Odd Funny Quotes

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CALVIN: Isn't it strange that evolution would give us a sense of humor? When you think about it, it's weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it's funny. Don't you think it's odd that we appreciate absurdity? Why would we develop that way? How does it benefit us? HOBBES: I suppose if we couldn't laugh at the things that don't make sense, we couldn't react to a lot of life.
Bill Watterson
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
I am an artist you know ... it is my right to be odd.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
The funny thing about the heart is a soft heart is a strong heart, and a hard heart is a weak heart.
Criss Jami (Healology)
Ride?" Rhage snorted. "Please. That thing is a sewing machine with an air dam taped to it. My GTO could dust the fucker in fourth gear from a dead stop." When there was an odd sound from behind, John looked back. So did the three Brothers. "What." Xhex bristled and crossed her arms over her chest. "I can laugh, you know. And that's . . . pretty damn funny." Rhage beamed. "I knew I liked you.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it. It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't. I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
Jodi Lynn Anderson (Tiger Lily)
He's not doing anything he shouldn't be doing, right?" "Like what?" "Like hitting on you." "Ew. No, of course not. He doesn't see me that way." Michael shook his head and went back to his coffee. "What? You think he does?" "Sometimes he looks at you a little... oddly, that's all. Maybe you're right. Maybe he just wants you for your blood." "Again, Ew! What's with you this morning?" "Not enough coffee.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
He was wearing a look that she found odd and compelling - that amusement that didn’t seem to pass beyond the surface of his features, as he found everything in the world both infinitely funny and infinitely tragic all at the same time.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Knowing something is a bad idea does not always decrease the odds that you will do it.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.
Nella Larsen (Passing)
It was exciting to be off on a journey she had looked forward to for months. Oddly, the billowing diesel fumes of the airport did not smell like suffocating effluence, it assumed a peculiar pungent scent that morning, like the beginning of a new adventure, if an adventure could exude a fragrance.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Sire," Oliver said as he helped Petunia to her feet, "I'd like to marry Petunia. "Of course you would," retorted the King Gregor. "But not right now! we just got those two taken care of." He pointed to the twins who were still trying to play Christian's odd game. "And weddings are expensive!
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
You're in a rather odd mood today." I'm soaking wet, Eloise." No need to snap at me about it, I didn't force you to walk across town in the rain." It wasn't raining when I left,". There was something about a sibling that brought out the eight-year-old in a body. I'm sure the sky was gray," Clearly, she had a bit of the eight-year-old in her as well.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.
David Wong (John Dies at the End (John Dies at the End, #1))
Weetzie could see him--it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers. "Lanky Lizards!" Weetzie exclaimed. "Greetings," said the man in an odd voice, a rich, dark purr. "Oh, shit!" Weetzie said. "I beg your pardon? Is that your wish?
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The guards didn’t. Their knuckles were white on their weapons. May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.” Very funny,” Mrs. Grant said. Morley gave her a grave look. I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You should feel quite secure.” Well, I’m sorry, I don’t,” she said. “You’re just—” Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me. It’ll pass. You seem like the no-nonsense sort. I like that.” Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding. You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the conversation.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
Accents are funny in that they have this odd draw for us, yet we forget we have one, too. No one is without an accent, but the one you’ve got seems like oatmeal to their caviar.
Deb Caletti (Stay)
Elizabeth." I feel my smile on my face as I understand what she is doing. Though it's a strange one, she has a name-sound just like I do, and she's telling me what it is. I try to make the same sounds. "Ehh..beh." I frown. Why is her name-sound so difficult and so long? She frowns right back at me and says it again. "Elizabeth." "Beh-tah-babaa." She sighs and her forehead wrinkles. "Elizabeth. Eeee-lizzzz-ahh-beth." "Laahh...baaay." She taps her chest again. "Beth!" The sound is shorter but still very odd. "Beh-bet." "Beth," she repeats. I've had enough. I reach out and touch her should. "Beh." "Beth." I tap her a little harder and growl. "Beh", I repeat. I tap her again. "BEH!" Her eyes widen a bit, and she inhales sharply. A moment later, her shoulders drop and she sighs. "Beh," she says quietly.
Shay Savage (Transcendence (Transcendence, #1))
It was funny how their odd little family of friends had changed him. Made him feel safe. Theta, Memphis, Henry, Jericho, Mabel, Ling, Isaiah, and especially Evie. They’d been there for him. Opened the parts of him he was afraid would be closed off forever. Why had he wasted so much time bottling up his feelings? What did that ever get anybody but dumb fights? He had friends. He had a home in them. And Evie was home, too.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Christopher throws dandelion head after dandelion head into his bag. It's getting heavy now and his fingers are stained from the work but there are still so many left to kill. His biggest mistake is giving them names.
Brian Martinez (Kissing You is Like Trying to Punch a Ghost)
It's funny, ma'am, how sometimes you're so sarcastic but it doesn't sting." "Because of my dimples. Dimples are a get-out-of-jail-free card
Dean Koontz (Deeply Odd (Odd Thomas, #6))
Take a drink every time you hear a lie. You're a great cook. (They say as you burn toast.) You're so funny. (You've never told a joke.) You're so... ... handsome. ... ambitious. ... successful. ... strong. (Are you drinking yet?) You're so... ... charming. ... clever. ... sexy. (Drink.) So confident. So shy. So mysterious. So open. You are impossible, a paradox, a collection at odds. You are everything to everyone. The son they never had. The friend they've always wanted. A generous stranger. A successful son. A perfect gentleman. A perfect partner. A perfect... Perfect... (Drink.) They love your body. Your abs. Your laugh. The way you smell. The sound of your voice. They want you. (Not you.) They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never You.) They look at you and see whatever they want... Because they don't see you at all.
Victoria Schwab (The Invisible Life of Addie LaRue)
See how the symbols stretch across all three shields? They represent a god." Hypnos frowned. "There's a God of lions and knives and wineglasses? That seems incredibly specific." "This god is Shezmu," said Enrique, rolling his eyes. "He's seldom depicted, perhaps because he's at such odds with himself. On the other hand, he's the lord of perfumes and gracious oils, often considered something of a celebration deity." "My kind of god," said Hypnos. "He is also the god of slaughter, blood and dismemberment." "I amend my original statement," said Hypnos.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise. Or maybe Nash's Influence was still affecting her a little. "No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list." "So, you're not...dangerous?" His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...." "Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt. "Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls." "Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all. The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
Millions of business people are each constantly forced to choose between their desire to not be a bad person and their desire to be a good business person, that is to say, to make as much money as they possibly can by maximizing their revenue while minimizing the cost of producing whatever it is that they sell.
Mokokoma Mokhonoana (The Use and Misuse of Children)
It's funny how you can't ask difficult questions in a familiar place, how you have to stand back a few feet and see things in a new way before you realize nothing that is happening to you is normal. The trouble with you and me is we are used to what is happening to us. We grew into our lives like a kernel beneath the earth, never able to process the enigma of our composition...Nothing is normal. It is all rather odd, isn't it, our eyes in our heads, our hands with five fingers, the capacity to understand beauty, to feel love, to feel pain.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
By weaving their thoughts and feelings into the substance of reality, the Weavers had ensured anyone writing about them would secure an instant bestseller – which wasn’t particularly difficult, considering the Weavers held the strings on the one holding the pen. Those who controlled the Pattern, controlled reality.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
Somehow, having a deer preside over the ceremony of a werewolf and a girl seems oddly appropriate.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Not that I'm bipolar, but that I'm two people, and not just two people, but two people at odds with each other. The mom and the kid, the homebody and the explorer, the strong and the weak, the logical and the emotional, the funny and the sad, the angry and the calm, the open and the closed, the loved and the hated, the hot and the cold, the alive and the dead, the beautiful and the ugly. It's exhausting. I. Am. Exhausting.
Stacey Turis (Here's to Not Catching Our Hair on Fire: An Absent-Minded Tale of Life with Giftedness and Attention Deficit - Oh Look! A Chicken!)
Funny,’ Will said, as they picked their way through. ‘Things are absolutely awful and yet people look much happier than usual. Look at them all. Bubbling.’ ‘They are English,’ Merriman said. ‘Quite right,’ said Will’s father. ‘Splendid in adversity, tedious when safe. Never content, in fact. We’re an odd lot….
Susan Cooper
Beyond a thin veil of space stretched Existence, the frailest and most imbalanced reality of the cosmos. No one was really sure why it was imbalanced, but some believed it had something to do with the general alcohol consumption per capita.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
I got mixed up with some oddness in my youth, and the long and short of it is that I can't shuffle off this mortal coil until I have read the ten most boring classics.
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
Agatha - You're somewhat odd. You know that, don't you? Felicia - I'll take that as a compliment. Agatha - It wasn't meant as such...
Jen Turano (A Talent for Trouble (Ladies of Distinction, #3))
He stared at Avery's socks and felt an odd sense of wonder. Socks were so normal. So mundane. How could someone who pulled on socks in the morning be a serial killer? Socks were not hard or dangerous. Socks were funny; foot mittens, that's what socks were. They made a knobbly hinge of your toes and became comical sock-puppets. Surely anyone who wore socks could not truly be a threat to him or anyone else?
Belinda Bauer (Blacklands (Exmoor Trilogy, #1))
The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear. “Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I can’t get him to eat his insects, and I used his favorites. He just sits there.” “Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.” “Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.” Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.” “You think he’s dead?” Myrnin sounded horrified. So wrong. “Is he curled up?” “No. He’s just quiet.” “Well, maybe he’s not hungry.” “Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.” “Fine,” she sighed. “I’m bringing Shane.” After a second of silence, he said, flatly, “Goody,” and hung up.
Rachel Caine
It's funny, humans tend to hatch our most challenging goals and dreams, the ones that demand the our greatest effort yet promise absolutely nothing, when we are tucked into our comfort zones.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Her attention was now drawn upon a boy whose imagination had the potential to change the face of reality. Unfortunately for him, Ærinna liked reality the way it was: fluid, slippery and with a brick in it. The case was quickly resolved by giving the young boy an appetite for procrastination.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
So you're here by yourself?" “Yes." “Seems like an odd place to come by yourself." “I needed to get away." “Woman trouble? That's another of my father's expressions." “No, actually. I poisoned my neighbor's dogs." After a moment she said, “How drunk are you?" “Quite." “Is that true?" “What?" “That you poisoned your neighbor’s dogs." “I’m afraid it is." “I have dogs." “Well, keep them away from me.
David Gilmour (Sparrow Nights)
What’s SQ?” asked Evan. “Sexual Quotient.” “What’s that?” “Basically, it’s your odds of getting laid. Everyone has an SQ. just like everyone has an IQ.” “I’ve never heard that term before.” “That’s because I made it up.” “That figures. Finally applying your actuarial skills to what really matters, eh?
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
The Weaveress squinted at the loom. While any other person would merely see a thickset of colour-flashing Threads, Ærinna saw cosmic events, destinies and the collective soul of countless beings. Some of them were about to kick the bucket and kick it well. They weren’t to die of any expected natural causes either – unless one counted being “woven out of the Pattern” either natural or expected.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
She always called him Luca, in the Italian manner, and said it with that funny trans-European intonation, the accent oddly placed on the first syllable: 'Where's Loo-ka?', just like Audrey Hepburn saying, 'Take the pic-ture,' in Funny Face.
Adam Gopnik (Paris to the Moon)
Hope was a funny thing. It kept you dangling by a thread until the last possible moment, even when the odds weren't in your favor.
