Nobody Is Permanent Quotes

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done!

But nobody ever forgot anything, not really, though sometimes they pretended, when it suited them. Memories were permanent. Sorrowful ones remained sad even with the passing of time, yet happy ones could never be recreated - not with the same joy. Remembering bred its own peculiar sorrow. It seemed so unfair: that time should render both sadness and happiness into a source of pain.

I wasn't safe. I wasn't permanent. My life was a fiction I had created, like an alien who comes to earth and tries to pass as human. The affections of my friends meant nothing to me, directed, as they were, toward a person who wasn't there. There was nobody home.

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place, and I don't care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that! I'm always gonna love you, no matter what. No matter what happens. You're my son and you're my blood. You're the best thing in my life. But until you start believing in yourself, you ain't gonna have a life.

Nobody looks good in their darkest hour. But it's those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trails, or fracture by a permanent, damning fault line.

Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done! Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody. Cowards do that and that ain’t you. You’re better than that!

Nobody is a permanent friend,nobody is a permanent enemy. Everybody has his own self-interest. Once you recognise that, everybody will be better off.

Show me a culture where honesty is considered ridiculous, where nobody's ever accountable for anything, where anger gets admired as a sign of strength, and I'll show you a place where misery is permanent

The only clouds are pale and thin, hung as high as they can manage, like cobwebs in the high arches of a stairwell, and the sky is a freshly scrubbed blue, as permanent-looking as the first day of the holidays.

In reality nobody can grasp anything permanently in life. Absolutely nothing. Somethings may stay in memory for a while but eventually that too fades away.

Another principle that I believe can be justified by scientific evidence so far is that nobody is going to emigrate from this planet not ever....It will be far cheaper, and entail no risk to human life, to explore space with robots. The technology is already well along....the real thrill will be in learning in detail what is out there...It is an especially dangerous delusion if we see emigration into space as a solution to be taken when we have used up this planet....Earth, by the twenty-second century, can be turned, if we so wish, into a permanent paradise for human beings...

Can we only speak when we are fully living what we are saying? If all our words had to cover all our actions, we would be doomed to permanent silence! Sometimes we are called to proclaim God’s love even when we are not yet fully able to live it. Does that mean we are hypocrites? Only when our own words no longer call us to conversion. Nobody completely lives up to his or her own ideals and visions. But by proclaiming our ideals and visions with great conviction and great humility, we may gradually grow into the truth we speak. As long as we know that our lives always will speak louder than our words, we can trust that our words will remain humble.

We were stumbling sluts married to mud. When the war was over, nobody bothered to tell us. Our tragedy was permanent. No records were kept of us anywhere. We shuffled through ruined villages aimlessly. Anyone who had a menial, pointless job to do had only to wave us down and we would do it...On and on Helga spun her yarn, weaving a biography on the crazy loom of modern history.

In Jesus, God has put up a "Gone Fishing" sign on the religion shop. He has done the whole job in Jesus once and for all and simply invited us to believe it - to trust the bizarre, unprovable proposition that in him, every last person on earth is already home free without a single religious exertion: no fasting till your knees fold, no prayers you have to get right or else, no standing on your head with your right thumb in your left ear and reciting the correct creed - no nothing. . . . The entire show has been set to rights in the Mystery of Christ - even though nobody can see a single improvement. Yes, it's crazy. And yes, it's wild, and outrageous, and vulgar. And any God who would do such a thing is a God who has no taste. And worst of all, it doesn't sell worth beans. But it is good news - the only permanently good news there is - and therefore I find it absolutely captivating. - as quoted in All Is Grace, by Brennan Manning.

To me, and I passed this on to my students, the restored devices demonstrated not only how quickly anything on Earth runs down without steady infusions of energy. They reminded us, too, of the craftsmanship no longer practiced in the town below. Nobody down there in our time could make things that cunning and beautiful. Yes, and we took the 10 machines we agreed were the most beguiling, and we put them on permanent exhibit in the foyer of this library underneath a sign whose words can surely be applied to this whole ruined planet nowadays. THE COMPLICATED FUTILITY OF IGNORANCE

Beckendorf walked up with his helmet under his arm. “She likes you, man.” “Sure,” I muttered. “She likes me for target practice.” “Nah, they always do that. A girl starts trying to kill you, you know she’s into you.” “Makes a lot of sense.” Beckendorf shrugged. “I know about these things. You ought to ask her to the fireworks.” I couldn’t tell if he was serious. Beckendorf was lead counselor for Hephaestus. He was this huge dude with a permanent scowl, muscles like a pro ballplayer, and hands calloused from working in the forges. He’d just turned eighteen and was on his way to NYU in the fall. Since he was older, I usually listened to him about stuff, but the idea of asking Annabeth to the Fourth of July fireworks down at the beach—like, the biggest dating event of the summer—made my stomach do somersaults. Then Silena Beauregard, the head counselor for Aphrodite, passed by. Beckendorf had had a not-so-secret crush on her for three years. She had long black hair and big brown eyes, and when she walked, the guys tended to watch. She said, “Good luck, Charlie.” (Nobody ever calls Beckendorf by his first name.) She flashed him a brilliant smile and went to join Annabeth on the red team. “Uh . . .” Beckendorf swallowed like he’d forgotten how to breathe. I patted him on the shoulder. “Thanks for the advice, dude. Glad you’re so wise about girls and all. Come on. Let’s get to the woods.

The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.

When someone dies they get very cold and very still. That probably sounds obvious, but when it’s your mother it doesn’t feel obvious—it feels shocking. You watch, winded and reeling, as the medical technicians neutralize the stasis field and power down the synthetic organ metabolizer. But the sentimental gesture of kissing her forehead makes you recoil because the moment your lips touch her skin you realize just how cold and just how still she is, just how permanent that coldness and that stillness feel. Your body lurches like it’s been plunged into boiling water and for the first time in your life you understand death as a biological state, an organism ceasing to function. Unless you’ve touched a corpse before, you can’t comprehend the visceral wrongness of inert flesh wrapped around an inanimate object that wears your mother’s face. You feel sick with guilt and regret and sadness about inconsequential anecdote. You can’t remember anything thoughtful or sweet or tender that you ever did even though logically you know you must have. All you can recall is how often you were small and petty and false. She was your mother and she loved you in a way nobody ever has and nobody ever will and now she’s gone.

Nobody needs to justify why they "need" a right: the burden of justification falls on the one seeking to infringe upon the right. But even if they did, you can't give away the rights of others because they're not useful to you. More simply, the majority cannot vote away the natural rights of the minority. Arguing that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about free speech because you have nothing to say.

It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.

