“
Let's have a partnership, Kate. I offer honesty, Kate. I don't have to outrun the Beast Lord I just pissed off, Kate. I only have to outrun you and hit you with my car as I hightail it out of here.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
pg. 231-232: They'd given me a minivan. They could have picked any car and they picked a minivan. A minivan. O God of the Vehicular Justice, why dost thou mock me? Minivan, you albatross around my neck! You mark of Cain! You wretched beast high ceilings and few horsepower!
”
”
John Green (Paper Towns)
“
Do you think I’m pretty?”
Smitty glanced away from the computer screen he’d been staring at for the last three hours, looked at his sister, and shook his head. “No.”
“What do ya mean no?”
“You asked. Sorry if you didn’t like the answer. I always thought you were funny lookin’. Asked momma, ‘What is that thing laying in your bed?’ And she said, ‘I found it hiding under a car, you be nice to it now.
”
”
Shelly Laurenston (The Beast in Him (Pride, #2))
“
That is not my car!”
“Correction. You used to drive a falling apart Toyota. B.A.”
Had his lips just brushed her hair? She shivered. And though she knew better than to ask, she did it anyway.
“Okay. You got me. What’s B.A.?”
“Before. Adam. After Adam, you drive a BMW. I take care of what is mine. That Toyota wasn’t safe.”
Figured that arrogant beast would define himself as the dawning of an epoch.
“I’m not yours. It was too, and you can’t just go around stealing.”
“I didn’t, and I filled out the paperwork myself.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
Beast, before I fuck up my car, you have to say it.” Beast growled. “Say it!” Dustin yelled. “Aw fuck, Dustin! You’re my best friend!” The line went dead,
”
”
T.S. Joyce (Blackwing Beast (Kane's Mountains, #3))
“
Yeah, we could strap a small car to Lassiter’s back and make him run around by the pool—
”
”
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
“
Our vibrations were getting nasty. But why? Was there no communication in this car? Had we deteriorated to the level of dumb beasts?
”
”
Hunter S. Thompson
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Next morning Jean-Guy Beauvoir was waiting by the car with two travel mugs of café au lait from the bistro and two chocolatines. “Just because we’re going to Mordor doesn’t mean we can’t enjoy ourselves on the way,” he said, opening the passenger-side door for Armand.
”
”
Louise Penny (The Nature of the Beast (Chief Inspector Armand Gamache #11))
“
You cannot bullshit the stopwatch.
”
”
Jade Gurss (Beast: The Top Secret Ilmor-Penske Race Car That Shocked the World at the 1994 Indy 500)
“
Chihulys are the pigeons of Seattle. They’re everywhere, and even if they don’t get in your way, you can’t help but build up a kind of antipathy toward them. This one was all glass, of course, white and ruffly and full of dripping tentacles. It glowed from within, a cold blue, but with no discernible light source. The rain outside was pounding. Its rhythmic splatter only made this hovering glass beast more haunting, as if it had arrived with the storm, a rainmaker itself. It sang to me, Chihuly… Chihuly. In the seventies, Dale Chihuly was already a distinguished glassblower when he got into a car accident and lost an eye. But that didn’t stop him. A few years later, he had a surfing mishap and messed up his shoulder so badly that he was never able to hold a glass pipe again. That didn’t stop him, either. Don’t believe me? Take a boat out on Lake Union and look in the window of Dale Chihuly’s studio. He’s probably there now, with his eye patch and dead arm, doing the best, trippiest work of his life. I had to close my eyes.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
There are forces in the world today, Mr. Winsocki, that are invisibly working to make us all carbon copies of one another. Forces that crush us into molds of each other. You walk down the street and never see anyone’s face, really. You sit faceless in a movie, or hidden from sight in a dreary living room watching television. When you pay bills, or car fares or talk to people, they see the job they’re doing, but never you.
”
”
Harlan Ellison (The Beast That Shouted Love At the Heart of the World)
“
They’d given me a minivan. They could have picked any car, and they picked a minivan. A minivan. O God of Vehicular Justice, why dost thou mock me? Minivan, you albatross around my neck! You mark of Cain! You wretched beast of high ceilings and few horsepower!
”
”
John Green (Paper Towns)
“
My letters seeking a job, though truthful, diminished the full truth. Face would blanch if the facts had been complete: "Dear Sir," I thought. "Do you have a position for a journeyman burglar, con man, forger and car thief; also with experience as armed robber, pimp, card cheat and several other things. I smoked marijuana at twelve (in the 40's) and shot heroin at sixteen. I have no experience with LSD and methedrine. They came to popularity since my imprisonment. I've buggered pretty young boys and feminine homosexuals (but only when locked up away from women). In the idiom of jails, prisons and gutters (some plush gutters) I'm a motherfucker! Not literally, for I don't remember my mother. In my world the term, used as I used it, is a boast of being hell on wheels, outrageously unpredictable, a virtuoso of crime. Of course by being a motherfucker in that world I'm a piece of garbage in yours. Do you have a job?
”
”
Edward Bunker (No Beast So Fierce)
“
Gradually, it sank in. The Mother Beast was dead. I had killed her. The taste of her blood burned in my mouth. Behind her, a deep black hole bore into the ground beneath the remnants of the railroad car. It must have been her underground lair. She had raised her brood there, safe and far away from everyone, until Kyle's crew invaded her den.
