Dice Man Quotes

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I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
Friedrich Nietzsche (Thus Spoke Zarathustra)
No religion is perfect, not after man gets through with it.
Christopher Pike (Red Dice (The Last Vampire, #3))
A certain wise man once said that God didn't play dice with the universe, but that man was wrong. Sometimes I think He must even try Russian roulette.
Daína Chaviano (The Island of Eternal Love)
He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
It's the way a man chooses to limit himself that determines his character. A man without habits, consistency, redundancy - and hence boredom - is not human. He's insane.
Luke Rhinehart (The Dice Man)
From children to men we cage ourselves in patterns to avoid facing new problems and possible failure; after a while men become bored because there are no new problems. Such is life under the fear of failure.
Luke Rhinehart (The Dice Man)
Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self.
Luke Rhinehart (The Dice Man)
We got married: society's solution to loneliness, lust and laundry.
Luke Rhinehart (The Dice Man)
With determination and dice, I am God.
Luke Rhinehart (The Dice Man)
Give up all hope, all illusion, all desire..I've tried. I've tried and still I desire, I still desire not to desire and hope to be without hope and have the illusion I can be without illusions..Give up, I say. Give up everything, including the desire to be saved.
Luke Rhinehart (The Dice Man)
I hated myself and the world because I had failed to face and accept the limitations of my self and of life. In literature this refusal is called romanticism; in psychology, neurosis.
Luke Rhinehart (The Dice Man)
You’re a classic case of Horney’s: the man who comforts himself not with what he achieves, but with what he dreams of achieving.
Luke Rhinehart (The Dice Man)
Patterns are prostitution to the patter of parents.
Luke Rhinehart (The Dice Man)
Understand yourself, accept yourself, but do not be yourself.
Luke Rhinehart (The Dice Man)
Life is islands of ecstasy in an ocean of ennui, and after the age of thirty land is seldom seen.
Luke Rhinehart (The Dice Man)
Tell me the manner in which a patient commits suicide and I'll tell you how he can be cured
Luke Rhinehart (The Dice Man)
Psychoanalysis seemed an expensive, slow working, unreliable tranquilizer. If LSD were really to do what Alpert and Leary claimed for it, all psychiatrists would be out of a job overnight.
Luke Rhinehart (The Dice Man)
The exciting isolation of leaning against the wind on the highway hitchhiking, waiting for someone to stop and offer me a lift, perhaps to a town three miles down the road, perhaps to new friendship, perhaps to death.
Luke Rhinehart (The Dice Man)
To change man, the audience by which he judges himself must be changed. A man is defined by his audience: by the people, institutions, authors, magazines, movie heroes, philosophers by whom he pictures himself being cheered and booed.
Luke Rhinehart (The Dice Man)
Everything may evaporate at any instant. Everything!’ I said with surprising vehemence. ‘You, me, the most rocklike personality since Calving Coolidge; death, destruction, despair may strike. To live your life assuming otherwise is insanity.
Luke Rhinehart (The Dice Man)
Love is one of society's many socially accepted forms of madness.
Luke Rhinehart (The Dice Man)
One desire, my friends, one: to kill yourself. You must desire this. You must feel that a voyage of discovery is more important than all the little trips which the normal consumer self wants to buy.
Luke Rhinehart (The Dice Man)
Every man’s personal proverb about himself is: “Whatever is, is right, in the best of all possible people.” The
Luke Rhinehart (The Dice Man: This book will change your life.)
I am born anew at each green fall of the die, and by die-ing I eliminate my since. The past - paste, pus, piss - is all only illusory events created by a stone mask to justify an illusory stagnant present.
Luke Rhinehart (The Dice Man)
Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
Luke Rhinehart (The Dice Man)
Indecisive? Uncertain? Worried? Let the rolling ivory tumble your burdens away. $2.50 per pair.
Luke Rhinehart (The Dice Man: This book will change your life.)
No self-respecting God would allow a good man to be happy for long. God has relevance only in the unhappiness of good people.
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))
But we must come to realise that every word is perfect, including those we scratch out. As my pen moves across this page the whole world writes. All of human history combines at this mere moment now to produce in the flow of this hand a single dot: Who are you and I, dear friends, to contradict the whole past of the universe? Let us then in our wisdom say yes to the flow of the pen.
Luke Rhinehart (The Dice Man)
Those who sought her never found her, yet she was known to come to the aid of those in greatest need. And, then again, sometimes she didn’t. She was like that. She didn’t like the clicking of rosaries, but was attracted to the sound of dice. No man knew what She looked like, although there were many times when a man who was gambling his life on the turn of the cards would pick up the hand he had been dealt and stare Her full in the face. Of course, sometimes he didn’t. Among all the gods she was at one and the same time the most courted and the most cursed.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
Back in the nineteen-thirties, Duke university did a study with a machine that could throw dice. First they had it throw dice when nobody was in the building, and the numbers came up strictly according to the law of averages. Then they put a man in the next room and had him concentrate on various numbers to see if that would beat the odds. It did. Then they put him in the same room, still concentrating, and the machine beat the odds again, by an even wider margin. When the man rolled the dice himself, using a cup, he did better still. When he finally rolled the dice with his bare hand, he did best of all.
John Berendt (Midnight in the Garden of Good and Evil)
I tell my life’s story for that humble reason which has inspired every user of the form: to prove to the world I am a great man. I shall fail, of course, like the others.
Luke Rhinehart (The Dice Man: This book will change your life.)
This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.
Robin Hobb
New places and new roles forced me into acute awareness of how others were responding to me. When a human is being himself, flowing with his inner nature, wearing his natural appropriate masks, integrated with his environment, he is normally unaware of subtleties in another's behavior. Only if the other person breaks a conventional pattern is awareness stimulated. However, breaking my established patterns was threatening to my deeply ingrained selves and pricked me to a lvel of consciousness which is unusual, unusual since the whole instinct of human behavior is to find environments congenial to the relaxation of consciousness. By creating problems for myself I created thought.
