β
Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
β
β
Jonathan Nolan (The Dark Knight (Dark Knight Trilogy #2))
β
Now you're looking for the secret, but you won't find it...because you're not really looking. You don't really want to know. You want to be fooled.
β
β
Christopher Nolan
β
Either you die a hero or live long enough to see yourself become a villain.
β
β
Christopher Nolan (The Dark Knight (Dark Knight Trilogy #2))
β
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
β
β
Christoper Nolan
β
I don't see what women see in other women," I'd told Doctor Nolan in my interview that noon. "What does a woman see in a woman that she can't see in a man?"
Doctor Nolan paused. Then she said, "Tenderness.
β
β
Sylvia Plath
β
There are many things in life that will catch your eye, but only a few will catch your heart. Pursue those." - Michael Nolan
β
β
Jessi Kirby (Things We Know by Heart)
β
They stayed with my mum."
"That's... weird."
"Not really. Mum is cool, easy to get along with."
I raise a teasing eyebrow. "So where did YOU guys stay?"
"Where we always stay." He stares back solemnly. "In our very separate dormitories.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
You musn't be afraid to dream a little bigger, darling.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved ones is just poison in your veins. And one day you catch yourself wishing the person you loved had never existed, so you'd be spared your pain.
β
β
Christopher Nolan
β
Bruce Wayne/Batman: A hero can be anyone, even a man doing something as simple and reassuring as putting a coat on a young boy's shoulders to let him know that the world hadn't ended.
β
β
Christopher Nolan
β
COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter...
Mal looks at his across the railroad tracks. Replies-
MAL: Because you'll always be together.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
If only his mind were as easy to fix as his body.
β
β
Han Nolan (Crazy)
β
The true entrepreneur is a doer, not a dreamer.
β
β
Nolan Bushnell
β
It was already so near to impossible to say no to a man, so difficult to accept the possibility of being hurt or disliked or shouted at. It takes so much out of you to make yourself say no when you have been taught to say yes, to be accommodating, to make men happy.
β
β
Megan Nolan (Acts of Desperation)
β
Am I your dom, little rabbit?β
βYes.β Her red-brown brows drew together. βWhatβs wrong?β
βNot a thing.β He gave her a faint smile, and his gravelly voice deepened. βI thought Iβd tell you weβre getting married next month.β
~Nolan and Beth~
β
β
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
β
Time is an absurdity. An abstraction. The only thing that matters is this moment. This moment a million times over. You have to trust me. If this moment is repeated enough, if you keep trying β and you have to keep trying β eventually you will come across the next item on your list.
β
β
Jonathan Nolan (Memento Mori)
β
Itβs a peculiar anger, resenting doing something that nobody asked you to do.
β
β
Megan Nolan (Acts of Desperation)
β
Oh, you think darkness is your ally. But you merely adopted the dark; I was born in it, molded by it. I didn't see the light until I was already a man, by then it was nothing to me but BLINDING! The shadows betray you, because they belong to me!
β
β
Christopher Nolan
β
Nolan Bushnell, the creator of the Atari video game system, once stated, βEveryone whoβs ever taken a shower has had an idea, Itβs the person who gets out of the shower, dries off, and does something about it who makes a difference.
β
β
Mark Batterson (Draw the Circle: The 40 Day Prayer Challenge)
β
You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure.
Yet it doesn't matter . . .
Because you'll always be together.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
Those were the Rommely women: Mary, the mother, Evy, Sissy, and Katie, her daughters, and Francie, who would grow up to be a Rommely woman even though her name was Nolan. They were all slender, frail creatures with wondering eyes and soft fluttery voices. But they were made out of thin invisible steel.
β
β
Betty Smith
β
You either die a hero or you live long enough to see yourself become the villain.
β
β
Christopher Nolan (The Dark Knight (Script))
β
Everyone who has ever taken a shower has had an idea. It's the
person who gets out of the shower, dries off, and does something
about it that makes a difference.
β
β
Nolan Bushnell
β
Believing the lie that time will heal all wounds is just a nice way of saying that time deadens us.
β
β
Jonathan Nolan (Memento Mori)
β
There's a point where we just let the music take over everything.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
Pandora's Box could not be unopened, no one could return to Eden.
