Creatures Of Chaos Quotes

I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.

I will love you until the day after forever.

I saw his face change. His eyes widen. He lunged at me. I wouldn't let go. We stared into eachother's eyes and clawed at eachother's throats. As we rolled over the edge of the water tower and fell the whole way down, I was only thinking one thing ...Lena

I’m not a creature of vengeance any more. I’m not just the girl whose gift is chaos. I’m the girl who endured.

Know then thyself, presume not God to scan, The proper study of mankind is Man. Placed on this isthmus of a middle state, A being darkly wise and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between, in doubt to act or rest; In doubt to deem himself a God or Beast; In doubt his mind or body to prefer; Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little or too much; Chaos of thought and passion, all confused; Still by himself abused or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; Go, soar with Plato to th’ empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!

It’s funny how the good things are all tied up with the bad. Sometimes it’s hard to tell which is which. But either way, you end up taking your sugar with your salt and your kicks with your kisses.

People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other. They don't look quite like real science. But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.

There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip's eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months. 'Oh, life,' he cried in his heart, 'Oh life, where is thy sting?

This is what it means to be an adventurer in our day: to give up creature comforts of the mind, to realize the possibilities of imagination. Because everything around us says no you cannot do this, you cannot live without that, nothing is useful unless it's in service to money, to gain, to stability. The adventurer gives in to tides of chaos, trusts the world to support her - and in doing so turns her back on the fear and obedience she has been taught. She rejects the indoctrination of impossibility.

Human female choosiness is also why we are very different from the common ancestor we shared with our chimpanzee cousins, while the latter are very much the same. Women’s proclivity to say no, more than any other force, has shaped our evolution into the creative, industrious, upright, large-brained (competitive, aggressive, domineering) creatures that we are.42 It is Nature as Woman who says, “Well, bucko, you’re good enough for a friend, but my experience of you so far has not indicated the suitability of your genetic material for continued propagation.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

My head is throbbing. I need coffee. Leaving the marbled papers in a state of controlled chaos, I walk through the office and past the page's desk in the Reading Room. I am halted by Isabelle's voice saying, "Perhaps Mr. DeTamble can help you," by which she means "Henry, you weasel, where are you slinking off to?" and this astoundingly beautiful amber-haired tall slim girl turns around and looks at me as through I am her personal Jesus. My stomach lurches. Obviously she knows me, and I don't know her. Lord only knows what I've said, done, or promised to this luminous creature, so I am forced to say in my best librarianese, "Is there something I can help you with?" The girl sort of breathes "Henry!" in this very evocative way that convinces me that at some point in time we have a really amazing thing together. This makes it worse that I don't know anything about her, not even her name. I say "Have we met?" and Isabelle givs me a look that says You asshole. But the girl says, "I'm Claire Abshire. I knew you when I was a little girl," and invites me out to dinner. I accept, stunned.

She shook the voices out of her head, but the words left a shadow, a phantom image that never entirely disappeared.

I need you to tell people this; I need you, when you get back, to tell them: the brutality is terrible. And yes: the chaos is very great. But tell them: greater than the world’s chaos are its miracles. (p 309)

You are a creature of darkness and chaos and starlight

If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths?

Stone, sea, forest, city—and every creature that ever lived—all share the same struggle. Being resists unbeing. Order wars against the chaos of dissolution, of disorder.

Get off that damn chair and pull yourself together. You're supposed to be an ageless creature of chaos and all I'm getting right now is sulking city boy.

We cannot roam the earth. We cannot dominate mankind any longer, nor make them bend to our will.” The demon lifted her hand to her mouth and ran the end of one finger over the tip of one of her teeth. The skin split open, and silver blood welled up on her fingertip. She lowered the finger to Ruxandra’s lips. “Open your mouth.” Ruxandra wanted to protest, to beg for God’s forgiveness and the creature’s mercy, to run screaming from the cave, but she couldn’t find words or strength in her limbs. She could do nothing but cry as the fallen angel parted her lips. “I send you out instead, my child, “ the fallen angel said, “to sow chaos and fear, to make humans kneel in terror and to ravage the world where I cannot.” “Stop!” Vlad’s voice was shrill. “I command you to stop! Now!” The fallen angel pushed open Ruxandra’s mouth and slipped the finger inside. “Soon you will be freer than you have ever dreamed.” The drop of blood dripped from her finger onto Ruxandra’s tongue.

This should have been a noble creature: he/ Hath all the energy which would have made/ A goodly frame of glorious elements,/ Had they been wisely mingled; as it is,/ It is an awful chaos-light and darkness-/ And mind and dust- and passions and pure thoughts,/ Mix'd, and contending without end or order,/ All dormant or destructive/

He was the most inconsiderable creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.

A high degree of intelligence yes in no other creature in the natural world. That's why nature shuns us and why we subconsciously hate her and seek to obliterate her. High intelligence leads to the concept of progress. Progress leads to nuclear weapons, bio-engineering chaos and ultimately to annihilation.

Hunger is such an incredible inconvenience.

No creature is safe in a world in which any one of mankind has limitless gold. That way lies only chaos.

God wants man to be His creature. Furthermore, He wants him to be His PARTNER. There is a causa Dei in the world. God wants light, not darkness. He wants cosmos, not chaos. He wants peace, not disorder. He wants man to administer and to receive justice rather than to inflict and to suffer injustice. He wants man to live according to the Spirit rather than according to the flesh. He wants man bound and pledged to Him rather than to any other authority. He wants man to live and not to die. Because He wills these things God is Lord, Shepherd, and Redeemer of man, who in His holiness and mercy meets His creature; who judges and forgives, rejects and receives, condemns and saves.

You were everything I never knew I wanted. You were chaos. You were desperation. You were the most mysterious secret I’d ever come across. Everything about you drew me in—your innocence, your vulnerability, hell, even your tragic life. You were the most captivating creature I’d ever come across.

what is JUST in a world you’ve ripped in two as if there could be a half for me a half for you what is FAIR when there is nothing left to share what is YOURS when your pain is mine to bear this sad math is mine this mad path is mine subtract they say don’t cry back to the desk try forget addition multiply and i reply this is why remainders hate division

Our romantic lives are fated to be sad and incomplete, because we are creatures driven by two essential desires which point powerfully in entirely opposing directions. Yet what is worse is our utopian refusal to countenance the divergence, our naive hope that a cost-free synchronisation might somehow be found: that the libertine might live for adventure while avoiding loneliness and chaos. Or that the married Romantic might unite sex with tenderness, and passion with routine.” “Infatuations aren’t delusions. That way a person has of holding their head may truly indicate someone confident, wry and sensitive; they really may have the humour and intelligence implied by their eyes and the tenderness suggested by their mouth. The error of the infatuation is more subtle: a failure to keep in mind the central truth of human nature that everyone – not merely our current partners, in whose multiple failings we are such experts – but everyone will have something substantially and maddeningly wrong with them when we spend more time around them, something so wrong as to make a mockery of those initially rapturous feelings. The only people who can still strike us as normal are those we don’t yet know very well. The bet cure for love is to get to know them better.

I'm not surprised at Yennefer,' he said as he walked. 'She is a woman and thus an evolutionary inferior creature, governed by hormonal chaos. But you, Geralt, are not only a man who is sensible by nature, but also a mutant, invulnerable to emotions.' He waved a hand. There was a boom and a flash. A lightning bolt bounced off the shield Yennefer had conjured up. 'In spite of your good sense—' Vilgefortz continued to talk, pouring fire from hand to hand '—in one matter you demonstrate astounding and foolish perseverance: you invariably desire to row upstream and piss into the wind. It had to end badly. Know that today, here, in Stygga Castle, you have pissed into a hurricane.

I am Marian the Less - but I am also the Hammer of the North, and I am the Malkin Queen. They live in me, too. I am not the soft creature you hope to mould. Not any more, Glorian said. Threaten my family again, and you will remember, as I give you wings.

Ordered by subject, by importance, ordered according to whether the book was penned by God or by one of God’s creatures, ordered alphabetically or by numbers or by the language in which the text is written, every library translates the chaos of discovery and creation into a structured system of hierarchies or a rampage of free associations.

You've blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It's as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself-- and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified-- at least that's what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you've turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you've shunted me, for hate, I should hate you. But I don't have it.

The clown is a creature of chaos. His appearance is an affront to our sense of dignity, his actions a mockery of our sense of order. The clown (freedom) is always being chased by the policeman (authority). Clowns are funny precisely because their shy hopes lead invariably to brief flings of (exhilarating?) disorder followed by crushing retaliation from the status quo. It delights us to watch a careless clown break taboos; it thrills us vicariously to watch him run wild and free; it reassures us to see him slapped down and order restored. After all, we can condone liberty only up to a point. Consider Jesus as a ragged, nonconforming clown--laughed at, persecuted and despised--playing out the dumb show at his crucifixion against the responsible pretensions of authority.

Then she appears, the fantasy which haunts my dreams. The creature who taunts me without having one Goddamn clue of the internal chaos she causes.

From the ashes of her anger a new creature was born, creating itself from the cinders and dust. A feeling that fell between terror and doubt, between chaos and logic.

YES! a ten! ...eight...nine...ten!" "Landing you in the Enchanted Forest, which is MY domain. 600 gold, please." "My Scottie dog will not pay your tyrannical toll!" "Nimona... " "He rallied the oppressed woodland creatures and organized a revolt!" "It just so happens I am a just ruler and am greatly admired by all my subjects." "Squirrels scale the walls of the castle and bears batter down the gates! Bloody chaos ensues! The Enchanted Forest is ours!" "I'm taking the 600 gold anyway." "HIGHWAY ROBBERY! " "Plus another 600 for damages.

A high level of chaos would mean that they could expect to meet the Fae, creatures of chaos and magic, who were able to take form and cause disorder on such a corrupted world. And that was never good news

“A son,” I say, recalling every detail of the child’s perfect face. Ivory’s smile is blinding. “A most unique creature. The first child to be born to two netherlings who’ve shared a childhood. Wonderland is founded on chaos, madness, and magic. For so long, innocence and imagination have had no place there. As a result, we haven’t had children, at least by your world’s definition. And because of this, we’ve lost the ability to dream. But Morpheus experienced those things via you, each time you played together in your dreams. Through your child, Wonderland will thrive with new magic and strength. Our offspring will become true children once more; they will learn to dream again. And all will be right with our world.

Why is this happening? Who knows, really? Life and existence can never be fully understood. Stars are born only to explode. Creatures hunt other creatures, and then they die. The universe is a chaos of irrational forces wrestling with one another in a war without end. The human race is on the receiving end now.

The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.

Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!

ourselves properly, we would have to respect ourselves—but we don’t, because we are—not least in our own eyes—fallen creatures. If we lived in Truth; if we spoke the Truth—then we could walk with God once again, and respect ourselves, and

Chaos, the eternal feminine, is also the crushing force of sexual selection. Women are choosy maters (unlike female chimps, their closest animal counterparts). Most men do not meet female human standards. It is for this reason that women on dating sites rate 85 percent of men as below average in attractiveness. It is for this reason that we all have twice as many female ancestors as male (imagine that all the women who have ever lived have averaged one child. Now imagine that half the men who have ever lived have fathered two children, if they had any, while the other half fathered none).41 It is Woman as Nature who looks at half of all men and says, “No!” For the men, that’s a direct encounter with chaos, and it occurs with devastating force every time they are turned down for a date. Human female choosiness is also why we are very different from the common ancestor we shared with our chimpanzee cousins, while the latter are very much the same. Women’s proclivity to say no, more than any other force, has shaped our evolution into the creative, industrious, upright, large-brained (competitive, aggressive, domineering) creatures that we are.42 It is Nature as Woman who says, “Well, bucko, you’re good enough for a friend, but my experience of you so far has not indicated the suitability of your genetic material for continued propagation.

