“
CALVIN:
Isn't it strange that evolution would give us a sense of humor?
When you think about it, it's weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it's funny.
Don't you think it's odd that we appreciate absurdity? Why would we develop that way? How does it benefit us?
HOBBES:
I suppose if we couldn't laugh at the things that don't make sense, we couldn't react to a lot of life.
”
”
Bill Watterson
“
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
”
”
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
“
I am an artist you know ... it is my right to be odd.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
The funny thing about the heart is a soft heart is a strong heart, and a hard heart is a weak heart.
”
”
Criss Jami (Healology)
“
Ride?" Rhage snorted. "Please. That thing is a sewing machine with an air dam taped to it. My GTO could dust the fucker in fourth gear from a dead stop."
When there was an odd sound from behind, John looked back. So did the three Brothers.
"What." Xhex bristled and crossed her arms over her chest. "I can laugh, you know. And that's . . . pretty damn funny."
Rhage beamed. "I knew I liked you.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
He's not doing anything he shouldn't be doing, right?"
"Like what?"
"Like hitting on you."
"Ew. No, of course not. He doesn't see me that way."
Michael shook his head and went back to his coffee.
"What? You think he does?"
"Sometimes he looks at you a little... oddly, that's all. Maybe you're right. Maybe he just wants you for your blood."
"Again, Ew! What's with you this morning?"
"Not enough coffee.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
He was wearing a look that she found odd and compelling - that amusement that didn’t seem to pass beyond the surface of his features, as he found everything in the world both infinitely funny and infinitely tragic all at the same time.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Knowing something is a bad idea does not always decrease the odds that you will do it.
”
”
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
“
It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.
”
”
Nella Larsen (Passing)
“
It was exciting to be off on a journey she had looked forward to for months. Oddly, the billowing diesel fumes of the airport did not smell like suffocating effluence, it assumed a peculiar pungent scent that morning, like the beginning of a new adventure, if an adventure could exude a fragrance.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
Sire," Oliver said as he helped Petunia to her feet, "I'd like to marry Petunia.
"Of course you would," retorted the King Gregor. "But not right now! we just got those two taken care of." He pointed to the twins who were still trying to play Christian's odd game. "And weddings are expensive!
”
”
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
“
You're in a rather odd mood today."
I'm soaking wet, Eloise."
No need to snap at me about it, I didn't force you to walk across town in the rain."
It wasn't raining when I left,". There was something about a sibling that brought out the eight-year-old in a body.
I'm sure the sky was gray,"
Clearly, she had a bit of the eight-year-old in her as well.
”
”
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
“
John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
Weetzie could see him--it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers.
"Lanky Lizards!" Weetzie exclaimed.
"Greetings," said the man in an odd voice, a rich, dark purr.
"Oh, shit!" Weetzie said.
"I beg your pardon? Is that your wish?
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The
guards didn’t. Their knuckles were white on their weapons.
May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.”
Very funny,” Mrs. Grant said. Morley gave her a grave look.
I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You
should feel quite secure.”
Well, I’m sorry, I don’t,” she said. “You’re just—”
Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me.
It’ll pass. You seem like the no-nonsense sort. I like that.”
Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding.
You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the
conversation.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Accents are funny in that they have this odd draw for us, yet we forget we have one, too. No one is without an accent, but the one you’ve got seems like oatmeal to their caviar.
”
”
Deb Caletti (Stay)
“
Elizabeth."
I feel my smile on my face as I understand what she is doing. Though it's a strange one, she has a name-sound just like I do, and she's telling me what it is. I try to make the same sounds.
"Ehh..beh." I frown. Why is her name-sound so difficult and so long?
She frowns right back at me and says it again. "Elizabeth."
"Beh-tah-babaa."
She sighs and her forehead wrinkles.
"Elizabeth. Eeee-lizzzz-ahh-beth."
"Laahh...baaay."
She taps her chest again.
"Beth!"
The sound is shorter but still very odd.
"Beh-bet."
"Beth," she repeats.
I've had enough. I reach out and touch her should.
"Beh."
"Beth."
I tap her a little harder and growl.
"Beh", I repeat. I tap her again. "BEH!"
Her eyes widen a bit, and she inhales sharply. A moment later, her shoulders drop and she sighs.
"Beh," she says quietly.
”
”
Shay Savage (Transcendence (Transcendence, #1))
“
It was funny how their odd little family of friends had changed him. Made him feel safe. Theta, Memphis, Henry, Jericho, Mabel, Ling, Isaiah, and especially Evie. They’d been there for him. Opened the parts of him he was afraid would be closed off forever. Why had he wasted so much time bottling up his feelings? What did that ever get anybody but dumb fights? He had friends. He had a home in them. And Evie was home, too.
”
”
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
“
Christopher throws dandelion head after dandelion head into his bag. It's getting heavy now and his fingers are stained from the work but there are still so many left to kill. His biggest mistake is giving them names.
”
”
Brian Martinez (Kissing You is Like Trying to Punch a Ghost)
“
It's funny, ma'am, how sometimes you're so sarcastic but it doesn't sting."
