Norton Juster Quotes

We've searched our database for all the quotes and captions related to Norton Juster. Here they are! All 100 of them:

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So many things are possible just as long as you don't know they're impossible.
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Norton Juster (The Phantom Tollbooth)
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Expect everything, I always say, and the unexpected never happens.
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Norton Juster (The Phantom Tollbooth)
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The most important reason for going from one place to another is to see what's in between, and they took great pleasure in doing just that.
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Norton Juster (The Phantom Tollbooth)
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Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life.
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Norton Juster (The Phantom Tollbooth)
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Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
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Norton Juster (The Phantom Tollbooth)
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You must never feel badly about making mistakes ... as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
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Norton Juster (The Phantom Tollbooth)
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The only thing you can do easily is be wrong, and that's hardly worth the effort.
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Norton Juster (The Phantom Tollbooth)
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Whether or not you find your own way, you're bound to find some way. If you happen to find my way, please return it, as it was lost years ago. I imagine by now it's quite rusty.
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Norton Juster (The Phantom Tollbooth)
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Everybody is so terribly sensitive about the things they know best.
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Norton Juster (The Phantom Tollbooth)
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You can swim all day in the Sea of Knowledge and not get wet.
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Norton Juster (The Phantom Tollbooth)
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if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.
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Norton Juster (The Phantom Tollbooth)
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But just because you can never reach it, doesn’t mean that it’s not worth looking for.
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Norton Juster (The Phantom Tollbooth)
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The most important reason for going from one place to another is to see what's in between.
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Norton Juster (The Phantom Tollbooth)
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It's bad enough wasting time without killing it.
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Norton Juster (The Phantom Tollbooth)
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... what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
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Norton Juster (The Phantom Tollbooth)
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Just because you have a choice, it doesn't mean that any of them 'has' to be right.
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Norton Juster (The Phantom Tollbooth)
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There are no wrong roads to anywhere.
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Norton Juster (The Phantom Tollbooth)
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Expectations is the place you must always go to before you get to where you're going.
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Norton Juster (The Phantom Tollbooth)
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A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.
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Norton Juster (The Phantom Tollbooth)
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Things which are equally bad are also equally good. Try to look at the bright side of things. - Humbug
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Norton Juster (The Phantom Tollbooth)
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Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?
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Norton Juster (The Phantom Tollbooth)
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Let me try once more," Milo said in an effort to explain. "In other words--" "You mean you have other words?" cried the bird happily. "Well, by all means, use them. You're certainly not doing very well with the ones you have now.
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Norton Juster (The Phantom Tollbooth)
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...it's very much like your trying to reach infinity. You know that it's there, you just don't know where-but just because you can never reach it doesn't mean that it's not worth looking for.
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Norton Juster (The Phantom Tollbooth)
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If you want sense, you'll have to make it yourself.
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Norton Juster (The Phantom Tollbooth)
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You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
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Norton Juster (The Phantom Tollbooth)
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What you can do is often simply a matter of what you will do.
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Norton Juster (The Phantom Tollbooth)
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...it's not just learning that's important. It's learning what to do with what you learn and learning why you learn things that matters.
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Norton Juster
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...I'll continue to see things as a child. It's not so far to fall.
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Norton Juster (The Phantom Tollbooth)
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It has been a long trip," said Milo, climbing onto the couch where the princesses sat; "but we would have been here much sooner if I hadn't made so many mistakes. I'm afraid it's all my fault." "You must never feel badly about making mistakes," explained Reason quietly, "as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
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Norton Juster (The Phantom Tollbooth)
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Since you got here by not thinking, it seems reasonable to expect that, in order to get out, you must start thinking.
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Norton Juster (The Phantom Tollbooth)
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For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents." "What does that have to do with it?" asked Milo. "Nothing at all," he answered, "but it's an interesting possibility, don't you think?
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Norton Juster (The Phantom Tollbooth)
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Expect everything so that nothing comes unexpected.
