Peach Sayings Quotes

People always say life is too short for regrets. But the truth is, it's too long.

Whenever I would get too nosy as a child, my grandmother would say, "When you learn someone else's secret, your own secrets aren't safe. Dig up one, release them all.

I almost miss the sound of your voice but know that the rain outside my window will suffice for tonight. I’m not drunk yet, but we haven’t spoken in months now and I wanted to tell you that someone threw a bouquet of roses in the trash bin on the corner of my street, and I wanted to cry because, because — well, you know exactly why. And, I guess I’m calling because only you understand how that would break my heart. I’m running out of things to say. My gas is running on empty. I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus and looked for synonyms for you but could only find rain and more rain and a thunderstorm that sounded like glass, like crystal, like an orchestra. I wanted to tell you that I’m not afraid of being moved anymore; Not afraid of this heart packing up its things and flying transcontinental with only a wool coat and a pocket with a folded-up address inside. I’ve saved up enough money to disappear. I know you never thought the day would come. Do you remember when we said goodbye and promised that it was only for then? It’s been years since I last saw you, years since we last have spoken. Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs against each other’s. I’ve forgotten almost everything about you already, except that your skin was soft, like the belly of a peach, and how you would laugh, making fun of me for the way I pronounced almonds like I was falling in love with language.

Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.

Her life was monotonous, but it kept her out of trouble. . . . This, her father would say, was called being an adult.

There was a strange but universal understanding among women. On some level all women knew, they all understood, the fear of being outnumbered, of being helpless. It throbbed in their chests when they thought about the times they left stores and were followed. The knocks on their car windows as they were sitting alone at red lights, and strangers asking for rides. Having too much to drink and losing their ability to be forceful enough to just say no. Smiling at strange men coming on to them, not wanting to hurt their feelings, not wanting to make a scene. All women remembered these things, even if they had never happened to them personally. It was a part of their collective unconscious.

Maybe that's what our friendship was. It was the feeling that we didn't have to speak or explain. We could sit in the darkness and watch the tadpoles just as easily as we could lie out in the heat and breathe in the smell of peaches and gravel, all without saying a word.

I’m always saying a mother never loses her peach pit instinct. Even with a grown son, you have to stop yourself from sticking out your hand when your child finishes a piece of fruit.

Those people who say that words have no power know nothing of the nature of words. Words, well placed, can end a regime; can turn affection to hatred; can start a religion or even a war. Words are the shepherds of lies; they lead the best of us to the slaughter.

You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.

An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.

You should be scared, Peaches,” he murmured. “I’ve done things that would make your pretty little head spin, and, you being this close”—he gestured with his chin between them—“well, let’s just say”—his eyes met hers—“it just makes me want to be bad all over again.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

Thus it transpired that even Berlin could be mysterious. Within the linden's bloom the streetlight winks. A dark and honeyed hush envelops us. Across the curb one's passing shadow slinks: across a stump a sable ripples thus. The night sky melts to peach beyond that gate. There water gleams, there Venice vaguely shows. Look at that street--it runs to China straight, and yonder star above the Volga glows! Oh, swear to me to put in dreams your trust, and to believe in fantasy alone, and never let your soul in prison rust, nor stretch your arm and say: a wall of stone.

People will try to make you feel good by saying everyone is beautiful, but what they really mean is written into all those empty beauty campaigns where they only ever show people who still fit the standard or are just a tiny bit deviant from it— just enough to still be acceptable. Maybe they’ve got body hair, but it’s only some peach fuzz and a bit of stubble under their arms. Maybe they’re plus-sized, but they still have the correct chest-to-waist-to-hips ratio. Maybe they’re going makeup-free, but their skin only has a few small imperfections to begin with. Then everybody pats themselves on the back because they’re so inclusive, wow, everyone is beautiful.

But for years, my best coping strategy has been work. I have assumed so many responsibilities and said yes to so many things. Working hard creates my own gravity. The more I work, the more I am on terra firma.

She unlocked the door, and they walked through to the small backyard. It was fall, and two of their three fruit trees were in season: a Fuyu persimmon tree and a guava tree. “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit.” Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. “Can you believe our luck?” Marx said. “We bought a house with a tree that has my actual favorite fruit.” Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. “Shouldn’t you wash that?” Sadie asked. “It’s our tree. Nothing’s touched it except my grimy hand,” Marx said. “What about the birds?” “I don’t fear the birds, Sadie. But you should have one of these.” Marx stood, and he picked another fruit for himself and one for her. He walked over to the hose at the side of the house, and he rinsed the persimmon. He held out the fruit to her. “Eat up, my love. Fuyus only yield every other year.” Sadie took a bite of the fruit. It was mildly sweet, its flesh somewhere between a peach and a cantaloupe. Maybe it was her favorite fruit, too?

She is drinking peach tea in the plaza and she is too hot because her blue and black checked shirt is for winter not for summer in Andalucía. I think she thinks she’s a cowboy in her work shirt, always alone with no one to look at the mountain horizon at night and say my god those stars.

Organic growth, I always say, means having absolutely no strategy.

...it was one of the best meals we ever ate. Perhaps that is because it was the first conscious one, for me at least; but the fact that we remember it with such queer clarity must mean that it had other reasons for being important. I suppose that happens at least once to every human. I hope so. Now the hills are cut through with superhighways, and I can't say whether we sat that night in Mint Canyon or Bouquet, and the three of us are in some ways even more than twenty-five years older than we were then. And still the warm round peach pie and the cool yellow cream we ate together that August night live in our hearts' palates, succulent, secret, delicious.

They also talked about themselves, each one saying how beautiful she thought she was. Aunt Sponge had a long-handled mirror on her lap, and she kept picking it up and gazing at her own hideous face.

I wanted to describe to him how the emotional intimacy growing between us was shattering my heart in the most life-affirming ways, but I didn’t have the right words, except to say that I loved him, which wasn’t nearly enough. We spent that night, and every night together after, in a closeness I had never known, or even thought possible with another person. I was happy. Truly content. Drifting to sleep in Bilal’s arms, I thought about the hills beyond the terrace. Soon wild plum, peach, pear, fig, medlar, mulberry, date, and almond trees would bloom.

What the fuck is going on Lor? What the hell did you do last night? What did you say to Kacey? Who the hell is Blue Eyes and why is my car spray-painted with the word ‘asshole’?” Spray-paint? Oh dear God, what have I done?

Late August" Late August — This is the plum season, the nights blue and distended, the moon hazed, this is the season of peaches with their lush lobed bulbs that glow in the dusk, apples that drop and rot sweetly, their brown skins veined as glands No more the shrill voices that cried Need Need from the cold pond, bladed and urgent as new grass Now it is the crickets that say Ripe Ripe slurred in the darkness, while the plums dripping on the lawn outside our window, burst with a sound like thick syrup muffled and slow The air is still warm, flesh moves over flesh, there is no hurry

I feel as though I should say something profound, or enact some rite, or trade something to make it official. I want to transfer some trinket which would allow me to say that she's my girl, some kind of currency that proves to people that she likes me back. Something that would permit me to think about her all the time without feeling guilty or helpless or hopelessly far away. I guess I'm just so excited, I want to cage this thing like a tiny red bird so if can't fly away, so it stays the same, so it's still there the next time. For keeps, like a coin in your pocket. Like a peach pit from Mad Jack Lionel's tree. Like scribbled words in a locked suitcase. A bright balloon to tie to your bedpost. And you want to hug it close, hold it, but not so tight it bursts.

... if the grim and grey have their say they’ll take the sun away

I don't think of myself as being a very fun or outgoing person, but my mouth thinks it's fun. My mouth says a lot of things, not necessarily endorsed by me or my brain.

If you say you can’t, you can’t. But what if you believe you can?

Never challenge Life to a game, my mother used to say to me. Because Life plays dirty, changes the rules, steals the cards right out of your hands or, sometimes, turns them all to blank―

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature ... We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

I began to understand that what holds us back from culinary progress is often some cultural roadblock that we honor in the name of preservation - the kind of arbitrary roadblock that says, You're not supposed to do that with kimchi.

This isn't a spotless life. There is much ahead, my immaculate little peach. And there is no way to say it other than to say it: marriage is indeed this horribly complex thing for which you appear to be ill prepared and about which you seem to be utterly naive. That's okay. A lot of people are. You can learn along the way. A good way to start would be to let fall your notions about "perfect couples." It's really such an impossible thing to either perceive honestly in others or live up to when others believe it about us. It does nothing but box some people in and shut other people out, and it ultimately makes just about everyone feel like shit. A perfect couple is a wholly private thing. No one but the two people in the perfect relationship know for certain whether they're in one. Its only defining quality is that it's composed of two people who feel perfectly right about sharing their lives with each other, even during the hard times.

I say solidarity is knowing the future is long and wide, with room for everyone on earth to enter. I say it's taking the long view of the job. Helping you onto the wall, so you can reach down and pull me up. Lifting you into the tree, so you can shake down peaches for two. That solidarity is a two-way street, fires burning at both ends, and the only well in the middle.

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?

There was a brief pause. Then Laney pointed a finger at Oliver and exclaimed, 'You want to keep them! 'No!' said Mama and Papa. 'I'm just saying,' Oliver said, looking at the two cats, who were stretched out next to each other in the sun, 'that if Aunt Penny doesn't want two cats--remember, we didn't ask her about them--we can bring Peaches and Cream back to stay with us.' 'No!' said Mama and Papa.

Thanks, Edden,” I said, truly pleased that he was sending someone for Jenks not only because now I didn’t have to, but that he’d thought of Jenks at all. “You’re a peach.” “Yeah, yeah, yeah,” he said, and I could hear his smile. “I bet you say that to all the captains.

(And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you'll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir...)

The peaches are impossibly large and almost fluffy. They aren’t engineered to survive the indignities of shipping, of grocery store shelves. Zoe samples one, and she says it’s like eating a flower. And then she hands it to you, and you take a bite, and you say it’s like drinking a peach. And then you hand the peach to Sam, who bites down and says, it’s like a song about a peach more than it’s like a peach.

Faisal, say it. Please, say it.” Adam scooted close and pressed their faces together. Memories flickered through his mind like photographs falling to the floor. The night they met, the music playing beneath the tent on the beach, and the sweet honey taste of luqaymat. Peaches on Faisal’s lips, the warmth of his skin, Subhanallah, Faisal was always so warm, like he carried the sun within his soul. Feeling sand beneath his knees and sliding through his fingers. “Please. I want this. I want to be by your side for all eternity. Please, Faisal. Maa shaa Allah.