Tech people rarely, if ever, have a sense of the broader applications and policy implications of the projects to which they’re assigned. And the work that consumes them tends to require such specialized knowledge that to bring it up at a barbecue would get them disinvited from the next one, because nobody cared.

7. Character is built in the course of your inner confrontation. Character is a set of dispositions, desires, and habits that are slowly engraved during the struggle against your own weakness. You become more disciplined, considerate, and loving through a thousand small acts of self-control, sharing, service, friendship, and refined enjoyment. If you make disciplined, caring choices, you are slowly engraving certain tendencies into your mind. You are making it more likely that you will desire the right things and execute the right actions. If you make selfish, cruel, or disorganized choices, then you are slowly turning this core thing inside yourself into something that is degraded, inconstant, or fragmented. You can do harm to this core thing with nothing more than ignoble thoughts, even if you are not harming anyone else. You can elevate this core thing with an act of restraint nobody sees. If you don’t develop a coherent character in this way, life will fall to pieces sooner or later. You will become a slave to your passions. But if you do behave with habitual self-discipline, you will become constant and dependable. 8. The things that lead us astray are short term—lust, fear, vanity, gluttony. The things we call character endure over the long term—courage, honesty, humility. People with character are capable of a long obedience in the same direction, of staying attached to people and causes and callings consistently through thick and thin. People with character also have scope. They are not infinitely flexible, free-floating, and solitary. They are anchored by permanent attachments to important things. In the realm of the intellect, they have a set of permanent convictions about fundamental truths. In the realm of emotion, they are enmeshed in a web of unconditional loves. In the realm of action, they have a permanent commitment to tasks that cannot be completed in a single lifetime.

Alec had heard a poem read at weddings: My true love has my heart, and I have his. Never was a fairer bargain made. Love that was permanent in the eyes of all the world, demanding respect, blazoning the certain knowledge Alec had when he woke every morning. Nobody else for me, until the day I die: having everyone else know that.

Being poor is neither history nor permanent but a status. Writers who begin with this sentence “X is a poorest country in the world,” to describe any African country are lacking intelligence. How would they feel if we turned the tables and used sentences that portray historical offenses committed to other countries? I bet nobody would like to read, “X is a country that killed millions of Y during Z’s regime.

Despite the support of all these kings and generals, militarily the Warsaw Pact had a huge numerical superiority over NATO. In order to reach parity in conventional armaments, Western countries would probably have had to scrap liberal democracy and the free market, and become totalitarian states on a permanent war footing. Liberal democracy was saved only by nuclear weapons. NATO adopted the MAD doctrine (Mutual Assured Destruction), according to which even conventional Soviet attacks would be answered by an all-out nuclear strike. ‘If you attack us,’ threatened the liberals, ‘we will make sure nobody comes out alive.’ Behind this monstrous shield, liberal democracy and the free market managed to hold out in their last bastions, and Westerners got to enjoy sex, drugs and rock and roll, as well as washing machines, refrigerators and televisions. Without nukes there would have been no Beatles, no Woodstock and no overflowing supermarkets.

Nobody looks good in their darkest hour. But it’s those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trials, or fractured by a permanent, damning fault line. <***> It’s not fiction, and there’s no escape. The walls between the human world and Faery are coming down—and I hate to break it to you, but these fairies are so not Tinkerbells. <***> I’ve seen things that would make your skin crawl. I’ve done things that make my skin crawl.

In the search for a strong and permanent glue, Spencer Silver at 3M in Minneapolis found a weak and temporary adhesive instead. This was in 1968. Nobody could think of a use for it, until five years later a colleague named Art Fry remembered it when irritated by his place-markers falling out of a hymn-book while singing in a church choir. He went back to Silver and asked to apply the glue to small sheets of paper. The only paper lying around was bright yellow. The Post-it note was born.

A classic is a work which gives pleasure to the minority which is intensely and permanently interested in literature. It lives on because the minority, eager to renew the sensation of pleasure, is eternally curious and is therefore engaged in an eternal process of rediscovery. A classic does not survive because of any ethical reason it does not survive because it conforms to certain canons, or because neglect would kill it. It survived because it is a source of pleasure and because the passionate few can no more neglect it then a bee can neglect a flower. The passionate few do not read "the right things" because they are right. That is to put the cart before the horse "the right things" are the right things solely because the passionate few like reading them … Nobody at all is quite in a position to choose with certainty among modern works. To sift the wheat from the chaff is a process that takes an exceedingly long time. Modern works have to pass before the bar of the taste of successive Generations; whereas, with Classics, which have been through the ordeal, almost the reverse is the case. Your taste has to pass before the bar of the classics. That is the point. If you differ with a classic, it is you who are wrong, and not the book. If you differ with a modern work, you may be wrong or you may be right, but no judge is authoritative to decide your taste is unformed. It needs guidance and it needs authoritative guidance. Arnold Bennett, Literary Taste: How to Form It, as quoted by S. I. Hayakawa

Colby Lane and Pierce Hutton had the manager of Tate’s apartment building open his door for them. They knew that Tate had come back from Tennessee, and that he’d saved Cecily from Gabrini, but nobody had seen him for almost a week. His answering machine was left on permanently. He didn’t answer knocks at the door. It was such odd behavior that his colleague and his boss became actually concerned. They were more concerned when they saw him passed out on the couch in a forest of beer cans and discarded pizza boxes. He hadn’t shaved or, apparently, bathed since his return. “Good God,” Pierce said gruffly. “That’s a familiar sight,” Colby murmured. “He’s turned into me.” Pierce glared at him. “Don’t be insulting.” He moved to the sofa and shook Tate. “Wake up!” he snapped. Tate didn’t open his eyes. He shifted, groaning. “She won’t come back,” he mumbled. “Won’t come. Hates me…” He drifted off again. Pierce and Colby exchanged knowing glances. Without a word, they rolled up their sleeves and set to work, first on the apartment, and then on Tate.

