Old Bookstore Quotes

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.

V'lane: Are you busy tomorrow MacKayla ? Barrons: She's working on old texts with me. V'lane: Ah. Old texts. A banner day at the bookstore. Barrons: We're translating Kama Sutra...with interactive aids.

I like old bookstores, the smell of coffee brewing, rainy day naps, farmhouse porches, and sunsets. I like the sweet, simple things that remind me that life doesn’t have to be complicated to be beautiful.

Sometimes, looking at the many books I have at home, I feel I shall die before I come to the end of them, yet I cannot resist the temptation of buying new books. Whenever I walk into a bookstore and find a book on one of my hobbies — for example, Old English or Old Norse poetry — I say to myself, “What a pity I can’t buy that book, for I already have a copy at home.

My life was life a dusty shelf in a old bookstore, where every volume was exactly where it had been for ages, the only discernible change being that my body has aged another ten ages.

I love the smell of old bookstores—paper, knowledge, and probably mildew.

I just love the smell of an old book store and the feel of the crisp pages along my fingertips.

Jake went in, aware that he had, for the first time in three weeks, opened a door without hoping madly to find another world on the other side. A bell jingled overhead. The mild, spicy smell of old books hit him, and the smell was somehow like coming home.

In a second-hand bookshop head to the back, find the old books with dust undisturbed and worn off covers for these clothe true treasures.

Censorship and the suppression of reading materials are rarely about family values and almost always about control; About who is snapping the whip, who is saying no, and who is saying go. Censorship's bottom line is this: if the novel Christine offends me, I don't want just to make sure it's kept from my kid; I want to make sure it's kept from your kid, as well, and all the kids. This bit of intellectual arrogance, undemocratic and as old as time, is best expressed this way: "If it's bad for me and my family, it's bad for everyone's family." Yet when books are run out of school classrooms and even out of school libraries as a result of this idea, I'm never much disturbed not as a citizen, not as a writer, not even as a schoolteacher . . . which I used to be. What I tell kids is, Don't get mad, get even. Don't spend time waving signs or carrying petitions around the neighborhood. Instead, run, don't walk, to the nearest nonschool library or to the local bookstore and get whatever it was that they banned. Read whatever they're trying to keep out of your eyes and your brain, because that's exactly what you need to know.

Just So You Know You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too? They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat. Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed. And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy. Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough. But you’re thinking about it now, aren’t you? You fall in love so easily. But just so you know, they do, too.

I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.

And as for going into a bookstore and not finding a book suitable for your 13-year-old...maybe you should do some research before you go in? And I'm being serious here. There are a bunch of great blogs that will tell you the content of books. Reading Teen is one of them, and I've seen others, and I love what they do because they make YA books feel safe to protective parents. There are plenty of YA books that celebrate joy and beauty. Now, I would argue that many of them are also the "dark" books to which the article refers, and that saying they aren't suggests a pretty inattentive reader...but that's neither here nor there. I'm not trying to bicker with the careful parents. I'm just saying: do some research and you'll be surprised what you find. So, that's what I'm going to say about it.

I had a friend once who looked at his library and discovered that even if he completely stopped filmmaking (he was a filmmaker too) and just decided to read the books he had in his library, it would take him until he was 100 years old. He was a little bit panicked. But he was courageous. He went out of his house. He went to the bookstore. And he bought ten books.

Every town, every book, is a way to say, look, there’s a new way, a different way. Every book in a bookstore is a fresh beginning. Every book is the next iteration of a very old story. Every bookstore, therefore, is like a safe‑ deposit box for civilization.

I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.

My favourite place in the whole city was the Sempere & Sons bookshop on Calle Santa Anna. It smelled of old paper and dust and it was my sanctuary, my refuge.

Lignin, the stuff that prevents all trees from adopting the weeping habit, is a polymer made up of units that are closely related to vanillin. When made into paper and stored for years, it breaks down and smells good. Which is how divine providence has arranged for secondhand bookstores to smell like good quality vanilla absolute, subliminally stoking a hunger for knowledge in all of us.

And the truth is, Henry loves the store. Loves the smell of books, and the steady weight of them on shelves, the presence of old titles and the arrival of new ones and the fact that in a city like New York, there will always be readers.

There is a strange emptiness to life without myths. I am African American — by which I mean, a descendant of slaves, rather than a descendant of immigrants who came here willingly and with lives more or less intact. My ancestors were the unwilling, unintact ones: children torn from parents, parents torn from elders, people torn from roots, stories torn from language. Past a certain point, my family’s history just… stops. As if there was nothing there. I could do what others have done, and attempt to reconstruct this lost past. I could research genealogy and genetics, search for the traces of myself in moldering old sale documents and scanned images on microfiche. I could also do what members of other cultures lacking myths have done: steal. A little BS about Atlantis here, some appropriation of other cultures’ intellectual property there, and bam! Instant historically-justified superiority. Worked great for the Nazis, new and old. Even today, white people in my neck of the woods call themselves “Caucasian”, most of them little realizing that the term and its history are as constructed as anything sold in the fantasy section of a bookstore. These are proven strategies, but I have no interest in them. They’ll tell me where I came from, but not what I really want to know: where I’m going. To figure that out, I make shit up.