I am Angrboda Iron-witch,.The Old One, Mother Witch, who birthed the wolves who cahes the sun and moon. Former wife to Loki and mother of both the ruler of the dead and the two creatures of chaos destined to bring about the doom of the very beings who ruined our lives. I can do this on my own.

During the deep sleep of the interval (circa A.D. 375-675) which, intervened between the break-up of the Roman Empire and the gradual emergence of our Western Society out of the chaos, a rib was taken, from the side of the older society and was fashioned into the backbone of a new creature of the same species.

Cats, however, are their own creatures. They aren’t social or hierarchical (except in passing). They are only semi-domesticated. They don’t do tricks. They are friendly on their own terms. Dogs have been tamed, but cats have made a decision. They appear willing to interact with people, for some strange reasons of their own. To me, cats are a manifestation of nature, of Being, in an almost pure form. Furthermore, they are a form of Being that looks at human beings and approves.

Be a constant student of life; See the Divine in Nature and Nature in the Divine; Not say a word and be clearly heard; Lead without force and teach without pride; Take the most mundane things and surroundings, sense their inner magick and be able to open that window for others; Stare into the dark infinity of the night sky and feel it as an awesome source; Love the beauty of paradox and always be able to see the cosmic humor in the darkest times; Be a shapeshifter to blend in or be invisible if needed… and make those around feel safe, and heard; Maintain his calm center and clear mind when all about him is chaos; Open his inner eyes and really see; Say “I don’t know…” and realize that is great wisdom, that is okay; Have compassion for all beings, and know when to be a healer and when to be a witness; Know that the secrets of magick are bestowed upon the open-hearted; Speak to the Gods and know he is heard; Cast a sphere of protection and light; Make up his own mind, walk his own path and never follow another blindly; Know the courage and power of nonviolence and the swift strength of a keen mind; Conjure a tale or myth that the moment requires to be understood; Know the plants and creatures of the wild enough to call them friends and allies; See the God and Goddess within all and everyone; Have a spirit that glows in the dark. —Katlyn Breene

bad luck,” which any sentient creature should be able to identify as a collision between mortal flesh and the outer chaos of the universe.

The clown is a creature of chaos.

You won't find another creature that feels endless relief as much as someone who escapes from a chaos and comes to a place of total peace!

When it comes to our shared pastime, I am a creature of habit, but my brother is a creator of chaos.

The society we live in today is just an experiment. Nobody has the answers. Nobody knows where it’s going, or why. We don’t even know where we would like it to go. There’s no grown-up out there, looking out for us. Nobody’s home. It’s just one big, glorious chaos engine; busy, busy spawning all manner of unimaginable creatures, existences, relations, exquisite beauties and excruciating tragedies. When you truly see this, an experimental attitude towards society suddenly seems much less reckless or disrespectful. It is the only appropriate stance.

If we wish to take care of ourselves properly, we would have to respect ourselves—but we don’t, because we are—not least in our own eyes—fallen creatures. If we lived in Truth; if we spoke the Truth—then we could walk with God once again, and respect ourselves, and others, and the world. Then we might treat ourselves like people we cared for. We might strive to set the world straight. We might orient it toward Heaven, where we would want people we cared for to dwell, instead of Hell, where our resentment and hatred would eternally sentence everyone.

Giving away my emotions is my business. At least I have those unlike a certain someone.” “Is this the part where I should act offended? Maybe try to shed a tear or two?” “Yeah, and look into ways to grow a heart while you’re at it.” “The world won’t function correctly if all of us are emotional, morally right creatures. There needs to be a balance, or else there’ll be chaos.

I am your shelter from the storm. I am your strength when you are weak. I am the fire that burns through your veins and heats you when you are in need. I am the one who will fill your womb and protect the children you give me. I am your light in the darkness and the one who guides your way when you are lost. I am the creature who will destroy worlds to keep you and will never allow you to fall. I am Lennox, beast to the High King of the Nine Realms and King of Norvalla. I am your mate, Aria Karnavious.” Leaning closer, locking eyes with mine, Lennox asked, “Who are you?

Listen. I need you to tell people this; I need you, when you get back, to tell them: the brutality is terrible. And yes: the chaos is very great. But tell them: greater than the world’s chaos are its miracles.

Desire for goodness, Mister Reese, leads to earnestness. Earnestness in turn leads to sanctimonious self-righteousness, which breeds intolerance, upon which harsh judgment quickly follows, yielding dire punishment, inflicting general terror and paranoia, eventually culminating in revolt, leading to chaos, then dissolution, and thus, the end of civilisation.” He slowly turned, looked down upon Emancipor. “And we are creatures dependent upon civilisation. It is the only environment in which we can thrive.” Emancipor frowned. “The desire for goodness leads to the end of civilisation?” “Precisely, Mister Reese.” “But if the principal aim is to achieve good living and health among the populace, what is the harm in that?” Bauchelain sighed. “Very well, I shall try again. Good living and health, as you say, yielding well-being. But well-being is a contextual notion, a relative notion. Perceived benefits are measured by way of contrast. In any case, the result is smugness, and from that an overwhelming desire to deliver conformity among those perceived as less pure, less fortunate—the unenlightened, if you will. But conformity leads to ennui, and then indifference. From indifference, Mister Reese, dissolution follows as a natural course, and with it, once again, the end of civilisation.

Now Christianity proposes a completely different account of how history comes to a climax and what precisely constitutes the new order of the ages—which helps to explain why so many of modernity’s avatars, from Diderot to Christopher Hitchens, have specially targeted Christianity. On the Christian reading, history reached its highpoint when a young first-century Jewish rabbi, having been put to death on a brutal Roman instrument of torture, was raised from the dead through the power of the God of Israel. The state-sponsored murder of Jesus, who had dared to speak and act in the name of Israel’s God, represented the world’s resistance to the Creator. It was the moment when cruelty, hatred, violence, and corruption—symbolized in the Bible as the watery chaos—spent itself on Jesus. The resurrection, therefore, showed forth the victory of the divine love over those dark powers. St. Paul can say, “I am certain that neither death nor life, neither angels nor principalities, nor any other creature can separate us from the love of God,” precisely because he lived on the far side of the resurrection.

What if there are hundreds of lobsters, all trying to make a living and raise a family, in the same crowded patch of sand and refuse? Other creatures have this problem, too. When songbirds come north in the spring, for example, they engage in ferocious territorial disputes. The songs they sing, so peaceful and beautiful to human ears, are siren calls and cries of domination. A brilliantly musical bird is a small warrior proclaiming his sovereignty.

I ask of you one thing, lightwing...one more kiss. My last. If you have spent this day remembering all the worst things that I am then hate me while you offer it but give it willingly if there is still a part of me that you believe is worth more than the dirt we stand upon. Kiss me if you believe I hold any value at all in your eyes because I have come to realise that you are the only living creature I have met during a thousand lifetimes who I care to be worth something to.

War was so many things, and not the least of which confusion. What was wrong? What was right, for that matter? Was killing right or wrong? Brave or cowardly? Human nature or unnatural behavior of creatures too smart for their own good? Loyalty, betrayal, hate, love, fear, friendship, teamwork, violence. War was connected to all of these. Hard work, sadness, suffering, discipline, chaos, questions, few answers, strategy, bravery, foolishness, death, life. And both winning and losing were only two small aspects of the word war.

Death that makes nature quake with dread! today we are gods, tomorrow dust, creatures of poverty and pride, today hope fondly flatters us, tomorrow – man, where are you now? Your hours have barely fled away into the pit of chaos, your time fades like a dream at the new day.

She's everywhere, in every drop of my blood, in every spark of thought, and I want to fucking destroy her for it. To shatter her just like she's broken me. Because she brings me to my fucking knees. I want to ruin her so that she's mine, my beautiful disaster. My wild creature. My goddess of chaos.

If we isolate the stray thought, the passing thought,” he said, “the thought whose origin is unfathomable, then we begin to understand that we are routinely deranged, everyday crazy.” We loved the idea of being everyday crazy. It rang so true, so real. “In our privatest mind,” he said, “there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.” Our privatest mind, we thought. Did he really say that? “The only laws that matter are laws of thought.” His fists were clenched on the tabletop, knuckles white. “The rest is devil worship," he said.

holding the illusion of love on her fucking sleeve. She was this wide-eyed, beautiful creature that looked at the Nine Realms with hope burning within her when there was none here to be found. This place would crush her dreams, stomp her fucking heart into the ground, and ruin the beauty that shined from within her soul before she’d ever make a dent in this hellhole.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

you can easily see a nanometer-size machine, like a little two-legged creature, wait, then suddenly do a quick step, then wait again, step again, and so on. Is this molecule alive? No, not in the full sense of the word. But watching it stride by, you can see how many such machines, interacting in some regulated way, can make a living being. This surely is where life begins.

A small few actually able to do those things of which men whisper—these few could call demons and the dead, could kill with a curse or heal with strange potions. One of these men had been a creature the gunslinger believed to be a demon himself, a creature that pretended to be a man and called itself Flagg. He had seen him only briefly, and that had been near the end, as chaos and the final crash approached his land. Hot on his heels had come two young men who looked desperate and yet grim, men named Dennis and Thomas. These three had crossed only a tiny part of what had been a confused and confusing time in the gunslinger’s life, but he would never forget seeing Flagg change a man who had irritated him into a howling dog. He remembered that well enough.

The history of magical groups is a history of crash landings or slow degeneration. Very seldom do we find success stories about fully developed higher creatures who spread their inner light within group contexts and beyond. Very often it’s an all-too-human scenario of power struggles within groups and secret societies that pushes the potential for self-development back into the shadows in order for ego inflation and chaos to shine. This has usually brought forth a general marginalization of initially very interesting ideas. To a great extent, I believe this has to do with the use of a language and terminology that is too obfuscated, arcane, and symbolic. Instead of simply seeing what needs to be done and how, many individuals haven’t been able to see the beauty of the forest because of all the trees in the way.

Lions in the street and roaming Dogs in heat, rabid, foaming A beast caged in the heart of a city The body of his mother Rotting in the summer ground He fled the town He went down South and crossed the border Left the chaos and disorder Back there over his shoulder One morning he awoke in a green hotel With a strange creature groaning beside him Sweat oozed from its shiny skin Is everybody in? The ceremony is about to begin

Fortunately, the great king did not have to deal with Set on his own. The Egyptians also worshipped Horus, the son of Osiris. Horus took the twin forms of a falcon, the most visually acute of all creatures, and the still-famous hieroglyphic single Egyptian eye (as alluded to in Rule 7). Osiris is tradition, aged and willfully blind. Horus, his son, could and would, by contrast, see. Horus was the god of attention. That is not the same as rationality. Because he paid attention, Horus could perceive and triumph against the evils of Set, his uncle, albeit at great cost. When Horus confronts Set, they have a terrible battle. Before Set’s defeat and banishment from the kingdom, he tears out one of his nephew’s eyes. But the eventually victorious Horus takes back the eye. Then he does something truly unexpected: he journeys voluntarily to the underworld and gives the eye to his father.

