Obscure Motivational Quotes

The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists, whose real though unacknowledged motive appears to be hatred of western democracy and admiration for totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writing of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States …

Excellence in obscurity is better than mediocrity in the spotlight.

What's remarkable about fiction is that it places you in the unusual position of having no trajectory. You stand aside, motives abandoned for the duration. The characters have the trajectories now, while you just observe. And this stirs compassion that, in real life, is so often obscured by our own motives.

No true love is possible, Lewis demonstrates, until we abandon our claims, our rights, our grievances. Until then we will be trapped in the obscurity of our heart's mixed motives, our will to possess, to control, to be our own gods.

If you run on lies long enough, they become your truth. Such delicate fabric we conceal our motives in. Colors to obscure the truth of our hearts. No one is a bad person in his or her own mind. We are all noble protagonists.

In all of this she was only partially successful, for although Nurse knew that once Miss Venetia had made up her mind she was powerless to prevent her doing whatever she liked, and was obliged to admit some faint resemblance in Damerel to the Good Samaritan, she persisted in referring to him as The Ungodly, and in ascribing his charitable behaviour to some obscure but evil motive.

...below even our most obscure physical consciousness is a subconscious being in which as in a covering and supporting soil are all manner of hidden seeds that sprout up, unaccountably to us, on our surface and into which we are constantly throwing fresh seeds that prolong our past and will influence our future,--a subconscious being, obscure, small in its motions, capriciously and almost fantastically subrational, but of an immense potency for the earth-life. Again behind our mind, our life, our conscious physical there is a larger subliminal consciousness,--there are inner mental, inner vital, inner more subtle physical reaches supported by an inmost psychic existence which is the connecting soul of all the rest; and in these hidden reaches too lie a mass of numerous pre-existent personalities which supply the material, the motive-forces, the impulsions of our developing surface existence. For in each of us here there may be one central person, but also a multitude of subordinate personalities created by the past history of its manifestation or by expressions of it on these inner planes which support its present play in this external material cosmos...

Champions are made in the dark before they are revealed in light.

the simple shorthand ‘Roman conquest’ can obscure a wide range of perspectives, motivations and aspirations on every side of the encounter.

If we refuse to acknowledge our wrongs then opportunities will remain invisible and significant grains of truth obscured.

When motives are prettily packaged they are much more easily obscured.

Not long ago, having expressed some disagreements in print with an old comrade of long standing, I was sent a response that he had published in an obscure newspaper. This riposte referred to my opinions as ‘racist.’ I would obviously scorn to deny such an allegation on my own behalf. I would, rather, prefer to repudiate it on behalf of my former friend. He had known me for many years and cooperated with me on numerous projects, and I am quite confident that he would never have as a collaborator anyone he suspected of racial prejudice. But it does remind me, and not for the first time, that quarrels on the left have a tendency to become miniature treason trials, replete with all kinds of denunciation. There's a general tendency—not by any means confined to radicals but in some way specially associated with them—to believe that once the lowest motive for a dissenting position has been found, it must in some way be the real one.

We may not always know exactly why we do what we do, choose what we choose, or feel what we feel. But the obscurity of our real motivations doesn’t stop us from creating perfectly logical-sounding reasons for our actions, decisions, and feelings.

For example, when articles previously published in a journal were resubmitted soon afterward with new obscure names and institutions, only 10 percent of them were noticed as having been published before, and of the remaining 90 percent, only 10 percent were accepted under the new names.46

In “My Adventures in the Ozone Layer,” he cast the scientific community as dominated by self-interest. “It’s not difficult to understand some of the motivations behind the drive to regulate CFCs out of existence,” he wrote. “For scientists: prestige, more grants for research, press conferences, and newspaper stories. Also the feeling that maybe they are saving the world for future generations.”69 (As if saving the world would be a bad thing!)

Writing (and reading) is a sort of exercise in empathy, I think. In life, when you encounter people, you and they have separate trajectories, each person pushing in a different direction. What’s remarkable about fiction is that it places you in the uncommon position of having no trajectory. You stand aside, motives abandoned for the duration. The characters have the trajectories now, while you just observe. And this stirs compassion that, in real life, is so often obscured by our own motives. What

It became clear that virtuosity and musical sophistication were no longer essential to me and could even be an impediment to the power of expression! This realization did not diminish my love for the most complex music, but made my world a less limited place, blowing to smithereens the walls of judgment that obscured my view of art. I was a freed man. All that mattered was the integrity of motivation, the ability to express your own world, your own emotion, with whatever vehicle was available to you.

Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 1984 and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (...), is to suggest that there is no moral distinction between the United States, the Taliban and the Ba'ath Party, and that the war against jihad is about nothing. If Moore had studied a bit more, or at all, he could have read Orwell really saying, and in his own voice, the following: The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists, whose real though unacknowledged motive appears to be hatred of western democracy and admiration for totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writing of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States… And that's just from Orwell's Notes on Nationalism in May 1945. A short word of advice: In general, it's highly unwise to quote Orwell if you are already way out of your depth on the question of moral equivalence. It's also incautious to remind people of Orwell if you are engaged in a sophomoric celluloid rewriting of recent history.

