Compression Spring Quotes

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She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he’d never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light. For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside. Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.
Tom Robbins (Even Cowgirls Get the Blues)
Time compresses, springs forward.
Lauren Groff (Matrix)
I never knew him. We both knew this place, apparently, this literal small backwater, looked at it long enough to memorize it, our years apart. How strange. And it's still loved, or its memory is (it must have changed a lot). Our visions coincided--'visions' is too serious a word--our looks, two looks: art 'copying from life' and life itself, life and the memory of it so compressed they've turned into each other. Which is which? Life and the memory of it cramped, dim, on a piece of Bristol board, dim, but how live, how touching in detail --the little that we get for free, the little of our earthly trust. Not much. About the size of our abidance along with theirs: the munching cows, the iris, crisp and shivering, the water still standing from spring freshets, the yet-to-be-dismantled elms, the geese.
Elizabeth Bishop (Geography III)
But storing magazines full of bullets was a bad idea. Leave them long enough, the spring in the magazine learns its compressed shape and won’t function right. More jams are caused by tired magazine springs than any other single reason. Better to keep the gun with a single shell locked in the chamber and all the other bullets loose. You can fire once right-handed while you thumb loose shells into an empty magazine with your left. Slower than the ideal, but a lot better than pulling the trigger and hearing nothing at all except a dull click. He closed the kitchen
Lee Child (Without Fail (Jack Reacher, #6))
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Lan leaned against his saddle with apparent casualness, but one hand rested ostentatiously on the long hilt of his sword. There was an air about him of a metal spring, compressed, waiting. Rand hurriedly copied the Warder’s pose—at least insofar as putting his hand on his sword. He did not think he could achieve that deadly-seeming slouch. They’d probably laugh if I tried. Perrin eased his axe in its leather loop and planted his feet deliberately. Mat put a hand to his quiver, though Rand was not sure what condition his bowstring was in after being out in all this damp. Thom Merrilin stepped forward grandly and held up one empty hand, turning it slowly. Suddenly he gestured with a flourish, and a dagger twirled between his fingers. The hilt slapped into his palm, and, abruptly nonchalant, he began trimming his fingernails. A low, delighted laugh floated from Moiraine. Egwene clapped as if watching a performance at Festival, then stopped and looked abashed, though her mouth twitched with a smile just the same.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
But I learned from these new books that Southerners think we are really rather sad. They have an idea of a people dwelling on a mountain, inbred, lonely, mysterious; that we ritually climb and descend, and make sacrifices, and burn eternal flames, and send bridal parties from village to village in the spring so men like Daila can impregnate women like me, all in order to placate something implacable. They see our culture as rich, in the same way perhaps that a seam of ancient ore is rich — because of compression and repression. They imagine that we drink a lot, even more than we do (and it is a thing I learned from the bar, that they drink as much as we, that every culture that’s discovered alcohol drinks too much) and that we are poorer than we are because only a few of us sell anything to them. A melancholy drunken land, a land of storytellers, a land of sly jokes, an Asam-hating land, and nothing like the land I remembered. It was as if someone had constructed a scaffolding around us, and then removed us and written only about the scaffolding. The more I read, the more the materials of the scaffolding — splintered wood, narrow pipes of metal — slid into the hollows of my bones. I knew that the next time I went to the mountain, I would have a stranger’s mind in mine. Though I walked in streets I had known since girlhood, I would never again be able to step upon them without an erudite word in my head and a bracing of metal in my marrow.
Isaac Fellman (The Breath of the Sun)
We had a patient spring up after one (1) compression and scream, “You sank my battleship!
Kerry Hamm (Reason for the Season: A Collection of Reader-Submitted Medical Stories)
We had a patient spring up after one (1) compression and scream, “You sank my battleship!” Scared the shit out of everyone in the room. I’ve seen a lot, but that’s one of my top three craziest work stories.
Kerry Hamm (Reason for the Season: A Collection of Reader-Submitted Medical Stories)
Uh, hello hello! Uhm, for today's lesson we will be continuing our training on proper suit handling technique. When using an animatronic as a suit, please ensure that the animatronic parts are tightly compressed and fastened, by the spring lock located around inside of the suit. It may take a few moments, position your head and torso between these parts, in a manner where you can move and speak. Try not to nudge or press against ANY of the spring locks inside the suit. Do not touch the spring lock at any time. Do not breathe on a spring lock, as moisture may loosen them, and cause them to break loose. In case that the spring lock comes loose while wearing the suit, please try to maneuver away from populated areas, before bleeding out, as to not ruin the customer experience. As always, if there is ever an emergency, please go to the designated safe room. Every location is filled with 1 extra room, that is not included in the digital map layout programmed for the animatronics or security systems. This room is hidden to customers and animatronics, and is always off camera. As always, remember to smile, as you are the face of Freddy Fazbear's Pizza.
