Ok Ko Quotes

Ok lang ako.. Hinde madaling kalimutan ka.. wag kang mag alala.. sususbukan ko.. gagawin ko lahat ng makakaya ko para lang makalimutan kita..

Sve uspomene sa kaputa stresi, samo budi to što jesi, tu gde si, šta god da se desi ti budi ok. I nikad ne saznaj kako to boli kad nekoga voliš, a mrziš; kad mrziš, a voliš i lomiš se da izdrziš. Ostaje nada da ce nekad negde neko hteti da shvati mene, moja lutanja, maštanja i sanjanja, i znati da ih prati. I ko zna, možda jednom nađeš me - tamo gde prestajem ja gde počinješ ti, gde stali smo mi, gde sada su drugi. Ali srešćeš samo stranca, slučajnog prolaznika i pogled leden, iako te je taj neznanac nekada voleo više od sebe. (Jedan)

We can wrestle sometimes and see who is OK and who is KO.

is possible, too, that OK has its origins in the Wolof waw kay. That said, the expression has also been claimed as Greek, Finnish, Gaelic, Choctaw and French; as an abbreviation of the faintly humorous misspelling Orl Korrect or of Obediah Kelly, the name of a freight agent who initialled documents he’d checked; and as an inversion of the boxing term KO (knock-out), used because a boxer who hadn’t been knocked out was considered to be … well, OK.

I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.

Kahit ano pang sabihin mo, nandito pa rin ako para sayo. Kahit na di ka naniniwala na gagawin ko lahat para sayo, ok lang. Kahit na sabihin mong natatakot kang baka di ko kayang maghintay at baka nahihirapan na ako, ok lang. Pero alam mo madali lang namang maghintay e, ang higit na kinakatakot ko ay ang mawala ka sa buhay ko. · Kamusta ka na? Balita ko wala na kayo? Balita ko malungkot at masamang-masama ang loob mo? Ang sakit diba? Pero buti nga sayo! E di naramdaman mo rin ang naramdaman ko nung ako ang iniwan mo. · Balita ko mahal mo pa sha? Totoo ba? Ouch! Sensha ka na ha? Mahal kasi kita. Pero kapag ayaw na niya sayo, nandito lang ako. Kahit panakip-butas lang, ok na. Kahit masaktan pa ako, wag lang ikaw.

Naaalala ko rin na kapag di ko nakikita ang tatay mo, para akong pumupusag-pusag na isda. Hindi ako makahinga, siya ang aking dagat. At ang pagtatangi ko sa kanya ay kasinlawak din ng karagatan. Alam konhg siya na dahil kung ako ay magnanakaw ng kambing, siya ang aking pipiliing makasama. Isipin mong mabuti. Magnanakaw ng kambing. Sino ang baliw na sasamahan ako kahit sa gawaing-kawatan na ito? Ang tatay mo. At naimadyin ko na bawat hakbang ay puno ng katatawanan, hanggang mahuli na lang kami ng pulis o di kaya ay umuwing bigo. Pero OK lang, kasi kasama ko ang iyong tatay.

Naaalala ko rin na kapag di ko nakikita ang tatay mo, para akong pumupusag-pusag na isda. Hindi ako makahinga, siya ang aking dagat. At ang pagtatangi ko sa kanya ay kasinlawak din ng karagatan. Alam kong siya na dahil kung ako ay magnanakaw ng kambing, siya ang aking pipiliing makasama. Isipin mong mabuti. Magnanakaw ng kambing. Sino ang baliw na sasamahan ako kahit sa gawaing-kawatan na ito? Ang tatay mo. At naimadyin ko na bawat hakbang ay puno ng katatawanan, hanggang mahuli na lang kami ng pulis o di kaya ay umuwing bigo. Pero OK lang, kasi kasama ko ang iyong tatay.

According to Kezban Özcan, Leonard Cohen's assistant one of his favourite sayings was: ‘In this world, you have to be a bit too kind just to be kind enough.’ KO: I heard those words from him the first time but I think they belong to Pierre Carlet de Chamblain de Marivaux, a dramatist and novelist. [The quote comes from the 1730 Marivaux play, “Le Jeu de l’Amour et du Hasard.”] KO: After knowing him, kindness has a whole new meaning to me, and witnessing him perform kindnesses every single day is a very rare and beautiful thing. Also, I learned that it’s OK to take as long as you need to complete a task or anything else in the interest of excellence, even if that means missing deadlines, etc. He doesn’t rush anything or anyone. This is something I’m still learning this because I tend to move very fast because this kind of job requires you to be that way. But I’m unlearning this one.