Never has a man proposed for himself, voluntarily or involuntarily, a goal more sublime, since this goal was beyond measure: undermine the superstitions placed between the creature and the Creator, give back God to man and man to God, reinstate the rational and saintly idea of divinity in the midst of this prevailing chaos of material and disfigured gods of idolatry. Never has a man accomplished in such a short time such an immense and long lasting revolution in the world.

But since Pontus [the Sea] was male, only the sea creatures that lived in the sea could aspire to be Aphrodite`s mother. And it was for this reason that Aphrodite`s birth was delayed for so long. As Himeros & Chaos did not want to be born by a sea creature. And thus, Uranus` seed & testicles tossed & tossed on the waves for hundreds of years before Himeros & Chaos reached a compromise. Aphrodite would be born from a cockle, Konche, & Himeros & Chaos would be the shell of the baby cockle.

When my avocation became my vocation I was set free. Writing, at first, was a hobby that I loved dearly. It turned into a serious endeavor several years ago when I started writing screenplays. Unfortunately selling one out of every ten was not very lucrative. Success comes in many forms and my poor returns from screenplays matured my writing style, ultimately affording me the ability to author hundreds of magazine articles that generated a decent paycheck. Fast forward to today and I have published my first novel “The Alchemist’s Notebook.” It is a whirlwind story in the style of H. P. Lovecraft’s Cthulhu mythos that takes the reader from Vietnam to Innsmouth then Arkham and eventually to Europe wherein chaos and screaming terror awaits all living creatures on our planet. I pledge to keep the reader on pins and needles hoping that sanity and normalcy will return. “The Alchemist’s Notebook” and all future novels along with my blogs will deal exclusively with that genre.

if she brings you peace amongst the chaos, if she seeks to be in your arms even when you’re angry, either of you, if she chooses you over and over again, looks at you like you’re the most interesting creature she’s ever set her eyes upon, even if she has no idea what you’re talking about, and loves you despite what a complete shite you are sometimes, you keep her. And you never let her go. A woman like that only comes once in a lifetime. She will love you so fiercely nothing will ever compare.

Donne loved the trans- prefix: it's scattered everywhere across his writing—'transpose', 'translate', 'transport', 'transubstantiate'. In this Latin preposition—'across, to the other side of, over, beyond'—he saw both the chaos and potential of us. We are, he believed, creatures born transformable. He knew of transformation into misery: 'But O, self-traitor, I do bring/The spider love, which transubstantiates all/And can convert manna to gall'— but also the transformation achieved by beautiful women: 'Us she informed, but transubstantiates you'. And then there was the transformation of himself: from failure and penury, to recognition within his lifetime as one of the finest minds of his age; one whose work, if allowed under your skin, can offer joy so violent it kicks the metal out of your knees, and sorrow large enough to eat you. Because amid all Donne's reinventions, there was a constant running through his life and work: he remained steadfast in his belief that we, humans, are at once a catastrophe and a miracle.

The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.

Honvil approached to commence the lesson. ‘The more passionate and wild the creature your form takes, the harder it is to maintain control over the form without submitting completely to its instinctive desires. There are cases where some of our kindred have lost control of their second forms, and through that lapse, have let the animal mind take over completely.’ Honvil paused to let his words register. ‘If you lose that control,’ he continued, ‘even for a moment, there is great risk that your mind will be consumed by the animal itself. Those who lose control in this way usually live out their life in that form, never returning to society.

According to the traditional philosophy of the Magicians, every man is a unique autonomous center of individual consciousness, energy, and will—a soul, in a word. Like a star shining and existing by its own inward light, it pursues its way in the star-spangled heavens, solitary, uninterfered with, except in so far as its heavenly course is gravitationally modified by the presence, near or far, of other stars. Since in the vast stellar spaces seldom are there conflicts between the celestial bodies, unless one happens to stray from its appointed course—a very rare occurrence—so in the realms of humankind there would lie no chaos, little conflict, and no mutual disturbance were each individual content to be grounded in the reality of his own high consciousness, aware of his ideal nature In the his true purpose in life, and eager to pursue the road which he must follow. Because men have strayed from the dynamic sources inhering within themselves and the universe, and have forsaken their true spiritual wills, because they have divorced themselves from the celestial essences, betrayed by a mess of more sickly pottage than ever Jacob did sell to Esau, the world in this day presents a people with so hopeless an aspect, and a humanity impressed with so despondent a mien. Ignorance of the course of the celestial orbit, and the significance of that orbit inscribed in the skies forever, is the root which is at the bottom of universal dissatisfaction, unhappiness, and race-nostalgia. And because of this the living soul cries for help to the dead, and the creature to a silent God. Of all this crying there comes usually—nothing. The lifting up of the hands in supplication brings no inkling of salvation. The frantic gnashing of teeth results but in mute despair and loss of vital energy. Redemption is only from within and is wrought out by the soul itself with suffering and through time, with much endeavor and strain of the spirit.

Tunuva ran forward, snapped her folding spear to its full length, and threw with all her might. It struck a second wildcat through the hind leg—a bad enough wound to lame it, not kill. She wrenched the spear fear free and rolled, just in time to stop the smallest of the three predators from tearing into her. Reeking breath gusted on her face as the wildcat gnashed at her across the haft of the spear, and huge paws wrestled with her shoulders, claws ripping deep into her arms. Blood flecked its whiskers. On any other day, Tunuva would have admired the creature. As it happened, she was having a bad day. She dropped her shoulder and threw the beast over her back.

Hitler remains undeniably the creation of his time, a creature of German imagination rather than, strictly speaking, of social and economic forces. He was never regarded in the first instance as the prospective agent of social and economic recovery—that was a post facto interpretation—but rather as a symbol of revolt and counteraffirmation by the dispossessed, the frustrated, the humiliated, the unemployed, the resentful, the angry. Hitler stood for protest. He was a mental construct in the midst of defeat and failure, of inflation and depression, of domestic political chaos and international humiliation. ... The ultimate kitsch artist, he filled the abyss with symbols of beauty. The victim he turned into the hero, hell into heaven, death into transfiguration.

The church in the night is being called to own and renounce its threefold syncretistic attachment to sexism, racism, and classism. These attachments have wounded the church and have caused the church to wound the world for far too long. Painful self-reflection, repentance, and much theological work are needed to retrieve the egalitarian ethos of the gospel. As the church is healed from this damaging threefold wound, it will regain the moral authority it needs to speak to a world hurtling toward chaos. Delivered of its demonic attachment to oppressive power, the church will find its God-given conscience toward all living things that have suffered under the centripetal force of domination. The earth and all its creatures will once again become primary foci of the good news, that God is redeeming not just fallen humans but the whole of creation.

Chickens are true creatures of zen - they live only and absolutely for the moment. Their actions one particular second will not necessarily have any influence or bearing on their actions in the next second, nor are they necessarily influenced by their actions of the prior second. Chicken thoughts arrive in their tiny mad little minds like flashes of a strobe light, each light being an action, each flashing with the brilliance of a not very brilliant thing. Each action utterly random. The complete randomness of chaos. Chickens are notorious escape artists, not due to their ability to devise cunning plans as they huddle together in their coop beneath a bare light bulb, scratching out complex diagrams in the dirt, but simply out of sheet unpredictability. They are the pachinko balls of the animal kingdom, effecting their escapes through the simple device of, say, turning left for no particular reason.

Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness. Thoughts came tumbling over one another in Philip’s eager fancy, and he took long breaths of joyous satisfaction. He felt inclined to leap and sing. He had not been so happy for months.

Silenus hears a voice above the screams and is amazed to find that both the screams and the voice are his: … Thou art a dreaming thing; A fever of thyself—think of the Earth; What bliss even in hope is there for thee? What haven? every creature hath its home; Every sole man hath days of joy and pain, Whether his labours be sublime or low— The pain alone; the joy alone; distinct: Only the dreamer venoms all his days, Bearing more woe than all his sins deserve. He knows the verse, not his, John Keats’s, and feels the words further structuring the seeming chaos of pain around him. Silenus understands that the pain has been with him since birth—the universe’s gift to a poet. It is a physical reflection of the pain he has felt and futilely tried to set to verse, to pin down with prose, all those useless years of life. It is worse than pain; it is unhappiness because the universe offers pain to all. Only the dreamer venoms all his days, Bearing more woe than all his sins deserve!

III. They seek for themselves private retiring places, as country villages, the sea-shore, mountains; yea thou thyself art wont to long much after such places. But all this thou must know proceeds from simplicity in the highest degree. At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity. By tranquillity I understand a decent orderly disposition and carriage, free from all confusion and tumultuousness. Afford then thyself this retiring continually, and thereby refresh and renew thyself. Let these precepts be brief and fundamental, which as soon as thou dost call them to mind, may suffice thee to purge thy soul throughly, and to send thee away well pleased with those things whatsoever they be, which now again after this short withdrawing of thy soul into herself thou dost return unto. For what is it that thou art offended at? Can it be at the wickedness of men, when thou dost call to mind this conclusion, that all reasonable creatures are made one for another? and that it is part of justice to bear with them? and that it is against their wills that they offend? and how many already, who once likewise prosecuted their enmities, suspected, hated, and fiercely contended, are now long ago stretched out, and reduced unto ashes? It is time for thee to make an end. As for those things which among the common chances of the world happen unto thee as thy particular lot and portion, canst thou be displeased with any of them, when thou dost call that our ordinary dilemma to mind, either a providence, or Democritus his atoms; and with it, whatsoever we brought to prove that the whole world is as it were one city? And as for thy body, what canst thou fear, if thou dost consider that thy mind and understanding, when once it hath recollected itself, and knows its own power, hath in this life and breath (whether it run smoothly and gently, or whether harshly and rudely), no interest at all, but is altogether indifferent: and whatsoever else thou hast heard and assented unto concerning either pain or pleasure? But the care of thine honour and reputation will perchance distract thee? How can that be, if thou dost look back, and consider both how quickly all things that are, are forgotten, and what an immense chaos of eternity was before, and will follow after all things: and the vanity of praise, and the inconstancy and variableness of human judgments and opinions, and the narrowness of the place, wherein it is limited and circumscribed? For the whole earth is but as one point; and of it, this inhabited part of it, is but a very little part; and of this part, how many in number, and what manner of men are they, that will commend thee? What remains then, but that thou often put in practice this kind of retiring of thyself, to this little part of thyself; and above all things, keep thyself from distraction, and intend not anything vehemently, but be free and consider all things, as a man whose proper object is Virtue, as a man whose true nature is to be kind and sociable, as a citizen, as a mortal creature. Among other things, which to consider, and look into thou must use to withdraw thyself, let those two be among the most obvious and at hand. One, that the things or objects themselves reach not unto the soul, but stand without still and quiet, and that it is from the opinion only which is within, that all the tumult and all the trouble doth proceed. The next, that all these things, which now thou seest, shall within a very little while be changed, and be no more: and ever call to mind, how many changes and alterations in the world thou thyself hast already been an eyewitness of in thy time. This world is mere change, and this life, opinion.

