is attained, you can at least og yourself at times, and that will, at any rate, liven you up. Reactionary as it is, corporal punishment is better than nothing.

Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.

The figure leaned forward and saw the visage of his quarry for the first time. With a wave of his hand, the powerful Dark Paladin destroyed the darkling. The pitiful creature cried out as its young existence was extinguished, but the man barely noticed. All that mattered was that he was one step closer to his prey. The captain of the plague squad left the charred shell of the warehouse and slowly spoke the name of his quarry aloud, as if tasting it.

Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury 11,277 ratings, 4.11 average rating, 1,140 reviews Open Preview Zen in the Art of Writing Quotes (showing 1-30 of 90) “You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury, Zen in the Art of Writing tags: writing 5923 likes Like “I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.” ― Ray Bradbury, Zen in the Art of Writing tags: humour, individuality, science-fiction 5858 likes Like “Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.” ― Ray Bradbury, Zen in the Art of Writing tags: chaos, construction, creative-process, destruction, writers, writing 220 likes Like “That's the great secret of creativity. You treat ideas like cats: you make them follow you.” ― Ray Bradbury, Zen in the Art of Writing tags: cats, creativity, ideas 195 likes Like “You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.” ― Ray Bradbury, Zen in the Art of Writing tags: ideas, writing 191 likes Like “Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” ― Ray Bradbury, Zen in the Art of Writing

Anybody can perform a task that he or she already knows and understands. It’s when obscurity, doubt, and stress are interjected into the equation against the backdrop of survival that the creature of the unknown exposes us for who we are, not just what we know how to do.

A creature that cannot think must solely embody its Being. It can merely act out its nature, concretely, in the here-and-now. If it cannot manifest in its behavior what the environment demands while doing so, it will simply die. But that is not true of human beings. We can produce abstracted representations of potential modes of Being. We can produce an idea in the theatre of the imagination. We can test it out against our other ideas, the ideas of

It was no accident that Mickey arrived with sound and music because music became the metaphor for his inner muse and the sine qua non of his existence. In his early cartoons, some of which are musical revues, he is wholly a musical creature—as much Fred Astaire as Charlie Chaplin. Hearing notes, Mickey cannot help but dance, sing, and make music himself, turning everything he spots into an instrument and converting reality into happiness. Even his relationship with Minnie Mouse is musically inspired; they literally make beautiful music together and bring joy and harmony, even fluidity, out of what is often threat and chaos. And this is also why the cartoons typically end with Mickey beaming or laughing, a chipper spirit, no matter what has befallen him. For all the subliminal attractions of his shape or his size or his sexuality, Mickey’s secret, the appeal of which is obvious and not limited to Depression America, is that he can always make things right in his head—just as Walt Disney, the escape artist, could. In the end Mickey Mouse was the eternal promise of cheerful solipsism.

You named two of the' – he clears his throat – 'fiercest creatures of legend, Cutie and Puffy?

Flanked on both sides, the relentless pursuit of the creatures intensified, their rampage tearing through the forest with a destructive force. The deafening cacophony of snapping branches and splintering trees reverberated through the air, echoing like the collision of runaway locomotives, piercing their very souls with terror. During the chaos, Ajax's presence remained steadfast. His strident barks kept reminding the family of his valiant presence as he kept up with the attackers. His resiliency to defend his family-pack resonated throughout the turmoil. God knows what they’ll do to him if they get their… hands on him, now thought Carter, fully admitting to himself that these were indeed Sasquatches—the dreaded Bigfoots of legend.

There is another reason I’m starting with God’s goodness. It’s where the Bible starts. Before the world existed, God existed, which means love and goodness have always been, and will always be. And to emphasize this point, the creation narrative declares, over and over again, “God is good. God is good. God is good.” When I tell kids the creation story from Genesis 1–2, I tell it like this: In the beginning, God created the heavens and the earth. There had been nothing at all, and God’s Spirit hovered over the waters. Then God said, “Let there be light, and there was light.” God spoke and there was… Light and dark. Day and night. God spoke and sky and land were made. God spoke and plants were made. The sun, moon, and stars. God spoke and land animals, birds, and ocean creatures were made. Every time, God says just a word and things are made. God can create with just Their voice. God speaks, and there is goodness all around. We know it’s good because there used to be chaos, but God gave things order. There used to be emptiness, but God started filling it up. For the people who first knew God and gave us God’s story in the Bible, these were clues that led to a very important truth.

If there is a modern age, it is, of course, the age of the cosmic. Paul Klee declared himself anti-Faustian. "As for animals and all other creatures, I do not like them with a terrestrial cordiality; earthly things interest me less than cosmic things." The assemblage no longer confronts the forces of chaos, it no longer uses the forces of the earth or the people to deepen itself but instead opens onto th forces of the Cosmos. All this seems extremely general, and somewhat Hegelian, testifying to an Absolute Spirit.

Humans think themselves to be the best of creatures. But just look at what they're willing to do to one another to achieve their goals. Perhaps the world would've been better off without us.

Fremen possessed a highly evolved conscience which centered on their own welfare as a people. It was only to outsiders that they seemed brutish-just as outsiders appeared brutish to Fremen. Every Fremen knew very well that he could do a brutal thing and feel no guilt. Fremen did not feel guilt for the same things that aroused such feelings in others. Their rituals provided a freedom from guilts which might otherwise have destroyed them. They knew in their deepest awareness that any transgression could be ascribed, at least in part, to well recognized extenuating circumstances: "the failure of authority," or "a natural bad tendency" shared by all humans, or to "bad luck," which any sentient creature should be able to identify as a collision between mortal flesh and the outer chaos of the universe.