Noon Nap Quotes

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Maycomb was a tired old town, even in 1932 when I first knew it. Somehow, it was hotter then. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon after their three o'clock naps. And by nightfall were like soft teacakes with frosting from sweating and sweet talcum. The day was twenty-four hours long, but it seemed longer. There's no hurry, for there's nowhere to go and nothing to buy...and no money to buy it with.
Harper Lee (To Kill a Mockingbird)
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
I don't feel old. I don't feel anything till noon. That's when it's time for my nap.
Bob Hope
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon – layers upon layers of life, always something more, new, deeper.
Lauren Oliver (Before I Fall)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
The next morning Shinn asked for a continuance. Being in a strange bed, and an even stranger place, he hadn't slept well the night before, and he didn't eel he could effectively defend his client. These were not all of his troubles, Shinn admitted. "I am now having marital problems, Your Honor. My wife thinks I am spending the night with some other woman. She doesn't read English. Now my dog won't even talk to me." Declining comment on his domestic woes, Older suggested that Shinn catch a nap during the noon recess. Motion denied.
Vincent Bugliosi (Helter Skelter: The True Story of the Manson Murders)
Ladies bathed before noon, after their three o-clock naps, and by nightfall were like soft tea-cakes with frosting of sweat and sweet talcolm.
Harper Lee (To Kill a Mockingbird)
They walked for some time without encountering anything more intelligent than a flock of geese crossing the road and a pair of cows napping in the sun. It was well past noon when Montford
Maggie Fenton (The Duke's Holiday (The Regency Romp Trilogy, #1))
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft tea-cakes with frostings of sweat and sweet talcolm.
Harper Lee (To Kill a Mockingbird)
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft tea-cakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Ladies bathed before noon, after their three-o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee
The sun is beautiful, long and low on the horizon like it’s stretching itself, like it’s shaking off a nap, and I know underneath this weak winter light is the promise of days that last until eight P.M. and pool parties and the smell of chlorine and burgers on the grill; and underneath that is the promise of trees lit up in red and orange like flames and spiced cider, and frost that melts away by noon—layers upon layers of life, always something more, new, deeper. It makes me feel like crying,
Lauren Oliver (Before I Fall)
the posters around town made the group even more excited about the readings. Mrs. Peters pulled a thick itinerary out of her purse and went over it with her fellow travelers. “Let’s all take a quick nap when we arrive and then perhaps we can go for a walk around the city before dinner,” she said. “The stories will be read at the cemetery at noon tomorrow, so we’ll meet in the lobby at ten o’clock for the complimentary breakfast, or if you want to sleep in, we’ll be leaving the hotel at eleven o’clock sharp.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Faith and troth now, master," quoth Sancho, "you did ill to talk of death, Heaven bless us, it is no child's play; you have e'en spoiled my dinner; the very thought of raw bones and lanthorn jaws make me sick. Death eats up all things, both the young lamb and old sheep; and I have heard our parson say, death values a prince no more than a clown; all is fish that comes to his net; he throws at all, and sweeps stakes; he is no mower that takes a nap at noon-day, but drives on, fair weather or foul, and cuts down the green grass as well as the ripe corn: he is neither squeamish nor queasy-stomached, for he swallows without chewing, and crams down all things into his ungracious maw; and though you can see no belly he has, he has a confounded dropsy, and thirsts after men's lives, which he guzzles down like mother's milk.
Miguel de Cervantes Saavedra (Don Quixote)
45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
Anne Sexton
No other city I know can match the sheer vitality of Rome at the hour just before midmorning. Rome wakes with a self-satisfied stretching of the limbs and a deep inhalation, stimulating the lungs, quickening the pulse. Rome wakes with a smile, roused from pleasant dreams, for every night Rome goes to sleep dreaming a dream of empire. In the morning Rome opens her eyes, ready to go about the business of making that dream come true in broad daylight. Other cities cling to sleep—Alexandria and Athens to warm dreams of the past, Pergamum and Antioch to a coverlet of Oriental splendor, little Pompeii and Herculaneum to the luxury of napping till noon. Rome is happy to shake off sleep and begin her agenda for the day. Rome has work to do. Rome is an early riser.