Power has become so subtle and complex a thing in the ways taken by the Ekumen that only a subtle mind can watch it work; here it is still limited, still visible. In Estraven, for instance, one feels the man’s power as an augmentation of his character; he cannot make an empty gesture or say a word that is not listened to. He knows it, and the knowledge gives him more reality than most people own: a solidness of being, a substantiality, a human grandeur. Nothing succeeds like success. I don’t trust Estraven, whose motives are forever obscure; I don’t like him; yet I feel and respond to his authority as surely as I do to the warmth of the sun

It’s worth stressing that wealth and success are never the top motivators for geniuses. Most geniuses have ended up in poverty, obscurity and failure. Genius has its price and that price is normally the total blank incomprehension, or even active contempt, of the world. A genius is invariably an outsider, rebel and revolutionary. All new ideas threaten the Old Order, and the Old Order is never interested in losing its power and prestige. The currently rich and successful do not want to open the doors to their own replacements. They’re not stupid. Geniuses never get along with the Old Order. After all, geniuses are here precisely to change the Old Ways.

The painter knows, sadly enough, that experience does not suffice unto itself, has no proportion, dimension, perspective, mournfully he eats his life but is not allowed to digest it, this being reserved for others, not knowing, but who must somehow, at any sacrifice be made to know, then punished for the sight of this knowledge, by aiding it on its journey from brain to brain. It does not seem unreasonable that we invent colors, lines, shapes, capable of being, representative of existence, therefore it is not unreasonable that they, in turn, later, invent us, our ideas, directions, motivations, with great audacity, since we, ourselves having them upon our walls. What rude guests they prove to be, indeed: although paintings differ from life by energy a painter can never be a substitute for his paintings, so complete so independent as reality are they. Imagine the please they enjoy at this. They by conversion into an idea of the person, do, instantaneously destroy him. A tragic gesture that actually leads to tragedy but diabolically exists only in an absence of tragedy, nevertheless procreating it, however, they are unreasonably enough, insufficient, because they are not made of ideas, they are made of paint, all else is really us. Paintings are metaphors for reality, but instead of being an aid to realisation obscure the reality which is far more profound. The only way to circumvent painting is by absolute death.

Referring to a mask as a law of nature is another way of saying that it cannot be escaped or transcended; there is no getting beyond or beneath it. But when Deleuze describes the intention of interpretation, we find it is 'an art of piercing masks, of discovering the one that masks himself, why he does it and the point of keeping up the mask while it is being reshaped'." The Nietzschean-inspired disavowal of ideology is based on the claim that critique is only an ongoing series of interpretations where masks give way to nothing but more of their own. Deleuze's instruction is to pierce masks so that motivations and strategies can be discovered, whether they belong to subjects or to a particular manifestation of power. The obvious implication is that the appearance of a mask obscures other qualities that are potentially more fundamental than just another mask.

Smiley himself was one of those solitaries who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country’s enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonymity and his safety. His fear makes him servile—he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. But this fear, this servility, this dependence, had developed in Smiley a perception for the colour of human beings: a swift, feminine sensitivity to their characters and motives. He knew mankind as a huntsman knows his cover, as a fox the wood. For a spy must hunt while he is hunted, and the crowd is his estate. He could collect their gestures and their words, record the interplay of glance and movement, as a huntsman can record the twisted bracken and the broken twig, or as a fox detects the signs of danger.

The painter knows, sadly enough, that experience does not suffice unto itself, has no proportion, dimension, perspective, mournfully he eats his life but is not allowed to digest it, this being reserved for others, not knowing, but who must somehow, at any sacrifice be made to know, then punished for the sight of this knowledge, by aiding it on its journey from brain to brain. It does not seem unreasonable that we invent colors, lines, shapes, capable of being, representative of existence, therefore it is not unreasonable that they, in turn, later, invent us, our ideas, directions, motivations, with great audacity, since we, ourselves having them upon our walls. What rude guests they prove to be, indeed: although paintings differ from life by energy a painter can never be a substitute for his paintings, so complete so independent as reality are they. Imagine the pleasure they enjoy at this. They by conversion into an idea of the person, do, instantaneously destroy him. A tragic gesture that actually leads to tragedy but diabolically exists only in an absence of tragedy, nevertheless procreating it, however, they are unreasonably enough, insufficient, because they are not made of ideas, they are made of paint, all else is really us. Paintings are metaphors for reality, but instead of being an aid to realization obscure the reality which is far more profound. The only way to circumvent painting is by absolute death.