The shelves were packed close together, and it felt like I was standing at the border of a forest--not a friendly Californian forest, either, but an old Transylvanian forest, a forest full of wolves and witches and dagger-wielding bandits all waiting just beyond moonlight's reach.

You feel rain in a used bookstore. The old pages pick up the damp and mustiness like old bones do rheumatism.

This cult seems like it might have been designed specifically to prey on bookish old people— Scientology for scholarly seniors.

You know, old books are a big problem for us. Old knowledge in general. We call it OK. Old knowledge, OK. Did you know that ninety-five percent of the internet was only created in the last five years? But we know that when it comes to all human knowledge, the ratio is just the opposite - in fact, OK accounts for most things that people know, and have ever known.

The bookstore had no musty “old books” smell, and instead it had a nice oaky aroma, similar to the way Laurence imagined the whiskey casks would be before you put Scotch into them for aging. This was a place where you would age well.

I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.' I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world." [Shakespeare & Company, archived statement]

Hello, nice to meet you, I sell unreadable books to weird old people - want to get dinner?

If you have ever been tempted to look up an old girlfriend or boyfriend, you will sympathize with Frederico. If you have doubts about revealing yourself to someone from your past, you’ll understand Emma. Did you ever have the urge to open a bookstore? You’ll love Dreams & Desires, Emma’s bookstore in Milan that specializes in romance.

there is the smell, too, of course -- the reassuring smell of paper, new paper, soft old paper, recalling each person to the first time they really did press their nose into a book.

Then we will do two things," Penumbra says, nodding. "First, I will tell you just a little of our history. Then, to understand, you must see the Reading Room. There, my proposal will become clear, and I dearly hope you will accept it." Of course we'll accept it. That's what you do on a quest. You listen to the old wizard's problem and then you promise to help him.

vellichor n. the strange wistfulness of used bookstores, which are somehow infused with the passage of time—filled with thousands of old books you’ll never have time to read, each of which is itself locked in its own era, bound and dated and papered over like an old room the author abandoned years ago, a hidden annex littered with thoughts left just as they were on the day they were captured.

Your wish, my command, MacKayla.” He smiled. “Shall we spend tomorrow at the beach together?” Barrons moved beside me. “She’s busy tomorrow.” “Are you busy tomorrow, MacKayla?” “She’s working on old texts with me.” V’lane gave me a pitying look. “Ah. Old texts. A banner day at the bookstore.” “We’re translating the Kama Sutra,” Barrons said, “with interactive aids.” I almost choked. “You’re never around during the day.” “Why is that?” V’lane was the picture of innocence. “I’ll be around tomorrow,” Barrons said. “All day?” I asked. “The entire day.” “She will be naked on a beach with me.” “She’s never been naked in a bed with you. When she comes, she roars.” “I know what she sounds like when she comes. I have given her multiple orgasms merely by kissing her.” “I’ve given her multiple orgasms by fucking her. For months, fairy.

Of course, of course. Drugs, music, a new age dawning … and you came for an old book.

There are stores that enrich the streets with their presence, and the most precious of them are the shops that sells old books!

Every book in a bookstore is a fresh beginning. Every book is the next iteration of a very old story. Every bookstore, therefore, is like a safe-deposit box for civilization.

People are attached to their bookstores, more attached than A. J. Fikry ever would have ever guessed. It matters who placed A Wrinkle in Time in your twelve-year-old daughter’s nail-bitten fingers

I love being at my store early in the morning. With golden sunlight streaming in through the windows and the smell of old pages and fresh coffee lingering in the air, it’s like my own personal piece of Heaven.

I'm all the readers I have been. . . . I'm still the twentysomething who doesn't know how to vet contemporary fiction, the new releases filling the bookstore shelves that haven't yet had the opportunity to stand the test of time, who somehow keeps finding her way to one modern lackluster title after another until—burned by too many disappointing modern works—she decides to reacquaint herself with the works that have endured: Jane Austen, Jane Eyre Anna Karenina. (And thereby learning the timeless lesson that would serve me well in the years to come: if you're looking for a great book, going old is never a terrible idea.)

They ended up at the Old Corner Bookstore, which Brian had read about in a tour guide to Boston. "Longfellow and Hawthorne and Oliver Wendell Holmes used to read here. Let's go in." Brian nudged the girls until they obeyed. It was a regular bookstore, less history-minded than Brian had expected. In fact, the local history shelves were quite mangeable. I'll buy one book, he thought. This will get me launched in actual reading. Out of the zillions of choices, I'll find one here. Brian picked out Paul Revere and the World He Lived In. It was thick and somehow exciting, with its chapter headings and scholarly notes and bibliography.