Luke Rhinehart (The Dice Man)
À partir de là, le dialogue de la journée suivait une pente uniformément descendante, mais avec des lèvres et des mains chaleureuses et languides flottant sur les surface les plus sensibles du corps, le monde était aussi près que possible de la perfection. Freud appelait cela un état de perversité polymorphe impersonnel et le regardait d'un mauvais oeil, mais je doute fort qu'il ait jamais eu les mains de Lil lui frôlant le corps. Ou même celles de sa propre femme dans le même rôle. Freud était un bien grand homme, mais je n'arrive pas à me faire à l'idée que quelqu'un lui ait jamais efficacement flatté le pénis.
Luke Rhinehart (The Dice Man)
Whenever I look at the Western psychotherapies of the last hundred years,’ Dr Rhinehart went on, ‘it seems to me incredible that no one acknowledges the almost total failure of these therapies to cure human unhappiness. As Dr Raymond Felt has observed: “The ratio of spontaneous remission of symptoms and the rate of supposed ‘cures’ by the psychotherapies of the various schools has remained essentially the same throughout the twentieth century.
Luke Rhinehart (The Dice Man: This book will change your life.)
If Lord Duryodhana was an evil man, why did great men like Bhishma, Drona, Kripa, Karna, entire army of Krishna fight war on his side??
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan, #1))
A con man called Gander had once taught him that there were only three bets. Sometimes, you play the cards. Sometimes, you play the player. Sometimes, you just throw the dice.
Derek Künsken (The Quantum Magician (The Quantum Evolution, #1))
the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country.
James McBride (Deacon King Kong)
Snake eyes again. Damn dice,” Straggler said. He lifted the cup to reveal two ones on the table. Hyde smirked. “Strag, I didn’t think it was possible to be as unlucky as you are.” “He’s so unlucky it’s almost lucky,” Gren said. “It’s like he has reverse luck.” “He’s reverse good-looking, too,” said Hyde. “I’m going to reverse punch you,” Strag said to his brother. “That was reverse smart, man. It means you’re going to punch yourself.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
Mis colegas, incluso yo mismo, susurrando con timidez desde nuestros divanes, estábamos de acuerdo en que mi problema era del todo normal: odiaba al mundo y a mí mismo porque había fallado al tratar de afrontar y aceptar mis propias limitaciones y las de la vida. En literatura, este rechazo se llama romanticismo; en psicología, neurosis. La consecuencia de todo esto es que el único e inevitable camino parece ser una vida limitada y aburrida. Empezaba a aceptarlo, después de varios meses de recrearme en la depresión (me había procurado furtivamente un revólver del calibre 38 y nueve balas), cuando llegué a las costas del zen.
Luke Rhinehart (The Dice Man)
I’d like to see how long an Aroostook County man can stand Florida. The trouble is that with his savings moved and invested there, he can’t very well go back. His dice are rolled and can’t be picked up again. But I do wonder if a down-Easter, sitting on a nylon-and-aluminum chair out on a changelessly green lawn slapping mosquitoes in the evening of a Florida October—I do wonder if the stab of memory doesn’t strike him high in the stomach just below the ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck (Travels with Charley: In Search of America)
Since I encountered death, met death on every mountain path,conversed with death in my sleep, wrestled with death in the snow, gambled at dice with death, I have come to the conclusion that death is not an enemy but a brother. Death is a beautiful naked man who looks like Apollo, and he is notsatisfied with those who wither away in old age. Death is a perfectionist, he likes the young and beautiful, he wants to stroke our hair and caress the sinew that binds our muscle to the bone. He does all he can to meet us, our faces gladden his heart, and he stands in our path to challenge us because he likes a clean fair fight, and after the fight he likes to befriend us, clap us on the shoulder, and make us laugh at all the pettiness and folly of the living. At the conclusion of a battle he wanders amongst the dead, raising them up, placing laurels upon the brows of those most comely, and he gathers them together as his own children and takes them away to drink wine that tastes of honey and gives them the sense of proportion that they never had in life.
Louis de Bernières (Corelli’s Mandolin)
I shared my office on 57th Street with Dr Jacob Ecstein, young (thirty-three), dynamic (two books published), intelligent (he and I usually agreed), personable (everyone liked him), unattractive (no one loved him), anal (he plays the stock market compulsively), oral (he smokes heavily), non-genital (doesn’t seem to notice women), and Jewish (he knows two Yiddish slang words). Our mutual secretary was a Miss Reingold. Mary Jane Reingold, old (thirty-six), undynamic (she worked for us), unintelligent (she prefers Ecstein to me), personable (everyone felt sorry for her), unattractive (tall, skinny, glasses, no one loved her), anal (obsessively neat), oral (always eating), genital (trying hard), and non-Jewish (finds use of two Yiddish slang words very intellectual). Miss Reingold greeted me efficiently.
Luke Rhinehart (The Dice Man)
In this world, where the game is played with loaded dice, a man must have a temper of iron, with armor proof to the blows of fate, and weapons to make his way against men. Life is one long battle; we have to fight at every step; and Voltaire very rightly says that if we succeed, it is at the point of the sword, and that we die with the weapon in our hand.
Arthur Schopenhauer
Like the turtle's shell, the sense of self serves as a shield against stimulation and as a burden which limits mobility into possibly dangerous areas. The turtle rarely has to think about what's on the other side of his shell; whatever it is, it can't hurt him, can't even touch him. So, too, adults insist on the shell of a consistent self for themselves and their children and appreciate turtles for friends; they wish to be protected from being hurt or touched or confused or having to think. If a man can rely on consistency, he can afford not to notice people after the first few times. But I imagined a world in which each individual might be about to play the lover, the benefactor, the sponger, the attacker, the friend: and once known as one of the next day he might yet be anything. Would we pay attention to this person? Would life be boring? Would life be livable? I saw then clearly for the first time that the fear of failure keeps us huddled in the cave of self - a group of behavior patterns we have mastered and have no intention of risking failure by abandoning.
