Nuts Movie Quotes

We've searched our database for all the quotes and captions related to Nuts Movie. Here they are! All 35 of them:

Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Shannon L. Alder
May I bring you a drink to go with those warm nuts, Mr. Sedaris?" this woman looking after me asked - this as the people in coach were still boarding. The looks they gave me as they passed were the looks I give when the door of a limousine opens. You always expect to see a movie star, or, at the very least, some better dressed than you, but time and time again it's just a sloppy nobody. Thus the look, which translates to, Fuck you, Sloppy Nobody, for making me turn my head.
David Sedaris (When You Are Engulfed in Flames)
Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, do.
Pauline Kael (I Lost it at the Movies: Film Writings, 1954-1965)
We need allies who are going to help us achieve a victory, not allies who are going to tell us to be nonviolent. If a white man wants to be your ally, what does he think of John Brown? You know what John Brown did? He went to war. He was a white man who went to war against white people to help free slaves. He wasn’t nonviolent. White people call John Brown a nut. Go read the history, go read what all of them say about John Brown. They’re trying to make it look like he was a nut, a fanatic. They made a movie on it, I saw a movie on the screen one night. Why, I would be afraid to get near John Brown if I go by what other white folks say about him. But they depict him in this image because he was willing to shed blood to free the slaves. And any white man who is ready and willing to shed blood for your freedom—in the sight of other whites, he’s nuts. As long as he wants to come up with some nonviolent action, they go for that, if he’s liberal, a nonviolent liberal, a love-everybody liberal. But when it comes time for making the same kind of contribution for your and my freedom that was necessary for them to make for their own freedom, they back out of the situation. So, when you want to know good white folks in history where black people are concerned, go read the history of John Brown. That was what I call a white liberal. But those other kind, they are questionable. So if we need white allies in this country, we don’t need those kind who compromise. We don’t need those kind who encourage us to be polite, responsible, you know. We don’t need those kind who give us that kind of advice. We don’t need those kind who tell us how to be patient. No, if we want some white allies, we need the kind that John Brown was, or we don’t need you. And the only way to get those kind is to turn in a new direction.
Malcolm X
You're looking at me like I'm nuts, honey, and you're right. I am. I am out of my mind when it comes to you." I said, shrugging because it was a fact. "When I'm near you, the way I feel steals the breath from my body. It's like I breathe for you. like I exists to exist alongside of you. I know those feelings are probably too big and too scary and put way too much pressure on you, and I'm sorry for that. Truly. But it's the way I feel. The way I've always felt.
Lynn Painter (Nothing Like the Movies (Better Than the Movies, #2))
My story is about all I got to my name right now, and that's why I feel robbed. But a story's a whole lot more than most people got. All you people watching out there, you're listening to what I say because I have something you don't: I got plot. Bought and paid for. That's what all you people want, and why you're sucking off me. You want my plot. I know how you feel too, since hey, I used to feel the same way. TV and video games and movies and computer screens... On April 8th, 1999, I jumped into the screen, I switched to watchee. Ever since, I've known what my life is about. I give good story. It may have been kinda gory, but admit it, you all loved it. You ate it up. Nuts, I ought to be on some government payroll. Without people like me, the whole country would jump off a bridge, 'cause the only thing on TV is some housewife on Who Wants to Be a Millionaire? winning $64,000 for remembering the name of the president's dog.
Lionel Shriver (We Need to Talk About Kevin)
Anyway, before leaving, I chatted with the Princess, who was as gorgeous as I remembered her in movies when she was Grace Kelly, the star from Philadelphia. When I asked if she missed acting, she smiled and said, “What do you think I’m doing now?
Penny Marshall (My Mother Was Nuts)
No fugging way. That's how horror movies start. We drop you off, walk into some stranger's house, and five minutes later some psycho's lobbing off my nuts with a machete while his schizophrenic wife makes Colin do push-ups on a bed of hot coals. You're coming with us.
