Accent Challenge Quotes

We've searched our database for all the quotes and captions related to Accent Challenge. Here they are! All 23 of them:

I had just put my arms around him in a hug of gratitude when the door opened behind me without a knock. “Am I interrupting something?” a coolly pissed, accented voice asked. This time, my glance heavenward was in silent challenge. Is that how it is? Fine, then, bring it! Let’s see what you’ve got! Timmie jumped like he’d been stabbed. “Ungh!” I didn’t know what that meant, but the sight of him leaping away with a hand shielding his groin had me turning around in irritation. “Dammit, tell him you’re not going to neuter him!” Bones folded his arms and regarded Timmie without pity. “Why?” I gave him an evil look. “Because if you don’t, I’m going to get really, really celibate.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
In these downbeat times, we need as much hope and courage as we do vision and analysis; we must accent the best of each other even as we point out the vicious effects of our racial divide and pernicious consequences of our maldistribution of wealth and power. We simply cannot enter the twenty-first century at each other's throats, even as we acknowledge the weighty forces of racism, patriarchy, economic inequality, homophobia, and ecological abuse on our necks. We are at a crucial crossroad in the history of this nation--and we either hang together by combating these forces that divide and degrade us or we hang separately. Do we have the intelligence, humor, imagination, courage, tolerance, love, respect, and will to meet the challenge? Time will tell. None of us alone can save the nation or world. But each of us can make a positive difference if we commit ourselves to do so.
Cornel West (Race Matters)
We all know that there are language forms that are considered impolite and out of order, no matter what truths these languages might be carrying. If you talk with a harsh, urbanized accent and you use too many profanities, that will often get you barred from many arenas, no matter what you’re trying to say. On the other hand, polite, formal language is allowed almost anywhere even when all it is communicating is hatred and violence. Power always privileges its own discourse while marginalizing those who would challenge it or that are the victims of its power.
Junot Díaz
You want us to fear you,” she growls at me, speaking now in accented Kenettran. “You think that you can come here and destroy our homes, kill our loved ones—then make us grovel at your feet. You think we will sell you our souls for a few coins.” She lifts her chin. “But I am not afraid of you.” “Is that so?” I tilt my head at her curiously. “You should be.” She challenges me with a smile. “You can’t even bring yourself to spill our blood.” She nods in the direction of Sergio, who has already started to draw his sword. “You have one of your lackeys do it for you. You’re a coward queen, hiding behind your army. But you cannot crush our spirits beneath your Roses’ heels—you cannot win.
Marie Lu (The Midnight Star (The Young Elites, #3))
Laughing,I poked him for his embarrassingly accurate imitation of my southern accent. He continued in my voice, "Then one day my boyfriend was being an ass and I challenged him to a comp.I had to do a front 1080 off a jump just to show him up,and the rest is history." "I hope so." "I know so." He kissed my cheek. I reached back to run my fingers through his long hair. "Right now I want to lie low,have a normal life,and hang out with my boyfriend. I'll meet you in People in a few years." He chuckled, making my insides sparkle with anticipation. "It's a date.
Jennifer Echols (The Ex Games)
My Song So many memories, and I'm still young. So many dreams, my song's just begun. Sometimes I hear my private melody grow, then the sound vanishes, but returns, I now know. I've heard my heart break; wounded, I've felt alone, but slowly I learned to thrive on my own. I want to keep learning, to depend my song; in whatever I work may my best self grow strong. It's still the morning, the green spring of my life. i'm starting my journey, family and friends at my side, my song inside, and love as my guide. My family wonders where I will go. I wonder too. I long to discover how to protect the earth, our home, hear world sisters and brothers, who feel so alone. Hearts and hands open to those close and those far, a great family circle with peace our lodestar. No child should be hungry. All children should read, be healthy and safe, feel hope, learn to lead. It's still the morning, the spring of my life I'm starting my journey, family and friends at my side, my song inside, and love as my guide. I'm take wrong turns and again lose my way. I'll search for wise answers, listen, study and pray. So many memories, and I'm still young. So many dreams; my own song has begun. I'll resist judging others by their accents and skin, confront my life challenges, improve myself within. Heeding my song- for life's not easy or fair- I'll persist, be a light resist the snare of despair. Mysteriously, I've grown to feel strong. I'm preparing to lead. I'm composing my song. It's still the morning, the spring of my life. I'm starting my journey, family and friends at my side, my song inside, and love as my guide.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
L'accent français de Franklin Delano Roosevelt donnait parfois à ses propos un tour singulier. Lorsqu'il prononça son appel à la radio, à l'aube du 7 novembre, il déclara : " ... J'aime vos fermes... vos villes...". Mais on compris " ... J'aime vos femmes, ... vos filles...", ce qui surprit un peu.
