Straw Hat Quotes

We've searched our database for all the quotes and captions related to Straw Hat. Here they are! All 167 of them:

On the whole, I do not find Christians, outside of the catacombs, sufficiently sensible of conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies’ straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake someday and take offense, or the waking god may draw us out to where we can never return.
Annie Dillard
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Mister Straw hat is going to be an enemy of mine but even a bond of enmity is still a bond.-Trafalgar Law
Eiichiro Oda
Right on the dot, Ted waltzes in as if he owns the place. Vince looks up from the pump. Christ he’s got his ice-cream seller’s jacket on, straw hat, moustache gleaming like a pair of brass handles.
Lesley Glaister (Blasted Things)
As I sat there working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I’ll look up and you’ll no longer be there.
André Aciman (Call Me by Your Name)
And she comes, she actually bloody well comes, bustling down between the beds, bless her heart, in her best coat and vile black straw hat, more fit for a funeral than anything. He’ll get her another, whatever she wants, the best money can buy. He’s so pleased to see her he could nearly bloody cry.
Lesley Glaister (Blasted Things)
When the Irish novelist John McGahern was a child, his sisters unlaced and removed one of his shoes while he was reading. He did not stir. They placed a straw hat on his head. No response. Only when they took away the wooden chair on which he was sitting did he, as he puts it, 'wake out of the book'.
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
Hope is a straw hat hanging beside a window covered with frost.
Margaret George (Mary Queen of Scotland and The Isles)
It’s almost time for the second harvest. Ayup. I wish I had a straw hat and some suspenders.
Andy Weir (The Martian)
As I sat there, working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I'll look up and you'll no longer be there.
André Aciman (Call Me by Your Name)
A tall man, thin and pale, with high nose and teeth so white, and eyes that seem to be burning. That he be all in black, except that he have a hat of straw which suit not him or the time.
Bram Stoker (Dracula)
The tinkle of a wind chime stirred from over a window. Purple and white phlox cascaded cheerfully over the top of a nearby stone wall. Sunlight sifted through the weave of her straw hat, casting freckles of light on her nose and cheeks that shifted, out of focus, as she walked.
Caragh M. O'Brien (Birthmarked (Birthmarked, #1))
Buy straw hats in the winter, when nobody wants them, and sell them in the summer when everybody needs them.
Kenneth L. Fisher (100 Minds That Made the Market (Fisher Investments Press Book 23))
A Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe.
Peter Cave
Spring has always been the dearest friend to me, with her voice like a feather tossed on the wind. With a tin pail of water in hand, I set out into the gardens grown in her warmth. A straw hat shields my cheek from the rosy stain of her sunlit kiss. When the work of the day is done, I find my little shelter in her embrace.
Erin Forbes
The marketing people are always talking about something called 'consumers'. I have this image of a fat little man in baggy Bermuda shorts, a Hawaiian shirt, and a straw hat with beer-can openers dangling from it, clutching fistfuls of dollars.
Robert James Waller (The Bridges of Madison County)
Or, when I wasn't practicing the guitar and he wasn't listening to his headphones, still with his straw hat flat on his face, he would suddenly break the silence: 'Elio.' 'Yes?' 'What are you doing?' 'Reading.' 'No, you're not.' 'Thinking, then.' 'About?' I was dying to tell him. 'Private,' I replied. 'So you won't tell me?' 'So I won't tell you.' 'So he won't tell me,' he repeated, pensively, as if explaining to someone about me. How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
André Aciman (Call Me by Your Name)
Oh Hilda, what a treasure of sweet faith and pure imagination you hide under that little straw hat!
Nathaniel Hawthorne (The Marble Faun)
Like most of the Jews in Suffolk they treated me very kindly, truly warm and welcoming, as if I were one of them which in an odd way I suppose I was. I found it odd and amazing when white people treated me that way, as if there were no barriers between us. It said a lot about this religion—Judaism—that some of its followers, old southern crackers who talked with southern twangs and wore straw hats, seemed to believe that its covenants went beyond the color of one’s skin.
James McBride (The Color of Water)
So, that sucked,” I said, trying to sound as jovial as possible. “Side effect of dating in the magical world, I guess.” He made a sound of amusement, his shoulders jerking slightly. But he still didn’t look at me. “You think those guys ever had these kinds of problems?” he asked, nodding toward the picture. It was the one depicting the very first class at Hecate Hall, back in 1903. There had only been a few students that year, back when the school hadn’t been used for punishment but as a kind of safe house. “Probably,” I said. “That chick in the straw hat seems kind of skanky.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Lina liked going to the market plaza. It was always alive with people and animals, and the market had things she'd never seen before-sandals made of old truck tires, hats and baskets woven of straw.
Jeanne DuPrau (The People of Sparks (Book of Ember, #2))
Next to the tree was a short, broad-shouldered Asian man in overalls and a straw hat, leaning on a spade. His face was weathered, and in a halting English difficult to follow, he told Alma that this moment was beautiful, but that it would last only a few days before the blooms fell like rain to the ground; much better was the memory of the cherry tree in bloom, because that would last all year, until the following spring.
Isabel Allende (The Japanese Lover)
She laughed a bit at the simple beauty of it all - the white paper, the elegant arc, the soft green grass; and, beside her, the purple backpack, Grandad's golden straw hat, the sky a pale-blue umbrella embracing the whole town
Peter Carnavas (The Elephant)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
The wheels of the cars stormed underneath. Woods and pastures ran up and receded, the rails of sidings sheathed in rust, the dipping racing wires, and on the right the blue of the Sound, deeper, stronger than before. Then the enameled shells of the commuters' cars, and the heaped bodies of junk cars, the shapes of old New England mills, with narrow, austere windows; villages, convents; tugboats moving in the swelling fabric-like water; and then plantations of pine, the needles on the ground of a life-giving russet color. So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
Saul Bellow (Herzog)
Luster returned, wearing a stiff new straw hat with a colored band and carrying a cloth cap. The hat seemed to isolate Luster's skull, in the beholder's eye as a spotlight would, in all its individual planes and angles. So peculiarly individual was its shape that at first glance the hat appeared to be on the head of someone standing immediately behind Luster.
William Faulkner (The Sound and the Fury)
One summer afternoon I came home and found all the umbrellas sitting in the kitchen, with straw hats on, telling who they are. ... The umbrella that peels the potatoes with a pencil and makes a pink ink with the peelings stood up and said, "I am the umbrella that peels the potatoes with a pencil and makes a pink ink with the peelings." ... The umbrella that runs to the corner to get corners for the handkerchiefs stood up and said, "I am the umbrella that runs to the corner to get corners for the handkerchiefs." ... "I am the umbrella that holds up the sky. I am the umbrella the rain comes through. I am the umbrella that tells the sky when to begin raining and when to stop raining. "I am the umbrella that goes to pieces when the wind blows and then puts itself back together again when the wind goes down. I am the first umbrella, the last umbrella, the one and only umbrella all other umbrellas are named after, first, last and always." When the stranger finished this speech telling who he was and where he came from, all the other umbrellas sat still for a little while, to be respectful.
Carl Sandburg (Rootabaga Stories)
Wisteria hangs over the eaves like clumps of ghostly grapes. Euphorbia's pale blooms billow like sea froth. Blood grass twists upward, knifing the air, while underground its roots go berserk, goosing everything in their path. A magnolia, impatient with vulvic flesh, erupts in front of the living room window. The recovering terrorist--holding a watering can filled with equal parts fish fertilizer and water, paisley gloves right up over her freckled forearms, a straw hat with its big brim shading her eyes, old tennis shoes speckled with dew--moves through her front garden. Her face, she tells herself, like a Zen koan. The look of one lip smiling.
Zsuzsi Gartner (Better Living Through Plastic Explosives)
Once, as I passed by a cottage, there came out a lovely fairy child, with two wondrous toys, one in each hand. The one was the tube through which the fairy-gifted poet looks when he beholds the same thing everywhere; the other that through which he looks when he combines into new forms of loveliness those images of beauty which his own choice has gathered from all regions wherein he has travelled. Round the child’s head was an aureole of emanating rays. As I looked at him in wonder and delight, round crept from behind me the something dark, and the child stood in my shadow. Straightway he was a commonplace boy, with a rough broad-brimmed straw hat, through which brim the sun shone from behind. The toys he carried were a multiplying-glass and a kaleidoscope. I sighed and departed.
George MacDonald
O.K., then, all right, they would adopt a white-trash dog. Ha ha. They could name it Zeke, buy it a little corncob pipe and a straw hat. She imagined the puppy, having crapped on the rug, looking up at her, going, Cain’t hep it. But no. Had she come from a perfect place? Everything was transmutable. She imagined the puppy grown up, entertaining some friends, speaking to them in a British accent: My family of origin was, um, rather not, shall we say, of the most respectable... Ha ha, wow, the mind was amazing, always cranking out these—
George Saunders (Tenth of December)
Let us consider the farmer who makes his straw hat his sweetheart; or the old woman who makes a floor lamp her son; or the young woman who has set herself the task of scraping her shadow off a wall.... Let us consider the old woman who wore smoked cows’ tongues for shoes and walked a meadow gathering cow chips in her apron; or a mirror grown dark with age that was given to a blind man who spent his nights looking into it, which saddened his mother, that her son should be so lost in vanity.... Let us consider the man who fried roses for his dinner, whose kitchen smelled like a burning rose garden; or the man who disguised himself as a moth and ate his overcoat, and for dessert served himself a chilled fedora....