Luke Rhinehart (The Dice Man)
Would you look at this?" Silk waved a piece of parchment at the old man. "What's the problem?" Belgarath took the parchment and read it. "That whole business was settled years ago," Silk declared in an irritated voice. "Why are these things still being circulated?" "The description IS colorful," Belgarath noted. "Did you see that?" Silk sounded mortally offended. He turned to Garion. "Do I look like a weasel to you?" "--an ill-favored, weasel-faced man," Belgarath read, "shifty-eyed and with a long, pointed nose. A notorious cheat at dice." "Do you mind?
David Eddings (Enchanters' End Game (The Belgariad #5))
Perhaps, Ajaya is my belated answer to the villager, who stumped me with his simple question on the humid afternoon when the procession honoring Suyodhana was marching through the green paddy fields of Poruvazhy: "If our lord Duryodhana was an evil man, why did great men like Bhishma, Drona, Kripa and the entire army of Krishna, fight the war on his side?" - Ajaya 1: Roll of the Dice (Author's Note)
Anand Neelakantan
The nature of consciousness is to define what it calls reality. It's all of your observations that combine to form what it is you think reality is. God plays dice with the universe, and you be the dice, man.
S. Andrew Swann (God's Dice)
A serving-man, proud in heart and mind; that curled my hair; wore gloves in my cap; served the lust of my mistress' heart, and did the act of darkness with her; swore as many oaths as I spake words, and broke them in the sweet face of heaven: one that slept in the contriving of lust, and waked to do it: wine loved I deeply, dice dearly: and in woman out-paramoured the Turk: false of heart, light of ear, bloody of hand; hog in sloth, fox in stealth, wolf in greediness, dog in madness, lion in prey. Let not the creaking of shoes nor the rustling of silks betray thy poor heart to woman: keep thy foot out of brothels, thy hand out of plackets, thy pen from lenders' books, and defy the foul fiend. Still through the hawthorn blows the cold wind: Says suum, mun, ha, no, nonny. Dolphin my boy, my boy, sessa! let him trot by. Storm still.
William Shakespeare (King Lear)
The river of life, of mysterious laws and mysterious choice, flows past a deserted embankment; and along that other deserted embankment Charles now begins to pace, a man behind the invisible gun carriage on which rests his own corpse. He walks towards an imminent, self-given death? I think not; for he has at which to build; has already begun, though he would still bitterly deny it, thought there are tears in his eyes to support his denial, to realize that life, however advantageously Sarah may in some ways seem to fit the role of Sphinx, is not a symbol, is not one riddle and one failure to guess it, is not to inhabit one face alone or to be given up after one losing throw of the dice; but is to be, however inadequately, emptily, hopelessly into the city's iron heart, endured. And out again, upon the unplumb'd, salt, estranging sea.
John Fowles (The French Lieutenant’s Woman)
You marvel that this matter, shuffled pell-mell at the whim of Chance, could have made a man, seeing that so much was needed for the construction of his being. But you must realize that a hundred million time this matter, on the way to human shape, has been stopped to form now a stone, now lead, now coral, now a flower, now a comet; and all because of more or fewer elements that were or were not necessary for designing a man. Little wonder if, within an infinite quantity of matter that ceaselessly changes and stirs, the few animals, vegetables, and minerals we see should happen to be made; no more wonder than getting a royal pair in a hundred casts of the dice. Indeed it is equally impossible for all this stirring not to lead to something; and yet this something will always be wondered at by some blockhead who will never realize how small a change would have made it into something else.
Cyrano de Bergerac
Recuerda lo que dice el proverbio: "la ganancia es hermana de la pérdida". A menudo sucede que hoy eres rico y mañana estás mendigando un pedazo de pan. En cambio, la vida del campesino es más segura: modesta, pero larga; nunca seremos ricos, pero siempre tendremos qué comer.
Leo Tolstoi (How Much Land Does a Man Need?)
Einstein wrote, “Quantum mechanics calls for a great deal of respect. But some inner voice tells me that this is not the true Jacob. The theory offers a lot, but it hardly brings us any closer to the Old Man’s secret. For my part, at least, I am convinced that He doesn’t throw dice.”)
Michio Kaku (Physics of the Impossible: A Scientific Exploration of the World of Phasers, Force Fields, Teleportation, and Time Travel)
You’re the only woman that’s ever made me . . . want more from a relationship. Made me want more from myself as a man. Want more for my life.” He held out his hand to her. “I know it’s a gamble. I’m a gamble. But I think we’re worth it. So I’m asking you to roll the dice with me.” “You
Shelly Alexander (It's In His Heart (Red River Valley, #1))
Ma se il senso della realtà esiste, e nessuno può mettere in dubbio che la sua esistenza sia giustificata, allora ci dev'essere anche qualcosa che chiameremo senso della possibilità. Chi lo possiede non dice, ad esempio: qui è accaduto questo o quello, accadrà, deve accadere; ma immagina: qui potrebbe, o dovrebbe accadere la tale o tal altra cosa; e se gli si dichiara che una cosa è com'è, egli pensa: be', probabilmente potrebbe anche esser diverso. Cosicché il senso della possibilità si potrebbe anche definire come la capacità di pensare tutto quello che potrebbe essere, e di non dar maggior importanza a quello che è, che a quello che non è.
Robert Musil (The Man Without Qualities)
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
If our methods are so bad,' asked Dr Weinburger harshly, 'then why do any of our patients improve at all?' 'Because we've encouraged them to play new roles,' Dr Rhinehart answered promptly. 'Primarily the role of "being honest", but also the roles of feeling guilty, having sinned, being oppressed, discovering insights, being sexually liberated and so on. Of course, the patient and therapist are under the illusion that they are getting at true desires, when in fact they are only releasing and developing new and different selves.