According to a classic experiment by Wolfgang Kohler, you can take two gray pieces of paper-one dark, one bright-and teach the chickens to expect food on the brighter of the two. If you then remove the darker piece and replace it by one brighter than the other one, the deluded creatures will look for their dinner, not on the identical gray paper where they have always found it, but on the paper where they would expect it in terms of relationships-that is, on the brighter of the two. Their little brains are attuned to gradients rather than to individual stimuli. Things could not go well with them if nature had willed it otherwise. For would a memory of the exact stimulus have helped them to recognize the identical paper? Hardly ever! A cloud passing over the sun would change its brightness, and so might even a tilt of the head, or an approach from a different angle. If what we call "identity" were not anchored in a constant relationship with environment, it would be lost in the chaos of swirling impressions that never repeat themselves.

Furthermore, Kauffman felt that it might ultimately be possible to apply these ideas far beyond the economy. "I think these kinds of models are the place for contingency and law at the same time," he says. "The point is that the phase transitions may be lawful, but the specific details are not. So maybe we have the starts of models of historical, unfolding processes for such things as the Industrial Revolution, for example, or the Renaissance as a cultural transformation,a nd why it is that an isolated society, or ethos, can't stay isolated when you start plugging some new ideas into it." You can ask the same thing about the Cambrian explosion: the period some 570 million years ago when a world full of algae and pond scum suddenly burst forth with complex, multicellular creatures in immense profusion. "Why all of a sudden do you get all this diversity?" Kauffman asks. "Maybe you had to get to a critical diversity to then explode. Maybe it's because you've gone from algal mats to something that's a little more trophic and complex, so that there's an explosion of processes acting on processes to make new processes. It's the same thing as in an economy.

The Pusher, Chapter 3, Part 13: The gunslinger had known magicians, enchanters, and alchemists in his time. Some had been clever charlatans, some stupid fakes in whom only people more stupid than they were themselves could believe (but there had never been a shortage of fools in the world, so even the stupid fakes survived; in fact most actually thrived), and a small few actually able to do those black things of which men whisper—these few could call demons and the dead, could kill with a curse or heal with strange potions. One of these men had been a creature the gunslinger believed to be a demon himself, a creature that pretended to be a man and called itself Flagg. He had seen him only briefly, and that had been near the end, as chaos and the final crash approached his land. Hot on his heels had come two young men who looked desperate and yet grim, men named Dennis and Thomas. These three had crossed only a tiny part of what had been a confused and confusing time in the gunslinger's life, but he would never forget seeing Flagg change a man who had irritated him into a howling dog. He remembered that well enough. Then there had been the man in black.

Know then thyself, presume not God to scan; The proper study of Mankind is Man. Plac'd on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between; in doubt to act, or rest, In doubt to deem himself a God, or Beast; In doubt his Mind or Body to prefer, Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: Chaos of Thought and Passion, all confus'd; Still by himself, abus'd, or disabus'd; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world! Go, wond'rous creature! mount where Science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old Time, and regulate the Sun; Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his follow'rs trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the Sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!

Certain scholiasts teach that each experience is only the sum of its parts. That our lives may be reduced to a set of equations, that they may be factored, weighed, balanced, and understood. They believe that universe is one of objects and that we are only objects among objects. That even our emotions are no more than electrochemical processes carried out in our brains, accessories to the pressures of Bloody-Handed Evolution. This is why they struggle for apatheia, the freedom from emotion. This is their great failing. Human beings do not inhabit a world of objects, nor did our consciousness evolve to live in such a place. We live in stories, and in stories, we are subjects to phenomena beyond the mechanisms of space and time. Fear and love, death and wrath and wisdom--these are as much parts of our universe as light and gravity. The ancients called them gods, for we are their creatures, shaped by their winds. Sift the sands of every world and sort the dust of space between them, and you will find not one atom of fear, nor gram of love nor dram of hatred. Yet they are there, unseen and uncertain as the smallest quanta and just as real. And like the smallest quanta, they are governed by principles beyond our control. And what is our response to this chaos? We build an Empire greater than any in the known universe. We order that universe, shaping outward nature in accordance with inward law. We name our Emperor a god that he might keep us safe and command the chaos of nature. Civilization is a kind of prayer: that by right action we might bring to pass the peace and quiet that is the ardent desire of every decent heart. But nature resists, for even in the heart of so great a city as Meidua, on so civilized a world as Delos, a young man might simply take a wrong turn and be set upon by brigands. No prayer is perfect, nor any city. It was suddenly very, very cold.

The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.

And who knows (there is no saying with certainty), perhaps the only goal on earth to which mankind is striving Free eBooks at Planet eBook.com lies in this incessant process of attaining, in other words, in life itself, and not in the thing to be attained, which must always be expressed as a formula, as positive as twice two makes four, and such positiveness is not life, gentlemen, but is the beginning of death. Anyway, man has always been afraid of this mathematical certainty, and I am afraid of it now. Granted that man does nothing but seek that math- ematical certainty, he traverses oceans, sacri ces his life in the quest, but to succeed, really to nd it, dreads, I assure you. He feels that when he has found it there will be noth- ing for him to look for. When workmen have nished their work they do at least receive their pay, they go to the tavern, then they are taken to the police-station—and there is oc- cupation for a week. But where can man go? Anyway, one can observe a certain awkwardness about him when he has attained such objects. He loves the process of attaining, but does not quite like to have attained, and that, of course, is very absurd. In fact, man is a comical creature; there seems to be a kind of jest in it all. But yet mathematical certainty is a er all, something insu erable. Twice two makes four seems to me simply a piece of insolence. Twice two makes four is a pert coxcomb who stands with arms akimbo bar- ring your path and spitting. I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes ve is sometimes a very charming thing too. And why are you so rmly, so triumphantly, convinced that only the normal and the positive—in other words, only what is conducive to welfare—is for the advantage of man? Notes from the Underground Is not reason in error as regards advantage? Does not man, perhaps, love something besides well-being? Perhaps he is just as fond of su ering? Perhaps su ering is just as great a bene t to him as well-being? Man is sometimes extraor- dinarily, passionately, in love with su ering, and that is a fact. ere is no need to appeal to universal history to prove that; only ask yourself, if you are a man and have lived at all. As far as my personal opinion is concerned, to care only for well-being seems to me positively ill-bred. Whether it’s good or bad, it is sometimes very pleasant, too, to smash things. I hold no brief for su ering nor for well-being either. I am standing for ... my caprice, and for its being guaran- teed to me when necessary. Su ering would be out of place in vaudevilles, for instance; I know that. In the ‘Palace of Crystal’ it is unthinkable; su ering means doubt, negation, and what would be the good of a ‘palace of crystal’ if there could be any doubt about it? And yet I think man will never renounce real su ering, that is, destruction and chaos. Why, su ering is the sole origin of consciousness. ough I did lay it down at the beginning that consciousness is the great- est misfortune for man, yet I know man prizes it and would not give it up for any satisfaction. Consciousness, for in- stance, is in nitely superior to twice two makes four. Once you have mathematical certainty there is nothing le to do or to understand. ere will be nothing le but to bottle up your ve senses and plunge into contemplation. While if you stick to consciousness, even though the same result is attained, you can at least og yourself at times, and that will, at any rate, liven you up. Reactionary as it is, corporal punishment is better than nothing.

Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.

Fablehaven as you knew it is finished,” Cloudwing asserted boldly. “Be glad the centaurs are here to keep the sanctuary from degenerating into gated chaos.” “Don’t you mean be glad the centaurs are here to bully and enslave the weaker creatures?” Doren asked.

Flanked on both sides, the relentless pursuit of the creatures intensified, their rampage tearing through the forest with a destructive force. The deafening cacophony of snapping branches and splintering trees reverberated through the air, echoing like the collision of runaway locomotives, piercing their very souls with terror. During the chaos, Ajax's presence remained steadfast. His strident barks kept reminding the family of his valiant presence as he kept up with the attackers. His resiliency to defend his family-pack resonated throughout the turmoil. God knows what they’ll do to him if they get their… hands on him, now thought Carter, fully admitting to himself that these were indeed Sasquatches—the dreaded Bigfoots of legend.

There is another reason I’m starting with God’s goodness. It’s where the Bible starts. Before the world existed, God existed, which means love and goodness have always been, and will always be. And to emphasize this point, the creation narrative declares, over and over again, “God is good. God is good. God is good.” When I tell kids the creation story from Genesis 1–2, I tell it like this: In the beginning, God created the heavens and the earth. There had been nothing at all, and God’s Spirit hovered over the waters. Then God said, “Let there be light, and there was light.” God spoke and there was… Light and dark. Day and night. God spoke and sky and land were made. God spoke and plants were made. The sun, moon, and stars. God spoke and land animals, birds, and ocean creatures were made. Every time, God says just a word and things are made. God can create with just Their voice. God speaks, and there is goodness all around. We know it’s good because there used to be chaos, but God gave things order. There used to be emptiness, but God started filling it up. For the people who first knew God and gave us God’s story in the Bible, these were clues that led to a very important truth.

Where did she come from?” The brooch he’d given her—such a small gift, for a monster who had once dwelled here. “I don’t know. Though there are legends that claim when the world was born, there were … rips in the fabric of the realms. That in the chaos of Forming, creatures from other worlds could walk through one of those rips and enter another world. But the rips closed at will, and the creatures could become trapped, with no way home.

Though there are legends that claim when the world was born, there were … rips in the fabric of the realms. That in the chaos of Forming, creatures from other worlds could walk through one of those rips and enter another world. But the rips closed at will, and the creatures could become trapped, with no way home.

One of these men had been a creature the gunslinger believed to be a demon himself, a creature that pretended to be a man and called itself Flagg. He had seen him only briefly, and that had been near the end, as chaos and the final crash approached his land. Hot on his heels had come two young men who looked desperate and yet grim, men named Dennis and Thomas.

Yvonnel shook her head, not sure if this creature before her was diabolical or rational at that moment. “It did not matter,” the avatar said to her. “Do you not understand? Your actions? The ‘truths’ you learned? They did not matter.” “Then what does matter?” “My pleasure. My chaos. My power. Me. Just me.” “Then what future?” “Who cares?” The avatar laughed at her, and it was sincere, she knew. “You care enough to bless the matrons,” she said. “Do I?” “You care enough to start wars—in the Silver Marches, in Gauntlgrym, in your own City of Spiders!” “The ultimate chaos. War.

This world is truly extraordinary, filled with a captivating mix of people and things that possess both good and bad qualities. The erratic and unpredictable nature of this world is what makes it so appealing and interesting, as it is full of both the crazy and cruel, as well as the lovely and kind. It is alluring in its ability to mystify us time and again, and evoke within us the power of emotion, be it joy, pain, or something in between. It is a world I am proud to take part in, and so I love it dearly.