Such an awful waste. None of this was necessary. At least one person died, many others were injured, and this great magnificient beast and her brood lost their lives all because Kyle Bell wanted to make a quick buck on the side. He stood by the remnants of the tent now, arms crossed, barking orders.
I marched over to Kyle. He saw me, opened his mouth, and I backhanded him. The blow knocked him to the ground. «This is your fault. You brought these people here. You knew this place was dangerous.» I pulled him upright and spun him toward the dead beast. «Look! People died because of you. Do you understand that? If it wasn't for you, I wouldn't have had to murder her. She was just protecting her children.»
«She tried to kill us!»
I backhanded him again. «She tried to kill you because you broke into her house.»
The workers stood around us, thier faces grim. Nobody made any move to help their boss.
***
I found my bow and quiver and walked away. Ascanio jumped off the beast and joined me. His voice was a deep growl, shredded by his teeth. «It. Wash. Aweshome.»
«This was a tragedy.» People came before animals. I knew that, but when you turn into an animal, your perspective is a little different.
«Yesh. But aweshome.»
He was a boy. What did he know?
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
There, parked in the driveway with a huge blue bow on it, was a Ford minivan. They’d given me a minivan. They could have picked any car, and they picked a minivan. A minivan. O God of Vehicular Justice, why dost thou mock me? Minivan, you albatross around my neck! You mark of Cain! You wretched beast of high ceilings and few horsepower!
”
”
John Green (Paper Towns)
“
The train station is the ideal scenario for greetings and farewells. The car is too banal. What does it mean to set off in a car? Nothing. The airport is too exhausting and impersonal, the plane itself remote, unseen, the barriers and security disturbing. Here the powerful beast of the locomotive thrusts its nose under the great arch of the station.
”
”
Tim Parks (Italian Ways: On and Off the Rails from Milan to Palermo)
“
The moment a team member relaxes is the moment their opponent in the next garage or the next driver on the track is pushing harder.
”
”
Jade Gurss (Beast: The Top Secret Ilmor-Penske Race Car That Shocked the World at the 1994 Indy 500)
“
Bowie blushed. “You have more red flags than a car dealership.
”
”
Onley James (Domesticated Beast (Time Served, #3))
“
installed in Europe. Berlin had only 120,000 cars, but at any given moment all of them seemed to collect here, like bees to a hive. One could watch the whirl of cars and people from an outdoor
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Aware she’d likely never tasted such a thing before, she took a cautious sip. Nothing came up. “The straw’s defective.” Dev shot her a quick grin. It altered his face, turning him strikingly beautiful. But that wasn’t the odd part. The odd part was that seeing him smile made her heart change its rhythm. She lifted her hand a fraction, compelled to trace the curve of his lips, the crease in his cheek. Would he let her, she thought, this man who moved with the liquid grace of a soldier . . . or a beast of prey?
“Did I say milk shake?” he said, withheld laughter in his voice. “I meant ice cream smoothie—with enough fresh fruit blended into it to turn it solid.” Glancing at her when she didn’t move, he raised an eyebrow. She felt a wave of heat across her face, and the sensation was so strange, it broke through her fascination. Looking down, she took off the lid after removing the straw and stared at the swirls of pink and white that dominated the delicious-smelling concoction. Intrigued, she poked at it with the tip of her straw. “I can see pieces of strawberry, and what’s that?” She looked more closely at the pink-coated black seeds. “Passion fruit?”
“Try it and see.” Handing her his water bottle, he started the car and got them on their way. “How would I know?” She put his water in the holder next to the unopened bottle. “And I need a spoon for this.”
Reaching into a pocket, he pulled out a plastic-wrapped piece of cutlery. “Here.”
“You did that on purpose,” she accused. “Did you want to see how hard I’d try to suck the mixture up?” Another smile, this one a bare shadow. “Would I do that?” It startled her to realize he was teasing her. Devraj Santos, she thought, wasn’t supposed to have a sense of humor. That was something she just knew. And, it was wrong. That meant the shadow-man didn’t know everything, that he wasn’t omnipotent. A cascade of bubbles sparkled through her veins, bright and effervescent. “I think you’re capable of almost anything.” Dipping in the spoon, she brought the decadent mixture to her lips. Oh! The crisp sting of ice, the cream rich and sweet, the fruit a tart burst of sensation. It was impossible not to take a second bite. And a third.
”
”
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
“
Maybe for all our technology and fancy talking phones and smart cars, we're still just primitives huddled around the fire- or, ya know, the electronic glow of screens, whatever- trying not to look too closely into the dark where the beasts are.
