The Moon Also Sets Quotes

Dad on Child-rearing: "There's no education superior to travel. Think of The Motorcycle Diaries, or what Montrose St. Millet wrote in Ages of Exploration: 'To be still is to be stupid. To be stupid is to die.' And so we shall live. Every Betsy sitting next to you in a classroom will only know Maple Street on which sits her boxy white house, inside of which whimper her boxy white parents. After your travels, you'll know Maple Street, sure, but also wilderness and ruins, carnivals and the moon. You'll know the man sitting on an apple crate outside a gas station in Cheerless, Texas, who lost his legs in Vietnam, the woman in the tollboth outside Dismal, Delaware, in possession of six children, a husband with black lung but no teeth. When a teacher asks the class to interpret Paradise Lost, no one will be able to grab your coattails, sweet, for you will be flying far, far out in front of them all. For them, you will be a speck somewhere above the horizon. And thus, when you're ultimately set loose upon the world..." He shrugged, his smile lazy as an old dog. "I suspect you'll have no choice but to go down in history.

I love you' means many things,' she said. 'It is like that sparrow.' She pointed to a tiny bird flying across the path of the setting sun into the pine trees. 'If love comes to us, we must let it land. But we must also be prepared to let it go.

I have established my throne in heaven, and my kingdom rules over all. The day is mine, and mine also the night; I established the sun and moon. I set all the boundaries of the earth; I made both summer and winter. The earth is mine, and everything in it, the world, and all who live in it. All things are from me and through me and to me.

What can it matter to you? You just drift along. You don't give a good godamm about the universal consequences that can flow from our most trifling acts, our most unforeseen thoughts . . . It's no skin off your ass . . . You're caulked . . . hermetically sealed . . . Nothing means anything to you . . . Am I right? Nothing. Eat! Drink! Sleep! Up there as cozy as you please . . . All warm and comfy on my couch . . . You've got everything you want . . . You wallow in well-being . . . the earth rolls on . . . How? Why? A staggering miracle . . . how it moves . . . the profound mystery of it . . . toward an infinite unforeseeable goal . . . in the sky all scintillating with comets . . . all unknown . . . from one rotation to the next . . . Each second is the culmination and also the prelude of an eternity of other miracles . . . of impenetrable wonders, thousands of them, Ferdinand! Millions! billions of trillions of years! . . . And you? What are you doing in the midst of this cosmologonic whirl? this vast sidereal wonder? Just tell me that! You eat! You fill your belly! You sleep! You don't give a damn . . . That's right! Salad! Swiss cheese! Sapience! Turnips! Everything! You wallow in your own muck! You'll loll around, befouled! Glutted! Satisfied! You don't ask for anything more! You pass through the stars . . . as if they were raindrops in May! . . . God, you amaze me, Ferdinand! Do you really think this can go on forever? . . ." I didn't say a word . . . I had no set opinion about the stars or the moon, but I had one about him, the bastard. And the stinker knew it.

Lots of people are born into lives that feel like a journey in the very middle of a big ship on familiar seas; they sit comfortably, crossing their legs, they know when the sun will rise and when the moon will wane, they have plans that they follow, they have a map! But then there are those of us, a few, who are born into lives that feel like standing at the very top of the ship's stern; we have to stand up, hold on tight for dear life, we never know when the waves will rock and we never know where the sun will set or when the moon will wane! Nothing follows the laws of common nature and we live in a wild, wild awakening and the only map we have is the map of the stars! We're called to see the lighting tear at the horizon, we're chosen to roar with the tempests, but we're also the first ones to see the suns rise, the first ones to watch the moons form anew! There is nothing ordinary, nothing at all. But neither are we! And we wouldn't want it any other way!

There needs to be an intersection of the set of people who wish to go, and the set of people who can afford to go...and that intersection of sets has to be enough to establish a self-sustaining civilisation. My rough guess is that for a half-million dollars, there are enough people that could afford to go and would want to go. But it’s not going to be a vacation jaunt. It’s going to be saving up all your money and selling all your stuff, like when people moved to the early American colonies...even at a million people you’re assuming an incredible amount of productivity per person, because you would need to recreate the entire industrial base on Mars. You would need to mine and refine all of these different materials, in a much more difficult environment than Earth. There would be no trees growing. There would be no oxygen or nitrogen that are just there. No oil.Excluding organic growth, if you could take 100 people at a time, you would need 10,000 trips to get to a million people. But you would also need a lot of cargo to support those people. In fact, your cargo to person ratio is going to be quite high. It would probably be 10 cargo trips for every human trip, so more like 100,000 trips. And we’re talking 100,000 trips of a giant spaceship...If we can establish a Mars colony, we can almost certainly colonise the whole Solar System, because we’ll have created a strong economic forcing function for the improvement of space travel. We’ll go to the moons of Jupiter, at least some of the outer ones for sure, and probably Titan on Saturn, and the asteroids. Once we have that forcing function, and an Earth-to-Mars economy, we’ll cover the whole Solar System. But the key is that we have to make the Mars thing work. If we’re going to have any chance of sending stuff to other star systems, we need to be laser-focused on becoming a multi-planet civilisation. That’s the next step.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.

Time for me had always been measured in terms of the rising sun, its setting sister, and the dependable cycle of the moon. but at sea, I learned that time can also be measured in terms of water, in terms of the distance traveled while drifting on it. When measured in this way, nearer and farther are the path of time's movement, not continuously forward along a fast straight line. When measured in this way, time loops and curlicues, and at any given moment it can spiral me away and then bring me rushing home again.

Amaranth" There are no starfish in the sky tonight, But there is one below your belly, And there are cold evenings in your eyes. If I could get to your house I would look under the bed of your childhood, The tongueless loafer without laces or eyes, The cave of your young foot With its odor of moon, its dampness Coming from underground, your shoe Which also bled and is now an island. You have to remember these are the memories Of a survivor, you have to remember. You could be looking for clay to haul away, Fill for the deep washouts of your love. All your old loves, they bled to death, too. Your hair is like a cemetery full of hands, Fingers in the moonlight. When you come down to the heart Bring your post-hole diggers and crowbar. Do not set a corner, a fence won’t last. Do not bury our first child there, Or set a post, Although I have tasted blood on the lips of a stranger, At night and in the rain.