Orwell usually wrote as an observer, but here he is a prescriber, laying down rules and offering advice. A careful writer, he instructs, should ask himself about every sentence a series of questions, such as what he is trying to say and what words will best express it. He should be especially careful about using stale, worn-out imagery that fails to really evoke an image in the reader’s mind. He summarizes his points succinctly, offering six “elementary” rules: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous. Any writer today would do well to post those rules on the wall of his or her work space. Less noted about the essay is that it isn’t simply against bad writing, it is suspicious of what motivates such prose. He argues that writing that is obscure, dull, and Latinate is made that way for a purpose—generally, in order to disguise what is really happening. “Political language . . . is designed to make its lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” So, he writes memorably, in one of his best passages anywhere: Defenceless villages are

A LITTLE KNOWLEDGE CAN GO A LONG WAY A LOT OF PROFESSIONALS ARE CRACKPOTS A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER A NAME MEANS A LOT JUST BY ITSELF A POSITIVE ATTITUDE MAKES ALL THE DIFFERENCE IN THE WORLD A RELAXED MAN IS NOT NECESSARILY A BETTER MAN A SENSE OF TIMING IS THE MARK OF GENIUS A SINCERE EFFORT IS ALL YOU CAN ASK A SINGLE EVENT CAN HAVE INFINITELY MANY INTERPRETATIONS A SOLID HOME BASE BUILDS A SENSE OF SELF A STRONG SENSE OF DUTY IMPRISONS YOU ABSOLUTE SUBMISSION CAN BE A FORM OF FREEDOM ABSTRACTION IS A TYPE OF DECADENCE ABUSE OF POWER COMES AS NO SURPRISE ACTION CAUSES MORE TROUBLE THAN THOUGHT ALIENATION PRODUCES ECCENTRICS OR REVOLUTIONARIES ALL THINGS ARE DELICATELY INTERCONNECTED AMBITION IS JUST AS DANGEROUS AS COMPLACENCY AMBIVALENCE CAN RUIN YOUR LIFE AN ELITE IS INEVITABLE ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE ANIMALISM IS PERFECTLY HEALTHY ANY SURPLUS IS IMMORAL ANYTHING IS A LEGITIMATE AREA OF INVESTIGATION ARTIFICIAL DESIRES ARE DESPOILING THE EARTH AT TIMES INACTIVITY IS PREFERABLE TO MINDLESS FUNCTIONING AT TIMES YOUR UNCONSCIOUS IS TRUER THAN YOUR CONSCIOUS MIND AUTOMATION IS DEADLY AWFUL PUNISHMENT AWAITS REALLY BAD PEOPLE BAD INTENTIONS CAN YIELD GOOD RESULTS BEING ALONE WITH YOURSELF IS INCREASINGLY UNPOPULAR BEING HAPPY IS MORE IMPORTANT THAN ANYTHING ELSE BEING JUDGMENTAL IS A SIGN OF LIFE BEING SURE OF YOURSELF MEANS YOU'RE A FOOL BELIEVING IN REBIRTH IS THE SAME AS ADMITTING DEFEAT BOREDOM MAKES YOU DO CRAZY THINGS CALM IS MORE CONDUCIVE TO CREATIVITY THAN IS ANXIETY CATEGORIZING FEAR IS CALMING CHANGE IS VALUABLE WHEN THE OPPRESSED BECOME TYRANTS CHASING THE NEW IS DANGEROUS TO SOCIETY CHILDREN ARE THE HOPE OF THE FUTURE CHILDREN ARE THE MOST CRUEL OF ALL CLASS ACTION IS A NICE IDEA WITH NO SUBSTANCE CLASS STRUCTURE IS AS ARTIFICIAL AS PLASTIC CONFUSING YOURSELF IS A WAY TO STAY HONEST CRIME AGAINST PROPERTY IS RELATIVELY UNIMPORTANT DECADENCE CAN BE AN END IN ITSELF DECENCY IS A RELATIVE THING DEPENDENCE CAN BE A MEAL TICKET DESCRIPTION IS MORE VALUABLE THAN METAPHOR DEVIANTS ARE SACRIFICED TO INCREASE GROUP SOLIDARITY DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS DISORGANIZATION IS A KIND OF ANESTHESIA DON'T PLACE TOO MUCH TRUST IN EXPERTS DRAMA OFTEN OBSCURES THE REAL ISSUES DREAMING WHILE AWAKE IS A FRIGHTENING CONTRADICTION DYING AND COMING BACK GIVES YOU CONSIDERABLE PERSPECTIVE DYING SHOULD BE AS EASY AS FALLING OFF A LOG EATING TOO MUCH IS CRIMINAL ELABORATION IS A FORM OF POLLUTION EMOTIONAL RESPONSES ARE AS VALUABLE AS INTELLECTUAL RESPONSES ENJOY YOURSELF BECAUSE YOU CAN'T CHANGE ANYTHING ANYWAY ENSURE THAT YOUR LIFE STAYS IN FLUX EVEN YOUR FAMILY CAN BETRAY YOU EVERY ACHIEVEMENT REQUIRES A SACRIFICE EVERYONE'S WORK IS EQUALLY IMPORTANT EVERYTHING THAT'S INTERESTING IS NEW EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS EXPIRING FOR LOVE IS BEAUTIFUL BUT STUPID EXPRESSING ANGER IS NECESSARY EXTREME BEHAVIOR HAS ITS BASIS IN PATHOLOGICAL PSYCHOLOGY EXTREME SELF-CONSCIOUSNESS LEADS TO PERVERSION FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW FAKE OR REAL INDIFFERENCE IS A POWERFUL PERSONAL WEAPON FATHERS OFTEN USE TOO MUCH FORCE FEAR IS THE GREATEST INCAPACITATOR FREEDOM IS A LUXURY NOT A NECESSITY GIVING FREE REIN TO YOUR EMOTIONS IS AN HONEST WAY TO LIVE GO ALL OUT IN ROMANCE AND LET THE CHIPS FALL WHERE THEY MAY GOING WITH THE FLOW IS SOOTHING BUT RISKY GOOD DEEDS EVENTUALLY ARE REWARDED GOVERNMENT IS A BURDEN ON THE PEOPLE GRASS ROOTS AGITATION IS THE ONLY HOPE

