Noble Silence Quotes

Freedom is the possibility of isolation. You are free if you can withdraw from people, not having to seek them out for the sake of money, company, love, glory or curiosity, none of which can thrive in silence and solitude. If you can't live alone, you were born a slave. You may have all the splendours of the mind and the soul, in which case you're a noble slave, or an intelligent servant, but you're not free. And you can't hold this up as your own tragedy, for your birth is a tragedy of Fate alone. Hapless you are, however, if life itself so oppresses you that you're forced to become a slave. Hapless you are if, having been born free, with the capacity to be isolated and self-sufficient, poverty should force you to live with others.

I had always found comfort in the leaves, in their silence. They were like a parchment that holds words of wisdom. Simply holding them in my hand gave me some of the peace a tree possesses. To be like that-to just be-that's the most noble thing of all.

After almost 70 years of being paralysed into silence by the Zionist venom — the accusation of anti-Semitism and Holocaust denial — the world in general and the West in particular, have continued to tolerate Israel’s unrelenting arrogance, barbarity, and contemptuous disregard for international law including the UDHR. That venom has prevented condemnation of incalculable cheating, lying, stealing, murdering, and ruthless violation of the legal and natural human rights of the Palestinian people by a nation devoid of conscience, humanity, or any of the noble principles claimed by the religion which it claims to represent.

But you are a pureblood, aren’t you, my brave boy?” Voldemort asked Neville, who stood facing him, his empty hands curled in fists. “So what if I am?” said Neville loudly. “You show spirit and bravery, and you come of noble stock. You will make a very valuable Death Eater. We need your kind, Neville Longbottom.” “I’ll join you when hell freezes over,” said Neville. “Dumbledore’s Army!” he shouted, and there was an answering cheer from the crowd, whom Voldemort’s Silencing Charms seemed unable to hold.

What are the unreal things, but the passions that once burned one like fire? What are the incredible things, but the things that one has faithfully believed? What are the improbable things? The things that one has done oneself. No, Ernest; life cheats us with shadows, like a puppet- master. We ask it for pleasure. It gives it to us, with bitterness and disappointment in its train. We come across some noble grief that we think will lend the purple dignity of tragedy to our days, but it passes away from us, and things less noble take its place, and on some grey windy dawn, or odorous eve of silence and of silver, we find ourselves looking with callous wonder, or dull heart of stone, at the tress of gold-flecked hair that we had once so wildly worshipped and so madly kissed.

My country, 'tis of thee, Sweet land of liberty, Of thee I sing; Land where my fathers died, Land of the pilgrims' pride, From every mountainside Let freedom ring! My native country, thee, Land of the noble free, Thy name I love; I love thy rocks and rills, Thy woods and templed hills; My heart with rapture thrills, Like that above. Let music swell the breeze, And ring from all the trees Sweet freedom's song; Let mortal tongues awake; Let all that breathe partake; Let rocks their silence break, The sound prolong. Our father's God to Thee, Author of liberty, To Thee we sing. Long may our land be bright, With freedom's holy light, Protect us by Thy might, Great God our King.

You'll come to learn that many times, the people you have problems with are not really the people you have problems with; but in actuality, the problems lie in the premises of everybody else in between you, in their suggestive glances, in their implications and tone of voice, in their provocations and less-than-noble intent. Again, it comes down to shutting out the noise that isn't supposed to be there and listening to your inner silence.

What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big chunk of desert, no more maids, no field-hands, no laborers for the construction or the mining--wait, wait a minute there, yes it's Karl Marx, that sly old racist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Markets... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and the cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets....

We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret. We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may. Which of us were fortunate--who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love--life. Lost terrible silent comrades, we, who might have died, salute you.

The Roman Road is the greatest monument ever raised to human liberty by a noble and generous people. It runs across mountain, marsh and river. It is built broad, straight and firm. It joins city with city and nation with nation. It is tens of thousands of miles long, and always thronged with grateful travellers. And while the Great Pyramid, a few hundred feet high and wide, awes sight-seers to silence—though it is only the rifled tomb of an ignoble corpse and a monument of oppression and misery, so that no doubt in viewing it you may still seem to hear the crack of the taskmaster's whip and the squeals and groans of the poor workmen struggling to set a huge block of stone into position——

I love your silence. It is so wise. It listens. It invites warmth. I love your loneliness. It is brave. It makes the universe want to protect you. You have the loneliness that all true heroes have, a loneliness that is a deep sea, within which the fishes of mystery dwell. I love your quest. It is noble. It has greatness in it. Only one who is born under a blessed star would set sail across the billowing waves and the wild squalls, because of a dream. I love your dream. It is magical. Only those who truly love and who are truly strong can sustain their lives as a dream. You dwell in your own enchantment. Life throws stones at you, but your love and your dream change those stones into the flowers of discovery. Even if you lose, or are defeated by things, your triumph will always be exemplary. And if no one knows it, then there are places that do. People like you enrich the dreams of the world, and it is dreams that create history. People like you are unknowing transformers of thing, protected by your own fairy-tale, by love.