"Because of my dimples. Dimples are a get-out-of-jail-free card
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
See how the symbols stretch across all three shields? They represent a god."
Hypnos frowned. "There's a God of lions and knives and wineglasses? That seems incredibly specific."
"This god is Shezmu," said Enrique, rolling his eyes. "He's seldom depicted, perhaps because he's at such odds with himself. On the other hand, he's the lord of perfumes and gracious oils, often considered something of a celebration deity."
"My kind of god," said Hypnos.
"He is also the god of slaughter, blood and dismemberment."
"I amend my original statement," said Hypnos.
”
”
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
“
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise.
Or maybe Nash's Influence was still affecting her a little.
"No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list."
"So, you're not...dangerous?"
His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...."
"Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt.
"Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
”
”
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
“
Take a drink every time you hear a lie.
You're a great cook.
(They say as you burn toast.)
You're so funny.
(You've never told a joke.)
You're so...
... handsome.
... ambitious.
... successful.
... strong.
(Are you drinking yet?)
You're so...
... charming.
... clever.
... sexy.
(Drink.)
So confident.
So shy.
So mysterious.
So open.
You are impossible, a paradox, a collection at odds.
You are everything to everyone.
The son they never had.
The friend they've always wanted.
A generous stranger.
A successful son.
A perfect gentleman.
A perfect partner.
A perfect...
Perfect...
(Drink.)
They love your body.
Your abs.
Your laugh.
The way you smell.
The sound of your voice.
They want you.
(Not you.)
They need you.
(Not you.)
They love you.
(Not you.)
You are whoever they want you to be.
You are more than enough, because you are not real.
You are perfect, because you don't exist.
(Not you.)
(Never You.)
They look at you and see whatever they want...
Because they don't see you at all.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Millions of business people are each constantly forced to choose between their desire to not be a bad person and their desire to be a good business person, that is to say, to make as much money as they possibly can by maximizing their revenue while minimizing the cost of producing whatever it is that they sell.
”
”
Mokokoma Mokhonoana (The Use and Misuse of Children)
“
It's funny how you can't ask difficult questions in a familiar place, how you have to stand back a few feet and see things in a new way before you realize nothing that is happening to you is normal. The trouble with you and me is we are used to what is happening to us. We grew into our lives like a kernel beneath the earth, never able to process the enigma of our composition...Nothing is normal. It is all rather odd, isn't it, our eyes in our heads, our hands with five fingers, the capacity to understand beauty, to feel love, to feel pain.
”
”
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
“
Funny,’ Will said, as they picked their way through. ‘Things are absolutely awful and yet people look much happier than usual. Look at them all. Bubbling.’
‘They are English,’ Merriman said.
‘Quite right,’ said Will’s father. ‘Splendid in adversity, tedious when safe. Never content, in fact. We’re an odd lot….
”
”
Susan Cooper
“
By weaving their thoughts and feelings into the substance of reality, the Weavers had ensured anyone writing about them would secure an instant bestseller – which wasn’t particularly difficult, considering the Weavers held the strings on the one holding the pen.
Those who controlled the Pattern, controlled reality.
”
”
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
“
Somehow, having a deer preside over the ceremony of a werewolf and a girl seems oddly appropriate.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Agatha - You're somewhat odd. You know that, don't you?
Felicia - I'll take that as a compliment.
Agatha - It wasn't meant as such...
”
”
Jen Turano (A Talent for Trouble (Ladies of Distinction, #3))
“
Not that I'm bipolar, but that I'm two people, and not just two people, but two people at odds with each other. The mom and the kid, the homebody and the explorer, the strong and the weak, the logical and the emotional, the funny and the sad, the angry and the calm, the open and the closed, the loved and the hated, the hot and the cold, the alive and the dead, the beautiful and the ugly. It's exhausting. I. Am. Exhausting.
”
”
Stacey Turis (Here's to Not Catching Our Hair on Fire: An Absent-Minded Tale of Life with Giftedness and Attention Deficit - Oh Look! A Chicken!)
“
Beyond a thin veil of space stretched Existence, the frailest and most imbalanced reality of the cosmos. No one was really sure why it was imbalanced, but some believed it had something to do with the general alcohol consumption per capita.
”
”
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
“
I got mixed up with some oddness in my youth, and the long and short of it is that I can't shuffle off this mortal coil until I have read the ten most boring classics.
”
”
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
“
He stared at Avery's socks and felt an odd sense of wonder. Socks were so normal. So mundane. How could someone who pulled on socks in the morning be a serial killer? Socks were not hard or dangerous. Socks were funny; foot mittens, that's what socks were. They made a knobbly hinge of your toes and became comical sock-puppets. Surely anyone who wore socks could not truly be a threat to him or anyone else?
”
”
Belinda Bauer (Blacklands (Exmoor Trilogy, #1))
“
The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged
bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear.
“Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I
can’t get him to eat his insects, and I used his favorites. He just sits there.”
“Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.”
“Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.”
Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.”
“You think he’s dead?” Myrnin sounded horrified. So wrong.