Susan Anne Mason (The Highest of Hopes (Canadian Crossings, #2))
No other foreskin could have caused such trouble.
Peter Manseau (Rag and Bone: A Journey Among the World's Holy Dead)
Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you." "Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his memory. "The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly. Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon. The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging. "Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her back and resumed talking to her companion. Duncan was immobilized by shock.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating. At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
Tell me. Has your daughter made the journey with you?” “She is here,” the hag says. A girl steps from the crowd to bow low before Cardan. She is young, with a mass of unbound hair. Like her mother, her limbs are oddly long and twig-like, but where her mother is unsettlingly bony, she has a kind of grace. Maybe it helps that her feet resemble human ones. Although, to be fair, they are turned backward.
Holly Black (The Wicked King (The Folk of the Air, #2))
You just know this is going to be bad," Susan said. "—but when I went to college," Harry continued, throwing a piece of bread at Susan, "if your roommate died, you were usually allowed to skip your finals for that semester. You know, because of the trauma." "And oddly enough, your roommate got to skip them, too," Susan said. "For much the same reason.
John Scalzi (Old Man's War (Old Man's War, #1))
You can let go. I'm not going to stab you.' 'I find that oddly disappointing.' 'And I find that extremely disturbing.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I listened in on a KKK rally but all I could hear was a bunch of white noise.
Rick Silber
Algebra-Read pages 7-14. Do the odd numbered problems. From what I've seen, they're all pretty odd.
David Lubar (Sleeping Freshmen Never Lie)
I didn't just come in on a load of turnips!
Phillip C. McGraw
The Comedy Equation: An ordinary guy or gal struggling against insurmountable odds without many of the required skills and tools with which to win yet never giving up hope.
Steve Kaplan (The Hidden Tools of Comedy: The Serious Business of Being Funny)
Combining storytelling, humanity, and laughter will give you a huge advantage in your public speaking and the odds are good that you already have all the raw material you need.
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
Funny how people that don't believe in nothin' are so quick to believe every crazy story about people like us.
Dean Koontz (Brother Odd (Odd Thomas, #3))
This is indeed a funny country. Yesterday, for example, we were in a cafe which is one of the best in Cairo, and there were, at the same time as ourselves, inside, a donkey shitting, and a gentleman who was pissing in a corner. No one finds that odd; no one says anything.
Gustave Flaubert (Flaubert in Egypt)
The most effective cross-examination of Linda Kasabian was surprisingly that of Ronald Hughes. Though this was his first trial, and he frequently made procedural mistakes, Hughes was familiar with the hippie subculture, having been a part of it. He knew about drugs, mysticism, karma, auras, vibrations, and when he questioned Linda about these things, he made her look just a little odd, just a wee bit zingy. He had her admitting that she believed in ESP, that there were times at Spahn when she actually felt she was a witch. Q. "Do you feel that you are controlled by Mr. Manson's vibrations?" A. "Possibly." Q. "Did he put off a lot of vibes?" A. "Sure, he's doing it right now." Hughes "May the record reflect, Your Honor, that Mr. Manson is merely sitting here." Kanarek "He doesn't seem to be vibrating.
Vincent Bugliosi (Helter Skelter: The True Story of the Manson Murders)
There was the odd suburban thunderbolt, but they were mostly those people who'd found each other; they were golden and bright-lit and funny. Often they seemed in cahoots somehow, like jailbirds who wouldn't leave; they loved us, they liked us, and that was a pretty good trick.
Markus Zusak (Bridge of Clay)
Vivian’s first impression of Solidago was that she had travelled back in time, but not to a time where architecture had been invented. All houses were twisted out of shape, to say the least. Windows either too large to open or too small to make a difference peppered the city in places one would never dream of having one. The walls were mostly cast in brickwork by the kind of stonemason whose day job was financial advising. Skewed walls with more bricks than mortar, knotted chimneys keeping the smoke inside and cupping rooftops whose main purpose was to gather rainwater – Solidago had it all and more. As the oldest civilization of the cosmos, Alarians might have been excellent at healing, philosophizing and weaving into the fabric of reality, but they were very poor city builders.
Louise Blackwick (The Weaver of Odds (Vivian Amberville, #1))
I'm not much for parties. Sometimes you have to wear a funny hat, sometimes they expect you to eat sushi, which is like eating bait. And there's always some totally drunk girl who thinks you're smitten by her, when what you're really wondering is if she'll vomit on your shirt or instead on your shoes.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
Even if the intelligent design of some structure has been established, it still is a separate question whether a wise, powerful, and beneficent God ought to have designed a complex, information-rich structure one way or another. For the sake of argument, let's grant that certain designed structures are not simply, as Gould put it, "odd" or "funny," but even cruel. What of it? Philosophical theology has abundant resources for dealing with the problem of evil, maintaining a God who is both omnipotent and benevolent in the face of evil.
William A. Dembski (Signs of Intelligence: Understanding Intelligent Design)
Don't think I'm a bad mother. I'm just a realistic one. I knew that Jacob was handsome, funny, and so smart it sometimes left me reeling. It was hard though for others to see him in that light. To them, he just seemed odd.
Jodi Picoult (House Rules)
Miss Brill had often noticed there was something funny about nearly all of them. They were odd, silent, nearly all old,and from the way stared they looked as though they'd just come from dark little rooms of even, even cupboards!
Katherine Mansfield (Miss Brill)
We loved them. We hated them. We wanted to be them. How tall they were, how lovely, how fair. Their long, graceful limbs. Their bright white teeth. Their pale, luminous skin, which disguised all seven blemishes of the face. Their odd but endearing ways, which ceased to amuse - their love for A.I. sauce and high, pointy-toed shoes, their funny, turned-out walk, their tendency to gather in each other's parlors in large, noisy groups and stand around talking, all at once, for hours. Why, we wondered, did it never occur to them to sit down? They seemed so at home in the world. So at ease. They had a confidence that we lacked. And much better hair. So many colors. And we regretted that we could not be more like them.
Julie Otsuka (The Buddha in the Attic)
It’s funny, isn’t it?” he said, something odd in his voice. “It’s funny how some people show they love people with dramatic proclamations and huge displays and romantic gestures…but for some people, it’s in the small things. Like the small things you do for him.
Cole McCade (Zero Day Exploit (Bayou's End, #1.5))
I wasn’t afraid of the Germans, not me,” an old bag would whine, “I went straight up to them and said, ‘This house belongs to the mother of a French officer’—and they didn’t say a word.” And another woman would say, “Bullets were flying all around me, but it’s funny, I wasn’t scared, not a bit.” It was understood that everyone would embellish their tales with terrifying scenes. As for Charles, he would simply reply, “That’s odd. Everything seemed quite normal to me. There were a lot of people on the road, but that’s all.” He imagined their surprise and smiled, feeling smug. He needed to feel smug. When he thought about his apartment in Paris, his heart broke.
Irène Némirovsky (Suite Française)
Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.
Thomas Mann (The Magic Mountain)
Heredity and environment are funny things. You can’t rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That’s why we’ve lowered the kindergarten age year after year until now we’re almost snatching them from the cradle. We had some false alarms on the McClellans, when they lived in Chicago. Never found a book. Uncle had a mixed record; antisocial. The girl? She was a time bomb. The family had been feeding her subconscious, I’m sure, from what I saw of her school record. She didn’t want to know how a thing was done, but why. That can be embarrassing. You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it.
Ray Bradbury (Fahrenheit 451)
Heredity and environment are funny things. You can’t rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That’s why we’ve lowered the kindergarten age year after year until now we’re almost snatching them from the cradle.
Ray Bradbury (Fahrenheit 451)
I’ve been around a lot of pigs and none of them have ever tried to eat me. The pig farmer next door told me that’s because pigs are picky and won’t eat people who are still alive. This seems odd because I think wanting to eat a corpse is sort of the opposite of being a picky eater, but I’ll defer to the experts on this one.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
He has to pay people who have a sense of humor. Since he’s lacking one,” I added, when Ethan didn’t laugh. “I understood the joke, Merit,” he quietly said, sparkling emerald eyes on me as we began to sway. “I didn’t find it funny.” “Yes, well, your sense of humor leaves something to be desired.” Ethan spun me out and away, then pulled me back again. Stuck-up or not, I had to give him props—the boy could move. “My sense of humor is perfectly well developed,” he informed me when our bodies aligned again. “I merely have high standards.” “And yet you deign to dance with me.” “I’m dancing in a stately home with the owner’s daughter, who happens to be a powerful vampire.” Ethan looked down at me, brow cocked. “A man could do worse.” “A man could do worse,” I agreed. “But could a vampire?” “If I find one, I’ll ask him.” The response was corny enough that I laughed aloud, full and heartily, and had the odd, heart-clenching pleasure of watching him smile back, watching his green eyes shine with the delight of it.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Hey, guard!” Ian hollered out loud. “Do you think we could get a bathroom break?” The guard seemed to snicker as he pointed to the grass outside the cell. Eena smirked at how dead-on her thoughts had been after all. “Come on,” Ian complained. “She can’t do that, she’s a girl.” The soldier smiled wryly, a shrug communicating his indifference. Eena laughed in her mind. (I don’t know what you think’s so funny. You’re the one who’s gotta pee.) Oddly enough, that fact just made her laugh even more.
Richelle E. Goodrich (Eena, The Curse of Wanyaka Cave (The Harrowbethian Saga #3))
It felt odd to have Regina laundering his clothes. 'Oh. If you’d rather clean them yourself . . .' No, that didn’t sound right, either.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
Algebra-Readpages 7-14. Do the odd numbered problems. From what I've seen, they're all pretty odd.
David Lubar (Sleeping Freshmen Never Lie)
Odd lair for a dragon", Darnak said, "and I've seen one or two in my times." "Do all dragons own flower gardens?" "This is the first one I've come across.
Jim C. Hines (Goblin Quest (Jig the Goblin, #1))
Look in at the Drones and ask the first fellow you meet ''Can the fine spirit of the Woosters be crushed?'' and he will offer you attractive odds against such a contingency.
P.G. Wodehouse
Stop teasing you two,” Suzy jumped in, “not all of Kathy’s ideas are wacky.” “Gee thanks. Was that supposed to be a compliment?
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
It was a funny thing: when every day was extraordinary, it was the ordinary that became ever so odd.
Lydia Kang (The Half-Life of Ruby Fielding)
Mechanical suffocation, it’s called. It’s how boa constrictors kill their prey. What an odd thing to think as my last thought. Sorry, Earth, I think. There. Much better last thought.
Andy Weir (Project Hail Mary)
No one knew how old she was, but she vaguely remembered waving to President Coolidge. She still had all of her marbles, though every one of them was a bit odd and rolled asymmetrically.
Ellen Klages (In the House of the Seven Librarians)
The end is an odd way to start a story, but it was the end where it all began. It’s funny now because I didn’t know it was the beginning. I would have bet all I had that it was the end.
Maureen Muldoon (Spiritual Vixen's Guide to an Unapologetic Life)
The reason faeries don't like iron is that it ties them too strongly to this world. The Paths aren't part of this world - you can't take iron there. It won't let you.' I frowned. "You do realize that makes no sense." 'Unlike being able to open a door in the wall and take you to another hemisphere in a matter of minutes? How odd. Everything about Faerie is usually so rational.
Kiersten White (Supernaturally (Paranormalcy, #2))
The two women - one glamorous as Old Hollywood, the other level-headed as twilight - linked arms and strolled to the kitchen door. It's funny how people so different can share the same heartbeat.