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

I once two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would follow on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning. How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink. In view of these things, why are ye silent, ye free men and women of the north? Why do your tongues falter in maintenance of the right? Would that I had more ability! But my heart is so full, and my pen is so weak! There are noble men and women who plead for us, striving to help those who cannot help themselves. God bless them! God give them strength and courage to go on! God bless those, every where, who are laboring to advance the cause of humanity!

Yet there is no gainsaying but that it must have been somewhat sweeter in that dewy morning of creation, when it was young and fresh, when the feet of the tramping millions had not trodden its grass to dust, nor the din of the myriad cities chased the silence forever away. Life must have been noble and solemn to those free-footed, loose-robed fathers of the human race, walking hand in hand with God under the great sky. They lived in sunkissed tents amid the lowing herds. They took their simple wants from the loving hand of Nature. They toiled and talked and thought; and the great earth rolled around in stillness, not yet laden with trouble and wrong. Those days are past now. The quiet childhood of Humanity, spent in the far-off forest glades and by the murmuring rivers, is gone forever; and human life is deepening down to manhood amid tumult, doubt, and hope. Its age of restful peace is past. It has its work to finish and must hasten on. What that work may be—what this world's share is in the great design—we know not, though our unconscious hands are helping to accomplish it. Like the tiny coral insect working deep under the dark waters, we strive and struggle each for our own little ends, nor dream of the vast fabric we are building up for God.

The importance of right view can be gauged from the fact that our perspectives on the crucial issues of reality and value have a bearing that goes beyond mere theoretical convictions. They govern our attitudes, our actions, our whole orientation to existence. Our views might not be clearly formulated in our mind; we might have only a hazy conceptual grasp of our beliefs. But whether formulated or not, expressed or maintained in silence, these views have a far-reaching influence. They structure our perceptions, order our values, crystallize into the ideational framework through which we interpret to ourselves the meaning of our being in the world.

I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.

Solemn silence makes noble worship.

The kinder we, to give them thanks for nothing. Our sport shall be to take what they mistake, And what poor duty cannot do, Noble respect takes it in might, not merit. Where I have come, great clerks have purposed To greet me with premeditated welcomes, Where I have seen them shiver and look pale, Make periods in the midst of sentences, Throttle their practised accent in their fears, And in conclusion dumbly have broke off, Not paying me a welcome. Trust me, sweet, Out of this silence yet I picked a welcome, And in the modesty of fearful duty I read as much as from the rattling tongue Of saucy and audacious eloquence. Love, therefore, and tongue-tied simplicity In least speak most, to my capacity

Speech has been bossing around her sisters far too long. It is time for liturgical silence and liturgical song to take their proper places in the life of the Church, for the life of the world.

Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts. . . . No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets. . . .

It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?

Abandoning the flatland ages past,   And finding mountains much more to their taste,   They toil in labyrinthine caverns, dense   With gases that are metal’s noble source; 10770 They separate, combine, test, trying to   Discover things undreamt of hitherto.   By spirit power, subtly, they construct   Forms clear and crystalline, without defect;   Then in the crystal’s eternal silence peering,   Perceive what in the upper world is occurring.

I’ll stab him,” offers Jaden as she makes a stabbing motion. “You expect me to play along?” Rob scoffs, gripping his arm protectively. “Pretty much,” replies Landon earnestly. “You’re serious?” “As a heart attack.” “No,” argues Rob. “I’m not going to let Jaden—or anyone else—skewer me.” He’s greeted with an amused silence. “Bleedin’ crime is what it is,” he mutters. “Why can’t someone else go all noble sacrifice-y? It’s because I’m English, ain’t it?

But it's not as simple as that," he told himself, because the dance of the Shadow Warrior showed him that silence had its own grace and beauty (just as speech could be graceless and ugly); and that Action could be as noble as Words; and that creatures of darkness could be as lovely as the children of the light. "If Guppees and Chupwalas didn't hate each other so," he thought, "they might actually find each other pretty interesting. Opposites attract, as they say.

The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.

The noble man honors in himself the powerful one, him also who has power over himself, who knows how to speak and how to keep silence, who takes pleasure in subjecting himself to severity and hardness, and has reverence for all that is severe and hard.

Gideon conquers, the church conquers, we conquer, because faith conquers. But the victory belongs not to Gideon, the church, or ourselves, but to God. And God's victory means our defeat, our humiliation; it means God's derision and wrath at all human pretensions of might, at humans puffing themselves up and thinking they are somebodies themselves. It means the world and its shouting is silenced, that all our ideas and plans are frustrated; it means the cross. The cross over the world -- that means that human beings, even the most noble, go down to dust whether it suits them or not, and with them all the gods and idols and lords of this world. The cross of Jesus Christ --that means God's bitter mockery of all human grandeur and God's bitter suffering in all human misery, God's lordship over all the world.

When the old Liberals removed the gags from all the heresies, their idea was that religious and philosophical discoveries might thus be made. Their view was that cosmic truth was so important that every one ought to bear independent testimony. The modern idea is that cosmic truth is so unimportant that it cannot matter what any one says. The former freed inquiry as men loose a noble hound; the latter frees inquiry as men fling back into the sea a fish unfit for eating. Never has there been so little discussion about the nature of men as now, when, for the first time, any one can discuss it. The old restriction meant that only the orthodox were allowed to discuss religion. Modern liberty means that nobody is allowed to discuss it. Good taste, the last and vilest of human superstitions, has succeeded in silencing us where all the rest have failed.