Russell Edson
The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.
Thomas Hardy (The Mayor of Casterbridge)
They found a city steaming with heat—91 degrees on Tuesday, April 27, with four days yet to go until “Straw Hat Day,” Saturday, May 1, when a man could at last break out his summer hats. Men followed this rule. A Times reporter did an impromptu visual survey of Broadway and spotted only two straw hats. “Thousands of sweltering, uncomfortable men plodded along with their winter headgear at all angles on their uncomfortable heads or carried in their hot, moist hands.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.
Lillian E. Smith
I felt an absurd urge to ask, Can you sell me a nice summer straw hat, or should I just go fuck myself?
Stephen King (11/22/63)
brown hair, pebbly eyes dark beneath his straw hat, drove a team of workhorses from the west. His cheeks were sunburned
Colson Whitehead (The Underground Railroad)
When I am old I shall become an itinerant poet and wear a straw hat and never worry about love again.   Tuesday,
Zen Cho (The Perilous Life of Jade Yeo)
a rather jolly little pony, quite possibly wearing a straw hat with holes cut out for its ears.
Terry Pratchett (Mort (Discworld, #4))
Straw Hat Day,” Saturday, May 1, when a man could at last break out his summer hats. Men followed this rule.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
as we sat in a dining room drinking martinis from big frozen glasses whose shape reminded me of the inverted, shellacked straw hats of the cyclo drivers.
Meg Wolitzer (The Wife)
An open car drove by, fleeing into the country. The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man's straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling 'Hey!' These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal -- and this was the goal.
Ayn Rand (The Fountainhead)
The captain’s sister-in-law had traded her mechanic’s coveralls for a colorful shirt, shorts, and a huge straw hat. She looked like a tourist, and because I’m the helpful sort, I told her so.
Rachel Bach (Honor's Knight (Paradox, #2))
She walked over to the tomato bushes, the centerpiece of the spectacular garden plot. In her mind's eye she could see her mother in a house dress that somehow looked pretty on her, a green-sprigged apron, bleached Keds with no socks, a straw hat to keep the sun from her eyes. Mamma never hurried in the garden, and she used all her senses while tending it. She would hold a tomato in the palm of her hand, determining its ripeness by its softness and heft. Or she would inhale the fragrance of pepperoncini or bell peppers, test a pinch of flat leaf parsley or mint between her teeth. Everything had to be at its peak before Mamma brought it to the kitchen.
Susan Wiggs (Summer by the Sea)
And when you find such a friend,” Wonsik continued, lowering the brim of his straw hat, “you fight for them, and they will fight for you. But alone, you will not survive in the capital. Either defeat or death will crush you, and you will never bring your sister home.
June Hur (A Crane Among Wolves)
It was Nurse Caroline who introduced Homer to young Dr. Harlow, who was in the throes of growing out his bangs; a cowlick persisted in making his forehead look meager; a floppy shelf of straw-colored hair gave Dr. Harlow’s eyes the constant anxiousness of someone peering from under the brim of a hat. ‘Oh yes, Wells – our ether expert,’ Dr. Harlow said snidely. ‘I grew up in an orphanage,’ said Homer Wells. ‘I did a lot of helping out around the hospital.’ ‘But surely you never administered any ether?’ said Dr. Harlow. ‘Surely not,’ lied Homer Wells. As Dr. Larch had discovered with the board of trustees, it was especially gratifying to lie to unlikable people.
John Irving (The Cider House Rules)
So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
Saul Bellow (Herzog)
Aloof, as if looking through thick glass into an aquarium, she watched faces, fruit in storewindows, cans of vegetables, jars of olives, redhotpokerplants in a florist's, newspapers, electric signs drifting by. When they passed cross-streets a puff of air came in her face off the river. Sudden jetbright glances of eyes under straw hats, attitudes of chins, thick lips, pouting lips, Cupid's bows, hungry shadow under cheekbones, faces of girls and young men nuzzled fluttering against her like moths as she walked with her stride even to his through the tingling yellow night.
John Dos Passos (Manhattan Transfer)
There she was, clambering up the hill, wearing Colin’s pajamas, with string tied around her ankles and wrists to stop the brambles scratching and the mosquitoes biting. She wore wide sunglasses, a straw hat, and a big smile, not minding at all. She wasn’t vain. She just got on with things.
Anne Glenconner (Lady in Waiting: My Extraordinary Life in the Shadow of the Crown)
As I sat there working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I'll look up and you'll no longer be there.
André Aciman (Call Me by Your Name)
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
A thousand hills, but no birds in flight, Ten thousand paths, with no person's tracks. A lonely boat, a straw-hatted old man, Fishing alone in the cold river snow.
Liu Zongyuan (Poems)
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
He pointed out how a lot of our land-people things we do for getting by, like farmer, fishing, hunting, making our own liquor, are the exact things that get turned into hateful jokes on us. He wasn’t wrong, cartoonwise that shit refuses to die. Straw hat, fishing pole, XXX jug. Kill Stumpy Fiddles, along will come Jiggle Billy on adult swim. But all I could say was, Tommy, you know and I know, neither way is really better. In the long run it’s all just hustle.
Barbara Kingsolver (Demon Copperhead)
I can look back now over our life and see it in traces of everything. Good and bad. Great and terrible. Bit of a short straw to call it a disorder, I think. It’s a shit hat to make her wear all the time because she’s got the best brain in the world, I love how she looks at everything, how she sees it all—I don’t even mind the part where she just says whatever the fuck floats into her head at any given moment—the only part of it that I struggle with these day—all days, I s’pose—is the future myopia.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
Well!' she said. 'What's all this? I thought you told me she loved young Herring with a passion like boiling oil.' 'That was her story.' 'The oil seems to have gone off the boil. Yes, sir, if that was the language of love, I'll eat my hat,' said the blood relation, alluding, I took it, to the beastly straw contraption in which she does her gardening, concerning which I can only say that it is almost as foul as Uncle Tom's Sherlock Holmes deerstalker, which has frightened more crows than any other lid in Worcestershire.
P.G. Wodehouse (How Right You Are, Jeeves (Jeeves, #12))
Please wait here. "Annoying yet romantic," she said aloud. She sat down on the folding chair and peered inside the paper bag. A handful of tiny jam-filled donuts dusted with cinnamon and sugar sent up an intoxicating scent. The bag was warm in her hands, flecked with little bits of oil seeping through. Luce popped one into her mouth and took a sip from the tiny white cup, which contained the richest, most delightful espresso Luce had ever tasted. "Enjoying the bombolini?" Daniel called from below. Luce shot to her feet and leaned over the railing to find him standing at the back of a gondola painted with images of angels. He wore a flat straw hat bound with a thick red ribbon, and used a broad wooden paddle to steer the boat slowly toward her. Her heart surged the way it did each time she first saw Daniel in another life. But he was here. He was hers. This was happening now. "Dip them in the espresso, then tell me what it's like to be in Heaven," Daniel said, smiling up at her. "How do I get down to you?" she called. He pointed to the narrowest spiral staircase Luce had ever seen, just to the right of the railing. She grabbed the coffee and bag of donuts, slipped the peony stem behind her ear, and made for the steps. She could feel Daniel's eyes on her as she climbed over the railing and slinked down the stairs. Every time she made a full rotation on the staircase, she caught a teasing flash of his violet eyes. By the time she made it to the bottom, he had extended his hand to help her onto the boat. There was the electricity she'd been yearning for since she awoke. The spark that passed between them every time they touched. Daniel wrapped his arms around her waist and drew her in so that there was no space between their bodies. He kissed her, long and deep, until she was dizzy. "Now that's the way to start a morning." Daniel's fingers traced the petals of the peony behind her ear. A slight weight suddenly tugged at her neck and when she reached up, her hands found a find chain, which her fingers traced down to a silver locket. She held it out and looked at the red rose engraved on its face. Her locket!
Lauren Kate (Rapture (Fallen, #4))
As the shabby section of the audience rose to its feet, waving its hats and food-wrappers, a rich, stale smell wafted through the auditorium. It had something of the fog on the boulevard outside, where the pavements were sticky with rain, but also something more intimate : it suggested old stew and course tobacco, the coat racks and bookshelves of a pawnshop, and damp straw mattresses impregnated with urine and patchouli. It was - as though the set designer had intended some ironical epilogue - the smell of the real Latin Quarter.
Graham Robb (Parisians: An Adventure History of Paris)
We haven’t got that kind of time. All we have is mind and mind, that slate of neurons for which the skull serves as hat rack, or so Dr. Bowles opines. And from these banks are piers from which little ones fall into the sea, never to be seen again, while others are found in straw baskets cottoned with sea foam. So also are fashioned the nibbling fish, noses and toeses, it’s all the same to them, though there is the hope that if properly incanted, they can twin in turn to feed the multitudes. Some neurons look like threads of snakes:
Vanessa Place (La Medusa)
Even Miss Nollard and Miss Foxe, two dim North Oxford spinsters, were wearing new hats, and Miss Nollard’s hair looked suspiciously as if it had been waved. Only Mrs. Wardell remained reassuringly the same. Everyone knew that the curiously out-of-season straw hat she wore was only her old garden hat trimmed with a bunch of cherries from Woolworth’s, and some with sharper eyes were able to notice that the cherries had been sewn on with greenish darning wool, probably left in the needle after she had finished darning the vicar’s socks.