”
”
Greg Mitchell
“
Then — it had to happen eventually — Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
And what effect might all this have had on life beneath the seas? Well, little, we hope, but we actually have no idea. We are astoundingly, sumptuously, radiantly ignorant of life beneath the seas. Even the most substantial ocean creatures are often remarkably little known to us—including the most mighty of them all, the great blue whale, a creature of such leviathan proportions that (to quote David Attenborough) its “tongue weighs as much as an elephant, its heart is the size of a car and some of its blood vessels are so wide that you could swim down them.” It is the most gargantuan beast that Earth has yet produced, bigger even than the most cumbrous dinosaurs.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
I had never felt that Egypt was really Africa, but now that our route had taken us across the Sahara, I could look down from my window seat and see trees, and bushes, rivers and dense forest. It all began here. The jumble of poverty-stricken children sleeping in rat-infested tenements or abandoned cars. The terrifying moan of my grandmother, ‘Bread of Heaven, Bread of Heaven, feed me till I want no more.’ The drugged days and alcoholic nights of men for whom hope had not been born. The loneliness of women who would never know appreciation or a mite’s share of honor. Here, there, along the banks of that river, someone was taken, tied with ropes, shackled with chains, forced to march for weeks carrying the double burden of neck irons and abysmal fear. In that large clump of trees, looking like wood moss from the plane’s great height, boys and girls had been hunted like beasts, caught and tethered together. Sacrificial lambs on the altar of greed. America’s period of orgiastic lynchings had begun on yonder broad savannah.
”
”
Maya Angelou (The Heart of a Woman)
“
Tark leaned over the car-sized Bible and read aloud. “And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. That’s chapter six, verse eight.” “Sword, hunger, death,
”
”
Jerry Hatchett (Seven Unholy Days)
“
You could never hurt me,” he threw my words back at me, jumped out of the car, and made it to the passenger seat just as I opened the door. He squatted, his eyes not leaving mine. “Want to know why?” The sexy grin did it. I stopped arguing and fed my curiosity. “Why?” “I’m the beast, mean and ugly, and you’re the only one who makes these things seem insignificant. With a kiss and a touch, you make the meanness and ugliness go away. With your love, you calm the beast inside me. So yell at me all you want when you’re pissed. Throw things at my head. Maybe I’ll yell back or throw you over my shoulder, cuff you to my bed, and make love to you in ways you couldn’t possibly fathom, but you could never, ever hurt me. You are the light in my darkness. The hope chasing away my despair. You are the keeper of my soul.
”
”
Ednah Walters (Souls (Runes, #5))
“
...because a man on the scent of the White House is rarely rational. He is more like a beast in heat: a bull elk in the rut, crashing blindly through the timber in a fever for something to fuck. Anything! A cow, a calf, a mare--any flesh and blood beast with a hole in it.The bull elk is a very crafty animal for about fifty weeks of the year; his senses are so sharp that only an artful stalker can get within a thousand yards of him...butwhen the rut comes on, in the autumn, any geek with the sense to blow an elk-whistle can lure a bull elk right up to his car in ten minutes if he can drive within hearing range.
The dumb bastards lose all control of themselves when the rut comes on. Their eyes glaze over, their ears pack up with hot wax, and their loins get heavy with blood. Anything that sounds like a cow elk in heat will fuse the central nervous systems of every bull on the mountain. They will race through the timbers like huge cannonballs, trampling small trees and scraping off bloody chunks of their own hair on the unyielding bark of the big ones. They behave like sharks in a feeding frenzy, attacking each other with all the demented violence of human drug dealers gone mad on their own wares.
A career politician finally smelling the White House is not Much different from a bull elk in the rut. He will stop at nothing, trashing anything that gets in his way; and anything he can't handle personally, he will hire out--or, failing that, make a deal. It is a difficult syndrome for most people to understand, because so few of us ever come close to the kind of Ultimate Power and Achievement that the White House represents to a career politician.
”
”
Hunter S. Thompson
“
Once I had, a little game
I liked to crawl back in my brain
I think you know the game I mean
I mean the game called 'go insane'
Now, you should try this little game
Just close your eyes, forget your name
Forget the world, forget the people
And we'll erect a different steeple
This little game is fun to do
Just close your eyes, no way to lose
And I'm right here, I'm going too
Release control, we're breaking through, yeah
Way back deep into the brain
Way back past the realm of pain
Back where there's never any rain
And in the labyrinth of streams beneath
The quiet unearthly presence of gentle hill people
In the gentle hills around
Reptiles abounding
Fossils, caves, cool air heights
Each house repeats a mold
Windows rolled
Beast car locked in against morning
Rugs silent, mirrors vacant
Dust blind under the beds of lawful couples
Wound in sheets
And daughters smug with semen
Eyes in their nipples
”
”
Jim Morrison
“
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo—any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
”
”
Henry Miller
“
I found there all sorts of men, many of whom had once been as good as myself and just as blond-beast; sailor-men, soldier-men, labor-men, all wrenched and distorted and twisted out of shape by toil and hardship and accident, and cast adrift by their masters like so many old horses. I battered on the drag and slammed back gates with them, or shivered with them in box cars and city parks, listening the while to life-histories which began under auspices as fair as mine, with digestions and bodies equal to and better than mine, and which ended there before my eyes in the shambles at the bottom of the Social Pit.
”
”
Jack London (How I Became A Socialist)
“
At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.
”
”
Philip Roth (The Counterlife)
“
The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal-dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the green-grocers’! the awful hats in the milliners’! all went by ugly, ugly, ugly, followed by the plaster-and-gilt horror of the cinema with its wet picture announcements, “A Woman’s Love!”, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensive pink brick, and graveled playground inside iron railings, all very imposing, and mixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la-me-do-la exercises and beginning a “sweet children’s song.” Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals mean something when they yell. It was like nothing on earth, and it was called singing... What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will power remained?