Now, the very legend of Vishnu, that pretends to make him no mere creature, but the supreme and "eternal god," shows that this interpretation of the name is no mere unfounded imagination. Thus is he celebrated in the "Matsya Puran:" "The sun, the wind, the ether, all things incorporeal, were absorbed into his Divine essence; and the universe being consumed, the eternal and omnipotent god, having assumed an ancient form, REPOSED mysteriously upon the surface of that (universal) ocean. But no one is capable of knowing whether that being was then visible or invisible, or what the holy name of that person was, or what the cause of his mysterious SLUMBER. Nor can any one tell how long he thus REPOSED until he conceived the thought of acting; for no one saw him, no one approached him, and no one can penetrate the mystery of his real essence." In conformity with this ancient legend, Vishnu is still represented as sleeping four months every year. Now, connect this story with the name of Noah, the man of "Rest," and with his personal history during the period of the flood, when the world was destroyed, when for forty days and forty nights all was chaos, when neither sun nor moon nor twinkling star appeared, when sea and sky were mingled, and all was one wide universal "ocean," on the bosom of which the patriarch floated, when there was no human being to "approach" him but those who were with him in the ark, and "the mystery of his real essence is penetrated" at once, "the holy name of that person" is ascertained, and his "mysterious slumber" fully accounted for. Now, wherever Noah is celebrated, whether by the name of Saturn, "the hidden one,"--for that name was applied to him as well as to Nimrod, on account of his having been "hidden" in the ark, in the "day of the Lord's fierce anger,"--or, "Oannes," or "Janus," the "Man of the Sea," he is generally described in such a way as shows that he was looked upon as Diphues, "twice-born," or "regenerate

Nations and cultures are living creatures that do not cease to exist merely because they have lost a war. They must transition – either through order or varying degrees of chaos – to another existence and another reality.

Instead of anxiously running from the abyssal chaos at the root of all things in search of the secure Ground offered by traditional accounts of a One beyond being or an omnipotent Creator, Whitehead celebrates the “within-beyond” of a groundless “creative drive undermining any static dichotomy between cosmos and chaos.”454 God, a creature of Creativity like each of us, suffers and enjoys the unpredictable adventures of a chaosmos in which “everything happens for the first time, but in a way that is eternal.

She’s everywhere, in every drop of my blood, in every spark of thought, and I want to fucking destroy her for it. To shatter her just like she’s broken me. Because she brings me to my fucking knees. I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.

I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos. And

She's everywhere, in every drop of my blood, in every spark of thought, and I want to fucking destroy her for it. To shatter her just like she's broken me. Because she brings me to my fucking knees. I want to ruin her so that she's mine, my beautiful disaster. My wild creature. My goddess of chaos.

This Noble Beast is both creature and creator — a Dionysian man of the earth who responds to its chaos and disorder by dreaming and imposing his own solar, Apollonian vision. He is a self-creator, a visionary force of order, a starter of worlds.

Do you know what the scariest creature in the world is, King Karnavious?” “No, what is it, wife?” “A woman who has nothing left to lose and chooses to build chaos since she is left in only ruins.

Our brains are deeply social. Other creatures (particularly, other humans) were crucially important to us as we lived, mated and evolved. Those creatures were literally our natural habitat-our environment. From a Darwinian perspective, nature-reality itself; the environment, itself-is what selects. The environment cannot be defined in any more fundamental manner. It is not mere inert matter. Reality itself is whatever we contend with when we are striving to survive and reproduce. A lot of that is other beings, their opinions of us, and their communities. And that's that.

No, this devil’s way worse. The devil of hell’s nothing compared to this guy. You’ve all seen this devil before... The black devil that dwells in kitchen corners, I mean...” Hajime’s description only made Kouki and the others more confused. In response, Hajime pulled out a single Cross Bit and sent it down below. He then pulled up a small crystal display to show everyone what its sensors picked up on. Yue and the others crowded around, and as soon as the blurry image came into focus— “Aaah?!” There were dozens of them. And for each one that was visible, there were likely dozens more. The terrifying devils whose name started with C. They scuttled around the ground, spreading chaos in their wake. From shadow to shadow they crawled, these devils who were sturdier than any other living creature. Whether in Tortus or on Earth, these devils possessed the unique magic capable of striking fear into the hearts of all. The bane of mothers and restaurant owners everywhere. Cockroaches.

You were everything I never knew I wanted. You were chaos. You were desperation. You were the most mysterious secret I’d ever come across. Everything about you drew me in—your innocence, your vulnerability, hell, even your tragic life. You were the most captivating creature I’d ever met.

Within you, then, is chaos." “Aye (...). Such are memories in full flood. We are not simple creatures. You dream that with memories will come knowledge, and from knowledge, understanding. But for every answer you find, a thousand new questions arise. All that we were has led us to where we are, but tells us little of where we’re going. Memories are a weight you can never shrug off.

We fear silence. I said once that darkness is chaos itself, that in darkness any and all things might arise unseen like the cat from Pandora’s evil box. Silence is like that, but more profound. There was darkness before the dawn of time, and silence, too, but silence was the deeper thing, the canvas against which all thought is measured. You have heard stories of men driven mad in quiet rooms by the rushing of their own blood. It is not true. It is not the sound that does it, it is themselves. In silence, they are confronted with their own natures—and with nature itself—and cannot look it in the face. As darkness brings forth the creatures of the night, so silence brings forth the things within our hearts . . . if we will but listen to it.

You worry about an abomination soaked in death. How interesting.” “She is not an abomination,” Liam seethed. “She is, and cannot die by normal means. You resurrected nothing.” It was my turn to speak up. “So, I’m not going to be a weird, decaying zombie or anything?” The heads swiveled to the right and then left, as if confused by my question. The floating mass around it expanded slightly before returning to normal. “You are Ig’Morruthen, a creature made for destruction. You are an agent of death, despair, fire, and chaos. The ancient ones before you made worlds shudder, made gods tremble, and Primordials ashamed of their creation. You are a beast of legend, yet you wear a suit of flesh and tissue.

In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.

Voyagers, I’ve always wanted to write about you. And now, at 4:41 a.m. on an autumn morning, Words have found their way into my mind. I picture myself like you— Distant from life, Alone, Yet moving towards an unknown destination! Like you, in the early stages of my journey, I could see, I could gather knowledge and transmit it, I was useful and efficient. But sometimes, to keep connected to the world, To be able to stay on course and conserve my energy, I had to shut parts of myself down, To survive, To go blind, to be deaf, to be isolated, and just occasionally signal my existence to the world. The same thing I do, that you do, that so many others do. The boundless reaches of space Have become somewhat more comprehensible through you, Yet the depths of the human soul remain unfathomable, And its pain incurable. We live in an age surrounded by a torrent of information, Yet somehow, we remain lonely and lost. Language has advanced, There are words for nearly everything, Everyone can describe their own state of mind, yet we’re still at war with one another. Earth has turned into a vast ship, Perhaps like Noah’s Ark, With maximum diversity and multiplicity, Yet everyone on this ship plays their own tune, rallies their own cause! Someone steps forward, claiming each individual’s thoughts and personal benefit are like rare pearls to be cherished, While another insists that collective welfare takes precedence, That the needs of the masses outweigh individual desires. Some launch movements to claim their rights, While others start movements to flaunt the rights they’ve acquired. No one knows what they truly want; We’re all still lost. I don’t know how Earth looks from afar— Perhaps like a blueberry-flavored lollipop, A lollipop with a stick, But Earth’s stick is an invisible one made of sorrow. I find something common among all the passengers on this ship, All the inhabitants of this blueberry lollipop: sorrow. A fetus in its mother’s womb is also like a lollipop, But connected by an umbilical cord. As a fetus, Growing in the mother’s womb, Suffering, malnutrition, and physical ailments can be painful for us. If the mother’s state is stable, We may enjoy brief periods of security and calm, but after that, We must endure the pain of separation, Learn how to breathe, And besides the sorrow of leaving security behind, We face new emotions like fear and anger. Later in life, We each take our own path. No matter how much they try to show humans as social creatures, It’s always the individual who walks their own way, who has the freedom to choose, Even if one finds the meaning of their path in joining a group or a collective, it’s their individual choice that put them on that path. Today, people have countless options to join others who are like them, And these options themselves bring confusion, And when you join a group out of confusion, You treat the other groups with hostility. Science, philosophy, religion, politics…each of them has thousands of branches, and each branch Wants to disprove the other, cleanse itself of its shameful past. Freedom of speech has become an excuse for verbal assaults and psychological wounds, Non-violence has become a breeding ground for new and emerging dictators, For heartless sects and brutal factions. Knowledge and science alone cannot save us, Just as religion couldn’t. I don’t want to write about chaos, Life isn’t that disorganized, In some corner of the world, A lover is staring up at his beloved’s window, A child is laughing joyfully. But writing about sorrow, Speaking of chaos and Asking questions can reveal where we stand. Now, we know so much about space, And about the Sun, too. The James Webb telescope has mapped out the cosmos for us, and countless projects are underway for the future, crafted with flawless precision and extraordinary coherence, but the rift between humans remains deep.

I have found that life has been a balanced road that continues to be obscured by the dust of prejudice and dangerous extremes; good and evil, law and chaos, faith and logic, love and hate, greed and sacrifice...For the human creature, that permanency is simply a reliving of earth and pain.

JACK I’m Jack, the Sword of Summer, Sumarbrander, Blade of Frey. That is, I was his, until he tossed me away. FREY Jack, I did you wrong. You know I’m feeling the guilt. JACK Yeah, right. Forget you, man. Talk to my hilt! FREY Come on, Slice! Give me a chance. At least let me explain why I passed you off to Skirnir— JACK I know why. You were insane. You sat on Odin’s throne to search for Freya, your lost sister. A giantess caught your eye. So much for Freya. You just dissed her. FREY Gerd was gorgeous. Total hottie. I dream of her still. Shining face, lovely hair— JACK I think I’m going to be ill. FREY I know you’ve suffered, Blade of Frey, Sword of Summer, Sumarbrander. JACK The worst is yet to come, when I’m with my new commander. FREY You mean Surt, at Ragnarok. JACK The Black One of Muspellheim. On the day of doom, he’ll wield me— FREY —and free the Wolf. Chaos time. JACK Boiling seas. Bloodred skies. FREY Gods will vanish. Giants rise. JACK I’ll be sad to see you go. FREY Will you really? JACK Really? No. FREY Destiny is destiny. We all have our parts to play. JACK I’ll act mine now then, Nature Boy, and say, “See you later, Frey.” FREY There’ll never be another quite like you, Sword of Summer. Our paths may cross again. If not…good-bye, old friend.

Precisely three days after Christopher and Audrey had left for London, Beatrix went to the Phelans’ house to ask after Albert. As she had expected, the dog had set the household into chaos, having barked and howled incessantly, ripped carpeting and upholstery to shreds, and bitten footman’s hand. “And in addition,” the housekeeper, Mrs. Clocker, told Beatrix, “he won’t eat. One can already see his ribs. And the master will be furious if we let anything happen to him. Oh, this is the most trying dog, the most detestable creature I’ve ever encountered.” A housemaid who was busy polishing the banister couldn’t seem to resist commenting, “He scares me witless. I can’t sleep at night, because he howls fit to wake the dead.” The housekeeper looked aggrieved. “So he does. However, the master said we mustn’t let anyone take Albert. And as much as I long to be rid of the vicious beast, I fear the master’s displeasure even more.” “I can help him,” Beatrix said softly. “I know I can.” “The master or the dog?” Mrs. Clocker asked, as if she couldn’t help herself. Her tone was wry and despairing. “I can start with the dog,” Beatrix said in a low undertone. They exchanged a glance. “I wish you could be given the chance,” Mrs. Clocker murmured. “This household doesn’t seem like a place where anyone could get better. It feels like a place where things wane and are extinguished.” This, more than anything, spurred Beatrix into a decision. “Mrs. Clocker, I would never ask you to disobey Captain Phelan’s instructions. However…if I were to overhear you telling one of the housemaids where Albert is being kept at the moment, that’s hardly your fault, is it? And if Albert manages to escape and run off…and if some unknown person were to take Albert in and care for him but did not tell you about it immediately, you could not be blamed, could you?” Mrs. Clocker beamed at her. “You are devious, Miss Hathaway.” Beatrix smiled. “Yes, I know.” The housekeeper turned to the housemaid. “Nellie,” she said clearly and distinctly. “I want to remind you that we’re keeping Albert in the little blue shed next to the kitchen garden.” “Yes, mum.” The housemaid didn’t even glance at Beatrix. “And I should remind you, mum, that his leash is on the half-moon table in the entrance hall.” “Very good, Nellie. Perhaps you should run and tell the other servants and the gardener not to notice if anyone goes out to visit the blue shed.” “Yes, mum.” As the housemaid hurried away, Mrs. Clocker gave Beatrix a grateful glance. “I’ve heard that you work miracles with animals, Miss Hathaway. And that’s indeed what it will take, to tame that flea-ridden fiend.” “I offer no miracles,” Beatrix said with a smile. “Merely persistence.” “God bless you, miss. He’s a savage creature. If dog is man’s best friend, I worry for Captain Phelan.” “So do I,” Beatrix said sincerely.