“Is he curled up?”
“No. He’s just quiet.”
“Well, maybe he’s not hungry.”
“Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your
company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.”
“Fine,” she sighed. “I’m bringing Shane.”
After a second of silence, he said, flatly, “Goody,” and hung up.
”
”
Rachel Caine
“
It's funny, humans tend to hatch our most challenging goals and dreams, the ones that demand the our greatest effort yet promise absolutely nothing, when we are tucked into our comfort zones.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
Her attention was now drawn upon a boy whose imagination had the potential to change the face of reality. Unfortunately for him, Ærinna liked reality the way it was: fluid, slippery and with a brick in it. The case was quickly resolved by giving the young boy an appetite for procrastination.
”
”
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
“
So you're here by yourself?"
“Yes."
“Seems like an odd place to come by yourself."
“I needed to get away."
“Woman trouble? That's another of my father's expressions."
“No, actually. I poisoned my neighbor's dogs."
After a moment she said, “How drunk are you?"
“Quite."
“Is that true?"
“What?"
“That you poisoned your neighbor’s dogs."
“I’m afraid it is."
“I have dogs."
“Well, keep them away from me.
”
”
David Gilmour (Sparrow Nights)
“
The Weaveress squinted at the loom. While any other person would merely see a thickset of colour-flashing Threads, Ærinna saw cosmic events, destinies and the collective soul of countless beings. Some of them were about to kick the bucket and kick it well. They weren’t to die of any expected natural causes either – unless one counted being “woven out of the Pattern” either natural or expected.
”
”
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
“
She always called him Luca, in the Italian manner, and said it with that funny trans-European intonation, the accent oddly placed on the first syllable: 'Where's Loo-ka?', just like Audrey Hepburn saying, 'Take the pic-ture,' in Funny Face.
”
”
Adam Gopnik (Paris to the Moon)
“
No other foreskin could have caused such trouble.
”
”
Peter Manseau (Rag and Bone: A Journey Among the World's Holy Dead)
“
Hope was a funny thing. It kept you dangling by a thread until the last possible moment, even when the odds weren't in your favor.
”
”
Susan Anne Mason (The Highest of Hopes (Canadian Crossings, #2))
“
What’s SQ?” asked Evan.
“Sexual Quotient.”
“What’s that?”
“Basically, it’s your odds of getting laid. Everyone has an SQ. just like everyone has an IQ.”
“I’ve never heard that term before.”
“That’s because I made it up.”
“That figures. Finally applying your actuarial skills to what really matters, eh?
”
”
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
“
Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you."
"Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have
forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his
memory.
"The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly.
Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon.
The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging.
"Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered
in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her
back and resumed talking to her companion.
Duncan was immobilized by shock.
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating.
At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well.
”
”
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
“
Tell me. Has your daughter made the journey with you?”
“She is here,” the hag says. A girl steps from the crowd to bow low before Cardan. She is young, with a mass of unbound hair. Like her mother, her limbs are oddly long and twig-like, but where her mother is unsettlingly bony, she has a kind of grace. Maybe it helps that her feet resemble human ones.
Although, to be fair, they are turned backward.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
You just know this is going to be bad," Susan said.
"—but when I went to college," Harry continued, throwing a piece of bread at Susan, "if your roommate died, you were usually allowed to skip your finals for that semester. You know, because of the trauma."
"And oddly enough, your roommate got to skip them, too," Susan said. "For much the same reason.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
I listened in on a KKK rally but all I could hear was a bunch of white noise.
”
”
Rick Silber
“
Algebra-Read pages 7-14. Do the odd numbered problems. From what I've seen, they're all pretty odd.
”
”
David Lubar (Sleeping Freshmen Never Lie)
“
The Comedy Equation: An ordinary guy or gal struggling against insurmountable odds without many of the required skills and tools with which to win yet never giving up hope.
”
”
Steve Kaplan (The Hidden Tools of Comedy: The Serious Business of Being Funny)
“
Funny how people that don't believe in nothin' are so quick to believe every crazy story about people like us.
”
”
Dean Koontz (Brother Odd (Odd Thomas, #3))
“
Combining storytelling, humanity, and laughter will give you a huge advantage in your public speaking and the odds are good that you already have all the raw material you need.
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
This is indeed a funny country. Yesterday, for example, we were in a cafe which is one of the best in Cairo, and there were, at the same time as ourselves, inside, a donkey shitting, and a gentleman who was pissing in a corner. No one finds that odd; no one says anything.
”
”
Gustave Flaubert (Flaubert in Egypt)
“
There was the odd suburban thunderbolt, but they were mostly those people who'd found each other; they were golden and bright-lit and funny. Often they seemed in cahoots somehow, like jailbirds who wouldn't leave; they loved us, they liked us, and that was a pretty good trick.
”
”
Markus Zusak (Bridge of Clay)
“
Vivian’s first impression of Solidago was that she had travelled back in time, but not to a time where architecture had been invented. All houses were twisted out of shape, to say the least. Windows either too large to open or too small to make a difference peppered the city in places one would never dream of having one.