Narrative horror, disgust. That's what drives him mad, I'm sure of it, what obsesses him. I've known other people with the same aversion, or awareness, and they weren't even famous, fame is not a deciding factor, there are many individuals who experience their life as if it were the material of some detailed report, and they inhabit that life pending its hypothetical or future plot. They don't give it much thought, it's just a way of experiencing things, companionable, in a way, as if there were always spectators or permanent witnesses, even of their most trivial goings-on and in the dullest of times. Perhaps it's a substitute for the old idea of the omnipresence of God, who saw every second of each of our lives, it was very flattering in a way, very comforting despite the implicit threat and punishment, and three or four generations aren't enough for Man to accept that his gruelling existence goes on without anyone ever observing or watching it, without anyone judging it or disapproving of it. And in truth there is always someone: a listener, a reader, a spectator, a witness, who can also double up as simultaneous narrator and actor: the individuals tell their stories to themselves, to each his own, they are the ones who peer in and look at and notice things on a daily basis, from the outside in a way; or, rather, from a false outside, from a generalised narcissism, sometimes known as "consciousness". That's why so few people can withstand mockery, humiliation, ridicule, the rush of blood to the face, a snub, that least of all ... I've known men like that, men who were nobody yet who had that same immense fear of their own history, of what might be told and what, therefore, they might tell too. Of their blotted, ugly history. But, I insist, the determining factor always comes from outside, from something external: all this has little to do with shame, regret, remorse, self-hatred although these might make a fleeting appearance at some point. These individuals only feel obliged to give a true account of their acts or omissions, good or bad, brave, contemptible, cowardly or generous, if other people (the majority, that is) know about them, and those acts or omissions are thus encorporated into what is known about them, that is, into their official portraits. It isn't really a matter of conscience, but of performance, of mirrors. One can easily cast doubt on what is reflected in mirrors, and believe that it was all illusory, wrap it up in a mist of diffuse or faulty memory and decide finally that it didn't happen and that there is no memory of it, because there is no memory of what did not take place. Then it will no longer torment them: some people have an extraordinary ability to convince themselves that what happened didn't happen and what didn't exist did.

It is true that many of the adults around me were legally prohibited from discussing their work, even with their families, but to my mind a more accurate explanation lies in the technical nature of their labor and the government’s insistence on compartmentalization. Tech people rarely, if ever, have a sense of the broader applications and policy implications of the projects to which they’re assigned. And the work that consumes them tends to require such specialized knowledge that to bring it up at a barbecue would get them disinvited from the next one, because nobody cared. In retrospect, maybe that’s what got us here.

Then the time came for you to be your own man and take on the world, and you did. But somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you’re no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is going to hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But you’ve got to be willing to take the hits, and not pointing fingers saying you ain’t where you want to be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that! I’m always going to love you no matter what. No matter what happens. You’re my son and you’re my blood. You’re the best thing in my life. But until you start believing in yourself, you ain’t going to have a life.

How much Dina Aunty relished her memories. Mummy and Daddy were the same, talking about their yesterdays and smiling in that sad-happy way while selecting each picture, each frame from the past, examining it lovingly before it vanished again in the mist. But nobody ever forgot anything, not really, though sometimes they pretended, when it suited them. Memories were permanent. Sorrowful ones remained sad even with the passing of time, yet happy ones could never be re-created—not with the same joy. Remembering bred its own peculiar sorrow. It seemed so unfair: that time should render both sadness and happiness into a source of pain.

The underlying emotion that governs all the activity in the ego is fear. The fear of being nobody, the fear of nonexistence, the fear of death. All its activities are ultimately designed to eliminate this fear, but the most the ego can ever do is to cover it up temporarily with an intimate relationship, a new possession, or winning at this or that. Illusion will never satisfy you. Only the truth of who you are, if realized, will set you free. Why fear? Because the ego arises by identification with form, and deep down it knows that no forms are permanent, that they are all fleeting. So there is always a sense of insecurity around the ego even if on the outside it appears confident.

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get it and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!

Let me tell you something you already know. The world ain't all sunshine and rainbows . It's a very mean and nasty place, and I don't care how tough you are , it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that.

I’ve often wished—especially when I was younger—that my work was better, that it rose to the level of genius, that I could write well enough to make something worth remembering. But I think that way of imagining art might make individuals too important. Maybe in the end art and life are more like the world’s largest ball of paint. You carefully choose your colors, and then you add your layer as best you can. In time, it gets painted over. The ball gets painted again and again until there is no visible remnant of your paint. And eventually, maybe nobody knows about it except for you. But that doesn’t mean your layer of paint is irrelevant or a failure. You have permanently, if slightly, changed the larger sphere. You’ve made it more beautiful, and more interesting. The world’s largest ball of paint looks nothing like the baseball it used to be, and you’re part of the reason. In the end, that’s what art is for me. You paint the ball, which changes the way someone else thinks about painting the ball, and so on, until some guy overwhelmed with grief and dread drives out to Alexandria, Indiana, to see what beautiful foolishness thousands of people have made together, and feels a hope that cannot be explained or shared except by painting. That guy adds a layer of his own to the ball, one that won’t last but still matters. Art is not only a genius going forth, as James Joyce put it, “to forge in the smithy of my soul the uncreated conscience of my race.” Art is also picking a light blue for your layer of the world’s largest ball of paint, knowing that it will soon be painted over, and painting anyway. I give the world’s largest ball of paint four stars.

and yet nobody of course was more dependent upon others (he buttoned his waistcoat); it had been his undoing. He could not keep out of smoking-rooms, liked colonels, liked golf, liked bridge, and above all women’s society, and the fineness of their companionship, and their faithfulness and audacity and greatness in loving which though it had its drawbacks seemed to him (and the dark, adorably pretty face was on top of the envelopes) so wholly admirable, so splendid a flower to grow on the crest of human life, and yet he could not come up to the scratch, being always apt to see round things (Clarissa had sapped something in him permanently), and to tire very easily of mute devotion and to want variety in love, though it would make him furious if Daisy loved anybody else, furious! for he was jealous, uncontrollably jealous by temperament. He suffered tortures!

But ultimately, I couldn’t. Something kept preventing me. It just felt wrong. To blank my posts from the face of the earth wasn’t illegal, and it wouldn’t even have made me ineligible for a security clearance had anyone found out. But the prospect of doing so bothered me nonetheless. It would’ve only served to reinforce some of the most corrosive precepts of online life: that nobody is ever allowed to make a mistake, and anybody who does make a mistake must answer for it forever. What mattered to me wasn’t so much the integrity of the written record but that of my soul. I didn’t want to live in a world where everyone had to pretend that they were perfect, because that was a world that had no place for me or my friends. To erase those comments would have been to erase who I was, where I was from, and how far I’d come. To deny my younger self would have been to deny my present self’s validity.

In order to reach parity in conventional armament, Western countries would probably have had to scrap liberal democracy and the free market, and become totalitarian states on a permanent war footing. Liberal democracy was saved only by nuclear weapons. NATO adopted the doctrine of MAD (mutual assured destruction), according to which even conventional Soviet attacks would be answered by an all-out nuclear strike. ‘If you attack us,’ threatened the liberals, ‘we will make sure nobody comes out of it alive.’ Behind this monstrous shield, liberal democracy and the free market managed to hold out in their last bastions, and Westerners could enjoy sex, drugs and rock and roll, as well as washing machines, refrigerators and televisions. Without nukes, there would have been no Woodstock, no Beatles and no overflowing supermarkets. But in the mid-1970s it seemed that nuclear weapons notwithstanding, the future belonged to socialism.

