Office Chairs Quotes

We've searched our database for all the quotes and captions related to Office Chairs. Here they are! All 200 of them:

Every day, once a day, give yourself a present. Don't plan it. Don't wait for it. Just let it happen. It could be a new shirt at the men's store, a catnap in your office chair, or two cups of good, hot black coffee.
Dale Cooper
The chair I want for my office has wheels, so I can put it on my treadmill and get some exercise while I work. Likewise, we can’t let a love like ours just roll on by without trying to work things out.
Jarod Kintz (This Book is Not for Sale)
Eventually, the room was cleared, and we stood there together, chests heaving, a spray of shifters and humans on the floor in front of us. We weren’t entirely undamaged—I’d taken a bruising shot to my right thigh, and Ethan had slices across his belly where he’d been caught with the edge of a bar of steel broken from someone’s office chair. But we were alive. We glanced over at each other. I was just about to speak, but before I could get out words, his hand was at the back of my head, his mouth pressing against mine. The intensely possessive kiss left me gasping for breath, but even as he pulled back, his fingers stayed knotted in the back of my hair.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
The shrill voices of those who give orders Are full of fear like the squeakings of Piglets awaiting the butcher's knife, as their fat arses Sweat with anxiety in their office chairs.... Fear rules not only those who are ruled, but The rulers too.
Bertolt Brecht
Cost to clean deeply soiled rugs: $200. Cost to replace shiny, black, stack-heeled, pilgrim-toed boots: $185. Cost to fix every single delicious table and chair leg in the house: $490. Life with two shelter dogs: fucking priceless.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
The officers saluted as she passed and gravely bowed. They walked back across the courtyard and got into their chairs. She saw Waddington light a cigarette. A little smoke lost in the air, that was the life of a man.
W. Somerset Maugham (The Painted Veil)
Query: How contrive not to waste one's time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one's days on an uneasy chair in a dentist's waiting-room; by remaining on one's balcony all of a Sunday afternoon; by listening to lectures in a language on doesn't know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
Albert Camus
Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand, choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.
Albert Camus (The Plague)
Kate?” I have a superior reaction time. That was why although I shot out of my chair, jumped onto my desk, and attempted to stab the intruder into my office in the throat, I stopped the blade two inches before it touched Andrea’s neck. Because she was my best friend, and sticking knives into your best friend’s windpipe was generally considered to be a social faux pas. Andrea stared at the black blade of the throwing dagger. “That was great,” she said. “What will you do for a dollar?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Although I get a lot of specialty services like wraps, scrubs, and mustache removal, my favorite is the simple manicure/pedicure. They work on your hands and feet at the same time while you sit in a vibrating chair. I call it the sorority girls version of a threesome.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
There was something about being in the vicinity of Grahame Coats that always made Fat Charlie (a) speak in cliches and (b) begin to daydream about huge black helicopters first opening fire upon, then dropping buckets of flaming napalm onto the offices of the Grahame Coats agency. Fat Charlie would not be in the office in those daydreams. He would be sitting in a chair outside a little cafe on the other side of Aldwych, sipping a frothy coffee and occasionally cheering at an exceptionally well-flung bucket of napalm.
Neil Gaiman (Anansi Boys)
The art of governing, Dickon, is that of making use of talent wherever you do find it. Trust is too rare an attribute to make it your prime prerequisite for holding office. If I relied only upon those I truly do trust, we'd have a council of empty chairs!
Sharon Kay Penman (The Sunne in Splendour)
way I figure it, if you send us to do a job, let us do it. That’s why you have admirals and generals—let them supervise us, not some fat-ass congressman sitting in a leather chair smoking a cigar back in DC in an air-conditioned office,
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
The last time I saw Wade, I attacked him with an office chair. The time before that, I jammed a lit cheesecake up his ass and almost burned his balls off. So it's understandable that his first reaction upon seeing me is to flinch and assume a defensive posture.
Jonathan Tropper (This is Where I Leave You)
I didn't want to be left alone with Timothy, not because I was afraid of him but because I was afraid that somebody would come into the office and see us sitting there, two matching rejects in matching orange chairs.
Michael Chabon (Werewolves in Their Youth: Stories)
You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
George looked around the office. Five dirty and chipped desks, one with a missing leg held upright with a stack of out-of-date telephone books, a two-year out-of-date calendar, a filing cabinet overflowing with case notes, four chairs all with tears in the fabric, and a printer that hadn’t worked since, well since ever – having no print cartridges was obviously an issue.
Matt Francis (Murder in the Pacific: Ifira Point (Murder in the Pacific #1))
We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And men die. The price gets ever higher. Some officers can pay no longer. We are prepared to lose some of us, but never all of us. But that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet, if they all die, a man must ask himself, will it have been worth it?
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
You’d rather be here than in Africa. The trump card all narrow-minded nativists play. If you put a cupcake to my head, of course, I’d rather be here than any place in Africa, though I hear Johannesburg ain’t that bad and the surf on the Cape Verdean beaches is incredible. However, I’m not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
Paul Beatty (The Sellout)
One evening, as they wrapped up a meeting in her office shortly after he joined the company, she lapsed into a more natural-sounding young woman’s voice. “I’m really glad you’re here,” she told him as she got up from her chair, her pitch several octaves higher than usual. In
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Guy welcomed my breasts warmly. He hugged them like long-lost friends and stared at them with the protectiveness of a mother lion, as if to make sure they didn't decide to get up on their own and leave the two of us alone together in his office. He waved them into a chair and asked if they would like anything to drink. On their behalf, I ordered Perrier.
Ally O'Brien (The Agency (Tess Drake, #1))
I wanted to study graphic design, because I wanted to work in an office with designer desks, ergonomic chairs, pool tables, and walls so colorful it looks like a flock of flamingoes exploded and splattered evenly from floor to ceiling.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
Tallow walked into Bat and Scarly's office to find Bat slumped on a chair with his head on the workbench, turned away from the door, while Scarly softly sharpened on old straight razor on a worn strop, watching her partner intently. "I don't think he needs his eyebrows, do you? I mean, they don't serve an immediate function or anything," she whispered.
Warren Ellis (Gun Machine)
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
Bret Easton Ellis (American Psycho)
Oh shit, oh shit, stupid shower present!” Now she did pull her hair as she made the dash to her office. Roarke sat in her visitor’s chair, comfortably involved with his PPC. He glanced up, let loose a regretful sigh. “You changed. And I didn’t have any time to ogle you in uniform.” “I have to go shopping!” Staring at her, Roarke pressed his fingertips to his temple. “I’m sorry, I believe I must have had a small stroke. What did you say?” “This isn’t funny.” She bent down, gripped him by the lapels. “I forgot to get a thing for the thing, and I don’t even know what the thing is supposed to be. Now I have to go out and hunt something down. Except—” Her eyes went from slightly mad to speculative. “We have all kinds of things around the house. Couldn’t I just wrap something up and—” “No.” “Crap!
J.D. Robb (Promises in Death (In Death, #28))
I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was drown-draughted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
But he hadn’t done something wrong, I suggested. He had saved innocent lives and helped defeat those who would bring society down. “It was still against the law!” he shouted. “Don’t you see? If the law means anything then I couldn’t be above it. Not just because I was a police officer or because my breaking it had resulted in some lives being saved. That’s not the point. Torture was illegal. I’d broken the law. Can’t you see any of this?” He shook his the chair, rattling the chains attaching his handcuffs to the floor. “It’s even more important to prosecute police who’ve broken the law than it is to prosecute anybody else, because otherwise nobody trusts the police.” I pointed out that the forceful questioning of suspects was now entirely if unfortunately legal, even if it hadn’t been then. “‘Forceful questioning.’ You mean torture.
Iain Banks (Transition)
If you're going to start talking about Donald Trump like that, we're going to end this meeting right now," (Senator Lindsey) Graham said. Sandra Garza, the widow (of deceased Officer Brian Sicknick), gave Graham a tongue lashing. I cant' recall what she said, specifically, but he shut the fuck up and slumped into his chair.
Michael Fanone (Hold the Line: The Insurrection and One Cop's Battle for America's Soul)
When shown his office, he was asked what equipment he might need. “A desk or table, a chair, paper and pencils,” he replied. “Oh yes, and a large wastebasket, so I can throw away all my mistakes.
Walter Isaacson (Einstein: His Life and Universe)
Between Friday evening and Sunday afternoon, I broke into a total of six offices, one penthouse suite and a small bank, and cursed them all. I cursed the stones they were built on, the bricks in their walls, the paint on their ceilings, the carpets on their floors. I cursed the nylon chairs to give their owners little electric shocks, I cursed the markers to squeak on the whiteboard, the hinges to rust, the glass to run, the windows to stick, the fans to whir, the chairs to break, the computers to crash, the papers to crease, the pens to smear; I cursed the pipes to leak, the coolers to drip, the pictures to sag, the phones to crackle and the wires to spark. And we enjoyed it.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
I'm sorry, I had a meeting" I stand behind his chair. "Liar," under my breath. "You weren't at a meeting," take a breath, gain speed, bursting, "You were with Angie in the office. I saw you. I saw you. You clamp us down, you think no one knows. You hurt my brother! My sister! You hurt my friend! Small trusting prey, huh? You had to squash some weak person already in pain, thinking she loved you. You could have chosen to hurt me! But I'm not worth enough, I never am and you picked poor Angie, you were going to RAPE her, I SAW YOU TRY TO RAPE ANGIE, you fucking MONSTER!
Thalia Chaltas (Because I Am Furniture)
Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap." Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men." Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..." He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away. "We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And the men die. The price gets ever higher. Some officers...can pay no longer. We are prepared to lose some of us." He paused again. "But never ALL of us. Surely not all of us. But...that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet ,if they all die, a man must ask himself, will it have been worth it?
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
For the woman who swelters in her kitchen or lolls in a drawing room, for the man who sits half his life in an office chair, an occasional swim does as much good as six months’ vacation. That weary feeling goes away for once in the cool, quiet water. Tired men and tired women forget that stocks and cakes have fallen.
Lynn Sherr (Swim: Why We Love the Water)
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.” There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless. “Fine,” I responded calmly. “You’re fired.” Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.” I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.” Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her. “You need to fight!” he insisted. “No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.” Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?” I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.” I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.” Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.” I walked back to the head of the table. “Officer Leger?” “Yes, Your Highness?” “Is there anything on this agenda that can’t wait until tomorrow?” “No, Your Highness.” “Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
Kiera Cass (The Crown (The Selection, #5))
He was almost a poet in his old age and his notion of what happened took a poetic turn. 'I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them,' he said. 'I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places.
Sherwood Anderson (Winesburg, Ohio)
leaned back in his chair and did a quick scan of his cluttered office. What would she think of him when she walked in here?
Tessa Bailey (Chase Me (Broke and Beautiful, #1))
He’d thrown the screwdriver after discovering I’d removed all the screws from his office chair but, really, who gets back from lunch to discover a screwdriver and 46 screws on their desk and still sits down?
David Thorne (Wrap It In A Bit Of Cheese Like You're Tricking The Dog)
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
His office was a spider’s lair of silver thread and tempting promises, a page out of Power Architecture Magazine. The dean copied the design from President Lyndon Johnson’s old senate office. The room narrowed toward his desk, an architectural device that channeled all eyes toward the dean, and his chair was slightly elevated, forcing visitors to look up. The two visitors’ chairs were both lowered and oversized, making each guest feel like a child, swimming in too much chair. His architect had assured him it was a subliminal masterpiece.
Michael Ben Zehabe
Mrs. Chatham looked like . . . well, like a kid who had been sent to the principal’s office. She squirmed a little in her chair and tried to smile. She said, “Well, we do still have a little problem, but it’s under control. Mrs. Granger may have overreacted a bit. I don’t think the children have really been trying to be disrespectful.
Andrew Clements (Frindle)
These words on the screen represented her latest project, an attempt at a series of commercial, discreetly feminist crime novels. She had read all of Agatha Christie at eleven years old, and later lots of Chandler and James M.Cain. There seemed no reason why she shouldn't try writing something in between, but she was discovering once again that reading and writing were not the same-you couldn't just soak it up then squeeze it out again. She found herself unable to think of a name for her detective, let alone a cohesive original plot, and even her pseudonym was poor: Emma T. Wilde? She wondered if she was doomed to be one of those people who spend their lives trying things. She had tried being in a band, writing plays and children's books, she had tried acting and getting a job in publishing. Perhaps crime fiction was just another failed project to place alongside trapeze, Buddhism and Spanish. She used the computer's word counter feature. Thirty-five words, including the title page and her rotten pseudonym. Emma groaned, released the hydraulic lever on the side of her office chair and sank a little closer to the carpet.
David Nicholls (One Day)
Dad's office was actually one of the smaller rooms at Thorne. Inside was pretty nice,though. There was a cherrywood desk and ivory carpets, plus comfortable leather chairs and sturdy-looking bookshelves. He also had nice view of the river. Dad was at his desk when I opened the door, doing what all British people do when they're freaked out: drinking tea.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Remy took a chair across from Jerado. A chess board and pieces sat in between them. “Are you sure you remember the moves?” Jerado looked forward to recouping his card game losses. “Y ..es. I . . . I practiced the moves in my office. I . . . I also read a scroll on playing the game.” “Then you won’t object to betting on the outcome of the game?” “N . . . o. H . . . ow much?” “Let’s bet a modest sum. Say, twenty-five silver?” Jerado pushed a stack of silver pennies into the middle. “A . . . ll right.” Remy pushed a similar stack forward. “I’’ll let you have the first move,” Jerado said. Remy moved a pawn forward to start the game. Five moves later, Remy said, “C . . . heckmate,” and scooped up the silver coins. Jerado sat stunned for a few moments. “Rematch.” After Remy won four more games — the last for seven gold pennies — Jerado said through clenched teeth, “That’s enough for tonight, Remy. I’m tired.
Hank Quense (The King Who Disappeared)
Money was so tight that the following year, in 1994, Chanel agreed to have some teeth pulled. A dentist in East New York was offering a subway token, worth $1.25, for each tooth. Working from a dingy office on Pennsylvania Avenue, he billed Medicaid for this scam. None of that mattered to Chanel, Roach, Margo, or Joanie, all of whom had teeth pulled. Chanel remembers her body thrashing in pain as strangers held her down in the chair. The dental office charged Medicaid $235 for pulling four of Chanel’s teeth. She left with a few subway tokens.
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
Extraordinary—that Willowdale Academy and Calvin Coolidge High School should both be institutions of learning! The contrast is stunning. I had a leisurely tea with the Chairman of the English Department. I saw several faculty members sitting around in offices and lounges, sipping tea, reading, smoking. Through the large casement windows bare trees rubbed cozy branches. (One of my students had written wistfully of a dream-school that would have "windows with trees in them"!) Old leather chairs, book-lined walls, air of cultivated casualness, sound of well-bred laughter.
Bel Kaufman (Up the Down Staircase)
John motioned her up from her office chair and guided her into his lap. She cuddled into him and inhaled the scent of his skin. This was her new favorite place in the world. He wrapped his arms around her, and she relaxed into him gratefully. Nothing could go wrong when John held her like this. He
J.M. Madden (Embattled Hearts (Lost and Found, #1))
And I have absolutely no intention of getting caught up in some romantic hostage situation like you’ve gotten yourself entangled in at the mercy of a woman who refuses to let you go.” Leaning back in his office chair, a slow, lazy grin stretches across his face. “Oh yeah…it’s terrible,” he replies sarcastically.