Sheila Turnage (The Odds of Getting Even (Mo & Dale Mysteries, #3))
Maddie squirmed out from under him. “I’m sorry. So sorry. I know this is supposed to be physical. Impersonal. It’s only that I keep thinking of lobsters.” He flipped onto his back and lay there, blinking up at the ceiling. “Until just now, I would have said there was nothing remaining that could surprise me in bed. I was wrong.” She sat up, drawing her knees to her chest. “I am the girl who made up a Scottish lover, wrote him scores of letters, and kept up an elaborate ruse for years. Does it really surprise you that I’m odd?” “Maybe not.” “Lobsters court for months before mating. Before the male can mate with her, the female has to feel secure enough to molt out of her shell. If a spiny sea creature is worth months of effort, can’t I have just a bit more time? I don’t understand the urgency.
Tessa Dare
A dessert to a deserter in the desert burst, "You trust your thirst. And you are too hot! You scream for ice cream. And believe it or not, I may not be your first. But I might be your lust! Give it a shot...
Ana Claudia Antunes (One Hundred One World Accounts in One Hundred One Word Count)
I remembered watching Slim Goodbody on TV, an odd white guy with a small Afro who wore a full-body leotard with the inside of the human body painted on it, which made him look as if he’d been flayed alive. He
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
She said: “It’s funny about ‘passing.’ We disapprove of it and at the same time condone it. It excites our contempt and yet we rather admire it. We shy away from it with an odd kind of revulsion, but we protect it.
Nella Larsen (The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Now give me some advice about how to take full advantage of this city. I’m always looking to improve my odds.” “Just what I’d expect from a horny actuary.” “I’m serious.” Carlos reflected for a moment on the problem at hand. He actually had never needed or tried to take full advantage of the city in order to meet women, but he thought about all of his friends who regularly did. His face lit up as he thought of some helpful advice: “Get into the arts.” “The arts?” “Yeah.” “But I’m not artistic.” “It doesn’t matter. Many women are into the arts. Theater. Painting. Dance. They love that stuff.” “You want me to get into dance? Earthquakes have better rhythm than me…And can you really picture me in those tights?” “Take an art history class. Learn photography. Get involved in a play or an independent film production. Get artsy, Sammy. I’m telling you, the senoritas dig that stuff.” “Really?” “Yeah. You need to sign up for a bunch of artistic activities. But you can’t let on that it’s all just a pretext to meet women. You have to take a real interest in the subject or they’ll quickly sniff out your game.” “I don’t know…It’s all so foreign to me…I don’t know the first thing about being artistic.” “Heeb, this is the time to expand your horizons. And you’re in the perfect city to do it. New York is all about reinventing yourself. Get out of your comfort zones. Become more of a Renaissance man. That’s much more interesting to women.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
I was momentarily stunned by his odd announcement and told him as much. "Let’s just talk about the fact that you composed a sonnet to my vagina, shall we? You are sending off some major stalker vibes, which is odd because you’re gay. You are gay, right?" He narrowed his eyes at me and waved his hand in the direction of his 'muse' as he stated, "I don't want any part of that thing. I just want to honor it for being the only known thing in existence to be touched by the dick of a god.
M.C. Lavocat (Control (The Soul of Voodoo, #1))
New Rule: It's okay for the president to play ball in the house. It's easy to judge and say this scene detracts from the dignity of the White House--until you consider the end zone is between Clinton's semen stain and where Bush OD'd on a pretzel.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
At Keramzin, I had a doll I made out of an old sock that I used to talk to whenever he was away hunting. Maybe that would make me feel better.’ ‘You were an odd little girl.’ ‘You have no idea. What did you and Tolya play with?’ ‘The skulls of our enemies.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Life is a funny, funny thing. Not the ‘ha-ha’ kind of funny, but an odd kind of funny. The kind of funny that you know exists, yet you can’t place your finger on. You know it’s there, and when the funny strikes, you feel it, but you can’t categorize it. It’s almost a feeling of melancholy, fixed with a tickle in your stomach and an odd loss of balance. This feeling catches you when you least expect it. Sometimes it’s better that way, sometimes it may feel like a curse. Regardless, once it passes, you feel different. You may even look different, though not to the naked eye. It may takes days or even months until you recognize the change within yourself, however apparent it may seem. One thing’s for sure: Once this funny thing strikes, you will never be the same.
Leigh Hershkovich
Do you know why I married you?” “Because you wanted to be married before your sister Doris.” It was true, but it gave her a funny little turn to realize that he knew it. Oddly enough, even in that moment of fear and anger, it excited her compassion. He faintly smiled.
W. Somerset Maugham (The Painted Veil)
The English went out and conquered a quarter of the Earth just to escape the rain. They always went for the hot places – Australia, Africa, India. But here’s the funny thing about the English … many of them like to take a bit of their Englishness with them wherever they go. All around the world these sad people build English pubs and serve ‘Full English Breakfasts’ in the morning and ‘Fish and Chips’ for lunch or dinner (or both). Some of them don’t seem to trust ‘foreign’ people, which is a bit odd. ALL the people in England were ‘foreign’ at one time.
Terry Deary (England)
The parlour is as I remember it from Council meetings. It carries the scent of smoke and verbena and clover. Cardan himself lounges, his booted feet resting on a stone table carved in the shape of a griffin, claws raised to strike. He gives me a quicksilver conspiratorial grin that seems completely at odds with the way he spoke to me from the throne. 'Well,' he says, patting the couch beside him. 'Didn't you get my letters?' 'What?' I am confused enough that the word comes out like a croak. 'You never replied to a one,' he goes on. 'I began to wonder if you'd misplaced your ambition in the mortal world.' This must be a test. This must be a trap. 'Your Majesty,' I say stiffly. 'I thought you brought me here to assure yourself I had neither charm nor amulet.' A single eyebrow rises, and his smile deepens. 'I will if you like. Shall I command you to remove your clothes? I don't mind.' 'What are you doing?' I say finally, desperately. 'What are you playing at?' He's looking at me as though somehow I am the one who's behaving strangely. 'Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.' I shake my head, reeling. 'That's not possible.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air. The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood. Female pureblood. Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses. He loved the smell of women. Hell, he loved women. But this was different. It was intoxicating. “Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength. Almost as if… No. It wasn’t possible. There hadn’t been a true Were mating for centuries. “Curs,” Levet said, moving to his side. “And a female pureblood.” “Si,” Salvatore muttered, distracted. “You think it’s a trap?” Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night. “There’s only one way to find out.” He moved forward, sensing the end of the tunnel just yards in front of him. “Salvatore?” Levet tugged on his pants. Salvatore shook him off. “What?” “You smell funny. Mon Dieu, are you…” With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin. Merda. “One more word and you lose that tongue,” he snarled. “But…” “Do not screw with me.” “I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.' 'She saved his sorry ass is more like it,' Mor said, filling her glass of wine. 'Poor little Rhys got himself in a bind.' I held out my own glass for Mor to fill. 'He does need unusual amounts of coddling.' Azriel choked on his wine, and I met his gaze0 warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster. A glance at the guilt in Rhys's eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I've figured out a funny little secret about life: Even if you stay on the sidewalks and pay your bills on time and use hand sanitizer, bad things still happen. Yes, maybe you can cut your odds by playing it safe. By attempting to predict each and every possible pitfall. But your fate will still find you, no matter how much you hide from it.
Liz Fenton (The Good Widow)
The odds always appeared so stacked against us and the outcomes so poor that over time I became deeply pessimistic about crash calls. I remember a registrar, seeing my distress at the end of yet another failed resuscitation, putting a comforting arm around me. “It’s not really resuscitation, you know,” he said. “It’s just a funny dance we do around the dying.
Kevin Fong (Extreme Medicine: How Exploration Transformed Medicine in the Twentieth Century)
So those are your roommates, eh? What're the odds of having three gay-or-at-least-bi guys in one house, do you think?" "Who knows. Just too bad I couldn't have used those odds to win the lottery instead." "You did win the lottery. The gay roommate lottery." Rob turned his attention to his cereal. "I don't consider it a win unless I'm getting laid out of it.
Heidi Belleau (Wallflower (Rear Entrance Video, #2))
Most politicians are pigs...It's a funny thing about pigs...They have an odd way of keeping warm in winter if they find themselves outside. You see, pigs don't know if they're cold, provided their nose is warm. So they stand around in a circle with their nose between the hind legs of the pig in front of them. Would you call that a curious relationship?...I would call that a Satanic relationship.
Norman Mailer (Miami and the Siege of Chicago)
Are you a stalker or something?” “I’ve been called that a time or two, oddly enough.” My jaw unhinged. “And it’s funny, considering who the last person was to ask me that.” His arresting features tensed. “A relative of yours. A cousin, I guess.” His lips pursed thoughtfully. “Or maybe a sister? Honestly, I have no idea how that works out, but it’s about a thousand different kinds of disturbing.
Jennifer L. Armentrout (The Return (Titan, #1))
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
Mary Doria Russell (Doc)
In American Lit class once, we discussed America as a metaphor tying it into how the country is represented in books, movies, songs. You know, America is a melting pot. America is a mixed salad. America is a shining city on a hill. America is the country where a skinny kid with a funny name can defeat the odds and become president. But America doesn’t seem like any of those things anymore. Maybe it never was.
Samira Ahmed (Internment)
It’s funny: I always imagined when I was a kid that adults had some kind of inner toolbox, full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools—friendships, prayer, conscience, honesty—and said, Do the best you can with these, they will have to do. And mostly, against all odds, they’re enough.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
OSCAR. (With a pointing finger.) I'm warning you. You want to live here, I don't want to see you, I don't want to hear you and I don't want to smell your cooking. Now get this spaghetti off my poker table. FELIX. Ha! Haha! OSCAR. What the hell's so funny? FELIX. It's not spaghetti. It's linguini! (OSCAR picks up the plate of linguini, crosses to the doorway, and hurls it into the kitchen.) OSCAR. Now it's garbage!
Neil Simon (The Odd Couple - A Comedy in Three Acts)
What do you call something that’s not behind you?” the girl asked in an odd voice that didn’t quite line up with the way her mouth moved. “Oh, no, that’s not funny,” Call said. “That’s not a good joke.” “What are you talking about?” Aaron asked. “What’s the answer? In front?” Tamara looked even more upset. “Ahead,” she said. “A head. Get it?” Verity Torres laughed a croaky little laugh. There was no laughter in her
Holly Black (The Copper Gauntlet (Magisterium, #2))
ON THE A TRAIN There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
Maeve Brennan
From the point of view of an inhabitant of the Old World, marsupials are exceedingly odd. But oddity is not the same as randomness. Kangaroos and wallabies may lack verisimilitude; but their improbability repeats itself and obeys recognizable laws. The same is true of the psychological creatures inhabiting the remoter regions of our minds. The experiences encountered under the influence of mescalin or deep hypnosis are certainly strange; but they are strange with a certain regularity, strange according to a pattern.