Apophis the god of Chaos Anubis the god of funerals and death Babi the baboon god Bast the cat goddess Bes the dwarf god Disturber a god of judgement who works for Osiris Geb the earth god Gengen-Wer the goose god Hapi the god of the Nile Heket the frog goddess Horus the war god, son of Isis and Osiris Isis the goddess of magic, wife of her brother Osiris and mother of Horus Khepri the scarab god, Ra’s aspect in the morning Khonsu the moon god Mekhit minor lion goddess, married to Onuris Neith the hunting goddess Nekhbet the vulture goddess Nut the sky goddess Osiris the god of the Underworld, husband of Isis and father of Horus Ra the sun god, the god of order; also known as Amun-Ra Sekhmet the lion goddess Serqet the scorpion goddess Set the god of evil Shu the air god, great-grandfather of Anubis Sobek the crocodile god Tawaret the hippo goddess Thoth the god of knowledge

A pandemic paradoxically becomes an opportunity to finally be able to deal with ourselves, in a long interval where the world has stopped and everything around us starts to function at a slow pace. Shopping becomes a long and slow business, and if before we hated getting stuck in the traffic or queuing at the post office, today we can do nothing but adapt to this new world of expectations and shifts, and discover the faces of our fellow men, finally looking them in the face (or rather, in the eyes). We have rediscovered the pleasure of cooking and eating, a world that before the quarantine stopped only on TV with masterchef. If before we considered it a waste of time to cook a plate of pasta, now we have had all the time to devote to cakes, pizzas, biscuits and homemade bread as our grandmothers once did. Rediscovering genuine flavors that have little of "fast" and much of "slow". And so we also found time to read the book that we are not never managed to finish, or we pulled our favorite board game off the shelf. These small gestures, sometimes even insignificant in appearance, are rich in meaning, since they are imbued with our time, our dedication, our passion and our love. Characteristics of the human being that have been forgotten for too long. Thus we find ourselves reflecting on our time, on the past and on the future, observing a precipitous past that makes room for a rich and decidedly slower present. We have resumed the taste of walking slowly, to escape and symbolically get closer to its initiatory role ... the road teaches you that you fall, you get up, you go back, you make miraculous encounters and sometimes you are helped by Samaritans or, in cases worst, deceived by demons. But is always a discovery, going towards something new, a unique experience in which the mind is regenerated. Walking is rediscovered today as an existential alternative, as an opposition to speed, to displacement technologies, it is essentially a criticism of the dominant competitive spirit. We have given importance to windows and balconies, from where you can observe small corners of the world. Terraces from which to peer into the universe, to observe the rising sun, setting, to discover that in the sky there is a wonderful creature called the Moon, accompanied by billions of stars. We finally had a chat with our neighbors who are no longer perfect strangers, we made friends with boredom and, let's face it, we found that time, in general, is not just that marked by watches. Suddenly we found ourselves in the present time, immersed in the much-talked about Here and Now, but little frequented. This small temporal space that marks our life, which contains our ugliest and most beautiful experiences, which brings our youth with us and will bring our old age, becomes the protagonist of this pandemic, which if on the one hand has stuck, on the other it gave us the opportunity to look at our life with different eyes, which seemed to really need to stop for a moment to breathe. Because let's put it on our heads, slowness is not a waste of time, but awareness of one's life time!

God has not forgotten you. He will as readily order about the forces of the universe on your account as He did on Noah’s. His plans for Noah were also plans for the whole world through Noah. So they are for you. He will use you for the good of the whole world if you will let Him. SELECTED We may forget; God does not! God’s time is never wrong, Never too fast nor too slow; The planets move to its steady pace As the centuries come and go. Stars rise and set by that time, The punctual comets come back With never a second’s variance, From the round of their viewless track. Men space their years by the sun, And reckon their months by the moon, Which never arrive too late And never depart too soon. Let us set our clocks by God’s, And order our lives by His ways, And nothing can come and nothing can go Too soon or too late in our day. ANNIE JOHNSON FLINT “There are no dates in His fine leisure.

As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand. She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized. The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it. Shame ate into his gut. Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within. It wasn’t something Arin could bear to see. He returned to the oars and rowed. Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel. Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split. He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war. Of course he was certain that something was wrong. Impossible. It was impossible to love a Valorian and also love his people. Arin was the flaw.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.

ENTHUSIASM FOR CHRIST Therefore, get your minds ready for action, being self-disciplined, and set your hope completely on the grace to be brought to you at the revelation of Jesus Christ. As obedient children, do not be conformed to the desires of your former ignorance but, as the One who called you is holy, you also are to be holy in all your conduct. 1 Peter 1:13-15 HCSB John Wesley advised, “Catch on fire with enthusiasm and people will come for miles to watch you burn.” His words still ring true. When we fan the flames of enthusiasm for Christ, our faith serves as a beacon to others. Our world desperately needs faithful women who share the Good News of Jesus with joyful exuberance. Be such a woman. The world desperately needs your enthusiasm—and your testimony—now! We must go out and live among them, manifesting the gentle, loving spirit of our Lord. We need to make friends before we can hope to make converts. Lottie Moon One of the great needs in the church today is for every Christian to become enthusiastic about his faith in Jesus Christ. Billy Graham A TIMELY TIP If you become excited about life . . . life will become an exciting adventure.

MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.

