Noon Coffee Quotes

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I will remember the kisses our lips raw with love and how you gave me everything you had and how I offered you what was left of me, and I will remember your small room the feel of you the light in the window your records your books our morning coffee our noons our nights our bodies spilled together sleeping the tiny flowing currents immediate and forever your leg my leg your arm my arm your smile and the warmth of you who made me laugh again.
Charles Bukowski
If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills. As far as I can tell, they never get up before noon unless there's some sort of national emergency, like my leg hair.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I will remember your small room, the feel of you, the light in the window, your records, your books, our morning coffee, our noons, our nights, our bodies spilled together, sleeping, the tiny flowing currents, immediate and forever. Your leg, my leg, your arm, my arm, your smile and the warmth of you who made me laugh again.
Charles Bukowski
Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Either way, he figured a cup of coffee would hit the spot. For what is more versatile? As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night.
Amor Towles (A Gentleman in Moscow)
coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night. “It’s
Amor Towles (A Gentleman in Moscow)
I will remember your small room, the feel of you, the light in the window, your records, your books, our morning coffee, our noons, our nights, our bodies spilled together, sleeping, the tiny flowing currents, immediate and forever. Your leg, my leg, your arm, my arm, your smile and the warmth of you who made me laugh again.
Chales Bukowski
Maybe kissing is sort of like nature's coffee. -Jonathan
Scott Westerfeld (Blue Noon (Midnighters, #3))
Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home — and regardless of whether or not I have been to bed — breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert… Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good music… All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.
Hunter S. Thompson
I only believe in the easy things, like red lipstick and coffee before noon and writing essays in pen. I make my mind up about boys and then I unmake it, compare us to continental drift, two ships passing. I hit the snooze button too often. Write disposable poems on napkins and old homework, try to discipline myself when it comes to removing my makeup before bed. I am trying to understand men better, cut them some slack, write about them less. I dream about oceans and mountains and wolves. I do not always love myself. I do not always forgive myself. I write apology letters and do not send them. Usually, I do not mean it when I tell someone goodbye.
Kristina Haynes
Coffee, my delight of the morning; yoga, my delight of the noon. Then before nightfall, I run along the pleasant paths of the Jardin du Luxembourg. For when air cycles through the lungs, and the body is busy at noble tasks, creativity flows like water in a stream: the artist creates, the writer writes.
Roman Payne
Filled with a new sense of purpose, I downed half my coffee at one draught. It was good, strong stuff, the kind that Louis L’Amour used to say could float a horseshoe. Nobody ever drank weak coffee in his books. It was probably why they were so anxious to shoot people at high noon.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
Marion and Alice were all for not using and so all went to sleep that night with a grim resolve. They got up about noon, smoked a joint with their coffee, feeling good about the fact that they werent giving any thought to not using, and sat around for a while, watched a little television, talked about maybe eating something, but not really feeling like it, then sort of moped around thinking and talking about the various things that should be done that day and making plans for doing them, then watched a little more TV, and more coffee, and more grass, spending much of the time dabbing at their running eyes and noses, and by three oclock they realized they were making a big deal out of nothing, that if they really wanted to stop using they certainly could, they were proving that right then, but it was stupid to panic and to think the world was coming to an end just because they couldnt score for any uncut weight right now, so they got back into the spoon. Their noses and eyes cleared up and they listened to music as they ate. A
Hubert Selby Jr. (Requiem for a Dream)
He was amused by their ‘ass stories’ (histoires de cul) told over morning coffee at noon about their exploits the night before.
Edmund White (Our Young Man)
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
he figured a cup of coffee would hit the spot. For what is more versatile? As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleaguered in the middle of the night.
Amor Towles (A Gentleman in Moscow)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
Madhav literally grew up in all their restaurants. He got used to Aavin milk when he was five months old and filter coffee a year later. When he was five, Padmavathy would pick him up from school at noon and take him to one of their restaurants. He would do his homework as she supervised the eatery. Idly, dosa and vada filled his ears as much as ‘Baa-baa black sheep’. ‘Three portions of rice and one portion of udat dal for idly’ was as much a formula he memorised as (a+b)2.