Luke Rhinehart (The Dice Man)
Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man—the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognize each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you’re buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering. (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it’s so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.
Gillian Flynn (Gone Girl)
Anyone can be anyone
Luke Rhinehart (The Dice Man)
Politics is like dice: the better the player, the worse the man.
C.J. Sansom (Heartstone (Matthew Shardlake #5))
we all are never one person alone. Different sides of us, brought out by different situations, and we can never truly know who we will be from one day to the next. You can be one of them more than you are any of the others, and decide that is you ... but when you are caught unawares, the dice of your personality is rolled and the outcome is not given by any means.
Luke Smitherd (The Stone Man)
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
Clive Barker (Cabal)
Only the neurosurgeon dares to improve upon five billion years of evolution in a few hours. The human brain. A trillion nerve cells storing electrical patterns more numerous than the water molecules of the world’s oceans. The soul’s tapestry lies woven in the brain’s nerve threads. Delicate, inviolate, the brain floats serenely in a bone vault like the crown jewel of biology. What motivated the vast leap in intellectual horsepower between chimp and man? Between tree dweller and moon walker? Is the brain a gift from God, or simply the jackpot of a trillion rolls of DNA dice?
Frank T. Vertosick Jr.
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)
Time would heal the wound that was Frank; the world would continue to spin, to wobble, its axis only slightly skewed, momentarily displaced, by the brief, shuddering existence of one man -one THING - a post-human mutant, a blurred Xerox copy of a human being, the offspring of the waste of technology, the bent shadow of a fallen angel; Frank was all of these things. . . he was the sum of everything dark and sticky, the congealment of all things wrong and dark and foul in this world and every other seedy rathole world in every back-alley universe throughout the vast garbage dump of creation; God rolled the dice and Frank lost. . . he was a spiritual flunkie, a universal pain-in-the-ass, a joy-riding, soul-sucking cosmic punk rolling through time and space and piling up a karmic debt of such immense magnitude so as to invariably glue the particular vehicle of the immediate moment to the basement of possibility - planet earth - and force Frank to RE-ENLIST, endlessly, to return, over and over, to a flawed world somewhere to spend the Warhol-film-loop nights of eternity serving concurrent life sentences roaming the dimly lit hallways of always, stuck in the dense overshoes of physicality, forever, until finally - one would hope there is always a FINALLY - eventually, anyway - God would step in and say ENOUGH ALREADY and grab Frank by the collar of one of his thrift-shop polyester flower-print shirts and hurl him out the back door of the cosmos, expelling the rotten orb into the great wide nothingness and out of our lives - sure, that would be nice - but so would a new Cadillac - quit dreaming - it just doesn't work that way. . .
George Mangels (Frank's World)
simple probability and statistics should be taught in grades kindergarten through twelve and that analyzing games of chance such as coin matching, dice, and roulette is one way we can learn enough to think through such issues.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Man cannot live as nothing but an object, as dice thrown out of a cup; he suffers severely when he is reduced to the level of a feeding or propagating machine, even if he has all the security he wants. Man seeks for drama and excitement; when he cannot get satisfaction on a higher level, he creates for himself the drama of destruction. [...] The human passions transform man from a mere thing into a hero, into a being that in spite of tremendous handicaps tries to make sense of life.
Erich Fromm (The Anatomy of Human Destructiveness)
En su Teofanía, Teccam habla de los secretos y los llama "tesoros dolorosos de la mente". Explica que lo que la mayoría de la gente considera secretos no lo son en realidad. Los misterios, por ejemplo, no son secretos. Tampoco lo son los hechos poco conocidos ni las verdades olvidadas. Un secreto, explica Teccam, es un conocimiento cierto activamente ocultado. Los filósofos llevan siglos cuestionando su definición. Señalan los problemas lógicos, las lagunas, las excepciones. Pero en todo este tiempo ninguno ha conseguido presentar una definición mejor. Quizá eso nos aporte más información que todas las objeciones juntas. En un capítulo posterior, menos conocido y menos discutido, Teccam expone que existen dos tipos de secretos. Hay secretos de la boca y secretos del corazón. La mayoría de los secretos son secretos de la boca. Chismes compartidos y pequeños escándalos susurrados. Esos secretos ansían liberarse por el mundo. Un secreto de la boca es como una china metida en la bota. Al principio apenas la notas. Luego se vuelve molesta, y al final, insoportable. Los secretos de la boca crecen cuanto más los guardas, y se hinchan para presionar contra tus labios. Luchan para que los liberes. Los secretos del corazón son diferentes. Son íntimos y dolorosos, y queremos, ante todo, escondérselos al mundo. No se hinchan ni presionan buscando una salida. Moran en el corazón, y cuanto más se los guarda, más pesados se vuelven. Teccam sostiene que es mejor tener la boca llena de veneno que un secreto del corazón. Cualquier idiota sabe escupir el veneno, dice, pero nosotros guardamos esos tesoros dolorosos. Tragamos para contenerlos todos los días, obligándolos a permanecer en lo más profundo de nosotros. Allí se quedan, volviéndose cada vez más pesados, enconándose. Con el tiempo, no pueden evitar aplastar el corazón que los contiene. Los filósofos modernos desprecian a Teccam, pero son buitres picoteando los huesos de un gigante. Cuestionad cuanto queráis: Teccam entendía la forma del mundo.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
at man’s height the mouth utters its cries, tosses forth its oracles, gives vent to its puns. To allow words to come to life, bare themselves, and show us by chance, for the space of a lightning bolt bony with dice, a few of our reasons for living and dying
Michel Leiris (Brisées)
As Amani frantically diced the ingredients for her Pan seared Mahi-Mahi with Mango Salsa, she recalled her first meeting with him during a class he taught on the presentation of food and organization the previous year. Amani had been immediately drawn to the tall, serious Californian, and not just because of his looks. With dark wavy hair, strong features and the deepest blue eyes she had ever seen short of Paul Newman’s, David Spencer was everything Amani admired in a man, and then some. http://omadisonpress.com/romance/all-...