One of the things that I’ve always felt missing from funerals and services is the voice of the man or woman who was the deceased’s partner in life. I’ve always wanted to hear from the person who’d loved them more than anyone. Biblically, the two become one flesh--the spouse is their other half. It has always seemed to me that his or her voice was critical to truly understanding who the deceased was in life. I also felt that American Sniper had told only part of Chris’s story--an angry part in much of it. There was so much more to him that I wanted the world to know. People said Chris was blessed that I hung in there during his service to our country; in fact, I was the one who was blessed. I wanted everyone to hear me say that. Beforehand, a friend suggested I have a backup in case I couldn’t finish reading my speech--a “highway option,” as Chris used to call it: the way out if things didn’t go as planned. I refused. I didn’t want a way out. It wasn’t supposed to be easy. Knowing that I had to go through with it, that I had to finish--that was my motivator. That was my guarantee that I would finish, that I would keep moving into the future, as painful as it surely would be. When you think you cannot do something, think again. Chris always said, “The body will do whatever the mind tells it to.” I am counting on that now. I stand before you a broken woman, but I am now and always will be the wife of a man who is a warrior both on the battlefield and off. Some people along the way told Chris that through it all, he was lucky I stayed with him. I am standing before you now to set the record straight. Remember this: I am the one who is literally, in every sense of the word, blessed that Chris stayed with me. I feel compelled to tell you that I am not a fan of people romanticizing their loved ones in death. I don’t need to romanticize Chris, because our reality is messy, passionate, full of every extreme emotion known to man, including fear, compassion, anger, pain, laughing so hard we doubled over and hugged it out, laughing when we were irritated with each other and laughing when we were so in love it felt like someone hung the moon for only us… I looked at the kids as I neared the end, talking to them and only them. Tears ran from their faces. Bubba’s head hung down. It broke my heart. I kept reading. Then I was done.

Force fields are directional. The gravitational field is a force field and forces are directional. In the case of gravity, the direction of the force is toward the object that created the field. What, you may then ask, happens when there are several gravitational fields set up by several objects? For example, the gravitational field at the surface of the earth also contains component fields arising from the moon and the sun. The answer is that the various fields combine to give a net gravitational field, but they don't add numerically; each field has its own direction, and the directions must be taken into account. Thus there is a point between the earth and the moon where the two gravitational fields, being in opposite directions, cancel each other out. When a moon rocket is fired, it must have enough power to reach that point or else it will fall back to the earth. Beyond that point it will be pulled toward the moon. This compounding of forces also causes the tides as the water in oceans and seas is pulled toward the sun and moon. Even though those tugs are imperceptible to us, they create a variety of tides, such as neap and ebb tides, depending on the positions of the sun and moon.

I don’t think we can separate the art from the artist, nor should we need to. I think we can look at a piece of art as the transformed or redeemed aspect of an artist, and marvel at the miraculous journey that the work of art has taken to arrive at the better part of the artist’s nature. Perhaps beauty can be measured by the distance it has travelled to come into being. That bad people make good art is a cause for hope. To be human is to transgress, of that we can be sure, yet we all have the opportunity for redemption, to rise above the more lamentable parts of our nature, to do good in spite of ourselves, to make beauty from the unbeautiful, and to have the courage to present our better selves to the world. The moon is high and yellow in the sky outside my window. It is a display of sublime beauty. It is also a cry for mercy — that this world is worth saving. Mostly, though, it is a defiant articulation of hope that, despite the state of the world, the moon continues to shine. Hope too resides in a gesture of kindness from one broken individual to another or, indeed, we can find it in a work of art that comes from the hand of a wrongdoer. These expressions of transcendence, of betterment, remind us that there is good in most things, rarely only evil. Once we awaken to this fact, we begin to see goodness everywhere, and this can go some way in setting right the current narrative that humans are shit and the world is fucked.

There was Brunhilde, a star shining high above the hillside behind her, dark, rippling hair hanging below her waist, standing in full command, spear in hand. Constance could not help thinking the star so large and bright might have shone over Bethlehem. She was momentarily grateful for her veil, not only for the concealment of her identity but also of her amused response to the scene before her. She struggled to contain herself as her eyes moved to the second vignette: here was fair Juliet, standing beneath rather than on her balcony, garbed in simple lines, her head wreathed in flowers, a cross of stars high above her. Ah, those star-crossed lovers, thought Constance. Again, she was glad that she could hide her amusement. How clever these women, she thought. The third was Semiramis, a quarter moon low above the exotic turrets behind her crowned head, a long-handled fan in her hand, like the fan of a servant. How should Constance interpret this? At once she noticed the replication of the shape of Brunhilde’s spear, but it was enlarged. Semiramis, the queen who had served for her son yet had conquered her foes and enlarged her kingdom. And was this moon waxing or waning? Rising or setting? Or perhaps the enigma of a waxing moon rising. Ah, somehow that was comfort. Last, before a rising sun, framed by trees that reached out to touch one another, stood Pocahontas, her costume appearing authentic, a feather in her headdress, the emblematizing dawn of a new age, a new woman in a new world. May it be so, thought Constance.

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.

Anubis the god of funerals and death Apophis the god of chaos Babi the baboon god Bast the cat goddess Bes the dwarf god Geb the earth god Heket the frog goddess Horus the war god, son of Isis and Osiris Isis the goddess of magic, wife of her brother Osiris and mother of Horus Khepri the scarab god, Ra’s aspect in the morning Khnum the ram-headed god, Ra’s aspect at sunset in the underworld Khonsu the moon god Mekhit minor lion goddess, married to Onuris Nekhbet the vulture goddess Nephthys the river goddess Nut the sky goddess Osiris the god of the underworld, husband of his sister Isis and father of Horus Ptah the god of craftsmen Ra the sun god, the god of order. Also known as Amun-Ra. Sekhmet the lion goddess Set the god of evil Shu the air god Sobek the crocodile god Tawaret the hippo goddess Thoth the god of knowledge