Hariharan Iyer (Surpanakha)
But as their journey progressed such interruptions came to seem more and more unreal to Andrews. The reality of their journey lay in the routine detail of bedding down at night, arising in the morning, drinking black coffee from hot tin cups, packing bedrolls upon gradually wearying horses, the monotonous and numbing movement over the prairie that never changed its aspect, the watering of the horses and oxen at noon, the eating of hard biscuit and dried fruit, the resumption of the journey, the fumbling setting up of camp in the darkness, the tasteless quantities of beans and bacon gulped savagely in the flickering darkness, the coffee again, and the bedding down. This came to be a ritual, more and more meaningless as it was repeated, but a ritual which nevertheless gave his life the only shape it now had. It seemed to him that he moved forward laboriously, inch by inch, over the space of the vast prairie; but it seemed that he did not move through time at all, that rather time moved with him, an invisible cloud that hovered about him and clung to him as he went forward.
John Williams (Butcher's Crossing)
Without any prior warning, the ground suddenly gave way. He had a falling sensation and he lost all sense of reality. There weren’t four colleagues sitting in front of him in an office, it wasn’t a murder case, it wasn’t a warm summer’s day in Oslo, no-one called Rakel and Oleg ever existed. He knew that this brief panic attack could be followed by others and he hung on by his fingertips. Harry lifted his mug of coffee and drank slowly while he collected himself. He determined that when he heard the sound of the mug being put down on the desk he would be back, here, in this reality.
Jo Nesbø (The Devil's Star (Harry Hole, #5))
Up near the top, underlined and in capitals were the words: 'READ THIS.' Jay grimaced as she wondered what she was in for. Would it be a semi-literate political rant, a half-baked conspiracy theory or a quasi-religious manifesto? Perhaps it was just a very long suicide note: a self-pitying list of misfortune and hardship. Whatever it was she doubted it would contain anything useful. Unable to put it off any longer, she finished her coffee and began: 'We are all stories that we tell ourselves, memories selected to fit our chosen form. What becomes of us when there is no-one there to read?
K VALIS (Mortlake and Other Stories)
What was it like to live with genius? Like living alone. Like living alone with a tiger. Everything had to be sacrificed for the work. Plans had to be canceled, meals had to be delayed; liquor had to be bought, as soon as possible, or else all poured into the sink. Money had to be rationed or spent lavishly, changing daily. The sleep schedule was the poet’s to make, and it was as often late nights as it was early mornings. The habit was the demon pet in the house; the habit, the habit, the habit; the morning coffee and books and poetry, the silence until noon. Could he be tempted by a morning stroll? He could, he always could; it was the only addiction where the sufferer longed for anything but the desired; but a morning walk meant work undone, and suffering, suffering, suffering. Keep the habit, help the habit; lay out the coffee and poetry; keep the silence; smile when he walked sulkily out of his office to the bathroom. Taking nothing personally. And did you sometimes leave an art book around with a thought that it would be the key to his mind? And did you sometimes put on music that might unlock the doubt and fear? Did you love it, the rain dance every day? Only when it rained.
Andrew Sean Greer (Less (Arthur Less, #1))
The next morning, of course, Betsy made a list. Lists were always her comfort. For years she had made lists of books she must read, good habits she must acquire, things she must do to make herself prettier—like brushing her hair a hundred strokes at night, and manicuring her fingernails, and doing calisthenics before an open window in the morning. (That one hadn’t lasted long.) It was fun making this list, sitting in bed with her breakfast tray on her lap…hot chocolate, crisp hard rolls, and a pat of butter. Hanni had brought it to her after closing the windows and pushing back the velvet draperies. Betsy felt like a heroine in one of her own stories; their maids always awakened them that way. 1. Learn the darn money. 2. Study German. (You’ve forgotten all you knew.) 3. Buy a map and learn the city—from end to end, as you told Papa you would. 4. Read the history of Bavaria. You must have it for background. 5. Go to the opera. (You didn’t stay in Madeira because Munich is such a center for music and art???) 6. Go to the art galleries. (Same reason.) 7. Write! Full of enthusiasm, she planned a schedule. First, each morning, she would have her bath, and then write until noon. After the midday dinner she would go out and learn the city. She would go to the galleries, museums, and churches. She would have coffee out—for atmosphere. “Then I’ll come home and study German and read Bavarian history. And after supper…” she tried not to remember the look of that dining room…“I’ll write my diary-letter, except when I go to the opera or concerts.