Joanna Hynes (love and my iron chef)
My brother Tagan was rigid about is duties, dogmatic. He made it easy to be the wastrel, troublemaking, vice-ridden younger brother. But on our birthdays, or in the winter when all the world was ungodly cold and dead, we’d travel to Berheim for outrageous bets and even more outrageous women. He brought his dice of fortune, which everyone claimed were loaded. The trick was that they were not loaded; he was just that good. So he’d allow the dice to be confiscated, his opponent would lay a ridiculous wager, and Tagan would clean the man’s purse down to the lint.
Maxx Whittaker (Temple of Cocidius: A Monster Girl Harem Adventure: Book 1)
What was critical to my father was that we not "go into government". His father and mother had both worked in the Treasury Department; and to him, "going into government" meant getting "hooked" on the salary and job security, and spending the rest of one's life in predictable, routinized labor that stunted the mind and sapped the spirit. My father would tell us of accountant friends who had passed their C.P.A. exam, then gone to work for the generous starting salaries offered by the I.R.S. While he was struggling in his mid-twenties, they were bragging about the cash they were taking home. Now, he said, he rarely saw them. Now, they had a defeated look; now, they were taking orders from some bureaucrat, and would be taking orders for the rest of their lives. He admired the disposition to roll the dice and risk everything that his Jewish friends and clients, Benny Ouresman, the Chevrolet dealer, and Harry Viner and his son Melvin, who had made a fortune with Sunshine Laundry, had exhibited. "They didn't have a damn dime when they started," Pop would tell us, emphatically. "They went to friends, borrowed money, started a business, went broke, went back to their friends, borrowed again, went broke again. Finally, they made it. They built something of their own. Now they work for themselves, and everybody else works for them. Be your own man!" That was the attitude we should adopt.
Patrick J. Buchanan (Right from the Beginning)
Fighting for glory is a small passion. Fighting for the voiceless, powerless, ignorant and poor, will put fire in your veins and give your muscles incredible power. Then you will not be alone. The whole Universe will come to your aid. Who can stop you then? Now get up and fight like a man.” Balarama lifted his foot from Suyodhana’s chest and helped him up.
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))
Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And
James McBride (Deacon King Kong)
Sometimes I feel it is best to experience as little as possible. I have become so accustomed to the sight of blood that this afternoon I witnessed the execution of two soldiers for cowardice. All that occurred to me was that their severed heads went rolling about just like dice. This only goes to show what I have always held: that horrors do not sharpen but blunt the senses. An old friend once set above his vestibule door the blood-soaked cuirass in which his father was killed. He put it there, he said, as a perpetual reminder of the horror of violence. And was he reminded? The first time he passed the vestibule, yes. The second time, maybe. The third time not at all, and thereafter he grew used to it, and was later killed in an amphitheatre riot with his fingers on another man's throat.
Colin Thubron (Emperor)
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this nought of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draught.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
As Raimbaut dragged a dead man along he thought, ‘Oh corpse, I have come rushing here only to be dragged along by the heels like you. What is this frenzy that drives me, this mania for battle and for love, when seen from the place where your staring eyes gaze and your flung-back head knocks over stones? It’s that I think of, oh corpse, it’s that you make me think of: but does anything change? Nothing. No other days exist but these of ours before the tomb, both for us the living and for you the dead. May it be granted me not to waste them, not to waste anything of what I am, of what I could be: to do deeds helpful to the Frankish cause: to embrace, to be embraced by, proud Bradamante. I hope you spent your days no worse, oh corpse. Anyway to you the dice have already shown their numbers. For me they are still whirling in the box. And I love my own disquiet, corpse, not your peace.
Italo Calvino
The commonest man feels that nobility is not to be improvised, and that it is his part to honour it as the fruit of protracted race-culture — but the absence of superior presence, and the notorious vulgarity of manufacturers with red, fat hands, brings up the thought to him that it is only chance and fortune that has here elevated the one above the other; well then — so he reasons with himself — let us in our turn tempt chance and fortune! Let us in our turn throw the dice! — and socialism commences.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
None of his new friends seemed to allow pecuniary considerations to trouble them, and since they all appeared to be constantly on the brink of ruin, and yet contrived, by some fortunate bet, or throw of the dice, to come about again, he began to fall insensibly into the same way of life, and to think that it was rustic to treat a temporary insolvency as more than a matter for jest. It did not occur to him that the tradesmen who apparently gave Wivenhoe and Scunthorpe unlimited credit would not extend the same consideration to a young man whose circumstances were unknown to them.
Georgette Heyer (Arabella)
The dumpkeeper had spawned nine daughters and named them out of an old medical dictionary gleaned from the rubbish he picked. These gangling progeny with black hair hanging from their armpits now sat idle and wide-eyed day after day in chairs and crates about the little yard cleared out of the tips while their harried dam called them one by one to help with chores and one by one they shrugged or blinked their sluggard lids. Uretha, Cerebella, Hernia Sue. They moved like cats and like cats in heat attracted surrounding swains to their midden until the old man used to go out at night and fire a shotgun at random just to clear the air. He couldn't tell which was the oldest or what age and he didn’t know whether they should go out with boys or not. Like cats they sensed his lack of resolution. They were coming and going all hours in all manner of degenerate cars, a dissolute carousel of rotting sedans and niggerized convertibles with bluedot taillamps and chrome horns and foxtails and giant dice or dashboard demons of spurious fur. All patched up out of parts and lowslung and bumping over the ruts. Filled with old lanky country boys with long cocks and big feet.