Sara Cate (Eyes on Me (Salacious Players Club, #2))
The four to six young aides usually slept in one room, often two to a bed, then worked long days in a single room with chairs crowded around small wooden tables. Washington typically kept a small office off to the side. During busy periods, the aides sometimes wrote and copied one hundred letters per day, an exhausting grind
Ron Chernow (Alexander Hamilton)
Query: How contrive not to waste one’s time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one’s days on an uneasy chair in a dentist’s waiting-room; by remaining on one’s balcony all a Sunday afternoon; by listening to lectures in a language one doesn’t know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
Albert Camus (The Plague)
Query: How contrive not to waste one’s time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one’s days on an uneasy chair in a dentist’s waiting-room; by remaining on one’s balcony all of a Sunday afternoon; by listening to lectures in a language one doesn’t know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
Albert Camus (The Plague)
When I came back from lunch and found out you'd been reassigned to Nick, I went up to be certain that you were doing all right. Mary told me that you'd just gone into Nick's office, so I opened the door and looked in to see if you needed rescuing. There you were-smiling angelically at him while you gave him messages from other women and turned down his offer of an 'affair.'" Resting his head against the back of his chair, Jim closed his eyes and laughed. "Oh Lauren, you were magnificent! I was just about to leave when you pushed him too far and told him you'd call him when your daughter was of age, so that he could, er, initiate her,as I gather he initiated you?
Judith McNaught (Double Standards)
Governments change, files remain. The paradox remained: in the dossiers of the State the fact that I had risked my neck for it was simultaneously listed forever as treason. When my name was mentioned, the exalted file clerks in the government offices, who sat on their chairs only because I and people like me allowed them to, made a wry face.
Ernst Jünger (The Glass Bees)
After three hours, I come back to the waiting room. It is a cosmetic surgery office, so a little like a hotel lobby, underheated and expensively decorated, with candy in little dishes, emerald-green plush chairs, and upscale fashion magazines artfully displayed against the wall. A young woman comes in, frantic to get a pimple "zapped" before she sees her family over the holidays. An older woman comes in with her daughter for a follow-up visit to a face-lift. She is wearing a scarf and dark glasses. The nurse examines her bruises right out in the waiting room. And you are in the operating room having your body and your gender legally altered. I feel like laughing, but I know it makes me sound like a lunatic.
Joan Nestle
Not much good has ever been prefaced by variations of "Have a seat." I thought of headmasters' offices and electric chairs.
Melissa Jensen (The Fine Art of Truth or Dare)
Ben slumped into a chair in front of Karen’s sprawling desk, his eyes bloodshot. It wasn’t due to partying. The kid practically slept in his office. “Wes told me to fire Ashley.
Lynne M. Spreen
I know multi-millionaires that do whatever they want, whenever they want because their business model is mobile and has nothing to do with an elevator or swiveling chair.
Richie Norton
Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track.
Hermann Hesse (Steppenwolf)
Because, George thought as she sat there with her eyes closed back before Christmas in Mrs Rock's self-consciously comfortable chair in the counselling office, how can it be that there's an advert on TV with dancing bananas unpeeling themselves in it and teabags doing a dance, and her mother will never see that advert? How can that advert exist and her mother not exist in the world? She didn't say it out loud, though, because there wasn't a point. It isn't about saying. It is about the hole which will form in the roof through which the cold will intensify and after which the structure of the house will begin to shift, like it ought, and through which George will be able to lie every night in bed watching the black sky.
Ali Smith (How to be Both)
When I was in the advertising business, I used to offer free seminars to advertisers about how to create better ads (the material in this chapter being the content). That was not so long ago, but since then the Internet has ballooned to major significance. If I were selling advertising today, I’d have that seminar online. Think of how this cuts down on your travel expenses. I used to fly all over creation to deliver those seminars. And appointments were harder to get. The education-based marketing concept that you learned in Chapter Four works hand in glove with the ability to do things over the Internet. Here’s the pitch I’d do today: “How would you like to learn to make your advertising literally 10 times more effective? And you can do it right from the comfort of your favorite office chair.” It’s hard to resist such an offer. There are many examples I could give you to flesh out the model of turning your Web site into a community. The examples below are simple and some are even silly, but each shows how far this concept can go and how it helps you capture more leads and build a better brand.
Chet Holmes (The Ultimate Sales Machine: Turbocharge Your Business with Relentless Focus on 12 Key Strategies)
Then I heard footsteps on a stairs, and in a moment the thickish figure of a woman blocked out the light from the office door. She was in the middle thirties, and faintly stout, but she carried her surplus flesh sensuously as some women can. Her face, above a spotted dress of dark blue crepe-de-chine, contained no facet or gleam of beauty, but there was an immediately perceptible vitality about her as if the nerves of her body were continually smouldering. She smiled slowly and, walking through her husband as if he were a ghost, shook hands with Tom, looking him flush in the eye. Then she wet her lips, and without turning around spoke to her husband in a soft, coarse voice: “Get some chairs, why don‟t you, so somebody can sit down.
F. Scott Fitzgerald (The Great Gatsby)
There she was. Roarke stood in the office doorway, took a few enjoyable minutes to just watch her. She had such a sense of purpose, such a sense of focus on that purpose. It had appealed to him from the first instant he’d seen her, across a sea of people at a memorial for the dead. He found it compelling, the way those whiskey-colored eyes could go flat and cold as they were now. Cop’s eyes. His cop’s eyes. She’d taken off her jacket, tossed it over a chair, and still wore her weapon harness. Which meant she’d come in the door and straight up. Armed and dangerous, he thought. It was a look, a fact of her, that continually aroused him. And her tireless and unwavering dedication to the dead—to the truth, to what was right—had, and always would, amaze him. She’d set up her murder board, he noted, filling it with grisly photos, with reports, notes, names. And somewhere along the line in her day, she’d earned herself a black eye. He’d long since resigned himself to finding the woman he loved bruised and bloody at any given time. Since she didn’t look exhausted or ill, a shiner was a relatively minor event. She sensed him. He saw the moment she did, that slight change of body language. And when her eyes shifted from her comp screen to his, the cold focus became an easy, even casual warmth. That, he thought, just that was worth coming home for.
J.D. Robb (Strangers in Death (In Death, #26))
There was no way that these guys were going to let a bleeding, barefoot woman simply wander off alone into the streets. Two of them were already running toward her with hands reaching out in a manner that, in normal circumstances, would have seemed just plain ungentlemanly. What would have been designated, in a Western office, as a hostile environment was soon in full swing as numerous rough strong hands were all over her, easing her to a comfortable perch on a chair that was produced as if by magic, feeling through her hair to find bumps and lacerations. Three different first aid kits were broken open at her feet; older and wiser men began to lodge objections at the profligate use of supplies, darkly suggesting that it was all because she was a pretty girl. A particularly dashing young man skidded up to her on his knees (he was wearing hard-shell knee pads) and, in an attitude recalling the prince on the final page of Cinderella, fit a pair of used flip-flops onto her feet.
Neal Stephenson (Reamde)
a person who is free to make a $20,000 purchase of a car as a customer, might not be free to buy an office chair for $500 as an employee. Little wonder that big companies grow more slowly than small ones (firms whose chief executives attend the annual World Economic Forum schmooze-fest in Davos tend to underperform the stock market), and big public bodies have worse reputations than small ones.
Matt Ridley (The Evolution of Everything: How New Ideas Emerge)
Hiroyuki Agawa describes a meeting in which an army officer seated next to the admiral rose to his feet “and began to harangue those assembled at interminable length.” Yamamoto stealthily edged the man’s chair back several feet. When he had finished speaking and tried to sit down, the officer missed the chair and fell sprawling on the floor. The admiral kept a straight face, looked straight ahead, and continued the meeting as if nothing had happened.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
While Middleton was in an inner office with the commander, his driver slumped in a chair outside to catch a few minutes’ sleep. No sooner had he dropped off than someone stepped heavily on his feet. The driver woke angry. “Why, you son of a bitch,” he cried, “don’t you know I’m trying to sleep?” Then he saw he was looking up at George Patton. Patton leaned back and laughed. “Son,” he said, “you’re the first son of a bitch I’ve met today who knows what he’s trying to do.
John Toland (Battle: The Story of the Bulge)
He had come from a country where mathematics and mechanics were natural traits. Cars were never destroyed. Parts of them were carried across a village and readapted into a sewing machine or water pump. The backseat of a Ford was reupholstered and became a sofa. Most people in his village were more likely to carry a spanner or screwdriver than a pencil. A car’s irrelevant parts thus entered a grandfather clock or irrigation pulley or the spinning mechanism of an office chair.
Michael Ondaatje (The English Patient)
When his secretary ushers Katie into the attorney’s ultramodern office with its high-contrast display of ancient fired-clay horse sculptures from the Sung and T’ang dynasties, the attorney springs up from his chair as might a twenty-year-old.
Dean Koontz (The House at the End of the World)
Before I left [Monticello], I wanted to understand how much of David's role as a former military officer -- responsible for protecting and promoting this country's foreign policy agenda at home and abroad -- was something that felt, if at all, in tension with his role [as a tour guide] now. 'I was born in the United States of America. I served the country for thirty years, so I actually believe in the idea of America,' he said, straightening up in his chair. 'Are we exceptional? No. Have we had unique advantages based on geography, based on a whole host of factors? Yes. Did a group of people come together in 1776 and conceive of an idea that was pretty radical in its time and then create a system of government, through the Constitution and its amendments, that was pretty radical and pretty novel? Yeah. Have other countries found their own way? Sure. So I believe in the idea of America. I don't believe that this country was perfect. I don't believe it is perfect. I don't believe it's going to be perfect. I believe that the journey to make this a better place is worth the effort and that the United States, if you conceive it not so much as a place to be in but an idea to believe in, it worth fighting for.
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
Query: How contrive not to waste one's time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one's days on an uneasy chair in a dentist's waiting-room; by remaining on one's balcony all a Sunday afternoon; by listening to lectures in a language one doesn't know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
Albert Camus (The Plague)
Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track. Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child's play of that charming world.
Hermann Hesse
No one chooses to become a banker. It just happens, like cancer, and then you try to live with it for as long as you can. After thirteen years in the industry, I was damn near terminal. With each step up the corporate ladder I received a slightly smaller laptop, a slightly-harder-to-adjust office chair. To compensate they offered free donuts and coffee cards. Weekends off. 401K vesting. Medical insurance that I had to have because they were turning me into a half-blind hunchback with diabetes. The
Jeremy Robert Johnson (Skullcrack City)
I’m sure that Trump wants to sit in a shiny chair in the Oval Office and have people tell him all day that he’s the most powerful and impressive man in the world, and I’m just as sure that he doesn’t want to be bothered with the actual business of government.
Laurie Penny (Bitch Doctrine: Essays for Dissenting Adults)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.
Isabelle Lafleche (J'Adore Paris)
Within, the offices were newly plastered, newly painted, newly papered, newly countered, newly floor-clothed, newly tabled, newly chaired, newly fitted up in every way, with goods that were substantial and expensive, and designed (like the company) to last. Business! Look
Charles Dickens (Martin Chuzzlewit)
Famously, Einstein said that his ‘happiest thought’ occurred here: ‘I was sitting in a chair in the Patent Office at Bern when all of a sudden a thought occurred to me. If a person falls freely he will not feel his own weight. I was startled.’ By thinking of someone falling, for example in a plummeting lift, Einstein had realised that it was impossible to distinguish acceleration and the pull of gravity. And working through the mathematical implications of this made it clear that gravity was an effect that could be produced by a distortion of space and time.
Brian Clegg (Gravitational Waves: How Einstein's spacetime ripples reveal the secrets of the universe (Hot Science))
He was the perfect gentleman and, unlike the salesmen in the Fitzrovia hotel, there were no attempts at fumbling—in fact they often performed an awkward little dance around their small office to avoid touching at all, as if Juliet were a desk or a chair, not a girl in her prime. It seemed that she had acquired all the drawbacks of being a mistress and none of the advantages—like sex. (She was becoming bolder with the word, if not the act.) For Perry, it seemed to be the other way round—he had all the advantages of having a mistress and none of the drawbacks. Like sex.
Kate Atkinson (Transcription)
The younger officer accompanying Waaler was learning something new every day. This afternoon, for example, he learned it was very stupid to rock on a chair while insulting someone, because you are totally defenseless if the insulted party steps over and lands a straight right between the eyes.
Jo Nesbø (Cockroaches (Harry Hole, #2))
Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom. It's why we fall in love, Jenny will tell June. We fall in love to get back to that dimension, that wonder. She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.
Emily Ruskovich (Idaho)
Hovering somewhere between seventy and eighty years old, the Chair nestled in an office feathered with the books, papers, notes, and tchotchkes accumulated over a lifetime career devoted to the study of the Orient. He had hung an elaborate Oriental rug on his wall, in lieu, I suppose, of an actual Oriental.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
I hold the door to the post office open for a weathered man in a wheelchair. He is gracious, thanking me. One leg is missing, and just as I notice this, I see the sticker on the back of his chair: VIETNAM VETS. My thoughts jumble as an ache brews in my heart. I think of war and how it destroys, divides, and damages. I see the faces of those in the refugee camp and those who found their names on The List and are now in America. I want to tell this wounded soldier that I am sorry for his loss and for the abandonment he may have felt upon his return. I want to say other things, but right now I'm just honored to hold the door for him.
Alice J. Wisler (A Wedding Invitation (Heart of Carolina #4))
So he’d made promises. And when his recovery was complete he found himself signing away his life in the hushed office of Jacob Furthoe, Director of the secretive Bureau of Special Investigations. “Monsters are real,” Furthoe said, accepting his contract like a pin-pulled grenade and pointing to the chair across the desk.
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
I’ll do it,” she said before she could talk herself out of it. His dimples flashed as he slapped a hand over his heart in mock surprise. “Just like that?” “Did you want me to argue with you first?” “Hell no, but I had pictured this conversation going somewhat differently. You’d get all offended I didn’t think you could do your job and then you’d get all pissed off and accuse me of trying to be the boss of you and then…” “And then?” “And then I had kinda pictured us having make-up sex. And then christening-the-new-office-chair sex. And maybe christening-the-old-office-desk sex because, as far as I know, it was never christened. And—
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
Since Troo was in her office at least once a week for doing one bad thing or another, Sister told me she's thinking of having the chair in the corner of her office engraved permanently with Troo's name. (If she bothered to look at the back, she could save a few bucks. Troo stole a penknife out of the Five and Dime last summer.)
Lesley Kagen (Good Graces)
In the long evenings in west Beirut, there was time enough to consider where the core of the tragedy lay. In the age of Assyrians, the Empire of Rome, in the 1860s perhaps? In the french mandate? In Auschwitz? In Palestine? In the rusting front-door keys now buried deep in the rubble of Chatila? In the 1978 Israeli invasion? In the 1982 invasion? Was there a point where one could have said: Stop, beyond this point there is no future? Did I witness the point of no return in 1976? That 12 year-old on the broken office chair in the ruins of the Beirut front line. Now he was in his mid-twenties - if he was still alive - a gunboy, no more. A gunman, no doubt...
Robert Fisk
Creators ranging from Ludwig van Beethoven to Salvador Dalí to Thomas Edison have relied on naps to refresh their minds and spark insights. (Edison napped in what he called his “thinking chair.”) While sleeping at your office may still be frowned upon where you work, more and more leaders are catching on to the value of this tool.
