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In the Russian Revolution, for example, we could expect to see mainly the reaction of the patriarchal feudal society to the challenges of modernization. However, the victory of the countryside and the peasant masses over the westernized city turned out to be a Pyrrhic one, since it threw the already backward country into the backwoods of civilization. Petlyura-style nationalism differs from European nationalism in that the latter aimed to strengthen the national state in the name of modernization and progress, while the Petlyura (and later Soviet) variety fulfilled directly opposite functions and had no constructive, civilizing content, being instead a particularly destructive phenomenon — the expression of a nation's frustration at having failed to come together. This failure, in Bulgakov's opinion, was also due to the fact that this nation did not exist (he saw nothing in it but comical rustic bandura players and petty bourgeois who suddenly "remembered" their Ukrainian-ness and began to speak in broken Ukrainian); or else because the nation was not ready for statehood (which offered nothing except bloody pogroms); or else because its aspirations to statehood were historically and politically unjustified. Ultimately, Kiev was for Bulgakov a Russian city. Historically, it was in fact the "mother of Russian cities," the cradle of Russian state-hood, and the capital of ancient Kievan Rus. Bulgakov's refusal to recognize the rights of the Ukrainian language and Ukrainian aspirations in Kiev was even demographically justified: in 1917, more than half the population of Kiev was Russian, followed by Jews (about twenty per-cent), and only then Ukrainians (a little more than sixteen percent), with a significant Polish minority (almost a tenth of the population). But who remembers today that even Prague, for instance, was at that time a German-speaking city? In the newly proclaimed Ukrainian state, many eastern and southern cities (among them such first-rate cultural and industrial centers as Odessa, Kherson, Nikolaev, Kharkov, Iuzovka, Ekaterinoslav, and Lugansk) had never been Ukrainian at all. One should also consider that western Ukraine (the primary base of present-day Ukrainian nationalism) was once part of Poland. All of this made the aspirations toward Ukrainian "independence" highly questionable. Ukraine began where the city ended, and Bulgakov considered the city the basis of culture and civilization. Ukraine in Bulgakov's world is "the steppe" — culturally barren, not creating anything, and capable only of barbarian destruction. The Ukrainian national elites understood this perfectly when, as early as the 1920s, they demanded that Stalin ban The Days of the Turbins because, ostensibly, "the Whites movement is praised" in it. But in fact it was because the attempt to create a Ukrainian "state" was depicted by Bulgakov as a bloody operetta.
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