Cormac McCarthy (Child of God)
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
Luke Rhinehart (The Dice Man)
Una mano pequeña y fría me acarició la mejilla. —No pasa nada —dijo Auri en voz baja—. Ven aquí. Empecé a llorar en silencio, y ella deshizo con cuidado el apretado nudo de mi cuerpo hasta que mi cabeza reposó en su regazo. Empezó a murmurar, apartándome el cabello de la frente; yo notaba el frío de sus manos contra la ardiente piel de mi cara. —Ya lo sé —dijo con tristeza—. A veces es muy duro, ¿verdad? Me acarició el cabello con ternura, y mi llanto se intensificó. No recordaba la última vez que alguien me había tocado con cariño. —Ya lo sé —repitió—. Tienes una piedra en el corazón, y hay días en que pesa tanto que no se puede hacer nada. Pero no deberías pasarlo solo. Deberías haberme avisado. Yo lo entiendo. Contraje todo el cuerpo y de pronto volví a notar aquel sabor a ciruela. —La echo de menos —dije sin darme cuenta. Antes de que pudiera agregar algo más, apreté los dientes y sacudí la cabeza con furia, como un caballo que intenta liberarse de las riendas. —Puedes decirlo —dijo Auri con ternura. Volví a sacudir la cabeza, noté sabor a ciruela, y de pronto las palabras empezaron a brotar de mis labios. —Decía que aprendí a cantar antes que a hablar. Decía que cuando yo era un crío ella tarareaba mientras me tenía en brazos. No me cantaba una canción; solo era una tercera descendente. Un sonido tranquilizador. Y un día me estaba paseando alrededor del campamento y oyó que yo le devolvía el eco. Dos octavas más arriba. Una tercera aguda y diminuta. Decía que aquella fue mi primera canción. —Nos la cantábamos el uno al otro. Durante años. —Se me hizo un nudo en la garganta y apreté los dientes. —Puedes decirlo —dijo Auri en voz baja—. No pasa nada si lo dices. —Nunca volveré a verla —conseguí decir. Y me puse a llorar a lágrima viva. —No pasa nada —dijo Auri—. Estoy aquí. Estás a salvo.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Siddhartha now also realized why he had struggled in vain with this Self when he was a Brahmin and an ascetic. Too much knowledge had hindered him; too many holy verses, too many sacrificial rites, too much mortification of the flesh, too much doing and striving. He had been full of arrogance; he had always been the cleverest, the most eager—always a step ahead of the others, always the learned and intellectual one, always the priest or the sage. His Self had crawled into this priesthood, into this arrogance, into this intellectuality. It sat there tightly and grew, while he thought he was destroying it by fasting and penitence. Now he understood it and realized that the inward voice had been right, that no teacher could have brought him salvation. That was why he had to go into the world, to lose himself in power, women and money; that was why he had to be a merchant, a dice player, a drinker and a man of property, until the priest and Samana in him were dead. That was why he had to undergo those horrible years, suffer nausea, learn the lesson of the madness of an empty, futile life till the end, till he reached bitter despair, so that Siddhartha the pleasure-monger and Siddhartha the man of property could die. He had died and a new Siddhartha had awakened from his sleep.
Hermann Hesse (Siddhartha (A New Directions Paperback))
«Tu non credi che certe persone dimostrino più coraggio di altre, che siano più valorose e tutto il resto?» «Tu sì?» «Be, sì, io penso di sì. Quando leggi di quello che alcuni uomini hanno fatto in questa battaglia, per esempio. Non solo combattendo, ma salvando la vita di altri soldati a rischio della propria. Sono stati capaci di cose che altri non avrebbero mai osato.» «E che cosa hanno fatto quando sono tornati a casa?» «Eh?» «Cosa hanno fatto a casa loro? Come trattavano le loro mogli o le innamorate? Come si comportavano coi colleghi di lavoro?» [...] «... lo sai dove voglio arrivare. Non è che io non creda al coraggio o al valore o a cose del genere. Solo che credo che la maggior parte delle persone sia coraggiosa e valorosa ma in modi diversi e in diverse... come si dice? gelegenheden... occasioni.»
Aidan Chambers (Postcards from No Man's Land)
Still, Einstein would never count Oppenheimer as one of his close friends, “perhaps partly because our scientific opinions are fairly diametrically different.” Back in the 1930s, Oppie had once called Einstein “completely cuckoo” for his stubborn refusal to accept quantum theory. All of the young physicists Oppenheimer brought to Princeton were wholly convinced of Bohr’s quantum views—and uninterested in the questions that Einstein posed to challenge the quantum view of the world. They could not fathom why the great man was working indefatigably to develop a “unified field theory” to replace what he saw as the inconsistencies of quantum theory. It was lonely work, and yet he was still quite satisfied to defend “the good Lord against the suggestion that he continuously rolls the dice”—his thumbnail critique of Heisenberg’s uncertainty principle, one of the foundations of quantum physics. And he didn’t mind that most of his Princeton colleagues “see me as a heretic and a reactionary who has, as it were, outlived himself.