In consequence of the inevitably scattered and fragmentary nature of our thinking, which has been mentioned, and of the mixing together of the most heterogeneous representations thus brought about and inherent even in the noblest human mind, we really possess only *half a consciousness*. With this we grope about in the labyrinth of our life and in the obscurity of our investigations; bright moments illuminate our path like flashes of lighting. But what is to be expected generally from heads of which even the wisest is every night the playground of the strangest and most senseless dreams, and has to take up its meditations again on emerging from these dreams? Obviously a consciousness subject to such great limitations is little fitted to explore and fathom the riddle of the world; and to beings of a higher order, whose intellect did not have time as its form, and whose thinking therefore had true completeness and unity, such an endeavor would necessarily appear strange and pitiable. In fact, it is a wonder that we are not completely confused by the extremely heterogeneous mixture of fragments of representations and of ideas of every kind which are constantly crossing one another in our heads, but that we are always able to find our way again, and to adapt and adjust everything. Obviously there must exist a simple thread on which everything is arranged side by side: but what is this? Memory alone is not enough, since it has essential limitations of which I shall shortly speak; moreover, it is extremely imperfect and treacherous. The *logical ego*, or even the *transcendental synthetic unity of apperception*, are expressions and explanations that will not readily serve to make the matter comprehensible; on the contrary, it will occur to many that “Your wards are deftly wrought, but drive no bolts asunder.” Kant’s proposition: “The *I think* must accompany all our representations ,” is insufficient; for the “I” is an unknown quantity, in other words, it is itself a mystery and a secret. What gives unity and sequence to consciousness, since by pervading all the representations of consciousness, it is its substratum, its permanent supporter, cannot itself be conditioned by consciousness, and therefore cannot be a representation. On the contrary, it must be the *prius* of consciousness, and the root of the tree of which consciousness is the fruit. This, I say, is the *will*; it alone is unalterable and absolutely identical, and has brought forth consciousness for its own ends. It is therefore the will that gives unity and holds all its representations and ideas together, accompanying them, as it were, like a continuous ground-bass. Without it the intellect would have no more unity of consciousness than has a mirror, in which now one thing now another presents itself in succession, or at most only as much as a convex mirror has, whose rays converge at an imaginary point behind its surface. But it is *the will* alone that is permanent and unchangeable in consciousness. It is the will that holds all ideas and representations together as means to its ends, tinges them with the colour of its character, its mood, and its interest, commands the attention, and holds the thread of motives in its hand. The influence of these motives ultimately puts into action memory and the association of ideas. Fundamentally it is the will that is spoken of whenever “I” occurs in a judgement. Therefore, the will is the true and ultimate point of unity of consciousness, and the bond of all its functions and acts. It does not, however, itself belong to the intellect, but is only its root, origin, and controller.

My dear readers, I find myself perplexed by the phantoms that now inhabit our veins and perpetually whisper in our ears. These specters are always watching, their formless eyes casting judgement upon our every thought and action. They stalk us behind screens and within circuits, gathering each tidbit we release into the ether to build their ever-growing profiles of our souls. Through these ghastly portals, our lives have become performance. Each waking moment an opportunity to curate our images and broadcast our cleverness. Nuance has fled in favor of hashtag and like, while meaning has been diced into 280 characters or less. Substance is sacrificed at the altar of shareability, as we optimize each motive and emotion to become more digestible digital content. Authenticity now lives only in offline obscurity, while our online avatars march on endlessly, seeking validation through numbers rather than depth. What secrets remain unshared on these platforms of glass? What mysteries stay concealed behind profiles and pose? Have we traded intimacy for influence, and true understanding for audience engagement? I fear these shadow networks breed narcissism and foster loneliness, masked as connection. That the sum of a life’s joys and sorrows can now be reduced to a reel of carefully selected snippets says little of the richness that once was. So follow the phantoms that stalk you if you will, but do not forget that which still breathes beneath the screens. There you will find humanity, flawed but whole, beautiful in its imperfection and trajectory undefined by likes or loves. The lanterns may flicker and fade, but the darkness that remains has always held truth. Look deeper than the glow, and know that which can never be shared or measured, only felt. In mystery, Your friend, Edgar Allan Poe (Poe talking about social media)