Alone with her, MacRieve paced, glancing at her repeatedly and muttering in Gaelic. She understood a bit of the language—her mother was a druid, after all—and knew enough curse words and the term for witch to pick up the general thrust of his thoughts. Over MacRieve’s muttering, she could hear the others’ conversation outside. Rydstrom began by explaining what would happen if Mari didn’t call her coven before the full moon and how MacRieve had been handed the task of escorting her back. The others decided that they would be the ones to see her home for myriad reasons. First, they planned to kill MacRieve directly and so didn’t see him available for the role of escort. Secondly, they wanted to protect “the little mortal”—the archers, because the three saw her as one among the fey, and Cade, because, as he said, “I bloody feel like it.” In that case, Rydstrom wanted them to spare the Lykae to allow him to be an extra sword. They would need him, they reasoned, to protect Mari on the journey to civilization because it was more perilous now than when she’d come on her own. The human armies were on the move and posed a real threat to her. But the others despised MacRieve, couldn’t trust him, and all agreed that “Bowen the Bitter doesn’t exactly play well with others.” Bowen the Bitter? How appropriate. They also agreed that they didn’t know a more brutal, ruthless, and underhanded immortal than Bowen MacRieve. MacRieve scowled in their direction, then turned back to her, as if he hoped she hadn’t heard that. He opened his mouth to speak but closed it. What did he want to say to her? What could he say? “Oh, my bad for setting you up for torture and terror, and I know you will never be the same again, but . . .

The Blue Moon Wish Spell The “Blue Moon” is when there are 2 full moons in one month, it is in the horoscopic symbol of Pisces. To see the dates for the blue moon click here. It illuminates intuition, creativity, and compassion.  This is the time that you should start thinking about all your wishes and intentions. As a practitioner of witchcraft, you should make sure that you perform this ritual since such an astrological opportunity only occurs “once in a Blue Moon”.  Requirements a quartz crystal a cinnamon stick A blue pen a blue candle a sheet of parchment paper 3 safety pins a glass  of spring water or wine A piece silver cord or string, of a length of 24 inches a square of blue cloth Vial of success potion (not mandatory) 1 book of matches On the day before of the Blue Moon, collect all the above items and then set a specific time for performing the spell without any distractions.  Quietly sit down with all your items as listed above and place them before you on a table.  Shut your eyes and bring your mind to silence, after that, concentrate on your breathing.  The moment you feel clear and grounded, you can open your eyes and start the spell. While lighting the candle, think of 3 things that you would like to occur by the year’s end. You can also wish for something that takes place once in a blue moon. (rarely) Pat success oil on your, wrists, temple and your neck for a boost in case you have some. Envision one particular wish coming true while holding the quartz crystal in your hands. Vision yourself doing the thing you are wishing for, or clearly see something that you wish for happen before you. Pick your pen and paper up and start writing down your wishes as you keenly visualize them. Note them down in their order of importance to you.   After you note down the three wishes on your piece of parchment, separately tear them out Attach each of your wishes to the square piece of cloth using a safety pin Place the cinnamon stick in the middle of the cloth and then inwardly fold the sides of the cloth. After that, roll it up. Tightly seal your projections by wrapping the string around the cloth nine times and after that, tie steadily with a knot. Take your wishes and walk outside with them while holding the libation of your choice. Look up to the sky or the moon.  Lift up your glass and say the following words; “On this eve of the Blue Moon, out my intents go. I request they be received, and it is so” Place the cloth containing your wishes in a concealed place where you are the only one who can see it often all the way through the coming few months as a reminder to the wishes you have made.

the end chaos would burst forth to overwhelm the order that the gods had made and preserved. In Midgard the end would begin with three winters of war and general lawlessness; men would fight without mercy, murder one another and betray their own kin through adultery and with violence. After this would come three years of winter, with the sun’s warmth weakened and terrible winds sweeping the earth so that its people died of hunger. Then the wolves that ran behind the moon and sun would overtake them, and darkness would fall on the land. ​In Asgard Loki would break from his bonds and so would his son, the wolf Fenrir.  In the depths of the sea Loki’s other monster-son, the Midgard Serpent, would rise in anger. The giants out of Jotunheim and the fire-demons out of Muspelheim would come to Loki’s call and attack the gods. The battle would be desperate. Thor would kill and be killed by the Midgard Serpent, and Heimdall the sentry of Asgard would kill and be killed by Loki. Odin would fight against the wolf Fenrir and die, but his son Vidar would destroy the wolf. At the end, when the best part of both armies lay dead, Surt the fire-bearer would come from the burning world of Muspelheim and set Asgard, Midgard and the World Tree itself ablaze. The sea would rise, churned up by the death-throes of the Midgard Serpent, and the ruined land would be drowned. ​But this destruction, while great and terrible, was not quite final. Out of the empty seas land would rise again and green plants would grow there; indeed, fine crops of grain would grow without any man tending them. Balder would return from the dead, Honir would return with the gift of prophecy added to his other strengths, and Thor’s sons would arise carrying their father’s great hammer. Soli would not return from death to drive the chariot of the sun but her daughter, even stronger and lovelier than she, would rise and give light to the worlds again. And a man and a woman, long concealed in a safe place hidden from the ruin, would emerge to drink of the dew and eat of the plants of the field and start the human race again. Some said also that the dead humans in Helheim would be raised to life again, but some said otherwise.

In spite of her disinclination to travel, Mrs. Högfors was an eager reader, and was perfectly happy to read about exotic places that she would never visit. Rather to Ulf’s surprise, she also read books on popular science, although she was undiscriminating as to their date of publication. This meant that she would sometimes talk about what she described as exciting new possibilities well after those possibilities had been translated into reality. Thus she had excitedly told Ulf that she had read a book predicting that one day man would undoubtedly set foot on the moon.

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

If all clocks strive to represent—in various forms, with hands and digits and shadows and bells—the spinning of the earth on its axis, and calendars in their myriad forms represent the interactions of the earth with the sun and the moon and sometimes the rising and setting of the planets, could it make sense to suggest that the earth is also a clock? Just a bigger one, with a wider grip on time? And if the earth is a clock, why not the other planets? Why not Pluto? And what about the sun and the stars and the galaxies, the black holes at their centers, the clusters of galaxies and the larger bodies that they form, all the swirling stuff of the cosmos—what time does it tell?

Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.

I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.” There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.” She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.” His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.” That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.