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Norton Juster (The Phantom Tollbooth)
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And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
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Norton Juster (The Phantom Tollbooth)
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You see, to tall men I'm a midget, and to short men I'm a giant; to the skinny ones I'm a fat man, and to the fat ones I'm a thin man.
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Norton Juster (The Phantom Tollbooth)
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You can't improve sound by having only silence. The problem is to use each at the proper time.
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Norton Juster (The Phantom Tollbooth)
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I never knew words could be so confusing," Milo said to Tock as he bent down to scratch the dog's ear. "Only when you use a lot to say a little," answered Tock. Milo thought this was quite the wisest thing he'd heard all day.
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Norton Juster (The Phantom Tollbooth)
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But I suppose there's a lot to see everywhere, if only you keep your eyes open.
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Norton Juster (The Phantom Tollbooth)
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For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
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Norton Juster (The Phantom Tollbooth)
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We never choose which words to use, for as long as they mean what they mean to mean, we don’t care if they make sense or nonsense.
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Norton Juster (The Phantom Tollbooth)
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So many things are possible as long as you don't know they're impossible.
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Norton Juster (The Phantom Tollbooth)
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…it’s not just learning that’s important. It’s learning what to do with what you learn and learning why you learn things that matters.
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Norton Juster
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Infinity is a dreadfully poor place. They can never manage to make ends meet.
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Norton Juster (The Phantom Tollbooth)
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What you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
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Norton Juster (The Phantom Tollbooth)
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Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.
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Norton Juster (The Phantom Tollbooth)
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In this box are all the words I know…Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is to use them well and in the right places.
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Norton Juster (The Phantom Tollbooth)
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Is everyone who lives in Ignorance like you?" asked Milo. "Much worse," he said longingly. "But I don't live here. I'm from a place very far away called Context.
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Norton Juster (The Phantom Tollbooth)
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I don't know of any wrong road to Dictionopolis, so if this road goes to Dictionopolis at all it must be the right road, and if it doesn't it must be the right road to somewhere else, because there are no wrong roads to anywhere. Do you think it will rain?
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Norton Juster (The Phantom Tollbooth)
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Would it be possible for me to see something from up there?" asked Milo politely. "You could," said Alec, "but only if you try very hard to look at things as an adult does." Milo tried as hard as he could, and, as he did, his feet floated slowly off the ground until he was standing in the air next to Alex Bings. He looked around very quickly and, an instant later, crashed back down to the earth again. "Interesting, wasn't it?" asked Alex. "Yes, it was," agreed Milo, rubbing his head and dusting himself off, "but I think I'll continue to see things as a child. It's not so far to fall.
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Norton Juster (The Phantom Tollbooth)
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Sometimes I find the best way of getting from one place to another is simply to erase everything and begin again.
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Norton Juster (The Phantom Tollbooth)
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And now," he continued, speaking to Milo, "where were you on the night of July 27?" "What does that have to do with it?" asked Milo. "It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.
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Norton Juster (The Phantom Tollbooth)
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The Mathemagician nodded knowingly and stroked his chin several times. β€œYou’ll find,” he remarked gently, β€œthat the only thing you can do easily is be wrong, and that’s hardly worth the effort.
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Norton Juster (The Phantom Tollbooth)
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You can swim all day in the Sea of Knowledge and still come out completely dry. Most people do.
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Norton Juster (The Phantom Tollbooth)
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...today people use as many words as they can and think themselves very wise for doing so. For always remember that while it is wrong to use too few, it is often far worse to use too many.
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Norton Juster (The Phantom Tollbooth)
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You see. . . it's really quite strenuous doing nothing all day, so once a week we take a holiday and go nowhere, which was just where we were going when you came along. Would you care to join us?
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Norton Juster (The Phantom Tollbooth)
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We're right here on this very spot. Besides, being lost is never a matter of not knowing where you are; it's a matter of not knowing where you aren't - and I don't care at all about where I'm not.
