Bench Partner Quotes

Zane let his head loll back and lifted one hand to gently prod his split lip. "Ow." "Whine about it. It'll make it better," Ty offered as he stood in front of his locker, his back to Zane, and unwrapped the tape from his hands with jerky, irritated movements. "Bite me," Zane muttered as he dug into his locker for a towel before starting in on the tape on his own hands. He spared an evil glance for Ty. "Teaching me to advance in a fight is a bad idea." "Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as he tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear the smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin. "A for effort," Ty conceded charitably.

Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear a smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin.

Fleming’s lab partner, V. D. Allison, for example, was somewhat shocked when Fleming pulled “my leg about my excessive tidiness. Each evening I put my ‘bench’ in order and threw away anything I had no further use for. Fleming told me I was a great deal too careful. He, for his part, kept his cultures sometimes for two or three weeks and before getting rid of them, looked very carefully to see whether by chance any unexpected or interesting phenomena had appeared. The sequel was to prove how right he was.

Tyler was to his left, and to his right were the three other witnesses who had joined them for the headlining session of the first day of testimony. Directly next to Cameron sat Fred Wilson, a seasoned venture capitalist veteran who had moved into the cyber currency space in a big way, with the countenance of someone who had seen a number of technology waves, including the first dot-com boom and bust. Next to Wilson, the up-and-comer venture capitalist Jeremy Liew, a partner at Lightspeed Venture. And at the end of the bench, Barry Silbert, the founder and CEO of the startup SecondMarket.

1 The holes in this story are not lamps, they are not wheels. I walked and walked, grew a beard so I could drag it in the dirt, into a forest that wasn't there. I want to give you more but not everything. You don't need everything. 2 This is what they found on the dead man's desk when the landlord let them in: twenty-eight pages, esoteric and unfollowable, written with perfect penmanship and a total disregard for any reader, as it the intended audience was a population not quite human. Angelic script, says the detective, lifting the pages, feeling their heft and he wonders what he means because it isn't. His partner nods but ignores him. A park bench, white roses, dark coats and white roses, snow and repetitions of snow--it's hard to read but pretty much how they found him: dead on a bench in a black coat, the snow falling down. Twigs and blackbirds, snow and red horses, the ghosts floating up, the snow falling down--the detective is weeping--and the black coat. 3 Someone has to leave first. This is a very old story. There is no other version of this story. 4 It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well? The night is cold, it is silver, it is a coin. Not everyone is dead, Little Moon. But the big moon needs the tree. There is a ghost at the end of the song. Yes, there is. And you see his hand and then you see the moon. Am I the ghost at the end of the song? We are very close now, Little Moon. Thank you for shining on me. 5 He was pointing at the moon but I was looking at his hand. He was dead anyway, a ghost. I'm surprised I saw his hand at all. All this was prepared for me. All this was set in motion a long time ago. I live in someone else's future. I stayed as long as I could, he said. Now look at the moon. The Worm King’s Lullaby

She was sitting on a bench, her skirts bunched up on her thighs and her elbows resting on her knees as she tried to slow her breathing, when she heard a male voice. “Um, I think I should tell you I’m here.” Jane sat upright, quickly pulling her skirts back down to her ankles. She had been wearing drawers, of course, but it still felt absurdly immodest to sit that way in 1816 attire. She looked around, seeing no one. “Where are you?” she asked. Theodore, her dance partner of late, stood from behind the bush directly in front of her. His impressive height made it seem that he was slowly expanding while standing up, like stretched taffy. “What were you doing back there?” “I’m a gardener,” he said, raising the shovel and pick like a show of evidence. “I was just working here, I wasn’t trying to spy.” “You, uh, caught me there at an unladylike moment. Mrs. Wattlesbrook would probably box my ears.” “That’s why I spoke. I wanted to let you know you were not alone before you did something--something worse.” “Like what?” “Whatever women do when they think they’re alone.” He laughed. “I don’t know. I don’t know what I’m talking about, you surprised me and I’m just--” His smile dropped. “Sorry, I shouldn’t talk…I’m not supposed to talk to you.” “Well, you already have. We may as well meet for real this time, without old Wattlesbrook spying. I’m Jane.” “Theodore the gardener,” he said, wiping off his hand and then offering it to her. She shook it, wondered if they should be bowing and curtsying, but is that what you do with a gardener? The entire conversation felt forbidden, like a secret Austen chapter that she discovered longhand in some forgotten file. “The gardens look lovely.” “Thank you, ma’am.” Ma’am? she thought. “So,” he said, his eyes taking in everything but her face, “you’re from the former colonies?” She looked hard at him to detect if he was serious. He glanced at her, then down again, and sort of bowed. She laughed. He tossed his pick into the ground. “I can’t play this. I sound completely daft.” “Why would you have to play anything?” “I’m supposed to be invisible. You don’t know all the lectures we heard on the matter--stay out of the way, look down, don’t bother the guests. I shouldn’t have said a word, but I was afraid of getting stuck behind that shrub all day trying not to make a peep. Or worse, you discovering me after a time and thinking I was a lecherous lunatic trying to peek up your skirt. So, anyhow, how do you do, the name’s Martin Jasper, originally from Bristol, raised in Sheffield, enjoy seventies rock and walks in the rain, and please don’t tell Mrs. Wattlesbrook. I need this job.” “I didn’t exactly find Mrs. Wattlesbrook the kind of lady I’d be tempted to confide in. Don’t worry, Martin.” “Thanks. Guess I should leave you to your lady stuff.” He picked up his tools and walked away.

First, I would strip you naked. Then, see that bench over there? I would turn you over that bench and make you take me until you came at least twice. Only then would I finish. I can picture you taking me right now and I’m so hard.

At school, Pablo found it hard to concentrate. Rather than completing classwork, he filled the margins of his notebook with pencil sketches of animals, birds, and people. His teacher grew exasperated with his lack of attention. She wrote a note to his mother saying: “Pablo should stop drawing in class and pay attention to his lessons.” It was clear that Pablo hated rules, and he took every opportunity to disobey them. When adults told him what to do, he did the opposite. He once got in trouble for coloring the sky a bright red instead of the “normal” blue. Pablo was often banished to the “calaboose,” a bare cell with white walls and a bench, which served as a holding pen for unruly students. “I liked it there, because I took along a sketch pad and drew incessantly,” Pablo later said. “I could have stayed there forever drawing without stopping.” He even began misbehaving on purpose so that he would be sentenced to detention and sent to the calaboose. The one person who understood that Pablo wasn’t acting out for no reason was his father. One day when Pablo’s mother caught him drawing on the wall with a nail, Don José took him to the beach to blow off steam. As Don José stretched out to take a nap, Pablo sat beside him and drew a dolphin in the wet sand. When Don José awoke, he was astonished by the beauty of his son’s drawing. “Could it be Pablo who drew this?” he wondered. That afternoon, Don José took a closer look at the image Pablo had drawn on their living room wall. What at first looked like random scratches soon took shape. Don José recognized a reindeer and a bison running away from a group of men on horseback who were armed with bows and arrows. At that moment, Don José knew what to do to get Pablo to stop misbehaving. He decided to take him into his studio and teach his son how to paint. From that day onward, Pablo and his father were inseparable art partners. In search of new subjects to portray, they began going to the bullfights. Pablo was mesmerized by the sight of the brave picadors as they charged ferocious bulls. He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha,

Great, so I’m not just messing around with one girl but four?” Braxton snorted. “Try seven. You’re forgetting about Benji’s partner and Natalie’s sisters-in-law. Good luck to you, man, because you’re gonna need it.