As respects its isolation and its indifference to the basic requirements of all organic activity, the pecuniary power complex discloses a startling resemblance to a newly discovered center in the brain-that which is called the pleasure center. So far as is known, this pleasure center performs no useful function in the organism, unless it should prove that in some still obscure way it plays a part in more functional pleasure reactions. But in laboratory monkeys this localized center can be penetrated by electrodes which permit a micro-current to stimulate the nervous tissue in such a fashion that the flow of current-and hence the intensity of pleasure-can be regulated by the animal himself. Apparently the stimulation of this pleasure center is so rewarding that the animal will continue to press the current regulator for an indefinite length of time, regardless of every other impulse or physiological need, even that for food, and even to the point of starvation. The intensity of this abstract stimulus produces something like a total neurotic insensibility to life needs. The power complex seems to operate on the same principle. The magical electronic stimulus is money. What increases the resemblance between this pecuniary motivation and that of the cerebral pleasure center is that both centers, unlike virtually all organic reactions, recognize no quantitative limits. What has always been true of money, among those susceptible to its influence, applies equally to the other components of the power complex: the abstraction replaces the concrete reality, and therefore those who seek to increase it never know when they have had enough. Each of these drives, for power, for goods, for fame, for pleasure, may-it goes without saying-have as useful a part to play in the normal economy of a community as in the human body itself. It is by their detachment, their isolation, their quantitative over-concentration, and their mutual re-enforcement that they become perverse and life-corroding.

So you’re saying,” I interjected, “that there is no organized, conspiratorial evil in the world, no satanic plot to which we fall prey?” “None. There is only human fear and the bizarre ways that humans try to ward it off.” “What about the many references in sacred texts and scriptures to Satan?” “This idea is a metaphor, a symbolic way of warning people to look to the divine for security, not to their sometimes tragic ego urges and habits. Blaming an outside force for everything bad was perhaps important at a certain stage in human development. But now it obscures the truth, because blaming our behavior on forces outside ourselves is a way of avoiding responsibility. And we tend to use the idea of Satan to project that some people are inherently evil so we can dehumanize the ones we disagree with and write them off. It is time now to understand the true nature of human evil in a more sophisticated way and then to deal with it.” “If there is no satanic plot,” I said, “then ‘possession’ doesn’t exist.” “That’s not so,” Wil said emphatically. “Psychological ‘possession’ does exist. But it is not the result of a conspiracy of evil; it is just energy dynamics. Fearful people want to control others. That’s why certain groups try to pull you in and convince you to follow them, and ask you to submit to their authority, or fight you if you try to leave.” “When I was first drawn into that illusory town, I thought I had been possessed by some demonic force.” “No, you were drawn in because you made the same mistake you made earlier: you didn’t just open up and listen to those souls; you gave yourself over to them, as if they automatically had all the answers, without checking to see if they were connected and motivated by love. And unlike the souls who are divinely connected, they didn’t back away from you. They just pulled you into their world, the same way some crazy group or cult might do in the physical dimension if you don’t discriminate.” Wil paused as if in thought, then continued. “All this is more of the Tenth Insight; that’s why we’re seeing it. As communication between the two dimensions increases, we’ll begin to have more encounters with souls in the Afterlife. This part of the Insight is that we must discern between those souls who are awake and connected with the spirit of love and those who are fearful and stuck in an obsessive trance of some kind. But we must do so without invalidating and dehumanizing those caught in such fear dramas by thinking they are demons or devils. They are souls in a growth process, just like us.

Even if the whole world turns against you, until you agree, no failure, no crisis, no obscurity can win over you.

May I ask," I asks, asking, "what you are trying to do with your time traveling and what you do when you have traveled time? Your motives are obscure, your methods abstruse, your results intangible.

One of the books that has had the most influence on me is a little manual called Rhinoceros Success by Scott Alexander. I know, it’s a weird title, but give it a read. I read it first when I was 12 years old and I still read it once a year to this day. It teaches you in life to be like a rhino - to have a single purpose, to charge at obstacles and goals with total commitment and to develop a thick skin to deal with the slings and arrows that try to slow you down. Still to this day, Shara loves to buy me things for my birthday with a rhino on. Lampshades, slippers, cushions, door knobs…you name it. In fact, it’s become a bit of a family joke to get me the most obscure rhino trinket they can find. But it means that at home wherever I look I am reminded of the simple (and fun!) truths of the book. They are all daily reminders to me to be a rhino in life. So find a way, whatever way works for you, of making motivation part of your daily life. Write notes to yourself on your bathroom mirror, keep a book that inspires you next to the loo, and feed your mind with the good whenever you can. If you do this every day, it’ll soon become a habit. A good habit. One that empowers you every day to climb high, aim big, and have fun along the way.

when articles previously published in a journal were resubmitted soon afterward with new obscure names and institutions, only 10 percent of them were noticed as having been published before, and of the remaining 90 percent, only 10 percent were accepted under the new names.

You do not need to change people. Simply pull back the curtain obscuring their view of the truth and let them stare. Common sense, compassion and kindness will take it from there.

My cognitive processes have not concluded yet. Human beings are unpredictable, their motives, actions, reactions and loyalties are obscure.” Raoul explained.

As I stood there watching the mists softly rise, I wondered what vista could be more beautiful than this. The dense mist obscured visibility at times. The wind howled and roared as it swept through." - Shree Shambav

The motivations of desire are obscure even to the desirous, the desiring and the desired.

The emergence of success and recognition is hidden in years of hard working and pain submerged in obscurity; life is not designed to support overnight success.