I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter I love otter Under a muskrat: I love muskrat Beaver: I love beaver

I've always found old bookstores exciting. Whenever I'm in a city that's new to me, I immedicately look through the telephone directory for BOOKS, USED AND RARE. Book dealers send me their catalogs, and I read them as carefully as I would a letter from an old friend, never knowing what treasure I might find. Sometimes the catalogs contain printed material other than books, such as old photographs, newspapers, pamphlets, postcards, and letters.

The bookstore had no musty ‘old books’ smell, and instead it had a nice oaky aroma, similar to the way Laurence imagined the whiskey casks would be before you put Scotch into them for ageing. This was a place where you would age well.

Books are my treasures—the best that I’ve got.” Books are like rivers that flow through my head. Books are like roads,” she just might have said. “Roads that connect my old self to my new. Unlocking our hearts to what’s noble and true.

I am old-fashioned. I believe that one should have a personal doctor, a dentist, a hairdresser, and, of course, a trusted bookstore. I wouldn't think of buying books at random, without my bookseller's recommendation, no matter how good the reviews may be.

He was a religious kid, and the goldsmith's trade turned him off. He spent all day melting old baubles down to make new ones - and he knew his own work was going to suffer the same fate. Everything he believed told him: This is not important. There is no gold in the city of God.

I have hopes and dreams for my kids, as parents do. I hope they’ll live right and live well, find love and fulfilling work, and not endure too much heartbreak on the way. And I also, specifically, hope that one day—when they’re old enough to choose for themselves, apart from me—they’ll discover that they too are book people. One day, not as far off as I would like, they’ll head to the bookstore with friends, or on a date, or on a quiet weekend afternoon to spend a pleasant hour by themselves. Not out of habit or duty, but because reading is part of who they are. It’s in their blood. They’re book people.

In a world of digital resources at your fingertips, it is easy to forget about good old-fashioned libraries and books, but printed books have provided me with many pieces of valuable information that were never found online. Never underestimate the power of a real book or a real map and many thanks go out to anyone who works at a library or bookstore.

From then on he would make two or three trips a week to similar premises – bookstores, crystal shops, candle parlours, short-let niche operations selling a mix of pop-cultural memorabilia and truther merchandise from two or three generations ago – which had flourished along the abandoned high streets of the post-2007 austerity, run by a network of shabby voters hoping to take advantage of tumbling rents. Their real obsession lay in the idea of commerce as a kind of politics, expression of a fundamental theology. They had bought the rhetoric without having the talent or the backing. The internet was killing them. The speed of things was killing them. They were like old-fashioned commercial travellers, fading away in bars and single rooms, exchanging order books on windy corners as if it was still 1981 – denizens of futures that failed to take, whole worlds that never got past the economic turbulence and out into clear air, men and women in cheap business clothes washed up on rail platforms, weak-eyed with the brief energy of the defeated, exchanging obsolete tradecraft like Thatcherite spies.

Employment in the Small Bookstore" Twelve Poems, 1975 The dust is almost motionless in this narrowness, this stillness, yet how unlike a coffin it is, sometimes letting a live one in, sometimes out and the air, though paused, impends not a thing, the silence isn't sinister, and in fact not much goes on at the Ariel Book Shop today, no one weeps in the back room full of books, old books, no one is tearing the books to shreds, in fact I am merely sitting here talking to no one, no one being here, and I am blameless, More, I am grateful for the job, I am fond of the books and touch them, I am grateful that King St. goes down to the river, and that the rain is lovely, the afternoon green. If the soft falling away of the afternoon is all there is, it is nearly enough, just let me hear the beautiful clear voice of a woman in song passing toward silence, and then that will be all for me at five o'clock I will walk down to see the untended sailing yachts of the Potomac bobbing hopelessly in another silence, the small silence that gets to be a long one when the past stops talking to you because it is dead, and still you listen, hearing just the tiny agonies of old boats on a cloudy day, in cloudy water. Talk to it. Men are talking to it by Cape Charles, for them it's the same silence with fishing lines in their hands. We are all looking at the river bearing the wreckage so far away. We wonder how the river ever came to be so grey, and think that once there were some very big doings on this river, and now that is all over.

What motivates Olympic athletes to train for years for one event—in some cases, for just seconds of actual competition? It’s the same thing that kept my friend Pete nosing around old bookstores for years. It’s the same thing that makes a person venture out of a comfortable job to start a new business. We see it in the artist who spends day after day in a studio chipping away at a block of stone. Look closely and you’ll find it in the shopper who passes up the good deal in search of the best deal. It’s one of the things that makes us most human. We consciously pursue what we value. It’s not simply a matter of being driven by biology or genetics or environmental conditioning to satisfy instinctive cravings. Rather, we perceive something, prize it at a certain value, then pursue it according to that assigned value because we were created that way. This ability to perceive, prize, and pursue is part of our essential humanness, and it’s the essence of ambition.

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They passed a gas station, several old storefronts with plate-glass windows, a diner, a funeral parlor, a movie theater turned into a bookstore, and an eighteenth-century sea captain’s mansion, complete with widow’s walk. A sign out front identified it as the Exmouth Historical Society and Museum.