Confidence makes you strong, not proud. Composure makes you tough, not timid. Courage makes you bold, not arrogant. Prudence makes you practical, not intolerant. Respect makes you honorable, not weak. Humility makes you modest, not spineless. Silence makes you prudent, not feeble. Meekness makes you gentle, not helpless. Kindness makes you caring, not vulnerable. Charity makes you compassionate, not spineless. Mercy makes you sympathetic, not fragile. Patience makes you cautious, not powerless. Piety makes you noble, not bigoted. Loyalty makes you trustworthy, not foolish. Justice makes you fair, not vengeful. Integrity makes you strong, not stern. Chastity makes you disciplined, not narrow. Wealth makes you prominent, not selfish. Power makes you influential, not self centered. Honor makes you important, not narcissistic. Fame makes you privileged, not spoiled. Servitude makes you respectable, not sycophantic. Self-control makes you dignified, not self-righteous. Discipline makes you focused, not obsessed. Imagination makes you special, not odd. Pleasure makes you happy, not corruptible. Goodness makes you saintly, not narrow. Faith makes you spiritual, not obstinate. Love makes you mystical, not religious. God makes you transcendent, not ordinary.

They let the silence stand then . . . not uneasily, just taking a moment to breathe in time, to listen to the noises around them. How pleasant, Jane thought, to be silent for a few moments. Normally noise overtook her life—normally she sought it, finding silence solitary and confining—suffocating. But how pleasant to be silent with someone.

They are alike, prim scholar and perfervid lover: When comes the season of decay, they both decide Upon sweet, husky cats to be the household pride; Cats choose, like them, to sit, and like them, shudder. Like partisans of carnal dalliance and science, They search for silence and the shadowings of dread; Hell well might harness them as horses for the dead, If it could bend their native proudness in compliance. In reverie they emulate the noble mood Of giant sphinxes stretched in depths of solitude Who seem to slumber in a never-ending dream; Within their fertile loins a sparkling magic lies; Finer than any sand are dusts of gold that gleam, Vague starpoints, in the mystic iris of their eyes.

Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.

The absence of authority in the face of obscene criminality prompts delusions, peddled by propagandists and true believers alike, that noble actors are fighting the good fight but Must Keep Silent for Reasons You Will Understand in Time. In order for this delusion to hold, the sound of their silence must drown out the evidence heard with your own ears. They are dotting the I’s and crossing the T’s, the cult of the savior state bleats, they are playing 3-D chess, they are reeling in the big fish, they are aiming for the king so they best not miss, they can’t show their cards without ruining their hand, they’re getting all their ducks in a row, the dam is breaking, the storm is here, they’ve got this, be patient, be quiet, relax, trust the plan.

My advice would be to find a good woman and steer well clear of the whole bloody business, and it’s a shame no one told me the same twenty years ago.” He looked sideways at Jezal. “But if, say, you’re stuck out on some great wide plain in the middle of nowhere and can’t avoid it, there’s three rules I’d take to a fight. First, always do your best to look the coward, the weakling, the fool. Silence is a warrior’s best armour, the saying goes. Hard looks and hard words have never won a battle yet, but they’ve lost a few.” “Look the fool, eh? I see.” Jezal had built his whole life around trying to appear the cleverest, the strongest, the most noble. It was an intriguing idea, that a man might choose to look like less than he was. “Second, never take an enemy lightly, however much the dullard he seems. Treat every man like he’s twice as clever, twice as strong, twice as fast as you are, and you’ll only be pleasantly surprised. Respect costs you nothing, and nothing gets a man killed quicker than confidence.” “Never underestimate the foe. A wise precaution.” Jezal was beginning to realise that he had underestimated this Northman. He wasn’t half the idiot he appeared to be. “Third, watch your opponent as close as you can, and listen to opinions if you’re given them, but once you’ve got your plan in mind, you fix on it and let nothing sway you. Time comes to act, you strike with no backwards glances. Delay is the parent of disaster, my father used to tell me, and believe me, I’ve seen some disasters.

First, observe and ponder, and then use silence to speak, and then speak through words, then take action to correct something; make sure you achieve something distinctive in the end! Be in haste when necessary, but remember to control not just your mind, but your heart as well. Don’t just take action and don’t just do anything just because you must do something; know the real and true end result, mind your emotions and always get a noble reason for action!

Renunciation, The Natural Daughter demonstrates, is the act of those who believe that their happiness is dependent on a power beyond their control which happens at a particular time, and for reasons which they cannot penetrate, not to permit them fulfilment, and this is the fundamental reason for Goethe's imperviousness to philosophies of history which do not acknowledge either the inscrutability of fate or the contingency of circumstance. The image of perfect beauty for Goethe is permanently recoverable, provided only that fate and circumstances are favourable, for they are the powers that direct the real world, in which alone fulfilment is worth having. Renunciation is the silence that acknowledges the absence from reality of the Ideal, and it may be interrupted only by the poem that celebrates the epiphany for which even the hope may not be uttered. Conversely, poems, being all of them occasional poems, and expressing delight in a glimpse of beauty recovered, thanks to favourable circumstances, are an emblem, or 'talisman', of a 'counter÷magic which works against the hostility of fate. Bitter though the disappointments of life may be for a noble nature, a poem expresses the miracle of a moment in which the Ideal enters reality once more and the powers that rule the world take on, however fleetingly, the constellation they had in paradise. In the poems he has still to write, Goethe can hope to glimpse again what he has renounced and take once more the road to Italy.