Maud Hart Lovelace (Betsy and the Great World / Betsy's Wedding (Betsy-Tacy #9-10))
Karras sat alone and sipped bleakly at his coffee. He felt warm in the sweater that he wore beneath his cassock; felt weak in his failure to have given Chris comfort. Then a memory of childhood shimmered up sadly, a memory of Ginger, his mongrel dog, growing skeletal and dazed in a box in the apartment; Ginger shivering with fever and vomiting while Karras covered her with towels, tried to make her drink warm milk, until a neighbor came by and saw it was distemper, shook his head and said, "Your dog needed shots right away." Then dismissed from school one after-noon... to the street... in columns of twos to the corner... his mother there to meet him... unexpected... looking sad... and then taking his hand to press a shiny half-dollar piece into it... elation... so much money!... then her voice, soft and tender, "Gingie die...." He looked down at the steaming, bitter blackness in his cup and felt his hands empty of comfort or of cure.
William Peter Blatty (The Exorcist)
Eastern Standard Time Poetry speaks to all people, it is said, but here I would like to address only those in my own time zone, this proper slice of longitude that runs from pole to snowy pole down the globe through Montreal to Bogota. Oh, fellow inhabitants of this singular band, sitting up in your many beds this morning— the sun falling through the windows and casting a shadow on the sundial— consider those in other zones who cannot hear these words. They are not slipping into a bathrobe as we are, or following the smell of coffee in a timely fashion. Rather, they are at work already, leaning on copy machines, hammering nails into a house-frame. They are not swallowing a vitamin like us; rather they are smoking a cigarette under a half moon, even jumping around on a dance floor, or just now sliding under the covers, pulling down the little chains on their bed lamps. But we are not like these others, for at this very moment on the face of the earth, we are standing under a hot shower, or we are eating our breakfast, considered by people of all zones to be the most important meal of the day. Later, when the time is right, we might sit down with the boss, wash the car, or linger at a candle-lit table, but now is the hour for pouring the juice and flipping the eggs with one eye on the toaster. So let us slice a banana and uncap the jam, lift our brimming spoons of milk, and leave it to the others to lower a flag or spin absurdly in a barber's chair— those antipodal oddballs, always early or late. Let us praise Sir Stanford Fleming the Canadian genius who first scored with these lines the length of the spinning earth. Let us move together through the rest of this day passing in unison from light to shadow, coasting over the crest of noon into the valley of the evening and then, holding hands, slip into the deeper valley of night.
Billy Collins (The Trouble With Poetry - And Other Poems)
What's in the papers then, Son?" he asked with the curtness of a father. "Nothing much, Dad," his son answered. "I saw that those newts have got up as far as Dresden, though." "Germanys had it then," Mr. Povondra asserted. "They're funny people you know, those Germans. They're well educated, but they're funny. I knew a German once, chauffeur he was for some factory; and he wasn't half coarse, this German. Mind you, he kept the car in good condition, I'll say that for him. And now look, Germanys disappearing from the map of the world," Mr. Povondra ruminated. "And all that fuss they used to make! Terrible, it was: everything for the army and everything for the soldiers. But not even they were any match for these newts. And I know about these newts, you know that, don't you. Remember when I took you out to show you one of them when you were only so high?" "Watch out, Dad," said his son, "you've got a bite." "That's only a tiddler," the old man grumbled as he twitched on his rod. Even Germany now, he thought to himself. No-one even bats an eyelid at it these days. What a song and dance they used to make at first whenever these newts flooded anywhere! Even if it was only Mesopotamia or China, the papers were full of it. Not like that now, Mr. Povondra contemplated sadly, staring out at his rod. You get used to anything, I suppose. At least they're not here, though; but I wish the prices weren't so high! Think what they charge for coffee these days! I suppose that's what you have to expect if they go and flood Brazil. If part of the world disappears underwater it has its effect in the shops. The float on Mr. Povondra's line danced about on the ripples of the water. How much of the world is it they've flooded so far then?, the old man considered. There's Egypt and India and China - they've even gone into Russia; and that was a big country, that was, Russia! When you think, all the way up from the Black Sea as far the Arctic Circle - all water! You can't say they haven't taken a lot of our land from us! And their only going slowly .. "Up as far as Dresden then, you say?" the old man spoke up. "Ten miles short of Dresden. That means almost the whole of Saxony will soon be under water." "I went there once with Mr. Bondy," Father Povondra told him. "Ever so rich, they were there, Frank. The food wasn't much good though. Nice people, though. Much better than the Prussians. No comparison.