Aldous Huxley (The Doors of Perception)
More often than not, these attempts at sociability ended in painful silence. His old friends, who remembered him as a brilliant student and wickedly funny conversationalist, were appalled by what had happened to him. Tom had slipped from the ranks of the anointed, and his downfall seemed to shake their confidence in themselves, to open the door onto a new pessimism about their own prospects in life. It didn't help matters that Tom had gained weight, that his former plumpness now verged on an embarrassing rotundity, but even more disturbing was the fact that he didn't seem to have any plans, that he never spoke about how he was going to undo the damage he'd done to himself and get back on his feet. Whenever he mentioned his new job, he described it in odd, almost religious terms, speculating on such questions as spiritual strength and the importance of finding one's path through patience and humility, and this confused them and made them fidget in their chairs. Tom's intelligence had not been dulled by the job, but no one wanted to hear what he had to say anymore, least of all the women he talked to, who expected young men to be full of brave ideas and clever schemes about how they were going to conquer the world. Tom put them off with his doubts and soul-searchings, his obscure disquisitions on the nature of reality, his hesitant manner. It was bad enough that he drove a taxi for a living, but a philosophical taxi driver who dressed in army-navy clothes and carried a paunch around his middle was a bit too much to ask. He was a pleasant guy, of course, and no one actively disliked him, but he wasn't a legitimate candidate?not for marriage, not even for a crazy fling.
Paul Auster (The Brooklyn Follies)
What’s up, sulky bear?” “I was appreciating the beauty of nature,” Jared said. “In a sulky way.” “You might have noticed me giving you odd looks occasionally in the past.” “I assumed you were thinking, ‘Three fairies clearly attended that guy’s christening, and all three gave him the gift of chiseled,’ ” said Jared. “Why, were you thinking something else?” “When I first met you, I thought you were a creep with serious behavioral and emotional issues.” “But once you really got to know me,” Jared suggested, “you realized I was a creep with behavioral and emotional issues that were quite funny?
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Our minds are fucking strong, they are our most powerful weapon, but we have stopped using them. We have access to so many more resources today than ever before and yet we are so much less capable than those who came before us. If you want to be one of the few to defy those trends in our ever-softening society, you will have to be willing to go to war with yourself and create a whole new identity, which requires an open mind. It’s funny, being open minded is often tagged as new age or soft. Fuck that. Being open minded enough to find a way is old school. It’s what knuckle draggers do. And that’s exactly what I did.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
It's kind of funny to me listening to people who claim to have these great records of winning a hundred and some odd straight felony cases without a loss and that kind of stuff that you hear of all the time. I'm here to tell you, if you let me pick out which hundred cases I get to try, I'll win a hundred of them in a row, too. Case selection is everything in creating records like that. My philosophy was, I tried them all. If I made a determination that the evidence was sufficient to justify the prosecution, then I would try the case, and certainly whenever you do that, you're going to lose a certain percentage of them.
Mark Baker (D.A.: Prosecutors in Their Own Words)
I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.' 'She saved his sorry ass is more like it,' Mor said, filling her glass of wine. 'Poor little Rhys got himself in a bind.' I held out my own glass for Mor to fill. 'He does need unusual amounts of coddling.' Azriel choked on his wine, and I met his gaze warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster. A glance at the guilt in Rhys's eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Bob Cavallo remembers early on in the process, ‘We were at odds with each other. Our contract was up; five years had gone by since Purple Rain. We met at the Four Seasons with his lawyer and his accountant, me and Steve Fargnoli to discuss some kind of rapprochement because he had fired us. Basically he said, “I’ll work with you again but you’ve got to help me make this movie.” I read the treatment and said, “This could be an interesting thing,” and I said, “I’ll try to put you together with some young hip writers and maybe we can come up with a script quickly, ’cause this is pretty detailed.” And he went, “What are you talking about? That is the script.” It was thirty pages. And he said, “I’m going to shoot it, I know exactly how to do it.” So I said, “Maybe we could get this on Broadway for you. Would you be interested in that?” And he said, “No.” Now he was pissed that I didn’t think this was a good enough script, so we shook hands and that was the end of it. Then, about a year later, we were suing each other. But even when we sued each other, it was kinda funny. I said, “How could you not pay me?” He said, “How could you sue me?” He said, “You can’t have my children, those songs. You’re gonna give your involvement in those songs to your grandchildren?” And I said, “Yeah, I put ten years of my life into you, and you sucked all the air out of the room. I couldn’t really manage anybody else except for your friends.
Matt Thorne (Prince)
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.” “What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked. “Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?” “Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.” “Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?” Jethro glanced at me. “I can’t believe you didn’t tell them yet.” “Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.” “I knew it!” Beau attacked Jethro, pulling him into a quick man-hug. Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?” Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.” “You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested. “And shit brown,” Duane added. “Don’t forget about the shit.” “Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.” “Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it. “Don’t tell me, to catch the vomit and poop?” “No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.” “Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me. You sound like Cletus.” Drew laughed, obviously catching on. Duane slid his eyes to mine and gave me a small smile. I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
Penny Reid (Beard Science (Winston Brothers, #3))
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist. 'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms. Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.' The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold. 'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.' I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.' Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.' 'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.' There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken... Awoken on that couch, and then decided I wasn't returning home. Decided that, perhaps, the Spring Court might not be my home.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Funny thing about Gabby: you wouldn’t know it from looking at him, with his golden halo and platonic beauty, but the guy was something of a pack rat. He’d been collecting little odds and ends since at least the double-digit redshifts. The interior reality of Gabriel’s Magisterium burbled and shifted like convection currents in a star on the zaftig end of the main sequence. Because, I realized, that’s what they were. Dull dim light, from IR to X-ray, oozed past me like the wax in a million-mile lava lamp while carbon, nitrogen, and oxygen nuclei did little do-si-dos about my toes. Every bubble, every sizzle, every new nucleus, every photodissociation tagged something of interest to Gabriel. The heart of this star smelled of roses and musty libraries.
Ian Tregillis (Something More Than Night)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Matt’s housekeeper let him in with a grimace. “I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door. “Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?” Tate held up both hands. “Don’t start,” he said. Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said. “Good. I don’t want to talk to her just yet.” Matt’s eyebrows levered up. “Oh?” Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.” Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself. Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.” “Cecily loves you,” Matt said shortly, dropping into his chair. “That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.” The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.” “I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.” The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face. “Is it yours?” Matt asked curtly. Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!” Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things. “We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.” Matt smiled. “We didn’t get along very well.” “Both too stubborn and inflexible,” Tate pointed out. “And arrogant.” Tate chuckled dryly. “Maybe.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Have you ever been too old, too young, too big, too small, too smart, too dumb? Have you ever been too fat, too thin, too shy, too loud, too slow to win? Have you ever been too scared to try, too small to play, too young to die? Have you ever been too weak to fight, too little yet, or not quite right? Have you ever been too dark, too light, too black, too brown, too red, too white? Have you ever been put off ’til last, the odd man out, the jerk they sassed? Have you ever been the one black sheep, the naughty child, the nerdy geek? Have you ever been the butt of jokes, the timid soul, the oddest folk? Have you ever been left out of fun, forgotten when the day is done? Have you ever been afraid to lose? Afraid to try? Afraid to choose? Have you ever been too rich, too poor, too venturesome, or just a bore? Have you ever had no clue at all? Nowhere to go? No one to call? Have you ever been without a friend? Have you ever wished the day would end? Have you ever had the biggest nose, the longest arms, the funny toes? Have you ever had the flattest chest? Have you ever had the biggest breasts? Have you ever prayed your luck would change? Have you ever felt your life was strange? Have you ever wished for something more, or something less than what you were? If you have ever felt this way, you're one of us I’m here to say. We've all been there a time or two because we're human, me and you. We've all felt different in some way because we are, and that’s okay. We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
answer, only left the room. She might have asked him if something was wrong, might even have gone after him and asked him if he was sick to his stomach—he was sexually uninhibited, but he could be oddly prim about other things, and it wouldn’t be at all unlike him to say he was going to take a bath when what he really had to do was whoops something which hadn’t agreed with him. But now a new family, the Piscapos, were being introduced, and Patty just knew Richard Dawson would find something funny to say about that name, and besides, she was having the devil’s own time finding a black button, although she knew there were loads of them in the button box. They hid, of course; that was the only explanation. . . . So she let him go and did not think of him again until the credit-crawl, when she
Stephen King (It)
Look at that, Kovacs. We’re drinking coffee so far from Earth you have to work hard to pick out Sol in the night sky. We were carried here on a wind that blows in a dimension we cannot see or touch. Stored as dreams in the mind of a machine that thinks in a fashion so far in advance of our own brains, it might as well carry the name of God. We have been resurrected into bodies not our own, grown in a secret garden without the body of any mortal woman. These are the facts of our existence, Kovacs. How, then, are they different, or any less mystical, than the belief that there is another realm where the dead live in the company of beings so far beyond us we must call them gods?” I looked away, oddly embarrassed by the fervor in Hand’s voice. Religion is funny stuff, and it has unpredictable effects on those who use it. I stubbed out my cigarette and chose my words with care.
Richard K. Morgan (Broken Angels (Takeshi Kovacs, #2))
There were icons of the Magdalen on the walls and paintings in the Western manner, all kitsch, trash. Mary M., Lucas thought, half hypnotized by the chanting in the room beside him; Mary Moe, Jane Doe, the girl from Migdal in Galilee turned hooker in the big city. The original whore with the heart of gold. Used to be a nice Jewish girl, and the next thing you know, she's fucking the buckos of the Tenth Legion Fratensis, fucking the pilgrims who'd made their sacrifice at the Temple and were ready to party, the odd priest and Levite on the sly. "Maybe she was smart and funny. Certainly always on the lookout for the right guy to take her out of the life. Like a lot of whores, she tended towards religion. So along comes Jesus Christ, Mr. Right with a Vengeance, Mr. All Right Now! Fixes on her his hot, crazy eyes and she's all, Anything, I'll do anything. I'll wash your feet with my hair. You don't even have to fuck me.
Robert Stone (Damascus Gate)
Things can get out of hand quickly, especially with Sid around. I also decide never to wear heels again when I'm out with him. I go to Holt's in Camden Town and buy a pair of black Dr Martens. (You can get them in black, brown or maroon, the skinhead boys at school used to buy the brown ones and polish them with Kiwi Oxblood shoe polish — this gives them a deep reddish brown colour, much subtler than the flat red of the originals. They also keep them pristinely clean and polished at all times.) I wear my new boots with everything — dresses, tutus — it’s a great feeling to be able to run again. No other girl wears DMs with dresses, so I get a lot of funny looks. (Skinhead girls only wear DMs with Sta-Prest trousers. With their boring grey skirts, they west plain white or holey ecru tights and black patent brogues.) Bit I wear them all the time to clubs and pubs, it eventually catches on with other girls and I don’t look so odd.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
I am Nikolai Wroth.” Why did that name sound so familiar? She squinted up at him. “You are a friend of my aunts?” she said, her voice sounding faint. “With one. And it seems only one.” A short laugh with no humor. “Myst is my wife.” “Myst married?” Was that where she’d been? No, no way. “That’s funny.” “The jest’s on me, I’m afraid.” As they reached the manor, he bellowed, “Annika, call off the goddamn wraiths and let me in.” Emma stared up at the sky, seeing swirling red swaths of ragged cloth circling the house. Occasionally she spied a gaunt, skeletal face, but it would change to beauty if you met its eyes. The price for their protection was hair from each of the Valkyrie within. The wraiths wove each lock into a massive braid, and when it grew long enough, they bent all living Valkyrie to their will for a time. “Myst hasn’t returned yet,” someone called from the house. “But you know that, or else you’d both be naked and fornicating on the front lawn.” “The night’s young. Give us time.” To himself, he murmured, “And it was a field a mile away.” “Don’t you have an appointment to go to, vampire?” Emma stiffened. Vampire? But his eyes weren’t red. “Did you follow me?” “No, I was awaiting Myst’s return from shopping and sensed you trace into the woods.” A vampire waiting for Myst? He’d said she was his wife. She sucked in a breath. “You’re the general, aren’t you,” she whispered. “The one Myst had to be pried from.” She thought the corners of his lips quirked. “Is that what you heard?” At her solemn nod, he said, “It was mutual, I assure you.” He glanced away down the drive, as if willing Myst to return, and said almost to himself, “How much lingerie can one female need . . . ?” Suddenly Annika was shrieking, running for her, vowing to kill him ever so slowly. Amazingly, his body was still relaxed. “If you do not cease trying to take off my head, Annika, we will have words.” “What have you done to her?” she cried. “Obviously, I clawed her, bloodied her, and burned her, and now, oddly, I offer her up to you.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
There was a girl next door," he said, slowly. "She's gone now, I think, dead. I can't even remember her face. But she was different. How? How did she happen?" Beatty smiled. "Here or there, that's bound to occur. Clarisse McClellan? We've a record on her family. We've watched them carefully. Heredity and environment are funny things. You can't rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That's why we've lowered the kindergarten age year after year until now we're almost snatching them from the cradle. We had some false alarms on the McClellans, when they lived in Chicago. Never found a book. Uncle had a mixed record; antisocial. The girl? She was a time bomb. The family had been feeding her subconscious, I'm sure, from what I saw of her school record. She didn't want to know how a thing was done, but why. That can be embarrassing. You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it. The poor girl's better off dead.