So,” he said, clearing the roughness out of his throat. “Where should we set up?” There was a narrow galley belowdeck and, he knew from Tom’s brief tour earlier, there was also a small cabin tucked up in front, with a snug queen-size bed wedged inside and a small shower between the two. All completely outfitted, ready for its next occupants. He tried like hell not to think about that. He knew she’d been about to say or do something when she’d closed the lid of the bin, but whatever it was, she let that go. He had no doubt she’d get back to it, if it was important to her. “Foredeck,” she said, motioning with her free hand to the expanse of white fiberglass and sealed teak that formed the raised, flat, front end of the boat, where the thick masts soared upward, rigged out under full sail. “You okay to maneuver up there? I can take the hamper.” “No worries,” he said. “I’ve got it.” Given the way things were going and the war he was waging with his body, better to keep his hands full for as long as humanly possible.

Tips for Preparing Artichokes To cook an artichoke, slice 1 inch off the tip. Cut off about ½ inch or less of the very bottom piece of the stem to expose the fresh green bottom, keeping the remaining stem attached. Then, using a large, sharp knife, slice the artichoke in half lengthwise. Once sliced in half, you can see the fuzzy inedible choke part. Use a small, pointed knife to cut a deep half-moon-shaped incision where the heart meets the choke. Scoop out and discard the fibrous and hairy choke from the center of each half. Place the artichoke in a steamer basket over several inches of water. Bring the water to a boil, cover, and steam for eighteen minutes. Set the artichoke aside until it’s cool enough to handle. To eat, peel off the outer leaves one at a time. Tightly grip the outer end of the leaf, place the opposite end in your mouth, and pull through your teeth to remove the soft, pulpy, delicious portion of the leaf. You can also scrape off the edible portion with a butter knife. Then you can eat it plain or prepare a healthful dip or dressing to use as a dip. Continue until all the leaves are removed. Cut the remaining heart into pieces and enjoy!

Earth, air, fire, and water," he began. "The ancient Greek philosopher Empedocles says that these four elements are the roots of everything." Here was the garden he inherited from Leah. Celia, who mostly tended it, called it her sculpture in four dimensions, the fourth being time. Perhaps all sculpture changed over time, with decay and dissolution setting in, rust and chipping and breakage. But marble or bronze evolved so slowly, and their changes were unintended, while the garden was always in visible flux, each morning a new unfolding. Celia always said that the flower beds were a progression of looping actions: each plant opening, blooming, fading, setting seed, drooping, falling; and each seed rooting, sprouting, budding, blooming. And the seasons, the moons and days, the pendulum of darkness and light, the beat of the cardinal's song. Was the earth, then, our real timepiece? Stop, Pindar. Pay attention. "But Empedocles also said that our spirits have successive lives, born sometimes as the fair-tressed laurel trees, sometimes as lions who live in the golden grass...." A shifting of the light through the trees made Pindar notice the Queen Anne's lace in its brass vase. Constellations of tiny white stars swirled in a galactic umbrella the size of his hand- who was above? Who below? Beside their lacy flaring explosives symmetry, the black-eyed Susans gazed at him with their fierce yellow. Wide-open, with none of the hidden turns and caverns of the lilies whose trumpets would be deep enough to incubate in, or at least hide one's thoughts in, though their scent would be too strong for the dinner table.

We live on a cursed earth in a cursed universe. Both are under the baleful influence of Satan, who is both “the god of this world” (2 Cor. 4:4), and “the prince of the power of the air” (Eph. 2:2). The devastating effects of the curse and satanic influence will reach a terrifying climax in the events of the Tribulation. Some of the various bowl, trumpet, and seal judgments are demonic, others represent natural phenomena gone wild as God lets loose His wrath. At the culmination of that time of destruction and chaos, Christ returns and sets up His kingdom. During His millennial reign, the effects of the curse will begin to be reversed. The Bible gives us a glimpse of what the restored creation will be like. There will be dramatic changes in the animal world. In Isaiah we learn that The wolf will dwell with the lamb, and the leopard will lie down with the kid, and the calf and the young lion and the fatling together; and a little boy will lead them. Also the cow and the bear will graze; their young will lie down together; and the lion will eat straw like the ox. And the nursing child will play by the hole of the cobra, and the weaned child will put his hand on the viper’s den. They will not hurt or destroy in all My holy mountain. (Isa. 11:6-9) “The wolf and the lamb shall graze together, and the lion shall eat straw like the ox; and dust shall be the serpent’s food. They shall do no evil or harm in all My holy mountain,” says the Lord. (Isa. 65:25) The changes in the animal world will be paralleled by changes in the earth and the solar system: Then the moon will be abashed and the sun ashamed, for the Lord of hosts will reign on Mount Zion and in Jerusalem, and His glory will be before His elders. (Isa. 24:23) The light of the moon will be as the light of the sun, and the light of the sun will be seven times brighter, like the light of seven days, on the day the Lord binds up the fracture of His people and heals the bruise He has inflicted. (Isa. 30:26) No longer will you have the sun for light by day, nor for brightness will the moon give you light; but you will have the Lord for an everlasting light, and your God for your glory. Your sun will set no more, neither will your moon wane; for you will have the Lord for an everlasting light. (Isa. 60:19-20)

LAVENDER & LEMON SUGAR SCRUB 2 1/2 cups granulated sugar (white or raw) 1/4 cup coconut oil (olive oil or almond oil will also work) 6–8 drops lemon essential oil 6–8 drops lavender essential oil Freshly grated zest from 1 lemon (optional) Measure the sugar into a mixing bowl and set aside. Measure the coconut oil into a microwave-safe bowl. Heat until melted (30 seconds). Pour the coconut oil into the sugar. Mix until well combined. Add in the lemon and lavender oils. If desired, zest the rind of 1 lemon and add to the mixture. Stir to combine. Additional sugar may be added to thicken the mixture to the desired consistency.

Chimera and Dragon also do well.