The walls were mostly cast in brickwork by the kind of stonemason whose day job was financial advising. Skewed walls with more bricks than mortar, knotted chimneys keeping the smoke inside and cupping rooftops whose main purpose was to gather rainwater – Solidago had it all and more.
As the oldest civilization of the cosmos, Alarians might have been excellent at healing, philosophizing and weaving into the fabric of reality, but they were very poor city builders.
”
”
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
“
I'm not much for parties. Sometimes you have to wear a funny hat, sometimes they expect you to eat sushi, which is like eating bait. And there's always some totally drunk girl who thinks you're smitten by her, when what you're really wondering is if she'll vomit on your shirt or instead on your shoes.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
The most effective cross-examination of Linda Kasabian was surprisingly that of Ronald Hughes. Though this was his first trial, and he frequently made procedural mistakes, Hughes was familiar with the hippie subculture, having been a part of it. He knew about drugs, mysticism, karma, auras, vibrations, and when he questioned Linda about these things, he made her look just a little odd, just a wee bit zingy. He had her admitting that she believed in ESP, that there were times at Spahn when she actually felt she was a witch.
Q. "Do you feel that you are controlled by Mr. Manson's vibrations?"
A. "Possibly."
Q. "Did he put off a lot of vibes?"
A. "Sure, he's doing it right now."
Hughes "May the record reflect, Your Honor, that Mr. Manson is merely sitting here."
Kanarek "He doesn't seem to be vibrating.
”
”
Vincent Bugliosi (Helter Skelter: The True Story of the Manson Murders)
“
Even if the intelligent design of some structure has been established, it still is a separate question whether a wise, powerful, and beneficent God ought to have designed a complex, information-rich structure one way or another. For the sake of argument, let's grant that certain designed structures are not simply, as Gould put it, "odd" or "funny," but even cruel. What of it? Philosophical theology has abundant resources for dealing with the problem of evil, maintaining a God who is both omnipotent and benevolent in the face of evil.
”
”
William A. Dembski (Signs of Intelligence: Understanding Intelligent Design)
“
Don't think I'm a bad mother. I'm just a realistic one. I knew that Jacob was handsome, funny, and so smart it sometimes left me reeling. It was hard though for others to see him in that light. To them, he just seemed odd.
”
”
Jodi Picoult (House Rules)
“
Miss Brill had often noticed there was something funny about nearly all of them. They were odd, silent, nearly all old,and from the way stared they looked as though they'd just come from dark little rooms of even, even cupboards!
”
”
Katherine Mansfield (Miss Brill)
“
Sir Henry fixed him with a keen eye.
'Odd name, Tom Skatt - eh?'
'Thats right'
'You don't think we could be related?'
Tom looked up at his great-great-great-uncle and smiled.
'I don't think so'
'No,' grinned Sir Henry "no, of course not
”
”
Henry Chancellor (The Museum's Secret (The Remarkable Adventures of Tom Scatterhorn, Book 1))
“
We loved them. We hated them. We wanted to be them. How tall they were, how lovely, how fair. Their long, graceful limbs. Their bright white teeth. Their pale, luminous skin, which disguised all seven blemishes of the face. Their odd but endearing ways, which ceased to amuse - their love for A.I. sauce and high, pointy-toed shoes, their funny, turned-out walk, their tendency to gather in each other's parlors in large, noisy groups and stand around talking, all at once, for hours. Why, we wondered, did it never occur to them to sit down? They seemed so at home in the world. So at ease. They had a confidence that we lacked. And much better hair. So many colors. And we regretted that we could not be more like them.
”
”
Julie Otsuka (The Buddha in the Attic)
“
It’s funny, isn’t it?” he said, something odd in his voice. “It’s funny how some people show they love people with dramatic proclamations and huge displays and romantic gestures…but for some people, it’s in the small things. Like the small things you do for him.
”
”
Cole McCade (Zero Day Exploit (Bayou's End, #1.5))
“
Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.
”
”
Thomas Mann (The Magic Mountain)
“
Heredity and environment are funny things. You can’t rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That’s why we’ve lowered the kindergarten age year after year until now we’re almost snatching them from the cradle. We had some false alarms on the McClellans, when they lived in Chicago. Never found a book. Uncle had a mixed record; antisocial. The girl? She was a time bomb. The family had been feeding her subconscious, I’m sure, from what I saw of her school record. She didn’t want to know how a thing was done, but why. That can be embarrassing. You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it.
”
”
Ray Bradbury (Fahrenheit 451)
“
I’ve been around a lot of pigs and none of them have ever tried to eat me. The pig farmer next door told me that’s because pigs are picky and won’t eat people who are still alive. This seems odd because I think wanting to eat a corpse is sort of the opposite of being a picky eater, but I’ll defer to the experts on this one.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
I wasn’t afraid of the Germans, not me,” an old bag would whine, “I went straight up to them and said, ‘This house belongs to the mother of a French officer’—and they didn’t say a word.” And another woman would say, “Bullets were flying all around me, but it’s funny, I wasn’t scared, not a bit.” It was understood that everyone would embellish their tales with terrifying scenes. As for Charles, he would simply reply, “That’s odd. Everything seemed quite normal to me. There were a lot of people on the road, but that’s all.” He imagined their surprise and smiled, feeling smug. He needed to feel smug. When he thought about his apartment in Paris, his heart broke.