Hassan II (The Challenge (Le défi))
This is great. But what I’m grasping at is an idea about a subtler goal. This thinking owes a lot to conversations with Manjula Waldron of Ohio State University, an engineering professor who also happens to be a hospital chaplain. This feels embarrassingly Zen-ish for me to spout, being a short, hypomanic guy with a Brooklyn accent, but here goes: Maybe the goal isn’t to maximize the contrast between a low baseline and a high level of activation. Maybe the idea is to have both simultaneously. Huh? Maybe the goal would be for your baseline to be something more than the mere absence of activation, a mere default, but to instead be an energized calm, a proactive choice. And for the ceiling to consist of some sort of equilibrium and equanimity threading through the crazed arousal. I have felt this a few times playing soccer, inept as I am at it, where there’s a moment when, successful outcome or not, every physiological system is going like mad, and my body does something that my mind didn’t even dream of, and the two seconds when that happened seemed to take a lot longer than it should have. But this business about the calm amid the arousal isn’t just another way of talking about “good stress” (a stimulating challenge, as opposed to a threat). Even when the stressor is bad and your heart is racing in crisis, the goal should be to somehow make the fraction of a second between each heartbeat into an instant that expands in time and allows you to regroup. There, I have no idea what I’m talking about, but I think there might be something important lurking there. Enough said.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
Longstreet reached Catoosa Station the following afternoon, September 19, but found no guide waiting to take him to Bragg or give him news of the battle he could hear raging beyond the western screen of woods. When the horses came up on a later train, he had three of them saddled and set out with two members of his staff to find the headquarters of the Army of Tennessee. He was helped in this, so far as the general direction was concerned, by the rearward drift of the wounded, although none of these unfortunates seemed to know exactly where he could find their commander. Night fell and the three officers continued their ride by moonlight until they were halted by a challenge out of the darkness just ahead: “Who comes there?” “Friends,” they replied, promptly but with circumspection, and in the course of the parley that followed they asked the sentry to identify his unit. When he did so by giving the numbers of his brigade and division—Confederate outfits were invariably known by the names of their commanders—they knew they had blundered into the Union lines. “Let us ride down a little way to find a better crossing,” Old Peter said, disguising his southern accent, and the still-mounted trio withdrew, unfired on, to continue their search for Bragg. It was barely an hour before midnight when they found him—or, rather, found his camp; for he was asleep in his ambulance by then. He turned out for a brief conference, in the course of which he outlined, rather sketchily, what had happened up to now in his contest with Rosecrans, now approaching a climax here at Chickamauga, and passed on the orders already issued to the five corps commanders for a dawn attack next morning. Longstreet, though he had never seen the field by daylight, was informed that he would have charge of the left wing, which contained six of the army’s eleven divisions, including his own two fragmentary ones that had arrived today and yesterday from Virginia. For whatever it might be worth, Bragg also gave him what he later described as “a map showing prominent topographical features of the ground from the Chickamauga River to Mission Ridge, and beyond to the Lookout Mountain range.” Otherwise he was on his own, so far as information was concerned.
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through. “Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.” Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well. “Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?” “Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor. Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around. I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines. The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show. “Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.” What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.