Most Russian girls usually only go in for Platonic attachments with never a thought of marriage. And Platonic love is the most troublesome sort. The princess, I fancy, is one of those women who want to be amused, and two dull minutes with you will finish you for good. Your silence must rouse her curiosity, on conversation must leave her wanting more. You've got to play on her feelings all the time. She'll scorn public opinion a dozen times for your sake and call it a sacrifice, but she'll get her own back by tormenting you, and then later simply declare that she can't stand you. If you don't get the upper hand, her first kiss won't give you the right to expect a second. She'll play with you till she's tired of it, then a couple of years later she'll marry some brute out of duty to Mama and persuade herself she's unhappy, because it was not heaven's will to unite her with the only man she ever loved (you that is) on account of his private's greatcoat, though under that thick grey coat there beat an ardent, noble heart..

I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.” “You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.” “I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.” “I shall practice them—while—I shall practice, that I may dazzle you when next we meet.” There was a little silence, and Luthe said, “You need not try to dazzle me.” “I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.” Luthe nodded. She almost could not say the words: “But it will be a long time—long and long.” Luthe nodded again. “But we shall meet.” Luthe nodded a third time. “Gods of all the worlds, say something,” she cried, and Talat startled beneath her. “I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.” She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.

shaking her head. “She showed him.” For a few minutes, Ivy and Bean sat in silence, thinking. “Okay,” Ivy said finally. “I’m Giselle, and you’re the duke.” “All right,” said Bean. “But next time, I get to be Giselle.” It was fun playing Giselle, even though Ivy’s mom wouldn’t let them dance with a knife and they had to use a Wiffle bat instead. After they had each been Giselle a couple of times, they were Wilis, waving long Scotch-tape fingernails as they danced various people to death. “Mrs. Noble!” shrieked Bean. “I’m dancing Mrs. Noble to death.” Ivy ran to get a pair of her mother’s high heels and pretended to be Mrs. Noble, a fifth-grade teacher who had once given Ivy and Bean a lot of trouble.

Since I set my foot in France, and knew the traitor lived in Paris, I have watched carefully. I live retired in the house of my noble protector, but I do it from choice. I love retirement and silence, because I can live with my thoughts and recollections of past days. But the Count of Monte Cristo surrounds me with every paternal care, and I am ignorant of nothing which passes in the world. I learn all in the silence of my apartments,—for instance, I see all the newspapers, every periodical, as well as every new piece of music; and by thus watching the course of the life of others, I learned what had transpired this morning in the House of Peers, and what was to take place this evening; then I wrote.

The Choir And Music Of Solitude And Silence - Silence is a great blue bell Swinging and ringing, tinkling and singing, In measure’s pleasure, and in the supple symmetry of the soaring of the immense intense wings glinting against All the blue radiance above us and within us, hidden Save for the stars sparking, distant and unheard in their singing. And this is the first meaning of the famous saying, The stars sang. They are the white birds of silence And the meaning of the difficult famous saying that the sons and daughters of morning sang, Meant and means that they were and they are the children of God and morning, Delighting in the lights of becoming and the houses of being, Taking pleasure in measure and excess, in listening as in seeing. Love is the most difficult and dangerous form of courage. Courage is the most desperate, admirable and noble kind of love. So that when the great blue bell of silence is stilled and stopped or broken By the babel and chaos of desire unrequited, irritated and frustrated, When the heart has opened and when the heart has spoken Not of the purity and symmetry of gratification, but action of insatiable distraction’s dissatisfaction, Then the heart says, in all its blindness and faltering emptiness: There is no God. Because I am hope. And hope must be fed. And then the great blue bell of silence is deafened, dumbed, and has become the tomb of the living dead.

Lights Out" I have come to the borders of sleep, The unfathomable deep Forest where all must lose Their way, however straight, Or winding, soon or late; They cannot choose. Many a road and track That, since the dawn’s first crack, Up to the forest brink, Deceived the travellers, Suddenly now blurs, And in they sink. Here love ends, Despair, ambition ends; All pleasure and all trouble, Although most sweet or bitter, Here ends in sleep that is sweeter Than tasks most noble. There is not any book Or face of dearest look That I would not turn from now To go into the unknown I must enter, and leave, alone, I know not how. The tall forest towers; Its cloudy foliage lowers Ahead, shelf above shelf; Its silence I hear and obey That I may lose my way And myself.

Behind them was the sea and the sun, before them the Darkness. “Do we get into this?” asked Caspian at length. “Not by my advice,” said Drinian. “The Captain’s right,’ said several sailors. “I almost think he is,” said Edmund. Lucy and Eustace didn’t speak but they felt very glad inside at the turn things seemed to be taking. But all at once the clear voice of Reepicheep broke in upon the silence. “And why not?” he said. “Will someone explain to me why not.” No one was anxious to explain, so Reepicheep continued: “If I were addressing peasants or slaves,” he said, “I might suppose that this suggestion proceeded from cowardice. But I hope it will never be told in Narnia that a company of noble and royal persons in the flower of their age turned tail because they were afraid of the dark.