Rather to Ulf’s surprise, she also read books on popular science, although she was undiscriminating as to their date of publication. This meant that she would sometimes talk about what she described as exciting new possibilities well after those possibilities had been translated into reality. Thus she had excitedly told Ulf that she had read a book predicting that one day man would undoubtedly set foot on the moon. “It’s hard to believe,” she said, “but apparently there’s a good chance of it happening. I was just reading about it.” Ulf had replied that he thought it was just possible that this had already occurred. “Oh, I don’t think so, Mr. Varg,” she said. “I was reading that it’s still at the planning stage.” The book had been produced to show him—a tattered-looking volume, discharged after long service in the local library, that she had picked up from a church bazaar. From the biographical note on the back cover, Ulf ascertained that the author had been born in 1897.

the essence of being human is an uncomfortable duality of ‘rational’ technology and ‘irrational’ belief. We are still a species in transition. The unknown person of Time-Byte I had the rational, ‘scientific’ knowledge and skill to make a tallow lamp and also a set of beliefs that were the imperative for his or her apparently irrational underground journey. That duality in human behaviour did not disappear at the end of the Stone Age. Even in the twentieth century, people were ‘rational’ enough to travel to the moon and back and yet still ‘irrational’ enough to believe in supernatural entities and forces that transcend, and in effect make nonsense of, all the laws of physics on which their moon journey depended. Does the human brain construct spaceships and the human mind fashion unseen forces and spirits? What is the difference between brain and mind? What is intelligence and what is human consciousness? How did early people reach a stage of evolution that allowed them to make and understand pictures?

The biblical King David was also a sacred shepherd. His sensual and ecstatic songs of earthly love, so untypical of the Bible, derive from the ancient love rites of the shepherd king and the Goddess—her Canaanite names were Asherah, Astarte, Ashtoreth. The settled people of the Old Testament, like everyone else in the Near East, practiced Goddess worship. The Old Testament is the record of the conquest and massacre of these Neolithic people by the nomadic Hebrews, followers of a Sky God, who then set up their biblical God in the place of the ancient Goddess. The biblical Hebrews were a nomadic pastoral and patriarchal people, tribes of sheepherders and warriors who invaded land belonging to the matriarchal Canaanites. Both Hebrews and Canaanites were Semitic people. The Canaanites lived in agricultural communities and worshiped the orgiastic-ecstatic Moon Mother Astarte. As Old Testament stories relate, the Hebrews sacked, burned, and destroyed village after village belonging to the Canaanites, massacring or enslaving the people—a series of brutal invasions and slaughters described typically by theologians and preachers as “a spiritual victory.” In this way the Hebrews established themselves on the land, along with the worship of their Sky-and-Thunder God Yahweh (Jehovah), calling themselves his “chosen people.” Yahweh’s male prophets and priests, however, despite their political victory over the Canaanites, had to carry on a continuous struggle and fulmination against their own people, who kept “backsliding” into worship of the Great Mother, the Goddess of all their Near Eastern neighbors. For she had originally been the Goddess of the Hebrews themselves. This constant fight against matriarchal religion and custom is the primary theme of the Old Testament. It begins in Genesis, with the takeover of the Goddess’s Garden of Immortality by a male God, and the inversion of all her sacred symbols—tree, serpent, moon-fruit, woman—into icons of evil. Of the two sons of Eve and Adam, Cain was made the “evil brother” because he chose settled agriculture (matriarchal)—the “good brother” Abel was a nomadic pastoralist (patriarchal). The war against the Goddess is carried on by the prophets’ rantings against the “golden calf,” the “brazen serpents,” the “great harlot” and “Whore of Babylon” (the Babylonian Goddess Ishtar), against enchantresses, pythonic diviners, and those who practice witchcraft. It is in the prophets’ war against the Canaanite worship of “stone idols”—the Triple Moon Goddess worshiped as three horned pillars, or menhirs. One of her shrines was on Mount Sinai, which means “Mountain of the Moon.” Moses was commanded by “the Lord” to go forth and destroy these “idols”—who all had breasts. We are told monotheism began with the Jews, that it was the great “spiritual invention” of the religious leader Moses. This is not so. The worship of one God, like everything else in religion, began with the worship of the Goddess. Her universality has been duly noted by everyone who has ever studied the matter. “Monotheism, once thought to have been the invention of Moses or Akhnaton, was worldwide in the prehistoric and early historic world,” i.e., throughout the Paleolithic and Neolithic ages. As E. O. James wrote in The Cult of the Mother Goddess, “It seems that Evans was correct when he affirmed that it was a ‘monotheism in which the female form of divinity was supreme.” The original monotheism of the Goddess is perhaps most clearly shown by the fact that, in Elizabeth Gould Davis’s words, “Almighty Yahweh, the god of Moses and the later Hebrews, was originally a goddess.” His name, Iahu ’anat, derives from that of the Sumerian Goddess Inanna.

During the Peloponnesian War a brave Athenian soldier fell desperately in love with the daughter of his commander. He asked for her hand in marriage but she had to refuse. Having dedicated her life to the goddess Selene, she had vowed not to marry until an evil power called the Atrox was vanquished. The soldier swore to destroy the dark force and free his beloved from her vow. He traveled day and night until he came to the western side of the river Oceanus. There he passed through groves of barren willows and poplars until he found the cave that led to Tartarus, the land of the dead. He entered it, and when he reached the impenetrable darkness, demons swarmed around him. A towering black cloud surged toward him. He knew it was the Atrox. But instead of trembling with fear, he became intoxicated with his own bravery; he alone had the courage to face the Atrox. If he destroyed it, he would not only win his bride, but also become as powerful as any of the immortal gods. Pride overtook him as he shot his arrow. A terrible scream pierced the misty air. Then the unimaginable happened. The Atrox surrendered to him and humbly offered a gift of gold ankle bands in tribute. The young man, eager to return to his love and flaunt his victory, clasped the heavy metal bands around his legs, but as he did, flames ravaged his body and the evil he had set out to destroy consumed him. The Atrox had tricked him and given him not ornaments but shackles, condemning him to an eternity of servitude. Demons carried him away from the underworld and cast him out from Earth. Over the centuries many people have seen the young soldier in the night sky and thought of him only a falling star. He wanders the universe alone, unable to return to Earth unless summoned by his master, the Atrox.

there were the medallions with the ruby and amethyst inlaid roses. Also pictured were medallions inlaid with opal and diamond roses.