Barbara Pym (Crampton Hodnet)
For the next hour, the subject of Pandora's board game business was discarded as the group worked on the sandcastle. They paused at intervals to drink thirstily from jugs of cold water and lemonade that had been sent down from the house. Pandora threw herself into the project with enthusiasm, consulting with Justin, who had decided the castle must have a moat, square corner towers, a front gatehouse with a drawbridge, and battlement walls from which the occupants could drop scalding water or molten tar onto the advancing enemy. Gabriel, who'd been instructed to dig the moat, stole frequent glances at Pandora, who had enough energy for ten people. Her face glowed beneath her battered straw hat, which she had managed to pry away from Ajax. She was sweaty and covered in sand, a few escaped locks of hair trailing over her neck and back. She played with the unselfconscious ease of a child, this woman of radical thoughts and ambitions. She was beautiful. Complex. Frustrating. He'd never met a woman who was so wholly and resolutely herself. What the devil was he going to do about her?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
She was the model Manet painted more often than any other, more often than his own wife. But when I look at the paintings I don’t always recognize her as beautiful right away. Her beauty is something I have to search for, requiring some interpretive work, some intellectual or abstract work, and maybe that’s what Manet found so fascinating about it – but then again maybe not. For six years Morisot came to his studio, chaperoned by her mother, and he painted her, always clothed. Several of her own paintings hang in the museum too. Two girls sharing a park bench in the Bois de Boulogne, one in a white dress, wearing a broad straw hat, bending her head forward over her lap, maybe she’s reading, the other girl in a dark dress, her long fair hair tied back with a black ribbon, showing to the viewer her white neck and ear. Behind them, all the lush vague greenery of the public park. But Morisot never painted Manet. Six years after she met him, and apparently at his suggestion, she married his brother. He painted her just once more, wedding ring glittering dark on her delicate hand, and then never again. Don’t you think that’s a love story?
Sally Rooney (Beautiful World, Where Are You)
She bade her friends good-bye, and again started along the road of yellow brick. When she had gone several miles she thought she would stop to rest, and so climbed to the top of the fence beside the road and sat down. There was a great cornfield beyond the fence, and not far away she saw a Scarecrow, placed high on a pole to keep the birds from the ripe corn. Dorothy leaned her chin upon her hand and gazed thoughtfully at the Scarecrow. Its head was a small sack stuffed with straw, with eyes, nose, and mouth painted on it to represent a face. An old, pointed blue hat, that had belonged to some Munchkin, was perched on his head, and the rest of the figure was a blue suit of clothes, worn and faded, which had also been stuffed with straw. On the feet were some old boots with blue tops, such as every man wore in this country, and the figure was raised above the stalks of corn by means of the pole stuck up its back.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Then the door opens and a strange little man steps inside. He has a red glow to his skin, a black mustache, and a black hat. He walks all hunched up, with skinny legs and a lumpy bottom, as if he is hiding a tail inside his breeches. He sets dark eyes upon the girl and says: Hello Mathilde. Quite a trap you're in. Lucky for you, I can spin straw into gold. So let's play a game. He smiles jagged little teeth that shine like pearls. W-w-who are you? Mathilde asks. But she already knows the answer. He grabs his hat with long red claws and pops it off, revealing two pointy horns. The Devil, of course, he says.
Soman Chainani (Beasts and Beauty: Dangerous Tales)
We stopped for gas the other side of Sabinas Hidalgo. Here a congregation of local straw-hatted ranchers with handlebar mustaches growled and joked in front of antique gas-pumps. Across the fields an old man plodded with a burro in front of his switch stick. The sun rose pure on pure and ancient activities of human life.
Jack Kerouac (On the Road)
In downtown Mexico City thousands of hipsters in floppy straw hats and long-lapeled jackets over bare chests padded along the main drag, some of them selling crucifixes and weed in the alleys, some of them kneeling in beat chapels next to Mexican burlesque shows in sheds. Some alleys were rubble, with open sewers, and little doors led to closet-size bars stuck in adobe walls. You had to jump over a ditch to get your drink, and in the bottom of the ditch was the ancient lake of the Aztec. You came out of the bar with your back to the wall and edged back to the street. They served coffee mixed with rum and nutmeg. Mambo blared from everywhere.
Jack Kerouac (On the Road)
Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. “You can’t escape me,” Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. “I’ve no desire to.” His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. “Welcome home, Mrs. Archer.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Additional flowers had been piled into a pair of massive baskets that were strapped across the back of Beatrix's mule, Hector. The little mule led the crowd at a dignified pace, while the women walking beside him reached into the baskets and tossed fresh handfuls of petals and blossoms to the ground. A straw hat festooned with flowers had been tied to Hector's head, his ears sticking out at crooked angles through the holes at the sides. "Good God, Albert," Christopher said ruefully to the dog beside him. "Between you and the mule, I think you got the best of the bargain." Albert had been freshly washed and trimmed, a collar of white roses fastened around his neck.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Singing at the Edge of Need by Susan Laughter Meyers (fragment) Three things I turned my back to: light, the past, the trunk of an old tree. One by one each unfastened itself. To sit is to present when the roll is called. I knew that. I wore my hat of straw, fringed like fingers sifting a breeze. My hat collecting a thousand thoughts… …I had no map and few lessons yet to guide me. I was a study of questions. O Grandmother, I was small, sitting in the midst of wildness, a child thrilling at the boss of thunder. A rustle of leaves, moss tipping at me- I was small, I was hunger, I was thirst- wings flitting in a brush pile. O Grandmother, I was small, kneeling in the midst of wonder, quaking and singing at the edge of need.
Susan Laughter Meyers
You know, I've never known much about fashion, living in the country and all," she said innocently. "What sort of hat would a lady like myself wear to an afternoon tea outside, in the garden, with other ladies? Assuming I'm ever invited, of course." "Oh, that's easy... a lovely straw number, with a wide brim, en grecque curls if you're dining amongst the ruins, or piles of flowers and feathers, and tipped, just so..." Belle allowed herself a little smile. "No one has worn hats like that, even in this remote part of the world, for at lest ten years. Not even Madame Bussard has pulled one out of her own wardrobe recently. And she is very thrifty with her accessories. So whatever happened here must have happened at least a decade ago.
Liz Braswell (As Old as Time)
Nothing could have appealed more strongly to Miss Wantage's youthful taste, so as soon as she had changed the chip-straw hat for an Angouleme bonnet of white thread-net trimmed with lace, she sallied forth once more with Mr. Ringwood, tripping beside him with all the assurance of one who knew herself to be dressed in the pink of fashion. The Angouleme bonnet most becomingly framed her face; she had taken great pains to comb her curls into modish ringlets; and if the figured muslin gown was less dashing than a certain pomona green silk which Mr. Ringwood had assured her, in some agitation, Sherry wouldn't like at all, no fault could be found with her little blue kid shoes, or her expensive gloves and ridicule, or with the sophisticated sun-shade which she carried to the imminent danger of the passers-by.
Georgette Heyer (Friday's Child)
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
Ian Fleming (Casino Royale (James Bond, #1))
The wheels of the cars stormed underneath. Woods and pastures ran up and receded, the rails of sidings sheathed in rust, the dipping racing wires, and on the right the blue of the Sound, deeper, stronger than before. Then the enameled shells of the commuters’ cars, and the heaped bodies of junk cars, the shapes of old New England mills with narrow, austere windows; villages, convents; tugboats moving in the swelling fabric-like water; and then plantations of pine, the needles on the ground of a life-giving russet color. So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
Saul Bellow (Herzog)
She stumbled along, knocking into a man in a wide straw hat who was running down the aisle of vendors. When he caught hold of her, she saw that his eyes were green as grass. "You,” she said, her voice syrup-slow. She stumbled and fell on her hands and knees. People were shouting at each other, but that wasn't so bad because at least no one was making her get up. Her necklace had fallen in the dirt beside her. She forced herself to close her hand over it. The elf pushed the mananambal, saying something that she couldn't quite understand because all the words seemed to slur together. The old man shoved back and then, grabbing the enkanto's arm at the wrist, bit down with his golden tooth. The elf gasped in pain and brought down his fist on the old man's head, knocking him backwards. The bitten arm hung limply from the elf's side. Tomasa struggled to her feet, fighting off the thickness that threatened to overwhelm her. Something was wrong. The potion vender had done this to her. She narrowed her eyes at him. The mananambal grinned, his tooth glinting in the floodlights.