”
”
Irène Némirovsky (Suite Française)
“
He has to pay people who have a sense of humor. Since he’s lacking one,” I added, when Ethan didn’t laugh. “I understood the joke, Merit,” he quietly said, sparkling emerald eyes on me as we began to sway. “I didn’t find it funny.” “Yes, well, your sense of humor leaves something to be desired.” Ethan spun me out and away, then pulled me back again. Stuck-up or not, I had to give him props—the boy could move. “My sense of humor is perfectly well developed,” he informed me when our bodies aligned again. “I merely have high standards.” “And yet you deign to dance with me.” “I’m dancing in a stately home with the owner’s daughter, who happens to be a powerful vampire.” Ethan looked down at me, brow cocked. “A man could do worse.” “A man could do worse,” I agreed. “But could a vampire?” “If I find one, I’ll ask him.” The response was corny enough that I laughed aloud, full and heartily, and had the odd, heart-clenching pleasure of watching him smile back, watching his green eyes shine with the delight of it.
”
”
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
“
Hey, guard!” Ian hollered out loud. “Do you think we could get a bathroom break?”
The guard seemed to snicker as he pointed to the grass outside the cell. Eena smirked at how dead-on her thoughts had been after all.
“Come on,” Ian complained. “She can’t do that, she’s a girl.”
The soldier smiled wryly, a shrug communicating his indifference.
Eena laughed in her mind.
(I don’t know what you think’s so funny. You’re the one who’s gotta pee.)
Oddly enough, that fact just made her laugh even more.
”
”
Richelle E. Goodrich (Eena, The Curse of Wanyaka Cave (The Harrowbethian Saga #3))
“
Stop teasing you two,” Suzy jumped in, “not all of Kathy’s ideas are wacky.”
“Gee thanks. Was that supposed to be a compliment?
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
Odd lair for a dragon", Darnak said, "and I've seen one or two in my times."
"Do all dragons own flower gardens?"
"This is the first one I've come across.
”
”
Jim C. Hines (Goblin Quest (Jig the Goblin, #1))
“
The reason faeries don't like iron is that it ties them too strongly to this world. The Paths aren't part of this world - you can't take iron there. It won't let you.'
I frowned. "You do realize that makes no sense."
'Unlike being able to open a door in the wall and take you to another hemisphere in a matter of minutes? How odd. Everything about Faerie is usually so rational.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
Maddie squirmed out from under him. “I’m sorry. So sorry. I know this is supposed to be physical. Impersonal. It’s only that I keep thinking of lobsters.”
He flipped onto his back and lay there, blinking up at the ceiling. “Until just now, I would have said there was nothing remaining that could surprise me in bed. I was wrong.”
She sat up, drawing her knees to her chest. “I am the girl who made up a Scottish lover, wrote him scores of letters, and kept up an elaborate ruse for years. Does it really surprise you that I’m odd?”
“Maybe not.”
“Lobsters court for months before mating. Before the male can mate with her, the female has to feel secure enough to molt out of her shell. If a spiny sea creature is worth months of effort, can’t I have just a bit more time? I don’t understand the urgency.
”
”
Tessa Dare
“
She said: “It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.
”
”
Nella Larsen (The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories)
“
I was momentarily stunned by his odd announcement and told him as much. "Let’s just talk about the fact that you composed a sonnet to my vagina, shall we? You are sending off some major stalker vibes, which is odd because you’re gay. You are gay, right?"
He narrowed his eyes at me and waved his hand in the direction of his 'muse' as he stated, "I don't want any part of that thing. I just want to honor it for being the only known thing in existence to be touched by the dick of a god.
”
”
M.C. Lavocat (Control (The Soul of Voodoo, #1))
“
Life is a funny, funny thing. Not the ‘ha-ha’ kind of funny, but an odd kind of funny. The kind of funny that you know exists, yet you can’t place your finger on. You know it’s there, and when the funny strikes, you feel it, but you can’t categorize it. It’s almost a feeling of melancholy, fixed with a tickle in your stomach and an odd loss of balance. This feeling catches you when you least expect it. Sometimes it’s better that way, sometimes it may feel like a curse. Regardless, once it passes, you feel different. You may even look different, though not to the naked eye. It may takes days or even months until you recognize the change within yourself, however apparent it may seem. One thing’s for sure: Once this funny thing strikes, you will never be the same.
”
”
Leigh Hershkovich
“
Now give me some advice about how to take full advantage of this city. I’m always looking to improve my odds.”
“Just what I’d expect from a horny actuary.”
“I’m serious.”
Carlos reflected for a moment on the problem at hand. He actually had never needed or tried to take full advantage of the city in order to meet women, but he thought about all of his friends who regularly did. His face lit up as he thought of some helpful advice: “Get into the arts.”