Howard adores Sam's looks. He loves the strong cut of jaw made satin with thickening peach fuzz, loses himself in the green eyes. Howard stares at them like a lover, but always obliquely. (Sometimes we watch our son from a distance. "I wonder what he's thinking," Howard will say.)

She was afraid,' said Mrs. Bread, very confidently; 'she has always been afraid, or at least for a long time. That was the real trouble, sir. She was like a fair peach, I may say, with just one little speck. She had one little sad spot. You pushed her into the sunshine, sir, and it almost disappeared. Then they pulled her back into the shade and in a moment it began to spread. Before we knew it she was gone. She was a delicate creature.

Well, I’m definitely wearing a flower crown on my head. I don’t care if you say it’s played out.” Flatly she says, “You can’t wear a flower crown.” “Why not?” She spits out toothpaste. “You’re too old. That’s for flower girls.” “No, you aren’t envisioning it correctly. I wasn’t thinking baby’s breath. I was thinking little pink and peach roses, with a lot of greenery. Pale green greenery, you know that kind?” She shakes her head, resolute. “We aren’t fairies in a forest. It’s too cutesy.

Well, what can I say? I love peach iced tea.

I know you’re not sleeping, they’d say, and gently press the soft, overripe peach on my cock till I’d pierced the fruit along the crease that reminded me so much of Oliver’s ass. The idea seized me and would not let go.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Caleb dumped me on my birthday, Before I’d ordered an entrée, “What a dick!” some might say! But don’t you worry my little sheep, I am not sad and will not weep, For Caleb Jones is a cheat! He two-timed me with some ho, Whose name is Kacey ‘Slut’ Munroe! But I don’t care about my foe, For I have found a brand new guy, My Blue Eyed, Mr Berry Pie! And I know, he won’t make me cry, For I did fall under his spell, To him, I am his gorgeous Belle, So Caleb Jones can go to Hell!

I’m always astonished when readers suggest that I must write my novels while high on pot or (God forbid!) LSD. Apparently, there are people who confuse the powers of imagination with the effects of intoxication. Not one word of my oeuvre, not one, has been written while in an artificially altered state. Unlike many authors, I don’t even drink coffee when I write. No coffee, no cola, no cigarettes. There was a time when I smoked big Havana cigars while writing, not for the nicotine (I didn’t inhale) but as an anchor, something to hold on to, I told myself, to keep from falling over the edge of the earth. Eventually, I began to wonder what it would be like to take that fall. So one day I threw out the cigars and just let go. Falling, I must say, has been exhilarating -- though I may change my mind when I hit bottom.

What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.

Coralie Casey was the kind of woman calories were made for; that dewy peaches-and-cream complexion, glossy cherry lips, the succulence of her body beneath that orange, silky dress. A cornucopia of curves, you could say, except it was probably better not to think about horns of plenty.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

Now, my all-time favorite accolade from a book reviewer was when Fernanda Pivano, Italy’s best-known critic, wrote in a leading Italian newspaper that “Tom Robbins is the most dangerous writer in the world.” I never read my reviews, even in English, but others sometimes pass choice bits along, so when I had occasion to meet the legendary Signora Pivano at a reception in Milan, I asked her what she meant by that wonderfully flattering remark. She replied, “Because you are saying zat love is zee only thing that matters and everything else eese a beeg joke.” Well, being uncertain, frankly, that is what I’d been saying, I changed the subject and inquired about her recent public denial that she’d ever gone to bed with Ernest Hemingway, whom she’d shown around Italy in the thirties. “Why didn’t you sleep with Hemingway?” I inquired. Signora Pivano sighed, closed her large brown eyes, shook her gray head, and answered in slow, heavily accented English, “I was a fool.” Okay, back to the New York Cinematheque. Why did I choose to go watch a bunch of jerky, esoteric, often self-indulgent 16mm movies rather than sleep with the sexy British actress? Move over, Fernanda, there’s room for two fools on your bus.

Look,” said the man. “It don’t make no sense. This fella wants eight hunderd men. So he prints up five thousand of them things an’ maybe twenty thousan’ people sees ’em. An’ maybe two-three thousan’ folks gets movin’ account a this here han’bill. Folks that’s crazy with worry.” “But it don’t make no sense!” Pa cried. “Not till you see the fella that put out this here bill. You’ll see him, or somebody that’s workin’ for him. You’ll be a-campin’ by a ditch, you an’fifty other famblies. An’ he’ll look in your tent an’ see if you got anything lef’ to eat. An’ if you got nothin’, he says, ‘Wanna job?’ An’ you’ll say, ‘I sure do, mister. I’ll sure thank you for a chance to do some work.’ An’ he’ll say, ‘I can use you.’ An’ you’ll say, ‘When do I start?’ An’ he’ll tell you where to go, an’ what time, an’ then he’ll go on. Maybe he needs two hundred men, so he talks to five hundred, an’ they tell other folks, an’ when you get to the place, they’s a thousand’, men. This here fella says, ‘I’m payin’ twenty cents an hour.’ An’ maybe half the men walk off. But they’s still five hundred that’s so goddamn hungry they’ll work for nothin’ but biscuits. Well, this here fella’s got a contract to pick them peaches or—chop that cotton. You see now? The more fellas he can get, an’ the hungrier, less he’s gonna pay. An’ he’ll get a fella with kids if he can, ’cause—hell, I says I wasn’t gonna fret ya.

Let’s meet on the rooftop of the inn we were staying at.” As we rode the clouds above Luyang City, Hengwen pressed down upon the clouds, and I could not help but call out, “Hengwen.” Under the starlight, Hengwen turned to face me. “What?” But I did not know what I should say, so I stammered, “Stroll to your heart’s content. I’ll wait for you on the rooftop of the inn.

Just before Willow and Rider boarded the stage, Owen and Miriam pulled them aside. Owen looked terribly uncomfortable, and for a moment Willow thought they were about to hear some dreaful news. "Yes,Pa?" Willow prodded. "Is there a problem?" "No.Just got something to say, is all." "Well,what is it,Owen?" Rider chuckled. Owen put his arm around Miriam and yanked her close. She scowled and smoothed her pretty peach satin gown. "Well,I guess me and Miriam here are getting hitched." "You guess?" Miriam snapped, slapping at the arm squeezing the air out of her. "Congratulations!" Rider shouted out. "Mrs. Brigham, how did you ever talk this stubborn father-in-law of mine into it?" Owen winked at Rider. And to his future wife's horror, he replied, "She rode and broke the stallion.

Savannah,” he started in a softer voice, “Wait. Please. I—I didn’t mean … I just didn’t want you to …” “I’m going home,” she said, rushing from the room before he could say another word. “Savannah!” He shot out of bed, following her through his bedroom door and running down the gallery as fast as his bum leg would allow. While walking or jogging were good for him, he wasn’t supposed to sprint on it, and it ached and burned as he got to the top of stairs only to hear the front door slam in her wake. “GOD DAMN IT!” he bellowed, lowering himself to sit on the landing as his leg throbbed with pain. Miss Potts appeared out of nowhere to stand at the base of the stairs with her hands on her hips. She pursed her lips and tsked. “Somehow I don’t think peach cobbler is going to fix this one.

How Robin would have loved this!’ the aunts used to say fondly. 'How Robin would have laughed!’ In truth, Robin had been a giddy, fickle child - somber at odd moments, practically hysterical at others - and in life, this unpredictability had been a great part of his charm. But his younger sisters, who had never in any proper sense known him at all, nonetheless grew up certain of their dead brother’s favorite color (red); his favorite book (The Wind in the Willows) and his favorite character in it (Mr. Today); his favorite flavor of ice cream (chocolate) and his favorite baseball team (the Cardinals) and a thousand other things which they - being living children, and preferring chocolate ice cream one week and peach the next - were not even sure they knew about themselves. Consequently their relationship with their dead brother was of the most intimate sort, his strong, bright, immutable character shining changelessly against the vagueness and vacillation of their own characters, and the characters of people that they knew; and they grew up believing that this was due to some rare, angelic incandescence of nature on Robin’s part, and not at all to the fact that he was dead.

I think my heart is coming out of my mouth.” “That’s good. Keep going.” “I almost passed out while kissing your cunt.” “Oh that…I don’t know if he would—” “He would. He wants you to look like that, when he says it. I want you to look like that when I say it. I want you to squirm because I’ve just told you that you tasted like a sweet, ripe peach. I can still taste you when I lick my lips.

Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")

Running beer gathers no froth. No haste, gentlemen. Let us mingle majesty with the feast. Let us eat with meditation; let us make haste slowly. Let us not hurry. Consider the springtime; if it makes haste, it is done for; that is to say, it gets frozen. Excess of zeal ruins peach-trees and apricot-trees. Excess of zeal kills the grace and the mirth of good dinners. No zeal, gentlemen! Grimod de la Reynière agrees with Talleyrand.

One of his great pleasures is overdoing it with the groceries, involving several stops at little markets, cheese shops, the East Haven lady who makes her own Thai BBQ sauce and fries up a bag of plantains for him while he waits. At our old house, we had a refrigerator just for condiments. Even now, my older daughter always says, How can you be only two people and never have an empty fridge? That’s Brian, I say, buyer of burrata, soppressata, Meyer lemons, white peaches, Benton’s ham.

His laptop makes a strange wheezing noise, and the screen appears with a picture of a Saint Bernard. It's a close-up of the dog's droopy face, a thin line of drool hanging from its left jowl. "That's Momo-chan," he says. Momo means peach in Japanese. "She is the love of my life." I swivel my laptop toward him, showing him my screen. It's a photograph of Tamagotchi. His teeth are bared, and the picture is a little dark---flashing lights give him seizures. "Tamagotchi. The love of my life.

I said I could cook,” the Former House Nigger said. “I didn’t say I was any good at it. I can make a peach pie, though, and it ain’t bad if you can imagine it with a crust. I mostly just make the pie slop. Crust defeats me.” “What we got now,” Hatch said, “ain’t even cooking of the lowest order. There’s just a couple of fellas that boil water and put stuff in it, mostly turnips. It’s just one step up from eating horse turds. So if you can do better than that, out here you’re a goddamn chef.