Gideon conquers, the church conquers, we conquer, because faith conquers. But the victory belongs not to Gideon, the church, or ourselves, but to God. And God's victory means our defeat, our humiliation; it means God's derision and wrath at all human pretensions of might, at humans puffing themselves up and thinking they are somebodies themselves. It means the world and its shouting is silenced, that all our ideas and plans are frustrated; it means the cross. The cross over the world -- that means that human beings, even the most noble, go down to dust whether it suits them or not, and with them all the gods and idols and lords of this world. The cross of Jesus Christ --that means God's bitter mockery of all human grandeur and God's bitter suffering in all human misery, God's lordship over all the world.

There is a maid, demure as she is wise, With all of April in her winsome eyes, And to my tales she listens pensively, With slender fingers clasped about her knee, Watching the sparrows on the balcony. Shy eyes that, lifted up to me, Free all my heart of vanity; Clear eyes, that speak all silently, Sweet as the silence of a nunnery— Read, for I write my rede for you alone, Here where the city's mighty monotone Deepens the silence to a symphony— Silence of Saints, and Seers, and Sorcery. Arms and the Man! A noble theme, I ween! Alas! I can not sing of these, Eileen— Only of maids and men and meadow-grass, Of sea and fields and woodlands, where I pass; Nothing but these I know, Eileen, alas! Clear eyes that, lifted up to me, Free all my soul from vanity; Gray eyes, that speak all wistfully— Nothing but these I know, alas! R. W. C. April, 1896.

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

Whatever the future may bring, I beg and pray all Magyars worthy of that name, whether living in silence under foreign overlords or in exile far from their homes, to hold together, to forget party strife, and to keep before their eyes a single purpose: the restoration of Hungary’s freedom. Let us remember, lest their sacrifice was in vain, all those who gave their lives for their fatherland and those prisoners of war who have not yet returned home. The Hungarian people, and especially the Magyar peasants, are noble-minded. If the peasantry, the backbone of our nation, can succeed in retaining its well-tried, centuries-old national sense, its moral integrity, its martial courage and its joy in labour, even in times of terror and subjugation, if it refuses to heed those political agitators who preach class hatred and kindle the passions of the multitude, then, one day, Hungary will regain her freedom. To her defence and protection I dedicated my life.

Y' are welcome, my fair guests. That noble lady, Or gentleman that is not freely merry, Is not my friend. This, to confirm my welcome, And to you all, good health. [Drinks] Lord Sands. Your grace is noble. Let me have such a bowl may hold my thanks, And save me so much talking. Cardinal Wolsey. My Lord Sands, I am beholding to you; cheer your neighbours. Ladies, you are not merry. Gentlemen, Whose fault is this? Lord Sands. The red wine first must rise In their fair cheeks, my lord, then we shall have 'em Talk us to silence. Anne Bullen. You are a merry gamester, My Lord Sands. Lord Sands. Yes, if I make my play. Here's to your ladyship: and pledge it, madam, For 'tis to such a thing,— Anne Bullen. You cannot show me. Lord Sands. I told your grace they would talk anon. [Drum and trumpet; chambers discharg'd] Cardinal Wolsey. What's that? Lord Chamberlain. Look out there, some of ye. [Exit Servant] Cardinal Wolsey. What warlike voice, And to what end is this? Nay, ladies, fear not; By all the laws of war y' are privileg’d.

The human personality contains nothing which may not, in the twinkling of an eye, become altogether changed — nothing in which, before you can look round, there may not spring to birth some cankerous worm which is destined to suck thence the essential juice. Yes, it is a common thing to see not only an overmastering passion, but also a passion of the most petty order, arise in a man who was born to better things, and lead him both to forget his greatest and most sacred obligations, and to see only in the veriest trifles the Great and the Holy. For human passions are as numberless as is the sand of the seashore, and go on to become his most insistent of masters. Happy, therefore, the man who may choose from among the gamut of human passions one which is noble! Hour by hour will that instinct grow and multiply in its measureless beneficence; hour by hour will it sink deeper and deeper into the infinite paradise of his soul. But there are passions of which a man cannot rid himself, seeing that they are born with him at his birth, and he has no power to abjure them. Higher powers govern those passions, and in them is something which will call to him, and refuse to be silenced, to the end of his life. Yes, whether in a guise of darkness, or whether in a guise which will become converted into a light to lighten the world,