”
”
D.H. Lawrence
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
This Dr. Wilburforce was wonderful! He sounded as if he had had adolescent children. He said that adolescence was a difficult period but entirely normal and his sympathies were with the parents, not the adolescents. He said that there was entirely too much “understanding,” actually excusing of the adolescent, his lack of manners, selfishness, tantrums, and so on. He thought that the most intelligent approach to the problem was to understand that the adolescent, just by the nature of the beast, is going to chafe and rebel and he needs something specific to chafe and rebel against. Lay down strict rules of behavior and enforce them. Rebelling against nothing is very frustrating. Demand that the adolescent go along with the family routine. Do not allow him to keep the household in a continual uproar. …Instead of giving your child too much freedom, too much money, and all the responsibility for his actions, try giving him limited freedom and money, a strict code of behavior, and oceans and gallons and mountains of love. Not the deep-hidden-river I-bore-you-so-I-will-have-to-like-you type of love, but the visible, hug-and-kiss, lavish-compliment, interested-audience kind. Tell your adolescent he is brilliant, handsome, charming, witty, and lovable. Tell him every day. Tell him even when you are taking away the keys of the car and would like to kick him. Assure him and reassure him and re-reassure him. Love is the most important element in human relationships. You can never give a child too much love.
”
”
Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed.
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang:
Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
Of course, the underlying structure of everything in England is posh. There is no in-between with these people. You have to walk a mile to find a telephone booth, but when you find it, it is built as if the senseless dynamiting of pay phones had been a serious problem at some time in the past. And a British mailbox can presumably stop a German tank. None of them have cars, but when they do, they are three-ton hand-built beasts. The concept of stamping out a whole lot of cars is unthinkable—there are certain procedures that have to be followed, Mr. Ford, such as the hand-brazing of radiators, the traditional whittling of the tyres from solid blocks of cahoutchouc.
”
”
Neal Stephenson (Cryptonomicon)
“
The six lugubrious airs that he knew, always carried him back to the time when he was a car-boy at the Big Dipper Mine in Placer County, ten years before. He remembered the years he had spent there trundling the heavy cars of ore in and out of the tunnel under the direction of his father. For thirteen days of each fortnight his father was a steady, hard-working shift-boss of the mine. Every other Sunday he became an irresponsible animal, a beast, a brute, crazy with alcohol.
”
”
Frank Norris (Mcteague)
“
I sit in the car, staring up at the big corporate beast of a hotel where everyone from prime ministers, presidents, pop stars and the red carpet parade had fucked, pissed, slept and golfed away our taxes and respect. I would need to strap on a pair before I enter.
”
”
John Bowie (Untethered (Black Viking #1))
“
I hadn’t been much help packing for the trip. I was accustomed to America, where I was always within striking distance of a grocery store, gas station, or equipment supply. The Australian bush wasn’t like that. Parts of the Burdekin were dangerously remote, and these, of course, were the parts where we were headed.
Steve had to pack his own fuel, water, food, spare tires, boat, engine, and extra parts. He loaded up the Ute. Swags went in, but no tent. We would be sleeping under the stars. As we headed out, it came to light that this would be a sixteen-hour trip--and the driving would be shared.
“Remember one thing,” Steve said as he climbed over the seat. “If you see a road train coming, you’ve got to get clear off the road.”
“Okay,” I agreed. “But I need you to explain what a road train is.” I learned that long-distance truckers in the outback drive huge rigs--double-deckers that are three trailers long.
“Okay, great,” I said. “Drive on the left, and watch out for road trains. Got it.” Steve climbed into the back under the canvas canopy and stretched out on top of one of the swags. I wasn’t worried about falling asleep while I was driving. I was too nervous to be sleepy.
The farther north I drove, the smaller the roads became. Cars were few and far between. I saw the headlights of an oncoming Ute. Maybe I’ll practice pulling off the road, I thought. I miscalculated the speed of the oncoming vehicle, slowed down more abruptly than I intended, and pulled completely onto the soft gravel shoulder.
The draft of the passing truck hit our Ute like a sonic boom--it was a giant beast with a huge welded bull bar on its front and triple trailers behind. The road train flew past us doing every bit of seventy-five miles per hour, never slowing down. I realized that if I hadn’t pulled over, I would have probably been knocked off the face of the earth. I imagined a small paragraph buried deep inside the Eugene Register-Guard, my hometown newspaper: “Oregon Woman Bites the Dust.” Road trains owned the road, but I had passed my first test. I could do this!
I should not have spoken so soon.
”
”
Terri Irwin (Steve & Me)
“
Maybe the greatest anger and frustration come not from unemployment or poverty or the lack of a future but from the feeling that you have no culture, because you've been torn between cultures, between incompatible symbols. How can you exist if you don't know where you are? So you burn cars, ecause when you have no culture, you're no longer a civilised animal, you're a wild beast. And a wild beast burns and kills and pillages.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
He stopped at an intersection, panting, rubbing at the twinge in his hamstrings, looking around, though he knew no cars were coming in either direction.
Dropping forward at the waist Martin admitted that he was fucking himself up. Dr Leonowsky told him: hurting yourself is an articulation of self-disgust. It helps no one, prevents nothing. This wasn’t a glorious loss of control, he was fooling himself, it was self-harm.
