Official Back Ride Quotes

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If I could speak to that kid from Doncaster standing there back in 2010 waiting to impress Simon Cowell, knowing everything that I do now and having experienced this crazy life in One Direction, I’d tell him to sing his heart out ... and to get ready for the ride of his life.
One Direction (One Direction: Who We Are: Our Official Autobiography)
At the very least, I hope it means I will get my Briony back again. I know, I'll hold a party for her--and take her on a pony ride--I think that will be quite in order, if I can be spared from my official duties for the afternoon." "You're the King," Taris reminded him with a smile. "But you're my conscience, Taris, you know that." "Then your conscience says we should keep his highness's current location secret, but an announcement of his escape is most desirable. Therefore, a party is quite in order--if not essential--for the morale of the nation." "Excellent. I really should promote you, old friend. Only trouble is, there's nowhere to go but down from your office." "I am well aware of that, Your Majesty.
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
Charlie, I want to get married," she said. "Well, so do I, darling -" "No, you don't understand," she said. "I want to get married right now." Froggy knew from the desperate look in her eyes that Red was dead serious. "Sweetheart, are you sure now is a good time?" he said. "I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!" The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do. "Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains." A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?" Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony. "I suppose I'm available," she said. "Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!" Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding. "Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?" "I do," Froggy declared. "And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?" "I do," Red said. "Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!" Red and Froggy shared their first kiss as a married couple, and their friends cheered. "Beautiful ceremony, my dear," Merlin said. "Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
For a hitter, there’s no thrill quite like a late inning, game-changing home run. Unless, that is, the shot is called back. On July 24, 1983, Kansas City superstar George Brett was riding high after hitting a two-out, two-run homer in Yankee Stadium. The future Hall of Famer’s blast changed a 4–3 ninth inning deficit into a 5–4 Royals lead. The joy soon faded, though, when New York manager Billy Martin asked home plate umpire Tim McClelland to inspect Brett’s bat. Earlier in the season, Yankee third baseman Graig Nettles had noticed that Brett seemed to use more pine tar than the rules allowed—and Martin had saved that choice information for just such a moment as this. McClelland measured the goo on Brett’s bat, finding it exceeded the eighteen inches allowed. Brett was called out, erasing the home run and giving the Yankees a 4–3 victory. The Royals were incensed by the ruling, which was later overturned by American League president Lee McPhail, who said “games should be won and lost on the playing field—not through technicalities of the rules.” Baseball’s official acknowledgment of the “bigger picture” is reminiscent of Jesus’ approach to God’s laws. Arguing with hypocritical Pharisees, Jesus once said, “You give a tenth of your spices—mint, dill and cumin. But you have neglected the more important matters of the law—justice, mercy and faithfulness. You should have practiced the latter, without neglecting the former” (Matthew 23:23). Our concern for the letter of the law should be balanced by an equal concern for the spirit of the law. If you’re inclined to spiritual pickiness, don’t forget the “more important matters.
Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
There was a big wide world out there. We were just a small wildlife park in Australia. It was absurd to think the two of us could change the world. But our love seemed to make the impossible appear not only possible, but inevitable. I look back on the talk we had during the ride to the zoo from Cattle Creek as helping to create the basis of our marriage. No matter what problems came along, we were determined to stay together, because side by side we could face anything. Back at the zoo, while the documentary was being edited and before it was aired on Australian television, our sense of purpose became more firmly settled than ever. We officially took over stewardship of the zoo from Lyn and Bob, Steve’s parents, who had founded it in 1970 as the Beerwah Reptile Park. We wanted to make them proud. The new name would be simply Australia Zoo. We would build and expand. We wanted to increase viewing access to the croc enclosures so more people could see and appreciate these wonderful animals. We had grand plans.
Terri Irwin (Steve & Me)
There are mountain trolls riding Graphorns through Hungary, there are giants with winged tattoos on their backs walking through the Greek Seas, and the werewolves have gone entirely underground
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)
The room is a hundred shades of white. The enormous desk is the color of sand dollar beer foam with a plush cotton eggshell chair behind it. To its side, a tall shaving cream topped Swiss coffee lamp with a mozzarella sour cream lampshade. Official certificates the color of chalky whitecaps in limestone glacier frames hang on the frosted beluga whale wall. The wall is covered with rice powder cloud bookcases, full of books the color of moonstone jasmine, opal daffodil, quartz daisy, and polar bear hibiscus. The books are being tended by a man with his back to me, dressed in a milky, baking soda suit in seagull bone shoes, riding a rolling ladder the color of marshmallow tofu glue.
GLEN NESBITT (BREAK OUT OF HEAVEN)
mountain trolls riding Graphorns through Hungary, there are giants with winged tattoos on their backs walking through the Greek Seas, and the werewolves have gone entirely underground — HARRY: Great, let’s get out there.