When there is an autocracy, we may be sure that the masses will some day overthrow it; and when there is a democracy or ochlocracy, we may be sure that some group of mentally and physically superior individuals will some day overthrow it by establishing a more or less enduring (but never wholly permanent) supremacy, either through judg­ment in playing men against each other, or through patience and abil­ity in concentrating power by taking advantage of the indolence of the majority. In a word, the social organisation of humanity is in a state of perpetually and incurably unstable equilibrium. I believe in an aristocracy, because I deem it the only agency for the creation of those refinements which make life endurable for the human animal of high organisation. In an aristocracy some persons have a great deal to live for. In a democracy most persons have a little to live for. In an ochlocracy no­body has anything to live for.

With time, the ‘wheat bargain’ became more and more burdensome. Children died in droves, and adults ate bread by the sweat of their brows. The average person in Jericho of 8500 BC lived a harder life than the average person in Jericho of 9500 BC or 13,000 BC. But nobody realised what was happening. Every generation continued to live like the previous generation, making only small improvements here and there in the way things were done. Paradoxically, a series of ‘improvements’, each of which was meant to make life easier, added up to a millstone around the necks of these farmers. Why did people make such a fateful miscalculation? For the same reason that people throughout history have miscalculated. People were unable to fathom the full consequences of their decisions. Whenever they decided to do a bit of extra work – say, to hoe the fields instead of scattering seeds on the surface – people thought, ‘Yes, we will have to work harder. But the harvest will be so bountiful! We won’t have to worry any more about lean years. Our children will never go to sleep hungry.’ It made sense. If you worked harder, you would have a better life. That was the plan. The first part of the plan went smoothly. People indeed worked harder. But people did not foresee that the number of children would increase, meaning that the extra wheat would have to be shared between more children. Neither did the early farmers understand that feeding children with more porridge and less breast milk would weaken their immune system, and that permanent settlements would be hotbeds for infectious diseases. They did not foresee that by increasing their dependence on a single source of food, they were actually exposing themselves even more to the depredations of drought. Nor did the farmers foresee that in good years their bulging granaries would tempt thieves and enemies, compelling them to start building walls and doing guard duty.

Matthias was in the dark. And it wasn’t the kind of dark that came with a room that didn’t have any lights on or when you were walking around at night in the country. This was not even the kind you got when you shut your eyes and wrapped your head in a blanket. This was the one that seeped in through your skin and filled the spaces between your molecules, the one that polluted your flesh into a permanent state of rotting, the one that wiped clean your past and your future, suspending you in a choking, adhesive solution of sorrow and despair. He was not alone in this horrible prison. As he writhed in the weightless void, others did the same, their voices mixing with his own as pleas escaped from cracked lips and the endless begging for mercy rose and fell like the breathing of a great beast. From time to time, he was chosen for special attention, clawed monsters with fanged maws latching on, yanking and pulling. The wounds they imparted always healed as quickly as they were wrought, providing an ever-fresh canvas for their masticating artwork. Time had no meaning; nor did age. And he knew he was never getting out. This was his due. This was his eternal payment for the way he had lived his life: He had earned this place in Hell through his sins upon the earth, and yet still, he argued the unfairness to the others he was trapped with. Tough debate, though. There was little on the good side to support his bid for freedom; more to the point, nobody was listening.

The black hole solution of Einstein's equations is also a work of art. The black hole is not as majestic as Godel's proof, but it has the essential features of a work of art: uniqueness, beauty, and unexpectedness. Oppenheimer and Snyder built out of Einstein's equations a structure that Einstein had never imagined. The idea of matter in permanent free fall was hidden in the equations, but nobody saw it until it was revealed in the Oppenheimer-Snyder solution. On a much more humble level, my own activities as a theoretical physicist have a similar quality. When I am working, I feel myself to be practicing a craft rather than following a method. When I did my most important piece of work as a young man, putting together the ideas of Sin-Itiro Tomonaga, Julian Schwinger, and Richard Feynman to obtain a simplified version of quantum electrodynamics, I had consciously in mind a metaphor to describe what I was doing. The metaphor was bridge-building. Tomonaga and Schwinger had built solid foundations on the other side, and my job was to design and build the cantilevers reaching out over the water until they met in the middle. The metaphor was a good one. The bridge that I built is still serviceable and still carrying traffic forty years later. The same metaphor describes well the greater work of unification achieved by Stephen Weinberg and Abdus Salam when they bridged the gap between electrodynamics and the weak interactions. In each case, after the work of unification is done, the whole stands higher than the parts.

I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.

We've been working out of our tin can for half a decade. Nobody suggests moving into a brick-and-mortar office; nobody wants to peer through glass windows, in a building with a foundation, and admit that the insomnia emergency is now a permanent condition.

It’s a common theme among the highly concentrated investors profiled in this book. Permanent capital—capital not subject to withdrawal or redemption—is an essential component for achieving high returns in concentrated portfolios because it offers the luxury of ignoring the short-term fluctuations of the market:65 Why would we want those artificial constraints? Lou had considerable periods in the dotcom bubble when the averages were outperforming Lou. It was years and he got well all at once. Nobody was saying to him, “How can you do this to us for three years running?” The money management business is not necessarily a good way to manage money if you are really trying to maximize your returns over 30 years.

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!

It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?

Every day we get to choose our attitudes. We can determine to be happy and look on the bright side--expecting good things, and believing we will accomplish our dreams--or we can elect to be negative by focusing on our problems, dwelling on what didn’t work out, and living worried and discouraged. These are the choices we all can make. Nobody can force you to have a certain attitude. Life will go so much better if you simply decide to be positive. When you wake up, choose to be happy. That is the fourth undeniable quality of a winner. Choose to be grateful for the day. Choose to look on the bright side. Choose to focus on the possibilities. A good attitude does not automatically come. If you don’t choose it, then more than likely you’ll default to a negative mind-set, thinking: “I don’t feel like going to work. I’ve got so many obstacles. Nothing good is in my future.” A negative attitude will limit your life. We all face difficulties. We all have tough times, but the right attitude is, “This is not permanent, it’s only temporary. In the meantime I’m going to enjoy my life.” Maybe you didn’t get the promotion you worked hard for, or you didn’t qualify for that house you wanted. You could easily live with a sour attitude. Instead, you should think: “That’s all right. I know something better is coming.” If you become caught in traffic, think positively: “I’m not going to be stressed. I know I’m at the right place at the right time.” If your medical report wasn’t good, you can choose to think: “I’m not worried. This too shall pass.” If your dream is taking longer than you thought, you can choose to think: “I’m not discouraged. I know the right people, and the right opportunities are already in my future, and at the right time it will come to pass.