Let us drink deep brothers,' he cried, leaving off his strange anointment for a while, to lift a great glass, filled with sparkling liquor, to his lips. 'Let us drink to our approaching triumph. Let us drink to the great poison, Macousha. Subtle seed of Death, - swift hurricane that sweeps away Life, - vast hammer that crushes brain and heart and artery with its resistless weight, -I drink to it.' 'It is a noble concoction, Duke Balthazar,' said Madame Filomel, nodding in her chair as she swallowed her wine in great gulps. 'Where did you obtain it?' 'It is made,' said the Wondersmith, swallowing another great draught of wine ere he replied, 'in the wild woods of Guiana, in silence and in mystery. Only one tribe of Indians, the Macoushi Indians, know the secret. It is simmered over fires built of strange woods, and the maker of it dies in the making. The place, for a mile around the spot where it is fabricated, is shunned as accursed. Devils hover over the pot in which it stews; and the birds of the air, scenting the smallest breath of its vapour from far away, drop to earth with paralysed wings, cold and dead.' 'It kills, then, fast?' asked Kerplonne, the artificial-eye maker, - his own eyes gleaming, under the influence of the wine, with a sinister lustre, as if they had been fresh from the factory, and were yet untarnished by use. 'Kills?' echoed the Wondersmith, derisively; 'it is swifter than thunderbolts, stronger than lightning. But you shall see it proved before we let forth our army on the city accursed. You shall see a wretch die, as if smitten by a falling fragment of the sun.' ("The Wondersmith")

Behind them was the sea and the sun, before them the Darkness. “Do we get into this?” asked Caspian at length. “Not by my advice,” said Drinian. “The Captain’s right,’ said several sailors. “I almost think he is,” said Edmund. Lucy and Eustace didn’t speak but they felt very glad inside at the turn things seemed to be taking. But all at once the clear voice of Reepicheep broke in upon the silence. “And why not?” he said. “Will someone explain to me why not.” No one was anxious to explain, so Reepicheep continued: “If I were addressing peasants or slaves,” he said, “I might suppose that this suggestion proceeded from cowardice. But I hope it will never be told in Narnia that a company of noble and royal persons in the flower of their age turned tail because they were afraid of the dark.” “But what manner of use would it be plowing through that blackness?” asked Drinian. “Use?” replied Reepicheep. “Use, Captain? If by use you mean filling our bellies or our purses, I confess it will be no use at all. So far as I know we did not set sail to look for things useful but to seek honor and adventure. And here is as great an adventure as ever I heard of, and here, if we turn back, no little impeachment of all our honors.” Several of the sailors said things under their breath that sounded like “Honor be blowed,” but Caspian said: “Oh, bother you, Reepicheep. I almost wish we’d left you at home. All right! If you put it that way, I suppose we shall have to go on. Unless Lucy would rather not?” Lucy felt that she would very much rather not, but what she said out loud was, “I’m game.” “Your Majesty will at least order lights?” said Drinian. “By all means,” said Caspian. “See to it, Captain.

With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” “Whatever you wish,” he demurred. “I shall follow your direction.” “Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.” That stopped her in her tracks. “I beg your pardon?” “Do you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. “He told me you couldn’t say enough about me.” “Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.” “He implied,” Anthony added, “that you could not say enough good about me.” She shouldn’t have smiled. “That’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?” Anthony shot her a sideways look. “You don’t have a brother, do you?” “No, just Edwina, I’m afraid, and she’s decidedly female.” “He did it,” Anthony explained, “purely to torture me.” “A noble pursuit,” Kate said under her breath. “I heard that.” “I rather thought you would,” she added. “And I expect,” he continued, “that he wanted to torture you as well.” “Me?” she exclaimed. “Whyever? What could I possibly have done to him?” “You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. “Beloved?” “Much-admired?” he tried. She shook her head. “That one doesn’t wash, either.” Anthony grinned.

Hitherto I have used the words imperfect and perfect merely to distinguish between work grossly unskilful, and work executed with average precision and science; and I have been pleading that any degree of unskilfulness should be admitted, so only that the labourer’s mind had room for expression. But, accurately speaking, no good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art. This for two reasons, both based on everlasting laws. The first, that no great man ever stops working till he has reached his point of failure: that is to say, his mind is always far in advance of his powers of execution, and the latter will now and then give way in trying to follow it;... And therefore, if we are to have great men working at all, or less men doing their best, the work will be imperfect, however beautiful. Of human work none but what is bad can be perfect, in its own bad way. The second reason is, that imperfection is in some sort essential to all that we know of life. It is the sign of life in a mortal body, that is to say, of a state of progress and change. Nothing that lives is, or can be, rigidly perfect; part of it is decaying, part nascent. The foxglove blossom—a third part bud, a third part past, a third part in full bloom—is a type of the life of this world. And in all things that live there are certain irregularities and deficiencies which are not only signs of life, but sources of beauty. No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy. Accept this then for a universal law, that neither architecture nor any other noble work of man can be good unless it be imperfect; and let us be prepared for the otherwise strange fact, which we shall discern clearly as we approach the period of the Renaissance, that the first cause of the fall of the arts of Europe was a relentless requirement of perfection, incapable alike either of being silenced by veneration for greatness, or softened into forgiveness of simplicity.

Hitherto I have used the words imperfect and perfect merely to distinguish between work grossly unskilful, and work executed with average precision and science; and I have been pleading that any degree of unskilfulness should be admitted, so only that the labourer’s mind had room for expression. But, accurately speaking, no good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art. This for two reasons, both based on everlasting laws. The first, that no great man ever stops working till he has reached his point of failure: that is to say, his mind is always far in advance of his powers of execution, and the latter will now and then give way in trying to follow it;... And therefore, if we are to have great men working at all, or less men doing their best, the work will be imperfect, however beautiful. Of human work none but what is bad can be perfect, in its own bad way. The second reason is, that imperfection is in some sort essential to all that we know of life. It is the sign of life in a mortal body, that is to say, of a state of progress and change. Nothing that lives is, or can be, rigidly perfect; part of it is decaying, part nascent. The foxglove blossom—a third part bud, a third part past, a third part in full bloom—is a type of the life of this world. And in all things that live there are certain irregularities and deficiencies which are not only signs of life, but sources of beauty. No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy. Accept this then for a universal law, that neither architecture nor any other noble work of man can be good unless it be imperfect; and let us be prepared for the otherwise strange fact, which we shall discern clearly as we approach the period of the Renaissance, that the first cause of the fall of the arts of Europe was a relentless requirement of perfection, incapable alike either of being silenced by veneration for greatness, or softened into forgiveness of simplicity.