Still, there was darkness in Ravyn’s quiet. I could see it in his expression—the cool control of his features. He, like me, had learned to still his face—to obscure his thoughts under a mask of control and austerity. Which meant he, like me, had things to hide. Why else would he and his cousin stalk the forest road when they had the mighty Destriers at their disposal? If the Nightmare was correct about anything, it was that whatever his motives, the Captain wanted my magic.

I shall overcome any obscuration.

Do you think yourself free? Or is the maze in which we are lost actually much larger than we can imagine. We think ourselves free, living in a modern world, but the wise realise that the walls have merely been obscured, laws of state and society bind us to a limited existence. We trudge the same monotonous journey everyday, to earn money for someone else, of which we get a small share. It enables us to live, but society dictates how that money is spent. We exist in an intricate matrix, condemned to wander the labyrinth of human life, where as humans we are conditioned never to want to leave, by leaders whose motives we feel powerless to question. Whereby we fear death itself so much some people are so preoccupied with it they forget to live.

Let no man write my epitaph; for as no man who knows my motives, dares now to vindicate them, let not prejudice, nor ignorance, asperse them. Let me rest in obscurity and peace. Let my memory rest in oblivion, and my grave remain uninscribed, until other times, and other men, can do justice to my character. When my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written.

March 17 MORNING “Remember the poor.” — Galatians 2:10 WHY does God allow so many of His children to be poor? He could make them all rich if He pleased; He could lay bags of gold at their doors; He could send them a large annual income; or He could scatter round their houses abundance of provisions, as once he made the quails lie in heaps round the camp of Israel, and rained bread out of heaven to feed them. There is no necessity that they should be poor, except that He sees it to be best. “The cattle upon a thousand hills are His” — He could supply them; He could make the richest, the greatest, and the mightiest bring all their power and riches to the feet of His children, for the hearts of all men are in His control. But He does not choose to do so; He allows them to suffer want, He allows them to pine in penury and obscurity. Why is this? There are many reasons: one is, to give us, who are favoured with enough, an opportunity of showing our love to Jesus. We show our love to Christ when we sing of Him and when we pray to Him; but if there were no sons of need in the world we should lose the sweet privilege of evidencing our love, by ministering in almsgiving to His poorer brethren; He has ordained that thus we should prove that our love standeth not in word only, but in deed and in truth. If we truly love Christ, we shall care for those who are loved by Him. Those who are dear to Him will be dear to us. Let us then look upon it not as a duty but as a privilege to relieve the poor of the Lord’s flock — remembering the words of the Lord Jesus, “Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.” Surely this assurance is sweet enough, and this motive strong enough to lead us to help others with a willing hand and a loving heart — recollecting that all we do for His people is graciously accepted by Christ as done to Himself.

Those less motivated students kept their activities and their preferences so obscure.

Writing on this subject in 1904 Freud gave the reason for our unshakable conviction of freedom of choice. He remarked that it is far stronger with trivial decisions than with weighty ones; with the latter we commonly feel that our inner nature compels us, that we really have no alternative. With the former, however, for example the arbitrary choice of a number, we discern no motive and therefore feel it is an uncaused act on the part of our ego. If we now subject the example to a psycho-analysis we discover that the choice has after all been determined, but this time the motive is an unconscious one. We actually leave the matter to be decided by our unconscious mind and then claim the credit for the outcome. If unconscious motivation is taken into account, therefore, the rule of determinism is of general validity. Freud never wavered in this attitude and all his researches into the workings of the mind are entirely based on a belief in a regular chain of mental events. He would have endorsed the views of the great anthropologist Tylor that 'the history of mankind is part and parcel of the history of Nature, that our thoughts, will and actions accord with laws as definite as those which govern the motion of the waves'. When enumerating the essential elements of psycho-analytical theory, in 1924, he included 'the thorough-going meaningfulness and determinism of even the apparently most obscure and arbitrary mental phenomena.

She wasn’t a fool, Genevieve said. She wasn’t blind. I had tried to hide it from her, to obscure it from her, but the kid came with an inheritance. A big one, would be Genevieve’s guess. He probably had no clue how rich he was. He was just a little African boy, taken from his kin. That’s what I was party to, Genevieve said. I was party to the taking of an African child away from his African family. “I’m not party to anything,” I said. “No, but you contemplating it,” Genevieve said with poisonous emphasis. What I had to think on, she said, while I was contemplating helping the kid, giving him opportunities, saving him, was my motives. Only a selfish— I said, “I’m going to stop you there, Genevieve. You have a good day.” The conversation left me with a desolate feeling. I felt more strongly than ever the urge to have Godwin in my life.

Martoglio indeed expressed the varied aspects of Sicilian life. He sang about many things and always with freshness, ingenuity, inventiveness and truth: he sang of macho Catanese men who live in taverns where the light of the sun never shines and who speak a jargon so obscure that only God and Martoglio could fathom, of people in the rough Civita neighborhood where he recorded the imaginative insults of neighborhood women whose linguistic skills display the astuteness and subtlety of a master politician; he captured with uncanny subtlety the skillful verbal exchanges between two partners playing “briscula” and painted vignettes—“tranches de vie”— like the sonnet “A Cira,” which Pirandello rightly considered a little masterpiece in which one word, one gesture orone look magically discloses a world of complex motivations and emotions.