Although nobody agrees with me, I am of the opinion that the only sound countries in the world are Germany, Italy, and Japan, simply because they are all working and working hard,” he wrote in a letter to a friend. Koch added, “The laboring people in those countries are proportionately much better off than they are any place else in the world. When you contrast the state of mind of Germany today with what it was in 1925 you begin to think that perhaps this course of idleness, feeding at the public trough, dependence on government, etc., with which we are afflicted is not permanent and can be overcome.

That was the problem with the whole goddamn world; nobody had balls enough to call a spade a spade. Dead was dead; it was a hell of a lot more permanent than a milquetoast “not being here.

Three people. Nobody else. They back out of this, or they don’t like my terms, and they’re done—permanently.

Memories of love She is the flower that blooms in every season, For me she is the logic and my life’s every reason, To serenade her for her beautiful ways, During the cold Winter nights and during the warm Summer days, When I lie vacant in my mind, There is nothing to ponder on and nothing new to find, And no thoughts pass by and everything seems unopposable, I think of you, your beautiful face and your ways loveable, Then something within me dies, something deep inside, Maybe it is the sense of time, sense of existence that no more is willing to reside, In this trepidation which brings grief, To be a languid moment on the fringes of life with no relief, And as this dead part of me buries itself within me, Under the aegis of your sweet memories I now live and see, Whatever life has to offer in its cyclic inventions of fate, While I live, moving like the needles of the clock, and ah the endless wait, So I reside in the hegemony of chance, And in my memories we forever romance, Which rise from the my half that is still alive, Still hopeful, still in love, still romantic, and that is where you and your memories thrive, They are the reason and that subtle force that makes my heart beat, That alive part of my heart where every heart throb only your name does repeat, And as I slide into the corner of my room, I let your memories and smiles on the walls, on the floor, over the windows to bloom, And I stare at this permanent Summer bliss, And these beautiful sights grow over me like a permanent kiss, Where I breathe you and you breathe me, And in the flowers hanging on the walls, sprouting from the floor, growing on the windows, your wonder I see, Then I spread the blanket of your memories, And I sleep with your smiles, with your kisses, and my silent mind unto the land of love ferries, Time may have neutralised my mind, But it has failed to prevent me from my heart’s desire to find, You in everything, in the skies, in the stars in the light and in the dark, And ah its pain, for from memories it has failed to remove any mark, For time that is the unruly mercenary of fate, Killed a part of me and thought now it is my final and insensate state, And as it galloped to erase my memories too, My dying heart beat said, “Irma I love you!” And the horse of time stumbled and fell, How, why maybe nobody can tell, And thus I ceased my moment and ran away with your memories, And now the chariot of time me and you together carries, Ahead of the time that chases me still and maybe forever, But it's fall granted me a lead of few moments newer, And when I tread on the highway of time, You and I my love, are always ahead of the weary horse of Worldly time, So let me spread the blanket of memories and let me sleep now, For I have to be with you, in the land where it is always now, And for the weary moments of worldly time let the circle around the walls of my room, Never to know that lovers live in a zone where it is a permanent summer, in its everlasting beauty’s bloom! The horse of time is worn out but my memories are as fresh as today, And my love Irma, it shall be so everyday!

Memories of love She is the flower that blooms in every season, For me she is the logic and my life’s every reason, To serenade her for her beautiful ways, During the cold Winter nights and during the warm Summer days, When I lie vacant in my mind, There is nothing to ponder on and nothing new to find, And no thoughts pass by and everything seems unopposable, I think of you, your beautiful face and your ways loveable, Then something within me dies, something deep inside, Maybe it is the sense of time, sense of existence that no more is willing to reside, In this trepidation which brings grief, To be a languid moment cast on the fringes of life with no relief, And as this dead part of me buries itself within me, Under the aegis of your sweet memories I now live and see, Whatever life has to offer in its cyclic inventions of fate, While I live, moving like the needles of the clock, and ah the endless wait, So I reside in the hegemony of chance, Yet in my memories we forever romance, Which arise from my half that is still alive, Still hopeful, still in love, still romantic, and that is where you and your memories thrive, They are the reason and that subtle force that makes my heart beat, That alive part of my heart where every heart throb only your name does repeat, And as I slide into the corner of my room, I let your memories and smiles on the walls, on the floor, over the windows to bloom, And I stare at this permanent Summer bliss, And these beautiful sights grow over me like a permanent kiss, Where I breathe you and you breathe me, And in the flowers hanging on the walls, sprouting from the floor, growing on the windows, your true wonder I see, Then I spread the blanket of your memories, And I sleep with your smiles, your kisses, and my silent mind unto the land of love ferries, Time may have neutralised my mind, But it has failed to prevent me from my heart’s desire to find, You in everything, in the skies, in the stars in the light and in the dark, And ah its pain, for from memories it has failed to remove any mark, For time that is the unruly mercenary of fate, Killed a part of me and thought now it is my final and insensate state, And as it galloped to erase my memories too, My dying heart beat said, “Irma I love you!” And the horse of time stumbled and fell, How, why, maybe nobody can tell, But I ceased my moment and ran away with your memories, And now the chariot of time both of us carries, Ahead of the time that chases me still and maybe forever, But it's fall granted me a lead of few moments newer, And when I tread on the highway of time, You and I my love, are always ahead of the weary horse of Worldly time, So let me spread the blanket of memories and let me sleep now, For I have to be with you, in the land where it is always now, And for the weary moments of worldly time let them circle around the walls of my room, Never to know that lovers live in a zone where it is a permanent summer, in its everlasting beauty’s bloom! The horse of time is worn out but my memories are as fresh as today, And my love Irma, it shall be so everyday!

And for Roosevelt, life threw a lot at him: He lost a wife and his mother in rapid succession, he faced powerful, entrenched political enemies who despised his progressive agenda, was dealt defeat in elections, the nation was embroiled in foreign wars, and he survived nearly fatal assassination attempts. But he was equipped for it all because of his early training and because he kept at it every single day. Are you similarly prepared? Could you actually handle yourself if things suddenly got worse? We take weakness for granted. We assume that the way we’re born is the way we simply are, that our disadvantages are permanent. And then we atrophy from there. That’s not necessarily the best recipe for the difficulties of life. Not everyone accepts their bad start in life. They remake their bodies and their lives with activities and exercise. They prepare themselves for the hard road. Do they hope they never have to walk it? Sure. But they are prepared for it in any case. Are you? Nobody is born with a steel backbone. We have to forge that ourselves. We craft our spiritual strength through physical exercise, and our physical hardiness through mental practice (mens sana in corpore sano—sound mind in a strong body).