“The arts?”
“Yeah.”
“But I’m not artistic.”
“It doesn’t matter. Many women are into the arts. Theater. Painting. Dance. They love that stuff.”
“You want me to get into dance? Earthquakes have better rhythm than me…And can you really picture me in those tights?”
“Take an art history class. Learn photography. Get involved in a play or an independent film production. Get artsy, Sammy. I’m telling you, the senoritas dig that stuff.”
“Really?”
“Yeah. You need to sign up for a bunch of artistic activities. But you can’t let on that it’s all just a pretext to meet women. You have to take a real interest in the subject or they’ll quickly sniff out your game.”
“I don’t know…It’s all so foreign to me…I don’t know the first thing about being artistic.”
“Heeb, this is the time to expand your horizons. And you’re in the perfect city to do it. New York is all about reinventing yourself. Get out of your comfort zones. Become more of a Renaissance man. That’s much more interesting to women.
”
”
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
“
The parlour is as I remember it from Council meetings. It carries the scent of smoke and verbena and clover. Cardan himself lounges, his booted feet resting on a stone table carved in the shape of a griffin, claws raised to strike. He gives me a quicksilver conspiratorial grin that seems completely at odds with the way he spoke to me from the throne.
'Well,' he says, patting the couch beside him. 'Didn't you get my letters?'
'What?' I am confused enough that the word comes out like a croak.
'You never replied to a one,' he goes on. 'I began to wonder if you'd misplaced your ambition in the mortal world.'
This must be a test. This must be a trap.
'Your Majesty,' I say stiffly. 'I thought you brought me here to assure yourself I had neither charm nor amulet.'
A single eyebrow rises, and his smile deepens. 'I will if you like. Shall I command you to remove your clothes? I don't mind.'
'What are you doing?' I say finally, desperately. 'What are you playing at?'
He's looking at me as though somehow I am the one who's behaving strangely. 'Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.'
I shake my head, reeling. 'That's not possible.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air.
The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood.
Female pureblood.
Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses.
He loved the smell of women. Hell, he loved women.
But this was different.
It was intoxicating.
“Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength.
Almost as if…
No. It wasn’t possible.
There hadn’t been a true Were mating for centuries.
“Curs,” Levet said, moving to his side. “And a female pureblood.”
“Si,” Salvatore muttered, distracted.
“You think it’s a trap?”
Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night.
“There’s only one way to find out.”
He moved forward, sensing the end of the tunnel just yards in front of him.
“Salvatore?” Levet tugged on his pants.
Salvatore shook him off. “What?”
“You smell funny. Mon Dieu, are you…”
With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin.
Merda.
“One more word and you lose that tongue,” he snarled.
“But…”
“Do not screw with me.”
“I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
”
”
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
“
I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.'
'She saved his sorry ass is more like it,' Mor said, filling her glass of wine. 'Poor little Rhys got himself in a bind.'
I held out my own glass for Mor to fill. 'He does need unusual amounts of coddling.'
Azriel choked on his wine, and I met his gaze0 warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster.
A glance at the guilt in Rhys's eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I've figured out a funny little secret about life: Even if you stay on the sidewalks and pay your bills on time and use hand sanitizer, bad things still happen. Yes, maybe you can cut your odds by playing it safe. By attempting to predict each and every possible pitfall. But your fate will still find you, no matter how much you hide from it.
”
”
Liz Fenton (The Good Widow)
“
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine).
Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism.
Tell me about it. Everything you know. I gotta know something about metahemeralism.'
'I'm sorry. I don't know what that is.'
'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing.
'Donne. Walton. Metahemeralism. That's the problem as I see it.'
'Bunny, I don't think "metahemeralism" is even a word.'
'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.'
'Is it in the dictionary?'
'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?'
And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
'This is a nice paper, Bun -,' Charles said cautiously.
'Thanks, thanks.'
'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?'
'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.'
Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?'
'Triple-spaced it,' said Bunny proudly.
'These lines are about an inch apart.'
'Looks kind of like free verse, doesn't it?'
Henry made a funny little snorting noise through his nose.
'Looks kind of like a menu,' he said.
All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
”
”
Donna Tartt (The Secret History)
“
So those are your roommates, eh? What're the odds of having three gay-or-at-least-bi guys in one house, do you think?"
"Who knows. Just too bad I couldn't have used those odds to win the lottery instead."
"You did win the lottery. The gay roommate lottery."
Rob turned his attention to his cereal. "I don't consider it a win unless I'm getting laid out of it.
”
”
Heidi Belleau (Wallflower (Rear Entrance Video, #2))
“
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
”
”
Mary Doria Russell (Doc)
“
OSCAR. (With a pointing finger.) I'm warning you. You want to live here, I don't want to see you, I don't want to hear you and I don't want to smell your cooking. Now get this spaghetti off my poker table.
FELIX. Ha! Haha!
OSCAR. What the hell's so funny?
FELIX. It's not spaghetti. It's linguini!
(OSCAR picks up the plate of linguini, crosses to the doorway, and hurls it into the kitchen.)