β
β
Selena Kitt (Temptation (Under Mr. Nolan's Bed, #1))
β
She had locked something away,
something deep inside.
A truth that she had once known,
but chose to forget.
And she couldn't break free.
So I decided to search for it.
I went deep into the recess of her mind
and found that secret place.
And I broke in..
β
β
Christopher Nolan (Inception: The Shooting Script)
β
There are many things in life that will catch your eye, but only a few will catch your heart. Pursue these.
β
β
Michael Nolan
β
You always think your pain is the most painful. You always think it's uniquely awful.
β
β
Megan Nolan (Acts of Desperation)
β
I don't see what women see in other women, I told Doctor Nolan in my interview that noon. What does a woman see in a woman that she can't see in a man? Doctor Nolan paused. Then she said, Tenderness. That shut me up.
β
β
Sylvia Plath
β
Why do we Fall?
So we can learn to pick ourselves back up.
β
β
Christopher Nolan
β
If Doctor Nolan asked me for the matches, I would say that I'd thought they were made of candy and had eaten them.
β
β
Sylvia Plath (The Bell Jar)
β
Nolan stares like Iβm the center of gravity of the room, like nothing else ever existed but me in all of space and time.
β
β
Ali Hazelwood (Check & Mate)
β
Every one who has taken a shower has had an idea. It's the person who gets out of the shower, dries off and does something about it that makes a difference.
β
β
Nolan Bushnell
β
What I hate is the thought of being under a man's thumb," I had told Doctor Nolan. "A man doesn't have a worry in the world, while I've got a baby hanging over my head like a big stick, to keep me in line.
β
β
Sylvia Plath
β
Sometimes people deserve to have their faith rewarded.
β
β
Christopher Nolan
β
Innocence could be lost more than once after all.
β
β
Selena Kitt (Confession (Under Mr. Nolan's Bed, #2))
β
Memory can change the shape of a room; it can change the color of a car. And memories can be distorted. They're just an interpretation, they're not a record, and they're irrelevant if you have the facts. (Leonard Shelby, Memento)
β
β
Christopher Nolan
β
People need dramatic examples to shake them out of apathy, and I can't do that as Bruce Wayne. As a man, I'm flesh and blood. I can be ignored. I can be destroyed. But as a symbol, as a symbol I can be incorruptible, I can be everlasting.
β
β
Christopher Nolan
β
I could not be alone happily, and because I knew this was a sign of weakness, I forced myself to endure it for as long as I could before breaking, although I sometimes thought I would go mad.
β
β
Megan Nolan (Acts of Desperation)
β
Then, since you have never even been part of a super-tournament, what makes you qualified to be here today? Why you and not someone else?β I swallow. βI just . . .β Nothing. I got lucky. Itβs a mistake. Iβm not good enough andβ βManββNolan snorts into the micββshe literally won the qualifying tournament to be here. Keep up, will you?
β
β
Ali Hazelwood (Check & Mate)
β
Living alone, I began to split apart from myself in a deeper and more grotesque way than ever before.
β
β
Megan Nolan (Acts of Desperation)
β
The thing you fail to grasp is that people are not basically good. We are basically selfish. We shove and clamour and cry for adoration, and beat down everyone else to get it. Life is a competition of prattling peacocks enraptured in inane mating rituals. But for all our effacing and self-importance, we are all slaves to what we fear most. You have so very much to learn. Here. Let me teach you.
β
β
Christopher Nolan
β
Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
β
β
Christopher Nolan
β
Nothing stayed, nothing ever changed. But love, only love, that was the true part of the story, no matter what the beginning, middle or end.
β
β
Selena Kitt (Grace (Under Mr. Nolan's Bed, #3))
β
Everybody else needs mirrors to remind themselves who they are. Youβre no different.
β
β
Jonathan Nolan (Memento Mori)
β
Selina Kyle: There's a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you're all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.
β
β
Christopher Nolan
β
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
β
β
Han Nolan (Dancing on the Edge)
β
I made mistakes like this all the time, seeking affirmation from the very worst people, so that what I must have been after deep down was confirmation of the fears instead of their dismissals
β
β
Megan Nolan (Acts of Desperation)
β
If you're going to perform inception, you need imagination.
You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
No body is disabled but every body has different ables
β
β
Nolan byrnes
β
Starbucks is the smart coffee for dumb people. Itβs the Christopher Nolan of coffee.