I quoted a Moroccan proverb - "if, at noon, he says it is night, will you say: Behold, the stars?" He looked at me appreciatively. "Madame, I think I liked you best when you were just bringing peaches." I quoted another proverb. "A nod is enough for a wise man. A fool may need a kick up the—" He gave a crack of laughter. "You know a lot of our sayings, madame. Do you know the one that goes: A wise woman has much to say, and yet is most often silent?" "I never said I was wise," I said. "All I do is make chocolates.

It’s the cemetery where my father is already buried. “Great,” I say. “Just make sure you leave your forwarding address.” I hold the keypad away from my ear and punch the pound button. “Got another call coming in,” I lie. “At this hour?” “It’s an escort service,” I joke. “I don’t like to keep Peaches waiting . . .” “You’re going to be the death of me, Leo,” my mother says with a sigh. “Sons of Abraham Cemetery. Got it,” I say. “I love you, Ma.” “I loved you first,” she replies. “So what am I supposed to tell my podiatrist about Irene?” “If she keeps wearing heels she’ll wind

get away. “I love you, Michael Howard. I know you can already feel it, but I need to say it.” She tugged at his lips and he returned the favor. She tasted of peaches and cream. He wanted to kiss her cheek. Her chin. Her neck. Her chest. Every inch of her. Every dimple. Every hidden place he’d always wanted to explore. His tongue charged into her mouth. She opened to him, sliding hers across his, tasting it. Curling around it. Nipping at it. He wanted to take it slow, but his body betrayed him. He pressed into her, his hands squeezing at her hips. Now that he had a taste of her, he wanted all of her. Something crashed inside the Morgan house.

But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]

The peach was soft and firm, and when I finally succeeded in tearing it apart with my cock, I saw that its reddened core reminded me not just of an anus but of a vagina, so that holding each half in either hand firmly against my cock, I began to rub myself, thinking of no one and of everyone, including the poor peach, which had no idea what was being done to it except that it had to play along and probably in the end took some pleasure in the act as well, till I thought I heard it say to me, Fuck me, Elio, fuck me harder, and after a moment, Harder, I said! while I scanned my mind for images from Ovid—wasn’t there a character who had turned into a peach

I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.

She makes you look too little and you make her look too big. You’re from two different planets and you’re not meant to be standing together. She claps as if she’s meeting a five-year-old and I don’t like it when girls are taller than me. “Hello, Joseph,” she says, overenunciating. “I am Peach and this is my home.” “Nice to meet you,” I say and she looks me up and down. Cunt. “I love you already for not being pretentious,” she says. “And thank you for not bringing any wine or anything. This girl is family to me. No gifts allowed.” You are, of course, aghast. “Omigod, Peach, I completely flaked.” She looks down on you literally. “Sweetie, I just said I love it. And besides, the last thing we need is more cheap wine.” You are acting like you committed a felony and she looks at me like I’m the delivery guy waiting for a tip. “I’m stealing our girl for two minutes, Joseph.” You allow her to steal you and I really must look like the fucking delivery guy as I stand here, not knowing anyone, not being known. No girls are coming on to me and maybe I don’t look good in here. The only certainty is that I hate this Peach as much as I knew I would, and she hates me right back. She knows how to work you, Beck. You are apologizing for no wine, for not bringing Lynn and Chana, for not taking better care of your purse. And she is forgiving, stroking your back, telling you not to worry. I’m invisible to you in her presence, just like everyone else. Peach Is . . . in the way. I look around but nobody wants to say hi to me. It’s like they can smell the public school on me.

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn’t it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

Miss Rose sitting on a porch. Beside her, a bushel basket of ripe peaches or tomatoes. The drunkards buzzing, but easily smashed with a swat. Early mornings, she starts singing, "What a Friend We Have in Jesus," and that's your cue to rise. To eat the heavy breakfast that will keep you full all day. Once you've helped her with peeling those tomatoes or peaches, there are weeds to be plucked from the garden, from around the vegetables that will show up fresh on the supper table. Fish need cleaning if Uncle Norman comes through with a prize. After dinner, the piecing together of quilt tops from remnants until the light completely fades. The next morning, it starts again. A woman singing off-key praises to the Lord. The sweet fruit dripping with juice. The sound of bugs. I thought of what Mama liked to say: to find this kind of love, you have to enter deep country.

Pigeons wrapped in the leaves of vines. Oysters in crisp pastry cases. Whole Gloucester salmon in aspic. Yarmouth lobsters cooked in wine and herbs. Glazed tarts of pippin apples. Paper-thin layers of buttery pastry spread with greengages, apricots, peaches, cherries, served with great gouts of golden cream. "Well," I say, "it's gruel for us tonight, with a smidgeon of salt and pepper." Whereupon he reaches into his pocket, pulls out a twist of greased paper, and opens it. Immediately I smell the tang of heather honey. "For you, Ann." In his grimed palm sits an oozing chunk of honeycomb as big as a plover's egg. I clap my hands in delight, my tongue waggling with greed. As we eat our gruel I make the clots of chewy wax last as long as possible, pushing them around and around my mouth, pressing them against my molars, sucking on them 'til they slip sweetly down my throat.

They's a lot of fellas wanta know what reds is.' He laughed. 'One of our boys from foun' out.' He patted the piled earth gently with his shovel. 'Fella named Hines--got 'bout thirty thousan' acres, peaches and grapes--got a cannery an' a winery. Well, he's all a time talkin' about 'them goddam reds'. 'Goddamn reds is drivin' the country to ruin,' he says, an' 'We got to drive these here red bastards out.' Well, they were a young fella jus' come out west here, an' he's listenin' one day. He kinda scratched his head an' he says, 'Mr. Hines, I ain't been here long. What is those goddamn reds?' Well sir, Hines says, 'A red is any son-of-a-bitch that wants thirty cents an hour when we're payin' twenty-five!" Well, this young fella he thinks about her, an' he scratches his head, an' he says, 'Well, Jesus, Mr. Hines, I ain't a son-of-a-bitchm but if that's what a red is--why, I want thirty cents an hour. Every'body does. Hell, Mr. Hines, we're all reds.

All of the fucking in “The Art of Joy” could put it in a class with “Story of O” or “The Sexual Life of Catherine M.” But Sapienza’s novel is about sex only insofar as an account of a woman’s artistic, intellectual, and political maturation must include her sexual career. Or, better, the discovery of pleasure initiates Modesta’s appetite more generally—for knowledge, for experience, for autonomy. It turns her outward, toward nonsexual things, by inwardly sustaining her. Her childish sadism is less sexual than it is basically libidinal: her erotic interest in her sister’s or St. Agatha’s pain, or the way in which her hatred of Leonora transmutes into arousal—these are signs of an exultant urge to live. “The real way of living is to answer to one’s wants,” D. H. Lawrence says in a letter (written, incidentally, from Italy). “I want that liberty, I want that woman, I want that pound of peaches, I want to go to sleep, I want to go to the pub and have a good time, I want to look abeastly swell today, I want to kiss that girl, I want to insult that man.

Ellie goes back to the kitchen . . . and screams bloody murder. “Nooooooo!” Adrenaline spikes through me and I dart to the kitchen, ready to fight. Until I see the cause of her screaming. “Bosco, noooooo!” It’s the rodent-dog. He got into the kitchen, somehow managed to hoist himself up onto the counter, and is in the process of demolishing his fourth pie. Fucking Christ, it’s impressive how fast he ate them. That a mutt his size could even eat that many. His stomach bulges with his ill-gotten gains—like a snake that ingested a monkey. A big one. “Thieving little bastard!” I yell. Ellie scoops him off the counter and I point my finger in his face. “Bad dog.” The little twat just snarls back. Ellie tosses the mongrel on the steps that lead up to the apartment and slams the door. Then we both turn and assess the damage. Two apple and a cherry are completely devoured, he nibbled at the edge of a peach and apple crumb and left tiny paw-prints in two lemon meringues. “We’re going to have re-bake all seven,” Ellie says. I fold my arms across my chest. “Looks that way.” “It’ll take hours,” she says. “Yeah.” “But we have to. There isn’t any other choice.” Silence follows. Heavy, meaningful silence. I glance sideways at Ellie, and she’s already peeking over at me. “Or . . . is there?” she asks slyly. I look at what remains of the damaged pastries, considering all the options. “If we slice off the chewed bits . . .” “And smooth out the meringue . . .” “Put the licked ones in the oven to dry out . . .” “Are you two out of your motherfucking minds?” I swing around to find Marty standing in the alley doorway behind us. Eavesdropping and horrified. Ellie tries to cover for us. But she’s bad at it. “Marty! When did you get here? We weren’t gonna do anything wrong.” Covert ops are not in her future. “Not anything wrong?” he mimics, stomping into the room. “Like getting us shut down by the goddamn health department? Like feeding people dog-drool pies—have you no couth?” “It was just a thought,” Ellie swears—starting to laugh. “A momentary lapse in judgment,” I say, backing her up. “We’re just really tired and—” “And you’ve been in this kitchen too long.” He points to the door. “Out you go.” When we don’t move, he goes for the broom. “Go on—get!” Ellie grabs her knapsack and I guide her out the back door as Marty sweeps at us like we’re vermin

Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But...how to say it? “Look,” he tried, “put two men in a rail car, one a soldier, the other a farmer. One talks war, the other wheat; and bore each other to sleep. But let one spell long-distance running, and if the other once ran the mile, why, those men will run all night like boys, sparking a friendship up from memory.

A display cake read JUNETEENTH! in red frosting, surrounded by red, white, and blue stars and fireworks. A flyer taped to the counter above it encouraged patrons to consider ordering a Juneteenth cake early: We all know about the Fourth of July! the flyer said. But why not start celebrating freedom a few weeks early and observe the anniversary of the Emancipation Proclamation! Say it with cake! One of the two young women behind the bakery counter was Black, but I could guess the bakery's owner wasn't. The neighborhood, the prices, the twee acoustic music drifting out of sleek speakers: I knew all of the song's words, but everything about the space said who it was for. My memories of celebrating Juneteenth in DC were my parents taking me to someone's backyard BBQ, eating banana pudding and peach cobbler and strawberry cake made with Jell-O mix; at not one of them had I seen a seventy-five-dollar bakery cake that could be carved into the shape of a designer handbag for an additional fee. The flyer's sales pitch--so much hanging on that We all know--was targeted not to the people who'd celebrated Juneteenth all along but to office managers who'd feel hectored into not missing a Black holiday or who just wanted an excuse for miscellaneous dessert.