Holly Black (The Poison Eaters and Other Stories)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow: Race in America Beyond Black and White)
But here through the dusk comes one who is not glad to be at rest. He is a workman on the ranch, an old man, an immigrant Italian. He takes his hat off to me in all servility, because, forsooth, I am to him a lord of life. I am food to him, and shelter, and existence. He has toiled like a beast all his days, and lived less comfortably than my horses in their deep-strawed stalls. He is labour-crippled. He shambles as he walks. One shoulder is twisted higher than the other. His hands are gnarled claws, repulsive, horrible. As an apparition he is a pretty miserable specimen. His brain is as stupid as his body is ugly. "His brain is so stupid that he does not know he is an apparition," the White Logic chuckles to me. "He is sense-drunk. He is the slave of the dream of life. His brain is filled with superrational sanctions and obsessions. He believes in a transcendent over-world. He has listened to the vagaries of the prophets, who have given to him the sumptuous bubble of Paradise. He feels inarticulate self-affinities, with self-conjured non-realities. He sees penumbral visions of himself titubating fantastically through days and nights of space and stars. Beyond the shadow of any doubt he is convinced that the universe was made for him, and that it is his destiny to live for ever in the immaterial and supersensuous realms he and his kind have builded of the stuff of semblance and deception. "But you, who have opened the books and who share my awful confidence—you know him for what he is, brother to you and the dust, a cosmic joke, a sport of chemistry, a garmented beast that arose out of the ruck of screaming beastliness by virtue and accident of two opposable great toes. He is brother as well to the gorilla and the chimpanzee. He thumps his chest in anger, and roars and quivers with cataleptic ferocity. He knows monstrous, atavistic promptings, and he is composed of all manner of shreds of abysmal and forgotten instincts." "Yet he dreams he is immortal," I argue feebly. "It is vastly wonderful for so stupid a clod to bestride the shoulders of time and ride the eternities." "Pah!" is the retort. "Would you then shut the books and exchange places with this thing that is only an appetite and a desire, a marionette of the belly and the loins?" "To be stupid is to be happy," I contend. "Then your ideal of happiness is a jelly-like organism floating in a tideless, tepid twilight sea, eh?
Jack London (John Barleycorn)
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!
Georges Simenon
Stay there,’ said Mathis. He kicked back his chair and hurtled through the empty window-frame on to the pavement. 6 ....... TWO MEN IN STRAW HATS WHEN BOND left the bar he walked purposefully along the pavement flanking the tree-lined boulevard towards his hotel a few hundred yards away. He was hungry. The day was still beautiful, but by now the sun was very hot and the plane-trees, spaced about twenty feet apart on the grass verge between the pavement and the broad tarmac, gave a cool shade. There were few people abroad and the two men standing quietly under a tree on the opposite side of the boulevard looked out of place. Bond noticed them when he was still a hundred yards away and when the same distance separated them from the ornamental ‘porte cochère’ of the Splendide. There was something rather disquieting about their appearance. They were both small and they were dressed alike in dark and, Bond reflected, rather hot-looking suits. They had the appearance of a variety turn waiting for a bus on the way to the theatre. Each wore a straw hat with a thick black ribbon as a concession, perhaps, to the holiday atmosphere of the resort, and the brims of these and the shadow from the tree under which they stood obscured their faces. Incongruously, each dark, squat little figure was illuminated by a touch of bright colour. They were both carrying square camera-cases slung from the shoulder. And one case was bright red and the other case bright blue. By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted.
Ian Fleming (Casino Royale (James Bond, #1))
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))
They could not speak. To be in Alexander’s arms, to smell him, to hear his breathing, his voice again… Shh, shh, he was still whispering and holding her, pulling off her hat, her hairnet, her hairpins, letting her black hair fall down. His hands were in it. His eyes were closed. Perhaps he was imagining her hair was not black but blonde again. The way Alexander was touching her now, she could tell that he was blind and had not yet learned to see—he was holding her in that impossible choke that had to do not quite with love or passion, but somehow with both and with neither. The embrace wasn’t an alloy, it was a conflagration of anguish and bitter relief and fear. Tatiana could tell Alexander would like to have spoken more, but he couldn’t, and so he sat on the hay with his legs open, while she kneeled in front of him, folded into his arms, and every once in a while from his shuddering body would come a Shh, shh… Not for her. Not for Tatiana. For himself. Continuing to hold her, Alexander lowered her onto the straw. His trembling limbs surrounded her. Tatiana was barely breathing, her own body convulsing. To rage, to quell— They didn’t know what to do—to undress? To stay clothed? She couldn’t move, nor want to. His lips were on her neck, her clavicles, he was clawing at her, ripping open her tunic, baring her breasts to his desperate gasping mouth. She wanted to whisper his name, to moan maybe. Tears kept trickling down her temples. He removed from himself and her only what was necessary. He didn’t so much enter her as break her open. Her mouth remained in a mute screaming O, her hands clutched him, not close enough, and through the whisper of grief, through the cry of desire, Tatiana felt that Alexander, in his complete abandon, was making love to her as if he were being pulled from the cross to which he was still attached by nails. His gripping her, his ferocious, unremitting movement was so intense that Tatiana felt consciousness yield to— Oh my God, Shura, please…she mouthed inaudibly. But it could not be any other way. Violent release came for Alexander at the expense of Tatiana’s momentary lapse of reason, as she cried out, her pleas carrying through the barn, to the basin, to the river, to the sky. He remained on top of her without moving, without pulling away. His body was shaking. He couldn’t be any closer. She held him closer still…And then… Shh, shh. That wasn’t Alexander. That was Tatiana. They both fell asleep. Still they hadn’t spoken.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
These diets are all hugely popular, and they all fail what I call the Carny Test. The Carny Test applies whenever somebody is trying to sell you something: If you can imagine a guy in a straw hat hollering it outside a carnival tent, it’s probably a bad deal. “Step right up! Lose up to 10 pounds in 10 days with 10 all-you-can-eat foods!” You would never spend a ticket on that at the county fair.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
Miriam was sick of grieving. Sick of seeing her dead mother all over the house in Memphis. Miriam saw her as if in the flesh, standing in the kitchen over a pot of something hot and boiling on the stove. Or once, she thought there was someone in the backyard, and she swore she saw her mother there, among the tomatoes, straw hat on and everything.
Tara M. Stringfellow (Memphis)
Derek Walcott wrote in his 1992 Nobel Lecture about the enthusiasm of the tourist: What is hidden cannot be loved. The traveller cannot love, since love is stasis and travel is motion. If he returns to what he loved in a landscape and stays there, he is no longer a traveller but in stasis and concentration, the lover of that particular part of earth, a native. So many people say they ‘love the Caribbean’, meaning that someday they plan to return for a visit but could never live there, the usual benign insult of the traveller, the tourist. These travellers, at their kindest, were devoted to the same patronage, the islands passing in profile, their vegetal luxury, their backwardness and poverty . . . What is the earthly paradise for our visitors? Two weeks without rain and a mahogany tan, and, at sunset, local troubadours in straw hats and floral shirts beating ‘Yellow Bird’ and ‘Banana Boat Song’ to death. There is a territory wider than this – wider than the limits made by the map of an island – which is the illimitable sea and what it remembers. All of the Antilles, every island, is an effort of memory; every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel.24
Carrie Gibson (Empire's Crossroads: A History of the Caribbean from Columbus to the Present Day)
That’s the difference between us,” grumbled the Master, unheeding. “Every normal woman adores big weddings. Every normal man loathes them. A good lively ten-round prize-fight is better worth watching than all the weddings since the one at Cana. I’ve a good mind to quit, cold, and go fishing off our point that afternoon in a scow, and sit there with a pipe and a torn flannel suit and a straw hat with a hole in it, and watch the sweating guests up here on the lawn and——What’s the joke?” he broke off. “The joke,” she explained, swallowing her laughter with difficulty—“the joke is that you said exactly the same thing before our own wedding, nearly twenty-five years ago.
Albert Payson Terhune (Lad of Sunnybank)
At six, Daisy slid the stuffed figs and the pastry-wrapped goat cheese purses into the oven, crammed her feet into a pair of navy-blue high heels, and put a giant straw hat with a navy-blue ribbon on her head. The theme of the party was the Kentucky Derby, even though the Derby itself wasn't until May. At least it had made the menu easy: mint julep punch and bourbon slushies, fried chicken sliders served on biscuits, with hot honey, tea sandwiches with Benedictine spread, bite-sized hot browns, the signature sandwich of Louisville, and miniature Derby pies for dessert.
Jennifer Weiner (That Summer)
and in a straw-colored hat, light as a cream-puff. Behind them, a tall footman with huge sidewhiskers and a whole dozen collars, stopped and opened a snuff-box.
George Saunders (A Swim in a Pond in the Rain)
Smeltings boys wore maroon tailcoats, orange knickerbockers and flat straw hats called boaters. They also carried knobbly sticks, used for hitting each other while the teachers weren’t looking. This was supposed to be good training for later life.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
Mornin’,” said one in a floppy straw hat to Alberdina. “Nice day fer fishin’, ain’t it?” And he gave a little gulp of a laugh. Well, that seemed to make sense, since aside from his pack, he had a huge bundle of fishing poles on one shoulder. He was followed by a blacksmith, and a confused-appearing man, probably some kind of herbalist or grower, with a string of garlic hanging from his belt.
Mercedes Lackey (Beyond (The Founding of Valdemar, #1))
Judaism—that some of its followers, old southern crackers who talked with southern twangs and wore straw hats, seemed to believe that its covenants went beyond the color of one’s skin.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Justice is an artefact of custom. Where customs are un­settled its dictates soon become dated. Ideas of justice are as timeless as fashions in hats.