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)
HENRY CLIMBED INTO my truck and buckled his seatbelt with the grimmest expression I had ever seen. His hair stood out in every direction, and his hands shook. “You okay, buddy?” I asked, trying to be gentle. “Do you want to go see Robin instead? She’d be glad to cut it, Henry.” Millie had followed him out, tapping her way down the sidewalk with a concerned frown between her dark brows. She now stood holding onto the passenger side door. I could tell she wanted to ride along, but Henry didn’t seem to want her to. “It’s a man date, right Henry? Men go to the barber. Not the salon.” Henry tapped his fingertips together nervously and wouldn’t look right or left. “Kite flying is an official sport in Thailand!” Henry blurted. Amelie bit her lip but stepped back from the passenger door. “Bye, Millie. I’ll bring him back. Don’t worry,” I called. She nodded and tried to smile, and I pulled away from the curb. Henry’s tapping became a cadence. Clack clack. Click click. It sounded like the rhythm Millie made with her stick when she walked. “Henry?” No response. Just clicking, all the way to the barbershop. I pulled up to Leroy’s shop and put my truck in park. I jumped out and came around to Henry’s door. Henry made no move to disembark. “Henry? Do you want to do this?” Henry looked pointedly at my shaggy locks and clicked his fingers. “I need a haircut, Henry. So do you. We’re men. We can do this.” “Ben Askren, Roger Federer, Shaun White, Troy Polamalu, David Beckham, Triple H.” “Triple H?” I started to laugh. Henry was listing athletes with long hair. “You’re getting desperate, Henry.” “Larry Fitzgerald? Tim Lincecum?” “Tim Lincecum, huh? He plays for the Giants, doesn’t he? Your favorite team, right?” Henry didn’t respond. “Ah, shit. What the hell. I didn’t want to cut my hair anyway. I kind of think your sister likes it.” The clicking slowed. “You wanna go buy a kite? I hear it’s an official sport in Thailand,” I said. Henry smiled the smallest ghost of a smile and nodded once.
Amy Harmon (The Song of David (The Law of Moses, #2))
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.” “No way,” I say, running a slow finger along the side of his jaw. “You’re a tease.” I love this playful side of Alex. It makes me forget all about those demons. “I came to see a Latino wedding, and I expect to see one,” I tell him. “And here I thought you were comin’ to be with me.” “You’ve got a big ego, Fuentes.” “That’s not all I’ve got.” He backs me against my car, his breath warming my neck more than the midday sun. I close my eyes and expect his lips on mine, but instead I hear his voice. “Give me your keys,” he says, reaching around and taking them from my hand. “You’re not going to throw them into the bushes, are you?” “Don’t tempt me.” Alex opens my car door and slides into the driver’s seat. “Aren’t you going to invite me in?” I ask, confused. “No. I’m parkin’ your car in the shop so it doesn’t get jacked. This is an official date. I’m drivin’.” I point to his motorcycle. “Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
After a tearful parting from Elizabeth and her family, we climbed into the back of the postal van. Adventurous Brigitte climbed onto the armoire that was tied down, however Ursula and I found room sitting on a mattress. I had to console poor Ursula since we had to leave her Mama doll behind; it was far too dangerous to take it along. At the bridge there would be officials, soldiers and throngs of people. It was a chance we just couldn’t take! The drive was uneventful and the mattress even made the ride relatively comfortable. We approached the river and as expected we were stopped at the bridge. Although I couldn’t see anything in the darkness of the van I could hear Fritz talking to some officials in a remarkably relaxed and friendly way. They apparently were satisfied with the story concerning his furniture. It seemed that everyone was using official vehicles for their own use, since private vehicles were almost non-existent. With this they slapped the side of the van and let us pass. We continued across the bridge without incident and at last I was back in a part of Germany that I felt I knew. We were no sooner in the city of Mannheim than Fritz stopped the truck. He threw open the doors and told us to get out. “I don’t have time, I have to get rid of my furniture and return this van,” he said. I think the realization of what could have happened, had we been detected unsettled him, and he didn’t want to take any more chances. I looked around but had no idea of where I was. There was refuse on the streets and heaps of rubble that hadn’t been cleared away yet. Most of the street signs were missing but eventually we managed to get our luggage to a corner that I recognized.
Hank Bracker
riding Graphorns through Hungary, there are giants with winged tattoos on their backs walking through the Greek Seas, and the werewolves have gone entirely underground
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)
We’d gone about five kilometers when we rounded a bend to see a tiny roadside store with a gas bar. “Yes!” Corey said, pumping the air. “We are now, officially, rescued.” “You think?” Hayley said. “I’m not seeing any vehicles.” “Because it’s out in the middle of freaking nowhere. They’re probably lucky if they get three cars a day.” “No, I mean transportation for the person running the place.” Corey peered at the empty lot surrounding the small building. “Oh.” The shack had one gas pump out front, and a diesel one around the side. The lack of a vehicle meant that unless there was a house nearby, no one was manning the place. “But it should have a phone,” I said. “Or maps to show us where we are. Also, there must be cottages nearby if there’s a gas bar.” “Ha!” Corey said, spinning and pointing at Hayley. “Ha!” He took off at a lope. We followed. Corey stopped a few feet from the door. “Open weekends after Labor Day,” he called. “What’s today?” “Not the weekend,” I called back. Corey walked to the barred window, then turned to us. “The window’s filthy. I can’t see anything.” “How about we try the door?” Sam said. She was walking toward it when Hayley grabbed her arm and pointed to a window sign warning that the place was armed with security alarms and cameras. “Um, yeah,” Corey said. “Which will bring the local cops. If we’re lucky.” “At this point, I’ll take any ride out of here,” I said. “Even handcuffed in the back of a police cruiser.
Kelley Armstrong (The Calling (Darkness Rising, #2))
How am I going to get home?  Will I have to sit in this park until police clear the area?” He chuckled. “Nah, you can sit on the rig and ride back to the station with me.  Once I’m done here, I’ll take you home since I’m officially off the clock.
Toye Lawson Brown (The Orlando Torres Story (The Men of CLE-FD #1))
mountain trolls riding Graphorns through Hungary, there are giants with winged tattoos on their backs walking through the Greek Seas, and the werewolves have gone entirely underground —
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)