Jeremy Utley (Ideaflow: The Only Business Metric That Matters)
SALLY FEY SHRANK in her office chair when Lucas asked the question, her shoulders turning in, her neck seeming almost to shorten, as though she were trying to pull her head into a turtle shell. She looked up at Lucas and said, “Robert and I had an ambiguous relationship. . . .” She was twisting her hands, as she spoke. She was a slight woman, who might have been attractive if she’d done anything to make it so. But she didn’t: her clothing—she wore dresses—might have come from the 1950s. She wore neither jewelry nor makeup, but did wear square, clunky shoes. She looked at Lucas from under her eyebrows, and at an angle, as though she were worried that he might strike her.
John Sandford (Silken Prey (Lucas Davenport #23))
All beings begin their lives with hope and aspirations. Among these aspirations is the desire that there will be a straight path to those goals. It is seldom so. Perhaps never. Sometimes the turns are of one's own volition, as one's thoughts and goals change over time. But more often the turns are mandated by outside forces. It was so with me. The memory is vivid, unsullied by age: the five admirals rising from their chairs as I am escorted into the chamber. The decision of the Ascendancy has been made, and they are here to deliver it. None of them is happy with the decision. I can read that in their faces. But they are officers and servants of the Chiss, and they will carry out their orders. Protocol alone demands that. The word is as I expected. Exile. The planet has already been chosen. The Aristocra will assemble the equipment necessary to endure that solitude does not quickly become Death from predators or the elements. I am led away. Once again, my path has turned. Where it will lead, I cannot say.
Timothy Zahn
Entering yet another code, she took the passageway to Rehv’s office, and when she came through his door, the three males around the desk all looked at her warily. She took up res against the black wall across from them. “What.” Rehv leaned back in his chair, crossing his fur-clad arms over his chest. “Are you getting ready to go into your needing.” As he spoke, Trez and iAm both made the Shadow hand motion for warding off disaster. “God, no. Why do you ask?” “Because, no offense, you’re cranky as fuck.” “I am not.” As the males looked at one another, she barked, “Stop that.” Oh, great, now they all just pointedly didn’t look at each other. -Xhex, Rehv, Trez & iAm
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I like my job,” Vivi insisted, and the truth was, she did. Sure, there were the occasional Lacrosse Cheaters, but she could more than handle them, and she loved going to work on Penhaven’s campus. She loved going to the big cafeteria for lunch, loved her office with its comfy chairs. Loved sharing her own love of history with her students.
Erin Sterling (The Ex Hex (The Ex Hex, #1))
please feel free to work an extra half hour from time to time if you feel you need to do those “once-in-a-while” things like polishing the cup holders and the like. I, of course, will pay you for the extra time. “The next day, when I walked into my office,” Dr. Fitzhugh reported, “my desk had been polished to a mirror-like finish, as had my chair, which I nearly slid out of.
Dale Carnegie (How To Win Friends and Influence People)
The even newer new guy now that's come in to take Chandler Foss's spot's name is Dave K. and is one grim story to behold, Thrust assures him, a junior executive guy at ATHSCME Air Displacement, an upscale guy with a picket house and kids and a worried wife with tall hair, who this Dave K.'s bottom was he drank half a liter of Cuerva at some ATHSCME Interdependence Day office party and everything like that and got in some insane drunken limbo-dance challenge with a rival executive and tried to like limbo under a desk or a chair or something insanely low, and got his spine all fucked up in a limbolock, maybe permanently: so the newest new guy scuttles around the Ennet House living room like a crab, his scalp brushing the floor and his knees trembling with effort.
David Foster Wallace (Infinite Jest)
Well,all she had to do was ask," one offended male replied. "I hope you're satisfied!" Lauren whispered furiously. "I'm not," Nick chuckled in her ear. "But I'm going to be." Fully intending to leave him to take his own notes, Lauren slammed her notebook closed and tried to shove her chair back. Nick's body blocked the chair. She twisted her head around to say something scathing, and his lips captured hers in a kiss that forced her head against the back of the chair, tripled her pulse rate and robbed her of thought. When he took his mouth away, she was too shaken to do anything except stare at him. "What do you think,Nick?" a voice asked over the speaker. "I think it gets better every time," he answered huskily. When the call was finally over, Nick pressed a button on the desk, and Lauren saw the door leading into Mary's office swing shut electronically. He grasped her arms and drew her out of the chair, turning her toward him. His mouth came closer to hers,and Lauren felt herself being helplessly drawn into his magnetic spell. "Don't!" she pleaded. "Please don't do this to me." His hands tightened on her arms. "Why can't you just admit you want me and enjoy the consequences?" "All right," she said wretchedly, "You win. I want you...I admit it." She saw the gleam of triumph in his eyes, and her chin lifted. "When I was eight years old, I also wanted a monkey I saw in a pet store." The triumph faded. "And?" he sighed irritably,letting go of her. "And unfortunately I got him," Lauren said. "Daisy bit me,and I had to have twelve stitches in my leg." Nick looked as if he was torn between laughter and anger. "I imagine he bit you for naming him Daisy." Lauren ignored his mockery. "And when I was thirteen, I wanted sisters and brothers. My father obliged me by remarrying, and I got a stepsister who stole my clothes and my boyfriends, and a stepbrother who stole my allowances." "What the hell does that have to do with us?" "Everything!
Judith McNaught (Double Standards)
Though David knew his company was in trouble, the hostile takeover had to have blindsided him. Derek couldn’t help but gloat that David had walked into his former offices today only to be met by Derek’s security. Oh, yes, Derek been tempted to be there, to be sitting in the man’s former chair, just to see his reaction. He’d barely been able to stop himself, but he had plenty of time to wallow
Melody Anne (The Tycoon's Revenge (Baby for the Billionaire, #1))
principal was on the stage singing and leading us in the old song “On the Road to Mandalay.” He would emphasize by winking after each line of the song like some vaudeville singer. Being so tall I stood out and he could look right at me. So every time he would wink I would imitate him and wink back at him. When we got done with the assembly he told me to wait in his office for him. I went and sat there in the chair in front of his desk. He was a pretty big man, my height, only he outweighed me. He walked into the office, came up behind me, and cuffed me hard on the back of the head just the way my father used to whenever I lost one of his beer bets for him. “You fat fuck,” I said and jumped up and decked him. I broke his jaw, and they expelled me permanently on the spot. Naturally,
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
rose. He walked around to the rear of Hickock’s chair, and placing his hands on the back of the chair, leaned down as though to whisper in the prisoner’s ear. “Perry Smith has no sister living in Fort Scott,” he said. “He never has had. And on Saturday afternoons the Fort Scott post office happens to be closed.” Then he said, “Think it over, Dick. That’s all for now. We’ll talk to you later.” After Hickock’s
Truman Capote (In Cold Blood)
was sitting in a chair in the patent office at Bern when all of a sudden a thought occurred to me,” he recalled. “If a person falls freely, he will not feel his own weight.” That realization, which “startled” him, launched him on an arduous eight-year effort to generalize his special theory of relativity and “impelled me toward a theory of gravitation.”16 Later, he would grandly call it “the happiest* thought in my life.
Walter Isaacson (Einstein: His Life and Universe)
So. I, uh...” Beck ran a hand across the back of his neck, watching as Nolan leaned so far back in the office chair, it was dangerously close to tipping over. Or breaking in half. “I fucked up pretty badly.” “Yeah? What did you do? Wash your whites with colors? Have eleven items in the ten or less line at the grocery store? Sleep with a married chick?” Nolan chuckled to himself at that last part, knowing Beck wouldn't stoop to something so low as adultery. “I slept with Ash's sister.” The stunned look on Nolan's face would've been hysterical, if Beck had been talking about anything even remotely humorous. When the man remained mute, staring at him as if he'd grown another head, Beck couldn't help himself. “Only we didn't sleep.” It was a full three seconds before Nolan blinked. “You're gonna die.” The somber statement of fact was barely more than a whisper.
Jodi Watters (Wrong then Right (Love Happens, #2))
You look at the crime and you look at the criminal. If it's a dope dealer who guns down an undercover narcotics officer, then he gets the gas. If it's a drifter who rapes a three-year-old girl, drowns her by holding her little head in a mudhole, then throws her body off a bridge, then you take his life and thank god he's gone. If it's an escaped convict who breaks into a farmhouse late at night and beats and tortures an elderly couple before burning them with their house, then you strap him in a chair, hook up a few wires, pray for his soul, and pull the switch. And if it's two dopeheads who gang-rape a ten-year-old girl and kick her with pointed-toe cowboy boots until her jaws break, then you happily, merrily, thankfully, gleefully lock them in a gas chamber and listen to them squeal. It's very simple. Their crimes were barbaric. Death is too good for them, much too good.
John Grisham (A Time to Kill (Jake Brigance, #1))
They made their way past the heavy carved doors and his eyes imme-diately examined the room. He surveyed the perfectly preserved books lining the wall furthest from the entry, the dark amaranth desk and chair covered with large stacks of papers and the box of photobooks beside it on the floor. He inspected the glass on the coffee table and could just make out their fat cat Butter slowly making his way towards his feet to demand his daily massage.
Alexia D. Miller (Crystal Storm: Battleground (The Crystal Key Book Series 2))
Hiroyuki Agawa describes a meeting in which an army officer seated next to the admiral rose to his feet “and began to harangue those assembled at interminable length.” Yamamoto stealthily edged the man’s chair back several feet. When he had finished speaking and tried to sit down, the officer missed the chair and fell sprawling on the floor. The admiral kept a straight face, looked straight ahead, and continued the meeting as if nothing had happened
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
Tommy stood on a chair and made a speech of welcome; then Billy had to respond. “The war has changed us all,” he said. “I remember when people used to say the rich were put on this earth by God to rule over us lesser people.” That was greeted by scornful laughs. “Many men were cured of that delusion by fighting under the command of upper-class officers who should not have been put in charge of a Sunday school outing.” The other veterans nodded knowingly.
Ken Follett (Fall of Giants (The Century Trilogy #1))
They approached the motel’s horseshoe from the south, so the first thing they saw was the wing with the office in it. There were three things on the sidewalk under its window. The first was the plastic lawn chair, unoccupied, but still in its overnight position. The second thing was Keever’s battered valise, last seen in room 215, now repacked and waiting, all bulging and forlorn. The third thing was Chang’s own suitcase, zipped up, its handle raised, also repacked and waiting.
Lee Child (Make Me (Jack Reacher, #20))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Well, guys”—he spread his arms—“I could thank Reyna all day long. She has given so much to the legion. She’s been the best mentor and friend. She can never be replaced. On the other hand, I’m up here all alone now, and we have an empty praetor’s chair. So I’d like to take nominations for—” Lavinia started the chant: “HA-ZEL! HA-ZEL!” The crowd quickly joined in. Hazel’s eyes widened. She tried to resist when those sitting around her pulled her to her feet, but her Fifth Cohort fan club had evidently been preparing for this possibility. One of them produced a shield, which they hoisted Hazel onto like a saddle. They raised her overhead and marched her to the middle of the senate floor, turning her around and chanting, “HAZEL! HAZEL!” Reyna clapped and yelled right along with them. Only Frank tried to remain neutral, though he had to hide his smile behind his fist. “Okay, settle down!” he called at last. “We have one nomination. Are there any other—?” “HAZEL! HAZEL!” “Any objections?” “HAZEL! HAZEL!” “Then I recognize the will of the Twelfth Legion. Hazel Levesque, you are hereby promoted to praetor!” More wild cheering. Hazel looked dazed as she was dressed in Reyna’s old cloak and badge of office, then led to her chair. Seeing Frank and Hazel side by side, I had to smile. They looked so right together—wise and strong and brave. The perfect praetors. Rome’s future was in good hands. “Thank you,” Hazel managed at last. “I—I’ll do everything I can to be worthy of your trust. Here’s the thing, though. This leaves the Fifth Cohort without a centurion, so—” The entire Fifth Cohort started chanting in unison: “LAVINIA! LAVINIA!” “What?” Lavinia’s face turned pinker than her hair. “Oh, no. I don’t do leadership!” “LAVINIA! LAVINIA!” “Is this a joke? Guys, I—” “Lavinia Asimov!” Hazel said with a smile. “The Fifth Cohort read my mind. As my first act as praetor, for your unparalleled heroism in the Battle of San Francisco Bay, I hereby promote you to centurion—unless my fellow praetor has any objections?” “None,” Frank said. “Then come forward, Lavinia!
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Mulder strolled into his office whistling. It was the kind of day that began with a gorgeous, unreal sunrise... he was half-afraid he was dreaming... It took a second for him to notice Scully in his chair. 'Morning,' he said brightly. All he needed now was a generous supply of sunflower seeds, and things would be perfect. Scully reached down beside her, and tossed him a plastic bag. He caught it against his chest one-handed and held it up. It was a half pound of sunflower seeds. He smiled. A sign; it had to be a sign.
Charles Grant (The X-Files: Whirlwind)
Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
We can all talk to each other however we want. This is a democracy. Of course, as a police officer, I have the power to stop and search. I can detain you if it really takes my fancy. Now, you could’ve just given up the spare seat, but no, you’re part of this entitled young generation who think you can do exactly what you want. You reap what you sow. You were rude to me, and in turn I could make life very difficult for you. Or you can all fuck off, let me sit in this chair for ten minutes, and leave me to eat my sandwich in peace.
Robert Bryndza (Deadly Secrets (Detective Erika Foster, #6))
the ground.’ In his war diaries he described the pandemonium that arose then among these experienced politicians from all parts of the political spectrum. ‘Quite a number seemed to jump up from the table and come running to my chair, shouting and patting me on the back. There is no doubt that had I at this juncture faltered at all in the leading of the nation I should have been hurled out of office. I was sure that every minister was ready to be killed quite soon, and have all his family and possessions destroyed, rather than give in.
Geert Mak (In Europe: Travels Through the Twentieth Century)
I remember so well when we sat down in the chairs in the Oval Office, and the photographers came in…and we were shaking hands, and she was smiling and making the right friendly comments,” Nixon recalled. “Then the photographers left the room. She crossed her legs, lit a cigarette and said, ‘Now, Mr. President, what are you going to do about those planes that we want and we need very much?’…Golda Meir acted like a man and wanted to be treated like a man. There is no question that she was a very strong, intelligent leader in her own right.
Elinor Burkett (Golda)
Again on Rose Hill with all the familiar sounds, sights and smells, dank gymnasium office, trainer Jake’s old barber chair, the Keating Hall clock tower, Jesuits in cassocks clucking along, lunches of linguine and calamari on Arthur Avenue, leaves and mud on the practice field, thud and smack of leather upon leather as dusk enveloped the Bronx, maroon and gold, we do or die notes drifting over from band rehearsal—Lombardi was in his element, restored. Football as religion. The T a catechism from which he preached. And God was in the details.