Anybody can perform a task that he or she already knows and understands. It’s when obscurity, doubt, and stress are interjected into the equation against the backdrop of survival that the creature of the unknown exposes us for who we are, not just what we know how to do.

Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury 11,277 ratings, 4.11 average rating, 1,140 reviews Open Preview Zen in the Art of Writing Quotes (showing 1-30 of 90) “You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury, Zen in the Art of Writing tags: writing 5923 likes Like “I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.” ― Ray Bradbury, Zen in the Art of Writing tags: humour, individuality, science-fiction 5858 likes Like “Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.” ― Ray Bradbury, Zen in the Art of Writing tags: chaos, construction, creative-process, destruction, writers, writing 220 likes Like “That's the great secret of creativity. You treat ideas like cats: you make them follow you.” ― Ray Bradbury, Zen in the Art of Writing tags: cats, creativity, ideas 195 likes Like “You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.” ― Ray Bradbury, Zen in the Art of Writing tags: ideas, writing 191 likes Like “Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” ― Ray Bradbury, Zen in the Art of Writing

I do apologize, Mrs. Travers, for causing you undue distress. I certainly didn’t deliberately set out to get in my current predicament. It simply . . . happened.” “But how did it happen?” Mrs. Travers demanded. “That’s a bit difficult to explain,” Wilhelmina began. She was spared further response, though, when Miss Cadwalader took that moment to join the conversation. “She’s under there because of the mouse,” Miss Cadwalader said in a very loud, very carrying, voice before she took what looked to be some type of cookie from the platter and began nibbling around the edges of it. “A . . . mouse?” Mrs. Travers repeated slowly. Miss Cadwalader stopped nibbling and nodded. “Indeed, and it wasn’t a little mouse, mind you, but an enormous one, with rather large teeth.” She sent what almost seemed to be the smallest of winks Wilhelmina’s way. “Miss Radcliff should be commended for being brave enough to take on such a beast, but as she was attempting to lure the creature away, she got stuck underneath that chair.” Miss Cadwalader heaved a sigh. “Unfortunately the mouse charged straight through the middle of the ballroom floor.” Edgar could only watch in dumbfounded amazement as chaos immediately took over the ball. The chaos started when one of the ladies who’d been inching ever so casually closer to them let out a shriek, lifted up the hem of her skirt, and was soon standing on top of a chair, joined seconds later by additional ladies, their shrieks about mice being on the loose echoing around the ballroom. In the span of a single minute, all the chairs were occupied with ladies holding their hems up as servants began dashing into the room, all of them carrying brooms. Edgar heard Wilhelmina toss “That was brilliant” Miss Cadwalader’s way as Mrs. Travers seemingly forgot all about Wilhelmina being stuck underneath a chair as she hurried off to join the chaos that was interrupting her ball. Miss Cadwalader grinned. “I do have my uses.” Wilhelmina returned the grin. “Indeed you do—even though I have to say that, if I had seen a mouse, I’m hardly the type to throw myself on the floor in an attempt to lure it away.” With

People look down on stuff like geography and meteorology, and not only because they’re standing on one and being soaked by the other. They don’t look quite like real science.† But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn’t a time. It’s a place as well. Summer is a moving creature and likes to go south for the winter.

We sat in silence, holding hands until it hurt, until the sun fell away–behind the words, behind the glass and the trees

Gabriel ignored Enoch’s protest. “Trust in Elohim. Rahab is coming upon this city.” Rahab was the name of the sea dragon of chaos, the creature of destruction that swam the waters of the Abyss. People invoked her name when they wanted to express foreboding disaster of total annihilation. “Bring your family and loved ones to the mountains of Aratta in the north. In the volcanic lands of Sahand you will find your distant ancestor, Adam. He will teach you what you need to learn to fulfill Elohim’s calling upon your life.

Tohu wabohu. Formless and void. The desert of Azazel was the haunt of jackals, the habitation of siyyim and iyyim demons, Lilith the night hag and her serpent Ningishzida. Here the night creatures howled, the centaurs dwelt, and the satyr goat demons danced upon the ruins of desolation. Chaos and disorder. But it was not night, it was day. The demons seemed held at bay, their whisperings carried only by the winds.

Six heads erupted from the water with fangs flashing and mouths roaring. On the neck of one of them was Asherah, riding it like a steed. She pointed down at the approaching form of Mikael. The monster focused on the angel as a target. The sound of gurgling from deep within its bowels warned Mikael. He had been caught by this attack before, at the beach of Mount Sapan. He was not going to let it happen again. He dove behind a huge boulder as a stream of fire poured out from the dragon head and blackened the entire area of stone. Another head reached down and Dagon leapt onto it, pulled away before Uriel and Gabriel could reach him. Ba’alzebul and Molech dashed headlong at the seven heads. Ba’alzebul’s muscular form launched an amazing thirty feet to catch one of the gaping jaws as it swung past the rocks of the beach. Molech was not so glorious. He could only make a good twenty feet. It was not enough to reach his target. He landed in the water in a belly flop. Uriel and Gabriel could not help but look at each other, smirking. One of the dragon heads reached down and picked Molech out of the water with its teeth and placed him on the back of another neck. The head that Ba’alzebul had caught had a sword stuck in the roof of its mouth, the hilt sticking out of its head. It was Gabriel’s sword, from their confrontation at Sapan generations earlier. Ba’alzebul pulled it from the creature’s mouth and swung around to mount its neck. He raised the sword high in victory, as all seven heads plunged back into the deep, carrying its four riders away from the grasp of the angels. Mikael stepped down to the shoreline to stand by Uriel and Gabriel as Raphael and Raguel helped the trapped angels get free from the rocks. They looked out onto the frothing, swirling waters left behind by the exit of the gargantuan and its riders. There was no way the archangels could ever chase that chaos monster. “You have to hand it to that Asherah,” said Uriel. “She is one goddess with chutzpah, taking her chances with enchanting Leviathan.” Gabriel added, “And I thought Ashtart was gutsy.” “Ashtart cut your gut in half back at Mount Hermon,” said Uriel wryly. “If I had not found your legs in the waters of the Abyss you would have been a paraplegic until the Resurrection.

On the shoreline, Inanna’s complexion went pale. It was the one thing she had not anticipated. And it was the one thing that might completely derail her strategy. In the water, Yahipan noticed that the tentacles were not grabbing Nephilim, they were grabbing the Rephaim generals. It was as if the creature were searching only for Rephaim. Before he could move, one of the tentacles wrapped around his body and pulled him into the air. He chopped with a battle axe. But the constriction of the tentacle made him black out. His axe splashed in the water. Bands of Nephilim closer to the launch site tried frantically to paddle back to shore. Numbers, thought Inanna. Chaos cannot possibly keep up with the numbers. Some will get through. She drew a bow and some arrows and started shooting the returning Nephilim. She bellowed, “DESERTION IS TREASON. FORWARD OR DIE!!” The fleeing Nephilim stopped in confusion. They turned back around, to try their luck for the other side. The lake became one big cauldron of churning waters, snapping multiple dragon heads, crushing tentacles and Nephilim blood and body parts. The Nephilim forces were being decimated. But some crossed over and made it to the other side. Inanna and Utu mounted their Anzu and flew overhead to try to assess their losses and help the few who appeared to be close to landing. This sea bitch and her brood are not going to stop me, thought Inanna. If I have to attack it myself, I will.

In our privatest mind,” he said, “there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.

Truly, nothing more resembles God's eyes than the eyes of a child; they see the world for the first time, and create it. Before this, the world is chaos. All creatures - animals, trees, men, stones; everything:forms, colors, voices, smells, lightning flashes - flow unexplained in front of the child's eyes (no, not in front of them, inside them), and he cannot fasten them down, cannot establish order. The child's world is made not of clay, to last, but of clouds. (Report to Greco)

The problem is that we're all full of desire; it is the very hallmark of our emotional existence, and it can lead to our downfall - and to the downfall of others. [...] Once upon a time, Aristophanes relates, there were gods in the heavens and humans down on earth. But we humans did not look the way we look today. Instead, we each had two heads and four legs and four arms - a perfect melding, in other words, of two people joined together, seamlessly united into one being. We came in three different possible gender or sexual variations: male/female meldings, male/male meldings, and female/female meldings, depending on what suited each creature the best. Since we each had the perfect partner sewn into the very fabric of our being, we were all happy. Thus, all of us double-headed, eight-limbed, perfectly contented creatures moved across the earth much the same way that the planets travel through the heavens - dreamily, orderly, smoothly. We lacked for nothing; we had no unmet needs; we wanted nobody. There was no strife and no chaos. We were whole.

Life fears chaos. It was ever thus. We fear it more than anything else, because it is anathema. Order battles against dissolution. Order negotiates cooperation as a mechanism of survival, on every scale, from a patch of skin to an entire menagerie of interdependent creatures. That cooperation, of course, may not of essence be necessarily peaceful - a minute exchange of failures to ensure greater successes.

...the free will defense, put simply, goes like this: "To create creatures capable of moral good, therefore, He must create creatures capable of moral evil; and He can't give these creatures the freedom to perform evil and at the same time prevent them from doing so... The fact that free creatures sometimes go wrong, however, counts neither against God's omnipotence nor against His goodness; for her could have forestalled the occurrence of moral evil only by removing the possibility of moral good." (Alvin Plantiga)

...the free will defense, put simply, goes like this: "To create creatures capable of moral good, therefore, He must create creatures capable of moral evil; and He can give these creatures the freedom to perform evil and at the same time prevent them from doing so... The fact that free creatures sometimes go wrong, however counts neither against God's omnipotence nor against His goodness; for He could have forestalled the occurrence of moral evil only by removing the possibility of moral good.

The healing man left me a wee bit broken so I could understand”—he looked back at his friends—“Kai and Tilly, Roe, Reece, and Jed. And dozens o’ others. When a sufferin’ creature shows up at me cottage, I get to help ’em and bring ’em here. Show ’em the way up the mountain. Fact is, they probably wouldn’t listen to me if I didn’t have this wooden stump. It’s proof that I’ve suffered too.