Ray Bradbury (Fahrenheit 451)
Köster had bought the car, a top-heavy old bus, at an auction for next to nothing. Connoisseurs who saw it at the time pronounced it without hesitation an interesting specimen for a transport museum. Bollwies, wholesale manufacturer of ladies’ ready-made dresses and incidentally a speedway enthusiast, advised Otto to convert it into a sewing machine. But Köster was not to be discouraged. He took down the car as if it had been a watch, and worked on it night after night for months. Then one evening he turned up in it outside the bar which we usually frequented. Bollwies nearly fell over with laughing when he saw it, it still looked so funny. For a bit of fun he challenged Otto to a race. He offered two hundred marks to twenty if Köster would take him on in his new sports car—course ten kilometres, Otto to have a kilometre start. Otto took up the bet. But Otto went one better. He refused the handicap and raised the odds to even money, a thousand marks each way. Bollwies, delighted, offered to drive him to a mental home immediately.
Erich Maria Remarque (Three Comrades)
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn’t that I only loved some of you. But I wondered if you could ever love more than some of me. I knew I’d miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn’t happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn’t seem broken at all. I know young people look at me and think my youth seems so far away. But it’s all around me, and you’re all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic. The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn’t yours and mine? It does to me. And I’m sorry for it, and for a lot, and I also wouldn’t change it. It is so quiet here. Even with all the trains and the streets and the people. It’s nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won’t. I like to think that one day after I die, at least one small particle of me—of all the particles that will spread everywhere—will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing’s final, and that everyone gets to be together even when it looks like they don’t, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I’ll see you sometime again, even if it’s not with any kind of eyes I know of or understand. I wouldn’t be surprised if that is the way things go after all—that all things end happy. Even for you and Tik Tok. And for you and me. Always, Your Peter P.S. Please give my love to Tink. She was always such a funny little bug.
Jodi Lynn Anderson (Tiger Lily)
It was simply the way with Harry, like waiting for sunrise. But once you made clear that you wouldn't be going to bed with him, he'd look oddly relieved and calm down. And the matter once raised would not be revisited, I will say that for him. He didn't make a nuisance of himself. Funny old skellum. Never dull. There are men whom it is important not to take the slightest notice of when they're talking, if it's after ten o'clock at night and they've had a glass of beer. Harry was one such mammal. They really and truly don't mean to be idiots. But it's like a Roman Catholic person not wanting to feel guilt. Might as well ask water to run uphill. Except that might conceivably be contrived. With a pump. Once, he asked my sister to run away with him, to Rotterdam I think it was. She said no and he asked my brother. That was the most important thing to understand about Harry. Essentially, what he wanted--darling, who wouldn't--was someone to run away with him to Rotterdam. It's what all of us want, isn't it? Of course, nobody gets it. Probably not even those misfortunates who are in Rotterdam already. One wonders where they want to run away to. Crouch End?
Joseph O'Connor (Shadowplay)
They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never you.) They look at you and see whatever they want . Because they don't see you at all. Take a drink every time you hear a lie. You're a great cook. (They say as you burn toast.) You're so funny. (You've never told a joke.) You're so . handsome. ambitious. successful. strong (Are you drinking yet?) You're so .. charming. clever. Sexy. (Drink.) So confident. So shy. So mysterious. So open. You are impossible, a paradox, a collection at odds. You are everything to everyone. The son they never had. The friend they always wanted. A generous stranger. A successful son. A perfect gentleman. A perfect partner. A perfect Perfect. (Drink.) They love your body. Your abs. Your laugh. The way you smell. The sound of your voice. They want you. (Not you.) They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never you.) They look at you and see whatever they want. Because they don't see you at all.
Victoria Schwab (The Invisible Life of Addie LaRue)
Why, Dolly!" said Margaret, placidly kissing her. "Here's a surprise! How are the boys and the baby?" Boys and the baby were well, and in describing a great row that there had been at the Hilton Tennis Club, Dolly forgot her news. The wrong people had tried to get in. The rector, as representing the older inhabitants, had said—Charles had said—the tax-collector had said—Charles had regretted not saying—and she closed the description with, "But lucky you, with four courts of your own at Midhurst." "It will be very jolly," replied Margaret. "Are those the plans? Does it matter my seeing them?" "Of course not." "Charles has never seen the plans." "They have only just arrived. Here is the ground floor—no, that's rather difficult. Try the elevation, We are to have a good many gables and a picturesque sky-line." "What makes it smell so funny?" said Dolly, after a moment's inspection. She was incapable of understanding plans or maps. "I suppose the paper." "And WHICH way up is it?" "Just the ordinary way up. That's the sky-line and the part that smells strongest is the sky." "Well, ask me another. Margaret—oh—what was I going to say? How's Helen?" "Quite well." "Is she never coming back to England? Every one thinks it's awfully odd she doesn't." "So it is," said Margaret, trying to conceal her vexation. She was getting rather sore on this point. "Helen is odd, awfully.
E.M. Forster (Howards End)
God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for. Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit. A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?” “I never guessed that…this would feel…so odd.” “You’ll get used to it.” The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt. Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice. His gaze burned into her as he drove deep. “Less odd now?” he managed. “Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.” He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun. As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring. “Dom…oh, Dom…oh my…” “Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.” “Only you,” she echoed. She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun. When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again. Because it was too late to go back now. This time, he had her for better or worse.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
What do you want to know?' 'I found a piece of paper with my name on it,' I say. 'Over and over, just my name.' He flinches a little but doesn't say anything. 'Well?' I prompt. 'That's not a question,' he groans, as though exasperated. 'Ask me a proper question, and I'll give you an answer.' 'You're terrible at this whole "telling me whatever I want to know" thing.' My hand goes to the crossbow, but I don't pick it up. He sighs. 'Just ask me something. Ask about my tail. Don't you want to see it?' He raises his brows. I have seen his tail, but I am not going to give him the satisfaction of telling him that. 'You want me to ask you something? Fine. When did Taryn start whatever it is she has with Locke?' He laughs with delight. This appears to be a discussion he isn't interested in avoiding. Typical. 'Oh, I wondered when you would ask about that. It was some months ago. He told us all about it- throwing stones at her window, leaving her notes to meet him in the woods, wooing her by moonlight. He swore us to silence, made it all seem like a lark. I think, in the beginning, he did it to make Nicasia jealous. But later...' 'How did he know it was her room?' I ask, frowning. That makes his smile grow. 'Maybe he didn't. Maybe either of you would have done as his first mortal conquest. I believe his goal is to have both of you in the end.' I don't like this. 'What about you?' He gives me a quick, odd look. 'Locke hasn't gotten around to seducing me yet, if that's what you're asking. I suppose I should be insulted.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.
Kimberly G. Giarratano (One Night Is All You Need: A Short Story)
Obviously, I didn’t pursue that girl any longer, and I didn’t think about Missy much after our so-called date, mainly because I didn’t think she was interested in me. But then a few days later, one of our mutual friends from church called me. She told me Missy couldn’t stop thinking about me. I didn’t find out until several months later that the friend also called Missy that night and told her I really liked her! Neither one of us thought much about our fake date, but our friend decided to play matchmaker. The next time I saw Missy was at a youth meeting at the Kelletts’ house. Oddly enough, Missy’s family had lived in the same house for years until Mike and his family bought it. After the meeting I decided to check the credibility of our mutual friend who told me Missy was interested in me. We were outside and Missy was telling me stories of when she used to live there. I led her to the backyard and after she finished a story, I made my move. I turned and planted a juicy lip lock on her, to which she responded enthusiastically. I just wanted to see if she was interested in me and I got the answer. I have to admit I felt a spark or two during the encounter. It was nice! Missy remembers a few more details of our early dating. Missy: During our mock date, I also felt like we had a great time together. However, because we had mutually agreed to go out on this public-relations date, I would have never assumed anything more. I am not an aggressive person, and even though I felt something between us, I would have never made the first move! That’s why, when Jason dropped me off, I just got out of the truck and went inside. He obviously hadn’t asked me out because he thought I was pretty, funny, or interesting. In my mind, this was just business, whether I liked it or not. And I didn’t like it. I was definitely attracted to him, but where I came from and the way I was raised, it was the boy’s responsibility to make the first move. And he didn’t, at least not that night. When my friend called me a few days later and told me that he liked me, I was surprised and thrilled! Little did I know that she’d done the same thing to Jason. The night after our first kiss at our youth minister’s house, I remember trying not to get my hopes up. I knew about his reputation of dating as many girls as possible, and I thought there was a great chance that I would never hear from him again. However, I decided to go outside my comfort zone and give him a call. One of his mom’s friends answered the phone and when I asked to speak to Jason, she told me he was on his way to his girlfriend’s house. I hung up, feeling dejected. About fifteen minutes later, he showed up at my house. I was the girlfriend!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.
Salman Rushdie (Joseph Anton: A Memoir)
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and 'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
It’s funny, humans tend to hatch our most challenging goals and dreams, the ones that demand our greatest effort yet promise absolutely nothing, when we are tucked into our comfort zones. I was at work when Kostman laid out his challenge for me. I’d just had a warm shower. I was fed and watered. I was comfortable. And looking back, every single time I’ve been inspired to do something difficult, I was in a soft environment, because it all sounds doable when you’re chilling on your fucking couch, with a glass of lemonade or a chocolate shake in your hand. When we’re comfortable we can’t answer those simple questions that are bound to arise in the heat of battle because we don’t even realize they’re coming.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
We’ll bet thirty-seven Galleons, fifteen Sickles, three Knuts,’ said Fred, as he and George quickly pooled all their money, ‘that Ireland win – but Viktor Krum gets the Snitch. Oh, and we’ll throw in a fake wand.’ ‘You don’t want to go showing Mr Bagman rubbish like that –’ Percy hissed, but Bagman didn’t seem to think the wand was rubbish at all; on the contrary, his boyish face shone with excitement as he took it from Fred, and when the wand gave a loud squawk and turned into a rubber chicken, Bagman roared with laughter. ‘Excellent! I haven’t seen one that convincing in years! I’d pay five Galleons for that!’ Percy froze in an attitude of stunned disapproval. ‘Boys,’ said Mr Weasley under his breath, ‘I don’t want you betting … that’s all your savings … your mother –’ ‘Don’t be a spoilsport, Arthur!’ boomed Ludo Bagman, rattling his pockets excitedly. ‘They’re old enough to know what they want! You reckon Ireland will win but Krum’ll get the Snitch? Not a chance, boys, not a chance … I’ll give you excellent odds on that one … we’ll add five Galleons for the funny wand, then, shall we …’ Mr Weasley looked on helplessly as Ludo Bagman whipped out a notebook and quill and began jotting down the twins’ names.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Yoga: once an exotic rite for mystics, now a suburban hobby in church halls and gymnasiums. Stretches, belly breaths and chants. Ancient (and awkward) poses with odd animal names, enjoyed by Lycra-clad mothers and post-matcha tea hipsters alike.