David Maraniss (When Pride Still Mattered: A Life Of Vince Lombardi)
Rowan didn’t speak as she turned on her heel and strode to the door. Didn’t speak as she opened it, exited, and shut it behind her with a gentle click. Then he swiveled in his chair and leveled Sean with a dark glare. “What the hell just happened?” “That’s called a strikeout,” Sean said with a grin. “I’ve never seen you crash and burn like that, my friend.” “I know. Embarrassing is what it is. I mean, really.” Rowan tangled his fingers through his hair. “You got a better response than I did.” “Please, I got nothing, same as you.” Rowan offered him a sheepish smile. “I know. But I felt the heat pulsing off you the moment she stepped into the office. Then I saw the fantasies you were weaving about her and decided to throw you a bone. So you want her, huh?” Sean lost his grin but managed to shrug. “Doesn’t matter. Unless you picked up on her weaving fantasies about me?” A sigh. “Sorry. Her mind was a blank slate to me. I didn’t pick up on a single thought, emotion, or desire. It’s like she operates on a completely different frequency than the rest of the world.” She probably did, with all those wires and chips in her head. “Still,” Rowan continued, “we can call Bill and tell him you’re the one who should be—” “Nope.” The word burned his tongue, and he hated himself for saying it, but he didn’t take it back. Success was too important. “I don’t exactly inspire trust in the women I date. The opposite, in fact. Something about me makes people distrust every word and action.” His affiliation with the shadows, with darkness, most likely. They must have sensed it on some level. “You’re better at romancing and I’m better at killing.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
Alex took the train down from Boston on the appointed day. She wore a new navy blue dress and matching coat she had bought to wear to her graduation dinner in six weeks. And in case she was late and had to run through the station to make it in time, she had worn little flat black suede shoes, and she looked more than ever like a schoolgirl with her shining dark straight hair down her back, when she arrived at Rose’s office at two-thirty. She was very nervous and her eyes were huge, as she sat anxiously at the edge of a chair across from Rose’s desk.
Danielle Steel (The Right Time)
I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.
Mona Awad (Bunny (Bunny, #1))
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
Is this okay with you, Jenna? For him to stay here?" "Yeah," I said. "It's good. You have no idea what it takes for him to ask for help." I spent all evening in Alan's office, reading at his desk and keeping Cameron company. Mostly he slept, snoring lightly and once in a while murmuring unintelligible something into his pillow. I turned my chair so that I could look at him whenever I wanted, at his face or at the bare foot that stuck out from under the covers, or at his arm dangling off the side of the sofa bed. Around eleven, when I was ready for bed, Cameron woke up. I brought him broth and crackers. "Hi," I said. "Have you been here all this time?" "Most of it." Alan's beige pajamas looked small and uncomfortable on Cameron. "You don't have to," he said. "I can take care of myself." He reached for the broth. I watched him slurp straight from his bowl, everything about him becoming younger and more boyish by the second-rosy lips on the white rim of the bowl, wrists without enough pajama sleeve to cover them, cowlick hair and sleepy eyes. "I know you can. But you don't have to." "Well..." He finally looked at me. "Thanks.
Sara Zarr (Sweethearts)
What is it?” “It’s a souvenir.” I frown, sitting back in my chair. “For what?” “I didn’t even wash it.” She laughs. “Tinsley, that better not be what I think it is.” I growl. She lifts her mother’s eyes and smiles at me. “You can’t take a knife to school.” She knows this. We just went over this last week. With me, her mother, the principal, and the police officer that were present for our mandatory meeting. “I’m going to mail it to him.” I run a hand down my face, holding in a sigh. I thought Carnage was going to be the death of me. But nope. It’s my teenage daughter.
Shantel Tessier (Carnage (L.O.R.D.S., #5))
Shh! She said. The waiter. He's about to take their order. She leaned back and to her left, closer,closer,closer,her body like a giraffe's neck, until her chair shot out from under her and she landed on the floor. The whole restaurant turned to look. I jumped up to help. She stood up, righted the chair, and started in again. Did you see the tattoo one of them has on the inside of his arm? It looked like a roll of tape. I took a gulp of margarita and settled into my fallback option, which was to wait her out. Know what one of the guys at the drive-through Starbucks has on his forearm? Bernadette said. A paper clip! It used to be so daring to get a tattoo. And now people are tattooing office supplies on their bodies. You know what I say? Of course this was rhetorical. I say, dare not to get a tattoo. She turned around again, and gasped. Oh My God. It's not just any roll of tape. It's literally Scotch tape, with the green-and-black plaid. This is too hilarious. If you're going to tattoo tape on your arm, at least make it a generic old-fashioned tape dispenser! What do you think happened? Did the Staples catalogue get delivered to the tattoo parlor that day?
Maria Semple (Where'd You Go, Bernadette)
You remind Cruise that I was the one who begged him to run screaming from that script,” Graham shouts into a speakerphone on his desk in an office just like every office in movies with studio executive scenes. Where a window fills the entire rear wall on a floor so high you could see your house from it if it weren’t obscured by its own weather system. The kind that silhouettes the man in power with a Christ-like halo of sunlight meant to intimidate guests into squinting in what could be mistaken for awe. He waves me inside to sit in a chair that’s at least one strategic foot lower than his own.
Gordon Highland (Major Inversions)
She’s certain that I intend to lure Lilly into the debauched harem that I maintain in the opium dens of Paris.” He turned her toward the lane. “Be so good as to thwart me from this evil scheme. You can begin by distracting me with a walk to the post office.” She smiled, though it was slightly watery. “I see that it’s my Christian duty, when you put it so. I only hope I may not succumb to your wicked plot myself.” “Oh, I have far more sinister plans for you. I mean to entice you to a dish of tea in the public parlor at the Antlers. I will certainly set a chair for you, and possibly I may even speak French.
Laura Kinsale (Lessons in French)
He only cried when your father was killed. I remember he sat downstairs all by himself when he got back. Must have been well toward dawn. He sat down there and had a drink. I was awakened by a sound I’d never heard. I snuck downstairs. He was sitting in that old rocker there”—John pointed through the crowd to a threadbare old chair that had stood in the same spot for fifty years—“and rocked back and forth and sobbed like a baby. He loved your father. He thought Earl Swagger was the most perfect man ever put on earth: hero, father, police officer, incorruptible symbol of everything that was right and strong about America.
Stephen Hunter (Black Light (Bob Lee Swagger, #2))
I don’t ask for a miracle,” Helmar resumed, “but I do need speed, boldness, and sagacity.” He was in the red leather chair beyond the end of Wolfe’s desk, with his briefcase on the little table at his elbow. His voice was a raspy oratorical baritone, hard and bony like him. He was going on. “And discretion—that is essential. You have it, I know. As for me, I am a senior partner in a law firm of the highest repute, with offices at Forty Wall Street. A young woman for whom I am responsible has disappeared, and there is reason to fear that she is doing something foolish and may even be in jeopardy. She must be found as quickly as possible.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
There was a shamefulness about the experience of Herbert's execution I couldn't shake. Everyone I saw at the prison seemed surrounded by a cloud of regret and remorse. The prison officials had pumped themselves up to carry out the execution with determination and resolve, but even they revealed extreme discomfort and some measure of shame. Maybe I was imagining it but it seemed that everyone recognized what was taking place was wrong. Abstractions about capital punishment were one thing, but the details of systematically killing someone who is not a threat are completely different. I couldn't stop thinking about it on the trip home. I thought about Herbert, about how desperately he wanted the American flag he earned through his military service in Vietnam. I thought about his family and about the victim's family and the tragedy the crime created for them. I thought about the visitation officer, the Department of Corrections officials, the men who were paid to shave Herbert's body so that he could be killed more efficiently. I thought about the officers who had strapped him into the chair. I kept thinking that no one could actually believe this was a good thing to do or even a necessary thing to do. The next day there were articles in the press about the execution. Some state officials expressed happiness and excitement that an execution had taken place, but I knew that none of them had actually dealt with the details of killing Herbert. In debates about the death penalty, I had started arguing that we would never think it was humane to pay someone to rape people convicted of rape or assault and abuse someone guilty of assault or abuse. Yet we were comfortable killing people who kill, in part because we think we can do it in a matter that doesn't implicate our own humanity, the way that raping or abusing someone would. I couldn't stop thinking that we don't spend much time contemplating the details of what killing someone actually involves.
Bryan Stevenson (Just Mercy)
From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.
Michael Chabon (The Yiddish Policemen's Union)
The prosecutor nodded to the usher, who opened the door at the back of the room. There was a scraping of chairs outside, the door opened wide and a large man strolled in. Krohn noted that the man was wearing a suit jacket which was slightly too small, black jeans and large Dr Martens boots. The close-shaven head and the slim athletic body suggested an age somewhere around the early thirties – although the bloodshot eyes with bags underneath and the pale complexion with thin capillaries bursting sporadically into small red deltas pointed more in the region of fifty. ‘Police Officer Harry Hole?’ the judge asked when the man had taken a seat in the witness box.
Jo Nesbø (The Redbreast)
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Sir, you do understand that - officially - I'm not actually a centurion. I haven't even been assigned to a legion yet.' The general continued writing as he spoke. 'What was the name?' 'Corbulo, sir.' 'Corbulo, you have an officer's tunic and an officer's helmet; and you completed full officer training did you not?' Cassius nodded. He could easily recall every accursed test and drill. Though he'd excelled in the cerebral disciplines and somehow survived the endless marches and swims, he had rated poorly with sword in hand and had been repeatedly described as "lacking natural leadership ability." The academy's senior centurion had seemed quite relieved when the letter from the Service arrived. 'I did, sir, but it was felt I would be more suited to intelligence work than the legions, I really would prefer -' 'And you did take an oath? To Rome, the Army and the Emperor?' 'I did, sir, and of course I am happy to serve but -' The General finished the orders. He rolled the sheet up roughly and handed it to Cassius. 'Dismissed.' 'Yes, sir. Sorry, sir. I just have one final question.' The General was on his way back to his chair. He turned around and fixed Cassius with an impatient stare. 'Sir - how should I present myself to the troops? In terms of rank I mean.' 'They will assume you are a centurion, and I can see no practical reason whatsoever to disabuse them of that view.
Nick Brown (The Siege (Agent of Rome #1))
research psychologist named Hans Eysenck hypothesized that human beings seek “just right” levels of stimulation—not too much and not too little. Stimulation is the amount of input we have coming in from the outside world. It can take any number of forms, from noise to social life to flashing lights. Eysenck believed that extroverts prefer more stimulation than introverts do, and that this explained many of their differences: introverts enjoy shutting the doors to their offices and plunging into their work, because for them this sort of quiet intellectual activity is optimally stimulating, while extroverts function best when engaged in higher-wattage activities like organizing team-building workshops or chairing meetings.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track. Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child's play of that charming world.
Hermann Hesse (Steppenwolf)
Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Maxwell D. Kalist is a receiving teller at a city bank, Orwell and Finch, where he runs an efficient department of twenty two clerks and twelve junior clerks. He carries a leather-bound vade mecum everywhere with him – a handbook of the most widely contravened banking rules. He works humourlessly (on the surface of it) in a private, perfectly square office on the third floor of a restored grain exchange midway along the Eastern flank of Květniv’s busy, modern central plaza. Behind his oblong slate desk and black leather swivel chair is an intimidating, three-storey wall made almost entirely of bevelled, glare-reducing grey glass in art-deco style; one hundred and thirty six rectangles of gleam stacked together in a dangerously heavy collage.
Carla H. Krueger (From the Horse’s Mouth)
The call was already under way when Lauren walked into his office. Nick gestured toward his chair and got up so taht she could sit at his desk and take notes.Two minutes after Lauren sat down, he leaned over her from behind, braced his hands on the desk on either side of her and brushed his lips across her hair. Lauren's self-control snapped. "Damn you, stop it!" she burst out. "What?" "What?" "What?" three masculine voices chorused. Nick leaned toward the speaker and drawled, "My secretary thinks you're talking too fast,and she'd like you to stop it so she can catch up." "Well,all she had to do was ask," one offended male replied. "I hope you're satisfied!" Lauren whispered furiously. "I'm not," Nick chuckled in her ear. "But I'm going to be.
Judith McNaught (Double Standards)
Sit.” The stadium officer points to a chair. There’s a table with two chairs on one side and one on the other. There’s even a surveillance window on the wall, like an episode of Law & Order. This has got to be a joke. I sit. What else am I supposed to do? Make a run for it? I’m not a run-for-it kind of girl. Besides, I’ve done nothing wrong. I am not a criminal. I’m a second-grade teacher. Maybe something awful happened to Cal? Maybe he tripped and hit his head. Stadium seating involves a lot of stairs. Or maybe he got shanked while in line for a cheesesteak. With a plastic knife. It happens. I think I saw it once on TV. What if they need me to provide medical information? I don’t know any medical information about Cal, I’ve met the guy twice
Jana Aston (Trust (Cafe, #3))
Nixon quickly laid Golda’s fears to rest. Despite reams of memoranda from his staff warning him not to succumb to the Israeli prime minister’s charms, alone with the grandmotherly woman for more than an hour and a half, Nixon couldn’t resist her. “I remember so well when we sat down in the chairs in the Oval Office, and the photographers came in…and we were shaking hands, and she was smiling and making the right friendly comments,” Nixon recalled. “Then the photographers left the room. She crossed her legs, lit a cigarette and said, ‘Now, Mr. President, what are you going to do about those planes that we want and we need very much?’…Golda Meir acted like a man and wanted to be treated like a man. There is no question that she was a very strong, intelligent leader in her own right.
Elinor Burkett (Golda)
Yuppieville. The fourteenth floor of Lock-Horne Investments & Securities reminded Myron of a medieval fortress. There was the vast space in the middle, and a thick, formidable wall—the big producers’ offices—safeguarding the perimeter. The open area housed hundreds of mostly men, young men, combat soldiers easily sacrificed and replaced, a seemingly endless sea of them, bobbing and blending into the corporate-gray carpet, the identical desks, the identical rolling chairs, the computer terminals, the telephones, the fax machines. Like soldiers they wore uniforms—white button-down shirts, suspenders, bright ties strangling carotid arteries, suit jackets draped across the backs of the identical rolling chairs. There were loud noises, screams, rings, even something that sounded like death cries. Everyone was in motion. Everyone was scattering, panicked, under constant attack. Yes,
Harlan Coben (Drop Shot (Myron Bolitar, #2))
If a single man of them had shown himself courageous it would have been something: I would have felt less ashamed of my country. I had long suspected the veracity of certain of the heroic legends of ancient Rome related by the historian Livy, and on hearing of this scene in the Senate I even began to have doubts about my favourite passage, the one describing the fortitude of the senators of old after the disaster of the River Allia when the Celts were advancing on the City and all hope of defending the walls was gone. Livy tells how the young men of military age, with their wives and children, withdrew into the Citadel after getting in a store of arms and provisions, resolved to hold out to the last. But the old men, who could be only an encumbrance to the besieged, remained behind and awaited death, wearing senatorial robes and seated in chairs of office in the porticoes of their houses, their ivory rods of office grasped firmly in their hands. When I was a boy, old Athenodorus made me memorize all this and I have never forgotten it: “The halls of the patricians stood open and the invaders gazed with feelings of true awe upon the seated figures in the porticoes, impressed not only by the super-human magnificence of their apparel and trappings but also by their majestic bearing and the serene expression that their countenances wore: they seemed very Gods. So they stood marvelling, as at so many divine statues, until, as the legend tells, one of them began gently to stroke the beard of a patrician, by name Marcus Papirius—beards in those days were universally worn long—who rose and smote him on the head with his ivory staff. Admiration yielded to passion and Marcus Papirius was the first patrician to meet his death. The rest were butchered still seated in their chairs.