John Gray (Straw Dogs: Thoughts on Humans and Other Animals)
One mild and ordinary work-morning in Chicago, Lew happened to find himself on a public conveyance, head and eyes inclined nowhere in particular, when he entered, all too briefly, a condition he had no memory of having sought, which he later came to think of as grace. Despite the sorry history of rapid transit in this city, the corporate neglect and high likelihood of collision, injury, and death, the weekday-morning overture blared along as usual. Men went on grooming mustaches with gray-gloved fingers. A rolled umbrella dented a bowler hat, words were exchanged. Girl amanuenses in little Leghorn straw hats and striped shirtwaists with huge shoulders that took up more room in the car than angels’ wings dreamed with contrary feelings of what awaited them on upper floors of brand-new steel-frame “skyscrapers.” The horses stepped along in their own time and space. Passengers snorted, scratched, and read the newspaper, sometimes all at once, while others imagined that they could get back to some kind of vertical sleep. Lew found himself surrounded by a luminosity new to him, not even observed in dreams, nor easily attributable to the smoke-inflected sun beginning to light Chicago. He understood that things were exactly what they were. It seemed more than he could
Thomas Pynchon (Against the Day)
Coyote Mountain too much for her, alone with pine trees up to your neck, wooden bench by the Pecos River which runs silver in the winter untold. Dust-bit dirt lonely Indians with wet brown bellies which the moon shines upon like a frosty lake, the silver show of market stalls and paintings of four pitiful horses likes of which the Spanish brought under the Mexican memory of nightfall but the old Ming china-woman on her rickety bicycle with broken straw hat with bow-legged strength,simply; the perfect depiction of the fellaheen world riddled with ancient endeavour, the old china women of the world you’ll find them so perfect in all your cities under the twinkle of stars. The would be fishermen of dawn, collected wintery downpours and sunlight situations which never beckon further than his share, meant on this earth , match stick motels which warp your loving tales of good mornings or whichever is left.
Samuel J Dixey (An evening in Autumn: The unbegotten procession)
She poured a cup of coffee and slipped into Ada’s makeshift bedroom to grab the book she’d left on the couch. Her gaze focused on her goal, she tiptoed across the rug. With book in hand, she turned. The spine of the book cracked on the floor. The coffee cup broke into pieces, the air ripe with hazelnut. Trembling started in her knees and spread through her body. A static roar blocked out any other noise. The corners of Ada’s mouth tilted into a slight smile. Washed-out blue eyes stared at the ceiling. Darcy reached for Ada’s hand. The cool, waxy skin reeled her backward. She tripped over the book and landed half on the couch. She slid to a crouch on the floor and pulled the afghan over her knees. She dared another look. Ada lay still. Her mind pinged from memory to memory. Standing on a chair in the kitchen while Ada taught her the secret of fluffy biscuits. Cuddling next to Ada on the couch learning to read from Dr. Seuss books. Ada in old, rolled-up overalls and a floppy straw hat weeding the garden. The way Ada smelled like books and Pond’s cold cream. Ada’s laugh when Darcy had regaled her with made-up stories as a child. They’d run out of time to make new memories.
Laura Trentham (Slow and Steady Rush (Falcon Football, #1))
games?” The man gave a jaunty tip of his straw cowboy hat. She hadn’t known she’d be expected to attend
Pamela Aares (Fielder's Choice (Tavonesi #3))
The local market The local village or town market is often open-air, with canvas-covered stalls. The traders sell a variety of goods, from salami and prawns (shrimps) to feather dusters and straw hats. The customers meet to exchange news and talk about local affairs. This market, with a nut stall in the foreground, is in a village near Rome. Supermarkets are gradually becoming more common in large Italian towns, as they are in other European countries.
Marilyn Tolhurst (Italy (People & Places))
Well,” she said, almost to herself. “At least there is nothing indecisive about you, Captain O’ Devir.” “Beggin’ yer pardon?” “I’m just musing.” “Indecision on the part of a ship’s captain will get him and his men killed. No room for it at sea. Here.” He brought one hand out from behind his back, and she saw then that he was holding a large straw hat adorned with a bright blue ribbon. He presented it with a bow and a flourish, as though she were a queen and he was laying the world at her feet. “You’ll have to forgive Midshipman Cranton,” he said amiably. “I saw him headed topside with this and knew he intended it for you. Couldn’t let him one-up me, y’know.” “Wasn’t it his to give?” “He has duties to be about, and being a lady’s maid is beneath his training.” She smiled and took the hat. “But not beneath yours, I see.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Lang, Kansas, it is against the law to ride a mule down Main Street in August, unless, of course, the said mule is wearing a straw hat.
J.A. Lewis (SILLY, WACKY, CRAZY, FUNNY, TRUE LAWS!!! The Most Extensive Collection: Hundreds and hundreds and hundreds of incredible laws from the U. S. and around the world.)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy. Perhaps it sounded good to the Indians too, because they did not leave camp. Instead, they built two fires, gathering an enormous woodpile. Joseph was stripped of his English clothes. Too torn and filthy to bother with, they were tossed into the woods. He was given a long deerskin shirt and leggings that hung from thigh to ankle, held up by cords strung to a belt. Then came coat, hat and mittens, all Indian. How dark Joseph’s hair was. How tan his skin. Joseph looked like a young brave. In a moment, the Indians did the same with Eben, whose coloring was very English, ruddy cheeks and straw-yellow hair. He did not look at all Indian, but in deerskin, he looked tough and strong and much older. The girls were nervous. They did not want their clothes stripped off their bodies, no matter how torn and filthy. But Eben’s Indian, Thorakwaneken, hoisted a flintlock musket and looked questioningly at each girl. Mercy could not imagine what he was asking of her. Eliza did not notice him or the gun. And Ruth was the last person to whom a sensible Indian would hand a weapon. Sarah, however, nodded. “I’m a good shot.” She took the musket from Thorakwaneken. Food was such a problem that even Joseph and Eben would be armed and sent forth to hunt. The girls would stay by the fire with enough wood to last for days, and Sarah to fend off wolves.
Caroline B. Cooney (The Ransom of Mercy Carter)
A little farther on, in the old playing-field, there were the wickets, and the bats, and the jumping poles, and four or five boys, in their shirt sleeves and their straw hats, enjoying their half-holiday, as we had done before them. So life goes on; when one is bowled out, another is ready to step into his shoes, and, no matter how many the ball of death may knock over, the cricket of life is kept up the same, and players are never wanting!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
Activity pouch on airplanes Buttons and pins Crayons and coloring place mats from restaurants Disposable sample cup from the grocery store Erasers and pencils with eraser tops Fireman hat from a visit to the fire station Goodie bags from county fairs and festivals Hair comb from picture day at school Infant goods from the maternity ward Junior ranger badge from the ranger station and Smokey the Bear Kids’ meal toys Lollipops and candy from various locations, such as the bank Medals and trophies for simply participating in (versus winning) a sporting activity Noisemakers to celebrate New Year’s Eve OTC samples from the doctor’s office Party favors and balloons from birthday parties Queen’s Jubilee freebies (for overseas travelers) Reusable plastic “souvenir” cup and straw from a diner Stickers from the doctor’s office Toothbrushes and floss from the dentist’s office United States flags on national holidays Viewing glasses for a 3-D movie (why not keep one pair and reuse them instead?) Water bottles at sporting events XYZ, etc.: The big foam hand at a football or baseball game or Band-Aids after a vaccination or various newspapers, prospectuses, and booklets from school, museums, national parks . . .
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
I'm your ride out to the Double T," Beau said, gripping the edge of his white straw cowboy hat and tipping it in a cordial gesture. She ground the heels of her low pumps into the soft tar to contain her growing irritation.  Did he think she was an idiot?  "No way.
Lisa Mondello (Her Heart for the Asking (Texas Hearts, #1))
The captain’s sister-in-law had traded her mechanic’s coveralls for a colorful shirt, shorts, and a huge straw hat. She looked like a tourist, and because I’m the helpful sort, I told her so. “And
Rachel Bach (Honor's Knight (Paradox, #2))
To adduce proof that the husky, straw-hatted young man in gabardine who tailed me the whole next month was an F.B.I. operative is impossible, nor can I swear that my mail was fluoroscoped during that period. I do know that for a while I underwent all the tremors of a Graham Greene character on the run, even if it had no purificatory effect on my religious views. When
S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
dear little baby of the folks I work for, I got a present for you .. my whole damn life! I'm handin' it over to you & your ma & pa. if you got no money to pay, I wanna stay anyhow, my pleasure is to wait on you forever. to hell with my children & hooray for you!.. you stayin' up all night fixin' up Character Parts for me! givin' 'em what you call dignity! dignity! you know what your dignity is? a black straw hat with a flower stickin' up in front, hands folded cross my stomach, sayin' the same damn fool things .. only nice & easy & proper!" --trouble in mind (1955)
Alice Childress
A bloody guy in overalls, wearing a straw hat, began chasing us. He held a saw, pointing it at us. We were gonna die! --The Body By the Tree
Yawatta Hosby (When the Lights Go Out - Ink Slingers' Halloween Anthology)
One mild and ordinary work-morning in Chicago, Lew happened to find himself on a public conveyance, head and eyes inclined nowhere in particular, when he entered, all too briefly, a condition he had no memory of having sought, which he later came to think of as grace. Despite the sorry history of rapid transit in this city, the corporate neglect and high likelihood of collision, injury, and death, the weekday-morning overture blared along as usual. Men went on grooming mustaches with gray-gloved fingers. A rolled umbrella dented a bowler hat, words were exchanged. Girl amanuenses in little Leghorn straw hats and striped shirtwaists with huge shoulders that took up more room in the car than angels’ wings dreamed with contrary feelings of what awaited them on upper floors of brand-new steel-frame “skyscrapers.” The horses stepped along in their own time and space. Passengers snorted, scratched, and read the newspaper, sometimes all at once, while others imagined that they could get back to some kind of vertical sleep. Lew found himself surrounded by a luminosity new to him, not even observed in dreams, nor easily attributable to the smoke-inflected sun beginning to light Chicago. He understood that things were exactly what they were. It seemed more than he could bear. He
Thomas Pynchon (Against the Day)
There was a loud burst of laughter somewhere in the campground and Maggie looked around. A man wearing a backpack but no clothes was coming down the trail. He had excellent hiking boots on his feet, a straw hat on his head and that was all. His thing was swaying in the breeze.