Karel Čapek (War with the Newts)
It turns out, the morning is actually one of the worst times of the day to drink coffee, according to YouTube science channel ASAP Science. The reason? The high levels of cortisol in our bodies early in the morning. You see, consuming caffeine when cortisol levels are high creates two problems. One is that caffeine interferes with the body’s production of cortisol, a hormone that’s released in response to stress and low blood glucose. The body ends up producing less cortisol, and relying more on caffeine to compensate. The other effect of drinking coffee in the morning is well-known to habitual morning drinkers: It increases the person’s tolerance to caffeine because it replaces the natural cortisol-induced boost instead of adding to it. Bear in mind that cortisol levels are high at three times of the day, not just early in the morning, according to a 2009 study. So the best times to drink coffee — or caffeine in general — is between 10 a.m. and noon, and between 2 p.m. and 5 p.m.
Anonymous
larks report being most alert around noon and feel most productive at work a few hours before they eat lunch. They don’t need an alarm clock, because they invariably get up before the alarm rings—often before 6:00 a.m. Larks cheerfully report their favorite mealtime as breakfast and generally consume much less coffee than non-larks. Getting increasingly drowsy in the early evening, most larks go to bed (or want to go to bed) around 9:00 p.m.
John Medina (Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School)
The much-anticipated passage from capitalism to socialism had been theorized ad nauseam in academies, universities and coffee bars from Belgrade to Berkeley; but no-one had thought to offer a blueprint for the transition from socialism to capitalism.
Tony Judt (Postwar: A History of Europe Since 1945)
Carson wakes up every day around noon, brushes her teeth, then pours Kahlua into her coffee or drinks a screwdriver. For lunch, she smokes some weed or eats a magic cookie. Before work, she drinks three shots of espresso and snorts some cocaine. Sometimes that’s too much, she can feel her heartbeat in her throat and her temples and her ass cheeks, so she tempers the high with a Valium. Some days—most days—she hits productive equilibrium. She comes to work and knocks down the crowd like she’s John Dillinger with a machine gun. During work, there’s more espresso and a bump or two in the ladies’ room. After work, the serious drinking begins—a couple of cocktails first, shots, then beer. Then weed and an Ativan or a Valium to fall asleep.
Elin Hilderbrand (Golden Girl)
As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleaguered in the middle of the night.
Amor Towles (A Gentleman in Moscow)
For what is more versatile? As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleaguered in the middle of the night.
Amor Towles (A Gentleman in Moscow)
I was ten minutes late and still hadn’t picked up coffee—a requirement set by my sister when she was scheduled to be anywhere before noon. As her personal assistant, I knew better than to show up empty-handed, and I also knew there was no negotiation to her rules.
Marni Mann (The Lawyer (The Dalton Family, #1))
RM: …I think it was hurtful for him that in his own country he was dismissed. But he was also… had this kind of ebullience and belief in himself that just kept bubbling up y’know, that was his essential life force. BM: 8 o’clock he was at his desk and you come down at noon. It was like punching a time clock… he had a working man’s schedule, like a blue collar ethic of his. RM: You know, my father when he wasn’t working on his plays or when he wasn’t writing - in terms of our everyday life it was all oriented around work. His idea was that if you can make it yourself, you should make it yourself. He made the coffee table, he made the dining table, he made the bookshelves himself. I remember when I asked for a stereo when I was something like 14 years old, instead of getting the plastic stereo that I was hoping for - that everyone else had - my father made me a stereo out of wood.