Robert Graves (Claudius The God: And His Wife Messalina)
I have spent a vexing half-hour scrapping with Fräulein Engel over the pen nib, which I swear I did not bend on purpose the first time. It is true that it spared me having to continue for a good long while but it did not move things along for that harpy to straighten it out against my teeth when I could have easily done it myself against the table. It is also true that it was stupid of me to bend it out of shape again, on purpose, the second she handed it back to me. Then she had to show me SEVERAL TIMES how, when she was at school, the nurse would use a pen nib to make a pinprick for a blood test. I don’t know why I bent the stupid thing again. It is so easy to wind Miss Engel up. She always wins; but only because my ankles are tied to my chair. Well, and also because at the end of every argument she reminds me of the deal I made with a certain officer of the Gestapo, and I collapse.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
The obvious costs of such a policy became apparent to me as I sat along the back wall of vault V22 at NSA headquarters with two of the more talented infrastructure analysts, whose workspace was decorated with a seven-foot-tall picture of Star Wars’ famous wookie, Chewbacca. I realized, as one of them was explaining to me the details of his targets’ security routines, that intercepted nudes were a kind of informal office currency, because his buddy kept spinning in his chair to interrupt us with a smile, saying, “Check her out,” to which my instructor would invariably reply “Bonus!” or “Nice!” The unspoken transactional rule seemed to be that if you found a naked photo or video of an attractive target—or someone in communication with a target—you had to show the rest of the boys, at least as long as there weren’t any women around. That was how you knew you could trust each other: you had shared in one another’s crimes.
Edward Snowden (Permanent Record)
Fire the Boss. “Big Al, when you join our business, here is what happens. Six months from now you walk into your boss’ office. You sit down in the chair, you put your feet up on his desk and you leave little scuff marks with your heels. “Then you put your hands behind your head and you calmly tell the boss that you can’t fit him into your schedule any longer. You’ve enjoyed working there, but if they have any problems after you leave, they can call you any Tuesday morning at 11:00 a.m. at your normal consulting rate. “Then you get up from the boss’ office, walk out to the main office desk, pick up your personal belongings, wave good-bye to all your fellow workers who said it couldn’t be done, hop into your brand-new bonus car, drive down to the drive-in teller window, deposit this month’s bonus check, and say to the bank teller: “‘Oh, I don’t know. Put this bonus check in savings or checking. It really doesn’t matter. I get these checks every month.’ “And then you drive home and relax, and have a nice glass of your favorite beverage.
Tom Schreiter (How To Prospect, Sell and Build Your Network Marketing Business With Stories)
Cade studied her for a moment, then sat forward in his chair. “Seriously, what is it about this guy? He’s just a rich computer geek with good hair.” Rylann smiled. “I think there’s a little more to it than that.” “Christ, you are smitten.” He threw up his hands. “What is going on with everyone these days? Sam Wilkins is babbling about a meet-cute, Cameron’s sneaking off to get hitched, and now you’re all starry-eyed over the Twitter Terrorist. Has everyone been sneaking happy pills out of the evidence room when I’m not looking?” "No, just some really good pot.” Cade laughed out loud at that. “You are a funny one, Pierce. I’ll say that.” “So does that mean we’re still on for Starbucks later today?” He studied her suspiciously. “You’re not going to want to talk about Kyle Rhodes the whole time, are you?” “Actually, yes. And then we’ll go shoe shopping together and get mani-pedis.” She threw him a get-real look. “We’ll talk about the same stuff we always talk about.” With a grin, he finally nodded. “Fine. Three o’clock, Pierce. I’ll swing by your office
Julie James (About That Night (FBI/US Attorney, #3))
Many people find they get better results if they imagine themselves sitting before a large motion picture screen—and imagine that they are seeing a motion picture of themselves. The important thing is to make these pictures as vivid and as detailed as possible. You want your mental pictures to approximate actual experience as much as possible. The way to do this is to pay attention to small details, sights, sounds, objects, in your imagined environment. One of my patients was using this exercise to overcome her fear of the dentist. She was unsuccessful, until she began to notice small details in her imagined picture—the smell of the antiseptic in the office, the feel of the leather on the chair arms, the sight of the dentist’s well-manicured nails as his hands approached her mouth, etc. Details of the imagined environment are all-important in this exercise, because for all practical purposes, you are creating a practice experience. And if the imagination is vivid enough and detailed enough, your imagination practice is equivalent to an actual experience insofar as your nervous system is concerned.
Maxwell Maltz (Psycho-Cybernetics: Updated and Expanded (The Psycho-Cybernetics Series))
Another aspect of this – one that he makes into an extended, if slightly ghoulish, case study – was to be found in the funerals of ‘distinguished men’. Again, Polybius must have witnessed enough of these to draw out their deeper significance. The body, he explains, was carried into the Forum and placed on the rostra, normally propped up somehow in an upright position, so it was visible to a large audience. In the procession that followed, family members wore masks made in the likeness of the dead man’s ancestors and dressed in the costume appropriate to the offices each had held (purple-bordered togas and so on), as if they were all present ‘living and breathing’. The funeral address, delivered by a family member, started with the achievements of the corpse on the rostra but then went through the careers of all the other characters, who by this time were sitting on ivory, or at least ivory-veneered, chairs lined up next to the dead man. ‘The most important upshot of this,’ Polybius concludes, ‘is that the younger generation is inspired to endure all suffering for the common good, in the hope of winning the glory that belongs to the brave.
Mary Beard (SPQR: A History of Ancient Rome)
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
Soon, droves of children start to show up, keeping us rather busy. We start tallying up the number of Trolls, Batmans, Lego men, and princesses we see. The most popular costume? Batman and Superwoman with the fabrics and accessories varying from child to child. But my favorite so far is the girl who dressed as Little Debbie, but then again, I may be biased. “I think she might be my new favorite,” Emma says as a little girl dressed as a nurse walks away. “That’s because you’re a nurse, but you can’t play favorites,” I say, reminding Emma of the rules. She levels with me. “This coming from the guy whose favorite child was dressed as Little Debbie.” “Come on.” I lean back in my chair and motion to my head. “She had the rim of blue on her hat. That’s attention to detail.” “And good fucking parenting,” Tucker chimes in, and we clink our beer bottles together. Amelia chuckles next to me as Emma shakes her head. “Ridiculous. What about you, Amelia? What costume has been your favorite so far?” “Hmm, it’s been a tough competition. There has been some real winning costumes and some absolute piss-poor ones.” She shakes her head. “Just because you put a scarf around your neck and call yourself Jack Frost doesn’t mean you dressed up.” “Ugh, that costume was dumb.” “It shouldn’t be referred to as a costume, but that’s beside the point.” I like how much Amelia is getting into this little pretend competition. She’s a far cry from the girl who first came home earlier. I love that having Tucker and Emma over has given me more time with Amelia, getting to know the woman she is today, but also managed to put that beautiful smile back on her face. “So who takes the cake for you?” I ask, nudging her leg with mine. Smiling up at me, she says, “Hands down it’s the little boy who dressed as Dwight Schrute from The Office. I think I giggled for five minutes straight after he left. That costume was spot on.” “Oh shit, you’re right,” I reply as Emma and Tucker agree with me. “He even had the watch calculator.” “And the small nose Dwight always complains about.” Emma chuckles. “Yeah, he has to be the winner.” “Now, now, now, let’s not get too hasty. Little Debbie is still in the running,” Tucker points out. Amelia leans forward, seeming incredibly comfortable, and says, “There is no way Little Debbie beats Dwight. Sorry, dude.” The shocked look on Tucker’s face is comical. He’s just been put in his place and the old Amelia has returned. I fucking love it.
Meghan Quinn (The Other Brother (Binghamton, #4))
The one-eyed guy waited thirty seconds, and then dialed his desk phone, and when it was answered he said, “She met a guy off the train. It was late. She waited five hours for it. She brought the guy here and he took a room.” There was the plastic crackle of a question, and the one-eyed clerk said, “Another big guy. A mean son of a bitch. He busted my balls on the room rate. I gave him 106, in the back corner.” Another crackling question, and another answer: “Not from here. I’m in the office.” Another crackle, but this time a different tone and a different cadence. An instruction, not a question. The one-eyed guy said, “OK.” And he put the phone down and struggled to his feet, and stepped out of the office, and took the lawn chair from outside 102, which was empty, and dragged it to a spot on the blacktop where he could see his own door and 106’s equally. Can you see his room from there? had been the question, and Move your ass somewhere you can watch him all night had been the instruction, and the one-eyed guy always obeyed instructions, if sometimes a little reluctantly, as at that point, as he adjusted his angle and dumped his bulk down on the uncomfortable plastic. Outside, in the nighttime air. Not his preferred way of doing things.
Lee Child (Make Me (Jack Reacher, #20))
We’ve become so focused as a society on the question of whether a given sexual behavior is evolutionarily “natural” or “unnatural” that we’ve lost sight of the more important question: Is it harmful? In many ways, it’s an even more challenging question, because although naturalness can be assessed by relatively straightforward queries about statistical averages—for example, “How frequently does it appear in other species?” and “In what percentage of the human population does it occur?”—the experience of harm is largely subjective. As such, it defies such direct analyses and requires definitions that resonate with people in vastly different ways. When it comes to sexual harm in particular, what’s harmful to one person not only is completely harmless to another but may even, believe it or not, be helpful or positive. If the supermodel Kate Upton were to walk into my office right now and tie me to my chair before doing a slow striptease and depositing her vagina in my face, I think I’d require therapy for years. But if this identical event were to happen to my heterosexual brother or to one of my lesbian friends, I suspect their brains would process such a “tragic” experience very differently. (And that of my not-very-amused sister-in-law would see my brother’s encounter with said vagina differently still.)
Jesse Bering (Perv: The Sexual Deviant in All of Us)
arrived in Cambridge, and made an appointment to meet the formidable Krister Stendahl, a Swedish scholar of fierce intelligence, now to be my first adviser. We met in his office. I was nervous, but also amused that this tall and severe man, wearing a black shirt and clerical collar, looked to me like an Ingmar Bergman version of God. After preliminary formalities, he abruptly swiveled in his chair and turned sternly to ask, “So really, why did you come here?” I stumbled over the question, then mumbled something about wanting to find the essence of Christianity. Stendahl stared down at me, silent, then asked, “How do you know it has an essence?” In that instant, I thought, That’s exactly why I came here: to be asked a question like that—challenged to rethink everything. Now I knew I had come to the right place. I’d chosen Harvard because it was a secular university, where I wouldn’t be bombarded with church dogma. Yet I still imagined that if we went back to first-century sources, we might hear what Jesus was saying to his followers when they walked by the Sea of Galilee—we might find the “real Christianity,” when the movement was in its golden age. But Harvard quenched these notions; there would be no simple path to what Krister Stendahl ironically called “play Bible land” simply by digging through history. Yet I also saw that this hope of finding “the real Christianity” had driven countless people—including our Harvard professors—to seek its origins. Naive as our questions were, they were driven by a spiritual quest. We discovered that even the earliest surviving texts had been written decades after Jesus’s death, and that none of them are neutral. They reveal explosive controversy between his followers, who loved him, and outsiders like the Roman senator Tacitus and the Roman court historian Suetonius, who likely despised him. Taken together, what the range of sources does show, contrary to those who imagine that Jesus didn’t exist, is that he did: fictional people don’t have real enemies. What came next was a huge surprise: our professors at Harvard had file cabinets filled with facsimiles of secret gospels I had never heard of—the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary Magdalene, the Gospel of Truth—and dozens of other writings, transcribed by hand from the original Greek into Coptic, and mimeographed in blue letters on pages stamped TOP SECRET. Discovered in 1945, these texts only recently had become available to scholars. This wasn’t what I’d expected to find in graduate school, or even what I wanted—at least, not so long as I still hoped to find answers instead of more questions
Elaine Pagels (Why Religion?: A Personal Story)
He sat beside his brother and glanced at the notes. “The broken pew in the chapel has been repaired—you can cross that off the list. The keg of caviar arrived yesterday. It’s in the icehouse. I don’t know whether the extra camp chairs are here yet. I’ll ask Sims.” He paused to drink half his coffee in one swallow. “Where’s Kathleen? Still abed?” “Are you joking? She’s been awake for hours. At the moment she’s with the housekeeper, showing deliverymen where to set the flower arrangements.” A fond smile crossed Devon’s lips as he rolled the pencil against the tabletop with the flat of his hand. “You know my wife—every detail has to be perfect.” “It’s like staging a production at St. James’s Music Hall. Without, sadly, the chorus girls in pink tights.” West drained the rest of his coffee. “My God, will this day never end?” “It’s only six o’clock in the morning,” Devon pointed out. They both sighed. “I’ve never thanked you properly for marrying Kathleen at the registrar’s office,” West commented. “I want you to know how much I enjoyed it.” “You weren’t there.” “That’s why I enjoyed it.” Devon’s lips twitched. “I was glad not to have to wait,” he said. “But had there been more time, I wouldn’t have minded going through a more elaborate ceremony for Kathleen’s sake.” “Please. Shovel that manure in someone else’s direction.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
A chair down the row from mine shifted and my mouth watered from the aroma of hot cinnamon rolls. I snuck a peek and noticed red, silky, curly hair. I knew her. Echo Emerson. Not a cinnamon roll in sight, but damn if she didn’t smell like one. We had several of our main courses together and last semester one of our free periods. I didn’t know much about her other than she kept to herself, she was smart, a redhead and she had big tits. She wore large, long-sleeved shirts that hung off her shoulders and tank tops underneath that revealed just enough to get the fantasies flowing. Like always, she stared straight ahead as if I didn’t exist. Hell, I probably didn’t exist in her mind. People like Echo Emerson irritated the crap out of me. “You’ve got a f*cked-up name,” I mumbled. I didn’t know why I wanted to rattle her, I just did. “Shouldn’t you be getting high in the bathroom?” So she did know me. “They installed security cameras. We do it in the parking lot now.” “My bad.” Her foot rocked frantically back and forth. Good, I’d succeeded in getting under that perfect facade. “Echo … echo … echo …” Her foot stopped rocking and red curls bounced furiously as she turned to face me. “How original. I’ve never heard that before.” She swept up her backpack and left the office. Her tight ass swayed side to side as she marched down the hallway.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Here the genie of fire showed me in a crimson tableau the booth of a chestnut-seller where a pair of non-commissioned officers, their belts abandoned on chairs, were playing cards, without suspecting that they had been conjured out of the darkness by a magician, like a stage apparition, and presented as they actually were at that very moment to the eyes of a stopping passer-by who was invisible to them. In a little junk shop, a half-spent candle projected its red glow on to an engraving and turned it to the colour of blood, while the light cast by a big lamp, struggling with the darkness, bronzed a fragment of leather, nielloed a dagger with glittering spangles, spread a sheen of precious gold like the patina of the past or the varnish of a master over pictures which were only bad copies, and turned this whole hovel, in which there was nothing but cheap imitations and cast-off rubbish, into a marvellous Rembrandt painting. Occasionally I looked up towards some vast old apartment with its shutters still open and where amphibious men and women, adapting themselves each evening to living in an element different from their daytime one, swam about slowly in the dense liquid which at nightfall rises incessantly from the wells of lamps and fills the rooms to the brink of their walls of stone and glass, and as they moved about in it, their bodies sent forth unctuous golden ripples.
Marcel Proust (The Guermantes Way)
Layla skimmed the legal opinion. The one-page document stated in no uncertain terms that Sam had the full legal right of occupancy to the office and that her claims had no merit. John had signed and dated it at the bottom. Instantly, she understood why Royce had let her read it. "This is dated the day after Sam and I met." "Fancy that." Her heart skipped a beat. "He always knew I had no right to be here. He could have kicked me out at any time." "If it had been me, you and your purple couch would have been out on the street on day one, but then I'm coldhearted that way." Layla sat heavily on the nearest chair. "Then why did he play the game?" Royce shrugged. "Maybe he didn't want you to marry a douche." "Or someone like Ranjeet," she said, considering. "He was trying to protect me. But if I didn't find someone, would he have honored the rules and walked away?" "He does have that character flaw." Royce leaned back in his chair, folding his arms behind his head. "That's why we made a good team. I have no scruples and he has too many." "Would you give him a message from me?" An idea started to form in her mind. "I deleted his contact details from my phone." "Do I look like a receptionist?" "You look like a guy who pretends not to care, but whose colorful clothes hide a warm heart." His lips curved. "What does that make me in this tragedy? The comic relief?" "It's not a tragedy." Layla wrote a quick note on the back of the legal opinion. "It's a romance. Except in this version, Buttercup saves herself.