Robyn Carr (What We Find (Sullivan's Crossing, #1))
Between valleys I took the stone stairways laid down by villages, and would glimpse the farmers toiling up below me in crocodiles of decorated straw hats, or waiting in curiosity above.
Colin Thubron (Behind the Wall: A Journey Through China)
After she found out Aurelie was a Negro, Mama became obsessed with the color of my skin, as if Aurelie's hidden blackness had been contagious and I might have caught a touch of it. Whenever she saw me, she stared at me with furrowed brow and complained that I was losing my "bloom." To protect me from the sun, she gave me a parasol to carry when I went out with her, and a straw hat to wear in the convent garden. Still, she worried.
Gioia Diliberto (I Am Madame X)
That the city would return to being the thriving white suburb of his youth. Cars with tail fins. Straw hats and sock hops. Episcopalians and ice cream socials. It would be the opposite of white flight, he said. “The Ku Klux influx.” But when I’d ask him how, he’d just shrug and, like a conservative senator without any ideas, filibuster me with unrelated stories about the good ol’ days.
Paul Beatty (The Sellout)
The first one was wearing a kind of ancient Tyrolean (?) hat whose ragged edges were maybe an inch wide; the second had a straw hat that looked like an open snuffbox with a broken cover. The Agitated on the right had an evil laugh that bared his stumps of tarnished nuggets; the Agitated on the left foamed with rage. The laugher started dancing, doing somersaults and dancing again, like a circus ballerina; then he jumped up and down, tirelessly, saying “Opa! Opa!” and guffawing. He smiled less and looked satisfied, almost happy. He obviously thought he was funny and was playing nice, but all of a sudden, he started yelling, rolling on the ground and jumping back up. He kept yelling and jumping and then finally fell down on the floor of his cage and wiggled around in a kind of epileptic fit. After maybe 20 seconds, he got up and started dancing; and the whole time he was scratching himself and smiling absent-mindedly. The furious one climbed the bars of the window, tried to spit on us, shook the bars, moaned and groaned and his eyes looked like they were going to pop out of his head. He tore at his rags, scratched his face until it bled, howled and cried in frustration—at not being able to bite us, to wring our necks and tear off our skin. He aimed his claws at us; he choked; his face turned purple, almost black! “OK, Leonard! Now I’ve had enough of looking at these monsters! They’re hurting me. Not to mention that us being here is not good for them. These crises must wear them out. When they’re alone. they can hide in the corner, curl up and go to sleep, or whatever, but they’ll calm down. I’m getting out of here!” “Good! Good! Let’s go,” my guardian said very seriously. “They’re very gentle, almost proper. It’s the others I don’t wanna show you, no matter what Bid’homme says. The others, ah! They’re nightmares! If there’s any like them outside of here, they’re only found in jars—and drowned in alcohol—again!” Just then two young, buxom nurses passed by us. The two sad anthropoids whinnied—literally—like horses and threw themselves against the bars—then tore off some of their clothes, seized by an exhibitionist rage, and slobbered and roared. The nurses ran away and Leonard finally agreed to get away from the awful scene—so sad that it was almost not disgusting.
John-Antoine Nau (Enemy Force)
The straw Hat had the glow in Wind I seldom could see.
Petra Hermans
She walked from the lowest step to his car and I saw that she had her red hair done up in a pouf with a big, sharp curl on each cheek pointing to her especial face like a finger saying I’ll Have That One, and I saw that she had a tiny waist with roundy hips, and pointed shoes whose heels had made a feminine click and clatter on the stairs for how many weeks now? Made them going up at suppertime and coming down late or the next morning but never at noon on a weekday. I began to think about those curls on her cheeks and for the fun of it I made myself a cardboard hand, one of those old-fashioned hands you used to see pointing, and I pinned it on my straw hat with a safety pin so that it was pointed down at me. Maybe it was God’s finger pointing, maybe it was God saying Look At This Woman. She’s Got A Soul Because I Gave It To Her. She’s Not Dead Yet Even If Some People Look Right Through Her As If She Was. She’s One Of My Living Souls.
Gina Berriault (Stolen Pleasures: Selected Stories of Gina Berriault)
bright blue patterned jumper – accessorized by his pink straw pork pie hat for holidays. With his passion for cars, Charlie spent hours helping out at the local garage. Our father saw this as a harmless aberration, certainly not as a potential career path for an essentially practical boy, one devoid of academic interest and, unknown to teachers or parents, heavily hampered by a then unrecognised condition – serious dyslexia. All things being unequal, Eton was his destiny. As for the rest, my brother has
Roger Mortimer (Dearest Jane...: My Father's Life and Letters)
Left unsaid was that unity required a common enemy. One box in which to collect all their anger; one straw man to wear the hats of everything they feared.
Celeste Ng (Our Missing Hearts)
Never hire a man with a straw hat because he'd spend all day chasing it.
Homer Hickam (The Dinosaur Hunter)
The first victim in Grayson's inane interview scheme was an elderly man wearing a straw hat and overalls, without the courtesy of an undershirt. So that's what happened to Tom Sawyer.
Margaret Lashley (Oral Robbers (Freaky Florida Mystery Adventures #3))
Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cotton-house can see Jewel’s frayed and broken straw hat a full head above my own.
William Faulkner (As I Lay Dying)
I put my phone away and stare out the window at Japan's countryside, watching the scenery zip by at 320 kilometers per hour. Mount Fuji has come and gone, as have laundry on metal merry-go-racks, houses plastered with party signs, weathered baseball diamonds, an ostrich farm, and now, miles of rice paddy fields tended by people wearing conical hats and straw coats. Japan is dressed in her best this morning, sunny and breezy, with few clouds in the sky as accessories. It's the first official day of spring. Cherry blossoms have disappeared in twists of wind or trampled into the ground. Takenoko, bamboo season, will begin soon.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Somewhere beyond the ridgetop, Col Oaks was plowing tobacco with a single mule, old Red, and a walking plow. The air smelled of vegetation and stirred earth. Beside me, R.T. was filing his hoe. Standing there in the brilliance with my ears sticking out under the brim of my straw hat and my mouth probably hanging open (somebody was always telling me, "Shut your mouth, Andy!"), I saw how beautiful the field was, how beautiful our work was. And it came to me all in a feeling how everything fitted together, the place and ourselves and the animals and the tools and how the sky held us.
Wendell Berry
That’s when we saw the elephant and the dog. A short, wiry man wearing a straw hat was just walking his dog and his elephant along the road.
Lynda Rutledge (West with Giraffes)
wide-brimmed straw hat decked with yellow roses
Stella Riley (Hazard (Rockliffe, #5))
This man was a middle-aged, pleasant-looking civilian dressed in a neat white Panama suit, straw hat, and black tie. Surrounded by sailors in blue denim and ship’s officers in khaki, he looked like a fictional character out of some long-forgotten era.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
Dean Martin, and Sammy Davis Jr. The cool kids of the 1960s invited the old man who had been cool before they knew cool was cool to join them in a musical romp that nobody took particularly seriously. Crosby enjoys himself. He has nothing at stake, since he’s not the star who has to carry the film. He’s very casual, and appears to be ad-libbing all his lines in the old Road tradition with a touch of W. C. Fields’s colorful vocabulary thrown in: “You gentlemen find my raiment repulsive?” he asks Sinatra and Martin when they object to his character’s lack of chic flash in clothing. Crosby plays a clever con man who disguises himself as square, and his outfits reflect a conservative vibe in the eyes of the cats who are looking him over. The inquiry leads into a number, “Style,” in which Sinatra and Martin put Crosby behind closet doors for a series of humorous outfit changes, to try to spruce him up. Crosby comes out in a plaid suit with knickers and then in yellow pants and an orange-striped shirt. Martin and Sinatra keep on singing—and hoping—while Crosby models a fez. He finally emerges with a straw hat, a cane, and a boutonniere in his tuxedo lapel, looking like a dude. In his own low-key way, taking his spot in the center, right between the other two, Crosby joins in the song and begins to take musical charge. Sinatra is clearly digging Crosby, the older man he always wanted to emulate.*17 Both Sinatra and Martin are perfectly willing to let Crosby be the focus. He’s earned it. He’s the original that the other two wanted to become. He was there when Sinatra and Martin were still kids. He’s Bing Crosby! The three men begin to do a kind of old man’s strut, singing and dancing perfectly together (“…his hat got a little more shiny…”). The audience is looking at the three dominant male singers of the era from 1940 to 1977. They’re having fun, showing everyone exactly not only what makes a pro, not only what makes a star, but what makes a legend. Three great talents, singing and dancing about style, which they’ve all clearly got plenty of: Frank Sinatra, Bing Crosby, and Dean Martin in Robin and the 7 Hoods
Jeanine Basinger (The Movie Musical!)