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Norton Juster (The Phantom Tollbooth)
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He paused again as a tear of longing rolled from cheek to lip with the sweet-salty taste of an old memory.
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Norton Juster (The Phantom Tollbooth)
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So each one of you agrees to disagree with whatever the other one agrees with, but if you both disagree with the same thing, aren't you really in agreement?
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Norton Juster (The Phantom Tollbooth)
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When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he'd even bothered.
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Norton Juster (The Phantom Tollbooth)
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You often learn more by being wrong for the right reasons than right for the wrong reasons.
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Norton Juster (The Phantom Tollbooth)
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I know one thing for certain; it is much harder to tell whether you are lost than whether you were lost, for, on many occasions, where you are going is exactly where you are. On the other hand, if you often find that where you've been is not at all where you should have gone, and, since it's much more difficult to find your way back from someplace you've never left, I suggest you go there immediately and then decide.
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Norton Juster (The Phantom Tollbooth)
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AHA!" interrupted Officer Shrift, making another note in his little book. "Just as I thought: boys are the cause of everything.
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Norton Juster (The Phantom Tollbooth)
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But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them. "Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin--if he could grin at all. "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting.
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Norton Juster (The Phantom Tollbooth)
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Perhaps someday you can have one city as easy to see as Illusions and as hard to forget as Reality.
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Norton Juster (The Phantom Tollbooth)
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And, as you've discovered, so many things are possible just as long as you don't know they're impossible.
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Norton Juster
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You weren't thinking and you weren't paying attention either. People who don't pay attention often get stuck in the Doldrums.
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Norton Juster (The Phantom Tollbooth)
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Oh dear, all those words again," thought Milo as he climbed into the wagon with Tock and the cabinet members. "How are you going to make it move? It doesn't have a--" "Be very quiet," advised the duke, "for it goes without saying.
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Norton Juster
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As the cheering continued, Rhyme leaned forward and touched Milo gently on the shoulder. "They're cheering for you," she said with a smile. "But I could never have done it," he objected, "without everyone else's help." "That may be true," said Reason gravely, "but you had the courage to try; and what you can do is often simply a matter of what you *will* do." "That's why," said Azaz, "there was one very important thing about your quest that we couldn't discuss until you returned. "I remember," said Milo eagerly. "Tell me now." "It was impossible," said the king, looking at the Mathemagician. "Completely impossible," said the Mathemagician, looking at the king. "Do you mean----" said the bug, who suddenly felt a bit faint. "Yes, indeed," they repeated together; "but if we'd told you then, you might not have gone---and, as you've discovered, so many things are possible just as long as you don't know they're impossible." And for the remainder of the ride Milo didn't utter a sound.
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Norton Juster (The Phantom Tollbooth)
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Why is it,' he said quietly, 'that quite often even the things which are correct just don't seem to be right?
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Norton Juster (The Phantom Tollbooth)
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Perhaps you'd care for a synonym bun," suggested the duke.
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Norton Juster
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Being lost is not a matter of knowing where you are. It's a matter of knowing where you aren't.
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Norton Juster (The Phantom Tollbooth)
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They all looked very much like the residents of any small valley to which you've never been.
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Norton Juster (The Phantom Tollbooth)
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My goodness', thought Milo. 'Everybody is so terribly sensitive about the things they know best.
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Norton Juster (The Phantom Tollbooth)
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Do you think it will rain? Milo: But I thought you were the Weather Man? No, I'm the Whether man, for it is more important to know whether there will be weather, whether than what the weather will be.
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Norton Juster (The Phantom Tollbooth)
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Where is the sound?" someone hastily scribbled on the blackboard, and they all waited anxiously for the reply. Milo caught his breath, picked up the chalk, and explained simply, "It's on the tip of my tongue.