I prepared to explore it as I had done the others; but no sooner had I entered the lodge than my fire failed me, leaving me in total darkness. Handing it out to the doctor to be relighted, I began feeling my way about the interior of the lodge. I had almost made the circuit when my hand came in contact with a human foot; at the same time a voice unmistakably Indian, and which evidently came from the owner of the foot, convinced me that I was not alone. I would have gladly placed myself on the outside of the lodge and there matured plus for interviewing its occupant; but, unfortunately, to reach the entrance of the lodge, I must either pass over or around the owner of the before-mentioned foot and voice. Could I have been convinced that among its other possessions there was neither tomahawk nor scalping-knife, pistol nor war club, or any similar article of the noble red man's toilet, I would have risked an attempt to escape through the low narrow opening of the lodge; but who ever saw an Indian without one or all of these interesting trinkets? Had I made the attempt, I should have expected to encounter either the keen edge of the scalping-knife or the blow of the tomahawk and to have engaged in a questionable struggle for life. This would not do. I crouched in silence for a few moments, hoping the doctor would return with the lighted fire. I need not say that each succeeding moment spent in the darkness of that lodge seemed like an age. I could hear a slight movement on the part of my unknown neighbor, which did not add to my comfort. Why does the doctor not return? At last I discovered the approach of a light on the outside. When it neared the entrance I called to the doctor and informed him that an Indian was in the lodge, and that he had better have his weapons ready for a conflict. With his lighted fire in one hand and docked revolver in the other, the doctor cautiously entered the lodge. And there, directly between us, wrapped in a buffalo robe, lay the cause of my anxiety - a little Indian girl, probably ten years old; not a full blood, but a half-breed. She was terribly frightened to find herself in our hands, with none of her people near. Why was she left behind in this manner? This little girl, who was at first an object of our curiosity, became at once an object of our pity. The Indians, an unusual thing for them to do toward their own blood, had willfully deserted her; but this, alas! was the least of their injuries to her. After being shamefully abandoned by the entire village, a few of the young men of the tribe returned to the deserted lodge, and upon the person of this little girl, committed outrages, the details of which are too sickening for these pages. She was carried to the fort and placed under the care of kind hands and warm hearts, where everything was done for her comfort that was possible.

Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.

Where have you gone, O noble lords of the plain? Time has erased your footprints with the passing seasons’ rain. Your voices have now been silenced to no longer echo in the hills. The battles are but memories when you watched your lifeblood spill. It is we who are the losers; it is we who bear the shame. O mighty Blackfoot warrior, only your legend remains the same. Constance O’Banyon

there is silence—the holy silence of winter, broken only by the pings of snowflakes meeting their siblings on the ground, and the soft shushing of the sleigh.

Jean following close behind. The plan was for them to cover us as we entered. Getting in was easy. The door was unlocked. I went in low, clearing the first visible area. After Bear entered, I moved past the door. I had to trust that Pierre and Jean would act accordingly. A feat more difficult due to the necessary silence. We'd never worked together, but tactics were tactics, and training was training. They'd done this before. Room by room, floor by floor, we investigated the house. And we found it empty. The thought of Bashir al-Sharaa slipping out of my grasp once again gnawed at my gut.

Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts. . . . No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets.

Fight or flight, fight or flight, fight or flight. But women aren't meant to do that anymore, Iris has learned. Stay and suffer through. Or lose your job, your house, your kids, your dog, your sanity, your self-respect, your life. Stand and stay and suffer in what you've been trained to think is noble silence.

Division There is a depth of darkness In the wild country, days of evening And the silence of the moon. I have crept upon the bare ground Where animals have left their tracks, And faint cries carry on the summits, Or sink to silence in the muffled leaves. Here is the world of wolves and bears And of old, instinctive being, So noble and indifferent as to be remote To human knowing. The scales upon which We seek a balance measure only a divide.

Bowing once more, the speaker allowed his upper garments to slip down to his girdle, and remained naked to the waist. Carefully, according to custom, he tucked his sleeves under his knees to prevent himself from falling backward; for a noble Japanese gentleman should die falling forwards. Deliberately, with a steady hand he took the dirk that lay before him; he looked at it wistfully, almost affectionately; for a moment he seemed to collect his thoughts for the last time, and then stabbing himself deeply below the waist in the left-hand side, he drew the dirk slowly across to his right side, and turning it in the wound, gave a slight cut upwards. During this sickeningly painful operation he never moved a muscle of his face. When he drew out the dirk, he leaned forward and stretched out his neck; an expression of pain for the first time crossed his face, but he uttered no sound. At that moment the kaishaku, who, still crouching by his side, had been keenly watching his every movement, sprang to his feet, poised his sword for a second in the air; there was a flash, a heavy, ugly thud, a crashing fall; with one blow the head had been severed from the body. A dead silence followed, broken only by the hideous noise of the blood throbbing out of the inert head before us, which but a moment before had been a brave and chivalrous man. It was horrible. The kaishaku made a low bow, wiped his sword with a piece of paper which he had ready for the purpose, and retired from the raised floor; and the stained dirk was solemnly borne away, a bloody proof of the execution.