If your Judge Imposter obscures your ability to see beyond surface glam, you never experience people for who they really are. I’ve also traveled enough to know two things about beauty: (1) It is truly in the eye of the beholder (along with the judgments in the beholder’s mind), and (2) it is informed by the culture you grew up in: what’s judged as beautiful in one culture might be bland or uninteresting in another

Our society is run by a managerial bureaucracy, by professional politicians; people are motivated by mass suggestion, their aim is producing more and consuming more, as purposes in themselves. All activities are subordinated to economic goals, means have become ends; man is an automaton—well fed, well clad, but without any ultimate concern for that which is his peculiarly human quality and function. If man is to be able to love, he must be put in his supreme place. The economic machine must serve him, rather than he serves it. He must be enabled to share experience, to share work, rather than, at best, share in profits. Society must be organized in such a way that man’s social, loving nature is not separated from his social existence, but becomes one with it. If it is true, as I have tried to show, that love is the only sane and satisfactory answer to the problem of human existence, then any society which excludes, relatively, the development of love, must in the long run perish of its own contradiction with the basic necessities of human nature. Indeed, to speak of love is not “preaching,” for the simple reason that it means to speak of the ultimate and real need in every human being. That this need has been obscured does not mean that it does not exist. To analyze the nature of love is to discover its general absence today and to criticize the social conditions which are responsible for this absence. To have faith in the possibility of love as a social and not only exceptional-individual phenomenon, is a rational faith based on the insight into the very nature of man.

From Introduction to The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): It may well be asked how, from so many thieves, kidnappers, pirates, slavers and assassins within and beyond the Pale, one can isolate five individuals and identify them as ‘Demon Princes’. The author, while conceding to a certain degree of arbitrariness, can nevertheless in good conscience define the criteria which in his mind establish the Five as arch-fiends and overlords of evil. First: the Demon Princes are typified by grandeur. Consider the manner in which Kokor Hekkus gained his cognomen ‘The Killing Machine’, or Attel Malagate’s ‘plantation’ on Grabhorne Planet (a civilization of his own definition), or Lens Larque’s astounding monument to himself, or Viole Falushe’s Palace of Love. Certainly these are not the works of ordinary men, nor the results of ordinary vices (though Viole Falushe is said to be physically vain and in certain exploits of Kokor Hekkus there is the quaintly horrid quality of a small boy’s experiments with an insect). Secondly: these men are constructive geniuses, motivated not by malice, perversity, greed, or misanthropy, but by violent inner purposes, which are for the most part shrouded and obscure. Why does Howard Alan Treesong glory in chaos? What are the goals of the inscrutable Attel Malagate, or that fascinating flamboyant Kokor Hekkus? Thirdly: each of the Demon Princes is a mystery; each insists on anonymity and facelessness. Even to close associates these men are unknown; each is friendless, loveless (we can safely discount the self-indulgences of the sybaritical Viole Falushe). Fourthly: and obverse to the above, is a quality best to be described as absolute pride, absolute self-sufficiency. Each considers the relationship between himself and the balance of humanity as no more than a confrontation of equals. Fifthly: and ample in itself, I cite the historic conclave of 1500 at Smade’s Tavern (to be discussed in Chapter One) where the five acknowledged themselves, grudgingly perhaps, as peers, and defined their various areas of interest. Ipsi dixerunt!

Men who practice transvestism as an expression of the male sex right have been turned into a rights-bearing category, an oppressed minority whose excitements have precedents over the dignity, safety, and civil and political freedoms of women, and even the existence of women as a social and biological category. This achievement has depending upon obscuring their sexual motivations in favour of the idea that they are somehow essentially female in their heads.

Folk fight the fury of gods to stave out their place in history, capitulating for the slightest mark in the epics of man, even a write-in under some obscure footnote.

The conflict of perspectives and competing wills that is the true reality is obscured and flattened out by the social imposition of a common standpoint, in language, thought, morality, and politics, which presents itself as simply or cosmically true by concealing its true sources. The inquiry into the geneology of these ruling ideas is therefore a vital part of their unmasking. The proposed geneology of Christian morality, as the expression not of universal love but of the slave revolt of the base against the noble, motivated by fear, hatred, and envy, is Nietzsche’s most famous thesis, expounded in Beyond Good and Evil and On the Geneology of Morals. . . . He regarded modern morality, which speaks with the voice of the community or even of humanity as a whole, as particularly dangerous, because it requires suppression of the cruelty and recklessness that distinguishes the strong individual. The height of self-realization cannot be reached by someone who is too concerned with the reactions of others, or his effects on them. There is a fundamental conflict between the pursuit of individual creativity and perfection and the claims of the general welfare. For this reason, Nietzsche was not a democrat. Already at the time of writing The Birth of Tragedy, he defended slavery as a condition of the possibility of great cultural achievement by the few, as in ancient Athens. And he defended its modern counterpart, the economic oppression of the masses, for the same reason. He opposed shortening the workday from twelve hours to eleven when it was proposed in Basel, he approved of child labor, and he opposed the educational groups for workers. When in 1871 he heard the false rumor that the Paris communards had pillaged the Louvre, he called it ‘the worst day of my life.’ Equality meant nothing to him; he believed it would inevitably push everything down to the lowest common denominator, that of the ‘democratic herd animal.’ Life, he insisted, is tragic; it is necessary to choose between justice and aesthetic perfection. And in his latest writings he expressed fantasies of annihilation, with ‘degenerates’ being got rid of to make room for the highest type of man.