Damon Young (How to Think More About Exercise (The School of Life))
333 Texas has the highest speed limit of any US state – you can drive down the Texas State Highway 130 at 85mph
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
But it nevertheless seems odd to reaffirm that women's humor exists, because if you look at any random group of women for more than thirteen seconds, you'll notice we're laughing.
Gina Barreca (Fast Funny Women: 75 Essays of Flash Nonfiction)
They say the odds of us being conceived come out to one in four hundred trillion; the fact that we’re alive, healthy and able to work from nine to five is literally a miracle. I once heard a Buddhist metaphor that described the amazing probability of this ‘miracle’: Imagine a lifebuoy thrown into an ocean, and a single turtle living somewhere in all the oceans, swimming around underwater. The chances of my being conceived were the same as the odds of Mr Turtle sticking his head out of the water straight into the middle of that life donut – or the same as the chances of my dad having an orgasm sober.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
So DCI Hudson explained the legal niceties to me, and warned that he would be forced to arrest anyone who blocked the diggers. I said that I was sure he wouldn’t actually arrest anyone, and he agreed that this was true. So there we were, back to square one. Ron then asked DCI Hudson if he was proud of himself, and DCI Hudson replied that he was an overweight fifty-one-year-old divorcé, and so, by and large, no, he wasn’t. This made Donna smile. She likes him—not like that, but she likes him. I do too. I was going to say to him that he wasn’t overweight, but he actually is a bit, and as a nurse, it’s best to never sugarcoat things, even when your instinct is to be protective. Instead I told him he should never eat after six p.m.—that’s the key if you don’t want diabetes—and he thanked me. That’s when Ibrahim joined us and suggested that DCI Hudson might try Pilates, and Donna said that was something she would pay to see. Ian Ventham didn’t want to join in the fun, and told Donna and DCI Hudson that he paid their wages. Donna said in that case could she ask him about a pay rise, and that’s when Ventham started shouting the odds about this, that, and the other. People without a sense of humor will never forgive you for being funny. But that’s an aside. Anyway, Ibrahim, who is very good with this sort of thing—conflict and inadequate men and stalemates and so on—stepped in and offered to “thin the crowd out” to give everyone a bit of breathing space.
Richard Osman (The Thursday Murder Club)
Look Tony, what are the odds of a prime minister being drowned or taken by a shark?
Harold R. Holt
A few of them try to be kind to him in odd, haphazard ways. Human beings are funny. One of the young fellows he used to know goes by one night, silently puts a package of cigarettes into his hand, goes on without a word. To keep him from being quite so lonely while he waits. One particularly raw night the drugstore man suddenly comes out to the door, thrusts a mug of steaming coffee into his hands. Again without a word. Takes the mug in again when he’s emptied it. Just that once—never before then, never again. Human beings are funny. They are so cruel, they are so kind; they are so calloused, they are so tender.
Cornell Woolrich (Rendezvous in Black)
It’s funny, isn’t it? How much bigger the world is outside our small village? How odd is it that I was so consumed with such a minuscule life as if that was all the realm had to offer? I couldn’t see beyond what I already had. I didn’t have it in me to want for more, but I get it now, you know? Your hunger for more and your unwillingness to settle for less. I didn’t… I didn’t know there was this much more.
J.D. Linton (The Last Draig (Rogue X Ara #2))
Did you kill that man?' Smoothing out the skirts of the gown, I crossed my ankles. 'I believe he slipped and fell upon my blade.' 'Was it his throat that fell upon your blade?' 'Odd, right?' 'Odd, indeed.' Ezra tilted her head to the side as she stared blankly at me. 'That happens quite often around you.' 'Unfortunately,' I arched a brow at my stepsister. 'Men with careless fists should be more mindful of where they step.' A faint smile appeared on Ezra's face. 'You know, you do frighten me a little.' I turned to the carriage window as we rolled down the sunny street. 'I know.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Katerina, do you ever watch a comedy show on TV? At the end of one of those 30-minute shows, the credits roll. About 75 people have worked on that show, and only sometimes the shows are funny. I am one man alone. Given the odds, you are lucky if you get a single chuckle out of me. You're lucky if I even make you smile.
Jeffrey Benson (Hanging In: Strategies for Teaching the Students Who Challenge Us Most)
She just sent out the last group of demon grunts for the night,” he told us casually. “Good,” Drake sighed getting up and dusting himself off. Isaiah stared at him oddly and pointed, “what’s up with your face?” “I don’t want to talk about it,” the one-eyed demon retorted. Already uptight by the presence of the black angel. Without more words to share, Drake passed him with a rough shove.
Narni (Black Angel: They've been waiting... (The Fallen Angel Series Book 2))
We have access to so many more resources today than ever before and yet we are so much less capable than those who came before us. If you want to be one of the few to defy those trends in our ever-softening society, you will have to be willing to go to war with yourself and create a whole new identity, which requires an open mind. It’s funny, being open-minded is often tagged as new age or soft. Fuck that. Being open-minded enough to find a way is old school. It’s what knuckle draggers do. And that’s exactly what I did.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
They were not aware themselves of their present happiness; they were all looking eagerly forward, bent upon a future which was to be so much superior to to-day, and none dreamed how little pleasure was to be got out of the realisation, in comparison with the delight they all took in the hope. They could afford so well to laugh at all their homely difficulties — to make jokes upon Mamma’s grave looks as she discovered an extravagant shilling or two in the household accounts — or found out that Susan had been wasteful in the kitchen. It was so odd, so funny, to contrast these minute cares with the golden age which was to come.
Mrs. Oliphant (The Works of Margaret Oliphant)
In a survey, it was found that 7% of American adults think chocolate milk comes from brown cows
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
You don't give an inch, do you?' My eyes licked coldly up his body. 'Do you? Or is an inch all you have to offer?' Petty. Stupid. I didn't even know why I said it, except that when he let out a low laugh, I found it oddly satisfying. 'Sleep well,' he said. 'I hope that knife under your pillow doesn't give you a crick in your neck.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Bull terriers are odd dogs. With their egg-shaped heads, slitty eyes, and pointy ears, they’re funny looking. Think Spuds MacKenzie or the Target dog. BTs are opinionated, exuberant, stubborn, extremely silly, and loving, but at times too smart for their own good. What does that say about bull terrier owners?
Martha Teichner (When Harry Met Minnie: A True Story of Love and Friendship)
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and I'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
to slow her beautiful car and began the tedious task of leaving the glorious open countryside behind and instead navigating the increasingly frustrating, suffocating banality that was the twenty-first century urban environment. Finally, she pulled into one of her favourite waiting spots, not far from where he lived, and turned off the purring engine. Her heart was now beating so fast that she could hear it pounding in her ears. How soon before he came by and she could watch him approach? As she waited with the patience of a spider in the car, with the people passing by still casting admiring and envious glances at the Jaguar as they did so, she thought how funny life could be sometimes. When she’d been younger and far more foolish than today, she’d been so in love with Michael that she thought it might kill her. But in the end, he’d let her down, leaving her broken-hearted and bewildered. Why had he abandoned her? Why hadn’t her love been enough? How many weeks after he’d broken up with her did she torment herself with such questions? How long had she watched him, trailing after him in her less-conspicuous car, wanting and willing him to relent and take her back? Looking back on herself at that point in time, she could feel only pity and perhaps a little scorn for her old self. But she could forgive herself too. She’d been desperately, crazily, whole-heartedly in love with him, and love made fools of everyone, didn’t it? Odd to think, now, that if she hadn’t met Michael, she’d never have met the man who was destined to be her real love, her one true soulmate. Even more astonishing to realize that, when she’d first met him, she hadn’t been able to stand him! Mia shook her head now in remembrance of her own folly. To think, in the beginning, she’d been
Faith Martin (Murder Now and Then (DI Hillary Greene #19))
SPY Magazine once sent some of the world’s richest people checks of just 13 cents to see who if any would cash them. Only two people ever did – one was an arms dealer, the other was Donald Trump
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. William arrived at 1 p.m., age thirteen and a half, with braces on his teeth. Tall, shy, and clearly rather bemused to be here, he nodded, rather embarrassed, in my direction. “Hello, sir,” I said, totally unsure of what to call him. “Hello,” he replied, preferring not to call me anything. Jane Atkinson made up the four. We went through to a small but very pleasant little dining room to eat. William asked Diana if she’d seen the portrait of the Queen in yesterday’s papers. “Her hands looked like she’d been in the garden all day; they were all big and dirty,” he laughed. Diana giggled instinctively, then stopped herself. “William, please, don’t say that.” “Sorry, Mummy, but it’s true: Granny did look really funny.” Granny. How odd it sounded. “Can I have some wine, Mummy?” “No, William! Whatever are you thinking?” “But Mummy, I drink it all the time.” “Erm, no, you don’t actually, and, well, you can’t have any.” “Yes, I can,” he replied with a mischievous but determined grin. And he did. A small but interesting piece of power play to observe. William knew what he wanted, and Diana was a soft touch with her boys. Both facts seemed quite good news to me.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Gabby, look,” Rachel squealed as I pushed open the screen door.  “A dog!” On the deck, Rachel reclined on her side, stretched out on a beach towel.  Between her towel and the one she’d set out for me, lay a monster of a dog, relaxing in the sun. I stopped and stared.  What was that thing?  Although the size of a mastiff, it looked nothing like one.  At least seven feet from nose to tail, the dog’s shaggy brown coat gave it a wild look.  Rachel didn’t seem to mind, though.  She continued to pet its head affectionately. It turned its head, which moved it out of Rachel’s reach.  Its soft brown eyes met mine. Rachel shifted to a sitting position to reach its head again. “It just walked up the porch steps and lay right down.  I nearly peed myself.  Have you ever seen a dog this big before?  What kind do you think it is?”  She continued to pet it lovingly. I remained glued in place, my stomach sinking.  Any lingering homesickness died as my suspicion grew.  What are the odds that an extremely large, random dog just appeared at my door scant hours after Sam dropped me off?  Improbable odds.  When I’d said I would get a dog, I’d meant it as a joke.  I couldn’t afford a dog. “And you’re not going to believe what its tag says,” Rachel said, not seeming to care that I hadn’t answered her questions.  “‘If found, please provide a good home.’  Isn’t that funny?”  She ruffled his neck fur, which made his hidden tags jingle.  The dog continued to watch me and ignore Rachel’s ministrations. “Yeah.  Funny,” I mumbled.  The size of the dog would ensure men didn’t bother me.  But a dog half its size would do the same.  Why get one so big?  Its size compared to Sam in his fur.  Did Sam think some of his kind might bother me?  If so, I didn’t see how a plain old dog would help.  My eyes widened as my own idiocy dawned on me. Not a plain dog. I needed to call Sam, find out what he’d been thinking, and then give him an earful for sending someone to the house to keep an eye on me.  I was about to turn and go back into the house when Rachel said something that made my stomach drop to my toes. “His tag also says his name is Clay.  What do you think?  Should we keep him?