”
”
Denise Mina (Gods and Beasts (Alex Morrow, #3))
“
Then — it had to happen eventually — Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
Man invents a machine; he is its master and it is his pride. It is all part of Man's ambition and vanity, part of his pride in the creative skill that distinguishes him from the beasts, an elaboration of that primitive tool-making without which he would be living in a cave. Then suddenly, one morning - as with motor cars or nuclear bombs - he wakes up to find that he hates the damned things. It is too late. He has made them, he would be without them, but by their mere existence they enslave him. He has eaten of the fruit of the tree of knowledge; he can never go back. Heath Robinson's drawings produced tremendous laughter, but it was often the laughter of men who - whether they knew it or not - were laughing at themselves because they date not weep.
The process whereby Man, the Master of the Machine, gradually changes into its slave is something that we can see actually happening, through the years, in Heath Robinson's work. Some of his earlier mechanisms, apart from their delicious complexity, really might be useful gadgets. The big machines of his later work, drawn in the grand manner, are part of a world where Man is no longer in control.
”
”
Robert Furneaux Jordan
“
I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement.
“Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil.
The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway.
“Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub.
Tory’s lip curled back as she glared at me with poison in her gaze.
“We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes.
“Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not.
Tory moved to intercept me and Caleb joined her too like a prime asshole.
“You don’t fucking touch her again,” Tory growled.
I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight.
“Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy.
“Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy.
I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave.
You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her?
I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue.
Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more.
I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair.
Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces.
“Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night.
I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that.
(ORION POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
Power of Home Detailing
Have you ever wished your handsome pride and joy, your Porsche or another sports
car, still looked as dazzling as the day it graced the sales brochure? I certainly
did, and I hope to take you on a journey of discovery to a place where you are
empowered with the know-how to bring your beast back to her former glory with
the power of home detailing.
”
”
S.L. Lucas
“
If I die for any reason, I’m coming back to haunt you,” I told Luc. “And I will make you miserable. You’ll never sleep or masturbate in peace ever again. You think two hours of my constant chatter in the car was annoying? Try the next fifty years.
”
”
Taylor Holloway (Baby and the Beast (Princes of Hollywood))
“
Exactly, what form this alteration has taken. I will never know. I don't feel sedated, jittery or drugged. I simply feel normal-as if I had been driving a car all these years with the parking brake on, and now it is off. I feel as if the real me has returned, perhaps all the way from childhood, where she lived before The Beast arrived.
”
”
William Dudley (Antidepressants (Compact Research: Drugs))
“
I was ready to unburden myself, to reveal all the weight that had plagued me since childhood—the painful memories involving my father, the car, the producer man, and the cruelty that threw us into a tumultuous sea. I longed to confide in him about the life I had endured inside the belly of the beast. But something within that raging ocean held me back from speaking, pulling me towards its depths like another whale ready to engulf me again in its dreadful belly. It wasn’t just fear; there was something else, an unknown force preventing me from uttering a single word.
”
”
Ahmad Al-Hamadi (In the Courtyard of Mercury)
“
Weeping willows lined both sides. Drooping branches swept across Amy’s car as if to say hello.
”
”
Max Redford (Number of the Beast (Paladin Cycle, #1))
“
They know how to eat, shit, drive their cars, do menial work, watch television and produce equally stupid spawns of themselves; what the hell are they doing to help mankind?
”
”
Brad McKinniss (Beast Machine)
“
None of them have cars, but when they do, they are three-ton hand-built beasts.
”
”
Neal Stephenson (Cryptonomicon)
“
Closer, still careful and quiet, and all is exactly what it should be and then we are at the door of the Mustang. Unlocked—the contemptible little beast has made it far too easy for us and we slide into the backseat so careful-quiet and melt into the unseen darkness on the car’s floor—and then we wait. Seconds,
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
Then suddenly I said to myself, Théo might want to burn cars some day. Because it’s a gesture of frustration and anger, and maybe the greatest anger and frustration come not from unemployment or poverty or the lack of a future but from the feeling that you have no culture, because you’ve been torn between cultures, between incompatible symbols. How can you exist if you don’t know where you are? What do you do if your culture will always be that of a Thai fishing village and of Parisian grands bourgeois at the same time? Or if you’re the son of immigrants but also the citizen of an old, conservative nation? So you burn cars, because when you have no culture, you’re no longer a civilized animal, you’re a wild beast. And a wild beast burns and kills and pillages. I
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
THE OLD CAR WAS SUNK TO THE BUMPERS WHEN I DISCOVERED IT, but my first thought was how good it would be to sleep in there and hear the rain drumming on steel rather than splattering against our tattered old tarp. I was Maggie back then. Maggie, the name my parents gave me. A nice name. But these weren’t nice times. We were tired and hungry, and the GreyDevil bonfires were burning brighter and the solar bear howls were getting closer, and every morning as I strapped my SpitStick across my back and set out to scavenge, I found myself thinking I needed a better name. A stronger name. I mean, the name Maggie was fine, it just seemed kinda underpowered. So when I scrubbed the moss from the side of that old car overlooking Goldmine Gully and saw the chrome letters—Ford Falcon—I climbed up on the hood and stood there with my steel-toed boots planted wide and I wedged my fists on my hips and I announced that Maggie was yesterday, and from this day forward I would answer only to Ford Falcon. Ford, because we had a lot of rivers to cross. Falcon, because, well, if you have a lot of rivers to cross, a pair of wings can’t hurt, and then once you get across the river it’s likely you will need sharp eyes and an even sharper beak. Yes. I know. I named myself after an old dead car. Worse yet, it’s not even a cool car. It’s a station wagon. Station wagons were how parents hauled kids around during the time between covered wagons and minivans. These days you won’t see a minivan unless it’s being pulled by a horse, and even horses are hard to come by. But if you see me you will know me because I wear a vest made from the hide of a beast that tried to kill me and lost. I skinned that beast myself, and also I skinned the lettering from that old dead car and stitched it to the vest across my shoulder blades using copper wire so that in polished chrome the world can read my name and know it: Ford Falcon.