The endurance of the Moon pays the best result. The obscure moon by the cloud never stops the glory of the moon.

You may very well not be aware of the sickness, but I guarantee you have got experienced it. The Builder’s Block psychological sickness has affected almost every Minecraft player at least once, which is quite typical. The illness is contagious, but in an odd manner; it is going to force anyone to give you the nausea publicly through a really uninformative and rushed forum thread. Humans are not susceptible to this as being a type of transmission, but, and sometimes are trying to help the victim by replying to the poorly created thread, frequently neglecting to achieve this. Happily, the nausea has perhaps not been proven deadly, nonetheless it is proven to mentally stress players which can be affected. Signs There's a obscure set of symptoms one might expect you'll feel. You might perhaps have Builder’s Block when you've got one thing such as the following: •​lack of ideas to help keep you busy in Minecraft •​The sudden disinterest of continuing a project in Minecraft •​Feeling bored •​The urge to hit one’s head against a nearby wall for a few ideas •​Uncontrollable urges to press [ESC] and [ALT]+[F4] The illness is famous to alter between players. It is extremely not likely that you will suffer from all of the aforementioned indications, and when you do have problems with them all at one period of time, please avoid calling any health-related doctor as it can cause undesired psychological treatment. Treatment Healing Builder’s Block is generally benign. First, attempt to ‘mine it off’. That is, mine for resources you may/may not want. If you are not willing to invest as much as 3 hours attempting to heal your illness, decide to try one of many following to get motivation: •​Bing: Look into random such things as your preferred video gaming level or let’s play person. •​Minecraft Forums: Search the forum for other people’s projects and prefer to assist them away. NEVER POST A THREAD; it'll oftimes be ignored or turn for the worst. •​Minecraft: Explore. See if something demands a structure or statue. That overhang is screaming at one to become a wonderful hanging city.

It became clear that virtuosity and musical sophistication were no longer essential to me and could even be and impediment to the power of expression! This realization did not diminish my love for the most complex music, but made my world a less limited place, blowing to smithereens the walls of judgement that obscured my view of art. I was a freed man. All that mattered was the integrity of motivation, the ability to express your own world, your own emotion, with whatever vehicle was available to you.

The factors involved in something as broad as religious commitment are always complex and include conscious choice, external pressure, and internal drives. Some of your motivations may still seem reasonable and natural, such as wanting to be safe after death or wanting to belong to a group. Others may now seem obscure and can be better understood as manipulations. Examples of manipulations include the inculcation of severe guilt for minor behaviors, and the obstruction of alternatives.

For example, when articles previously published in a journal were resubmitted soon afterward with new obscure names and institutions, only 10 percent of them were noticed as having been published before, and of the remaining 90 percent, only 10 percent were accepted under the new names.

The resistance is the material, the events, the enigmas, the obscure motivations of the characters. Avoid grappling with these and you have a surface affair—a linear pattern, a solo melody in one key and monotonous and eventually exasperating. I ask myself, isn’t it this precisely which gives a diary its essential character?

The Motive for Metaphor" You like it under the trees in autumn, Because everything is half dead. The wind moves like a cripple among the leaves And repeats words without meaning. In the same way, you were happy in spring, With the half colors of quarter-things, The slightly brighter sky, the melting clouds, The single bird, the obscure moon-- The obscure moon lighting an obscure world Of things that would never be quite expressed, Where you yourself were not quite yourself, And did not want nor have to be, Desiring the exhilarations of changes: The motive for metaphor, shrinking from The weight of primary noon, The A B C of being, The ruddy temper, the hammer Of red and blue, the hard sound-- Steel against intimation--the sharp flash, The vital, arrogant, fatal, dominant X. Wallace Stevens, Transport to Summer (1947)

The modest, the sober, and the learned, are seldom preferred; and the nomenclators, who are commonly swayed by interested motives, have the address to insert, in the list of invitations, the obscure names of the most worthless of mankind

Power has become so subtle and complex a thing in the ways taken by the Ekumen that only a subtle mind can watch it work; here it is still limited, still visible. In Estraven, for instance, one feels the man's power as an augmentation of his character; he cannot make an empty gesture or say a word that is not listened to. He knows it, and the knowledge gives him more reality than most people own: a solidness of being, a substantiality, a human grandeur. Nothing succeeds like success. I don't trust Estraven, whose motives are forever obscure; I don't like him; yet I feel and respond to his authority as surely as I do to the warmth of the sun.

That is the question that concerns me here: given the initial, perhaps obscurely derived and motivated move toward empire from Europe to the rest of the world, how did the idea and the practice of it gain the consistency and density of continuous enterprise,

The best thing about the future being obscure is that we attempt the impossible.

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