Frankie had used one (reverently) to wipe his eyes.This specimen was old and soft,monogrammed with a J in the corner. "Makes it interesting," he told me once, after finding a box monogrammed with M for fifty cents at a sidewalk sale. "Was it Max or Michael? Maybe Marco..." "Here," he said now. "You have lipstick halfway down to your chin." Humiliated, I scrubbed at my face. Frankie held out his hand, palm up. "Okay,let's have it." I pulled the tube out of my pocket. "Not really my thing, madam, but since I've seen what happens when you don't use a mirror..." I'm sure it helped that he was holding my face, but he read it like a pro. "You had a mirror." "I did.I'm hopeless." "Maybe.Open." He squinted as he filled in my upper lip. "I don't like this." "The color? I knew it was too pink-" "Quiet.You'll smear it.The color is fine. Better for Sienna, I'm sure..." He surveyed his handiwork. "I don't like that you're doing this for him." "Don't start. I told you how nice he was." "In excruciating detail." Given, the post-Bainbridge family dinner e-mail to Frankie and Sadie had been long. But excrutiating stung, especially from the boy who'd used every possible synonym for hot in describing his Friday-night bookstore acquisition. No name, just detailed hotness and the play-by-play of their flirtation over the fantasy section.

I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.

Just down the street from his apartment, Allen discovered the perfect independent bookstore. It was the first in the country to sell nothing but paperbacks. Until that time, cheap paperback books were not sold in “real” bookstores, but instead were relegated to spinning racks in drugstores and bus stations. They were usually stocked without any regard for the quality of the literature, and finding a good book was hit or miss. This particular bookstore had been founded in 1953 by Peter Martin, the publisher of a little magazine christened City Lights in honor of the Charlie Chaplin film of the same name. Martin had decided to open a store to subsidize the magazine, and while he was putting the sign over the door, a thirty-four-year-old man passed by and struck up a conversation.

According to a 2010 study, almost three hundred million Americans used one of the country's 17, 078 public libraries and bookmobiles in the course of the year. In another study, over ninety percent of those surveyed said closing their local library would hurt their communities. Public libraries in the United States outnumber McDonald's; they outnumber retail bookstores two to one. In many towns, the library is the only place you can browse through physical books. Libraries are old-fashioned, but they are growing more popular with people under thirty. This younger generation uses libraries in greater numbers than older Americans do, and even though they grew up in a streaming, digital world, almost two thirds of them believe that there is important material in libraries that is not available on the Internet.

The parents of some fellow students in the gifted and talented class owned a bookstore, and when he was about eleven they gave him a copy of J.R.R. Tolkien's trilogy, The Lord of the Rings. He read it all in the space of a couple of days, and immediately read it again. Then he brought the book to the public library and told the woman at the desk, „I want other books like this”. She gave him a handful of fantasy novels. He brought them back. „No, this isn't it.” That went on for a time, until finally one day the librarian – no doubt with some misgivings; the boy was only eleven years old – handed him a copy of War and Peace. „This is it!” he told the librarian about a week later. „This is just like Lord of the Rings!” Years afterward he'd say, „I mean, what could be more religious than Lord of the Rings or War and Peace?

Or maybe just apologize, Barrons, for being too young to have my priorities refined, like you, because I haven’t suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can’t breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me--pink me!—shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I’d never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel. It wasn’t what guys make girls feel, dreams of a future with babies and picket fences, but frantic, hard, raw loss of self, like you can’t live without that man inside you, around you, with you all the time, and it only matters what he thinks of you, the rest of the world can go to hell, and even then I knew you could change me!

I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin

A lot of us don’t see ourselves in our bookshelves, our libraries, or our bookstores. Our bookshelves tend to be disproportionately white and disproportionately male and do not represent who we are in this country or who we are becoming. Long histories of bias, racism, and exclusion created and perpetuate these dismal inequalities. And none of this will change unless we work actively, mindfully, and collectively to dismantle the often-obscure structures of power that exist both within us and without. Our bookshelves need to look like the future and not the past; they should be brimming with writers of color, women of color writers, indigenous writers, immigrant writers, women writers, LGBTQIA writers. If the Law of the Old Bookshelf was cruel exclusion, the Law of the New Bookshelf should be Radical Joyous Inclusion. This is what we mean when we say “decolonize our bookshelves.” The only thing decolonizing seeks to exclude are the forces, systems and habits that have excluded so many of us for so long—forces, systems and habits that continue to have too much power in this world, and in our hearts.