”
”
Michael Perry (The Scavengers)
“
Oh, man,' Beck breathed. 'Check out the car.' It was white with a black top. The hood looked as as long as a football field. 'Sure is big,' was all I could manage to say. Beck gazed longingly at the beast, his eyes glowing in appreciation. 'You know what that is?'
'Uh, no. Should I?'
'It's a fully restored, two-door 1973 Monte Carlo. Muscle car, big time.'
'Bet it's hard to park.
”
”
Marilee Brothers (Moon Rise (Unbidden Magic, #2))
“
Neon flickered in brilliant colors on the really fancy buildings, while the older blocks and the ones under scaffolding were dark and unlit. Everywhere the lights created fantastic, glittering shapes that changed as they flashed on and off, as if there were monsters living inside. The streets felt menacing, different from daytime, the cars transformed into roaming wild beasts, leopards and tigers, the people like brightly colored birds.
”
”
Jia Pingwa (Happy Dreams)
“
You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?
Maybe you think it gives you free will. Maybe you've forgotten that sleepwalkers converse, drive vehicles, commit crimes and clean up afterwards, unconscious the whole time. Maybe nobody's told you that even waking souls are only slaves in denial.
Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other.
But it's not in charge. You're not in charge. If free will even exists, it doesn't share living space with the likes of you.
Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it.
Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of any manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers.
Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift- wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years.
Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents.
Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step.
Oh, but you can't. There's something in the way. And it's fighting back.
”
”
Peter Watts
“
We are astoundingly, sumptuously, radiantly ignorant of life beneath the seas. Even the most
substantial ocean creatures are often remarkably little known to us including the most mighty of them all, the great blue whale, a creature of
such leviathan proportions that (to quote David Attenborough) its "tongue weighs as much as an elephant, its heart is the size of a car and
some of its blood vessels are so wide that you could swim down them." It is the most gargantuan beast that Earth has yet produced, bigger even than the most cumbrous dinosaurs. Yet the lives of blue whales are largely a mystery to us. Much of the time we have no idea where they are-where they go to breed, for instance, or what routes they follow to get there. What little we know of them comes almost entirely from eavesdropping on their songs, but even these are a mystery. Blue whales will sometimes break off a song, then pick it up again at the same spot six months later. Sometimes they strike up with a new song, which no member can have heard before but which each already knows. How they do this is not remotely understood. And these are animals that must routinely come to the surface to breathe.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Even Dad weighed in. “Besides dear, life is filled with dark things all the time. Car accidents, robbers, sickness. This world doesn’t have any of that stuff, so the occasional dark ritual to summon and incredibly powerful destructive beast isn’t that big a deal.
”
”
Pixel Ate (The Accidental Minecraft Family: Book 21)
“
The Beast was the feeling that I was never good enough or loved enough, the persistent fear that I would forever end up trivial second best to my beautiful sisters, Lucy and Joey. The Beast was self-consciousness, fear and loneliness inside a house run by a mother and a father who only occasionally took their roles as parents seriously. Then and forever, the Beast was my envious feelings about everything I worried about not being. The Beast was and is whatever feels insurmountable in the moment. Its key words are “enough,” “you should,” “why can’t you?” with me falling short and ashamed and exposed every single time. I’m sure everybody has their version of their own Beast, but this is my book.
”
”
Carly Simon (Boys in the Trees)
“
The Carnivore (Sonnet 1406)
Be a gentle giant like the elephant,
not an opportunistic carnivore like the wolf.
The elephant doesn't harm anyone
to prove its greatness, while the wolf
doesn't think twice to devour another wolf.
Greatness unfolds through gentleness,
Illumination unfolds through expansion.
Coldness is the mark of cowardly animal,
Cruelty is cover for beastly degeneration.
Worst of all carnivores are the humans,
There is no end to their appetite.
Animals no longer partake once they are full,
While human greed knows no sane height.
More clothes, more cars, more cash,
Just how much will you consider enough!
Till you put a cork on cocky abundance,
Not felicity but disparity wreaks havoc.
Savagest carnivore of all is the human.
Uncorked materialism is new cannibalism.
”
”
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
“
It had been Wolff who lobbied the German transportation minister to ensure that the SS had an ample supply of railroad cars to ship Jews to the death camp at Treblinka, in spite of competing demands from the Wehrmacht, which wanted the freight cars to move military supplies to the front.