Steven Saylor (Roman Blood (Roma Sub Rosa, #1))
The family has always been a very important part of Italian life. In country areas, it is still common for grandparents, parents, and children to live in the same house. Even when young couples find a home of their own, they like to visit their parents regularly. In recent years, the traditional closeness of the family has become less important for some Italians, especially in the big cities. Each year thousands of young people from the southern regions leave their families and move north, to find work in the industrial areas. A typical Italian family in a town lives in an apartment, probably with a kitchen, dining room, living room, bathroom, and two or three bedrooms. Children come home from school around noon. Many workers also come home for a two-hour break, joining the family for a large midday meal, and perhaps taking a nap afterward, before returning to work. For children, the afternoon is usually occupied with homework, after which there is time for play or activities such as swimming or judo. The evening meal is usually small and taken while watching television, reading, or enjoying conversation.
Marilyn Tolhurst (Italy (People & Places))
I don't feel old. I don't feel anything till noon. That's when it's time for my nap. Bob Hope
Joseph Demakis (The Ultimate Book Of Quotations)
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Maycomb was a tired old town, even in 1932 when I first knew it. Somehow, it was hotter then. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon after their three o'clock naps. And by nightfall were like soft teacakes with frosting from sweating and sweet talcum. The day was twenty-four hours long, but it seemed longer. There's no hurry, for there's nowhere to go and nothing to buy...and no money to buy it with.
null
Château Latour, he drank an 1865 that was a revelation. Michael Broadbent was a staunch observer of that archaic British midmorning pick-me-up known as elevenses; every day he could be found, before noon, enjoying a glass of dry Madeira, German white wine, or Champagne. At 2:45 p.m., he would take a twenty-minute nap. Toward evening he would have a glass of Champagne or Tio Pepe
Benjamin Wallace (The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine)
It was past noon and the alley was deserted, overbright and shadow-less. She had just woken up from a nap. Long was at work. The dog was in a rectangular cage, its snout muzzled. It had been deposited on the curb in front of the restaurant, destined to be eaten in one of the seven ways advertised on the sign. It was a small, skeletal thing, with jutting hip bones Winnie could make out all the way from the balcony, but it was so filthy that she couldn't tell what color it was supposed to be. And as she watched, the animal lifted its head and locked eyes with Winnie, and Winnie had to hold on to the railing to steady herself because there was such raw anger in those eyes that her whole body shuddered in response. In that moment Winnie felt something strangely akin to envy. There was something wild and unquenchable even in a cage, in the last hours before it became someone's dinner that the dog possessed, which Winnie had never figured out how to cultivate correctly inside herself. She did not pity the dog; she pitied herself, and this was why she knew she had to free it.
Violet Kupersmith (Build Your House Around My Body)
And yet the doctor had warned him: under no circumstances should he take his medicine on an empty stomach, not unless he had breakfast right after. And in fact, very often, when he took his pills on an empty stomach, the first thing he did was limp to the toilet so he could throw up, holding his hands out before him like a bad actor imitating a blind man, still between sleep and waking, eyes squinted shut, mouth gummy from sleep. The acid odor of the vomit would wake him. He hoped this didn’t interfere with the treatment, he hoped the pills had had time to dissolve in his stomach and spread through his tissues and bloodstream between the time he’d swallowed them and the moment when he found himself on his knees against the toilet, leaning over the bowl, hands firmly planted on the plastic seat—because he was afraid of drowning in the toilet bowl, drowning in the water and the rejected contents of his stomach, and his body would be racked with spasms, and there would be nothing left to throw up since he hadn’t eaten, and his body would contract, arch, and twist the way you wring out a damp rag to squeeze out the last drops of water. Even if he didn’t throw up, the nausea would persist from morning to night. Often he took a nap in the afternoon. He’d get up at noon, wander around the apartment, then go back to bed at two, get up at six, and nervously wait for dark so he could go back to bed again. He had to follow the course of treatment, his body didn’t tolerate it well, and since it began his nights had stretched from eight hours to fifteen or sixteen hours per day, and the whole time he kept thinking, After all you’ve been through.
Édouard Louis (Histoire de la violence)