She watched as her family stood in the middle of the road waving.  In the instant before the trees hid the house, Maggie saw her mother standing on the front porch, fanning herself with her straw hat.  It almost looks like she’s waving.
Mary Jane Salyers (Appalachian Daughter)
In her Hairs she wears grass and the straw Hat I guess.
Petra Hermans (Voor een betere wereld)
dropped in on my old shepherd friend Yani who provided us with some bread and fig cake and a straw hat full of wild strawberries to sustain us.
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
Past an empty stretch of white wall with stone flowers inset below windows, he spied a pair of pop-eyed pimp-eyes as urgent as whore-eyes but roundly comical as the pimp twisted himself from side to side not to be sexy but to be urgent as if to say Jimmy this is your one and only chance to get the woman whose cunt will satisfy you for ever and ever, in sickness and in health, so help me God, but you have to come with me right now down this dark dark alley past the sign that says MOVIES and left by the trash cans following the luminescence of my white straw hat and white jeans and the whites of my eyes which I will continually turn back upon you to make sure that you stay with me all the way to the barred basement windows where your good fortune waits for you already saying oh Jimmy Jimmy but as soon as the man opened his mouth he became as monotonous as the intricacies of brick walls and the steel lattice-windows of bars, and Jimmy walked away.
William T. Vollmann (Whores for Gloria)
In fact clip-clop was an astonishingly inaccurate word for the kind of noise which rattled around Mort’s head; clip-clop suggested a rather jolly little pony, quite possibly wearing a straw hat with holes cut out for its ears. An edge to this sound made it very clear that straw hats weren’t an option.
Terry Pratchett (Mort (Discworld, #4))
This ends up being less sloppy than you might think. Athens doesn’t have the fake regality on football weekends that, say, Oxford, Mississippi, has—that place looks like the party from Get Out on football Saturdays; everybody’s got bow ties and straw hats—but we don’t set fire to the world just to watch it burn like the lunatics at LSU either.
Will Leitch (How Lucky)
Defeat. It is written across the face of the once great land, in all the brittle shells of towns that once were, in all those little-town eyes that wait (but for what?), and in the cemeteries, the abandoned sharecropper fields, the vine-covered shack on the Burgandy land where Maggie Lousie and her children last grew cotton. That home still stands, valiant and silver against thirty empty seasons of frost and sun, containing fragments—the last straw sun hat she ever wore out in the cotton, a pair of high heels—all rotting, rat-chewed, faded. It is going the way of the gin down the road, abandoned in 1977, finally, to rust, pigeons, vandals. It is no surprise some of these people react negatively to the outside world, that Junior Gudger sat on his porch in 1969, even before his sister committed her ultimate act of rebellion, and vented his fury. He was holding a copy of Let Us Now Praise Famous Men, the first he had ever seen, it is said. He fumend that it made them look like slaves.
Dale Maharidge (And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South)
chip-straw hat.
Miss Read (Thrush Green)
The entire city was his hunting ground. In the summer months, dressed in a blazer and wearing his straw hat at a jaunty angle, he would regularly stroll along under the arches, and then along the pier. Next he would ride on the Volks Railway, where in the cramped intimacy of its hard seats he liked to talk to strangers, telling them this was the world’s oldest still-running electric train, and boring them with facts about it.
Peter James (You Are Dead (Roy Grace #11))
On an empty stretch of rural road somewhere in southern Georgia there is a small rest area on the side of the road. More of a parking lot really, as there are no amenities. There is no traffic and the sun is just coming up. A black man of about 60 years of age in a bright red 1963 Ford Galaxie pulls up and sits with his engine idling. After a few minutes another car, a brand new white Mercedes with deeply tinted windows, drives in from the other direction and pulls right up to the man. The window rolls down and a large man in a white straw hat smiles at him. His complexion is white and pasty. It is easy to see how the car is like a shell for him, protecting him from the Georgia heat.
Tobias Kloner (The Second Hand Diner: Book One of the Atticus Series)
He’d never been on a train before, although he’d flown many times. It was one thing to be admired by the tourists at the show, those families wearing the straw cowboy hats with colored bands reading Colorado, Texas, Wyoming, or Montana, but it was another thing to be stared at by people on the train. When one well-dressed man came up to Lyle and handed him a five-euro note and said something in French about “exploitation by the Americans” and “cultural imperialism” and something nasty about the past president, Lyle nodded solemnly and took the money. After the man left, Lyle winked at Jimmy and grinned. “George Booosh,” Lyle mocked. “He’s still money.” They emerged from the train at the station on Rue de Rivoli, the Tuileries Garden on their left and beyond them the Seine, behind them the Louvre. Ornate canyon walls of magnificent
C.J. Box (Shots Fired: Stories from Joe Pickett Country)
The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marine's consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.
Gabriel García Márquez (Leaf Storm and Other Stories)
The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man’s straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling “Hey!” These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal—and this was the goal.
Ayn Rand (The Fountainhead)
And then they heard the clip-clop of hooves, which boomed rather more loudly around the chilly square than common acoustics should really allow. In fact clip-clop was an astonishingly inaccurate word for the kind of noise which rattled around Mort’s head; clip-clop suggested a rather jolly little pony, quite possibly wearing a straw hat with holes cut out for its ears. An edge to this sound made it very clear that straw hats weren’t an option.
Terry Pratchett
You should have slept in the bed last night.” He tipped her straw hat and planted a kiss on her forehead. “Married men don’t sleep alone.” Then he sauntered across the field, whistling “Buffalo Gals.
Catherine Richmond (Spring for Susannah)
I twisted my head to look at the girl.  With one hand she held a wide straw hat to her head.  The other held an umbrella drink in a curvy glass.  She wore big movie-star sunglasses, tall, a reddish-new tan.  White bikini bottoms.  No top.  Just boobies. “Uh . . . hi.” “Hi,” she said. Then there was this shirtless fat guy at her side.  He didn’t have a top either, but his boobies were harrier.  He was hot pink with sun burn, wore a new moustache like a smear of brown crayon.  His ball cap said Kiss the Captain.
Victor Gischler (To the Devil, My Regards)
and egg from her fingers she wiped her hands and went out to the café. ‘You’re not running in this hideous weather, are you?’ She took in her friend’s running gear, the autumn long-sleeved top now with the addition of a body warmer, a knitted hat, and gloves. ‘Can’t always use weather as an excuse,’ she puffed, a faint sound still coming from the earbuds that hung waiting around her neck. ‘I’d get far too lazy if I did.’ ‘Well, I’m in awe,’ Jo admitted. ‘It’s so cosy in here.’ Jess took in the twinkly lights which stood out all the more when it was so miserable outside. ‘And the tree smells beautiful.’ She sniffed in the scent that would soon be mingled with the smell of baking. ‘I almost don’t want to venture outside again, but I must, so it’s a banana smoothie to go for me, please.’ ‘Coming right up.’ Jo went out to the kitchen and chopped the fruit, poured milk, drizzled honey and had the takeaway drink whizzed up in no time. Jess was perusing the postcards board by the time Jo came out with her smoothie and a paper straw to push through the lid on top. She was repinning the card that had come today. Locals were invited to read the cards at their leisure – it was a big part of the community feel in the café. ‘Harry seems to be having fun,’ she said, closing her eyes briefly at the refreshing first sip of her drink. ‘It was sitting on the mat this morning when I got here.’ It had fallen through the letterbox at the bottom of the door and landed writing side up and Jo’s heart had skipped a beat when she unlocked the door to the café, hoping with everything she had that the card was from her secret admirer, but when she’d seen Harry’s name she’d shaken away the thought, glad she could pin up a card from someone who would always be a friend. She was so pleased he’d found a fresh start and seemed happy and she was even happier she hadn’t let nostalgia
Helen J. Rolfe (The Little Café at the End of the Pier (Café at the End of the Pier #1-5))
Here was Oxford! From side to side the avenue was filled with a dense procession of youths—youths interspersed with maidens whose parasols were as flotsam and jetsam on a seething current of straw hats.
Max Beerbohm (Zuleika Dobson)
the Indians were far too gentle, too peaceable, positively childlike. They squatted for whole evenings in their white straw hats on the earth, motionless as toadstools, content without light, silent. The sun and moon were enough light for them, an effeminate race, eerie but innocuous.
Max Frisch (Homo Faber)
The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marines' consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.
Gabriel García Márquez (Collected Stories)
The planter himself was of a type then common in the South. He was a large, coarse looking man, with an immense paunch, wore a broad-brimmed, home-made straw hat and butter nut jeans clothes. His trousers were of the old-fashioned, "broad-fall" pattern. His hair was long, he had a scraggy, sandy beard, and chewed "long green" tobacco continually and viciously. But he was shrewd enough to know that ugly talk on his part wouldn't mend matters, but only make them worse, so he stood around in silence while we took his corn, but he looked as malignant as a rattlesnake. His wife was directly his opposite in appearance and demeanor. She was tall, thin, and bony, with reddish hair and a sharp nose and chin. And goodness, but she had a temper! She stood in the door of the dwelling house, and just tongue-lashed us "Yankees," as she called us, to the full extent of her ability. The boys took it all good naturedly, and didn't jaw back. We couldn't afford to quarrel with a woman. A year later, the result of her abuse would have been the stripping of the farm of every hog and head of poultry on it,
John Edwin Stillwell (The Story of a Common Soldier of Army Life in the Civil War, 1861-1865)
Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the                                     Chuck.   Chuck.   Chuck.of the adze.