”
”
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf))
“
Entering the city of Monrovia on Tubman Boulevard, the road suddenly became paved and a little smoother. Most of the other streets were made of sand and coated with used crankcase oil, making them extremely slick. I couldn’t believe the huge water-filled potholes everywhere; couldn’t they fill them in? A major problem was that there was no way of knowing how deep the holes were since they were full of water…. Jimmy had his hands full bouncing along in a car that didn’t seem to have shocks, and from the looks of the tires I don’t believe the front wheels had ever been aligned. Some of the streets went from being a rutted, muddy mess, to being exposed bed-rock with shale stone filling in the worst holes. Somehow Jimmy skillfully navigated these streets, at what I considered at the time, as being reckless speeds.
We passed simple dwellings pieced together from flotsam, debris, and recycled planks or pieces of plywood, including what appeared to be random soft drink signs and the likes. It reminded me of some of the Mexican border towns I had been to. There were mangy dogs picking through the piles of garbage, without much hope of finding anything edible. The raw garbage, scattered on the streets, had obviously been picked through already by people or other feral beasts trying to live off the land. If the dogs and cats left anything behind, I could only imagine the rats getting it!
”
”
Hank Bracker
“
He then pointed to the right, and I turned to look. Exactly on cue, something massive came around the corner: a snaking, vehicular army that included a phalanx of police cars and motorcycles, a number of black SUVs, two armored limousines with American flags mounted on their hoods, a hazmat mitigation truck, a counterassault team riding with machine guns visible, an ambulance, a signals truck equipped to detect incoming projectiles, several passenger vans, and another group of police escorts. The presidential motorcade. It was at least twenty vehicles long, moving in orchestrated formation, car after car after car, before finally the whole fleet rolled to a quiet halt, and the limos stopped directly in front of Barack’s parked plane. I turned to Cornelius. “Is there a clown car?” I said. “Seriously, this is what he’s going to travel with now?” He smiled. “Every day for his entire presidency, yes,” he said. “It’s going to look like this all the time.” I took in the spectacle: thousands and thousands of pounds of metal, a squad of commandos, bulletproof everything. I had yet to grasp that Barack’s protection was still only half-visible. I didn’t know that he’d also, at all times, have a nearby helicopter ready to evacuate him, that sharpshooters would position themselves on rooftops along the routes he traveled, that a personal physician would always be with him in case of a medical problem, or that the vehicle he rode in contained a store of blood of the appropriate type in case he ever needed a transfusion. In a matter of weeks, just ahead of Barack’s inauguration, the presidential limo would be upgraded to a newer model—aptly named the Beast—a seven-ton tank disguised as a luxury vehicle, tricked out with hidden tear-gas cannons, rupture-proof tires, and a sealed ventilation system meant to get him through a biological or chemical attack.
”
”
Michelle Obama (Becoming)
“
Years ago, Once Upon a Time was Right Now. And eventually, Right Now will become Once Upon a Time. In fact, it just did. Time is funny like that. In most stories time is very important. Not in this one. The story may have horses and not cars, but really it could happen now like it did then. Then being Once Upon a Time, years and years ago. The story is one of passion, and last time I checked, passion was still around. It exists in love, hate, obsession. For instance, I have a passion for pickled herring. I can’t live without it. Every day I have to have some. In my salad, raw, on my sandwiches. It tastes great on hamburgers. However, this story is not about pickled herring, but it does have love, hate, and obsession. I tell you about these things first because it is these things that cause everything else, as we know they are prone to do. And there’s a lot of other things in this story, too: There are monsters and mobbers, heroes and heroines, villains and thieves, power and conquest, murder and mayhem (sounds like politics, doesn’t it?), beasts and battles, and last but not least, pride and honor. Oh, and don’t forget arugula! Arugula is very good, though not as good as pickled herring. Even arugula has a place in the story. And what a magnificent story it is! I give myself great credit for coming-up with it. OK. Slight lie. I didn’t (technically) come-up with it. It was actually told to me over and over again by my grandfather. He didn’t come-up with it either, though. I think he got it from his grandfather. And I’m not exactly sure where his grandfather got it from. Probably from some old folklore or something. But as far as I know, it’s a true story. Anyway, if credit is to be given, I guess you can give it to my grandfather, cause he always told it so well. I’ve done some of what ya might call “editing,” but basically I tried to tell it just like he did (he died some years back). I only hope I can give you what he gave me, even though he didn’t give me this story because this entire paragraph was a complete and utter lie. Either way, I think you’ll enjoy what comes...