Delay also has consequences,” Kieri said. “Haste brings one set of hazards; delay, another.

mind and breath (or life energy) are closely connected. Influencing the one means influencing the other. When we are upset, we breathe faster. When we are calm, our breathing slows down. Yogins understood this early on and invented a battery of techniques for controlling the breath in order to control the mind. These techniques are called prānāyāma, which is widely translated as “breath control.” The literal meaning of this Sanskrit term is “lengthening of the life energy.” This is accomplished through breathing rhythmically and slowly and through the special yogic practice of prolonged retention of the breath, either before or after inhalation. In Patanjali’s eightfold path, breath control constitutes the fourth limb. He did not describe or prescribe any specific technique, and elaboration was left to the adepts of Hatha-Yoga many centuries later. They, like most other Tantric adepts, were eager to explore the prāna-maya-kosha, or the “etheric body,” and its subtle energetic environment. By contrast, most contemporary schools of Hatha-Yoga ignore prāna and prānāyāma, just as they ignore the mental disciplines and spiritual goals, and instead promote a plethora of physical postures (āsana). This emphasis is problematical, as it has led to an unfortunate reductionism and distortion of the traditional yogic heritage. The gradual re-inclusion of prānāyāma into contemporary Hatha-Yoga, however, is very promising, because this practice sooner or later leads to an experiential encounter with prāna, which is distinct from mere oxygen. According to Yoga, we are meant to live a full 120 years. Since we take 21,600 breaths every day, the total number of breath in our lifetime will be 946,080,000 breaths. This may seem like a lot, but we also know that life goes by very quickly. Therefore it makes sense to want our every breath count, and Yoga makes this possible. 53 Cultivating Wisdom WISDOM ARISES IN US whenever the quality of sattva grows stronger in the mind. Sattva, which literally means “being-ness,” is one of three primary qualities (guna) of creation. The other two qualities are rajas (the dynamic principle) and tamas (the principle of inertia). These primary qualities underlie absolutely everything that is other than the superconscious Spirit, which is pure Awareness. According to Yoga and Sāmkhya, they are the behavioral modes of prakriti, often translated as “Nature” but standing for the universe in all its dimensions. Together, in various mixtures, they shape all forms at whatever level of existence, material and mental. Only at the transcendental level of prakriti—which is called prakriti-pradhāna or “creatrix foundation”—do the three qualities exist in perfect balance. As soon as this primordial balance is disturbed, the process of creation sets in, beginning with the most subtle (mental) manifestations and terminating with the material realm. Sattva represents the principle of lucidity or transparency, as it manifests in and through wisdom. Just as the moon, which has no atmosphere, oceans, or vegetation, reflects the light of the sun, so sattva reflects the super-conscious Spirit

The orrery stood on an oak dais in the middle of a room that had been the study of probably eight generations of Mrs. Hale’s forefathers. Four brass legs supported two horizontal brass dials connected by vertical posts, in between which was a series of coaxial shafts, stacked with telescoping gears, and a long brass hand crank with a wooden handle. A kettle-sized brass sphere, set above the middle of the upper dial, represented the sun. Its surface was so polished and reflective it not only threw the room’s light back out, as if generating the glow itself, but also seemed to possess depth, as if one might be able to plunge into its fish-eyed fathoms, into another brassy room. The planets and their moons were made of proportionally sized ivory balls. Each was fixed at the end of a brass arm. My grandfather and I stood looking at the marvelous machine in silence.

The room was small, slightly bigger than his bedroom, but far, far more beautiful. It resembled some of the Asian temples he'd seen in his aunt's coffee-table books. The walls were painted in rich hues of red, green, blue, yellow, and gold. When Alex looked up, he saw a dome-shaped ceiling with a sun, moon and stars made out of pearls and gems. The ground was tiled and shaped into a model of forests, mountains, pastures and rivers-like a mosaic. And across the room was a set of jewel-encrusted thrones where two finely carved statues sat. The life-size carvings were different than those of the army outside the chamber. Theses still wore their original colours, preserved perhaps by the lack of fresh air in the room. Instead of armour, the male figure wore a long, regal robe made of small rectangular-shaped tiles. Alex immediately thought of the chain0mail that knights wore in the Middle Ages, except this was made of jade and not metal. The statue of the beautiful woman also wore clothes or richness and royalty, but hers did not include jade, only gold and precious stones. "They must be the Emperor and Empress," Ryan said.

Death is as natural as the Sun rising in the morning or the Moon setting at night. Human beings move through the process of Life and Death with every single day; however, only our physical selves ever truly die. Death is the transmutation of a lower frequency existence into that of a higher one. What we recognize as Life is actually a premise that enforces the belief of the separateness from God. Death is a continuation of the most significant difference between Life and the ultimate realization of the non-separateness from God. Death also plays against some of the greatest spiritual fears-- the fear of loss, the fear of the unknown, the fear of discontinuation, and the fear of change. So powerful are these fears that they completely inhibit spiritual growth and enforce the continuation of a lower frequency existence.

From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.