Inertia is always a little bit of a challenge,” one person wrote. “It’s easier to not do things than to do them.” Another person dispatched with potentially conflicting work obligations, but then succumbed to the temptation to do “nothing” once the moment arrived: “I’m such a creature of habit it was hard to deviate from the norm.

Humans think themselves to be the best of creatures. But just look at what they're willing to do to one another to achieve their goals. Perhaps the world would've been better off without us.

Fremen possessed a highly evolved conscience which centered on their own welfare as a people. It was only to outsiders that they seemed brutish-just as outsiders appeared brutish to Fremen. Every Fremen knew very well that he could do a brutal thing and feel no guilt. Fremen did not feel guilt for the same things that aroused such feelings in others. Their rituals provided a freedom from guilts which might otherwise have destroyed them. They knew in their deepest awareness that any transgression could be ascribed, at least in part, to well recognized extenuating circumstances: "the failure of authority," or "a natural bad tendency" shared by all humans, or to "bad luck," which any sentient creature should be able to identify as a collision between mortal flesh and the outer chaos of the universe.

Then the Spirit gathered itself together and drew breath, and spoke. It said everything that was to be. It sang to the earth and fire and water and air, singing all the creatures into being. All the shapes of mountains and rivers, the shapes of trees, and animals, and men. Only it took no shape itself, and gave itself no name, so that it could remain everywhere, in all things and between all things, in every relation and every direction. When everything is unmade at the end and Chaos returns, the Spirit will be in it as it was in the beginning.

If there is a modern age, it is, of course, the age of the cosmic. Paul Klee declared himself anti-Faustian. "As for animals and all other creatures, I do not like them with a terrestrial cordiality; earthly things interest me less than cosmic things." The assemblage no longer confronts the forces of chaos, it no longer uses the forces of the earth or the people to deepen itself but instead opens onto th forces of the Cosmos. All this seems extremely general, and somewhat Hegelian, testifying to an Absolute Spirit.

These men, no longer fathers, brothers, sons, are wild creatures, smelling blood and power and chaos. The veneer of civilization is shattering, revealing the true nature of man. Wild and dangerous. Beast.

I don’t know. Though there are legends that claim when the world was born, there were … rips in the fabric of the realms. That in the chaos of Forming, creatures from other worlds could walk through one of those rips and enter another world. But the rips closed at will, and the creatures could become trapped, with no way home.

…greatness flows from the creativity and overcoming that chaos and challenge inspires in the man whose Noble belief in his own worth drives him forward to demonstrate his potential and realize the miracle of his own godhood. If you cannot see the way, make the way. If you despise the world around you, do not lament the passing of a dream you never knew — dream the world that you want NOW. Begin from where you are. Dream a new world and impose it from above. Thrust your hands into the decaying soil, scoop it up and sculpt it — give it shape with all of your strength. Life was never fair and creation was never easy. Take the world you have and make the one you want. Be the god that gives it life. And if you don’t know where to start — if you have nothing but your own body — start there. Create and recreate yourself. Be the clay, and become your own dream. Not because you have to, or because it is needed or necessary, but because you want to. Why not? Isn’t that what the conqueror, the master and the first king says? “Why not me?” Why not be the creature who creates himself?

You named two of the' – he clears his throat – 'fiercest creatures of legend, Cutie and Puffy?

You speak wildly in the sway of your emotions. You wish that the rules of society should be rewritten so that you can carry on conveniently with your lover. The world was not constructed to do our bidding. We have to live by its rules. If individual passions were allowed to run the world we would all be living in chaos.’ ‘Better a chaotic world in which people are happy than an orderly one in which love has no place,’ said Heer. ‘This world was created out of Allah’s love for his creatures. Take love out of it and life becomes like a mouthful of ashes—dry, tasteless and impossible to swallow.

Originally, Smale had hoped to explain all dynamical systems in terms of stretching and squeezing—with no folding, at least no folding that would drastically undermine a system’s stability. But folding turned out to be necessary, and folding allowed sharp changes in dynamical behavior. Smale’s horseshoe stood as the first of many new geometrical shapes that gave mathematicians and physicists a new intuition about the possibilities of motion. In some ways it was too artificial to be useful, still too much a creature of mathematical topology to appeal to physicists. But it served as a starting point.

The new image of Satan is a product of Darwin and Freud. First, he is not a creature made by God but a dark force evolved out of chaos and essentially is chaos. There was never thus any higher status for

No, I’m not worried about that one. The old fool sows chaos, but does not reach for the power offered by opportunity. He hides in his insignificant city, listening to its songs, thinking he plays in world events. He has no idea. His is not the position of the hunter. This creature in Tukar, however, is different. I’m not convinced he is human. If he is, he’s certainly not of the local species. . . .

Women’s proclivity to say no, more than any other force, has shaped our evolution into the creative, industrious, upright, large-brained (competitive, aggressive, domineering) creatures that we are.

Their father, seated near one end of the long table, smiles broadly. "Pass the vinegar, please!" His voice is so deep and loud that everyone turns to watch him. Holding a steaming dumpling in a large porcelain spoon, he drips a bit of sooty vinegar on top, greedy and focused. He picks up a sliver of ginger, using his chopsticks with the precision of a surgeon, and places it over the dumpling's puckered nipple. He raises the spoon to his mouth and takes a bite. "Hmm. It's good," he announces. "But I like my dumplings made with pork. Hot meat juice gushing into my mouth at the first bite. Hot, greasy, delicious pork juice!" Dagou's chest swells. "You know they're vegetarians here." "You prefer plain dumplings?" their father shoots back. Dagou doesn't answer. He and their father favor meat in all of their food. "I have nothing against 'plain food,'" their father says, addressing the community at large. "Winnie says it's sinful to eat living creatures, it amounts to killing, it's an act of violence, especially because the choice is an act of will, because we can decline to eat meat, because it's okay----and maybe even healthier, Winnie says----to eat only vegetables. She says people who stop eating meat have a long life, and people who eat only vegetables have the longest life. Yeah, yeah. But, Your Elderliness"----he nods at Gu Ling Zhu Chi----"I, Leo Chao, would rather be dead than stop eating pig. I will be ash and bone chunks in a little urn before I don't eat juicy pig.

I am glad not to be a Greenland shark; I don't have enough thoughts to fill five hundred years. But I find the very idea of them hopeful. They will see us pass through whichever spinning chaos we may currently be living through, and the crash that will come after it, and they will live through the currently unimagined things that will come after that: the transformations, the revelations, the possible liberations. That is their beauty, and it's breathtaking: they go on. These slow, odorous, half-blind creatures are perhaps the closest thing to eternal this planet has to offer.

Hermit crabs can, if they must, make their home almost anywhere. They have been found in tin cans, in coconut halves. The Pylochelidae family evolved to make their homes not in shells but in sea sponges, stones, driftwood, pieces of bamboo. More and more, in these darker days, I admire resourcefulness. I love their tenacity; forging lives from the shells of the dead, making homes from the debris that the world, in its chaos, has left out for them.

We’re both here, two faces behind one mask. I’m sorry if I confuse you, but to me it’s perfectly natural to switch from one strand of my existence to the other. I am two rivers that have merged into one being, at the confluence.” Hesperus slowed his pacing. “More than five million years ago, long after the Golden Hour but long before I came to Neume, thinking machines found me. I was a novelty to them—huge and slow and wondrous. They were equally novel to me. I saw immediately what they were: human technology that had become haunted, possessed by quick, gleaming cleverness. I had seen smart machines before then, but nothing with the agility and cunning of true intelligence. I knew instantly that these creatures were a different order of machine. Some alchemy of chaos and complexity had given their minds powers of consciousness and free will.

Either way there was an uncomfortable mystery: how the chaos of history could issue in so consistent a hold on dogma or why an omniscient God chose such a messy method of preserving His foothold in the minds of His creatures.

Chaos is the first power in the universe and it will be the last. When the first ape creatures bashed each other’s brains out with bones, or cried to the heavens in the death throes of plague, they fed and nurtured Chaos. The blissful release of excess and the glee of intrigue – all is grist for the soul mills of Chaos. So long as Man endures, so too does Chaos.’ Horus reached

From snout to tail, the creature was plated in gold bright enough to reflect the fires, gold stolen from the core of the world. It would have been magnificent if not for the complete absence of mercy in its eyes.

She's everywhere, in every drop of my blood, in every spark of thought, and I want to fucking her for it. To shatter her just like she's broken me. Because she brings me to my fucking knees. I want to ruin her so that she's mine, my beautiful disaster. My wild creature. My goddess of chaos.

Fulgrim took a shuddering breath and raised his hands to the heavens, screaming his loss at the sight of his brother so cruelly murdered... He saw the resentment he had picked at for months, only now understanding the altruism of Ferrus Manus's deed and the loss of life his selfless act had incurred. Where before he had seen only self-aggrandisement in his brother's action, he now saw it for the heroic deed it had truly been. His brother's critical comments, the wounding darts meant to undermine him, he now saw had been jests designed to puncture his self-importance and restore his humility. What he had perceived as Ferrus's prideful boasts and rash actions had been deeds of courage that he had spitefully dismissed. Ferrus's rejection of his attempt to betray him was the act of a true friend, but only now did he see how his brother had, even then, tried to save him.'No, no, no,' wept Fulgrim as the true horror of what he had done struck him with the force of a thunderbolt. He looked around through tear-filled eyes and saw the horrific changes wrought upon his beloved Legion, the perversions that masqueraded as epicurean pleasure. 'Everything I have done is ashes,' he whispered and swept up the golden Fireblade, so recently wielded by his brother in an attempt to undo the evil Fulgrim had embraced. Fulgrim reversed the blade and held its fiery tip against his body, the edge blackening his hand sand burning the skin through the rents torn in his armour. To end things now would be the easiest thing in the world, to take away the guilt and wash the pain away in a sharp trirust of steel into his vitals. Fulgrim gripped the sword tightly, drawing blood from his palms where the blade's edge sliced his skin. No, noble suicide is not for the likes of you, Fulgrim.'Then what?' howled Fulgrim, hurling away the sword his brother had forged. Oblivion: the sweet emptiness of eternal peace. I can grant you what you crave… an end to guilt and pain. Fulgrim rose to his feet and stood tall beneath the storm wracked clouds of Isstvan V, his once beautiful face streaked with tears, and his pristine armour stained with the blood of his beloved brother. Fulgrim lifted his hands and looked at the blood there. 'Oblivion,' he said, his voice hoarse. 'Yes, I crave the boon of nothingness. 'Then leave yourself open to me and I will put an end to it all. Fulgrim took a last look around. The grim-faced warriors who had foolishly thrown in their lot with the Warmaster: Marius, Julius and thousands more were damned, and they could not see it. All around him, he could hear the sounds of the future, of warfare and death. The thought that he shared the guilt of the destruction of the Emperor's dream was the greatest shame and sorrow he had ever known. An end to it all would be a blessed relief. 'Oblivion,' he whispered as he dosed his eyes. 'Do it. End me. 'The barriers in Fulgrim's mind dropped and he felt the elation of a creature older than time as it poured into the void in his soul. No sooner had its touch claimed his flesh for its own than he knew he had made the worst mistake of his life. Fulgrim screamed as he fought to keep it out, but it was already too late. His consciousness was crushed into the dark, unused corners of his mind, forever to be a mute witness to the havoc wrought by his body's new master. One moment Fulgrim was a primarch, one of the Emperor's Children, the next he was a thing of Chaos.