β
β
Charlie Kaufman (Antkind)
β
Just before I drop into a chair in my English classroom I pick up my phone and send Nolan a text.
"What if there's a day when I can't be there with my mom when she's at home?"
I don't even have to wait thirty seconds before he sends his reply:
"Then I'll be there
β
β
Paige McKenzie (The Haunting of Sunshine Girl (The Haunting of Sunshine Girl, #1))
β
You're different. You're more perfect. Time is three things for most people, but for you, for us, just one. A singularity. One moment. This moment. Like you're the center of the clock, the axis on which the hands turn. Time moves about you but never moves you. It has lost its ability to affect you. What is it they say? That time is theft? But not for you. Close your eyes and you can start all over again. Conjure up that necessary emotion, fresh as roses.
β
β
Jonathan Nolan (Memento Mori)
β
The Joker: I just did what I do best. I took your little plan and I turned it on itself. Look what I did to this city with a few drums of gas and a couple of bullets. Hmmm? You know... You know what I've noticed? Nobody panics when things go "according to plan." Even if the plan is horrifying! If, tomorrow, I tell the press that, like, a gang banger will get shot, or a truckload of soldiers will be blown up, nobody panics, because it's all "part of the plan". But when I say that one little old mayor will die, well then everyone loses their minds. Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos. Oh, and you know the thing about chaos? It's fair!
β
β
Christopher Nolan
β
Time eventually convinces most of us that forgiveness is a virtue. Conveniently, cowardice and forgiveness look identical at a certain distance.
β
β
Jonathan Nolan (Memento Mori)
β
True inspiration is impossible to fake.
β
β
Arthur; Christopher Nolan
β
I always thought the joy of reading a book is not knowing what happens next. (Leonard Shelby, Memento)
β
β
Christopher Nolan
β
It's my place when I'm here alone. It's ours when you are here with me." ~Nolan
β
β
Sarah Brocious (The Awakening)
β
I can't be your ghost right now. I need to exist
β
β
Jonathan Nolan (Interstellar)
β
I pull back, gasping for breath. Reeling. His breath is ragged, and I place my hands on his cheeks to steady him. "Is this okay?" I whisper. "Are you okay?"
His reply is anguished. Honest. "I love you.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
How impoverished my internal life had become, the scrabbling for a token of love from somebody who didnβt want to offer it.
β
β
Megan Nolan (Acts of Desperation)
β
I glance at the exit across the room. I want out. The bird in my chest is crashing up against its cage. I can feel the heavy thump, thump, thump of its feverish body inside and I open my mouth, not to speak, but to let the bird out so I can breathe.
β
β
Han Nolan (Crazy)
β
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
β
β
Christopher Nolan
β
Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously. He's not from another planet, or filled with radioactive gunk. I mean, Superman is essentially a god, but Batman is more like Hercules: he's a human being, very flawed, and bridges the divide.
β
β
Christopher Nolan
β
Not too many professions out there that value forgetfulness. Prostitution, maybe. Politics, of course.
β
β
Jonathan Nolan (Memento Mori)
β
I pleaded with him to see how small I really was. I said through my huddling and hiding that I was nothing, and I was happy to be nothing if nothing was what pleased him best.
β
β
Megan Nolan (Acts of Desperation)
β
For me, food was messier, more complex. It was stressful, yes, but could be joyful too, something to binge on, and then shy away from; something to wrestle with, and offer up, and bury.
β
β
Megan Nolan (Acts of Desperation)
β
The Nolan's just could't get enough of life. They lived their own lives up to the hilt but that wasn't enough. They had to fill in on the lives of all the people they made contact with.
β
β
Betty Smith (A Tree Grows in Brooklyn)
β
I never considered myself a lucky person. I'm the most extraordinary pessimist. I truly am.
β
β
Christopher Nolan
β
At first I wasnβt all that tempted by him, but then he killed the spider. Which was a huge point in his favor.β
βAbsolutely. I love men who kill bugs.β
βAnd then when I was freaking out and couldnβt breathe, he was soβ¦gentle.β Zoe sighed and colored, remembering. βHe was holding me, and talking to me in that voiceβ¦you know, sort of low and rough around the edgesβ¦β
βAll the Nolans sound like that,β Justine said reflectively. βLike theyβve got a mild case of bronchitis. Totally hot.