Melissa Haag (Hope(less) (Judgement of the Six #1))
So if I may give a word of advice to any young writer who, despite the odds, wants to take a shot at being funny, it is this: Steal. Steal an idea that you know is good, and try to reproduce it in a setting that you know and understand. It will become sufficiently different from the original because you are writing it, and by basing it on something good, you will be learning some of the rules of good writing as you go along. Great artists may merely be “influenced by” other artists, but comics “steal” and then conceal their loot.
John Cleese
As she sat there, her feeling of loneliness increased. And this was strange, because she had always been solitary, and did not usually feel lonely when alone. But she watched Gina with Adam and- -and she realized that she wasn't happy being solitary anymore. But the person she was happiest with wasn't a person. It was Periapt. Being with him was like being with the perfect companion. He was clever. He was kind, at least to her- though he had been scathing with the fox, and once or twice with Cleo, whom he regarded as being rather too full of herself. They found the same kinds of things funny, they enjoyed the same sorts of books, and it was getting so that they could finish each other's sentences. She was never happier than when she was curled up with him, having a lively discussion over some obscure point in a book. In fact, simply being with him made her happy- happy in a way that no human male had ever made her feel. Maybe it was simply that he didn't take long, doubtful glances at her oculars, or act polite while all the time he was actually bored. That realization made her feel very odd indeed. And she wasn't entirely sure what to make of it.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
Odd, though, all these dealings of mine with myself. First I’ve agreed a principle with myself, now I’m making out a case to myself, and debating my own feelings and intentions with myself. Who is this self, this phantom internal partner, with whom I’m entering into all these arrangements? (I ask myself.)
Michael Frayn, Headlong
Odd, though, all these dealings of mine with myself. First I’ve agreed a principle with myself, now I’m making out a case to myself, and debating my own feelings and intentions with myself. Who is this self, this phantom internal partner, with whom I’m entering into all these arrangements? (I ask myself.)
Michael Frayn (Headlong)
There are always messages, even enigmas to be searched, mysteries to be solved in all of my books. I like to puzzle readers, but I do not make so to the point of being so complex that they will lose interest in the plot. And that for me is the essence of every great literature around the world, and that’s been so for ages. (....)Some were inpired by real life characters, some other books I wrote are hybrid fiction/non-fiction, so I pretty much get inspired by people who have lived, and even who are still breathing among us… so don’t get discouraged if I didn’t mention your personality traits yet. I might even have your name over my books, I must some day…
Ana Claudia Antunes (One Hundred One World Accounts in One Hundred One Word Count)
The prince instructs us that as long as they don’t leave the penthouse, we are to do whatever she says.” Samuel grinned at me. “Looks like we have a new princess.” “Sam,” the other guard said, “I don’t think making friends with the prince’s muse is good for your health.” “Relax, Kyle. She’s all right.” Gwen’s grip on my arm had loosened by now. I gave the men a funny look. I had an odd feeling that I was going to like those two.
Bella Forrest (A Shade of Vampire (A Shade of Vampire, #1))
By Obama’s lights, there was no liberal America, no conservative America, no black America, no white America, no Latino America, no Asian America, only “the United States of America.” All these disparate strands of the American experience were bound together by a common hope: It’s the hope of slaves sitting around a fire singing freedom songs; the hope of immigrants setting out for distant shores; the hope of a young naval lieutenant bravely patrolling the Mekong Delta; the hope of a mill worker’s son who dares to defy the odds; the hope of a skinny kid with a funny name who believes that America has a place for him, too.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Talking films revealed [Jean Arthur]'s quirky, remarkable voice: nasal, raspy, querulous— an odd, expressive voice which somehow fit her intense, funny and very smart screen persona.
Eve Golden (Bride of Golden Images)
This is one of the many odd and unexpected little situations where you kinda find out who you are as a mother. Will you collapse onto the parking lot in the fetal position and cry for the days when you had perky boobs, bladder control, and alone time? Or will you laugh because you see the funny in being a spaced out, overwhelmed, mess?
Stacey Hatton (I Just Want to Pee Alone: A Collection of Humorous Essays by Kick Ass Mom Bloggers)
A few months ago I would have told anyone that my goal was to put my father in a home, sell the bookstore and the house and high tail it back to Philly, but… something funny happened along the way. I started enjoying owning a bookstore. My best friends became my best friends again. And I met this very nice man who, against all odds and beyond my understanding, enjoys my company. My previous goals aren’t my goals anymore, so I don’t know what I want. Not anymore.
D.L. White (Brunch at Ruby's)
Riddick, it’s that we’re all basically the same. White or black, we’re all going to end up in the same place (well, one of two places), but most of us don’t like to think about death. And even fewer of us take the time to plan for it. Which is kind of funny when you consider the odds of it happening. By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band.
Dee Oliver (The Undertaker's Wife: A True Story of Love, Loss, and Laughter in the Unlikeliest of Places)
Riddick, it’s that we’re all basically the same. White or black, we’re all going to end up in the same place (well, one of two places), but most of us don’t like to think about death. And even fewer of us take the time to plan for it. Which is kind of funny when you consider the odds of it happening. By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band.
Anonymous
Lass, I know that ye have been searching for the ring so that ye can go home. While, we were away, Arran found it.” “He did?” Shocked, I tried to normalize my expression as he continued.  “Aye,” he paused to retrieve it and held it out to me, eventually setting it in between us when I didn’t reach out for it.  “I almost threw it in the ocean.” “You what?” The pitch of my voice was oddly high and screechy, making me sound angry rather than shocked.  “Aye, lass. I’m verra sorry, but I dinna want to give ye the ring. I know that I canna keep it from ye, but I’d like to ask ye something before I let ye have it.” “Of course.” My heart restarted as hope began to crawl through the fear rooted in my stomach.  “Doona go, lass.” He squeezed my hands tightly in between his own, and I was sure my heart was going to burst with happiness. “I’ve fallen in love with ye, Bri, and I doona wish to be parted from ye. If ye doona love me, I shall give ye the ring, but I could no let ye leave without telling ye.” My voice cracked as I spoke to him, and a tear broke free from my left eye. “No.” He didn’t give me a chance to finish. “I’m so verra sorry for keeping the ring from ye, lass. I just wasna ready to let ye go.” I pried my hands loose and reached up to grab hold of his face. “No, listen. Let me finish.” He stopped talking, pursing his lips awkwardly like a fish, and I couldn’t help but laugh. “Its no so funny, lass. Ye’re breaking my heart. I only ask that ye do it swiftly.” “Hush. It is funny. Your face looks ridiculous. I meant, ‘no,’ I’m not mad at you. I had something to tell you tonight as well.” “Aye?” “I was going to tell you that I wanted to stop looking for the ring. I can’t leave here. This is my home now and I’ve fallen in love with everyone. Mary, Kip, Arran, Griffin, even you.” I winked at him before continuing, “Before, I only thought I had to go back because of my mother and Blaire. She deserved the chance to return to her home, but she doesn’t want it. “How do ye know, lass?” “It’s the spell book. We can write messages to one another that cross over through time. My mother knows I’m safe here, and as long as she knows that, she’ll be okay with my decision. And Blaire, she said she wants to stay. That means I’m free, Eoin. I’m free to stay with you. If you’ll have me?” “Have ye, lass? Did ye no just hear what I said to ye? I’ll have ye and ye alone.
Bethany Claire (Love Beyond Time (Morna's Legacy, #1))
Most of the crowd spread their garments on the road, and others cut branches from the trees and spread them on the road. And the crowds that went before him and that followed him shouted, “Hosanna to the Son of David!…” —Matthew 21:8–9 (RSV) PALM SUNDAY: REMAINING FAITHFUL It’s graduation day at the University of Pittsburgh. It’s thrilling, watching the young men and women I’ve taught go forth and do all of the world’s work, but there’s a nagging disquiet. Like many weighty truths, their education is accompanied by an equally weighty lie. I’ve told my students they’re unique and capable of wonderful things (true); I didn’t warn them of the attendant difficulties that lay ahead. I’ve long stopped betting on their futures. Who am I to tell them about the odds of a successful life, the weird dance of hard work and good luck, the slings and arrows of outrageous fortune? Luckily, today is filled with smiles, flowing robes, hugs, funny hats. In ancient times such celebrations would be marked by palm fronds, like Jesus’ entrance into Jerusalem. And then is no different from now, where celebration can suddenly turn to trepidation, where young lives quickly discover that speaking the truth may lead to trouble, betrayal, or worse. But today they’ll throw their hats into the air with faith in the future. And when asked, I’ll pose with them for photos. Years from now they’ll wonder about the teacher with the gray hair and wan, anxious smile, who looks as if he might be praying. Lord, we often praise You one day, then betray You the next. Let us overcome our fickle nature and be faithful companions to You and our brothers and sisters. —Mark Collins Digging Deeper: Mt 21:1–11
Guideposts (Daily Guideposts 2014)
William asked Diana if she’d seen the portrait of the Queen in yesterday’s papers. “Her hands looked like she’d been in the garden all day; they were all big and dirty,” he laughed. Diana giggled instinctively, then stopped herself. “William, please, don’t say that.” “Sorry, Mummy, but it’s true: Granny did look really funny.” Granny. How odd it sounded. “Can I have some wine, Mummy?” “No, William! Whatever are you thinking?” “But Mummy, I drink it all the time.” “Erm, no, you don’t actually, and, well, you can’t have any.” “Yes, I can,” he replied with a mischievous but determined grin. And he did. A small but interesting piece of power play to observe. William knew what he wanted, and Diana was a soft touch with her boys. —Piers Morgan
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
How’s that beer?” Jack asked, dishtowel in hand, eyeing the nearly empty glass. “I’m good,” Ian said. “Just let me know,” he said, turning away. “Ah,” Ian said, getting his attention but not exactly calling him back. Jack turned, lifted an eyebrow. Silent. “She tell you to leave me alone?” A small huff of laughter escaped Jack. “Pal, the first thing you learn when you open a bar—talk if they talk, shut up if they don’t.” Ian tilted his head. Maybe he could stand this place once in a while. “She tried to explain me to the librarian in Eureka as an idiot savant.” Jack smiled and Ian felt an odd sensation—it was a funny story; he liked sharing a funny story. He used to make the guys laugh when he wasn’t making them work. “She tell you she was looking for me?” “She did.” For some reason unclear even to him, Ian did something he hadn’t done since finding himself in these mountains—he pushed on it a little bit. “She tell you anything about me?” “Couple of things.” “Like?” “Like, you and me—we were in Fallujah about the same time.” “Should’ve known. You have that jarhead look about you. Just so you’re clear—I don’t talk about that time.” Jack smiled lazily. “Just so you’re clear, neither do I.” *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
List your ten favorite comedians and humorists, and search for jokes, tweets, or quotes by each of these individuals. After you amass twenty jokes, identify the subject or target of the joke, and explain why you think the joke is funny. This exercise will help you become aware of the format of successful jokes and provide you with insight into your own comedic preferences. Collect ten to fifteen cartoons or comics. As you did with the jokes, identify the target of the humor and describe why the cartoon is funny to you. You may find it helpful to continue building a file of jokes and cartoons that appeal to you. In addition to building a joke and cartoon file, you’ll need to find new material to use as the building blocks for your humor writing. Most professional humor writers begin each day by reading a newspaper, watching news on TV, and/or surfing the Internet for incidents and situations that might provide joke material. As you read this book and complete the exercises at the end of each chapter, form a daily habit of recording odd and funny news events. Everyday life is the main source for humor, so you need to keep some type of personal humor journal. To facilitate psychoanalysis, Sigmund Freud had patients complete a dream diary, and he encouraged them to associate freely during therapy. To be a successful writer and to tap into the full potential of your comic persona, you should follow an analogous approach. Record everyday events, ideas, or observations that you find funny, and do your journaling without any form of censorship. The items you list are not intended to be funny, but to serve as starting points for writing humor.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
It was funny how the mind takes weird, circuitous routes sometimes. Do you ever start thinking of something odd and try to trace back to what started your thought process and really, your mind is going all over the place? That was what was happening, so here was the trail my brain took: When Ema mentioned basketball, I tried to push the thought away, but the one thing that would help me escape the pain of getting thrown off the basketball team would be . . . well, playing basketball. That made me think of the last time I played basketball, which made me think about playing yesterday in Newark, which made me think about Tyrell Waters and what he might be doing, which made me think about his father, Detective Waters, which made me think about the ride home, which made me think about two things about Detective Waters: One, he was working on busting a drug ring in Kasselton. Two, he had known that Mr. Caldwell’s first name was Henry. How would he know that—and were those two things related?