Rebecca Miller
coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleaguered in the middle of the night.
Amor Towles (A Gentleman in Moscow)
well it’s almost noon and i've done nothing all day, all my great plans shot to hell, of getting up at 7 and writing 3 new poems 1 new story 5 letters of sending out submissions to 4 new magazines and making several phone calls all by noon – so i'll just keep drinking coffee and reading from the stack of books on my kitchen table and maybe i'll go catch a flick and maybe just maybe i'll get half as much done tomorrow.
Scott C. Holstad (Junction City)
For what is more versatile? As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night.
Amor Towles (A Gentleman in Moscow)
Both. I’m on my way to bed, but I want to talk to Illyan first. Is he up yet, do you know?” “I think so. Pym just took him up his breakfast.” “Breakfast in bed halfway to noon. What a life.” “I think he’s earned it, don’t you?” “The hard way.” He sucked up some more of her coffee, and rose to go upstairs. “Oh. Knock, first,” she advised him as he passed the doorway. “Why?” “He’s having breakfast with Alys.” That explained the book; Lady Alys had delivered it. He wondered what piece of Vorish history she was making poor Illyan read. As
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
As at home in tin as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleagured in the middle of the night.
Amor Towles (A Gentleman in Moscow)
I like her,” Gracie said, the questions as clear as if she’d spoken them. Mitch gave the woman he’d come to think of as a sister a level-eyed stare, keeping his mouth shut. Gracie tilted her head to the side, sending her mop of blond curls flying. “How are you going to keep her?” “She lives in Chicago. I’m not keeping her.” He was temporarily borrowing her until she decided to hightail it to her real life. She gave a smug smile. “I meant keep her for now.” Mitch scrubbed a hand over his jaw, contemplating. “I’m not sure she has any other options.” “Don’t tell me you’re banking on that?” Gracie looked up to the ceiling as if exasperated by his complete stupidity. “A woman always has options, and she’ll think of plenty if you’re stupid enough to point out that she has to choose you by default.” Of course, Gracie was right. But he’d talked her into staying once; he could do it again. The question was, how? Mitch sat forward, placing his elbows on the table, his brain starting a slow, methodical spin. He took a sip of coffee and looked at Gracie. She practically danced in her chair. He rolled his eyes. “What’s on your mind?” “The way I see it,” Gracie said, not letting grass grow under her feet with any long dramatic silences, “her car’s broken down, and Tommy’s is closed today. That buys you a couple of days.” Immediately finding fault with her logic, Mitch shook his head. “Not necessarily. She has family. She could come to her senses and call them, and be gone by noon.” Just because she’d been adamant last night about not contacting them didn’t mean her justifications would hold true in the light of day. “I don’t think so.” Gracie peered behind him, looking thoughtful. “She told me she has no money.” Mitch pressed the bridge of his nose with his thumb and forefinger. The more he thought about it, the more he saw it as the most likely outcome. He’d only been able to convince her to come back to his house last night because she’d been tired, scared, and drunk. “There’s no way she’ll take any from me. What other option is there?” “One little hitch and you’re giving up?
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Auden is relating his lone adventure with LSD: “I would take it only under medical supervision. My physician came around to St. Mark’s Place at 7 A.M. and administered it. All I felt was a slight schizoid dissociation of my body—as though my body didn’t quite belong to me, but to somebody else. “Around 10 o’clock, when the influence was supposed to be at its peak, we went out to a corner luncheonette for ham and eggs. And then it happened! I thought I saw my mailman doing a strange dance with his arms and legs and mail sack. Well, I never see my mailman before noon—so I was very impressed by the results of LSD. “But the next day, at noon, my mailman showed up very angry. ‘What’s the matter with you?’ he wanted to know. ‘I saw you in the coffee shop yesterday and I waved at you and jumped up-and-down to catch your eye, but you looked right at me and didn’t even give me a nod!
Alan Levy (W. H. Auden: In the Autumn of the Age of Anxiety)
as it is in Limoges, coffee can energize the industrious at dawn, calm the reflective at noon, or raise the spirits of the beleaguered in the middle of the night.
Amor Towles (A Gentleman in Moscow)