You and me as stars! Can you imagine just a single star in the night sky, Well that is how I feel without you, The only star in the vast and never ending sky, And the desire to be with you and love you, And fill the sky of our lives, With the stars of your smiles, your kisses and your sweet acts, To sparkle forever in the sky of our lives, Your beauty, your deep eyes and your endearing acts, Then no more shall I exist as the only star, In the sky of hopes and desires, Because now you shall be my companion star, To also be the beginning and end of all my desires, Then my darling Irma, it shall be the starlit night, In our sky, of our love, just you and me, And in the presence of this starlight, and the quiet of the night, I will dream of you and you shall dream of me, And when the dawn breaks our spell of love, And we as stars are no longer visible, I shall with the memories of your love, Create your billion impressions and in the day sky too make you visible, Maybe just to me and nobody else, And then we can act as we please, we can be who we wish to be, Except you and me and except God there shall be no one else, Close to the Heaven and the pleasure to be, There with you and your countless impressions, In the sky where we shine like the stars, And in few years the entire sky will be a reflection of our love and its impressions, Our sky, where you are mine and I am yours, and we shine like the two brightest stars, Then my love Irma, I shall let the sky be untied from its tug with the planets, So there is no rotation and there is only the night sky with our starlight, Maybe then all lovers can live beyond these mortal planets, Where all chases come to an end: the night doesn't chase the day, and there is permanent love light and starlight!

First there are three descriptions of you, the believer, that Paul uses to help you receive his exhortation. “Put on then, as God’s chosen ones, holy and beloved . . .” He is about to tell us what kind of heart and attitude we should have—putting it on like a garment. But first he calls us chosen, holy, loved. Chosen We are God’s elect. Before the foundation of the world, God chose us in Christ. You can hear how precious this is to Paul with his words from Romans 8:33: “Who shall bring any charge against God’s elect?” The answer is that absolutely nobody can make a charge stick against God’s elect. Paul wants us to feel the wonder of being elect as being invincibly loved. If you resist the truth of election, you resist being loved in the fullness and the sweetness of God’s love.

What was even more mysterious about the whole thing was that nobody really knew how it worked. All they did know was that if they mixed the fruit of a tree that had grown in Hatahi since ancient times with the dyeing agent, the colors would easily set on the clothing permanently.

Can we only speak when we are fully living what we are saying? If all our words had to cover all our actions, we would be doomed to permanent silence! Sometimes we are called to proclaim God’s love even when we are not yet fully able to live it. Does that mean we are hypocrites? Only when our own words no longer call us to conversion. Nobody completely lives up to his or her own ideals and visions. But by proclaiming our ideals and visions with great conviction and great humility, we may gradually grow into the truth we speak. As long as we know that our lives always speak louder than our words, we can trust that our words will remain humble. —HENRI NOUWEN

He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.

A woman officer,” I said. “Maybe fairly senior. Someone with permanent access to her own Humvee. Nobody signs out a pool vehicle for an assignation like that. And she’s got his briefcase. She must have.

While Flint was reconnected to Detroit’s water supply by October 2015, the damage to the pipes and to the people of Flint, in particular to its 8,567 children,30 was permanent. Officials

With the move to permanent villages and the increase in food supply, the population began to grow. Giving up the nomadic lifestyle enabled women to have a child every year. Babies were weaned at an earlier age – they could be fed on porridge and gruel. The extra hands were sorely needed in the fields. But the extra mouths quickly wiped out the food surpluses, so even more fields had to be planted. As people began living in disease-ridden settlements, as children fed more on cereals and less on mother’s milk, and as each child competed for his or her porridge with more and more siblings, child mortality soared. In most agricultural societies at least one out of every three children died before reaching twenty.5 Yet the increase in births still outpaced the increase in deaths; humans kept having larger numbers of children. With time, the ‘wheat bargain’ became more and more burdensome. Children died in droves, and adults ate bread by the sweat of their brows. The average person in Jericho of 8500 BC lived a harder life than the average person in Jericho of 9500 BC or 13,000 BC. But nobody realised what was happening. Every generation continued to live like the previous generation, making only small improvements here and there in the way things were done. Paradoxically, a series of ‘improvements’, each of which was meant to make life easier, added up to a millstone around the necks of these farmers. Why

Why did people make such a fateful miscalculation? For the same reason that people throughout history have miscalculated. People were unable to fathom the full consequences of their decisions. Whenever they decided to do a bit of extra work – say, to hoe the fields instead of scattering seeds on the surface – people thought, ‘Yes, we will have to work harder. But the harvest will be so bountiful! We won’t have to worry any more about lean years. Our children will never go to sleep hungry.’ It made sense. If you worked harder, you would have a better life. That was the plan. The first part of the plan went smoothly. People indeed worked harder. But people did not foresee that the number of children would increase, meaning that the extra wheat would have to be shared between more children. Neither did the early farmers understand that feeding children with more porridge and less breast milk would weaken their immune system, and that permanent settlements would be hotbeds for infectious diseases. They did not foresee that by increasing their dependence on a single source of food, they were actually exposing themselves even more to the depredations of drought. Nor did the farmers foresee that in good years their bulging granaries would tempt thieves and enemies, compelling them to start building walls and doing guard duty. Then why didn’t humans abandon farming when the plan backfired? Partly because it took generations for the small changes to accumulate and transform society and, by then, nobody remembered that they had ever lived differently. And partly because population growth burned humanity’s boats. If the adoption of ploughing increased a village’s population from 100 to 110, which ten people would have volunteered to starve so that the others could go back to the good old times? There was no going back. The trap snapped shut. The pursuit of an easier life resulted in much hardship, and not for the last time. It happens to us today. How many young college graduates have taken demanding jobs in high-powered firms, vowing that they will work hard to earn money that will enable them to retire and pursue their real interests when they are thirty-five? But by the time they reach that age, they have large mortgages, children to school, houses in the suburbs that necessitate at least two cars per family, and a sense that life is not worth living without really good wine and expensive holidays abroad. What are they supposed to do, go back to digging up roots? No, they double their efforts and keep slaving away. One

As I close my chemistry book, out of the corner of my eye I see Alex run his hand through his hair. “Listen, I didn’t mean to be rude to you before.” “That’s okay. I got too nosy.” “You’re right.” I stand, feeling uncomfortable. He grabs my arm and urges me back down. “No,” he says, “I mean you’re right about me. I don’t place anything permanent here.” “Why?” “My dad,” Alex says, staring at the picture on the opposite wall. He squeezes his eyes shut. “God, there was so much blood.” He opens his eyes and captures my gaze. “If there’s one thing I learned, it’s that nobody is here forever. You have to live for the moment, each and every day…the here, the now.” “And what do you want right now?” Right now I itch to heal his wounds and forget my own. He touches my cheek with the tips of his fingers. My breath hitches. “Do you want to kiss me, Alex?” I whisper. “Dios mio, I want to kiss you…to taste your lips, your tongue.” He gently traces my lips with the tips of his fingers. “Do you want me to kiss you? Nobody else would know but the two of us.