”
”
Ross Rosenfeld (The Stolen Kingdom)
Jade Gurss (Beast: The Top Secret Ilmor-Penske Race Car That Shocked the World at the 1994 Indy 500)
“
TABLE OF GERMAN COMPANIES AND MAIN SS CONCENTRATION CAMPS REPORTED TO BE ACTIVE IN EXPLOITATION OF FORCED LABOR DURING THE THIRD REICH Auschwitz AEG (electronics) [5] Barthl (construction) [5] Bata Schlesische Schuhwerke (leather, shoes, and factory construction) [10] Benton-Monteur-Bau (construction) [10] Berle Hoch- und Tiefbau (construction) [10] Berliner Baugesellschaft (construction) [10] BRABAG (mining, synthetic fuel) [3] Breitenbach Montanbau [10] Borsig-Koks-Werk (coal processing) [10] Charlottengrube (Hermann-Göring-Werke) (tunnel construction) [10] Concordia Kohlenbergwerk (coal processing) [10] Deutsche Gasrusswerke, Gleiwitz [5] [8] Dyckerhoff & Widman (construction materials) [5] Egefeld (construction) [10] Emmerich Machold (textiles) [10] Energie-Versorgung-Oberschlesien AG (electrical construction for Elektrizitätswerk “Walter”) [10] Erdöl Raffinerie Trzebinia GmbH (oil refining) [10] Fürstengrube GmbH (coal mining) [10] Fürstlich Plessische Bergwerks AG (coal processing) [10] Godula (factory construction) [10] Grün und Bilfinger (construction) [10] Gute Hoffnung Janinagrube (coal mining) [10] Heinkel (aircraft components, munitions) [5] [10] Hubertushütte (coal processing) [10] IG Farben—Buna Werke (construction, synthetic fuel) [3] [4] [5] [8] [10] Junkers (aircraft) [5] Klotz und Co. (construction) [10] Königshütte Metallwerke (metal works) [10] Königs- und-Bismarckhütte AG (armored cars and tanks) [10] Krupp (munitions) [4] [5] Krupp—Laurahùtte (munitions) [8] Lasota (tunnel & road construction) [10] Oberschlesische Gerätebau GmbH [10] Oberschlesische Hydrierwerke (construction of synthetic gasoline works) [5] [8] [10] Ölschieferanlagen (oil refinery construction) [8] Ost-Maschinenbau GmbH (OSMAG) (cannon) [2] [5] [8] [10] Pfitzner und Kamper (munitions, loading) [10] Philipp Holzmann (construction) [10] Pluschke und Grosser (construction) [10] Portland-Zement-Fabrik AG (construction materials) [10] Riedel (tunnel and roadbuilding) [10] Rheinmetall-Borsig (munitions) [3] Schuchtermann und Kremer Bau AG (construction) [10] Schweinitz (construction) [10] S. Frankel—Schlesische Feinweberei AG (textiles) [10] Siemens-Schuckert (electronics for aircraft) [2] [3] [10] Union Metallindustrie (munitions) [4] [5] Vacuum Öl (oil refinery) [5] [10] Vereinigte Aluminiumwerke (aluminum) [5] Wayss und Freytag (construction) [10] Zieleniewski (munitions) [10] Zwirnfabrik G. A. Buhl und Sohn (textiles) [10]
”
”
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf))
“
Part of me hated technology, because to me technology was a mother fucker that was eating this world alive. It was all part of the machine, the deadening of the human spirit, and I wouldn’t allow it. I had to see the world for what it was, drain it of all its illusion, because what lingered beneath? The wild, untamed beast, and in the end it would eat us all. That was something nobody could stop, not with any amount of money, or material things. Nothing that was part of physical reality could prevent death. So, to me, people were absurd, robotic, already dead. Buying fancy cars, big homes, the latest electronics, and all for what? The excuse was convenience. I need this. It makes things easier. Yet, while comfort may have been at the surface, the real thirst for these things, for material possessions, was to feel in control, and to feel part of.
”
”
Nicole D'Settēmi
“
Zara listened intently, enjoying his insight, and appreciative of his openness, pleased that he felt comfortable enough to share his wants, and desires with her. Once they pulled up to the secluded, well-kept mansion, that was obviously from another time, he escorted her out of the car, and held her hand as they walked on the narrow red runner that covered the cobblestone path, and lead right up to the oversized red doors.
”
”
Tabitha Brace (Relic Beasts)
“
Listen to the wine-sipping man’s criticism, “It’s so easy with a rifle.” They then turn their head for the next three-minute political point. Those are the words of a person who has never woken up at 3AM to get dressed. They have never quietly walked trails in the woods, looking for signs and smelling for scents. They have never masked their own scent and been still for five minutes, let alone the hours of a hunt. They have never selected a spot to patiently wait or use a well-practiced call. They have never stalked anything that moved as fast as a car and spooked at the slightest sound. Easy is the word used by a man who never saw a beast and felt the rush in their body that this was their chance for the season. Had to carefully raise their rifle for their one shot. They have not done it and cannot do it, therefore they smear it as beneath them or barbaric. These practices of their ancestors and even the men that they may have known as children are to be mocked. It cannot simply be allowed to be. If not smeared with a negative label, others may elevate it above what they do.
”
”
Ryan Landry (Masculinity Amidst Madness)
“
Unleashed! Alone, watching the May moon above the trees . At nine o’clock the park closes. You must be out of the lake, dressed, in your cars and going: they change into their street clothes in the back seats and move out among the trees . The “great beast” all removed before the plunging night, the crickets’ black wings and hylas wake .
”
”
William Carlos Williams (Paterson (Revised Edition) (New Directions Paperback 806 806))
“
The beast roared again and slashed through the car roof. Unable to move, Danny watched the metal roof roll back like the lid on a can of potted meat. His last sight was Paul’s bloody upper body rolling from the top of the car, trailing intestines across the windshield before thudding wetly to the ground.
”
”
McCarty Griffin (Monster Story)