Kai Bird (American Prometheus)
There was a young man with a hot temper. He was not all bad, but he was reckless, and he drank more than he should, and spent more than he could, and gave a ring to more women than one, and gambled himself into a corner so tight an ant couldn't turn round in it. Once night, in despair, and desperate with worry, he got into a fight outside a bar, and killed a man. Mad with fear and remorse, for he was more hot-tempered than wicked, and stupid when he could have been wise, he locked himself into his filthy bare attic room and took the revolver that had killed his enemy, loaded it, cocked it and prepared to blast himself to pieces. In the few moments before he pulled the trigger, he said, "If I had known that all that I have done would bring me to this, I would have led a very different life. If I could live my life again, I would not be here, with the trigger in my hand and the barrel at my head." His good angel was sitting by him and, felling pity for the young, man, the angel flew to Heaven and interceded on his behalf. The in all his six-winged glory, the angel appeared before the terrified boy, and granted him his wish. "In full knowledge of what you have become, go back and begin again." And suddenly, the young man had another chance. For a time, all went well. He was sober, upright, true, thrifty. Then one night he passed a bar, and it seemed familiar to him, and he went in and gambled all he had, and he met a woman and told her he had no wife, and he stole from his employer, and spent all he could. And his debts mounted with his despair, and he decided to gamble everything on one last throw of the dice. This time, as the wheel spun and slowed, his chance would be on the black, not the red. This time, he would win. The ball fell in the fateful place, as it must. The young man had lost. He ran outside, but the men followed him, and in a brawl with the bar owner, he shot him dead, and found himself alone and hunted in a filthy attic room. He took out his revolver. He primed it. He said, "If I'd known that I could do such a thing again, I would never have risked it. I would have lived a different life. If I had known where my actions would lead me..." And his angel came, and sat by him, and took pity on him once again, and interceded for him, and... And years passed, and the young man was doing well until he came to a bar that seemed familiar to him... Bullets, revolver, attic, angel, begin again. Bar, bullets, revolver, attic, angel, begin again...angel, bar, ball, bullets...
Jeanette Winterson (The Stone Gods)
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
So I know I am right not to settle, but it doesn't make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I'm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart - perfect-on-paper men who make me feel like I'm in a foreign land, trying to explain myself, trying to make myself known. Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase? So you suffer through the night with the perfect-on-paper man - the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you've made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
Gillian Flynn (Gone Girl)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
This rich pork flavor, which lands on the tongue with a thump... It's Chinese Dongpo Pork! He seasoned pork belly with a blend of spices and let it marinate thoroughly... ... before finely dicing it and mixing it into the fried rice!" "What? Dongpo Pork prepared this fast?! No way! He didn't have nearly enough time to simmer the pork belly!" "Heh heh. Actually, there's a little trick to that. I simmered it in sparkling water instead of tap water. The carbon dioxide that gives sparkling water its carbonation helps break down the fibers in meat. Using this, you can tenderize a piece of meat in less than half the normal time!" "That isn't the only protein in this dish. I can taste the seafood from an Acqua Pazza too!" "And these green beans... it's the Indian dish Poriyal! Diced green beans and shredded coconut fried in oil with chilies and mustard seeds... it has a wonderfully spicy kick!" "He also used the distinctly French Mirepoix to gently accentuate the sweetness of the vegetables. So many different delicious flavors... ... all clashing and sparking in my mouth! But the biggest key to this dish, and the core of its amazing deliciousness... ... is the rice!" "Hmph. Well, of course it is. The dish is fried rice. If the rice isn't the centerpiece, it isn't a..." "I see. His dish is fried rice while simultaneously being something other than fried rice. A rice lightly fried in butter before being steamed in some variety of soup stock... In other words, it's actually closer to that famous staple from Turkish cuisine- a Pilaf! In fact, it's believed the word "pilaf" actually comes from the Turkish word pilav. To think he built the foundation of his dish on pilaf of all things!" "Heh heh heh! Yep, that's right! Man, I've learned so much since I started going to Totsuki." "Mm, I see! When you finished the dish, you didn't fry it in oil! That's why it still tastes so light, despite the large volume and variety of additional ingredients. I could easily tuck away this entire plate! Still... I'm surprised at how distinct each grain of rice is. If it was in fact steamed in stock, you'd think it'd be mushier." "Ooh, you've got a discerning tongue, sir! See, when I steamed the rice... ... I did it in a Donabe ceramic pot instead of a rice cooker!" Ah! No wonder! A Donabe warms slowly, but once it's hot, it can hold high temperatures for a long time! It heats the rice evenly, holding a steady temperature throughout the steaming process to steam off all excess water. To think he'd apply a technique for sticky rice to a pilaf instead! With Turkish pilaf as his cornerstone... ... he added super-savory Dongpo pork, a Chinese dish... ... whitefish and clams from an Italian Acqua Pazza... ... spicy Indian green bean and red chili Poriyal... ... and for the French component, Mirepoix and Oeuf Mayonnaise as a topping! *Ouef is the French word for "egg."* By combining those five dishes into one, he has created an extremely unique take on fried rice! " "Hold it! Wait one dang minute! After listening to your entire spiel... ... it sounds to me like all he did was mix a bunch of dishes together and call it a day! There's no way that mishmash of a dish could meet the lofty standards of the BLUE! It can't nearly be gourmet enough!" "Oh, but it is. For one, he steamed the pilaf in the broth from the Acqua Pazza... ... creating a solid foundation that ties together the savory elements of all the disparate ingredients! The spiciness of the Poriyal could have destabilized the entire flavor structure... ... but by balancing it out with the mellow body of butter and soy sauce, he turned the Poriyal's sharp bite into a pleasing tingle!