Here Herodotus can be of some help again. “As to the customs of the Persians, I know them to be these. It is not their custom to make and set up statues and temples and altars, but those who do such things they think foolish, because, I suppose, they have never believed the gods to be like men, as the Greeks do; but they call the whole circuit of heaven Zeus, and to him they sacrifice on the highest peaks of the mountains; they sacrifice also to the sun and moon and earth and fire and water and winds. From the beginning, these are the only gods to whom they have ever sacrificed; they learned later to sacrifice to the ‘heavenly’ Aphrodite from the Assyrians and Arabians. She is called by the Assyrians Mylitta, by the Arabians Alilat, by the Persians Mitra.”[28]

To such ignorance of God and His divine commandments were they brought down who were begotten of dust from the man of dust, that the honor which they ought to have rendered to God they gave instead to this visible creation, and not just to earth and sky and sun, moon and stars, fire and water and the rest, but they even made gods of those shameful passions themselves which ought not even to be imagined, let alone practiced, and which God had forbidden them. These they set up and – O, the shamelessness! – worshipped as gods. What were they? Fornication, adultery, homosexuality, murder, and whatever else is similar which, not God – away with the blasphemy! – but the devil enjoins and suggests and approves, by which the whole race of mankind was and is enslaved, by which the devil has made and makes us his slaves and subject to his control. Whence, even if there were someone among those thousands and tens of thousands who had not stooped to these shameful ordinances and precepts, since he, too, because of his descent from the seed of those who had sinned, was yet a slave of the tyrant, death, he would also be given over to its corruption and sent without mercy to hell. There was no one, you see, who was able to save and redeem him. For this very reason, therefore, God the Word Who had made us had pity on us and came down.

When Neil Armstrong and Buzz Aldrin set foot on the Moon, they were also taking giant steps for microbe-kind.

Hope and Fear Are Inseparable.” ― Francois De La Rochefoucau Ludlum There is some good in this world, and it's worth fighting for. - J.R.R. Tolkien “For in the day of trouble he will keep me safe in his dwelling; he will hide me in the shelter of his sacred tent and set me high upon a rock. ― Psalms Twenty Seven : Five “ You will never forget a person who came to you with a torch in the dark.” ― Unknown “Everyone is a moon and has a dark side which he never shows to anybody.” ― Mark Twain “The battle between good and evil is endlessly fascinating because we are participants every day.”― Mark Twain “Family isn’t always blood, It's the people in your life who want you in theirs; the ones who accept you for who you are. The ones who would do anything to see you smile and who love you no matter what. “ ― Maya Angelo “In spite of the shame, in spite of the sleepless nights, I'm coping. I'm not pretending it wasn't real. I'm not playing games in my mind. I wouldn't go back to the way I was, naive. I'm a different person now. I know I'm courageous, and without blame. I’ve realized I have it in me to stand up against this horror. — ADC "For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future." ― Jeremiah Twenty-Nine: Eleven “The universe doesn’t give you what you ask for with your thoughts - it gives you what you demand with your actions.” ― Steve Maraboli Hoo-hoo-hoo, go on, take the money and run, Go on, take the money and run! - Steve Miller Band “What separates us from the other killers, is we only kill bad people.”― Vigilante and “Some people just need killing.” ― Barry Eisler “In real life, the hardest aspect of the battle between good and evil is determining which is which.” ― George R. R. Martin “Wherever there is abuse there is also corruption. Politics, philosophy, theology, science, industry, any field with the potential to affect the well-being of others can be destroyed by abuse or saved by good will.” ― Criss Jami “True life is lived when tiny changes occur." ― Leo “You do not know what will happen tomorrow. For what is your life, really? It is a vapor that appears for a little time, and then vanishes away” ― James Four: Fourteen “In a controversy the instant we feel anger we have already ceased striving for the truth, and have begun striving for ourselves.” Buddha

Black Beacon Books... Why the name? There are many tropes and symbols used in fiction of a dark and mysterious nature. Amongst them, we have keys, mirrors, telescopes, treasure chests, secret passages, graveyards, skulls, churches, castles, caves, telescopes, clocks, the moon, oil lamps and candles, and, of course, beacons and lighthouses. The beacon or lighthouse conjures a setting of darkness, for in daylight they are rendered almost useless. In this darkness, they have a role to play, a crucial role, and that is to either warn away or beckon nearer. That is also the role of Black Beacon Books, to thrust the reader into mystery and darkness whilst providing a distant and guiding light, one that can be seen atop cliffs rising up from a troubled sea or on the peaks of wild mountains. We want stories that both warn you of impending danger and draw you into the worlds they create.

You know what lasers are?” “No,” I said stuffily. “Not lasers, or masers, or atoms, or molecules, or flashlights—” He raised an eyebrow, then the other one. “You may think you know what a laser is, but you do not, you simply do not, my ignorant friend. You may know that laser is an acronym for light amplification by stimulated emission of radiation, which describes a concentrated source of coherent light all of the same wavelength, and you may realize that with lasers men can drill holes through little jewels and also bounce signals off the moon and make holograms, and you may be vaguely aware that men even now perform delicate retinoneural surgery—weld eyeballs, to you—and even more delicate microsurgery on single cells, and do other exciting things such as etching halftone plates and fixing decayed teeth. But you do not know what a laser is.” “I’ll bet I’m going to find out.” “It is your great good fortune. Soon lasers will be all over the place, coming out of your ears. They’ll be used for swift bloodless surgery, for invisible death rays that slice open the enemy, knock down satellites, carve legs of lamb. They’ll carry thousands of phone calls on one beam of light, zillions of television sets on one laser beam—” “Sets?” “—stations. Channels, signals. What do you care?” “I don’t.” “But I haven’t told you the greatest thing,” he said. “Can I stop you?” “During the demonstration earlier tonight, Dr. Fretsindler—that’s Fretsindler of M.I.T.—had a big hunk of granite on the stage. He banged it with a hammer, smacked it with a chisel, and naturally nothing happened.” “Then why are you telling me all this?” “Nothing was supposed to happen, Sheldon,” he said cheerfully. “That was the point. But then Fretsindler aimed some new kind of infrared laser—already had it on stage—at the damned boulder.

As we travelled from village to village, through the valleys with their bright streams, fields of golden maize and orchards of apricot trees it was impossible to imagine that one had stumbled into a wild garden of Eden whose people were miraculously preserved from the vileness of the twentieth century. Staying in a village for any length of time, one was drawn into another world of slow and subtle change, measurably by the colours of the corn and the height of the river, the rising of the sun and setting of the moon; a different universe whose inhabitants welcomed us with fear and kindness. But gradually the poverty, the primitive conditions and the drab monotony of an existence with nothing but the basic necessities had become oppresive. I felt like a traveller from the future, imprisoned in a present that was also the past remembered from a previous life.