Sara Desai (The Marriage Game (Marriage Game, #1))
Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.
Neil Gaiman (American Gods (American Gods, #1))
Zeke drifted over to her father’s guitar in the corner of the office. He stared at it for a few long moments, before glancing at her over his shoulder. “Mind?” She shook her head, curious what he would do with the old acoustic. It had seen better days and Dad kept it more for sentimental reasons than practical. Zeke picked it up and dust swirled away. He fitted it under his arm, running through chords to check to see if it was in tune. It wasn’t off by much, but his broad fingers tweaked and tightened until it was at perfect pitch. Seamlessly, he strummed the opening chords to “Home” by Michael Buble. Ember knew her mouth had to be hanging open, but she didn’t care. As if he couldn’t not, his deep voice fell into accompaniment. She stepped away to sink down into a chair, entranced by the broken man singing, eyes shut. Tendrils of need and longing crept into her heart, and it was one of the most beautiful things she’d ever seen. Tears filled her eyes. Almost halfway through the song, his fingers fumbled a note and he stopped singing. When she lifted her eyes to look at him, he stared at her as if he’d forgotten she were there. Jaw tight, emotion brimming in his eyes, he set the guitar back on the stand and walked out of the room. Ember could have wept. She didn’t know why he’d quit, but she wanted him to come right back in and finish the song. Her mind knew what melody was supposed to come next, but it couldn’t create the same type of emotion he had while singing. She thought back to the absolute absorption on his face as he sang, and realized he hadn’t stuttered or hesitated once through the entire performance.
J.M. Madden (Embattled Minds (Lost and Found, #2))
His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.
Tim Stevens (Ratcatcher (John Purkiss, #1))
Ladies and gentlemen!” A loud, brash male voice rose above the din in the bar; it was bellowing and unmistakable. “May I have your attention, please!” Abe’s stomach tightened into a ball. After more than twenty years of listening to absurd nonsequiturs being bandied about during lulls in the office by the same voice, Abe knew who was speaking in an instant. His longtime business partner, CS Duffy, clad in his standard black Carhartt hooded sweatshirt and faded blue jeans, a Milwaukee Brewers cap on his head, was standing on a chair holding up his private investigator’s license folio as if it was some sort of officious piece of federal ID. “My name is Dr. Herbert Manfred Marx. I am with the CDC. We have an emergency situation.” The bar quieted nearly to silence. Abe started to move toward his partner. He had no idea what Duff was planning to say or do, but he knew it wouldn’t be good. Duff looked around the room, taking the time to make eye contact with the dozens of concerned speed daters. “The CDC has isolated a new form of sexually transmitted disease. We are calling it Mega-Herpes Complex IX. It is highly contagious and may result in your genitals exploding off your bodies in much the same way some lizards eject their own tails to confuse pursuing predators.” There were a few gasps from some of the women in the room and a round of confused murmurs. Duff continued unfazed. He unfurled a large, unflattering photocopy of an old photograph of Abe’s face. “We believe we have tracked Patient Zero to this location. If you see this man, for the love of God, do not sleep with him!” Abe walked up to Duff, grabbed his sleeve, and yanked him off the chair. Duff landed heavily. “Hey, Patient Zero! Good to see you.
Sean Patrick Little (Where Art Thou? (Abe and Duff Mystery Series Book 3))
The Camera Eye (38) sealed signed and delivered all over Tours you can smell lindens in bloom it’s hot my uniform sticks the OD chafes me under the chin only four days ago AWOL crawling under the freight cars at the station of St. Pierre-des-Corps waiting in the buvette for the MP on guard to look away from the door so’s I could slink out with a cigarette (and my heart) in my mouth then in a tiny box of a hotel room changing the date on that old movement order but today my discharge sealed signed and delivered sends off sparks in my pocket like a romancandle I walk past the headquarters of the SOS Hay sojer your tunic’s unbuttoned (f—k you buddy) and down the lindenshaded street to the bathhouse that has a court with flowers in the middle of it the hot water gushes green out of brass swanheads into the whitemetal tub I strip myself naked soap myself all over with the sour pink soap slide into the warm deepgreen tub through the white curtain in the window a finger of afternoon sunlight lengthens on the ceiling towel’s dry and warm smells of steam in the suitcase I’ve got a suit of civvies I borrowed from a fellow I know the buck private in the rear rank of Uncle Sam’s Medical Corps (serial number . . . never could remember the number anyway I dropped it in the Loire) goes down the drain with a gurgle and hiss and having amply tipped and gotten the eye from the fat woman who swept up the towels I step out into the lindensmell of a July afternoon and stroll up to the café where at the little tables outside only officers may set their whipcord behinds and order a drink of cognac unservable to those in uniform while waiting for the train to Paris and sit down firmly in long pants in the iron chair an anonymous civilian
John Dos Passos (1919 (The U.S.A. Trilogy, #2))
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no. "I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets." My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me." She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?" Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?" "Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand." Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round. I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area. Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress. Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too. I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular. Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?" "Mom!" I screech. "No!" She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening. "Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples. "You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes. One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now. I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?" "What were you arguing about in the hall, then?" "I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
to think “my fangs”) had been poisonous? They passed Mrs. Norris, who turned her lamplike eyes upon them and hissed faintly, but Professor McGonagall said, “Shoo!” Mrs. Norris slunk away into the shadows, and in a few minutes they had reached the stone gargoyle guarding the entrance to Dumbledore’s office. “Fizzing Whizbee,” said Professor McGonagall. The gargoyle sprang to life and leapt aside; the wall behind it split in two to reveal a stone staircase that was moving continuously upward like a spiral escalator. The three of them stepped onto the moving stairs; the wall closed behind them with a thud, and they were moving upward in tight circles until they reached the highly polished oak door with the brass knocker shaped like a griffin. Though it was now well past midnight, there were voices coming from inside the room, a positive babble of them. It sounded as though Dumbledore was entertaining at least a dozen people. Professor McGonagall rapped three times with the griffin knocker, and the voices ceased abruptly as though someone had switched them all off. The door opened of its own accord and Professor McGonagall led Harry and Ron inside. The room was in half darkness; the strange silver instruments standing on tables were silent and still rather than whirring and emitting puffs of smoke as they usually did. The portraits of old headmasters and headmistresses covering the walls were all snoozing in their frames. Behind the door, a magnificent red-and-gold bird the size of a swan dozed on its perch with its head under its wing. “Oh, it’s you, Professor McGonagall . . . and . . . ah.” Dumbledore was sitting in a high-backed chair behind his desk; he leaned forward into the pool of candlelight illuminating the papers laid out before him. He was wearing a magnificently embroidered purple-and-gold dressing gown over a snowy-white nightshirt
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
My morning schedule saw me first in Cannan’s office, conferring with my advisor, but our meeting was interrupted within minutes by Narian, who entered without knocking and whose eyes were colder than I had seen them in a long time. “I thought you intended to control them,” he stated, walking toward the captain’s desk and standing directly beside the chair in which I sat.” He slammed a lengthy piece of parchment down on the wood surface, an unusual amount of tension in his movements. I glanced toward the open door and caught sight of Rava. She stood with one hand resting against the frame, her calculating eyes evaluating the scene while she awaited orders. Cannan’s gaze went to the parchment, but he did not reach for it, scanning its contents from a distance. Then he looked at Narian, unruffled. “I can think of a dozen or more men capable of this.” “But you know who is responsible.” Cannan sat back, assessing his opposition. “I don’t know with certainty any more than you do. In the absence of definitive proof of guilt on behalf of my son and his friends, I suggest you and your fellows develop a sense of humor.” Then the captain’s tone changed, becoming more forbidding. “I can prevent an uprising, Narian. This, you’ll have to get used to.” Not wanting to be in the dark, I snatched up the parchment in question. My mouth opened in shock and dismay as I silently read its contents, the men waiting for me to finish. On this Thirtieth Day of May in the First Year of Cokyrian dominance over the Province of Hytanica, the following regulations shall be put into practice in order to assist our gracious Grand Provost in her effort to welcome Cokyri into our lands--and to help ensure the enemy does not bungle the first victory it has managed in over a century. Regulation One. All Hytanican citizens must be willing to provide aid to aimlessly wandering Cokyrian soldiers who cannot on their honor grasp that the road leading back to the city is the very same road that led them away. Regulation Two. It is strongly recommended that farmers hide their livestock, lest the men of our host empire become confused and attempt to mate with them. Regulation Three. As per negotiated arrangements, crops grown on Hytanican soil will be divided with fifty percent belonging to Cokyri, and seventy-five percent remaining with the citizens of the province; Hytanicans will be bound by law to wait patiently while the Cokyrians attempt to sort the baffling deficiency in their calculations. Regulation Four. The Cokyrian envoys assigned to manage the planting and farming effort will also require Hytanican patience while they slowly but surely learn what is a crop and what is a weed, as well as left from right. Regulation Five. Though the Province Wall is a Cokyrian endeavor, it would be polite and understanding of Hytanicans to remind the enemy of the correct side on which to be standing when the final stone is laid, so no unfortunates may find themselves trapped outside with no way in. Regulation Six. When at long last foreign trade is allowed to resume, Hytanicans should strive to empathize with the reluctance of neighboring kingdoms to enter our lands, for Cokyri’s stench is sure to deter even the migrating birds. Regulation Seven. For what little trade and business we do manage in spite of the odor, the imposed ten percent tax may be paid in coins, sweets or shiny objects. Regulation Eight. It is regrettably prohibited for Hytanicans to throw jeers at Cokyrian soldiers, for fear that any man harried may cry, and the women may spit. Regulation Nine. In case of an encounter with Cokyrian dignitaries, the boy-invader and the honorable High Priestess included, let it be known that the proper way in which to greet them is with an ass-backward bow.
Cayla Kluver (Sacrifice (Legacy, #3))
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
It was a roadblock, manned by an officer and several other soldiers. Sivaram and the trishaw driver were ordered out of the vehicle, and I was told to stay where I was. The soldiers held their rifl es aimed and ready as the offi cer interrogated the trishaw driver, a Muslim man, who fumbled out his documents. He was soon allowed to get back in his trishaw. When it was Sivaram’s turn, he just stood there, completely quiet. After several questions, the offi cer started screaming at him. Then he ordered his soldiers to take him, and gestured for the trishaw driver to go on. Without thinking, I jumped out of the trishaw. I was a visiting professor at Colombo University and he was one of my students, I lied, approaching them. I threatened to call the American Embassy if they arrested my ‘student.’ The offi cer yelled, in English, for me to come no closer, to get back in the trishaw. Then he barked an order, and one of the soldiers lifted his rifl e and aimed it directly at my head. I kept babbling on about the embassy, but even I did not hear myself. All I could see was that hole at the end of the rifl e and, above it, the sweaty face and very frightened eyes of the soldier. He looked very young, maybe 18. I thought, I’m going to die right now. And then we grew very quiet. The offi cer barked another order, the soldier lowered his gun, and the other soldiers pushed Sivaram back toward the trishaw. We got in and took off. I do not believe we said anything on the way back to my rented room. I remember giving the trishaw driver a big tip. Once inside, I sat down in one of the two big rattan chairs in my room and tried to light a cigarette. But I had the shakes and kept missing the end. Sivaram lit it for me, and then sat staring at me in the other chair. ‘My God,’ I said, ‘that was horrible. He could have killed us.’ ‘He wanted to kill us both.’ ‘My God.’ ‘But, one good thing maccaan, at last you begin to understand politics now
Mark P. Whitaker (Learning Politics From Sivaram: The Life and Death of a Revolutionary Tamil Journalist in Sri Lanka (Anthropology, Culture and Society))
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
rang. “Hello,” said the editor. “London calling,” came the voice of the operator. “All right,” replied the editor. He recognized the voice of Terry Masters, special correspondent. His voice came clearly over the transatlantic telephone. “The Horror is attacking London in force,” he said. “There are thousands of them and they have completely surrounded the city. All roads are blocked. The government declared the city under martial rule a quarter of an hour ago and efforts are being made to prepare for resistance against the enemy.” “Just a second,” the editor shouted into the transmitter. He touched a button on his desk and in a moment an answering buzz told him he was in communication with the press-room. “Stop the presses!” he yelled into the speaking tube. “Get ready for a new front make-up!” “O.K.,” came faintly through the tube, and the editor turned back to the phone. “Now let’s have it,” he said, and the voice at the London end of the wire droned on, telling the story that in another half hour was read by a world which shuddered in cold fear even as it scanned the glaring headlines. * * * * “Woods,” said the editor of the Press to a reporter, “run over and talk to Dr. Silas White. He phoned me to send someone. Something about this Horror business.” Henry Woods rose from his chair without a word and walked from the office. As he passed the wire machine it was tapping out, with a maddeningly methodical slowness, the story of the fall of London. Only half an hour before it had rapped forth the flashes concerning the attack on Paris and Berlin. He passed out of the building into a street that was swarming with terrified humanity. Six months of terror, of numerous mysterious deaths, of villages blotted out, had set the world on edge. Now with London in possession of the Horror and Paris and Berlin fighting hopelessly for their lives, the entire population of the world was half insane with fright. Exhorters on street corners enlarged upon the end of the world, asking that the people prepare
Clifford D. Simak (The Fourth Golden Age of Science Fiction MEGAPACK ®: Clifford D. Simak)
So buy a home. Find a pretty girl to marry. Settle down and start a family.” Bram shook his head. Impossible suggestions, all. He was not about to resign his commission at the age of nine-and-twenty, while England remained at war. And he damned well wasn’t going to marry. Like his father before him, he intended to serve until they pried his flintlock from his cold, dead grip. And while officers were permitted to bring their wives, Bram firmly believed gently bred women didn’t belong on campaign. His own mother was proof of that. She’d succumbed to the bloody flux in India, a short time before young Bram had been sent to England for school. He sat forward in his chair. “Sir Lewis, you don’t understand. I cut my teeth on rationed biscuit. I could march before I could speak. I’m not a man to settle down. While England remains at war, I cannot and will not resign my commission. It’s more than my duty, sir. It’s my life. I…” He shook his head. “I can’t do anything else.” “If you won’t resign, there are other ways of helping the war effort.” “Deuce it, I’ve been through all this with my superiors. I will not accept a so-called promotion that means shuffling papers in the War Office.” He gestured at the alabaster sarcophagus in the corner. “You might as well stuff me in that coffin and seal the lid. I am a soldier, not a secretary.” The man’s blue eyes softened. “You’re a man, Victor. You’re human.” “I’m my father’s son,” he shot back, pounding the desk with his fist. “You cannot keep me down.” He was going too far, but to hell with boundaries. Sir Lewis Finch was Bram’s last and only option. The old man simply couldn’t refuse. Sir Lewis stared at his folded hands for a long, tense moment. Then, with unruffled calm, he replaced his spectacles. “I have no intention of keeping you down. Much to the contrary.” “What do you mean?” Bram was instantly wary. “I mean precisely what I said. I have done the exact opposite of keeping you down.” He reached for a stack of papers. “Bramwell, prepare yourself for elevation.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
6 Eight days before he died, after a spectacular orgy of food, François Mitterrand, the French president, ordered a final course of ortolan, a tiny yellow-throated songbird no bigger than his thumb. The delicacy represented to him the soul of France. Mitterrand’s staff supervised the capture of the wild birds in a village in the south. The local police were paid off, the hunting was arranged, and the birds were captured, at sunrise, in special finely threaded nets along the edge of the forest. The ortolans were crated and driven in a darkened van to Mitterrand’s country house in Latche where he had spent his childhood summers. The sous-chef emerged and carried the cages indoors. The birds were fed for two weeks until they were plump enough to burst, then held by their feet over a vat of pure Armagnac, dipped headfirst and drowned alive. The head chef then plucked them, salted them, peppered them, and cooked them for seven minutes in their own fat before placing them in a freshly heated white cassole. When the dish was served, the wood-paneled room—with Mitterrand’s family, his wife, his children, his mistress, his friends—fell silent. He sat up in his chair, pushed aside the blankets from his knees, took a sip from a bottle of vintage Château Haut-Marbuzet. —The only interesting thing is to live, said Mitterrand. He shrouded his head with a white napkin to inhale the aroma of the birds and, as tradition dictated, to hide the act from the eyes of God. He picked up the songbirds and ate them whole: the succulent flesh, the fat, the bitter entrails, the wings, the tendons, the liver, the kidney, the warm heart, the feet, the tiny headbones crunching in his teeth. It took him several minutes to finish, his face hidden all the time under the white serviette. His family could hear the sounds of the bones snapping. Mitterrand dabbed the napkin at his mouth, pushed aside the earthenware cassole, lifted his head, smiled, bid good night and rose to go to bed. He fasted for the next eight and a half days until he died. 7 In Israel, the birds are tracked by sophisticated radar set up along the migratory routes all over the country—Eilat, Jerusalem, Latrun—with links to military installations and to the air traffic control offices at Ben Gurion airport.