Yorick's Used and Rare Books had a small storefront on Channing but a deep interior shaded by tall bookcases crammed with history, poetry, theology, antiquated anthologies. There was no open wall space to hang the framed prints for sale, so Hogarth's scenes of lust, pride, and debauchery leaned rakishly against piles of novels, folk tales, and literary theory. In the back room these piles were so tall and dusty that they took on a geological air, rising like stalagmites. Jess often felt her workplace was a secret mine or quarry where she could pry crystals from crevices and sweep precious jewels straight off the floor. As she tended crowded shelves, she opened one volume and then another, turning pages on the history of gardens, perusing Edna St. Vincent Millay: "We were very tired, were very merry, / We had gone back and forth all night on the ferry..." dipping into Gibbon: "The decline of Rome was the natural and inevitable effect of immoderate greatness. Prosperity ripened the principle of decay..." and old translations of Grimm's Fairy Tales: "They walked the whole day over meadows, fields, and stony places. And when it rained, the little sister said, 'Heaven and our hearts are weeping together...

You act like a normal human and you’ll win an Oscar,” Marco said. He led the way up to his house and opened the door. “Okay, look, you wait right there by that table. Don’t go anywhere. If my dad comes in and talks to you, just say ‘yes’ and ‘no.’ Got it? Yes and no answers only. I’ll run up to my room. I’m gonna call one of the others to meet us at the bookstore. You’re already driving me nuts.” I stood by the table. There was a primitive computer on the table. It even had a solid, two-dimensional screen. And a keyboard! An actual keyboard. I touched the keyboard. It was amazing. Andalite computers once had keyboards, too. Although ours were very different. And it had been centuries since we’d used them. On the screen of the computer was a game. The object of the game was to spot the errors in a primitive symbolic language and correct them. Of course, before I could play I had to make sense of the system. But that was simple enough. Once I understood the system, it was easy to spot the errors. I quickly rewrote it to make sense out of it. I said to myself. “Hello?” I turned around. It was an older human. He was paler than Marco, but other features were similar. Marco had warned me to say nothing to his father but “yes” and “no.” “No,” I said to Marco’s father. “I’m Marco’s dad. Are you a friend of his?” “Yes.” “What’s your name?” “No,” I answered. “Your name is ‘No’?” “Yes.” “That’s an unusual name, isn’t it?” “No.” “It’s not?” “Yes.” “Yes, it’s not an unusual name?” “No.” “Now I’m totally confused.” “Yes.” Marco’s father stared at me. Then, in a loud voice, he yelled, “Hey, Marco? Marco? Would you . . . um . . . your friend is here. Your friend ‘No’ is here.” “No,” I said. “Yes, that’s what I said.” Marco came running down the stairs. “Whoa!” he cried. “Um, Dad! You met my friend?” “No?” Marco’s father said. “What?” Marco asked. Marco’s father shook his head. “I must be getting old. I don’t understand you kids.” “Yes,” I offered.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

Dear KDP Author, Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year. With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. Well… history doesn’t repeat itself, but it does rhyme. Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive. Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers. The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books. Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive. Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.

He pulled on a coat and walked down the flight of stairs from the head house into the distribution floor. Then he walked to the far end to the east. This was the top floor of the grain elevator. He passed eighteen of the great bins–six on one side and twelve on the other, closed up with their huge twenty-foot concrete covers. At the end of the building, the ninety-year-old windows faced the coming night. Out there in the gloaming he could see orange needles standing against the dark reflecting the sunset. These spires luminescing in last light were other grain elevators, dotted across Texas down the rail line–all except one. The exception was a cross shrouded in farmer tin. Its owners billed it as the biggest cross in the world, and it anchored a truck stop and religious bookstore to the Interstate Highway.

disparity between Louie and Woody is most pronounced. In Woody Allen comedies, the Woody protagonist or surrogate takes it upon himself to tutor the young women in his wayward orbit and furnish their cultural education, telling them which books to read (in Annie Hall’s bookstore scene, Allen’s Alvy wants Annie to occupy her mind with Death and Western Thought and The Denial of Death—“You know, instead of that cat book”), which classic films to imbibe at the revival houses back when Manhattan still had a rich cluster of them. In Crimes and Misdemeanors, it’s a 14-year-old female niece who dresses like a junior-miss version of Annie Hall whom Woody’s Clifford squires to afternoon showings at the finer flea pits, advising her to play deaf for the remaining years of her formal schooling. “Don’t listen to what your teachers tell ya, you know. Don’t pay attention. Just, just see what they look like, and that’s how you’ll know what life is really gonna be like.” A more dubious nugget of avuncular wisdom would be hard to imagine, and it isn’t just the Woody stand-in who does the uncle-daddy-mentor-knows-best bit for the benefit of receptive minds in ripe containers. In Hannah and Her Sisters, Max von Sydow’s dour painter-philosophe Frederick is the Old World “mansplainer” of all time, holding court in a SoHo loft which he shares with his lover, Lee, played by Barbara Hershey, whose sweaters abound with abundance. When Lee groans with enough-already exasperation when Frederick begins droning on about an Auschwitz documentary—“You missed a very dull TV show on Auschwitz.