John Green
Finally,’ I said. ‘Something we agree on.’ ‘I bet we agree on a lot.’ He plucked a mangled maple-nut donut out and sat back, examining it in the fluorescent light. ‘Such as?’ ‘All the important stuff,’ Gus said. ‘The chemical composition of Earth’s atmosphere, whether the world needs six Pirates of the Caribbean movies, that White Russians should only be drunk you’re already sure you’re going to vomit anyway.
Emily Henry (Beach Read)
And right from the get-go when George Segal puts on a gorilla suit and Ruth Gordon punches him in the nuts, this movie had me. At that age, the height of comedy was a guy in a gorilla suit, and the only thing funnier than that was a guy getting punched in the nuts. So a guy in a gorilla suit getting punched in the nuts was the absolute pinnacle of comedy.
Quentin Tarantino (Cinema Speculation)
The sorts of movies my late father had been nuts about.
Ernest Cline (Armada)
You highbrows writing on movies are nuts! In order to write about movies you must first make them.
Orson Welles (Orson Welles: Interviews)
Horkman and I are on one side of the ravine, holding our guns over our heads. The Cubans are on the other side, going nuts, shouting "YI-YI-YI" ready to go kick some ass. In a movie, the next scene, we're all charging into battle. But what actually happened was, first, Horkman and I climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it is really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took awhile. The Cubans tried to keep cheering, but after a while they realized they'd better pace themselves. Like every twenty seconds or so, one of them would yell "YI-YI-YI!" But you could tell they were losing the mood.
Dave Barry (Lunatics)
Mexican Loneliness" And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators fuck pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does
Jack Kerouac
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Justin Rodwen Hill
Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit. “Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.” “So what is this?” Zumwald said. “A military dictatorship? Beatings for free?” “Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
It’s true, I thought; the adult world has so much less to offer than adolescence does. It seemed to me that the happiest possible ending to the movie would be both teams playing impeccably and tying at the end of the fourth quarter, then the entire stadium being blown up by terrorists and their young lives ending on a high.
Alissa Nutting (Tampa)
That evening I went over to Metro and found this long platinum-blond wig. I took it home and styled it, with curls and ringlets at the nape of the neck. The next day I brought it to Bette. She put it on, looked in the mirror, and in a loud voice said, 'It's the NUTS! I love it!' She wore it through the entire picture, and she never knew that it was an old wig of Joan's—one that Miss Crawford wore in an early M-G-M movie." Norma
Shaun Considine (BETTE AND JOAN The Divine Feud: 25th Anniversary Edition)
Tell me what you want me to do,” Gary said almost eagerly. He was sick of bullies pushing him around. “You are going to walk in by yourself and fish for as much information as you can get before they try to kill you,” Gregori answered. “Try. I hope that’s the operative word,” Gary said nervously. “Try to kill me.” “You will not have to worry about yourself,” Gregori informed him, his voice utterly confident. “But it is necessary that the police do not come looking for you. That means no dead bodies in your room.” “Right, messy. If I have vampires and nut cases from the society hunting me, we don’t need the cops, too,” Gary admitted. He was sweating now, his palms so wet he kept rubbing them on his jeans. “Do not worry so much.” Gregori flashed a smile meant to reassure, the one that left vivid images of open graves. “I will be with you every step of the way. You might even have fun playing Rambo.” “He had a big gun,” Gary pointed out. “’ m going up there with my bare hands. I think it might be pertinent to say I’ve never won a single fistfight. I’ve been put in trash cans and toilets and had my face rubbed in the dirt. I’m no good in a fight.” “I am,” Gregori said softly, his hand suddenly on Gary’s shoulder. It was the first time Gary could remember the Carpathian voluntarily touching him out of camaraderie. “Gary is saying all these things, chérie, yet he intended to go up against a man brandishing a knife with only his lab jacket for protection.” Gary blushed a fiery red. “You know why I was in the lab,” he reminded Gregori, ashamed. “I made a tranquilizer that works on your blood, and they turned it into a poison of some kind. We’ve got to do something about that. If something goes wrong tonight, and they get me, all my notes on the formula are in my laptop, too.” “This is beginning more and more to sound like a bad movie.” Gregori sighed. “Come on, you two amateurs.” He was impassive on the outside, but he couldn’t help laughing on the inside. “Do not worry about the formula. I allowed one of the members to inject me with it, so we know its components and are working on an antidote now.” “It didn’t work?” Gary was appalled. He had spent a tremendous amount of time on that formula. Although Morrison and his crew had perverted it, he was still disappointed. “You cannot have it both ways, Gary.” Exasperated, Gregori gave him a little shove toward the entrance to the hotel. “You should not want the damn thing to work.” “Hey, my reputation is on the line.” “So was mine. I neutralized the poison.” Gregori nudged him again. “Get moving.