One day, out of the blue, they just became too much. The faces of people who thought nothing of making endless demands, of being constantly given things. The way they sat at the table simply waiting to be served, not lifting a finger. Their certainty that they would be taken care of, without even having to try. I began, in an instant, to hate them. I couldn't be bothered to buy seasonal ingredients, prepare them, cook, choose the plates, serve up the food, then clear away the dishes and wash up for people like that. When I stopped being in touch, when I stopped doing the housework and the cooking, they panicked. Some of them became hyper-suspicious and their behavior took on a stalkerish air. Some of them, after returning to life alone, began neglecting themselves, and suffered physically as a result. Like babies, all of them, whose mother had ceased looking after them. It's odd, isn't it? Once I had found their incompetence, their reliance on me adorable. I believed, up until that point, that I liked pleasing them. Yet I suddenly saw that it was always just me, working away frenziedly, all alone." Rika didn't fail to notice the slightest change in Kajii's expression, the note of sorrow that went sliding across her peach-hued face. "Don't get the wrong idea. I like serving men and giving them pleasure. Women who don't don't deserve the name. But being with just one man, a changeable woman like me gets bored." "And yet you haven't given up looking for a marriage partner?" "It's just that I haven't met the right person yet." "I feel like what you're saying isn't---" "Cooking is enjoyable, but the moment it becomes a duty, it grows boring. The same is true of sex, and fashion, and beauty. When you're forced to do something, it becomes a chore, and the pleasure disappears." Rick's body felt heavy. She knew this was important, and yet she couldn't bring herself to ask a question. "The kind of wife that the men on those sites are looking for is, at base, a woman with no sense of life about her. Their ideal partner would be a kind of ghost." It wasn't at all hot in the room, and yet Rika's armpits were slick with lukewarm sweat. Even the gap between her sleeves and her wrists felt clammy. "The quickest way for a modern Japanese woman to gain the love of a man is to become corpse-like. The kind of men who want those women dead are dead themselves. Indeed, it's because they're dead that they're so terrified of anyone with a sense of life about them. If those men hadn't met me, if I hadn't rejected them, they'd quite probably have died anyway. They were never really here to begin with.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing ‘the other’, Have become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of the world’s end? Or will the world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic by ahewar.org on October 13, 2022]

Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite. A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart. “Sweet Jesus, it’s here,” Charlie whispered reverently. Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings. “Wow. That is some spread,” Vaughn said, wide-eyed. Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants. All except for one. Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave

When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped. “Are they great trees?” said Caspian. “Towers, I think,” said Eustace. “It might be giants,” said Edmund in a lower voice. “The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else. “I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness. “I say!” said Lucy. They came nearer and nearer, all very quietly. “But where are the guests?” asked Eustace. “We can provide that, Sir,” said Rhince.

Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you

And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.

The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.

………………………………………….. Taylor was keenly aware of his vulnerability as he entered the cottage. He had no weapons, no friends, and no idea why he was there. If they wanted his head, it was theirs, and there was little he could do about it. And yet, he did not feel unsafe. He felt kept. Inside was a small, dimly lit room with just four or five candles planted here and there around it, including one in a long silver holder that stood atop a small, elegantly carved table in the center. Before the table was a stool, also beautifully carved, with another, similar one opposite. There was a stool in the corner as well, and two more next to a hardwood desk on the right. The walls were rough with the texture of the clay, and looked peach in the candlelight. There were arched doorways leading off to unlit corridors, and one large doorway behind the table, covered by a red velvet curtain. If it was going to be a sneak attack, Taylor would be an easy target. “Sit here,” the stout man said, motioning to the stool before the table. “And wait.” He did so, and the stout man walked off through the velvet curtain with his staff. A moment later Taylor could hear mutterings between him and another, but he could not make out what they were saying. For a few seconds there was silence, and Taylor became suddenly worried. Then, to his relief, the stout man reemerged and took his seat in the corner, his eyes set on the room from whence he had just come. Taylor, too, set his eyes on the curtain, unsure whether there would emerge a man or a wild beast, but curious nonetheless. His curiosity was answered when the

Getting your child to sleep becomes such a blinding obsession, I myself would often lose sight of the bigger picture: What is the actual goal here? Constant sleep? No awake time? Zero consciousness? I mean, we must accept that at some point babies have to be awake. They didn’t come to the planet just to sleep. “Are we determined to get them asleep just so we can get a taste of what life was like before we had kids? Because if we are, then tell me again—why did we have a kid? Just to lie there and look soft and fuzzy? We could have just gotten, say, a peach. A St. Bernard. A narcoleptic houseguest. Or why not just get a huge chenille bathrobe? Chenille bathrobes are fuzzy and just lie there—why don’t we just get us one of those and name it Michael?

Daniel Mas Masumoto: The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal, I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else. I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.

Baby Harper and I were having dinner together, as we had done every Saturday night for close to a year by then. We went into Shelby and sat in our usual booth at Bridges Barbecue Lodge. We each ordered a pulled pork sandwich, a side of coleslaw, fries with an extra order of barbecue sauce for dipping, peach cobbler (only available on Saturdays), and a bottle of Cheerwine, a cherry-flavored cola, bottled in nearby Salisbury, which my great-uncle said brought out the "fruit" in Bridges's sauce. Bridges Barbecue Lodge had two things going for it, which was more than I could say for the other dining options in town, Pizza Inn, Waffle House, Arby's, Roy Rogers, and Hardee's. In the mid-eighties the greater Boiling Springs-Shelby area attracted only the B-list fast-food chains. Bridges was in a league of its own. The first thing that made Bridges special was that, even by the standards of North Carolina barbecue, Bridges's sauce was extraordinarily vinegary, which meant it was extraordinarily good.

Our culinary memory is short and we live in a very different food world now. Chances are you won’t remember the late nineties as a time when restaurants were basically inaccessible to most Americans, but it was. Our dining culture was, by and large, bifurcated. On one side, you had prohibitively expensive, mostly French-inspired restaurants with excellent service and comfortable dining rooms. On the other, there were far more affordable options serving the cuisines of Asia, Africa, and Latin America in humble settings—a genre that’s been lumped together as “ethnic food” since the 1960s. But as delicious as those places could be, they were usually locked into the traditions and time periods from which their immigrant proprietors first came. There really wasn’t a place where you could find something in between: innovative cuisine that was neither married to France nor fixed to the recipes of the motherland, made with high-quality ingredients, and available for, say, twenty bucks. I could tell that race played a major role in America’s slow uptake on this concept, which only made it more personal for me.* 9

When I heard or said the word "Kelly," I tasted canned peaches, delicious and candy-sweet. This, however, was the first time I had ever heard anyone say "Powell." The word was a raw onion, a playground bully with sharp elbows shoving all flavors aside. Luckily for our friendship, little girls didn't often call each other by their full names.

I wonder if we would be able to sell it for ten taels of silver if we skin it alive?” This immortal lord held up a palm and recited a Daoist mantra before saying, “What a sin, what a sin. It may be a beast, but skinning it alive is too brutal. Heaven decreed that it is to meet its end here. On account of this humble Daoist, at least give it a quick end before skinning it.

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.

No risk, no reward,” Peach says softly. “And, honey, love’s the biggest reward there is. Finding your person? That one in a billion who makes it okay for you to be you?

Rural Free Delivery (RFD) Home, upon that word drops the sunshine of beauty and the shadow of tender sorrows, the reflection of ten thousand voices and fond memories. This is a mighty fine old world after all if you make yourself think so. Look happy even if things are going against you— that will make others happy. Pretty soon all will be smiling and then there is no telling what can’t be done. Coca-Cola Girl Mother baked a fortune cake pale yellow icing, lemon drops round rim, hidden within treasures, a ring—you’ll be married, a button—stay a bachelor, a thimble—always a spinster, and a penny—you’re rich. Gee, but I am hungry. Wait a second, dear, until I pull my belt up another notch. There that’s better. So, you see, Hon, I am straighter than a string around a bundle. You ought to see my eye, it’s a peach. I am proud of it, looks like I’ve been kicked by a mule. You know, dear, that they can kick hard enough to knock all the soda out of a biscuit without breaking the crust Hogging Catfish This gives you a fighting chance. Noodle your right hand into their gills, hold on tight while you grunt him out of the water. This can be a real dogfight. Old river cat wants to go down deep, make you bottom feed. Like I said, boys, when you tell a whopper, say it like you believe it. Saturday Ritual My Granddad was a cobbler. We each owned two pairs of shoes, Sunday shoes and everyday shoes. When our Sunday shoes got worn they became our everyday shoes. Main Street Saturday Night We each were given a dime on Saturday opening a universe of possibilities. All the stores stayed open and people flocked into town. Mr. and Mrs. Reynolds set up a popcorn stand on Reinheimer’s corner and soon after lighting a little stove, sounding like small firecrackers, popping began. Dad, laughing shooting the breeze with a group of farmers, drinking Coca Cola, finding out if any sheds needed to be built or barns repaired, discussing the price of next year’s seed, finding out who’s really working, who’s just looking busy. There is no object I wouldn’t give to relive my childhood growing up in Delavan— where everyone knew everyone— and joy came with but a dime. Market Day Jim Pittsford’s grocery smelled of bananas ripening and the coffee he ground by hand, wonderful smoked ham and bacon fresh sliced. He’d reward the child who came to pick up the purchase, with a large dill pickle Biking home, skillfully balancing Jim Pittsford’s bacon, J B’s tomatoes and peaches, while sniffing a tantalizing spice rising from fresh warm rolls, I nibbled my pickle reward.

I rolled with it, although as always, I was constantly vacillating between extreme confidence and paralyzing self-doubt. I was comforted by the revelation that coming up against failure head-on is a powerful motivating tool. It means you've already started down the worst-case scenario in the face. It also means that you have more data than everyone else, freeing you up to take risks others won't. By confronting failure, you take fear out of the equation. You stop shying away from ideas just because they seem like they may not work. You start asking whether an idea is "bad" because it's actually bad or because the common wisdom says so. You begin to thrive when you're not supposed to. You just have to be comfortable with instability, change, and a great deal of stress.