Andrew Mills (Five Nights at Freddy's 3 Ultimate Strategy Guide, Walkthrough, Secrets, Tips and Tricks)
I have observed an analogy between a force field equilibrium and resistance to change in organizations. Let us imagine change to be a coiled spring in a field of opposing forces, such that some forces support change and others resist it. By increasing supporting forces such as supervisory pressure, prospects of career growth and monetary benefits or decreasing the resisting forces such as group norms, social rewards and work avoidance, the situation can be directed towards the desired result - but for a short time only, and that too only to a certain extent. After a while the resisting forces push back with greater force as they are compressed even more tightly. Therefore, a better approach would be to decrease the resisting force in such a manner that there is no concomitant increase in the supporting forces. In this way, less energy will be needed to bring about and maintain change. The result of the forces i mentioned above, is motive.
Arun Tiwari
History in the Middle East has a marvelous elasticity. It is easily stretched, twisted, compressed in the hands of its custodians, squeezed to fit into any thesis of righteous cause or pious grief. But it also has a way of springing back into an inconvenient form, a shape made of hard reminders. Certain features of the past remain as immutable as the ancient stones in Jerusalem—the Western Wall of huge Herodian blocks, the outcropping of bedrock from which Muhammad is said to have ascended to heaven, the stone core of Calvary now encased in ornate grillwork and marble in the Church of the Holy Sepulchre. The stones are cool to the touch, to the lips, to the Jewish, Muslim, and Christian fingers that tremble as they reach out in faith. The people are imprisoned by history. To draw the boldest outlines of the past is to make Israel’s basic case. To sketch the present is to see the Arabs’ plight.
David K. Shipler (Arab and Jew: Wounded Spirits in a Promised Land)
I saw that he stayed on alert, looking out for a woman who was worth looking at. He didn’t intend to do harm with his habitual judgment. He didn’t recognize that his attitude was capable of inflicting harm. Yet he felt entitled to do as he did, and entitlement is aggression compressed like a barbed spring beneath an expectation. He taught me that women could never escape male notice and evaluation, not even married mothers on a Sunday morning, weeding their front yards.
Charlotte Shane (An Honest Woman: A Memoir of Love and Sex Work)
Curran tensed, his whole body compressing like a tight spring, and leaped onto a six-foot-high concrete boulder. He landed light and straightened, his gaze fixed on the crumbling corpse of the big-box store. His broad shoulders and the line of his back curved slightly. The wind pulled on his sweats, revealing a glimpse of his hard body, muscles ready to launch him at some unseen threat in an instant. That potential power was like a magnet. If I didn’t know him and I was driving by, I would’ve stopped to get a second look, trying to figure out who that scary hot bastard was. I would go home with him tonight. Go me. Okay. There was something seriously wrong with me. First, I was staring at him like some sort of love-struck idiot. Second, I was doing it while sitting in the middle of the street with the motor running. If another vehicle came barreling down the road, I’d get to experience the fun and excitement of a head-on collision. I pulled the car to the curb. It was a consequence of the blood loss. Sure. That was it.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
The action of the device was as follows: when the bullet was trodden on, the cartridge would be pushed down the tube. The striker head in contact with it would also be pushed down, and the extension tube as it moved down the spindle would collapse the umbrella spring. When this was flush with the spindle, the sleeve would be released and under the influence of the compression spring would give the striker head a hearty kick in the pants so that the cartridge was fired. The unfortunate fellow who was doing the treading would then get shot through the foot and any other part of his anatomy which happened to be in the line of fire. The troops soon christened this device ‘The Castrator’.
Stuart Macrae (Winston Churchill's Toyshop: The Inside Story of Military Intelligence)
An umbrella spring — the kind that enables one to put a gamp up and down — was let into the spindle and so placed that when the sleeve was pushed down and the spring beneath it was fully compressed, the umbrella spring would pop out to lock it there.
Stuart Macrae (Winston Churchill's Toyshop: The Inside Story of Military Intelligence)