Our Fae hearts rarely betray us. We’re calm creatures. But you, Osha? You’re a ball of chaos. Your heart betrays you at every turn.

Is it also intimidation? A serpent was a threatening creature. The Hebrew word here, nahash, can refer to a smaller creature like a snake or worm, but it can also be used for a large dragon. For example, in the Book of Job, nahash is used to describe Rahab, a primordial serpent creature of great evil (Job 26:12–13). In Egyptian mythology, the great Sun God Amon-Re struggled with Apep the chief demon and chaos-monster (a kind of Egyptian Satan figure), who was embodied as a giant snake. So Genesis 3 may be communicating that this serpent is something much more intimidating

Never has a man proposed for himself, voluntarily or involuntarily, a goal more sublime, since this goal was beyond measure: undermine the superstitions placed between the creature and the Creator, give back God to man and man to God reinstate the rational and saintly idea of divinity in the midst of this prevailing chaos of material and disfigured gods of idolatry. Never has a man accomplished in such a short time such an immense and long lasting revolution in the world. - Alphonse de Lamartine

Because the Eternal Champion sequence contains comedies does not mean that I am satirising those stories which are tragic and romantic. We're diverse creatures and for me the Eternal Champion must reflect and embrace that diversity. Chaos Theory, perhaps the most important intellectual advance in many years, suggests that in diversity we flourish and the fewer choices we have the poorer are our chances of survival.

A creature that cannot think must solely embody its Being. It can merely act out its nature, concretely, in the here-and-now. If it cannot manifest in its behavior what the environment demands while doing so, it will simply die. But that is not true of human beings. We can produce abstracted representations of potential modes of Being. We can produce an idea in the theatre of the imagination. We can test it out against our other ideas, the ideas of

He looked at what he had wrought, and a faint smile worked its way onto his face.  He realized that he had been asking the wrong questions earlier.  It was not a question of if he would kill in a given situation, or even if he would risk the suffering of innocents to further his own ends.  The question was ‘Would he go as far as was required to secure his kingdom in The Land?’  Richter drew back his sword to thrust into another helpless creature and answered himself, ‘Of course he would.  After all, blood had always been the mortar for the foundations of an empire.

two centuries old. “You were everything I never knew I wanted. You were chaos. You were desperation. You were the most mysterious secret I’d ever come across. Everything about you drew me in—your innocence, your vulnerability, hell, even your tragic life. You were the most captivating creature I’d ever come across.

Children and babies are the most innocent, vulnerable, helpless creatures on the planet. They’re relying on you for everything. Their lives will be defined by the choices made by the adults around them.

at once. Matter, antimatter, it’s all Chaos. It’s present in humans, in animals, in everything that grows and breathes, too. Witches and warlocks are simply creatures through which Chaos flows with greater power. We’re special because we have this connection to the universe on a subatomic level. Our powers, our abilities, stem from Chaos.

The figure leaned forward and saw the visage of his quarry for the first time. With a wave of his hand, the powerful Dark Paladin destroyed the darkling. The pitiful creature cried out as its young existence was extinguished, but the man barely noticed. All that mattered was that he was one step closer to his prey. The captain of the plague squad left the charred shell of the warehouse and slowly spoke the name of his quarry aloud, as if tasting it.

Like the developing embryo, the whole of Aristotelian nature is organized according to final causes. The purpose of all change, if it is in keeping with the nature of things, is to realize in each being the perfection of its intelligible essence. Thus this essence, which, in the case of living creatures, is at one and the same time their final, formal, and effective cause, is the key to the understanding of nature. In this sense the “birth of modern science,” the clash between the Aristotelians and Galileo, is a clash between two forms of rationality.15 In Galileo’s view the question of “why,” so dear to the Aristotelians, was a very dangerous way of addressing nature, at least for a scientist. The Aristotelians, on the other hand, considered Galileo’s attitude as a form of irrational fanaticism.

The creative power of the Third Logos, that which gives life to the creatures in the womb, that which makes life to spring forth out of the chaos, is potent and intelligent enough to bring the woman her precise, exact complement.

Despite the years that had gone by, we’re still held hostage by the same captivating hunger for rebellion, our souls intoxicated for the thrill of what happens at nightfall. We are creatures of the night always, bleeding chaos and untamable. No matter where we went or how far apart we drifted, we would remain forever at the mercy of the darkness.

Revelation 6:3–4 (HCSB): When He opened the second seal, I heard the second living creature say, “Come!” Then another horse went out, a fiery red one, and its horseman was empowered to take peace from the earth, so that people would slaughter one another. And a large sword was given to him.

Revelation 6:1–2 (HCSB): Then I saw the Lamb open one of the seven seals, and I heard one of the four living creatures say with a voice like thunder, “Come!” I looked, and there was a white horse. The horseman on it had a bow; a crown was given to him, and he went out as a victor to conquer.

This was religion, the giving away of oneself, the realisation of how small, like to a grain of dust, one was in the vast misery of the world - and yet how vast the power of goodness, of love, like a great cloud, lifting one up out of the meanness, the deadliness, of the miserable ego. Worship. Ecstasy. These gods - and animals, Shiva with snakes about his neck. Snakes. Kala Nag. Worms, tiny creatures, she picks up off pavements and lays carefully in gardens. Innumerable beings. Shiva with his delicate uplifted hand, smiling upon Parvati, while round about them whirl creatures innumerable. The Ganges, the Thames, Mildred with tears in her eyes, turning away. What chaos, what suffering, such passion, such love, such infinity, she felt faint, she might fall to the ground. These gods - and Christ upon His Cross.

The fact that cats kill snakes makes them a highly symbolic creature especially as the main enemy of the Sun God is the Chaos Serpent Apophis. “The cat likewise is very serviceable against the venomous stings of serpents, and the deadly bite of the asp.

I believe we as a whole, need to make a single Rule book on basis of "One World one Community Rules - Regulation - Orders" for the Entire Mess/Chaos we have made yet. And also for our own Survival along with other Companion - Co-Existing Creatures within our Planet Earth. ~

We’re in the Internächte now – the ‘in-between nights’ – a term used in some areas of Germany and Austria for the period that runs from Christmas Day to Twelfth Night, on 6 January. It’s a good word to describe the strange, quiet interval that follows the chaos of Christmas itself and runs (at least in modern times) until New Year; a period when you lose track of time, as the normal working week is, for many people, suspended. Throughout history, this period has been associated more with relentless feasting and festivities than the quiet of the modern day, but it was still an in-between time, when nothing was quite as it should be – a perfect moment for the supernatural to slip through.

Stone, sea, forest, city—and every creature that ever lived—all share the same struggle. Being resists unbeing. Order wars against the chaos of dissolution, of disorder. Karsa Orlong, this is the only worthy truth, the greatest of all truths. What do the gods themselves worship, but perfection? The unattainable victory over nature, over nature’s uncertainty. There are many words for this struggle. Order against chaos, structure against dissolution, light against dark, life against death. But they all mean the same thing.

The world won’t function correctly if all of us are emotional, morally right creatures. There needs to be a balance, or else there’ll be chaos.

We entered a long night, and at some point it seemed that our way too us beneath deep waters, bright sea creatures hovering and darting both near at hand and in the middle distance. Dry and uncrushed, the black way protected us.

Bibles to Revelation chapter nineteen. I’ll read the first five verses. ‘A great multitude in heaven cried out, ‘Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants.’ “‘Once more they cried out, ‘Hallelujah! The smoke from her goes up forever and ever.’ And the twenty-four elders and the four living creatures fell down and worshiped God who was seated on the throne, saying, ‘Amen. Hallelujah!’ And from the throne came a voice saying, ‘Praise our God, all you his servants, you who fear him, small and great.

A great multitude in heaven cried out, “Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants.’ Once more they cried out, “Hallelujah! The smoke from her goes up forever and ever.” And the twenty-four elders and the four living creatures fell down and worshiped God who was seated on the throne, saying, “Amen. Hallelujah!” And from the throne came a voice saying, “Praise our God, all you his servants, you who fear him, small and great.

I think...” His humerus bone snaps under my shoe. “...that I don’t want a filthy creature like you...” His fingers crunch with ease in my hand. “...touching what belongs to me.

Within these pages one will read of fantasy creatures like Leviathan the sea dragon of chaos

I see someone who’s stronger than she knows. Who fights even when she’s breaking. I see fire. I see loyalty. I see someone who terrifies me in the best way, because she never backs down. Not from her pain, and not from her power. But I also see the cracks you try to hide. The fear you don’t speak out loud. And I still see you as the bravest soul I know.

Sometimes you have to fall apart before you can piece yourself back together.

The mist was the world was the data corpus was the Crypto-sphere was the history of the world was the future of the world was the guardian of undone things was the summation of intelligent purpose was chaos was pure thought was the untouched was the utterly corrupted was the end and the beginning was the exiled and the resiled, was the creature and the machine was the life and the inanimate was the evil and the good was the hate and the love was the compassion and the indifference was everything and nothing and nothing and nothing. He dived within, becoming part of it, surrendering completely to it to accept it into him and dissolve himself within it. He was a flake within the fall, an insect sucked up into the whirlwind, a bacterium caught within a water droplet forced whirling within the hurricane's howl. He was a particle of dust from the plain thrown up by the hoof of one horse within the charging line, a grain of sand upon the storm-besieged beach, a fleck of ash from the eruption's endless detonations, a mote of soot from the continent afire, a molecule within the encroaching dust, an atom from the star's heart thrown out in its last, majestic, exhaustive blast. Here was the meaning at the core of meaninglessness and the meaninglessness at the centre of meaning. Here every action, every thought, each nuance of every least important mental event within any creature mattered utterly and fundamentally; here, too, the fates of stars, galaxies, universes and realities were as nothing; less than ephemera, beneath triviality. He swam through it all as it coursed through him. He saw backwards and forwards throughout time forever, seeing everything that had happened and everything that would happen and knew it was all perfectly true and completely false at once, without contradiction. Here the chaos sang songs of sweet pure reason and reserve, here the loftiest aims and finest achievements of humans and machines were articulations of psychopathic insanity. Here the data winds howled, dissociated as plasma, abrading as blown sand. Here the lost souls of a billion lives had poured and shattered and tattered and dissolved and mixed with a trillion extracted, excerpted strings and sequences and cycles of mutated programs, evolved virus and garbled instructions, themselves irretrievably compounded with uncountable irrelevant facts, raw figures and scrambled signals. He saw, heard, tasted and felt it all, and was submerged within it and borne over it; he carried within him, always there and just collected, the seed of something else, something at once supersessant and insignificant, and foolish, wise and innocent all together. He stepped ashore from a molten ocean of chaos, walked calmly from the belching volcano mouth, floated comfortably on the supernova's radiation wave-front to the dust-rich depths, always holding his charge.

Out of Christ, what can we perceive in the world but mere ruins? We are alienated from God by sin, and how can we but present a broken and shattered aspect? The proper condition of creatures it to keep close to God. Such a gathering together... as might bring us back to regular order, the apostle tells us, has been made in Christ. Formed into one body, we are united to God, and closely connected with each other. Without Christ, on the other hand, the whole world is a shapeless chaos and frightful confusion. We are brought into actual unity by Christ alone.

But that’s the thing about making stupid decisions

The first time we kiss