Christine Feehan (Dark Magic (Dark, #4))
Well, it’s only temporary, until the rest of the house is in order. Then it goes downstairs to the living room. What movie do you want to see?” “What do you have?” “Practically everything. My mom’s a movie nut.” “Well,” I said, “you probably don’t have The Parent Trap, do you?” “Of course we do. That was the last thing
Ann M. Martin (The Baby-Sitters Club Collection: Books 1-4)
It’s not just that your average liberal is more likely than a conservative to believe in laughable conspiracies—although that is clearly true. The difference is, the conservative media denounce their nuts. They don’t hold hearings on deranged theories or attend the loons’ movie premieres. By contrast, the Democratic Party champions its crazies, appearing with them in public and holding congressional hearings to investigate their screwball theories. The
Ann Coulter (Demonic: How the Liberal Mob is Endangering America)
I said he was a shitty agent, not a shitty politician.” Claire still couldn’t read the man’s expression. “You don’t sound like a fan.” Nolan clasped his hands together on the table. “On the surface, it seems like we’re making progress, but when I think back on the last few minutes of our conversation, I get the feeling that you’re questioning me instead of the other way around.” “You’ll make a great detective one day.” “Fingers crossed.” He flashed a grin. “I want to tell you something about the FBI.” “You always win?” “Sure, there’s that, and terrorists, of course. Kidnappers, bank robbers, pedophiles—nasty fuckers—but nuts and bolts, what we at the ol’ FBI deal in day-to-day is curiosities. Did you know that?” Claire didn’t respond. He’d clearly given this speech before. Nolan continued, “Local cops, they find something curious they can’t figure out, and they bring it to us, and we either agree that it’s curious or we don’t. And generally when we agree, it’s not just the one curious thing, it’s several curious things.” He held up his index finger. “Curious thing number one: your husband embezzled three million dollars from his company. Only three million dollars. That’s curious, because you’re loaded, right?” Claire nodded. “Curious thing number two.” He added a second finger. “Paul went to college with Quinn. He shared a dorm room with the guy, and then when they were in grad school together, they shared an apartment, and then Quinn was best man at your wedding, and then they started the business together, right?” Claire nodded again. “They’ve been best friends for almost twenty-one years, and it seemed curious to me that after twenty-one years, Quinn figures out his best buddy is stealing from their company, the one they built together from the ground up, but instead of going to his buddy and saying ‘Hey, what the fuck, buddy?’ Quinn goes straight to the FBI.” The way he put it together did seem curious, but Claire only said, “Okay.” Nolan held up a third finger. “Curious thing number three: Quinn didn’t go to the cops. He went to the FBI.” “You have domain over financial crimes.” “You’ve been reading our Web site.” Nolan seemed pleased. “But lemme ask you again: Is that what you’d do if your best friend of twenty-one years stole a small, almost negligible, amount of money from your zillion-dollar company—find the biggest, baddest stick to fuck him with?” The question gave Claire a different answer: Adam had turned in Paul to the FBI, which meant that Adam and Paul were not getting along. Either Adam Quinn didn’t know about the movies or he knew about the movies and he was trying to screw over Paul.