I took to spending free days wandering the Joslyn galleries, where, among other things, I tried to reconcile Renoir’s plump and rosy, wine-warmed wenches with the graceful if sinister beauty of the B-47 bombers nurtured and nourished at my air force base, eventually concluding that anything that says yes to life (a Renoir) is automatically saying no to war, regardless of how attractively its weapons and justifications may be packaged. Thus, like those bohemians with whom he was feeling a growing kinship, Airman Second Class Tommy Rotten woke up one morning to find himself once and for all a pacifist.

She hadn’t said it like a joke or hyperbole. “In this country it is,” Arethusa replied seriously, and reached to take the peach juice I gave her, one of her after the other. She smiled at me. “I don’t see why,” Lady Sally said. “Pacifists—and anarchists, and libertarians—specifically repudiate the right of the state to employ armed agents—to protect them from murder, for instance. So shooting one ought to be no worse than a misdemeanor. ‘Disturbing the peace,’ say, or ‘frivolous discharge of a firearm.’ ” “ ‘Unlicensed hunting,’ maybe,” I suggested. “They’re not restricted,” she pointed out. “As long as you eat the meat, and clean up after…” “I’m particular about what I eat,” I said. “But I will kill this bunch. If you can help me track ’em.” “Joseph,” Arethusa said plaintively, “when I decided to love you, I had no idea you were so bloodthirsty. Do you realize we’ve never gone an entire day without you announcing your intention to murder someone?” “People who plant nuclear mines in major population centers?” I said. “You bet I’ll kill them if I get a chance.” “No allowances for good intentions?” “None,” I said firmly. “Even if I stipulate that a world of enforced peace run by something like Weathermen with nukes is a good intention—and I don’t—nobody elected these clowns to do the job. They don’t have the right. Even a tyrant rules by consent of his people, no matter how difficult he makes it for them to withhold it. He rules openly, a fair target for any assassin. But these vermin are worse than a well-poisoner.” She bit her lip. Then she shrugged. “You’re right,” she said, “but I want you to promise me that you’ll give up murdering people once we’re married.

Isn't everything cuter heart-shaped?" Roisin asks, gesturing towards the homemade pizza we constructed. She chose to be creative, selecting a pesto base, topped with lavender goat cheese and grilled peaches. Something about her playfulness relaxes me. There's an innocence as she sprinkles cheese into her mouth and leaves handprints on the counter with her powdered palms. It reminds me of being a kid, when things weren't so scary and we could just have fun. That time in my life hadn't lasted long. I always wanted to please my parents. They made sure everything I did was done with heart, and I was cautious not to disappoint them. But being with Roisin reminds me we can still create something while having fun. "You know," I say, "I think heart-shaped cookies would be extra cute with this heart-shaped pizza. Don't you think?" She squeals. "Oh, I love that idea!" In between licking the spoon and adding extra teaspoons of vanilla, I draw kitten whiskers on Roisin's face with the flour. She tosses a handful of powder at me, and I squeal when it hits me in the face. We laugh, sinking onto the hardwood floor. I lean my head against her shoulder as the smell of cinnamon intensifies. We relax for a moment beneath the hot sweet air.

Don’t say a word of this to anyone else.” Jinning’s eyes shone. He puffed up his little chest and said, “Little Uncle, don’t worry. I won’t tell anyone. I get it now. It’s called kissing between a man and a woman. Little Uncle and Uncle are both men, so it’s air channeling.

Besides, y’all just don’t get her the way I do. I know she moves a mile a minute and says things perhaps she ought not to, but she’s got more brains than most people give her credit for. All they see is Mad Marly doing something nuts again, but they don’t know her like I know her. She’s got the biggest heart in the whole wide world.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

Why do you like me, Moses?” I huffed, hands on my hips. I was tired of being pushed and pulled, never knowing what he really wanted. “Who says I do?” he answered softly. But he turned his eyes on me. And his eyes kept me hopeful when his words would have crushed me. His eyes said he did. “Is that one of your laws? Thou shall not like Georgia? “Nah. It’s thou shall not get strung up.” His words made me sick. “Strung up? Like lynched? That’s just sick Moses. We may sound like hicks. I may say seen when I should say saw. I may say was when I should say were. We may be small town people with small town ways. But you being black, or whatever color you are, doesn’t matter to anyone here. This isn’t the sixties, and it sure as hell ain’t the Deep South.” “But it’s Georgia,” he answered softly, playing games with my name the way I had done. “And you’re a sweet Georgia peach with fuzzy pink skin, and I’m not biting.

On Being Human" Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.

THE MOTHER SPARROW take ni iza / ume ni iza to ya / oya suzume Let’s be off to the bamboo, to the peach trees, says the mother sparrow. Issa was more than sympathetic. He felt an intimacy with the mother sparrow that relates to what John Keats must have felt when he wrote, “The setting sun will always set me to rights, and if a sparrow come before my window, I take part in its existence and peck about the gravel.”6 Issa and Keats lived in different times and in far distant cultures, yet unknowingly their relationship was mar velously close—as close as their relationship with the little birds was. LOOK

Suffice to say, the dream writer had a way of phrasing things. She could depict the curve of a cucumber, the shape of a sunbeam, the endearing, velvety tilt of a peach, in just such a way that she earned her living selling dreams. One simply made a selection, read it in solitude, and let it percolate till sleep. People swore they fell directly into her renderings, and one even asked if the dream writer could write a dream of dreaming forever. The dream writer could not do this, but she hired dream apprentices to expand the reach of her dreams and she wrote dreams for herself in which she would sit at a desk, pen in hand, and write even more dreams. This nearly doubled her output.

Her grandmother used to say something about how the air around you will turn white when things are about to change.

Soy milk and two sugars." Just this past week, Rachel had become convinced that how people took their coffee gave some secret insight into their characters. Were people who took their coffee black unyielding? Did people who liked their coffee with milk and no sugar have mother issues? She had a notebook behind the coffee counter in which she wrote her findings. Willa decided to keep her on her toes by making up a different request every day. Rachel walked back to the coffee bar to write that down in her notebook. "Hmm, interesting," she said seriously, as if it made all the sense in the world, as if she'd finally figured Willa out. "You don't believe in ghosts, but you do believe that how I take my coffee says something about my personality?" "That's superstition. This is science.

Helpful Tips For Getting The Nutrition You Need Your interest in nutrition means that you are probably already a label reader as you traverse the supermarket aisles. You also hear about food and nutrition on the evening news. The knowledge you acquire about nutrition for optimal health can truly be life-changing. These tips will help you in your efforts to get the health and energy-giving nutrients that you need. Remember that portions are extremely important. To make sure you are eating the correct portion sizes, fill up your plate with the healthiest foods first and then the least healthy. It also helps to eat the foods on your plate in the same order. Carefully inspect food labels to determine the nutrition facts. Just because something says that it has reduced fat doesn't mean that it is full of healthy ingredients. Avoid highly processed foods when losing weight. Any label that is trustworthy is a label that has ingredients which are common and that people know what they are. Avoid buying foods with a lot of artificial ingredients listed on their label. Take some ideas from other countries when evaluating your nutrition. For centuries, other cultures have incorporated unusual and inventive ingredients that can be very good for you. Taking the time to research some of these ideas and finding the ingredients, can definitely add some spice to a potentially boring menu. Treatment Wheatgrass shoots may not be rated #1 in taste, but they contain many nutrients and vitamins that are great for your nutrition. Incorporate more wheatgrass in your diet to get healthy. It is a great way to detoxify your body and rebuild your bloodstream. In fact, it is a great treatment for anyone with blood disorders. Sugary drinks like apple juice contain a large amount of sugar. People who are trying to lose weight should avoid fruit drinks because they are deceptively filled with carbohydrates. Oranges, apples, and peaches all contain very high levels of sugar which in turn provides a ton of calories. Hospitals are often known to use fruit juice as a treatment for severely malnourished patients, due to its caloric value. These are just a few ideas that can get you going in the right direction or that can give you some new ways to get the nutrients that you need. Don't expect instant results - this is a long-term process. Ignoring the advice is like running a motor without ever changing the oil. Sure, you won't see any effects for a long time, but little by little the motor is sustaining irreversible damage. Don't let that happen to your body!

What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book!  I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand

Aye, you’re not of the ordinary sort, to be sure. But, a delightful change from the plump, peach-skinned, and ripe.” “Are you talking about females or fruit?” He grinned wolfishly. “One and the same. I happen to enjoy both.” “And what about me?” “Oh, I should dearly love to enjoy you. And I intend to, before the night is out.” She jerked the pistol up and pointed it at his heart. “But please,” he continued smoothly, “not here. What do you say to trysting on the beach outside? Surely, the water lapping around our flesh will only heighten the pleasure. . .

Full round apple, peach, pear, blackberry. Each speaks life and death into the mouth. Look at the face of a child eating them. The tastes come from afar and slowly grow nameless on the tongue. Where there were words, discoveries flow, released from within the fruit. What we call apple—dare to say what it is, this sweetness which first condensed itself so that, in the tasting, it may burst forth and be known in all its meanings of sun and earth and here. How immense, the act and the pleasure of it.

Sorry I'm being such a girl," she says sheepishly. "Peaches, if you weren't a girl, we wouldn't even be having this conversation right now," I tell her. "And I wish I were there to remind you exactly why I'm glad you're a girl.

Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I’ve come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love.” She thought she should say something witty here. She said, “Really?” “I know it seems absurd. At first, you and I were the last match possible. I cannot name the moment when my feelings altered. I recall a stab of pain the afternoon we played croquet, seeing you with Captain East, wishing like a jealous fool that I could be the man you would laugh with. Seeing you tonight…how you look…your eyes…my wits are scattered by your beauty and I cannot hide my feelings any longer. I feel little hope that you have come to feel as I do now, but hope I must.” He placed his gloved hand on top of hers, as he had in the park her second day. It seemed years ago. “You alone have the power to save me this suffering. I desire nothing more than to call you Jane and be the man always by your side.” His voice was dry, cracking with earnestness. “Please tell me if I have any hope.” After a few moments of silence, he popped back out of his chair again. His imitation of a lovesick man in agony was very well done and quite appealing. Jane was mermerized. Mr. Nobley began to test the length of the room again. When his pacing reached a climax, he stopped to stare at her with clenched desperation. “Your reserve is a knife. Can you not tell me, Miss Erstwhile, if you love me in return?” Oh, perfect, perfect moment. But even as her heart pounded, she felt a sense of loss, sand so fine she couldn’t keep it from pouring through her fingers. Mr. Nobley was perfect, but he was just a game. It all was. Even Martin’s meaningless kisses were preferable to the phony perfection. She was craving anything real--bad smells and stupid men, missed trains and tedious jobs. But she remembered that mixed up in the ugly parts of reality were also those true moments of grace--peaches in September, honest laughter, perfect light. Real men. She was ready to embrace it now. She was in control. Things were going to be good. She stared at the hallway and thought of Martin. He’d been the first real man in a long time who’d made her feel pretty again, whom she’d allowed herself to fall for. And not the Jane-patended-oft-failed-all-or-nothing-heartbreak-love, but just the sky-blue-lean-back-happy-calm-giddy-infatuation. She looked at Mr. Nobley and back at the hallway, feeling like a pillow pulled in two, her stuffing coming out. “I don’t know. I want to, I really do…” She was replaying his proposal in her mind--the emotion behind it had felt skin-tingling real, but the words had sounded scripted, secondhand, previously worn. He was so delicious, the way he looked at her, the fun of their conversations, the simple rapture of the touch of his hand. But…but he was an actor. She would have liked to play into this moment, to live it wholeheartedly in order to put it behind her. An unease stopped her. The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this.

A part of me was hoping he would say fuck it and walk away, but there was also this very small part in me that wanted it to work.

What was the point when I knew King wasn’t gon’ let me go to that damn party? It was funny saying let when I was grown. “Yeah, Peach, you got to stand up to King

Red Elephant" When am I supposed to say so long? When am I supposed to say so long? When I fall in love 'fore dusk is dawn When you take my hand across the lawn With the eyes so sweet they're like a fawn Red elephant is wet & long... How am I supposed to wash you off? Rungs of bad poems I've hacked & coughed But I have to spare a breath for you Which I'll take, before we make anew Our hearts will take a stroll for two Our feet will take the avenue & Walk in unison, so cute Red elephant is turning blue Why am I here when you're over there? Let's meet at the fountains In Dundas Square Who am I supposed to be with you? I'll wait 'til you say & pretend I knew Because if it's true that walls can talk How mine would brag of tears I've sobbed When thinking of the way we walked Along the paths of sideway chalk Forever under ticking clock Where you & I are free to flock What can I write when I know it's wrong? Slapping my knee to my own damn song Where can we go when the sinking stops? To the pit of my chest As it drops and drops... Put your head upon my chest, it breathes & My fingers through your hair they weave & Your shoulders are the perfect sea In which I get lost invariably Oh the elephant is up to sea If it meets the peach fish underneath & When I am you and you are me We are stirred as spoons in lover's tea

It was 60, 70 kilometers to go, and I took a peach,” LeMond says. “About 10 km later, I went to a teammate, ‘Pass me your hat.’ He was like, ‘What?’ I said, ‘Pass me your hat, please.’ ‘What do you want my hat for?’ ‘Pass me the goddamn hat!’ “I shoved it down my shorts; it didn’t feel like it was going to be diarrhea, but oh, my God, it was so severe. I just felt the shorts go woooooop! And it fills my shorts, then slowly dribbles down my legs into my shoes. I mean literally, it was dripping into my wheels, it was flying off the spokes. And then everyone separated off from me. We were single file, we were going hard, and I was cramping, my stomach.

By the way,’ she added, ‘you were talking about an ocarina. I have one if you’d care to have it. It belongs to my daughter who is in Las Palombas with her husband and I know she won’t want it.’ ‘I say, that’s awfully jolly of you,’ said Bill. ‘Funny thing, I know a chap in Las Palombas called Fairweather. I wonder if your daughter knows him. His wife is a peach. I saw her at the Barchester Palais de Danse with Fairweather last time I was on leave.’ Mrs.

No matter how close we are to fuckin’, when she say wait, that means stop, point blank. “Fuck

That was why I was scared to get serious with Blaze. Who’s to say he wasn’t like everyone else?

Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.

In his mind, we're the good guys. Everything we say, he interprets that way. If you say you don't care if he lives or dies, it must be your dry gallows humor." "Seriously?" "Yep." "That's a really stupid way to go through life." "It's how most people do." "Then most people are really stupid." "And yet we made it to the stars," Peaches said.

Why do you keep loving me, Birdie?” Birdie looked at her like she was really thinking about it. “I love you because you’re Leeda. I just… I don't know, I guess it’s too late to not love you. So I just accept you.” Leeda tried to harness what she wanted to say. It was hard to put it into words. “I can’t even imagine what kind of person you see when you look at me. I mean, I can't think of who it is you think you’re accepting.” Birdie put her hand on Leeda’s and crushed her fingers in her brave Birdie way. “Just you, Leeda. I just love you whoever you are.

Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billon-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

She says: ‘We are cursed, who are born beneath the peach blossom and fated to work these green pavilions. I thought I had escaped them, but the breeze has blown me back. To understand life is to know despair. Genius and beauty are worthless: they make heaven jealous. I had filtered my springwater with alum: it bubbles now with muck and mud. The potter’s wheel torments all women: it spins and spins, without throwing us off. When I left home, I accepted my fate: but why must destiny still hack away at a rose already shredded? Half my youth is gone too soon. I’ll offer up the rest of it. I’ll end my young days here.

Betsy lost her peach.” I can’t resist. “That’s the pits.” She blinks at me. For a moment, she doesn’t say a word, and I picture a plane crashing and burning… Until I see the twinkle in her eye. Her lips press together, and she holds out her hand. “She’s a little fuzzy on the details.” My lips tighten, and I hold out the tennis ball. “She seemed speachless.” “She needs to practice what I peach.

You like that girl don't you?" She inclined her head half an inch in Nina's direction. Tom shook his head. "Not at all. She's full of herself. And she's really short." He could have gone on to say she had skin like a peach and hair the color of an Irish setter and a mouth that was higher at one corner than the other and ankles that tapered just so . . . but he thought that might undermine his position.

The Bible's only explicit reference to homosexuality is that passage in Leviticus you misquoted, and even it is sort of vague. Man shall not lie with man. Says nothing about sex or love or long-term commitment.

what holds us back from culinary progress is often some cultural roadblock that we honor in the name of preservation—the kind of arbitrary roadblock that says, You’re not supposed to do that with kimchi.* 3

For the love of grandma's peach preserves, women's clothing needs new sizing standards, especially that horribly redundant "extra large." That's like saying Ida Mae's not just big. She's big big." Let's try something more reasonable, maybe even introduce southern sizing, like tee-tiny, middlin', over-filled corn muffin, biscuit-fluffy, dumplin' and sack o' taters.

Say, cut it out!” Chet bellowed. “I have half a mind not to give you fellows any lunch at all!” “Ho! Now you want us to starve!” Biff laughed as he and the Hardys lifted out succulent sandwiches, a jar of home-preserved peaches, a gallon Thermos of chilled milk, and slabs of chocolate cake. “Lucky for you, Chet,” Joe teased, “you brought enough so there’s some food left for you.” The heavy-set boy, though pretending indignation, settled down to enjoy his share of the lunch. Then the Hardys and Biff followed Chet’s example and took a nap after the hearty meal. “Not a bad idea,” Joe murmured as he dozed off.

Hey Clara-Bell, how’s it going? Are you going to eat that?” Using his stupid pet name, he pointed at the vomit-like mass called peach cobbler. “No, you can have it. You like to eat more than me.” “What can I say? I’m a growing boy with a hollow leg.

In opening Ko, we would ask to be measured against the finest restaurants in the country. When I say it like that, it sounds like a pretty solid plan. What I usually neglect to mention is the major creative influence of the New York City Department of Health and Mental Hygiene.

I’m going to get cake,” she says instead of answering and starts to walk away. I don’t say anything for a moment, but then it hits me. “You can’t even eat the cake,” I say once she’s a few steps ahead and I swear I hear her laugh, but the sound gets lost in the noise of the party.

The soft glow of the afternoon light fills my apartment, casting a warm embrace over everything it touches. It's 4:30 PM, and the distant hum of the city seeps through the windows, a subtle reminder of life beyond these walls. Maddie lies beside me with sunlight playing across her skin, turning it into a canvas of peaches and cream. I'm captivated by how the light accentuates her form's softness, the delicate peach fuzz that covers her, and the single white hair amidst my chest hairs that she idly twirls with her fingers. 'We've been lucky this weekend,' I murmur, the words barely a whisper, lost in the moment's tranquility. She laughs softly, a sound that fills the room with warmth. 'I'm sorry for not being quieter earlier... I hope Mrs. Halverson didn't hear.' 'I shake my head, smiling at the thought of my elderly neighbor. "She's probably out with Mr. Piffles, enjoying the afternoon.' Reluctantly, I slide out of bed, feeling the cool air against my skin. I dress quietly, aware of Maddie's gaze following me. She doesn't say anything, but we both know the weekend is drawing to a close, and reality awaits us. As I finish getting dressed, Maddie watches me silently. Then, with a playful glint in her eye, she reclines in bed, striking a pose reminiscent of Goya’s La Maja Desnuda. 'Do I compare to Pepita Tudó?' she asks, a mischievous twinkle in her eye. 'You're far prettier,' I assure her, and I mean every word.

That’s sweet, peach. You’re saying that I was made for you?

People say that as though the craziness started just today, as though yesterday was all peach pie. I leaned back against the headrest. Christmas

Our special today is a Peach Pop Jack. That’s a generous helping of rotted peach peel mixed with our special blend of puréed poppyseed and a splash of arsenic to give it a kick.” “Rotted peach peel and arsenic!” Imogenia interrupted. “Are you trying to kill—” She stopped herself and smiled. “Sorry, I’m not used to being dead. You were saying?” “We also have our standard Boo Tea, curdled milk shakes, Soggy Surprise, and our famous Blackened Booger Sludge.

Are you still fixed on the notion of staying here?” he asked, deftly carving a peach and divesting it of the pit. He handed her a neat golden half. “Oh yes.” Evie accepted the peach and took a bite, its tart juice trickling over her tongue. “I was afraid you might say that,” he replied dryly. “It’s a mistake, you know. You have no idea of what you’ll be exposed to… the obscenities and lewd comments, the lecherous gazes, the groping and pinching… and that’s just at my house. Imagine what it would be like here.” Uncertain whether to frown or smile, Evie regarded him curiously. “I will manage,” she said. “I’m sure you will, pet.