Our opinion is, 'Nobody is at fault.' If someone appears to be at fault, then that is our weakness. The fact that you see somebody at fault is indeed your state as the prakruti (with the belief that, 'I am the non-Self complex'). By remaining in the inherent state as the Self (apramatt bhaav) the world will be Seen as flawless and You will experience the kind of bliss that existed during the reign of Lord Rama! One has to come into One's inherent state as the Self (apramatt) permanently!

Same premise holds for the liberal critique of “American hegemony” (a term from the 1990s and early 2000s that is very rarely used anymore, but the premise still holds); from the position that America will hold a permanent hegemonic position. This cynical disbelief in the *end* of the Empire’s hegemony is what sustains the decadence that accelerates its precipitous decline. Same thing with global warming or any other exigencies. The denial of the “end” is what accelerates the end. The admission of the crisis is what accelerates the action necessary to negate the crisis and, therefore, turn the cynic into someone who can justify non-belief in the crisis because in the evaporation of the emergency, the proof that the emergency existed is removed, and, therefore, the cynic becomes even more assured that their cynicism is justified. If you do not believe in global warming and policies change to the point where carbon emissions are reduced and global warming is averted, the first thing a cynic will say is, “See! I told you global warming was nothing to worry about!” Same thing with the COVID quarantine and vaccine measures. If they did not work to evade the virus the cynic would cry that the measures were not effective and therefore nobody should trust the government. If the measure did work and the virus was evaded, the cynic would cling to the cynicism and say, “See! The crisis of the virus would have been averted! What is all the fuss? Why did everyone worry?” An ideology succeeds when the facts that at first appearance should serve to contradict it start to serve as arguments in its favor. There is a sense that “enjoyment itself, which we experience as ‘transgression’, is in its innermost status something imposed, ordered—when we enjoy… this obscene call ‘Enjoy!’, is the superego.” Cultural downfall is pressed into action—by the decadent attitudes of those who suspend disbelief even as the demise of hegemonic power is unfolding before their eyes. The same holds true for those who disbelieve that the Other can actually overtake them, and the downplaying of cunning tendencies in the Neighbors. There is an infantilizing process that misunderestimated the possibility that the Other can mobilize itself into a force that can become a “master”-signifier where you are the “subject” to the Other, the condescension that “their” power will remain virtual and never become fully realized as an actual force enacting violence upon you, this is the condescension of liberal compassion towards the “Neighbors.

Eustace was becoming more certain that nobody would ever really know him, that this intense isolation would be a permanent condition. That he was a refugee in this world by birth and destiny. 'I feel completely different from everyone else in this world, the last of my kind, stranded. Just trying to communicate … But constantly misunderstood.

the simple likelihood of drawing a connection between a dream and a waking experience dwindles with temporal distance from the dream. At this point, it is hard to say if there is any kind of probability curve defining some temporal sweet spot when you are likeliest to identify a waking experience relating to a prior dream. This is one of the many, many open questions that we need armies of precognitive dreamworkers with fat dream journals to help figure out. While the bulk of my precognitive hits occur within about three days of a dream, it is not uncommon to find hits up to a couple weeks after a dream, as well as at yearly intervals (we will discuss calendrical resonances in more detail later). Dunne recommended returning to your dreams up to two days afterward and thereafter discarding dream records. He lived before word processors, and since no one would have the time to check all their dreams on an indefinite daily basis, he felt you had to set limits to make your search most effective. In our day of computer files, it is easy to keep permanent, detailed dream records—they no longer take up space—as well as to search them electronically and potentially perform other kinds of analyses if you are really hardcore. But it remains the case that nobody has the time to compare their entire dream journal, which may grow a bit each day, to their entire life, every day. You can see how that could begin to consume one’s life! You have to make compromises. Revisiting your dream records from the previous three days for a minute or two each evening is minimally sufficient. EMINENT COMPANY In taking the J. W. Dunne challenge, you will be in some brilliant and eminent company. Some of the most influential writers of the mid-twentieth century, including T. S. Eliot, C. S. Lewis, and J. R. R. Tolkien, were powerfully inspired by Dunne’s book, and some undertook his experiment. Most fans of Tolkien’s fantasy epics The Hobbit and The Lord of the Rings don’t realize that the timeless worldview of his Elven races was based largely on the serial-universe cosmology developed by Dunne on the basis of his dream experiences.4 So far, no dream diary has emerged among Tolkien’s papers that would prove he carried out Dunne’s experiment systematically, but his friend C. S. Lewis, author of The Chronicles of Narnia, probably did. Lewis hints as much in a posthumously published novel called The Dark Tower, which is partly devoted to Dunne’s ideas.

Who works there?” Minka asked. “Nobody now,” Natalie told her. “The last one died six months ago and they haven’t gotten around to finding a permanent replacement. Vance can be persnickety.

The Earth is a testing ground for every one of us including the most prominent and of the most eminent ones. A place where we find duality in everything including how we see it and how it actually is in reality. Similarly, the duality concept is in people you see and meet who are either good, bad, or people who have two faces, one that they show and one that they are within. One is the duality of the personalities we veil through ourselves and another is the duality of the soul within. Whether are you a soul having fire within or are you a soul having light within and whichever you feed the most becomes your abode within and hereafter. You are both, your heaven and hell, fire and light, and finally, love or hate within. And our creator wants us to purify ourselves of the fire within and become light by being on the side of truth within and outside, righteousness within and outside, and pious within and outside, and finally sincere within and outside. Creator loves the one who has one tongue, one thing which is in the heart and which is on the tongue. The thing you are within is outside and the thing outside is within so you become successful. Like Rocky has said: “The world ain't all sunshine and rainbows. It is a very mean and nasty place and it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't how hard you hit; it's about how hard you can get hit, and keep moving forward." The matter is not that you have truth with you but the question is are you truthful?!. The truth will only set you free when you are truthful within yourself.

Connections never go away. The love between your partners, school friends never go away. People will come and go. Nobody will be permanent in life. That does not mean you feel bitter or angry. At one point you evolve. Life is full of experiences.