Colum McCann (Apeirogon)
The captain of the Pelion was shifted into the Ossa — came aboard in Shanghai — a little popinjay, sir, in a grey check suit, with his hair parted in the middle. ‘Aw — I am — aw — your new captain, Mister — Mister — aw — Jones.’ He was drowned in scent — fairly stunk with it, Captain Marlow. I dare say it was the look I gave him that made him stammer. He mumbled something about my natural disappointment — I had better know at once that his chief officer got the promotion to the Pelion — he had nothing to do with it, of course — supposed the office knew best — sorry. . . . Says I, ‘Don’t you mind old Jones, sir; dam’ his soul, he’s used to it.’ I could see directly I had shocked his delicate ear, and while we sat at our first tiffin together he began to find fault in a nasty manner with this and that in the ship. I never heard such a voice out of a Punch and Judy show. I set my teeth hard, and glued my eyes to my plate, and held my peace as long as I could; but at last I had to say something. Up he jumps tiptoeing, ruffling all his pretty plumes, like a little fighting-cock. ‘You’ll find you have a different person to deal with than the late Captain Brierly.’ ‘I’ve found it,’ says I, very glum, but pretending to be mighty busy with my steak. ‘You are an old ruffian, Mister — aw — Jones; and what’s more, you are known for an old ruffian in the employ,’ he squeaks at me. The damned bottle-washers stood about listening with their mouths stretched from ear to ear. ‘I may be a hard case,’ answers I, ‘but I ain’t so far gone as to put up with the sight of you sitting in Captain Brierly’s chair.’ With that I lay down my knife and fork. ‘You would like to sit in it yourself — that’s where the shoe pinches,’ he sneers. I left the saloon, got my rags together, and was on the quay with all my dunnage about my feet before the stevedores had turned to again. Yes. Adrift — on shore — after ten years’ service — and with a poor woman and four children six thousand miles off depending on my half-pay for every mouthful they ate. Yes, sir! I chucked it rather than hear Captain Brierly abused. He left me his night-glasses — here they are; and he wished me to take care of the dog — here he is. Hallo, Rover, poor boy. Where’s the captain, Rover?” The dog looked up at us with mournful yellow eyes, gave one desolate bark, and crept under the table.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East, and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.  Intent on combining his creativity with his experience, Tim began writing thrillers in 1996 from an apartment overlooking Moscow’s Gorky Park. Decades later, his passion for creative writing continues to grow every day. His home office now overlooks a vineyard in Northern California, where he lives with his wife Elena and their two daughters. Tim grew up in the Midwest, and graduated from Hanover College with a BA in Philosophy and Mathematics. After military service and work as a financial analyst and foreign-exchange trader, he earned an MBA in Finance and an MA in International Studies from the University of Pennsylvania’s Wharton and Lauder Schools.  Thank you for taking the time to read about the author. Tim is most grateful for his loyal fans, and loves to correspond with readers like you. You are welcome to reach him directly at tim@timtigner.com.
Tim Tigner (Falling Stars (Kyle Achilles, #3))
In the early hours of the morning she turned her swollen face toward Mike and opened her eyes—or tried to. One was partially shut because of the swelling. He scooted closer. “Brie,” he whispered. “It’s me, Brie. I’m here.” She put her hands over her face and cried out. “No! No!” He took gentle hold of her wrists. “Brie! It’s me. It’s Mike. It’s okay.” But he couldn’t pull her hands away from her face. “Please,” she whimpered pitifully. “I don’t want you to see this….” “Honey, I saw you already,” he said. “I’ve been sitting here for hours. Let it go,” he said. “It’s okay.” She let him slowly pull her hands away from her battered face. “Why? Why are you here? You shouldn’t be here!” “Jack wanted me to help him understand what was happening with the investigation. But I wanted to be here. Brie, I wanted to be here for you.” He brushed her brow gently. “You’re going to be okay.” “He… He got my gun….” “The police know, honey. You didn’t do anything wrong.” “He’s so dangerous. I tried to get him—that’s why he did this. I was going to put him away for life.” Mike’s jaw pulsed, but he kept his voice soft. “It’s okay, Brie. It’s over now.” “Did they find him?” she asked. “Did they pick him up?” Oh, how he wished she wouldn’t ask that. “Not yet.” “Do you know why he didn’t kill me?” she asked, a tear running out of her swollen eye and down over the bridge of her purple nose. He tenderly wiped it away. “He said he didn’t want me to die. He wanted me to try to get him again, and watch him walk again. He wore a condom.” “Aw, honey…” “I’m going to get him, Mike.” “Please… Don’t think about that now. I’ll get the nurse. Get you another sedative.” He put the light on and the nurse came immediately. “Brie needs something to help her go back to sleep.” “Sure,” the nurse said. “I’m just going to wake up again,” she said. “And I’m just going to think the same things.” “Try to rest,” he said, leaning over to kiss her brow. “I’ll be right here. And there’s an officer outside your door. You’re completely safe.” “Mike,” she whispered. She held his hand for a long moment. “Did Jack ask you to come?” “No,” he said, gently touching her brow. “But when I found out what happened, I had to come,” he whispered. “I had to.” After having a sedative administered into the IV, she gently closed her eyes again. Her hand slipped out of his and he sat back in his chair. Then, his elbows on his knees and his face buried in his hands, he silently wept. *
Robyn Carr (Whispering Rock (Virgin River, #3))
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
The school is teeming with activity. The rooms are small and large, many are special-purpose rooms, like shops and labs, but most are furnished like rather shabby living or dining rooms in homes: lots of sofas, easy chairs, and tables. Lots of people sitting around talking, reading, and playing games. On an average rainy day—quite different from a beautiful suddenly snowy day, or a warm spring or fall day—most people are inside. But there will also be more than a few who are outside in the rain, and later will come in dripping and trying the patience of the few people inside who think the school should perhaps be a “dry zone.” There may be people in the photo lab developing or printing pictures they have taken. There may be a karate class, or just some people playing on mats in the dance room. Someone may be building a bookshelf or fashioning chain mail armor and discussing medieval history. There are almost certainly a few people, either together or separate, making music of one kind or another, and others listening to music of one kind or another. You will find adults in groups that include kids, or maybe just talking with one student. It would be most unusual if there were not people playing a computer game somewhere, or chess; a few people doing some of the school’s administrative work in the office—while others hang around just enjoying the atmosphere of an office where interesting people are always making things happen; there will be people engaged in role-playing games; other people may be rehearsing a play—it might be original, it might be a classic. They may intend production or just momentary amusement. People will be trading stickers and trading lunches. There will probably be people selling things. If you are lucky, someone will be selling cookies they baked at home and brought in to earn money. Sometimes groups of kids have cooked something to sell to raise money for an activity—perhaps they need to buy a new kiln, or want to go on a trip. An intense conversation will probably be in progress in the smoking area, and others in other places. A group in the kitchen may be cooking—maybe pizza or apple pie. Always, either in the art room or in any one of many other places, people will be drawing. In the art room they might also be sewing, or painting, and some are quite likely to be working with clay, either on the wheel or by hand. Always there are groups talking, and always there are people quietly reading here and there. One
Russell L. Ackoff (Turning Learning Right Side Up: Putting Education Back on Track)
C. M. Knaphle, Jr., of Philadelphia had tried for years to sell fuel to a large chain-store organization. But the chain-store company continued to purchase its fuel from an out-of-town dealer and haul it right past the door of Knaphle’s office. Mr. Knaphle made a speech one night before one of my classes, pouring out his hot wrath upon chain stores, branding them as a curse to the nation. And still he wondered why he couldn’t sell them. I suggested that he try different tactics. To put it briefly, this is what happened. We staged a debate between members of the course on whether the spread of the chain store is doing the country more harm than good. Knaphle, at my suggestion, took the negative side; he agreed to defend the chain stores, and then went straight to an executive of the chain-store organization that he despised and said: “I am not here to try to sell fuel. I have come to ask you to do me a favor.” He then told about his debate and said, “I have come to you for help because I can’t think of anyone else who would be more capable of giving me the facts I want. I’m anxious to win this debate, and I’ll deeply appreciate whatever help you can give me.” Here is the rest of the story in Mr. Knaphle’s own words: I had asked this man for precisely one minute of his time. It was with that understanding that he consented to see me. After I had stated my case, he motioned me to a chair and talked to me for exactly one hour and forty-seven minutes. He called in another executive who had written a book on chain stores. He wrote to the National Chain Store Association and secured for me a copy of a debate on the subject. He feels that the chain store is rendering a real service to humanity. He is proud of what he is doing for hundreds of communities. His eyes fairly glowed as he talked, and I must confess that he opened my eyes to things I had never even dreamed of. He changed my whole mental attitude. As I was leaving, he walked with me to the door, put his arm around my shoulder, wished me well in my debate, and asked me to stop in and see him again and let him know how I made out. The last words he said to me were: “Please see me again later in the spring. I should like to place an order with you for fuel.” To me that was almost a miracle. Here he was offering to buy fuel without my even suggesting it. I had made more headway in two hours by becoming genuinely interested in him and his problems than I could have made in ten years trying to get him interested in me and my product.
Dale Carnegie (How to win friends and Influence People)
The most productive nation in the world, yet unable to properly feed, clothe and shelter over a third of its population. Vast areas of valuable soil turning to waste land because of neglect, indifference, greed and vandalism. Torn some eighty years ago by the bloodiest civil war in the history of man and yet to this day unable to convince the defeated section of our country of the righteousness of our cause nor able, as liberators and emancipators of the slaves, to give them true freedom and equality, but instead enslaving and degrading our own white brothers. Yes, the industrial North defeated the aristocratic South—the fruits of that victory are now apparent. Wherever there is industry there is ugliness, misery, oppression, gloom and despair. The banks which grew rich by piously teaching us to save, in order to swindle us with our own money, now beg us not to bring our savings to them, threatening to wipe out even that ridiculous interest rate they now offer should we disregard their advice. Three-quarters of the world’s gold lies buried in Kentucky. Inventions which would throw millions more out of work, since by the queer irony of our system every potential boon to the human race is converted into an evil, lie idle on the shelves of the patent office or are bought up and destroyed by the powers that control our destiny. The land, thinly populated and producing in wasteful, haphazard way enormous surpluses of every kind, is deemed by its owners, a mere handful of men, unable to accommodate not only the starving millions of Europe but our own starving hordes. A country which makes itself ridiculous by sending out missionaries to the most remote parts of the globe, asking for pennies of the poor in order to maintain the Christian work of deluded devils who no more represent Christ than I do the Pope, and yet unable through its churches and missions at home to rescue the weak and defeated, the miserable and the oppressed. The hospitals, the insane asylums, the prisons filled to overflowing. Counties, some of them big as a European country, practically uninhabited, owned by an intangible corporation whose tentacles reach everywhere and whose responsibilities nobody can formulate or clarify. A man seated in a comfortable chair in New York, Chicago or San Francisco, a man surrounded by every luxury and yet paralyzed with fear and anxiety, controls the lives and destinies of thousands of men and women whom he has never seen, whom he never wishes to see and whose fate he is thoroughly uninterested in.
Henry Miller (The Air-Conditioned Nightmare)
Chet couldn’t wipe away his smile. “I have learned much since we parted ways, and one of those lessons is that a static force, even in mass, can be crushed by a dynamic one.” Wellington‘s face stiffened. “What kind of foolish talk is that?” “You will find out. On the Fourth of July, as you sit here in your governor’s mansion pandering to your public servants—using them to climb into more power, you will learn what it feels like to have everything you believe in shatter before your very eyes.” Wellington shifted irritably in his seat. “What sort of riddle is that, Chet? You and I have been in this political game our entire lives. You know how it works, and that’s not going to change. Ever. One party controls the knobs of politics with one hand, and the other party controls the knobs with the other hand. But they are all one body, members of a political ruling class. That’s what we do. This isn’t anything new.” Chet pushed his brows over his eyes in a gaze that could melt steel. “You will not be able to stop the ramifications of its impact. This thing I’m about to unleash upon you, I’m doing to you because you are an evil man. I used to be, I’ll give you that. But I changed, luckily, before death found me. And I will not let you get away with what you are doing to this country.” Wellington was aghast. “So you’re involved with terrorism now, are you? What are you going to do?” Chet shook his head. “The truth isn’t something you can hide from people. They all feel it even if they don’t understand the intentions behind the madness.” Wellington was in a near panic in anticipation over what Chet was planning. “I can have you followed, you know. Everyone you speak to will be monitored. Surely you know that? And who are you to decide what the best position for anything is? You don’t have a right to make decisions for the masses. If you were sitting in my seat, perhaps. But you’re not.” “If you hadn’t cheated, I would be in your chair.” Chet pierced Wellington with his squinted eyes. “And because of that, I have decided that you aren’t able to make decisions for the masses either, and I’ll see to it that you won’t continue to do so.” Chet pushed back his chair and stood up dramatically. “Enjoy this office because you won’t be here long.” Wellington contorted his face in panic. “What are you doing? What’s going to happen? Tell me at least that much! Was it so bad between us that we can’t reason with each other? Maybe we could make a deal. What if I make you my presidential running mate?” Chet didn’t answer. He headed for the door, unsure as to why he had said that last part. He still didn’t really know what was going to happen. But with Rick Stevens headed down in a few days with a multimillion dollar car, anything was possible. But now Wellington would know that Chet was behind the crazy driver who refused to pull over.