Joanna Gaines (The Magnolia Story)
The mixture of a solidly established Romance aristocracy with the Old English grassroots produced a new language, a “French of England,” which came to be known as Anglo-Norman. It was perfectly intelligible to the speakers of other langues d’oïl and also gave French its first anglicisms, words such as bateau (boat) and the four points of the compass, nord, sud, est and ouest. The most famous Romance chanson de geste, the Song of Roland, was written in Anglo-Norman. The first verse shows how “French” this language was: Carles li reis, nostre emperere magnes, set anz tuz pleins ad estéd en Espaigne, Tresqu’en la mer cunquist la tere altaigne… King Charles, our great emperor, stayed in Spain a full seven years: and he conquered the high lands up to the sea… Francophones are probably not aware of how much England contributed to the development of French. England’s court was an important production centre for Romance literature, and most of the early legends of King Arthur were written in Anglo-Norman. Robert Wace, who came from the Channel Island of Jersey, first evoked the mythical Round Table in his Roman de Brut, written in French in 1155. An Englishman, William Caxton, even produced the first “vocabulary” of French and English (a precursor of the dictionary) in 1480. But for four centuries after William seized the English crown, the exchange between Old English and Romance was pretty much the other way around—from Romance to English. Linguists dispute whether a quarter or a half of the basic English vocabulary comes from French. Part of the argument has to do with the fact that some borrowings are referred to as Latinates, a term that tends to obscure the fact that they actually come from French (as we explain later, the English worked hard to push away or hide the influence of French). Words such as charge, council, court, debt, judge, justice, merchant and parliament are straight borrowings from eleventh-century Romance, often with no modification in spelling. In her book Honni soit qui mal y pense, Henriette Walter points out that the historical developments of French and English are so closely related that anglophone students find it easier to read Old French than francophones do. The reason is simple: Words such as acointance, chalenge, plege, estriver, remaindre and esquier disappeared from the French vocabulary but remained in English as acquaintance, challenge, pledge, strive, remain and squire—with their original meanings. The word bacon, which francophones today decry as an English import, is an old Frankish term that took root in English. Words that people think are totally English, such as foreign, pedigree, budget, proud and view, are actually Romance terms pronounced with an English accent: forain, pied-de-grue (crane’s foot—a symbol used in genealogical trees to mark a line of succession), bougette (purse), prud (valiant) and vëue. Like all other Romance vernaculars, Anglo-Norman evolved quickly. English became the expression of a profound brand of nationalism long before French did. As early as the thirteenth century, the English were struggling to define their nation in opposition to the French, a phenomenon that is no doubt the root of the peculiar mixture of attraction and repulsion most anglophones feel towards the French today, whether they admit it or not. When Norman kings tried to add their French territory to England and unify their kingdom under the English Crown, the French of course resisted. The situation led to the first, lesser-known Hundred Years War (1159–1299). This long quarrel forced the Anglo-Norman aristocracy to take sides. Those who chose England got closer to the local grassroots, setting the Anglo-Norman aristocracy on the road to assimilation into English.
Jean-Benoît Nadeau (The Story of French)
Healthy families master the knack of keeping the accent on the positive. Although the family alters after a challenging placement, they work through grief, re-balance, add resources, and find new ways to make life good. Their identity is not wrapped around a child’s trauma or limitations. Instead, they find ways to accommodate special needs, without the special needs becoming the focal point of life.
Deborah D. Gray (Attaching in Adoption: Practical Tools for Today's Parents)
You there! What are you doing?” A sentry was approaching, her strides swift and purposeful. “Identify yourself!” She held a lantern close to me, and I squinted in the light, my heart thrumming loudly. On the chance that I could still pull off the charade, I attempted to mimic a Cokyrian accent. The inflection was subtle, but not terribly different from our own, and I hoped that guard would be none the wiser. “I was sent to deliver a message.” “And what message is that?” Her voice was skeptical and she laid a hand on the hilt of the sword at her hip. “The message is not for you.” The sentry laughed. “Get out of here, girl. I have no interest in arresting you. I’ll consider this an amusing part of my night duty as long as you don’t cause any trouble.” “The message is from Rava,” I tried again, my natural stubbornness overcoming my fear. “For her brother.” “Messages should be taken to the main building,” she pronounced, no longer confident that she should send me away. “Rava instructed me to deliver it to no one but Saadi. She said he would be in the officer’s barracks.” The woman deliberated, looking dubiously at me, although she ultimately decided in my favor. “Then I’ll take you to him. We’ll see what he has to say about this.” The sentry grabbed my arm and led me toward the building. There were two guards at its entrance, and she instructed one of them to fetch Saadi. Despite the coolness of the weather, I could feel myself sweating. If Saadi refused to come, I would be locked up and likely taken to Rava in the morning. But if he did come, how did I know he would be happy to see me? He might not approve of the game I was playing. Nausea roiled my stomach, and I glanced at the Cokyrians on each side of me, trying to decide if I should beat a hasty retreat. Too afraid of the consequences if I failed to get away, I waited, praying the fates would smile upon me. It wasn’t long before footfalls reached my ears, and the door to the barracks swung open. Saadi stood there in breeches and a loose, unlaced shirt, strapping on his weapons, obviously having been awakened. Would he be angry that I had disturbed his sleep? “Well?” the guard who discovered me prompted. “I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.” I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol. “So, Rava has a message for me?” I shoved him unthinkingly, teasingly, and he laughed, jumping away. “You wanted to see me, remember?” I pointed out. “But you never picked a time or place!” “So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.” “I don’t have anything in mind.” We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?” “That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?” “Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.” I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.” He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter.