As the old curator walked bow-backed down the High Street towards his small museum, he looked sadly up at the growing number of estate agent signs and narrowed his eyes; everything seemed to be changing. There were no market days anymore. The big supermarkets in Weymouth and Swanage had long since starved out the butcher, baker and greengrocer, while online shopping had comprehensively killed off the antique shop and the second-hand bookstore. The young families had all drifted off to Dorchester and Bournemouth in search of employment and homes in which you could stand upright. Langton Hadlow had begun to die. The

In the days leading up to the war with Germany, the British government commissioned a series of posters. The idea was to capture encouraging slogans on paper and distribute them about the country. Capital letters in a distinct typeface were used, and a simple two-color format was selected. The only graphic was the crown of King George VI. The first poster was distributed in September of 1939: YOUR COURAGE YOUR CHEERFULNESS YOUR RESOLUTION WILL BRING US VICTORY Soon thereafter a second poster was produced: FREEDOM IS IN PERIL DEFEND IT WITH ALL YOUR MIGHT These two posters appeared up and down the British countryside. On railroad platforms and in pubs, stores, and restaurants. They were everywhere. A third poster was created yet never distributed. More than 2.5 million copies were printed yet never seen until nearly sixty years later when a bookstore owner in northeast England discovered one in a box of old books he had purchased at an auction. It read: KEEP CALM AND CARRY ON The poster bore the same crown and style of the first two posters. It was never released to the public, however, but was held in reserve for an extreme crisis, such as invasion by Germany. The bookstore owner framed it and hung it on the wall. It became so popular that the bookstore began producing identical images of the original design on coffee mugs, postcards, and posters. Everyone, it seems, appreciated the reminder from another generation to keep calm and carry on.1

And now the First Wizard claimed it carried no real power at all? “Magic is not the only power in this world,” the old mage said gently, handing the horn back to its royal owner. “Griffo made an instrument so perfect that even the dead must rise to hear its call. He made it with his hands, without spells or dragon-songs. I wish that I could do the same.” With

The Jewish bookstore in Borough Park sells books that Zeidy doesn’t approve of. He likes me to read in Yiddish, gaudily illustrated tales of legendary tzaddikim, who perform predictable miracles through prayer and exercises in faith, whose stories spill abruptly out over the length of twenty or so pages of monotonous language. He brings home Yiddish weeklies, periodicals depicting news mined from old journals and encyclopedias, outdated essays on midcentury politics or Jewish cantorial music. I know there are other works written in Yiddish, but they are banned. In fact there is a whole world of Yiddish literature I will never be allowed to read. Sholem Aleichem is forbidden in this house; he was an apikores, a so-called liberated Jew. Satmar people do not read anything written by liberated Jews, even if it is written in the holy language of Yiddish.

When I arrived in San Francisco, there was no way to find the Castro on any map. People were forever calling the bookstore for directions to the neighborhood. In my group there was the sense that we were a wave arriving on the West Coast from the East: postcollegiate youngsters seeking and finding a paradise of cheap apartments and thrift stores bursting with the old athletic T-shirts and jeans and flannel shirts we all prixed. I remember when I put the empty clothes together with the empty apartments, on an ordinary sunny afternoon walking down the sidewalk to work: there on a blanket stood a pari of black leather steel-toed boots, twelve-hole lace-ups. They gleamed, freshly polished, in the light of the morning. As I approached them, feeling the pull of the hill, I drew up short to examine the rest of the sidewalk sale. Some old albums, Queen and Sylvester; three pairs of jeans; two leather wristbands; a box of old T-shirts; a worn watch, the hands still moving; a pressed-leather belt, west style; and cowboy boots, the same size as the steel-toes. I tried the steel-toes on and took a long look at the salesman as I stood up, feelign that they were exactly my size. This man was thin, thin in a way that was immediately familiar. Hollowing from the inside out. His skin reddened, and his brown eyes looked over me as if lighting might fall on me out of that clear afternoon sky. And I knew then, as I paid twenty dollars for the boots, that they'd been recently emptied. That he was watching me walk off in the shoes of the newly dead. And that all of this had been happening for some time now.

They were now in the Italian section of the city, which Kaira said was called North Beach, but he didn’t see any sand or water. The streets were lined with Italian restaurants, cafés, bookstores, and other small shops. One shop sold nothing but old postcards. “It’s not a beach,” Kaira explained. “It’s just called that.” “Kind of like Camp Green Lake,” said Armpit.

voice. “Oh, it’s you.” The voice belonged to Mikamé, who seemed quite unconcerned about Ibuki’s disappointment. “What kind of a greeting is that? Listen, I found something in a bookstore near the hospital that I want you to see.” “More of your pornography?” “Wrong. It’s a reprint from an old edition of Clear Stream. Prewar. An essay by Mieko Toganō called ‘An Account of the Shrine in the Fields.’ Did you ever read it?” “Hmm, no. The Shrine in the Fields…isn’t that the place that comes up in The Tale of Genji in connection with the Rokujō lady?

I asked them, when I was younger, why they named a bookstore an attic when it’s not an attic but a bookstore. They said, ‘Because, like an old dusty attic, you never know what you’re going to find. It might be something magical.