Karin Slaughter (Pretty Girls)
1.              “Following the leader” 2.              “Fork it over” 3.              “Look out!” 4.              “Nerves of steel” 5.              “Odd ball” 6.              “Top dawg” 7.              “Scene from a Disney movie” 8.              “Greetings!” 9.              “What’s wrong with this picture?” 10.              “Here’s Your Sign” 11.              “Sharing” 12.              “No pain, no gain” 13.              “Wing it” 14.              “More than meets the eye” 15.              “Jammin’” 16.              “It’s in the bag” 17.              “It ain’t over ‘till . . .” 18.              “Happy Camper” 19.              “Shiny” 20.              “Easy as pi” 21.              “Heroes of a different sort” 22.              “Cut your losses” 23.              “Crime doesn’t pay” 24.              “Tough nut to crack” 25.              “Beauty is in the eye” 26.              “Red-handed” 27.              “Whatever floats your boat” 28.              “Stand off” 29.              “Blue” 30.              “Tragedy!
Kendel Christensen (Come Closer, 101+ Charming Date Ideas: The Creative, Outside-the-box Way to Connect and Romance.)
I never put them on, though. My roommates thought I was nuts to have all these movies I didn’t watch. But I just couldn’t bring myself to. It felt wrong without you.
Carley Fortune (Every Summer After)
I never knew what exactly it was. Until I saw from Hope’s ‘movie’ about a flying human child that a ‘kiss’ is one of those small nuts that fall from those verdant trees so different from the ash trees back in Sombra. ...if Duke Haures pleases his mate by giving her a ‘kiss’, I will give my beloved Hope hundreds. I spend hours gathering ‘kisses’ for Hope every evening, when the shadows fall and the brightness of the human sun doesn’t weaken me. I can only use my essence to move those that she’s stepped on as she leaves her quarters, but while I can pass through her door, the acorns cannot. So I leave them just outside, waiting for her to see them and know that it’s a sign of affection from her male.
Sarah Spade (Fated to the Phantom (Sombra Demons, #4))
They’re not nuts, friends, they’re simply seeing it all through different eyes. They have imagination, and they know something about being alone and in pain. They’re altering the real world to fit their fantasies. That’s okay. We all do it. Don’t say you don’t. How many of you have come out of the movie, having seen Bullitt or The French Connection or Vanishing Point or The Last American Hero or Freebie and the Bean, gotten in your car, and just about done a wheelie, sixty-five mph out of the parking lot? Don’t lie to me, gentle reader, we all have weird-looking mannerisms that seem perfectly rational to us, but make onlookers cock an eyebrow and cross to the other side of the street. I’ve grown very fond of people who can let it out, who can have the strength of compulsion to indulge their special affectations. They seem to me more real than the faceless gray hordes of sidewalk sliders who go from there to here without so much as a hop, skip, or a jump.
Harlan Ellison ("Repent, Harlequin!" Said the Ticktockman)
A large red squirrel leap-frogged the couch, the loveseat, slid across the dining room table, grabbed a nut from a bowl in the center as she passed, and flew off the edge and through the air the last couple of feet before coming to an abrupt halt in front of my coffee cup. “You called?” Her voice and cadence was like the old movie star Mae West’s, only on helium. She cracked the walnut on the counter and picked away at the shell with a pretty pink painted nail. Through all this, she barely glanced at me.
Renee George (Witchin' Impossible (Witchin' Impossible Cozy Mysteries #1))
I promise I am very pro-vulture.” She grinned at me. “Glad to hear it. They’re revered in many cultures, as I’m sure you know.” “Sure. Egypt went nuts for them.” “Yep. Powerful psychopomps. Like crows in The Crow.” I probably looked blank, because she sighed. “It was a movie … which probably came out right around the time you were born. Don’t mind me, my bones are just crumbling to dust, that’s all.
T. Kingfisher (A House With Good Bones)
The experience of living is considered invaluable, meaningful, and fun; its pains, struggles, horrors, difficulties, anxieties, and frustrations are not dire at all. From the Blink Environment, it’s easy to minimize or ignore the things I consider difficult because I know the ending and the ending is always good. I always walk out of the movie theatre. In that sense, those things that drove me nuts in the physical are not real or lasting. From inside the physical moment, experiences can feel almost impossible to bear while from the Blink Environment they’re perceived to be of a moment’s duration—valuable, amusing, and lacking the emotional charge.
Natalie Sudman (Application of Impossible Things - My Near Death Experience in Iraq)
Recently I saw a movie in which people were eating take-out pizza in 1948 and it drove me nuts. There was no take-out pizza in 1948. There was barely any pizza, and barely any takeout.