Cayla Kluver (Sacrifice (Legacy, #3))
His burrito is halfway to his mouth as he says, “Takes me a week and a half to get through a self-help book when a new season of The Challenge comes out.” Then he takes a bite of his burrito, and honestly, from the lack of facial expressions, I can’t tell if he’s being serious or not. Might as well test his knowledge. “You watch The Challenge?” He nods slowly. “CT for life.” Okay, okay, don’t freak out. Gah . . . but CT! “He’s my dream man,” I say before I can stop myself. “Heavy Boston accent, troubled past, buff—even in his dad-bod era—and just a fine piece of ass.
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
And what have you lost to the Faeries, Jane Andraste, to pull you into this war? You’re very far and a long time from where you grew up, or my talent for placing accents deserts me…” Jane actually blanched, and for one awed moment Matthew thought she might even step back, but she held her ground and met the Merlin’s challenge smiling. He could imagine how it must sting. “A child,” she said. “Like any mother, I’ll do what’s needful to get her back.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
A hat is the expression of a woman’s soul. It is something she wears on her head, but it belongs to her heart. It is her challenge to the world. She does not wear it to keep warm, or to provide a shade from the sun, though it may do those things too. She wears it to please a husband or a sweetheart, or to get one. She wears it to make other women jealous, sometimes, and sometimes she wears it to get a job. It is the keynote of her personality, the finishing touch that makes her look beautiful, and smart, and sure of herself, if it is the right hat.
Lilly Daché (Talking Through My Hats)
The Complexity of Indian Accents in American English Not everyone from India has the same accent, so what’s important to think about when identifying what to focus on to create clear speech? Here are some things to consider: 1. Some people from India are English-medium schooled. Some are not. 2. Many people from India speak with tense articulation, which might make their speech sound fast. 3. Complexity & Variety If someone from India is having challenges speaking American English clearly at a comfortable pace, they may need to familiarize themselves with the vowels Americans use … they may be using British vowels, or some combination of vowels from their first languages and British vowels, and they are not aware of the vowel substitutions. They may also speak at a faster pace than American audiences are used to, and they may not pause and breathe as they go. They may have a lot of issues with the /w/ and /v/ sound distinctions, and their /th/ sounds make sound like /t/’s. Their /t/ sounds may have little bouncy/poppy qualities and they may be using a different part of their tongues to make the sounds. They may also be throaty speakers. And, for southern languages in particular, word stress patterns in American English and how to stress syllables by elongating them is key to intelligibility.