In a song of an old musician, I see the dream of the first Antiquarian in my dusty bookstore.

The Golden Horn of Griffo is finely wrought," Zenodotus said, tracing his finger along the curve of Telemach's treasure. "And the magic is in its making alone. Do you understand? There is no sorcery here..." “Magic is not the only power in this world,” the old mage said gently, handing the horn back to its royal owner. “Griffo made an instrument so perfect that even the dead must rise to hear its call. He made it with his hands, without spells or dragon-songs. I wish that I could do the same.

Her eyes popped open in time to see flames shoot up behind the first-floor windows of Angie's Books. Angie! Where was Angie? Where were her children? The bookstore owner lived in the apartment above her shop with sixteen-year-old Beth and twelve-year-old Bradley. The Moosetookalook Fire Department was located right next door, housed in part of the town's redbrick municipal building. The overhead door had already been raised. As Liss watched, unable to move, unable to look away, the truck pulled out, maneuvering so that it could get closer to the burning building.

When she opened the door, the happy ringing of the silver bell above her head and the smell of old books welcomed her like a hug. Who didn’t love the smell of an old bookstore?

What if you got a divorce and lived alone with your daughter?” I asked. Rie eyed me momentarily before returning to her fingers. “No way. How could I afford to pay rent? Go back to working part-time at a bookstore?” “It would be tough, but you should really think about it.” “It’s literally impossible.” Rie looked at me. “Things were hard enough when both of us were working. There’s no way I could do it on my own, no way.” “It’d be really hard, but you could get help. Child support and all that. Plenty of people—” “Those people have jobs,” she interrupted. “Real jobs. If you have a career, you have some degree of security. But you need to have a jobs, or family money, or someplace you can always run back home to. I’ve got none of that. I don’t have any qualifications or skills . . . I quit my job. And good riddance. Working that hard for 1000 yen an hour. They’d rather give those shifts to some eighteen-year-old kid anyway. There’s nothing out there for a good-for-nothing single mother, going on forty, with no real work experience. You can’t raise a child like that. It isn’t possible.

While the screens flash and blur down below, a team of Googlers wanders through the fellowship—young people with clipboards and friendly faces, asking questions like: When were you born? Where do you live? What’s your cholesterol? I wonder who they are. “They’re from Google Forever,” Kat says, a bit sheepishly. “Interns. I mean, it’s a good opportunity. Some of these people are so old and still so healthy.” Lapin is describing her work at Pacific Bell to a Googler holding a skinny video camera. Tyndall is spitting into a plastic vial.

Now that San Francisco's real estate market had exploded in value, this ramshackle old structure was probably one of the most desired addresses in the neighborhood. With its historic charm and detail, the Sunrose Building, as it was called, was undoubtedly candy corn for real estate developers. The name of the building apparently came from a detail at the roofline---a winking sun. The bookstore's sign and logo incorporated the image. The shop's signature bookmark, printed on the old letterpress and given out with every purchase, bore the image with the slogan An Eye For Good Books.

My life was like a dusty shelf in an old bookstore, where every volume was exactly where it had been for ages, the only discernible change being that my body has aged another ten years.

You can find new ideas in old bookstores as most old books are not sold in new bookstores!

Ari shot Hunter an amused look. “Really? Have we reverted to second grade humor?”  “I’ll have you know, I was a fucking hilarious seven-year-old.”  “You still are.” Killian laughed and paused in front of the bookstore.

The old antiquarian bookstore was a sliver amongst the larger pastel-coloured shops on the leafy Parisian street of Rue Cardinet. It was called Librairie d'antiquites de Geroux but was, nonetheless, as much a part of the Batignolles village as the Saturday farmers' market, the square, or the tourists retracing the steps of impressionist painter Alfred Sisley. The only other building that seemed as much a part of the furniture was the abandoned restaurant on the corner, like one of those unfortunate heirloom pieces that tends to clash with everything. Most people believed it to be cursed or haunted as a result of what had happened there during the Occupation, when the former owner had poisoned all of her customers one night. A fact that had turned to legend over the intervening years

I take a breath, indulging in that distinct book smell. There's only one thing I love more than the smell of fresh-baked bread and that's the smell of books. Max's store is a combination of used and new books, and I find the scent intoxicating. There's something about the aroma of paper at every possible stage for a book: brand new, hot off the printing press, decades old, covered in dust and moisture. Yeah, it's probably a little weird. But I don't care. To me, it's divine.