OSCAR. Now it's garbage!
”
”
Neil Simon (The Odd Couple)
“
ON THE A TRAIN
There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
”
”
Maeve Brennan
“
More often than not, these attempts at sociability ended in painful silence. His old friends, who remembered him as a brilliant student and wickedly funny conversationalist, were appalled by what had happened to him. Tom had slipped from the ranks of the anointed, and his downfall seemed to shake their confidence in themselves, to open the door onto a new pessimism about their own prospects in life. It didn't help matters that Tom had gained weight, that his former plumpness now verged on an embarrassing rotundity, but even more disturbing was the fact that he didn't seem to have any plans, that he never spoke about how he was going to undo the damage he'd done to himself and get back on his feet. Whenever he mentioned his new job, he described it in odd, almost religious terms, speculating on such questions as spiritual strength and the importance of finding one's path through patience and humility, and this confused them and made them fidget in their chairs. Tom's intelligence had not been dulled by the job, but no one wanted to hear what he had to say anymore, least of all the women he talked to, who expected young men to be full of brave ideas and clever schemes about how they were going to conquer the world. Tom put them off with his doubts and soul-searchings, his obscure disquisitions on the nature of reality, his hesitant manner. It was bad enough that he drove a taxi for a living, but a philosophical taxi driver who dressed in army-navy clothes and carried a paunch around his middle was a bit too much to ask. He was a pleasant guy, of course, and no one actively disliked him, but he wasn't a legitimate candidate?not for marriage, not even for a crazy fling.
”
”
Paul Auster (The Brooklyn Follies)
“
Bob Cavallo remembers early on in the process, ‘We were at odds with each other. Our contract was up; five years had gone by since Purple Rain. We met at the Four Seasons with his lawyer and his accountant, me and Steve Fargnoli to discuss some kind of rapprochement because he had fired us. Basically he said, “I’ll work with you again but you’ve got to help me make this movie.” I read the treatment and said, “This could be an interesting thing,” and I said, “I’ll try to put you together with some young hip writers and maybe we can come up with a script quickly, ’cause this is pretty detailed.” And he went, “What are you talking about? That is the script.” It was thirty pages. And he said, “I’m going to shoot it, I know exactly how to do it.” So I said, “Maybe we could get this on Broadway for you. Would you be interested in that?” And he said, “No.” Now he was pissed that I didn’t think this was a good enough script, so we shook hands and that was the end of it. Then, about a year later, we were suing each other. But even when we sued each other, it was kinda funny. I said, “How could you not pay me?” He said, “How could you sue me?” He said, “You can’t have my children, those songs. You’re gonna give your involvement in those songs to your grandchildren?” And I said, “Yeah, I put ten years of my life into you, and you sucked all the air out of the room. I couldn’t really manage anybody else except for your friends.
”
”
Matt Thorne (Prince)
“
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.”
“What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked.
“Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?”
“Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.”
“Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?”
Jethro glanced at me. “I can’t believe you didn’t tell them yet.”
“Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.”
“I knew it!” Beau attacked Jethro, pulling him into a quick man-hug.
Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?”
Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.”
“You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested.
“And shit brown,” Duane added. “Don’t forget about the shit.”
“Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.”
“Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it.
“Don’t tell me, to catch the vomit and poop?”
“No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.”
“Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me.
You sound like Cletus.” Drew laughed, obviously catching on.
Duane slid his eyes to mine and gave me a small smile.
I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist.
'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms.
Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.'
The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold.
'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.'
I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.'
Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.'
'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.'
There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken...
Awoken on that couch, and then decided I wasn't returning home.
Decided that, perhaps, the Spring Court might not be my home.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun.
"Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now."
"Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne.
"Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair."
My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?"
Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too.
But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious."
"Cautious?"
"Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore."
I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?"
She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?"
And it does.Which I hate. Clickclickclickclick.
It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Matt’s housekeeper let him in with a grimace.
“I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door.
“Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?”
Tate held up both hands. “Don’t start,” he said.
Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said.
“Good. I don’t want to talk to her just yet.”
Matt’s eyebrows levered up. “Oh?”
Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.”
Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself.
Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.”
“Cecily loves you,” Matt said shortly, dropping into his chair.
“That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.”
The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.”
“I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.”
The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face.
“Is it yours?” Matt asked curtly.
Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!”
Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things.
“We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.”
Matt smiled. “We didn’t get along very well.”
“Both too stubborn and inflexible,” Tate pointed out.
“And arrogant.”
Tate chuckled dryly. “Maybe.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Have you ever been too old, too young, too big, too small, too smart, too dumb?
Have you ever been too fat, too thin, too shy, too loud, too slow to win?
Have you ever been too scared to try, too small to play, too young to die?
Have you ever been too weak to fight, too little yet, or not quite right?
Have you ever been too dark, too light, too black, too brown, too red, too white?
Have you ever been put off ’til last, the odd man out, the jerk they sassed?
Have you ever been the one black sheep, the naughty child, the nerdy geek?
Have you ever been the butt of jokes, the timid soul, the oddest folk?