Rebecca Linquist
So what’s the story your grandpa told you?” I leaned back against the blanket, propping my head in one hand and looking up at him. “It wasn’t about the pond, I guess. It’s more about the town. I didn’t ever come to Mona when I lived here. I never had reason to - so when I asked my grandpa if there were any good fishing spots around here, and he mentioned this pond, I asked him about the town. He said Burl Ives, the singer, was once thrown in jail here in Mona. It was before his time, but he thought it was a funny story.” “I’ve never heard about that!” “It was the 1940’s, and Burl Ives traveled around singing. I guess the authorities didn’t like one of his songs - they thought it was bawdy, so they put him in jail.” “What was the song?” I snickered. “It was called Foggy, Foggy Dew. My grandpa sang it for me.” “Let’s hear it!” I challenged. “It’s far too lewd.” Samuel pulled his mouth into a serious frown, but his eyes twinkled sardonically. “All right you’ve convinced me,” he said without me begging at all, and we laughed together. He cleared his throat and began to sing, with a touch of an Irish lilt, about a bachelor living all alone whose only sin had been to try to protect a fair young maiden from the foggy, foggy dew. One night she came to my bedside When I was fast asleep. She laid her head upon my bed And she began to weep She sighed, she cried, she damn near died She said what shall I do? So I hauled her into bed and covered up her head Just to keep her from the foggy, foggy dew. “Oh my!” I laughed, covering my mouth. “I don’t think I would have stuck Burl Ives in jail for that, but it is pretty funny,” “Marine’s are the lewdest, crudest, foulest talking bunch you’ll ever find. I’ve heard much, much worse. I’ve sung much, much worse. I tried to remain chaste and virtuous, and I still have the nickname Preacher after all these years - but I have been somewhat corrupted.” He waggled his eyebrows at his ribaldry. “I kind of liked that song…” I mused, half kidding. “Sing something else but without the Irish.” “Without the Irish? That’s the best part.” Samuel smiled crookedly. “I had a member of my platoon whose mom was born and raised in Ireland. This guy could do an authentic Irish accent, and man, could he sing. When he sang Danny Boy everybody cried. All these tough, lethal Marines, bawling like babies
Amy Harmon (Running Barefoot)
For example, Professor Morris Raphael Cohen was a very distinguished philosopher who challenged conventional wisdom in a Yiddish accent. With the diversity and poverty of its students, City College was known as “the poor man’s Harvard.
Tom Hofmann (Benjamin Ferencz, Nuremberg Prosecutor and Peace Advocate)
What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.” Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated. Her desperate gaze settled upon the battered pianoforte in the corner. “Shall I play something for you?” She stood without waiting for a reply. It was the only alternative to bolting from the room. Out of the periphery of her vision, she saw Winterborne automatically grip the arms of his chair in preparation to rise, before he remembered that he was in a leg cast. “Yes,” she heard him say. “I’d like that.” He maneuvered the chair a few inches so that he could see her profile as she played. The pianoforte seemed to offer a small measure of protection as she sat at the keyboard and pushed up the hinged fallboard that covered the keys. Taking a slow, calming breath, Helen arranged her skirts, adjusted her posture, and placed her fingertips on the keys. She launched into a piece she knew by memory: the allegro from Handel’s Piano Suite in F Major. It was full of life and complexity, and challenging enough to force her to think about something besides blushing. Her fingers danced in a blur over the keys, the exuberant pace unfaltering for two and a half minutes. When she finished, she looked at Winterborne, hoping he had liked it. “You play with great skill,” he said. “Thank you.” “Is that your favorite piece?” “It’s my most difficult,” Helen said, “but not my favorite.” “What do you play when there’s no one to hear?” The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen’s stomach to tighten pleasurably.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
It was easier to hear the lower tones of a man’s voice, but with an Aussie accent, the different, broader vowel sounds were already proving a challenge. Consonants were always the hardest for Ethan to hear, and Shiv seemed to drop them altogether on some words, especially the letter “r,” although he couldn’t be sure since he didn’t have Michael to ask.
Keira Andrews (Honeymoon for One)
Out comes a gorgeous, fleshy wheel of foie gras, perched on its side like a monument grander than its actual two-inch height. Around it are its minions, smears of savory-sweet onion confit paste and garlic tendrils puffed like Rice Krispies. You slide your knife down, slowly at first. The wheel is murky, muddy, and before you know it, the knife is being sucked to the bottom of the plate as you watch the wheel unpeel from itself. Out spills a green liquid, as mesmerizing as lava. Go on, take a forkful. Drag the finest, smoothest foie into the absolute essence of pea. Pick up a few pieces from the pool of accents. And taste. Put your fork down and wonder: how could this dish seem so pure and elemental, and yet have a flavor so electric, so challenging? Bakushan, from the Japanese word bakku-shan. A girl who looks pretty from behind, but is ugly in the front. This dish is not ugly by any means, but it offers that bit of shock, that moment of fear and excitement when the girl turns around and shows you the truth.
Jessica Tom (Food Whore)
The challenge for a forger is suppressing his own natural style, a task the art historian E. H. Gombrich likens to speaking a foreign language without an accent. Van Gogh was a great admirer of Millet, for example, and he made faithful copies of several of Millet’s works. This was study and homage, not forgery, but the swirling brushstrokes that shout “Van Gogh” are unmissable.
Edward Dolnick (The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (P.S.))