Over the last decade, entire neighbourhoods have lost their identity to the ever-growing clothing retail market. Since my first visit to the Marais quarter of Paris in 2003, I have seen the area shift from a charming, off-beat district featuring a mix of up-and-coming designers, traditional ateliers, bookstores and boulangeries to what amounts to an open-air shopping mall dominated by international brands. In the last five years, an antique shop has been replaced by a chic clothing store and the last neighbourhood supermarket transformed into a threestorey flagship of one of the clothing giants. The old quarter is now only faintly visible, like writing on a medieval palimpsest: overhanging the gleaming sign of a sleek clothes shop, on a faded ceramic fascia board, is written ‘BOULANGERIE’. In economically developed countries, people’s motivations for spending money have long since shifted from needs to desires. There’s no denying we need places to live in, food to nourish us and clothes to dress ourselves in, and, while we’re at it, we might as well do these things with a certain degree of refinement to help make life as pleasurable as possible. But when did the clothing industry turn into little more than a cash machine whose main purpose seems to be its own never-ending growth? Just as clothing retail shops are sucking the identity out of entire neighbourhoods, so that the architecture becomes little more than a backdrop for their products, the production of the garments they sell is eating away at the Earth’s resources and the life of the workers who are producing them. Fashion has become the second most polluting industry in the world. And with what result? Our wardrobes are cluttered with so many clothes that the mere sight of them becomes overwhelming, yet at the same time we feel a constant craving for the next purchase that will transform our look.

Where is human nature so weak as in a bookstore? —Henry Ward Beecher

It was an old habit: the first stop in any new town was always either the bookstore or the library.

A beautiful woman with a love for old books which rivals my own? Why wouldn’t I be looking at you?

Where is human nature so weak as in a bookstore?

Where is human nature so weak as in the bookstore!

At first each bookstore felt magical. Not the kind of magic Esther had grown up with but the kind she'd read about in novels, the kind that was all possibility, the chance that with one right turn in the forest or one fate- ful conversation with an old woman a person's life might change forever. She would enter a store and take in the march of spines lined up on the shelves, the dust motes glittering in the sun, the mouthwatering smell of paper and cardboard and glue and words, and think, this is it. Every time. It never was.

I’m Declan, and I have a love for older books and manuscripts. I enjoy finding old and worn treasures which haven’t been touched in years and restoring them to life. And, I happen to enjoy reading the pages within, although I will admit I have not read every book within my collection, because, as you mentioned, collecting books and reading books are two separate hobbies. And, while I will admit that I first entered this shop in search of treasures from a recent estate sale, I find the company in front of me much more interesting than anything on these shelves.

As a collector he was careful, too, and much of his collection was acquired at reasonable prices, because not many people were interested, at that time, in his field. He really knew about everything he bid for at auctions or acquired after spending hours in old bookstores or print shops. His interest was in the American Navy and he collected books and letters and prints and models of ships. The collection was fairly sizable and interesting when he went to Washington as assistant secretary of the navy, but those years in the Navy Department gave him great opportunity to add to it. He was offered and acquired an entire trunkful of letters which included the love letters of one of our early naval officers. He also acquired a letter written by a captain to his wife describing receipt of the news of George Washington’s death and his subsequent action on passing Mount Vernon. He is said to have instituted a custom which every navy ship has followed from that day to this, and which varies only according to the personnel carried by the ship. All the ships lower the flag to half mast, man the rail, toll the bell and, if a bugler is on board, blow taps.

Giving a nod to the old woman, Declan turned to walk along the rows of shelves, making his way away from the front. Most books were typically organized by genre or focus, but books which were newly arrived were kept separate, waiting to be sorted, but also so that collectors such as himself could easily focus on things they had not yet seen. It was an area which most ignored, given that the resale of books did not seem too popular anymore, with so many using the electronic devices to read. It meant he was often alone, which suited him fine. He preferred the companionship of books above all others. A good trait for a vampire.

Book lovers have strong feelings about bookish scents; some of us get poetic about the distinctive smell of freshly inked paper, or old cloth-covered hardcovers, or a used bookstore. I’ve never cared for the smell of used bookstores myself, but as a devoted reader, I’ve noticed how the books themselves serve as portals to my past, conjuring similarly powerful memories. There’s

One: the old earth gods got revenge somehow and did something to make the Fae turn on themselves. Good for the old earth gods, Barrons enthuses, dark eyes gleaming. I cut him a look. One, I’m their queen, remember. I’m responsible for them, and we still don’t know where my mother is. Two, someone got the Unseelie king’s power— Although the king abdicated power, he still has not chosen a successor. That power roams, undecided, watching. You didn’t tell me that. How do you know? It lurks in the bookstore on occasion. Watching him. Of course it would. The mural on the ceiling of Barrons Books & Baubles that I could never see clearly until a few years ago, mortal-time: Barrons

I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC.

As pornography flourished, it became part of the changing view of sexuality. Sex was no longer tied, with a nooselike knot, to procreation, marriage, or romance. Pornography presented a kaleidoscope of sexual possibilities: as pleasure, with a stranger, as self-exploration, as power, with groups or with another woman... The old stereotypes of pornography began to fade away. The caricature of the type of person who enjoyed pornography e.g., dirty old men and nervous perverts-was superseded by the sight of millions of people subscribing to Playboy. Couples viewed pornography together; explicit sex manuals, such as The Joy of Sex, became best sellers, which were prominently stocked by mainstream bookstores.

They turned the old bookstore into a bar. Can you believe that shit?