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Norton Juster (The Phantom Tollbooth)
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Does everyone grow the way you do?" puffed Milo when he had caught up. "Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up towards the sky. But we do our best to discourage awkward things like that." "What happens to them?" insisted Milo. "Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods.
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Norton Juster (The Phantom Tollbooth)
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I'm the Whether Man, not the Weather Man, for after all it's more important to know whether there will be weather than what the weather will be.
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Norton Juster (The Phantom Tollbooth)
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And remember, also...that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
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Norton Juster (The Phantom Tollbooth)
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Why don't they live in Illusions?' suggested the Humbug. 'It's much prettier.' 'Many of them do,' he answered, walking in the direction of the forest once again, 'but it's just as bad to live in a place where what you do see isn't there as it is to live in one where what you don't see is.
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Norton Juster (The Phantom Tollbooth)
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You must excuse my gruff conduct,” the watchdog said, after they’d been driving for some time, β€œbut you see it’s traditional for watchdogs to be ferocious.
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Norton Juster (The Phantom Tollbooth)
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But I could never have done it," he objected, "without everyone else's help." "That may be true," said Reason gravely, "but you had the courage to try; and what you can do is often simply a matter of what you will do.
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Norton Juster (The Phantom Tollbooth)
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Have you ever heard the wonderful silence just before the dawn?" she inquired. "Or the quiet and calm just as the storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause in a roomful of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're all alone in the whole house? Each one is different, you know, and all very beautiful, if you listen carefully.
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Norton Juster (The Phantom Tollbooth)
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Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up toward the sky. But we do our best to discourage awkward things like that." "What happens to them?" insisted Milo. "Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars.
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Norton Juster (The Phantom Tollbooth)
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How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet. "Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones." "Then where is Reality?" barked Tock. "Right here,"cried Alec, waving his arms.
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Norton Juster (The Phantom Tollbooth)
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What a shame," signed the Dodecahedron. "They're so very useful. Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?" "Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped. "I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him." "That's absurd," objected Milo, whose head was spinning from all the numbers and questions. "That may be true," he acknowledged, "but it's completely accurate, and as long as the answer is right, who cares if the question is wrong? If you want sense, you'll have to make it yourself.
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Norton Juster (The Phantom Tollbooth)
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Outside the window, there was so much to see, and hear, and touch β€” walks to take, hills to climb, caterpillars to watch as they strolled through the garden. There were voices to hear and conversations to listen to in wonder, and the special smell of each day. And, in the very room in which he sat, there were books that could take you anywhere, and things to invent, and make, and build, and break, and all the puzzle and excitement of everything he didn't know β€” music to play, songs to sing, and worlds to imagine and then someday make real. His thoughts darted eagerly about as everything looked new β€” and worth trying. "Well, I would like to make another trip," he said, jumping to his feet; "but I really don't know when I'll have the time. There's just so much to do right here.
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Norton Juster (The Phantom Tollbooth)
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They walked for a while, all silent in their thoughts, until they reached the car and Alec drew a fine telescope from his shirt and handed it to Milo. "Carry this with you on your journey," he said softly, "for there is much worth noticing that often escapes the eye. Through it you can see everything from the tender moss in a sidewalk crack to the glow of the farthest star β€” and, most important of all, you can see things as they really are, not just as they seem to be. It's my gift to you.
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Norton Juster (The Phantom Tollbooth)
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But that can never be," said Milo, jumping to his feet. "Don't be too sure," said the child patiently, "for one of the nicest things about mathematics, or anything else you might care to learn, is that many of the things which can never be, often are. You see," he went on, "it's very much like your trying to reach Infinity. You know that it's there, but you just don't know where β€” but just because you can never reach it doesn't mean that it's not worth looking for.
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Norton Juster (The Phantom Tollbooth)
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Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?" "Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped. "I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him.
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Norton Juster (The Phantom Tollbooth)
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Now, remember: they're not for eating, but for listening, because you'll often be hungry for sounds as well as food. Here are street noises at night, train whistles from a long way off, dry leaves burning, busy department stores, crunching toast, creaking bed springs, and of course, all kinds of laughter. There's a little of each, and in far off, lonely places, I think you will be glad to have them.