Have you ever been left out of fun, forgotten when the day is done?
Have you ever been afraid to lose? Afraid to try? Afraid to choose?
Have you ever been too rich, too poor, too venturesome, or just a bore?
Have you ever had no clue at all? Nowhere to go? No one to call?
Have you ever been without a friend? Have you ever wished the day would end?
Have you ever had the biggest nose, the longest arms, the funny toes?
Have you ever had the flattest chest? Have you ever had the biggest breasts?
Have you ever prayed your luck would change? Have you ever felt your life was strange?
Have you ever wished for something more, or something less than what you were?
If you have ever felt this way, you're one of us I’m here to say.
We've all been there a time or two because we're human, me and you.
We've all felt different in some way because we are, and that’s okay.
We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’
‘Yeeeess...’ said Reg’s voice from the kitchen.
‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion.
‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’
‘Heavens. And did the program sell very well?’
‘No. We never sold a single copy.’
‘You astonish me. It sounds like a real winner to me.’
‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear.
‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
”
”
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
“
I am Nikolai Wroth.”
Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint.
“With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.”
“Myst married?” Was that where she’d been? No, no way. “That’s funny.”
“The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.”
Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes.
The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time.
“Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.”
“The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.”
“Don’t you have an appointment to go to, vampire?”
Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?”
“No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.”
A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.”
She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?”
Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly.
Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.”
“What have you done to her?” she cried.
“Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
Köster had bought the car, a top-heavy old bus, at an auction for next to nothing. Connoisseurs who saw it at the time pronounced it without hesitation an interesting specimen for a transport museum. Bollwies, wholesale manufacturer of ladies’ ready-made dresses and incidentally a speedway enthusiast, advised Otto to convert it into a sewing machine. But Köster was not to be discouraged. He took down the car as if it had been a watch, and worked on it night after night for months. Then one evening he turned up in it outside the bar which we usually frequented. Bollwies nearly fell over with laughing when he saw it, it still looked so funny. For a bit of fun he challenged Otto to a race. He offered two hundred marks to twenty if Köster would take him on in his new sports car—course ten kilometres, Otto to have a kilometre start. Otto took up the bet. But Otto went one better. He refused the handicap and raised the odds to even money, a thousand marks each way. Bollwies, delighted, offered to drive him to a mental home immediately.
”
”
Erich Maria Remarque (Three Comrades)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn’t that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I’d miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn’t happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn’t seem broken at all. I know young people look at me and think my youth seems so far away. But it’s all around me, and you’re all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn’t yours and mine? It does to me. And I’m sorry for it, and for a lot, and I also wouldn’t change it. It is so quiet here. Even with all the trains and the streets and the people. It’s nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won’t. I like to think that one day after I die, at least one small particle of me—of all the particles that will spread everywhere—will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing’s final, and that everyone gets to be together even when it looks like they don’t, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I’ll see you sometime again, even if it’s not with any kind of eyes I know of or understand. I wouldn’t be surprised if that is the way things go after all—that all things end happy. Even for you and Tik Tok. And for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Why, Dolly!" said Margaret, placidly kissing her. "Here's a surprise! How are the boys and the baby?" Boys and the baby were well, and in describing a great row that there had been at the Hilton Tennis Club, Dolly forgot her news. The wrong people had tried to get in. The rector, as representing the older inhabitants, had said—Charles had said—the tax-collector had said—Charles had regretted not saying—and she closed the description with, "But lucky you, with four courts of your own at Midhurst." "It will be very jolly," replied Margaret. "Are those the plans? Does it matter my seeing them?" "Of course not." "Charles has never seen the plans." "They have only just arrived. Here is the ground floor—no, that's rather difficult. Try the elevation, We are to have a good many gables and a picturesque sky-line." "What makes it smell so funny?" said Dolly, after a moment's inspection. She was incapable of understanding plans or maps. "I suppose the paper." "And WHICH way up is it?" "Just the ordinary way up. That's the sky-line and the part that smells strongest is the sky." "Well, ask me another. Margaret—oh—what was I going to say? How's Helen?" "Quite well." "Is she never coming back to England? Every one thinks it's awfully odd she doesn't." "So it is," said Margaret, trying to conceal her vexation. She was getting rather sore on this point. "Helen is odd, awfully.
”
”
E.M. Forster (Howards End)
“
God, Jane, you’re exactly as I imagined. Only better.”
“You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.”
That got his attention. He drew back to stare at her. “Are you all right?”
She forced a smile. “Now I’m rethinking the seduction.”
He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.”
When she did, the pressure eased some, and she let out a breath.
“Better?” he rasped.
She nodded.
Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.”
Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured.
She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit.
A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?”
“I never guessed that…this would feel…so odd.”
“You’ll get used to it.”
The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt.
Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice.
His gaze burned into her as he drove deep. “Less odd now?” he managed.
“Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.”
He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun.
As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring.
“Dom…oh, Dom…oh my…”
“Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.”
“Only you,” she echoed.
She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun.
When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again.
Because it was too late to go back now. This time, he had her for better or worse.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))