William Faulkner (As I Lay Dying)
Echoing Nöin’s words, he wrote: ‘The spring mist filled the sky and, in spite of myself, the gods filled my heart with a yearning to cross the Shirakawa barrier.’ There were no surly border guards and no crowds of travellers when I finally reached the barrier — no merchants in sedan chairs, no daimyo on horseback with retinues of foot soldiers and servants and porters; no pilgrims, no priests; no ladies in palanquins or travellers in capes and straw hats, like the colourful figures in Hokusai’s woodblock prints. In fact, I nearly walked straight past it along the rough country road.
Lesley Downer (On the Narrow Road to the Deep North)
We finished breakfast and got our luggage. Susan carried my small overnight bag. I carried her big bag, and her smaller one, and the one that contained her makeup, and one she referred to as the big poofy one, and a large straw hat she had worn to the beach, which didn’t fit into anything. “Why don’t you get a bellman,” Susan said.
Robert B. Parker (Bad Business (Spenser, #31))
John Hostetler, for example, who literally wrote the book on their society, claims the following: “Amish communities are not relics of a bygone era. Rather, they are demonstrations of a different form of modernity.” The technologist Kevin Kelly, who spent a significant amount of time among the Lancaster County Amish, goes even further, writing: “Amish lives are anything but antitechnological. In fact, on my several visits with them, I have found them to be ingenious hackers and tinkers, the ultimate makers and do-it-yourselvers. They are often, surprisingly, pro-technology.” As Kelly elaborates in his 2010 book, What Technology Wants, the simple notion of the Amish as Luddites vanishes as soon as you approach a standard Amish farm, where “cruising down the road you may see an Amish kid in a straw hat and suspenders zipping by on Rollerblades.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
The whiffs of coffee and chicory and fried dough danced awkwardly with the occasional and unmistakable wafts of urine left by naive tourists or wild fraternity brothers or desperate homeless people or all of the above. Beset among throngs of tourists identified by lanyards and name tags, and dramatic straw hats, the board awaited the delivery of mountains of beignets dusted like the Alps with sweet snow.
Parker Bauman
Of James making her giggle while teaching her slang words (considered too rude for ladies) over breakfast—a “donkey’s breakfast” was a straw hat, and “half-rats” was being mostly intoxicated.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
More than anything, it was the display of spectacular headgear that fascinated observers. No garment signified status more thoroughly than the top hat. To H. G. Wells, the acquisition of his first topper had signalled a definite step on his upward climb through the ranks of society. It was, he believed, ‘the symbol of complete practical submission to a whole world of social conventions’.27 At Ascot, a burnished black silk hat with a mourning band was an indispensable attribute of every gentleman in the Royal Enclosure, setting him apart from the straw-boatered hoi polloi beyond.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)
If you’re gonna wear a straw hat anyway, you may as well look like the future king of the pirates while doing it.
Haylock Jobson (Heretical Fishing (Heretical Fishing, #1))
Louise felt like they'd burrowed into an enormous mountain of dolls. Shelf after shelf of them, up the walls, reaching the ceiling, a wall of tiny bonnets and straw hats and puckered red lips and shiny porcelain faces and clown faces and baby-doll faces, all staring straight ahead with empty, glass eyes. They were lined up along the base of the wall. They were piled up in corners.... old country dolls with dried-apple faces, sock monkeys, one-eyed teddy bears, grimy old dolls and crisp new dolls and charred, burned, and scarred dolls... Barb tiptoed nimbly between everyone... I know what you're thinking, she said. I've got a storage unit where I keep the cursed ones. I'm not going to sleep in a house surrounded by cursed dolls. That's crazy!....
Grady Hendrix (How to Sell a Haunted House)
And this is Kingsley Shacklebolt” — he indicated the tall black wizard, who bowed — “Elphias Doge” — the wheezy-voiced wizard nodded — “Dedalus Diggle —” “We’ve met before,” squeaked the excitable Diggle, dropping his top hat. “— Emmeline Vance” — a stately looking witch in an emerald-green shawl inclined her head — “Sturgis Podmore” — a square-jawed wizard with thick, straw-colored hair winked — “and Hestia Jones.” A pink-cheeked, black-haired witch waved from next to the toaster.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
boom rolls over the terrain but stops sharply in a close-ended way, as if jerked back. A hit is blunt and solid like an airborne grunt. When the sound is heard and identified, it isn’t easily forgotten. When Wyoming Game Warden Joe Pickett heard the sound, he was building a seven-foot elk fence on the perimeter of a rancher’s haystack. He paused, his fencing pliers frozen in midtwirl. Then he stepped back, lowered his head, and listened. He slipped the pliers into the back pocket of his jeans and took off his straw cowboy hat to wipe his forehead with a bandanna. His red uniform shirt stuck to his chest, and he felt a single, warm trickle of sweat crawl down his spine into his Wranglers. He waited. He had learned over the years that it was easy to be fooled by sounds of any kind outside, away from town. A single, sharp crack heard at a distance could be a rifle shot, yes, but it could also be a tree falling, a branch snapping, a cow breaking through a sheet of ice in the winter, or the backfire of a motor. “Don’t confirm the first gunshot until you hear the second” was a basic tenet of the outdoors. Good poachers knew that, too. It tended to improve their aim. In a way, Joe hoped he wouldn’t hear a second shot. The fence wasn’t done, and if someone was shooting, it was his duty to investigate.
C.J. Box (Open Season (Joe Pickett #1))
Both Black and white history courses exclude from their central consideration those people who neither killed nor conquered anyone as the means to new identity, those people who took care of every one of the people who wanted to become 'a person,' those people who still take care of the life at issue: the ones who wash and who feed and who teach and who diligently decorate straw hats and bags with all of their historically unrequired gentle love: the women.
June Jordan (On Call: Political Essays)
him able to turn to rubber. “And he still had the straw hat?” “Yes. It was more important to him than his own life.” “How can something be more important than your life?” “He said it was because he made a promise to you about it. He was keeping that straw hat for you, and would bring it back to you one day. Once he was King of the Pirates.” They were talking about Ace’s little
Tatsuya Hamazaki (One Piece: Ace’s Story, Vol. 2: New World (One Piece Novels))
Gum Fruit powers that made him able to turn to rubber. “And he still had the straw hat?” “Yes. It was more important to him than his own life.” “How can something be more important than your life?” “He said it was because he made a promise to you about it. He was keeping that straw hat for you, and would bring it back to you one day. Once he was King of the Pirates.” They were talking about Ace’s little brother, Luffy, a boy who
Tatsuya Hamazaki (One Piece: Ace’s Story, Vol. 2: New World (One Piece Novels))
His face had a queer, bloodless color, as though seen by electric light; against the sunny silence, in his slanted straw hat and his slightly akimbo arms, he had that vicious depthless quality of stamped tin.
William Faulkner (Sanctuary)
Now the crops begin, stretched out as far as the eye can see. Men, women and children wearing straw hats to keep off the sun straighten up, turn our way, take a moment to stretch their backs as they watch our train go by. I can see orchards in the distance, and I wonder if that's where Rue would have worked, collecting the fruit from the slimmest branches at the tops of the trees. Small communities of shacks - by comparison the houses in the Seam are upscale - spring up here and there, but they're all deserted. Every hand must be needed for the harvest.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
When they plows out in the hot sun Lee Jackson haves a great big straw hat on his head just like Grandpapa—with holes cut for his ears. That mule’s straw hat is a real joke, and Lee Jackson won’t budge a step when he going to plow without that hat is on his head.
Carson McCullers (The Heart Is a Lonely Hunter)
But it was going to be a bit more complicated than sticking some straws up my nose, wearing a rubber chicken as a hat, and saying ‘wibble’ a lot.
Jay Aury (Failure is the Only Option)
She wore loose black silks and black espadrilles. `I'm an exotic. I got a big straw hat for this, too. You, you just wanna look like a cheap-ass hood who's up for what he can get, so the instant tan's okay.
William Gibson (Neuromancer (Sprawl #1))
She was glad to hurry away, for the glory of his coming almost choked her. She could hardly believe that she was hearing his deep voice, that he was standing in her yard, suave, sophisticated, in a light summer suit with a straw hat.
Maud Hart Lovelace (Emily of Deep Valley: A Deep Valley Book)
Madame Caillaux, wearing a black dress and a hat of black straw, sustained herself on the first day of her trial by eating a luncheon of jellied eggs and salt-marsh lamb washed down with a bottle of Évian water.
Ross King (Mad Enchantment: Claude Monet and the Painting of the Water Lilies)
Juilin Sandar took off his clogs by the door and hung his flat, conical straw hat on a peg. A sword-breaker, much like Hurin’s but with short slots to either side of the long one, hung from a belt over his brown coat, and he carried a staff exactly as tall as he was, but not much thicker than his thumb and made of that pale wood, like ridged joints, that the ox-drivers used for their goads. His short-cut black hair lay flat on his head, and his quick, dark eyes seemed to note and record every detail of the room. And of everyone in it.
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
Well,” Antoine said, grinning. “The princess is ready and so we must move.” Vianne smiled as she went back into the house and retrieved her hat from the hook by the door. A strawberry blonde, with porcelain-thin skin and sea-blue eyes, she always protected herself from the sun. By the time she’d settled the wide-brimmed straw hat in place and collected her lacy gloves and picnic
Kristin Hannah (The Nightingale)