Back when I was writing about the global financial crisis, I often found myself brooding on a parable. The tribe had an idol sitting on an altar, and had been taught, and had come to believe, that the idol was permanent, immovable, and that they had to worship it, because the idol was the embodiment of all immutable truth. Then one day there was a great rumbling noise and the immovable, permanent idol fell off the altar and landed on the ground with a huge crack. There was a terrible silence. The tribe shuffled their feet and looked at one another and didn’t know what to think. The silence stretched. Eventually, some members of the tribe, embarrassed and baffled, picked up the idol and put it back on the altar, and they all went back to worshipping it because they couldn’t think what else to do. The financial crisis exposed the fact that the central tenet of neoliberalism – markets can be trusted to regulate themselves, and the most important thing government can do is get out of the way of the market – was untrue. But nobody knew what else to believe, or how else to think: they had grown so used to a particular package of economic doctrines that they had come to accept them as fundamental principles of reality, instead of merely a description of the way some segments of the world economy had operated for a short stretch of time. So they went back to acting as if what had just happened hadn’t happened. They put the idol back on the altar. The economic response to Covid has seen that idol fall off the altar again, and this time it hasn’t just cracked, it has actually split in half. We can’t be about to put it back on the altar again, can we? Can we?

stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.

The corner She sat there crouched in a corner, Her will was broken and nothing in her looked stronger, There were no signs of smiles or moments of joy, Around her an army of misfortunes time did deploy, So she lay there tied to her weariness, And her eyes revealed a deep emptiness, She had a benighted existence, And in her, sadness sought its own permanence, Many passed by her side, But all were busy dealing with their life’s own tide, A few turned and noticed her wretched state, But nobody wanted to uplift her spirits and mend her fate, She resided in a place that is neither hell nor paradise, Because in her state even soul refuses to rise, So she hangs between nowhere and nothing, Between everything and something, Between the Hell that is there and yet it is not anywhere, Between the Paradise that is there but actually nowhere, And her grief deepened every moment, And with every passing day she got cast into hopelessness’s basement, Now she lies there trapped and feelingless, Dealing with the life that is lifeless, Today when I saw her and her stock of misfortunes, I could hear her heart’s sad tunes, I stood there frozen in the moment, As she slipped deeper into despondency’s basement, And by the time I reached out my hand, There was the corner, an endless pile of misfortunes, and my empty hand, The basement had consumed her and everything related to her, It was an empty corner with nothing to offer and nothing to incur, But a realisation that how often we all fail, To sympathise with someone needy and frail, I too extended my hand but it was too late, And now for a lifetime I am caught in a debate, Where the guilt shall push all heedless passers by in the same basement, To clash with their own conscience and the girl’s every sentiment!

Some 700,000 Palestinian Arabs lost their homes in what had become the State of Israel and ended up in neighboring Arab states, most of which refused to grant the Palestinians citizenship and permanently integrate them.89 In the postwar order of ethnically defined nation-states, they were nobody’s co-ethnic, with the partial exception of Jordan.

Whistling past the graveyard,” Julie intones. “Rearranging deckchairs on the Titanic.” I laugh. “Yes, but it’s not just death that has everyone flustered. Anyone can create a scenario to deal with death. But what’s beyond that scenario? Another scenario? And another? Eventually you run out of turtles.” “Huh? Turtles?” “A student goes to his teacher and asks ‘What does the world rest upon, master?’ To which the teacher replies ‘On the back of a giant turtle.’ The student, not to be so easily put off, asks ‘And what does the turtle rest upon, oh wise one?’ To which the teacher replies, ‘Upon another turtle.’ The student is not ready to give up. ‘And what does that turtle rest on?’ he asks, to which the master angrily replies, ‘Don’t you get it? It’s turtles all the way down!’” Julie laughs and nods her head. “The truth of the situation is that eventually, there’s nothing. Infinity. Eternity. The void. The abyss. Eventually, every water-treader has to deal with the fact that it’s just him, the infinite ocean and nothing in-between.” “And that everything else is a lie.” “Basically, yes. The body is just a rental car and this planet is just a motel. This is nobody’s home, though some treat it like a permanent residence; as if the worst thing that can possibly happen is that you pick up and move on. How absurd, and yet, how absolutely vital to the experience. Look at things in this light and you’ll see the countless ways in which society encourages the externalized self and mocks, discourages and combats the very notion of turning inward. Alan Watts called it the taboo against knowing who you are. In order to break with one’s false self, one would have to break with…” “…everything.” Julie says. “Family, friends…” Her voice falters as she considers the ramifications. “Everything. Everything you are… everything you know… everything… Really everything.” I

Chicken coop There is a seemingly permanent controversy over the basic purpose of the chicken coop. The chickens themselves tend to refer to them in melodramatic terms (e.g., “the Auschwitz of agriculture”). Fortunately, nobody listens to chickens, because they are delicious.

There can be only one permanent revolution — a moral one; the regeneration of the inner man. How is this revolution to take place? Nobody knows how it will take place in humanity, but every man feels it clearly in himself. And yet in our world everybody thinks of changing humanity, and nobody thinks of changing himself.” — Leo Tolstoy — Pamphlets

Valkyrie of Odin, I’d healed his mind to keep him from going insane. Now his mortal eyes were permanently opened. Rather than living in blissful ignorance, he could see the earth giants that occasionally strolled down Commonwealth Avenue, the sea serpents that frolicked in the Charles River, and the Valkyries that flew overhead, bringing souls of fallen heroes to check in at the Hotel Valhalla. He could even see our huge Viking warship that looked like a heavily armed banana. ‘We’ll be careful,’ I told him. ‘Besides, nobody would dare attack this ship. It’s way too yellow.’ He mustered a faint smile. ‘That much is true.’ He reached behind him. From the hood of his car, he hefted a large green insulated pack – the kind Fadlan’s Falafel used for deliveries. ‘This is for you, Magnus. I hope you enjoy.’ The scent of fresh falafel wafted out. True, I’d eaten falafel just a few hours

Nobody looks good in their darkest hour. But it’s those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trials, or fractured by a permanent, damning fault line.

Nobody suspected that Sadat would prove to be the most formidable foe Israel ever faced. In the end it would be he, not Nasser, who would permanently transform the region.

1.​“Nothing is permanent in this world, not even our troubles.” Eventually, if I keep increasing my well-being and competence with the three things I mentioned above, I have always gotten out of the gutter. 2.​“I like walking in the rain, because nobody can see my tears.” I have to give myself permission to be sad. The last time I cried was… yesterday. And it washes away and a new day begins. 3.​“A day without laughter is a day wasted.” The end of last year and the beginning of this year was a difficult time for me. The only thing that saved me was laughing as much as possible.

There can be only one permanent revolution — a moral one; the regeneration of the inner man. How is this revolution to take place? Nobody knows how it will take place in humanity, but every man feels it clearly in himself. And yet in our world everybody thinks of changing humanity, and nobody thinks of changing himself.