Rich Hoffman
[Description of the behind-the-scenes situation of the Beer Hall Putsch] The crowd began to grow so sullen that Goering felt it necessary to step to the rostrum and quiet them. “There is nothing to fear,” he cried. “We have the friendliest intentions. For that matter, you’ve no cause to grumble, you’ve got your beer!” And he informed them that in the next room a new government was being formed. It was, at the point of Adolf Hitler’s revolver. Once he had herded his prisoners into the adjoining room, Hitler told them, “No one leaves this room alive without my permission.” He then informed them they would all have key jobs either in the Bavarian government or in the Reich government which he was forming with Ludendorff. With Ludendorff? Earlier in the evening Hitler had dispatched “Scheubner-Richter to Lud-wigshoehe to fetch the renowned General, who knew nothing of the Nazi conspiracy, to the beerhouse at once. The three prisoners at first refused even to speak to Hitler. He continued to harangue them. Each of them must join him in proclaiming the revolution and the new governments; each must take the post he, Hitler, assigned them, or “he has no right to exist.” Kahr was to be the Regent of Bavaria; Lossow, Minister of the National Army; Seisser, Minister of the Reich Police. None of the three was impressed at the prospect of such high office. They did not answer. Their continued silence unnerved Hitler. Finally he waved his gun at them. “I have four shots in my pistol! Three for my collaborators, if they abandon me. The last bullet for myself!” Pointing the weapon to his forehead, he cried, “If I am not victorious by tomorrow afternoon, I shall be a dead man!” (...) Not one of the three men who held the power of the Bavarian state in their hands agreed to join him, even at pistol point. The putsch wasn’t going according to plan. Then Hitler acted on a sudden impulse. Without a further word, he dashed back into the hall, mounted the tribune, faced the sullen crowd and announced that the members of the triumvirate in the next room had joined him in forming a new national government. “The Bavarian Ministry,” he shouted, “is removed…. The government of the November criminals and the Reich President are declared to be removed. A new national government will be named this very day here in Munich. Not for the first time and certainly not for the last, Hitler had told a masterful lie, and it worked. When the gathering heard that Kahr, General von Lossow and Police Chief von Seisser had joined Hitler its mood abruptly changed. There were loud cheers, and the sound of them impressed the three men still locked up in the little side room. (...) He led the others back to the platform, where each made a brief speech and swore loyalty to each other and to the new regime. The crowd leaped on chairs and tables in a delirium of enthusiasm. Hitler beamed with joy.
William L. Shirer (The Rise and Fall of the Third Reich)
He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Adventists urged to study women’s ordination for themselves Adventist Church President Ted N. C. Wilson appealed to members to study the Bible regarding the theology of ordination as the Church continues to examine the matter at Annual Council next month and at General Conference Session next year. Above, Wilson delivers the Sabbath sermon at Annual Council last year. [ANN file photo] President Wilson and TOSC chair Stele also ask for prayers for Holy Spirit to guide proceedings September 24, 2014 | Silver Spring, Maryland, United States | Andrew McChesney/Adventist Review Ted N. C. Wilson, president of the Seventh-day Adventist Church, appealed to church members worldwide to earnestly read what the Bible says about women’s ordination and to pray that he and other church leaders humbly follow the Holy Spirit’s guidance on the matter. Church members wishing to understand what the Bible teaches on women’s ordination have no reason to worry about where to start, said Artur A. Stele, who oversaw an unprecedented, two-year study on women’s ordination as chair of the church-commissioned Theology of Ordination Study Committee. Stele, who echoed Wilson’s call for church members to read the Bible and pray on the issue, recommended reading the study’s three brief “Way Forward Statements,” which cite Bible texts and Adventist Church co-founder Ellen G. White to support each of the three positions on women’s ordination that emerged during the committee’s research. The results of the study will be discussed in October at the Annual Council, a major business meeting of church leaders. The Annual Council will then decide whether to ask the nearly 2,600 delegates of the world church to make a final call on women’s ordination in a vote at the General Conference Session next July. Wilson, speaking in an interview, urged each of the church’s 18 million members to prayerfully read the study materials, available on the website of the church’s Office of Archives, Statistics, and Research. "Look to see how the papers and presentations were based on an understanding of a clear reading of Scripture,” Wilson said in his office at General Conference headquarters in Silver Spring, Maryland. “The Spirit of Prophecy tells us that we are to take the Bible just as it reads,” he said. “And I would encourage each church member, and certainly each representative at the Annual Council and those who will be delegates to the General Conference Session, to prayerfully review those presentations and then ask the Holy Spirit to help them know God’s will.” The Spirit of Prophecy refers to the writings of White, who among her statements on how to read the Bible wrote in The Great Controversy (p. 598), “The language of the Bible should be explained according to its obvious meaning, unless a symbol or figure is employed.” “We don’t have the luxury of having the Urim and the Thummim,” Wilson said, in a nod to the stones that the Israelite high priest used in Old Testament times to learn God’s will. “Nor do we have a living prophet with us. So we must rely upon the Holy Spirit’s leading in our own Bible study as we review the plain teachings of Scripture.” He said world church leadership was committed to “a very open, fair, and careful process” on the issue of women’s ordination. Wilson added that the crucial question facing the church wasn’t whether women should be ordained but whether church members who disagreed with the final decision on ordination, whatever it might be, would be willing to set aside their differences to focus on the church’s 151-year mission: proclaiming Revelation 14 and the three angels’ messages that Jesus is coming soon. 3 Views on Women’s Ordination In an effort to better understand the Bible’s teaching on ordination, the church established the Theology of Ordination Study Committee, a group of 106 members commonly referred to by church leaders as TOSC. It was not organized
Anonymous
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken
They may have been the same rank, but he was still technically her senior — in both age and experience — and sometimes he liked to flex. Make himself look like he gave a damn. She leaned forward, hit the keyboard shortcut to minimise the windows, and got up. ‘Nothing,’ she said, pulling her jacket on. ‘That’s helpful.’ She ignored the comment, downed half her now-tepid coffee and bit lightly into her bagel, holding it between straight white teeth as she powered off her monitor and tucked her chair in.  ‘I don’t know why you bother,’ Roper said, flicking a hand at the now-black screen. ‘Not while all this is burning.’ He gestured around the room at the other desks and detectives working away. Dozens of screens were lit, the photocopier was buzzing, the lights were humming, and phones and devices were charging on every surface.  She shrugged. ‘If you leave a monitor on standby overnight it wastes enough energy to—’ ‘Yeah, yeah,’ he said, dismissing her with his hand. ‘And the polar ice caps are melting and penguins are getting sunburn. Come on, we’ve got a murder to solve.’ He walked forward, draining what was left in his coffee cup, and put it down on a random desk — much to the disgust of the guy sitting behind it. Roper swaggered towards the lifts, finally shrugging off the hangover, his caffeine quota for the next hour filled. Once his nicotine level had been topped off, he might actually be capable of some decent police work. Jamie fell in behind him, trying to get her mind off the other missing kids and back on Grace Melver. Whatever the hell was going on, Jamie had a feeling that Grace Melver knew something about it. Whether she realised or not.  Chapter 7 She walked with Roper without thinking about it.  Jamie had dropped him back at the crime scene after the shelter so he could pick his car up. The medical examiner was there and the scene of the crime officers, or SOCOs, were crawling all over in their plastic-covered boots, snapping photos and putting things in evidence bags.  They hadn’t stuck around.  It was best to leave the SOCOs do their jobs, and anyway Jamie and Roper had paperwork that needed to be done.  Her fingers typed on autopilot now. She’d had her prelim licked before she’d finished her first cup of coffee. Roper headed for his Volvo without asking and got into the driver’s seat.  Jamie pulled the door open and got in, closing the door only when he’d cranked the ignition so she could crack the window. The seats were covered
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Here, every eye was riveted on Anderton. Each officer sat alertly, even if leaning against their desks or straddling an office chair. He has charisma, she thought.
Celina Grace (Hushabye (Kate Redman Mysteries #1))
You’re a needy boyfriend.” Ian shivered in his office chair, his eyes sliding closed. “You know what that word does to me, dirty girl.
Fiona Cole (Another (Voyeur, #4))
chairs. Carla found a seat near the front, not far from Jake. She had taken Josie and Kiera to Finley’s office where they would spend the afternoon, waiting. If Dyer wanted to talk to Kiera, she was a phone call away.
John Grisham (A Time for Mercy (Jake Brigance, #3))
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Fahad Ummat
I stayed with him in his office for three hours, fighting from the bell. Catherine Tarrant sat at her desk in the far corner typing and making notes trying hard not to smile. A young man’s intensity can be a terrible thing to bear (for no one so much as the young man himself) and I came off the chair right away, throwing jabs, pumping and puffing, slipping the phantom punches, going in desperately under real ones. Not interested in market conditions, no sir. I wanted to know why Analog was the restrictive right-wing, anti-literary publication that it had become. Didn’t Campbell care what all the new writers, the purveyors of street fiction and venturesome prose, thought of him?
Barry N. Malzberg (Breakfast in the Ruins)
Loftus clenched his right fist, extended it in front of him, and gently lowered it to the desk. There was something more impressive in the gesture than would have been the case had he banged the top of the desk with explosive violence. “I don’t like criminal lawyers,” he said. “Neither do I,” Mason admitted, seating himself in what appeared to be the most comfortable chair in the office. “But you’re a criminal lawyer.” “It depends upon what you mean,” Mason observed. “I’m a lawyer. I’m not a criminal.” “You defend criminals.” “What is your definition of a criminal?” Mason asked. “A man who has committed a crime.” “And who decides that he has committed a crime?” “Why, a jury, I suppose.” “Exactly,” Mason said, with a smile. “So far, I have been very fortunate in having juries agree with me that the persons I represented were not criminals.” Loftus said, “That isn’t conclusive.” “Judges think it is,” Mason said, still smiling.
Erle Stanley Gardner (The Case of the Baited Hook (Perry Mason #16))
I was glistening with health and vigour till I got there. You never felt really glistening in my office. It was on Stuart Street, second floor front, half a block down from Tremont. One room with a desk, a file cabinet and two chairs in case Mrs Onassis came with her husband.
Robert B. Parker
Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting-room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand; choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.
Albert Camus (The Plague)
What is it?” “It’s a souvenir.” I frown, sitting back in my chair. “For what?” “I didn’t even wash it.” She laughs. “Tinsley, that better not be what I think it is.” I growl. She lifts her mother’s eyes and smiles at me. “You can’t take a knife to school.” She knows this. We just went over this last week. With me, her mother, the principal, and the police officer that were present for our mandatory meeting. “I’m going to mail it to him.” I run a hand down my face, holding in a sigh. I thought Carnage was going to be the death of me. But nope. It’s my teenage daughter.
Shantel Tessier (Carnage (L.O.R.D.S., #5))
Don Tomás explained that their revolution could never succeed because of the Green Pope, a man who sits in an office with millions of green dollars at his command. He lifts a finger and a ship starts or stops. He says a word, and arepublic is bought. He sneezes and a president, general, or Supreme Court judgefalls. He rubs his behind on his chair, and a revolution breaks out. Puerto Ricans, Don Tomás admonished, had to fight this man. But no one knew who or where he was. And even if they did find and kill the Green Pope, a hundred others would replace him.
Nelson Antonio Denis
He said in a few terse words that this would not be possible. Onitsuka wanted for its U.S. distributor someone bigger, more es-tablished, a firm that could handle the workload. A firm with offices on the East Coast. "But, but," I spluttered, "Blue Ribbon does have offices on the East Coast." Kitami rocked back in his chair. "Oh?" "Yes." I said, "we're on the East Coast, the West Coast, and soon we may be in the Midwest. We can handle national distribution, no question." I looked around the table. The grim faces were becoming less grim. "Well," Kitami said, "this changes things.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
You’re covered in blood,” Felix noted. Jericho snorted. “Yeah, kind of a hazard of the job.” Felix scoffed. “Yeah, but you’re also wearing that weird smug, smirky look you only get whenever you get laid, and since you were in an abandoned cabin with Trevor the perv, we’re…alarmed.” He flicked his hand dramatically. “Alarmed,” Jericho echoed. Arsen leaned in, his tone conspiratorial. “Did you fuck Trevor the perv, Coe?" Felix pulled a face. “I’m just hoping he fucked him before he killed him, not after. Once you cross that line, you don’t come back.” Jericho tried to follow their dizzying thought process, but before he could formulate a response, Nico and Levi arrived. Fuck. Levi looked like a wanted poster had fucked a tattoo model. His inky dark hair fell in his face, and he sucked on a Dum-Dum lollipop. Nico’s springy blond curls hung in his face. He looked surprisingly angelic for somebody who was such a little monster. “What’s up? Why’s everybody looking so constipated?” Levi asked. “Coe fucked Trevor the perv,” Arsen said, as if this was fact and not their wild speculation. Levi wrinkled his nose. “That dude was gay? Or was he, like”—he mimed a blowjob—“trying to bribe his way out of it?” Jericho’s face contorted at the idea of a blowjob from greasy ass Trevor, but they paid him no mind. Nico also looked disgusted. “What the fuck, man? Like, I get it. Who hasn’t wanted to fuck somebody they killed or kill somebody they fucked? But it’s a slippery slope, man.” “This is what I told him,” Arsen said, shaking his head. “Once you cross that line…” “Jesus Christ. I didn’t fuck Trevor the perv. I killed Trevor the perv,” Jericho said, walking around the four of them to head to his office, attempting to close the door behind him. His brother caught it and swung it back open. “If you didn’t fuck Trevor, then who was it? And don’t lie and say it didn’t happen. Your after orgasm glow never lies,” Arsen said, flopping down into a chair hard enough to rock it back dangerously far before it righted itself. “I—” Jericho shook his head. “I ran into a guy.” “With your dick?” Levi asked. Nico’s brows knitted together. “In the middle of the woods?” “Like, a homeless man in the woods? A… What’s the word? A hobo?” Arsen asked. Levi elbowed him. “We don’t call them that anymore. Show some respect.” Arsen shrugged. “Sorry. What do you call a man roaming the woods looking for sex?” “A lie,” Felix said, his mouth set in a hard line. “No way my brother banged some hot, sweaty lumberjack in the woods. That’s not his type.” His long, elegant fingers trailed over his collarbones, a slow smile spreading along his face as his brother seemed to get lost in his own lumberjack fantasy. “I—” “There’s nothing in the woods but animals and Sasquatch,” Nico said. “Sasquatch?” Levi parroted. Nico nodded. “Yeah, you know. Bigfoot.” “Did you fuck Bigfoot?” Levi asked, pulling the lollipop from his mouth with a pop.
Onley James (Moonstruck (Necessary Evils, #3))
I think that there is no parallel in history where, almost overnight, the offices of a secret service have gone from being so feared they are barely mentionable, to being a museum where you can sit in an easy chair next to the boss’s private pissoir and watch a video on how his office was stormed.
Anna Funder (Stasiland: True Stories from Behind the Berlin Wall)
What is a good advertisement? An advertisement which pleases you because of its style, or an advertisement which sells the most? They are seldom the same. Go through a magazine and pick out the advertisements you like best. You will probably pick those with beautiful illustrations, or clever copy. You forget to ask yourself whether your favorite advertisements would make you want to buy the product. Says Rosser Reeves, of the Ted Bates agency: ‘I’m not saying that charming, witty and warm copy won’t sell. I’m just saying that I’ve seen thousands of charming, witty campaigns that didn’t. Let’s say you are a manufacturer. Your advertising isn’t working and your sales are going down. And everything depends on it. Your future depends on it, your family’s future depends on it, other people’s families depend on it. And you walk in this office and talk to me, and you sit in that chair. Now, what do you want out of me? Fine writing? Do you want masterpieces? Do you want glowing things that can be framed by copywriters? Or do you want to see the goddamned sales curve stop moving down and start moving up?
David Ogilvy (Ogilvy on Advertising)