β
β
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
β
...I thought it was safer and easier to be one my own. But I don't think I was to be invisible anymore because-because it's lonely, and I don't want to be lonely. I don't want to be alone.
β
β
Han Nolan (Crazy)
β
Everybody is waiting for the end to come, but what if it already passed us by? What if the final joke of Judgment Day was that it had already come and gone and we were none the wiser? Apocalypse arrives quietly; the chosen are herded off to heaven, and the rest of us, the ones who failed the test, just keep on going, oblivious. Dead already, wandering around long after the gods have stopped keeping score, still optimistic about the future.
β
β
Jonathan Nolan (Memento Mori)
β
How can you forgive if you canβt remember to forget?
β
β
Jonathan Nolan (Memento Mori)
β
If you are going to worry, don't do it. If you do it, don't worry.
β
β
Michael Nolan
β
You mustn't be afraid to dream a little bigger, darling.
β
β
Eames, Inception
β
I have to believe that when my eyes are closed, the world's still there. (Leonard Shelby, Memento)
β
β
Christopher Nolan
β
Nolan Bushnell, the co-founder of Atari, once said something that has always resonated with me. βEveryone who has taken a shower has had an idea,β he said. βBut itβs the people who get out of the shower, towel off, and do something about it that make the difference.
β
β
Marc Randolph (That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea)
β
Here's the truth: people, even regular people, are never just any one person with one set of attributes. It's not that simple. We're all at the mercy of the limbic system, clouds of electricity drifting through the brain.
β
β
Jonathan Nolan (Memento Mori)
β
For a few minutes of every day, every man becomes a genius. This is the tragedy of life.
β
β
Jonathan Nolan (Memento Mori)
β
There ought, I thought, to be a ritual for being born twiceβpatched, retreaded and approved for the road, I was trying to think of an appropriate one when Doctor Nolan appeared from nowhere and touched me on the shoulder. βAll right, Esther.
β
β
Sylvia Plath (The Bell Jar)
β
mankind was born on earth but was never meant to die here
β
β
Christopher Nolan
β
And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things.
She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk.
She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.
β
β
Betty Smith (A Tree Grows in Brooklyn)
β
Every day is a good day if you make it one
β
β
Nolan byrnes
β
Its better to regrets what you did, than regret what you didn't do.
β
β
William Nolan
β
Do you think it would be possible for anyone to love you if they could see every single thing you do?β And I watch them cringe as though Iβve reached out and struck them. βIβm serious,β I say. βImagine that everyone could see everything. Every secret, every base physical ejection, every category of porn youβve ever looked at in a kind of coma when youβre numb to the normal stuff. Think about it all. Every moment of shame, of desperation β do you really think anyone could love you still? Anyone at all?β 3 I remember what it was like when I first loved Ciaran, before he left me that first time at Christmas, when Iβd miss him so much when he went anywhere.
β
β
Megan Nolan (Acts of Desperation)
β
In these moments I knew that if I could be smaller, smaller, less and less, if I could be tided, then he would love me fully and properly; and that anybody - oh everybody - would.
β
β
Megan Nolan (Acts of Desperation)
β
Whoever said it was better to have loved and lost than never to have loved at all was smoking crack.
β
β
Kait Nolan (Red)
β
I turned my face to the side and stared out my window. I was filled not only with misery about what he was saying, and his awareness of it, but also with shame at how squalidly I was wasting my short life. I was sitting in a car with someone who loved me more than life itself, and yet all I could think about was Ciaran. How impoverished my internal life had become, the scrabbling for a token of love from somebody who didnβt want to offer it.
β
β
Megan Nolan (Acts of Desperation)
β
Here's the truth: People, even regular people, are never just any one person with one set of attributes. It's not that simple. We're all at the mercy of the limbic system, clouds of electricity drifting through the brain. Every man is broken into twenty-four-hour fractions, and then again within those twenty-four hours. It's a daily pantomime, one man yielding control to the next: a backstage crowded with old hacks clamoring for their turn in the spotlight. Every week, every day. The angry man hands the baton over to the sulking man, and in turn to the sex addict, the introvert, the conversationalist. Every man is a mob, a chain gang of idiots.