What can I possibly do to be more competitive? I’ve done cost reduction. No other manager in this division has cut costs to the degree I have. There is nothing left to trim. And, despite what Peach says, my efficiencies are pretty damn good. He’s got other plants with worse, I know that. But the better ones don’t have the competition I do. Maybe I could push efficiencies some more, but . . . I don’t know. It’s like whipping a horse that’s already running as fast as it can.

TERN says that when they time travel, a separate timeline is spun off from ours, and when the time travelers leave, the timeline collapses.

My hair, always pale, is now flossy white and very, very long. It is fine too, finer it seems with each passing day. It is my one vanity- Lord knows I haven't much else to be vain about. Not any more. It has been with me a long time- since 1989, this present crop. I am fortunate indeed that Sylvia is happy to brush it for me, oh so gently; to plait it, day in, day out. It is above and beyond her job description and I am very grateful. I must remember to tell her so. I missed my chance this morning, I was too excited. When Sylvia brought my juice I could barely drink it. The thread of nervous energy that had infused me all week had overnight become a knot. She helped me into a new peach dress- the one Ruth bought me for Christmas- and exchanged my slippers for the pair of outside shoes usually left to languish in my wardrobe. The leather was firm and Sylvia had to push to make them fit, but such price respectability. I am too old to learn new ways and cannot abide the tendency of the younger residents to wear their slippers out. Face paint restored some life to my cheeks, but I was careful not to let Sylvia overdo it. I am wary of looking like an undertaker's mannequin. It doesn't take much rouge to tip the balance: the rest of me is so pale, so small. With some effort I draped the gold locket around my neck, its nineteenth-century elegance incongruous against my utilitarian clothing. I straightened it, wondering at my daring, wondering what Ruth would say when she saw.

Underneath, we’re just . . . rats.” . . . foul, stinking darkness . . . “Yes, we are,” said Peaches. “But what are we on top? That’s what you used to say. Come on—please? Let’s go back. You’re not well.” “It was all so clear to me . . .” Dangerous Beans mumbled.

I've got it! Shecret Shauce! We can bottle it and sell it at farmers' markets or on the Internet!" We both laugh at her, but then Anne's face grows thoughtful. "It was pretty good stuff," she says. "Hey, Eleanor, what would happen if we blended it, so no one knew it was fruit cocktail? Then we wouldn't even have to give away the shecret." I get up and walk to Benny's cupboard, pull out ingredients: vegetable oil, soy sauce, garlic powder, salt, pepper, and one can of fruit cocktail. The only thing I can blend it in is Benny's old Osterizer, which actually works better than any appliance I've got. The finished product is a beautiful peach color, silky in texture, and tastes almost perfect. "All it needs is a bit of sweet chili sauce to perk it up," I say. "Here, taste." Who knows? A family dynasty might have been born from the ashes of our fathers.

Although at first glance there may appear to be a fairly thin line between them, there are significant differences between the attempt to somehow magically exert one’s will on tangible reality for one’s own benefit (manifestation), and the inspiration to imagine entirely new realities (sometimes to add color and bounce to the drab waltz of existence, sometimes to facilitate the recognition of wonder, sometimes just for the hell of it); between an attempt to mentally force fortune to alter its course for one’s personal gain (to manifest, say, a winning lottery ticket), and possessing the lightness of spirit and the freedom of mind to live as if such developments would pale in comparison to those one regularly experiences at the piano, the easel, the writing pad, or upon viewing a pattern of fallen leaves in the gutter; to live -- against all evidence -- as if advances in fortune were already here.

I'm not tootin' my own horn or anything, but I gotta say the buffet we set up on my dining room table with a blue-checkered cloth and some fresh daisies couldn't have looked more beautiful. Used my large, glazed, tobacco-spit pottery dish for the casserole, and with the crusty, buttered bread crumb topping, it was appetizing enough to be photographed for a food magazine. For the grits, I'd decided to sprinkle extra Parmesan over the top, so they were not only soft and creamy inside but a crispy golden brown outside. The congealed salad I fixed in a glass mold the shape of a pinecone, so when I turned it out on a plain white platter lined with leaves of romaine, the peaches and pecans could be clearly seen suspended in the lemony aspic in an interesting design. This time my hot buttermilk biscuits were as high and fluffy as Mama's, and next to the cloth-lined straw basket I had a big slab of the sweetest local country butter in the state of Texas, which I buy every weekend at the farmers' market out off Eldridge Parkway. We transferred Rosemary's yummy cake to the cut-crystal plate with tiny legs I remember my grandmamma using for birthday parties, and to tell the truth, I wondered how in hell I was gonna get through that lunch without cuttin' myself more than just a sliver of that mouthwatering caramel layer cake.

Vivid greens and bright crimsons fill my fridge; the larder has jars and bottles with every shade of pink and violet, orange and magenta. The more colorful and vibrant the food I eat, the happier I am. I have just made a salad of milky-white burrata, purple basil and peaches the colors of a sunset. Breakfast involved melon, wine-red raspberries and nuggets of crimson pomegranate. Eat the rainbow, they say, and I do.

Should he tell him about the best things he'd ever eaten, the detail of their component parts? Or was that cheating? The best things, after all, weren't things that he had technically eaten. He'd only tasted them secondhand; they weren't animal or vegetable or mineral, but memory--- comestible desires, the fantasy food porn of anonymous ghosts. To describe those to the chef would be a kind of lie. The other option--- the honest option--- was to just let it go, to slink back and confirm this Wüsthof toolbag's cutting observations about his intentions, his experience, and his palate. "What's the matter?" Beauchêne prompted. "Can't decide between a Big Mac and a Whopper?" Something inside Kostya, deep in his gut, lunged. He could take the digs about being unqualified and a liar and even a bad cook--- all those things were true--- but he couldn't let this guy insult his taste buds. His tongue was special. It was maybe the only special thing about him. "Nevermind. I can see that we're not going to---" "Duck." Kostya spat it at him like another four-letter word. "Duck ragout. It had this thick sauce, cinnamon cognac. A demi-glace, I think." Kostya closed his eyes, remembering where the aftertaste had happened, trying to reincarnate it. He'd been on the sidewalk outside his mother's apartment two New Years' ago, pacing around and nursing tea that had gone cold, delaying the inevitable argument about how he was living his life when it had hit him. "The onions were sliced so thin they fell apart to almost nothing in the stew. And these dried fruits that reconstituted in the duck fat--- peaches and apricots and plums and cherries--- they exploded my teeth like tapioca pearls." Kostya's eyes were still closed, but the stony silence from Beauchêne invited him to keep going. "And a couple years ago, there was this coconut curry and Kaffir lime fried chicken." That one happened to him at a Gristedes. He'd been in the refrigerated section, his fingers closing around the handle of a gallon of milk. "The skin was so crispy, paper-thin, covered in these tiny, burnt coconut shavings and desiccated slivers of zest, and underneath, the chicken was so moist. The juices dribbled down my chin." He'd invented that last part for effect, and it seemed to be working. Kostya could feel the air change around him, sizzling. He thought he heard the chef swallow. "I have to say, I wasn't expecting---" "I once had young goat," Kostya cut him off, his eyes squeezing tight in focus. "The whole thing was fire-roasted, charred, the meat brined and rubbed with garlic, thyme, rosemary. Hand-crushed juniper." This one had choked him awake one morning in bed a few months prior, he'd drooled so much he nearly drowned in his own spit. "It fell apart in my mouth. Every bite, I got a little of the ash from the fire pit, the grit of the sand, the scent of pine from the dried needles on the lumber burned to cook the thing." "Who are you?" the chef wondered aloud.

You always know what to say.” “Only because I know your heart as well as my own,” he murmurs, a promise and a prayer. “I see your scars. I know where you hurt.

No one would doubt that I love my children, and even a quantitative social psychologist would find no fault with my list of loving behaviors: nurturing health and well-being protection from harm encouraging individual growth and development desire to be together generous sharing of resources working together for a common goal celebration of shared values interdependence sacrifice by one for the other creation of beauty If we observed these behaviors between humans, we would say, “She loves that person.” You might also observe these actions between a person and a bit of carefully tended ground and say, “She loves that garden.” Why then, seeing this list, would you not make the leap to say that the garden loves her back? The exchange between plants and people has shaped the evolutionary history of both. Farms, orchards, and vineyards are stocked with species we have domesticated. Our appetite for their fruits leads us to till, prune, irrigate, fertilize, and weed on their behalf. Perhaps they have domesticated us. Wild plants have changed to stand in well-behaved rows and wild humans have changed to settle alongside the fields and care for the plants—a kind of mutual taming. We are linked in a co-evolutionary circle. The sweeter the peach, the more frequently we disperse its seeds, nurture its young, and protect them from harm. Food plants and people act as selective forces on each other’s evolution—the thriving of one in the best interest of the other. This, to me, sounds a bit like love. I sat once in a graduate writing workshop on relationships to the land. The students all demonstrated a deep respect and affection for nature. They said that nature was the place where they experienced the greatest sense of belonging and well-being. They professed without reservation that they loved the earth. And then I asked them, “Do you think that the earth loves you back?” No one was willing to answer that. It was as if I had brought a two-headed porcupine into the classroom. Unexpected. Prickly. They backed slowly away. Here was a room full of writers, passionately wallowing in unrequited love of nature. So I made it hypothetical and asked, “What do you suppose would happen if people believed this crazy notion that the earth loved them back?” The floodgates opened. They all wanted to talk at once. We were suddenly off the deep end, heading for world peace and perfect harmony. One student summed it up: “You wouldn’t harm what gives you love.” Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.

He kneels in front of her, dark brows furrowed over familiar blue-green eyes. Khiran’s hand slides along her jaw, tipping her chin up so his eyes can trace over the skin of her neck. “Let me see.” There’s nothing to see, she knows there isn’t, but somehow he knows anyway. “I don’t bruise,” she murmurs. A truth he should already know. His touch is gentle where not an hour earlier another pair of hands were not. “Not that they can see,” he says, voice soft with regret. “And you can?” “Yes, Anna.” His gaze lifts, eyes dark with shadows. “I can see where you hurt.

You’re fearfully and wonderfully made,” she whispers in my ear, making me smile. I recall the sticky note on our shared bathroom mirror back home that says the same thing.