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Norton Juster (The Phantom Tollbooth)
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just follow that line forever," said the Mathemagician, "and when you reach the end, turn left. There you'll find the land of Infinity, where the tallest, the shortest, the biggest, the smallest, and the most and least of everything are kept." "I don't have that much time," said Milo anxiously. "isn't there a quicker way?" "Well, you might try this flight of stairs," he suggested, opening another door and pointing up."It goes there, too.
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Norton Juster (The Phantom Tollbooth)
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I warned you; I warned you I was the Senses Taker," sneered the Senses Taker. "I help people find what they're not looking for, hear what they're not listening for, run after what they're not chasing, and smell what isn't even there. And, furthermore," he cackled, hopping around gleefully on his stubby legs, "I'll steal your sense of purpose, take your sense of duty, destroy your sense of proportion β€” and, but for one thing, you'd be helpless yet." "What's that?" asked Milo fearfully. "As long as you have the sound of laughter," he groaned unhappily, "I cannot take your sense of humor β€” and, with it, you've nothing to fear from me.
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Norton Juster (The Phantom Tollbooth)
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Dictionopolis is the place where all the words in the world come from. They're grown right here in our orchards." "I didn't know that words grew on trees," said Milo timidly. "Where did you think they grew?" shouted the earl irritably. A small crowd began to gather to see the little boy who didn't know that letters grew on trees. "I didn't know they grew at all," admitted Milo even more timidly. Several people shook their heads sadly. "Well, money doesn't grow on trees, does it?" demanded the count. "I've heard not," said Milo. "Then something must. Why not words?" exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business.
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Norton Juster (The Phantom Tollbooth)
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But there's so much to learn," he said, with a thoughtful frown. "Yes, that's true," admitted Rhyme; "but it's not just learning things that's important. It's learning what to do with what you learn and learning why you learn things at all that matters." "That's just what I mean," explained Milo as Tock and the exhausted bug drifted quietly off to sleep. "Many of the things I'm supposed to know seem so useless that I can't see the purpose in learning them at all." "You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way.
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Norton Juster (The Phantom Tollbooth)
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Don't you know anything at all about numbers?" "Well, I don't think they're very important," snapped Milo, too embarrassed to admit the truth. "NOT IMPORTANT!" roared the Dodecahedron, turning red with fury. "Could you have tea for two without the two β€” or three blind mice without the three? Would there be four corners of the earth if there weren't a four? And how would you sail the seven seas without a seven?" "All I meant wasβ€”" began Milo, but the Dodecahedron, overcome with emotion and shouting furiously, carried right on. "If you had high hopes, how would you know how high they were? And did you know that narrow escapes come in all different widths? Would you travel the whole wide world without ever knowing how wide it was? And how could you do anything at long last," he concluded, waving his arms over his head, "without knowing how long the last was? Why, numbers are the most beautiful and valuable things in the world. Just follow me and I'll show you." He turned on his heel and stalked off into the cave.
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Norton Juster (The Phantom Tollbooth)
β€œ
It's completely logical," explained the Dodecahedron. "The more you want, the less you get, and the less you get, the more you have. Simple arithmetic, that's all. Suppose you had something and added something to it. What would that make?" "More," said Milo quickly. "Quite correct," he nodded. "Now suppose you had something and added nothing to it. What would you have?" "The same," he answered again, without much conviction. "Splendid," cried the Dodecahedron. "And suppose you had something and added less than nothing to it. What would you have then?" "FAMINE!" roared the anguished Humbug, who suddenly realized that that was exactly what he'd eaten twenty-three bowls of.