β
β
Jonathan Nolan (Memento Mori)
β
And she didn't once say anything about this being a sin. It used to be I got the word sin slapped in my face every time I did something wrong, but come on, when you live in a sin-free family with sin-free parents and a sin-free sister, well, you can't help but sin a little extra on their behalf.
β
β
Han Nolan (Pregnant Pause)
β
I'll only say this once more. I like you. I've always liked you. It would be wrong for me to come back into your life and act otherwise.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
only with practic,playing,and failing do you get better
β
β
Nolan byrnes
β
COBB: Our dreams feel real while we're in them. It's only when we wake we realize things were strange.
Ariadne gestures around them-
ARIADNE: But all the textures of real life-the stone, the fabric... cars... people... your mind can't create all this.
COBB: It does. Every time you dream. Let me ask you a question: You never remember the beginning of your dreams, do you? You just turn up in the middle of what's going on.
ARIADNE: I guess.
COBB: So... how did we end up at this restaurant?
β
β
Christopher Nolan (Inception: The Shooting Script)
β
The pleasure wasn't often pleasure; it was release from pain. It was binding yourself and feeling good when the bandages came off, it was cutting a hole in your leg so it could feel it heal. I had suffered, and I had made the suffering into something I could consider good. I made it so that suffering was a kind of work.
β
β
Megan Nolan (Acts of Desperation)
β
Being with other people was, to me, the feeling of being realised. This was why I wanted to be in love. In love, you don't need the minute-to-minute physical presence of the beloved to realise you. Love itself sustains and validates the rotten moments you would otherwise be wasting while you practise being a person, pacing back and forth in your shitty apartment, holding off till seven to open the wine.
β
β
Megan Nolan (Acts of Desperation)
β
MAL: You killed me.
Cobb looks at Mal. Whispers-
COBB: I was trying to save you-I'm sorry.
Mal comes in close to Cobb. Looks him over.
MAL: You infected my mind. You betrayed me. But you can make amends. You can still keep your promise. We can still be together... right here. In our world. The world we built together.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
ARIADNE: Why are they looking at me?
COBB: Because you're changing things. My subconscious feels that someone else is creating the world. The more you change things, the quicker the projections converge on you.
ARIADNE: Converge?
COBB: They feel the foreign nature of the dreamer, and attack-like white blood cells fighting an infection.
ARIADNE: They're going to attack us?
COBB: Just you, actually.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
COBB: What do you want from us?
SAITO: Inception.
Arthur raises his eyebrows. Cobb is poker-faced.
SAITO: Is it possible?
ARTHUR: Of course not.
SAITO: If you can steal an idea from someone's mind, why can't you plant one there instead?
ARTHUR: Okay, here's planting an idea: I say to you, "Don't think about elephants."
(Saito nods)
What are you thinking about?
SAITO: Elephants.
ARTHUR: Right. But it's not your idea because you know I gave it to you.
SAITO: You could plant it subconsciously-
ARTHUR: The subject's mind can always trace the genesis of the idea. True inspiration is impossible to fake.
COBB: No, it isn't.
SAITO: Can you do it?
COBB: I won't do it.
SAITO: In exchange, I'll give you the information you were paid to steal.
COBB: Are you giving me a choice? Because I can find my own way to square things with Cobol.
SAITO: Then you do have a choice.
COBB: And I choose to leave.
β
β
Christopher Nolan (Inception: The Shooting Script)
β
Anyway, I'm afraid to ask about Reed, where he is, because I'm afraid I can't handle the answer. The way people come and go in your life, where they're present and alive one minute, and missing or dead the next, is an idea that's too big for me to grasp. Life just seems way too fragile all of a sudden, and everybody seems to take it so lightly, as if they think we're all made like army tanks, big and strong and able to roll over anything in our way. And it's not just our bodies that are fragile; our minds are even more so. I don't know what fine membrane separates sanity from insanity, but after watching my dad slip-sliding around on the border between the two all my life, I know how easy it is to cross, and this scares me. This scares me to death. I've just been wondering, what if I had had the switchblade in my hand? What if Reed had dared me and I was the one with the switchblade? Maybe I would have used it. Then I'd be the one missing. It could have been me. I could have been Reed. Reed is me and I am Reed is Dad is Reed is me.
β
β
Han Nolan (Crazy)