Nora Ephron (I Remember Nothing: And Other Reflections)
If all of these nuts could just make phone calls it could spread insanity oozing through telephone cables...
Brad Pitt
I don’t like veering around from one thing to another—one day the analyst, the next day the dancer, the next day the movies, and so on. I know it’s sheer desperation that provokes this. And I know it’s because I am ineffective that causes it. So it’s no reproach. I’m responsible. But what to do? What, what, what? It drives me nuts.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Pomona's Feast by Stewart Stafford Home from aggressive begging on November Eve, A horror movie that won't be finished in the background, The pirate's booty or robber's swag is examined. Face in the bag, a cornucopia of scents in the nostrils: Oranges, nuts, burnt popcorn, chocolate, Toffee apples, crisps, Liquorice Allsorts, and Rice Krispie cakes. A smörgåsbord Pomona's feast begins, As a maternal voice advises frugality, To no avail. Noses in the trough, Nothing eaten bears any relation to the thing eaten before or after, Aching gums, jaws, and bellies swiftly ensue. To bed to sleep it off, The next morning, it's déjà vu, The maternal voice again advises eating breakfast first, to no avail. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
he pressed a bit more firmly, but he didn’t hold them long. When he pulled back he said, “I have excellent manners.” “You seem to,” she agreed. “I must be drunk. I’m kissing a stranger in a bar.” “I think we’ve gotten to be pretty good friends,” he said. “We know each other’s darkest, most embarrassing secrets.” “We don’t know each other well enough to be kissing in a bar.” “Listen,” he said. “Did I mention I’m staying here tonight? I probably shouldn’t be driving. I’m going to check in and then come back here. We could have a drink or seltzer together, or I could take you upstairs, if you want to. We could watch a movie or something. Talk. Have drinks and not worry about anything. Whatever you like. Be less alone.” “That would be completely nuts,” she said. “You do this sort of thing a lot?” He shook his head. “Not in years. When I was younger, I was game for a lot of stupid things, but then eventually you grow up a little. Something like this didn’t occur to me when I came over here, bought you a drink. What do you think?” “I think you’re lying,” she said.
Robyn Carr (Temptation Ridge (Virgin River #6))
several steps back. “A chip like that is bad news,” he said slowly, as if I were stupid. “It might be NSA. I won’t mess with it. Look, you stay away from me! Next thing, they’ll be after me.” He backed away into the darkness, his hands up as if to ward off evil. “I hate them! Hate them!” Then he was gone, back into the bowels of the tunnels. “See ya,” I whispered. “Wouldn’t want to be ya.” Fang looked at me irritably. “I can’t take you anywhere.” I so wished he weren’t all banged up—so I could whack him. 120 We tried to get some sleep—God knows we needed it. I kind of dozed off. Then I wasn’t asleep, I knew that much. But I wasn’t awake, exactly. I’d been, like, sucked into another dimension, where I could feel my body, sort of, knew where I was, and yet was powerless to move or speak. I was in a movie, starring me, watching it all happen around me. I was going down a dark tunnel, or the tunnel was slipping by me, and I was staying still. Trains were rushing past me on both sides, so it was a subway tunnel. I was thinking, Okay, subway tunnel. Yeah, so? Then I saw a train station: Thirty-third Street. The Institute’s building was on Thirty-first Street. In the darkness of the waking-dream subway tunnel, I saw a filthy rusted-over grate. I saw myself pulling the grate up. Fetid brown water gurgled below. Bleah—it was the sewer system, beneath the city. Hello. Beneath a rainbow . . . Bingo, Max, said my Voice. My eyes popped wide open. Fang was watching me with concern. “Now what?” “I know what we have to do,” I said. “Wake everyone up.” 121 “This way,” I said, walking in the darkness of the tunnels. It was as if a detailed map was imprinted on my retinas, so I could see it laid over reality, tracing the path we needed to follow. If this map effect was part of my life forever, I would go nuts, but right now it was dang useful. One
James Patterson (The Angel Experiment (Maximum Ride, #1))