But Eli’s got me. He steps closer, and I feel the latch of our gazes right in my chest when he says, “Hey, Peach. Happy birthday.

Actually, back up Alan. I’m in the phase where I say yes to everything. Can I give it a week and think about it?’ When even my premenstrual self was committed,

With the oysters, I'm at the shore, swimming in the heat of the day. She serves us baby cream biscuits and smoked peach butter that taste exactly like those we'd eat around her mother's table during a Sunday dinner, only better, tweaked in a way that makes me want to taste it again and again. Buttermilk panna cotta with spot prawns and spring vegetables pulls me right into lazy picnics in Delilah's backyard, when we'd gorge on plump peas, sweet tomatoes, crisp cucumbers. The tender shrimp and tart buttermilk--- all of this is our childhood on a plate. I never wanted to look too closely at that time, but it's slapping me tight in the face. Oddly, it doesn't hurt. Not this version. It feels fragile and rare, like I should be protecting it, like I should be proud of where we come from and who we are. And then the menu changes on me. The servers bring out what Delilah says is butter-poached cod with potato galette and shellfish emulsion dotted with petals of mango and peach. It is the clean taste of the sea; it is buttery velvet along my tongue, bright bursts of juicy fruit. Underneath it all is a crisp, airy version of what is essentially a gourmet tater tot. The taste is erotic. Heat and lust wash over me in a wave that has my balls clenching and my cock stiffening. I can't figure out why. Then it hits me like a kick to the chest. This dish is us. Frantic kissing on the beach, eating juicy mangos at the market, peaches and tater tots. She's created us. A compilation of all she holds dear.

You're staring at my boobs." Her tone is wry but somehow not insulted. "I am aware." I should be sorry, but I'm not. "I'm staring at your peachy butt, too, if we're being totally honest here." "Macon." I glance up at her. "Your body is fucking luscious, Delilah. Bitable in the best way possible. A juicy peach, a sweet apple covered in caramel. Do you know how much I'd kill for a caramel apple right now, Tot? And me stuck on this hell diet. It's a torment, I say." "I don't think this is very professional," she says weakly. "I should hope not." God, I love teasing her. Her whole body lights up when I do it. Foreplay. Does she realize that's what we're doing? "I was just thinking---" "What did I say about you thinking?" she warns. "They don't look like bananas now, Tot." "Oh my God, you're terrible." But she's grinning now. Fighting damn hard not to show it, but definitely grinning. "More like peaches. Ripe, juicy peaches." She sways in my direction before catching herself doing it and shifting her weight. "You called my butt peachy." A dry complaint. "My boobs can't be peaches too." Maybe I have a thing for peaches." Somehow, we're only a foot apart, the space between us humming with something. It licks over my tender skin, tickles the back of my neck. Take it slow, Saint. She's skittish. Back off. My body resents this greatly and strains toward her warmth. Her voice is a thread, drawn tight. "You're still staring." "Paying proper respect," I amend quietly. "You don't ignore a body like yours. It would be rude." "Pretty sure you have that backward." She's breathless now, her glorious breasts rising and falling with agitation. I lean down, take in the warmth of her scent. "Come on, Tot. I've grown up, seen the error of my ways. Give me your bountiful banana pie." Again she sways into my space, laughing softly. "Pervert. You're not getting any pie from me." I hum, heat and need making my head swim. "But I have this craving." She's whispering now. "Disappointment can be character building." "I'll need my strength for that. How about peach pie?" Kiss me, Delilah. Or let me kiss you. I'm not picky. The pulse at the base of her tanned neck visibly beats. The scent of her skin is like honey. "I thought you wanted banana cream," she says, a dazed look in her eyes. The tips of my fingers touch the collar of her shirt. "I don't think pie is what I want anymore.

The soft glow of the afternoon light fills my apartment, casting a warm embrace over everything it touches. It's 4:30 PM, and the distant hum of the city seeps through the windows, a subtle reminder of life beyond these walls. Maddie lies beside me with sunlight playing across her skin, turning it into a canvas of peaches and cream. I'm captivated by how the light accentuates her form's softness, the delicate peach fuzz that covers her, and the single white hair amidst my chest hairs that she idly twirls with her fingers. 'We've been lucky this weekend,' I murmur, the words barely a whisper, lost in the moment's tranquility. She laughs softly, a sound that fills the room with warmth. 'I'm sorry for not being quieter earlier... I hope Mrs. Halverson didn't hear.' I shake my head, smiling at the thought of my elderly neighbor. "She's probably out with Mr. Piffles, enjoying the afternoon.' Reluctantly, I slide out of bed, feeling the cool air against my skin. I dress quietly, aware of Maddie's gaze following me. She doesn't say anything, but we both know the weekend is drawing to a close, and reality awaits us. As I finish getting dressed, Maddie watches me silently. Then, with a playful glint in her eye, she reclines in bed, striking a pose reminiscent of Goya’s La Maja Desnuda. 'Do I compare to Pepita Tudó?' she asks, a mischievous twinkle in her eye. 'You're far prettier,' I assure her, and I mean every word.

With that peace, I would no longer suffer in the worst shadow of the snake. I would stop skinning peaches. Cease all mad damage. I’d bring an end to splintering my knuckles against picket fences and running chainsaws through rows of American corn. I’d sweeten my heart. Be gentled by the small of a lover’s back. I’d no longer scrape my spine against cinder blocks nor cannibalize myself in perfect bites. I’d get rid of my stash of horns and keep hell out of the honey. I would learn how to say June, July, August, September without scream and as one word. Forgiveness.

Eventually I said, "Do you remember Baba Haji?" And she said, "Of course." "No," I said. "Do you remember the time I was a kid. I walked around into his courtyard, and there was a bull they wanted to kill for a feast for me. All the mean were struggling with it. Is that real? Did that happen?" I was terrified of what she'd say, because all this time, I had held on to that one memory like a peach pit in my pocket. It was mine and it was the only I had of my Baba Haji. Is it was untrue, I don't think I could take it. "No," she said. "It wasn't like that." I closed my eyes, because I had lost my Baba Haji. "That wasn't for a feast for you. The bull had gone mad," she said. "It was going to kick someone or kill one of the farmers. So they went to your Baba Haji. He was so strong, they all went to him for this kind of thing. He took care of everyone who worked of him. And it was a mercy to kill the bull, because it would thrash and break its own neck if they didn't." "Really?" I said. "And did he come out and hold my face?" "I suppose so." "And were his hands red with blood?" "Oh no. He would never have done that. You must have imagined that." "But he smiled at me." "Of course. You were his. He would have also made a feast," she added. "But it would have been a sheep. He would have spilled the blood. You have to understand that means a blessing. It's ancient. To step over the river of blood, to accept the sacrifice and be thankful. Then we could eat, only after we understand the cost of joy. And he would have washed his hands.

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being there tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common cause. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers the iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses, life haves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, tongue, hand, nose, flesh, heart and soul.

They Say the World Will End Soon" They say the nuclear weapons—born of fear of the other— have become a curse, a plague, a scourge upon those who built them, even more than those they were meant to threaten… And I wonder: Will nuclear weapons bring about the end of the world? Or will it be humanity’s fear, complicity, and quiet submission? If what they say is true, before the world ends—and before I die— I wish to drink one last cup of cardamom-flavored tea, to taste one final fig, peach, or apricot, to inhale the scent of a quince, to dip one last piece of bread into Palestinian thyme and olive oil… Before the world ends, I want to smell pine needles, and breathe the scent of the season’s first rain after a long, dry summer. Before the world ends—and before I die— I long to read one more book from the thousands still waiting for me. I ask for one more spring to inhale bunches of Iraqi narcissus. And one more autumn to marvel at the dying leaves— defying death with beauty just before falling upon the indifferent ground. But most of all, my final wish before I die is that my death not be the end of the world…

She put me at ease from the start, and the more I got to know Maeve the more I liked her. I loved the way she assumed her own perceptions were general. I seem to remember her saying that sometimes, or course, we were inhibited from eating some fruit, like peaches, because of its resemblance to parts of the human anatomy. She looked at things from this slightly unusual angle, but it was a view that could be enlightening. I remember her saying that that a writer I greatly admired at the time had been to visit. I eagerly asked what he was like. The puzzled expression appeared in her eyes, momentarily. 'He's a very emotional man,' she said. She told me, and to this day I don't know whether she was serious, that Mervyn had mentioned that one of the formative influences on the Titus books was the rules of cricket.

Cemeteries stutter like broken radios static and memory, all at once. Not quiet. Never quiet. Just my father’s voice trapped between stations, trying to reach me across years he never learned how to carry. The way he would clear his throat before telling me things I wasn’t ready to hear. My mother didn’t cry at burials. She folded her grief into the corners of her saree, tucked them between recipe books, let the scent of cardamom mourn in her place. Grief is not an echo. It’s the bruise on a peach. It’s turmeric beneath the nails. It’s calling out names in a cemetery and flinching when no one turns. Some days I mistake sidewalks for gravestones. Some days I pour tea for the silence at the table. Some days I mistake dust for the breath of memory. Some days I say “I miss you” to the crack in the wall near the kitchen sink, to the kind of quiet that doesn’t leave. But grief never finishes its tea it just stains the cup and walks away barefoot.

I remember a Japanese saying about the power of bamboo. Its strength is not found in a rigid structure that blocks the wind; instead, the stalks bend with the wind. Their power resides in their flexibility. I'm working on becoming like bamboo. I've abandoned my attempts to control and compete with nature, letting go has been a challenge.

He comes back with a tray of cold cuts, crusty bread, hothouse peaches, and watered-down ale. "I turned down the mysterious stew," he says, laying the tray on the small card tray by the window. "What if mysterious stew is my favorite food?" "Then we'll have to refine your tastes before you become a princess.

Yamanashi is green, dense with red pine and white oak forest and beautifully kept orchards that cut deep into its slopes. Fruit hunters pay to eat as much ripe, seasonal fruit as they like in a short span of time. Say, thirty minutes of thin-skinned peaches, or fat pink grapes, or strawberries, warmed from the sun, dipped into pools of sweetened condensed milk.

The neighbors would complain, ‘Mr. Hoffman, what if they sting?’ My father would say, ‘You like flowers, you like apples, you like peaches? Then you put up with the fucking bees.’ One year, just to make his point, he sent me around the neighborhood to collect money from people, depending on how many flowers and fruit trees they had, like we should get a cut.