Harlan Coben (Seconds Away (Mickey Bolitar, #2))
own. Save a parrot’s tree. Save ten. Without our help, without needed legislative protection and worldwide consciousness-raising on their behalf, parrots will be lost in short years to come. It is fitting to end this book with this succinct summation from Wayne Pacelle, president of the Humane Society of the United States:   We are at an odd moment in history. There are more people in this country sensitized to animal protection issues than ever before. The Humane Society of the United States alone has 8 million members, and in addition, there are more than 5,000 other groups devoted to animal protection. At the same time, there are more animals being harmed than ever before—in industrial agriculture, research and testing, and the trade in wild animals. It is pitiful that our society still condones keeping millions of parrots and other wild birds as pets—wild animals that should be free to fly and instead are languishing in cages, with more being bred every day. It’s an issue of supply and demand and it’s also an issue of right and wrong. Animals suffer in confinement, and we have a moral obligation to spare them from needless suffering. Every person can make a difference every day for animals by making compassionate choices in the marketplace: don’t buy wild animals as pets, whether they are caught from the wild or bred in captivity. If we spare the life of just one animal, it’s a 100% positive impact for that creature. If we can solve the larger bird trade problem, it will be 100% positive for all parrots and other wild birds in the U.S. and beyond our borders. I believe we will look back in 50 -75 years and say “How could we as a society countenance things like the decades long imprisonment of extraordinarily intelligent animals like parrots?” Acknowledgments For this work, which took more than two and a half years to research and write, I amassed thousands of documents and conducted several hundred interviews with leading scientists, environmentalists, paleontologists, ecological economists, conservationists, global warming experts, federal law enforcement officers, animal control officers, avian researchers, avian rescuers, veterinarians, breeders, pet bird owners, bird clubs, pet bird industry executives and employees, sanctuaries and welfare organizations, legislators, and officials with the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), and other sources in the United States and around the world.
Mira Tweti (Of Parrots and People: The Sometimes Funny, Always Fascinating, and Often Catastrophic Collision of Two Intelligent Species)
Florida
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
That's when Ibrahim joined us and suggested that DCI might try plates, and Donna said that was something she would pay to see. Ian Venham didn't want to join in the fun, and told Donna and DCI Hudson that he paid their wages. Donna said in that case could she ask him about a pay rise, and that's when Ventham started shouting the odds about this, that, and the other. People without a sense of humor will never forgive you for being funny. But that's an aside.
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
Time was a funny thing. It was always flowing along in the background like a river, but bring too much power to bear, and it warped. It slowed; it wanted to pause and take a look. Anytime too much power—too much Investiture, too much self—congregated, realms became porous and time behaved oddly.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
We had our goal, and the first question we asked was What makes someone a movie star (as opposed to simply an actor)? Movie stars tend to play likable characters who embody and depict the best of humanity: courage, ingenuity, success against the odds. I loved the idea of being a better person in a movie than I was in real life. I could protect people, I could kill bad things, I could fly, all the women would love me- they have to, it says right here in the script. I came up with a way to describe what makes a great movie star character: I call it the three Fs of movie stardom: You have to be able to fight, you have to be funny, and you have to be good at sex. Beneath the three Fs are our deepest human yearnings: fighting equates to safety, security and physical survival. Being funny equates to joy, happiness, and freedom from all negativity. And being good at sex equates to the promise of love. p214
Will Smith (Will)
The Wolf of Wall Street
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Loren held out her hand. "It's been fun listening to your stories, Mr...." The old cook smiled. "Cussler, Clive Cussler. Mighty nice to have met you, ma'am." When they were on the road again, the Pierce Arrow and its trailer smoothly rolling toward the border crossing, Pitt turned to Loren. "For a moment there, I thought the old geezer might have given me a clue to the treasure site." "You mean Yaeger's far-out translation about a river running under an island?" "It still doesn't seem geologically possible." Loren turned the rearview mirror to reapply her lipstick. "If the river flowed deep enough it might conceivably pass under the Gulf." "Maybe, but there's no way in hell to know for certain without drilling through several kilometers of hard rock." "You'll be lucky just to find your way to the treasure cavern without a major excavation." Pitt smiled as he stared at the road ahead. "He could really spin the yarns, couldn't he?" "The old cook? He certainly had an active imagination." "I'm sorry I didn't get his name." Loren settled back in the seat and gazed out her window as the dunes gave way to a tapestry of mesquite and cactus. "He told me what it was." "And?" "It was an odd name." She paused, trying to remember. Then she shrugged in defeat. "Funny thing...I've already forgotten it.
Clive Cussler (Inca Gold (Dirk Pitt, #12))
It takes me a solid three miles to get going, but surprisingly, once we find out pace and break a sweat, my legs really loosen up. In fact, I go from feeling like a stick figure to [...] feel[ing] really good—real good. Odd. I mention it to SEAL as we run and he just replies, “Jesse, I really don’t give a fuck.
Jesse Itzler (Living with a SEAL: 31 Days Training with the Toughest Man on the Planet)
It is estimated that on average, the British drink 165 million cups of tea every day 511 John Quincy Adams was gifted a pet alligator by a French general, which he kept in a bathtub in the White House 512 Cows have been proven to produce more milk when they are listening to music 513 If you were to play the world’s longest musical piece, it would take around 630 years
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Mrs Dursley had had a nice, normal day. She told him over dinner all about Mrs Next Door’s problems with her daughter and how Dudley had learnt a new word (‘Shan’t!’). Mr Dursley tried to act normally. When Dudley had been put to bed, he went into the living-room in time to catch the last report on the evening news: ‘And finally, bird-watchers everywhere have reported that the nation’s owls have been behaving very unusually today. Although owls normally hunt at night and are hardly ever seen in daylight, there have been hundreds of sightings of these birds flying in every direction since sunrise. Experts are unable to explain why the owls have suddenly changed their sleeping pattern.’ The news reader allowed himself a grin. ‘Most mysterious. And now, over to Jim McGuffin with the weather. Going to be any more showers of owls tonight, Jim?’ ‘Well, Ted,’ said the weatherman, ‘I don’t know about that, but it’s not only the owls that have been acting oddly today. Viewers as far apart as Kent, Yorkshire and Dundee have been phoning in to tell me that instead of the rain I promised yesterday, they’ve had a downpour of shooting stars! Perhaps people have been celebrating Bonfire Night early – it’s not until next week, folks! But I can promise a wet night tonight.’ Mr Dursley sat frozen in his armchair. Shooting stars all over Britain? Owls flying by daylight? Mysterious people in cloaks all over the place? And a whisper, a whisper about the Potters … Mrs Dursley came into the living-room carrying two cups of tea. It was no good. He’d have to say something to her. He cleared his throat nervously. ‘Er – Petunia, dear – you haven’t heard from your sister lately, have you?’ As he had expected, Mrs Dursley looked shocked and angry. After all, they normally pretended she didn’t have a sister. ‘No,’ she said sharply. ‘Why?’ ‘Funny stuff on the news,’ Mr Dursley mumbled. ‘Owls … shooting stars … and there were a lot of funny-looking people in town today …’ ‘So?’ snapped Mrs Dursley.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
I do remember my uncle telling me that the Silures were different from everyone, perhaps from every nation on earth.’ ‘Oh well, everyone knows that,’ Vindex agreed. ‘Odd people. Funny customs. Don’t talk much. Don’t swear much either and you cannot say that is natural.’ ‘Is it true?’ Crispinus asked. ‘Now that you mention it I have not heard you swear.’ ‘Waste of good anger,’ Ferox said without looking at him. ‘It was something his grandfather had often said. Do not waste rage. Nurture it, cherish it and use the strength it gives. Hot anger gets a man killed. Cold anger will put the other man in the earth.
Adrian Goldsworthy (Vindolanda (Vindolanda, #1))
Listening to music is one of the few activities that engages the entire brain
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Vending machines kill more people each year than sharks. Statistically, you are twice as likely to be killed by a vending machine than a shark
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Ian Ventham didn’t want to join in the fun, and told Donna and DCI Hudson that he paid their wages. Donna said in that case could she ask him about a pay rise, and that’s when Ventham started shouting the odds about this, that, and the other. People without a sense of humor will never forgive you for being funny.
Richard Osman
Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Pizza Hut was the first company to ever deliver to outer space; they delivered pizza to the International Space Station in 2001
Jim Green (3001 Unusual Facts, Funny True Stories & Odd Trivia: Amazing Book of Odd & Unusual Trivia Interesting Facts about Famous People, Odd Trivia from Science ... Unusual Facts from US & World History)
Do you typically question those on the Rise who you don't recognise like this?' I challenged. 'What an odd method of interrogation.' 'Only pretty ladies with shapely, bare legs
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Breathe in and breathe out for me in even 1-2 counts,' the doctor instructed Herman. Herman did as he was told even though one is an odd number.
J.S. Mason (The Satyrist...And Other Scintillating Treats)
Don't you need to check on your mum, though? he asks Ali. "Nah, my brother or Holly are checking in on her tonight." Presumably she's on her own too, since Ali's father upped and offed to continental Europe. It's odd to think that we have something in common, Ali and I: we both grew up without a paternal presence. I reach for the photo of that immortalized dinner party that hasn't yet left the kitchen. "Is this your mum?" I'm pointing to a small but woman with a smile on her face who's standing next to Ali's dad. Even though I'm looking for similarities, I can't see how she turned into the shriveled old woman, with her spiteful pinched mouth, that I encoun tered in the hotel. curvy Ali takes it and squints slightly. "Aye. And my dad. Was that taken here, aye? God, she looks young then." There's a sadness around his eyes, and concern in Ben's as he looks at Ali. "Funny to think our parents all knew one another, and here we are, having a drink together," I muse. "That might be odd in London Town, but it's pretty much par for the course round here," says Ali, putting the photo down. "Very hard to escape the sins of our fathers when everybody around knows exactly what they were." He glances at me. "Shite. Sorry. Let's talk about some thing much less controversial. Like, erm, Scottish independence or something," he says, tongue in cheek.
Lexie Elliott (The Missing Years)