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Norton Juster (The Phantom Tollbooth)
β€œ
You see," he continued, beginning to feel better, "once there was no time at all, and people found it very inconvenient. They never knew wether they were eating lunch or dinner, and they were always missing trains. So time was invented to help them keep track of the day and get to places where they should. When they began to count all the time that was available, what with 60 seconds in a minute and 60 minutes in an hour and 24 hours in a day and 365 days in a year, it seemed as if there was much more than could ever be used. 'If there's so much of it, it couldn't be very valuable,' was the general opinion, and it soon fell into dispute. People wasted it and even gave it away. Then we were giving the job of seeing that no one wasted time again," he said, sitting up proudly. "It's hard work but a noble calling. For you see"- and now he was standing on the seat, one foot on the windshield, shouting with his ams outstretched- "it is our most valuable possession, more precious than diamonds. It marches on, it and tide wait for no man, and-" At that point in the speech the car hit a bump in the road and the watchdog collapsed in a heap on the front seat with his alarm ringing furiously.
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Norton Juster (The Phantom Tollbooth)
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Is everyone with one face called a Milo?" "Oh no," Milo replied; "some are called Henry or George or Robert or John or lots of other things." "How terribly confusing," he cried. "Everything here is called exactly what it is. The triangles are called triangles, the circles are called circles, and even the same numbers have the same name. Why, can you imagine what would happen if we named all the twos Henry or George or Robert or John or lots of other things? You'd have to say Robert plus John equals four, and if the four's name were Albert, things would be hopeless." "I never thought of it that way," Milo admitted. "Then I suggest you begin at once," admonished the Dodecahedron from his admonishing face, "for here in Digitopolis everything is quite precise.
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Norton Juster (The Phantom Tollbooth)
β€œ
There’s lots to do; we have a very busy scheduleβ€”β€” β€œAt 8 o’clock we get up, and then we spend β€œFrom 8 to 9 daydreaming. β€œFrom 9 to 9:30 we take our early midmorning nap. β€œFrom 9:30 to 10:30 we dawdle and delay. β€œFrom 10:30 to 11:30 we take our late early morning nap. β€œFrom 11:30 to 12:00 we bide our time and then eat lunch. β€œFrom 1:00 to 2:00 we linger and loiter. β€œFrom 2:00 to 2:30 we take our early afternoon nap. β€œFrom 2:30 to 3:30 we put off for tomorrow what we could have done today. β€œFrom 3:30 to 4:00 we take our early late afternoon nap. β€œFrom 4:00 to 5:00 we loaf and lounge until dinner. β€œFrom 6:00 to 7:00 we dillydally. β€œFrom 7:00 to 8:00 we take our early evening nap, and then for an hour before we go to bed at 9:00 we waste time. β€œAs you can see, that leaves almost no time for brooding, lagging, plodding, or procrastinating, and if we stopped to think or laugh, we’d never get nothing done.
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Norton Juster (The Phantom Tollbooth)
β€œ
I don't think you understand," said Milo timidly as the watchdog growled a warning. "We're looking for a place to spend the night." "It's not yours to spend," the bird shrieked again, and followed it with the same horrible laugh. "That doesn't make any sense, you seeβ€”" he started to explain. "Dollars or cents, it's still not yours to spend," the bird replied haughtily. "But I didn't meanβ€”" insisted Milo. "Of course you're mean," interrupted the bird, closing the eye that had been open and opening the one that had been closed. "Anyone who'd spend a night that doesn't belong to him is very mean." "Well, I thought that byβ€”" he tried again desperately. "That's a different story," interjected the bird a bit more amiably. "If you want to buy, I'm sure I can arrange to sell, but with what you're doing you'll probably end up in a cell anyway." "That doesn't seem right," said Milo helplessly, for, with the bird taking everything the wrong way, he hardly knew what he was saying. "Agreed," said the bird, with a sharp click of his beak, "but neither is it left, although if I were you I would have left a long time ago.
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Norton Juster (The Phantom Tollbooth)
β€œ
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
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Norton Juster (The Phantom Tollbooth)