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
I'd like to see how long an Aroostook County man can stand Florida. The trouble is that with his savings moved and invested there, he can't very well go back. His dice are rolled and can't be picked up again. But I do wonder if a down-Easter, sitting on a nylon-and-aluminum chair out on a changelessly green lawn slapping mosquitoes in the evening of a Florida October--I do wonder if the stab of memory doesn't strike him high in the stomach just below his ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck
It is illegal to portal anyone while they are under duress,I could lose my license if I were to do so." "You're going to lose a lot more than that if you don't tell me where my twin went," I said in a low, mean voice. "Mayling, please. I must insist that you allow me to be the bad cop," Gabriel said as I slid the dagger at my ankle out of its sheath. "I have never subscribed to the sexist belief that women have to be good cop," I said, twirling the dagger around one finger. "Nonetheless, you are far more suited to the good cop role," Gabriel insisted. "I'm going to have to go against popular opinion and side with Mei Ling on this," Savian said, watching us with a delighted twinkle in his eye. "She looks like she knows how to use that blade. What is that, a stiletto?" "Sicilian castrating knife," I said with a smile at the portal man. "She wins," Savian told Gabriel. "Er..." Jarilith said, his expression starting to slide into worry. "I am a wyvern! I can do far more to this man than merely remove his genitalia," Gabriel answered in an outraged tone, a little tendril of smoke emerging from between his lips as he spoke. "Eh..." Jarilith said, taking a step backward. "Hmm. He's a weaver," Savian said thoughtfully as he examined the portalist. "Those are immortal, aren't they? So he could survive a castration, but the question is would a dragon barbeque be enough to finish him off?" "Absolutely," Gabriel said. He smiled. It wasn't a nice smile. "Threatening a weaver is strictly prohibited by law," Jarilith said indignantly, but the fight had gone out of him. His gaze was flickering back and forth from Gabriel to Savian to the dagger I held casually. "I could have the watch on you for what you're saying!" "Oh, please," I said with a dramatic roll of my eyes. "Just about every thief taker in this hemisphere is after me. I've already been sentenced to banishment to the Akasha. You think one little murder is going to make that any worse? Not likely." Jarilith's eyes widened. "It's true," Savian said. "The price on her head has already gone over six figures." The color washed out of the portalist's face. "Erm..." "Mate," Gabriel said sternly. "I must insist that you refrain from slicing and dicing this man." Jarilith nodded quickly. "Listen to the dragon." "It is my place to destroy those who stand in your way," Gabriel continued, the pupils in his eyes narrowing as he turned to the now hastily backing away Jarilith. "Let's not lose our heads, here," the latter said in a rush. "I don't think it's your head the lady has in mind," Savian said as he looked pointedly at the portalist's crotch. Jarilith's hands hovered protectively over his fly. "Such an atrocity would constitute torture. You wouldn't do that to an innocent man, would you?" "What makes you think I'd stop at the castration?" I twirled the knife around my fingers again. "This little jobby fillets, as well." "She went to Paris," Jarilith said quickly as he dashed for a door to a back room. "Your portal is ready in room number three. Have a pleasant journey..." His voice trailed off as he bolted. I turned a frown on Gabriel. "You really wouldn't have let me be bad cop? I'm very good at it, as you can see." "I'm sorry," he said, his dimples belying the grave look he was trying to maintain.."Wyverns have some standards to maintain with their mates, and one of them is always being the bad cop.Although I do admit that you have a particularly effective manner. Would you really have castrated him to get the information about your twin?" "Would you really have burnt him to acrisp for not answering?" "Such a bloodthirsty little bird," he said fondly, giving my butt a little pinch. Savian stood still for a moment, giving us an odddisbelieving look before shaking his head and following. "You two are the strangest couple I've ever met. And I have to tell you-I've met some real weirdos
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
While Nicole drove off in search of recipes for fish hash, clam fritters, and salmon quiche, Charlotte settled in the Chowder House with Dorey Jewett, who, well beyond the assortment of chowders she always brought to Bailey's Brunch, would be as important a figure in the book as any. They sat in the kitchen, though Dorey did little actual sitting. Looking her chef-self in T-shirt, shorts, and apron, if she wasn't dicing veggies, she was clarifying butter or supervising a young boy who was shucking clams dug from the flats hours before. Even this early, the kitchen smelled of chowder bubbling in huge steel pots. Much as Anna Cabot had done for the island in general, Dorey gave a history of restaurants on Quinnipeague, from the first fish stand at the pier, to a primitive burger hut on the bluff, to a short-lived diner on Main Street, to the current Grill and Cafe. Naturally, she spoke at greatest length about the evolution of the Chowder House, whose success she credited to her father, though the man had been dead for nearly twenty years. Everyone knew Dorey was the one who had brought the place into the twenty-first century, but her family loyalty was endearing.
Barbara Delinsky (Sweet Salt Air)
Man cannot live as nothing but an object, as dice thrown out of a cup; he suffers severely when he is reduced to the level of a feeding or propagating machine, even if he has all the security he wants. Man seeks for drama and excitement; when he cannot get satisfaction on a higher level, he creates for himself the drama of destruction. ... The human passions transform man from a mere thing into a hero, into a being that in spite of tremendous handicaps tries to make sense of life.
Erich Fromm
Duke university did a study with a machine that could throw dice. First they had it throw dice when nobody was in the building, and the numbers came up strictly according to the law of averages. Then they put a man in the next room and had him concentrate on various numbers to see if that would beat the odds. It did. Then they put him in the same room, still concentrating, and the machine beat the odds again, by an even wider margin. When the man rolled the dice himself, using a cup, he did better still. When he finally rolled the dice with his bare hand, he did best of
John Berendt (Midnight in the Garden of Good and Evil)
You call out to Dr Ranee. To the angels of silence and absence. You ask them to take you to The Light, that you will sign any ola book they put before you. You pray like you have never prayed. To the Crow Man’s sorcery, to the gods you loathe, to the magic of electricity and to the hand that rolls the dice. And in answer, you receive the quiet hum at the edge of the universe, followed by that great silence.
Shehan Karunatilaka (The Seven Moons of Maali Almeida)
Dicing with death is one man’s cup of tea, but another man’s poison. I just didn’t fear anything.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Hay un motivo por el que reconocemos que Hamlet es una obra maestra: y es que Shakespeare nos dijo la verdad, y la gente muy pocas veces nos dice la verdad en cuanto a estos ascensos y caídas. La verdad es que sabemos tan poco de la vida que en realidad no sabemos distinguir cuáles son las buenas noticias y cuáles son las malas noticias.
Kurt Vonnegut Jr. (A Man Without a Country)