Tell me, Morrac,” Celene said, and paused to sip her tea. “You study mathematics. Are you familiar with the number zero?” “Yes, Your Radiance,” Morrac said after a moment of silence, when it became clear that the question was not rhetorical. He took the teacup Celene’s servant offered him with scarcely concealed irritation. “Excellent. That is the number of students at your university who do not come from noble blood. I confess to some disappointment in that matter, Chancelier Morrac, as I had hoped to see some improvement since our last talk.

From what I understand, signora, the Quakers, who are also known as Friends, are a small group of devout people who worship in silence, believing no one person can interpret the word of the Lord but all have the Light of God in them. When it shines, whoever feels it may address others--- the Friends--- who gather for meetings. They believe that under the loving eyes of God the Father, all men and women are equal." "Equal? Men and women?" Rosamund could scarce believe it. "Men and women, the nobles and the poor, the gentry and the servants-- even those with dusky skins or cream. All the same." "And they worship in silence? How?" "By communing with God in their own way.

World! Oceans! Wind! Sunset! Sunrise! I have seen all the colours of life. Drops falling from leaves in early morning, And beautiful flowers bloom breaking virginity, Silence almost like darkness, And that milky light of moon, Robust monsoon fighting big trees, All these are dear to my heart! Poor life of insects, Birds chirping like Goddess singing melody, And at last if you have a lover beside? Friends! Then desires also become noble!

What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big hunk of desert, no more maids, no field-hands, no laborers for the construction or the mining—wait, wait a minute there, yes it's Karl Marx, that sly old raxist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Market... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the bllight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets...

Wokeism, in its zealous pursuit of social justice, often inadvertently undermines the very principles it claims to champion. While the intention may be noble, the consequence is a stifling atmosphere where free speech becomes collateral damage. The suppression of dissenting voices, even through well-intentioned means, risks creating an echo chamber devoid of critical discourse. It's crucial to recognize that the path to a just society lies not in silencing opposition but in fostering an environment where diverse perspectives can coexist, allowing for the robust exchange of ideas that fuels progress.

And you didn’t tell me any of this because you were bound to silence,” I whispered. “You made a blood pact.” “Yes. They said that it needed to remain secret. And at that point, I would have agreed to anything to get it out of me. Hell, it didn’t seem like such a terrible thing, to never speak of it again. And their final gift was the perfect cover story. My father was a Ryvenai noble who was a close personal friend of the king. There were plenty of people on both sides who would have loved to see the Farlione family wiped out for that alone. And just like that, the murder of the Farliones became just another unfortunate wartime tragedy.

I paused. This wasn’t the kind of thing I liked to jaw about. “Is it any wonder that a man might think back to another time?” I asked, tipping my hat back down over my eyes. “A time when there were some people who had the guts to stand up to the mob?” Alici sat in silence for a moment, shivering occasionally. “You know,” she said, “that’s almost noble—in a twisted sort of way.” “Yeah, well, me and Quixote,” I said. “You could ease up on the misogyny, though.

We are starting an uprising, Darcy. In the name of the rightful queens. The A.S.S. will unite and cast an unstoppable wind through this academy that will drive out the turds.” I snorted a laugh, but realised she was deadly serious and that analogy hadn’t been intentional. “Well obviously I’m up for any kind of Asscrux rebellion.” “We are stockpiling weapons, my lady. I have many an A.S.S. collecting Griffin droppings in the early morn, and I have taken a chaos crystal or two from the potions lab.” She grinned widely. “Leave it all with me, I shall build an underground army ready to follow you and Tory into the depths of hell and back again. I have also sent as many of our dear Tiberian Rat friends as I could to my father before they could be taken for inquisition.” “Is he helping them?” I whispered hopefully and she nodded. “He is leading them to secret burrows in the north,” she whispered though the silencing bubble would stop anyone from hearing anyway. “As well as creating a network of friends and allies to our great and noble cause who will be at your back the moment you are ready to make your play for the crown.

There was nothing noble about dying a slow and painful death, surrounded by nothing but empty silence.

Freedom is the possibility of isolation. You are free if you can withdraw from people, not having to seek them out for the sake of money, company, love, glory or curiosity, none of which can thrive in silence and solitude. If you can’t live alone, you were born a slave. You may have all the splendours of the mind and the soul, in which case you’re a noble slave, or an intelligent servant, but you’re not free. And you can’t hold this up as your own tragedy, for your birth is a tragedy of Fate alone. Hapless you are, however, if life itself so oppresses you that you’re forced to become a slave. Hapless you are if, having been born free, with the capacity to be isolated and self-sufficient, poverty should force you to live with others. This tragedy, yes, is your own, and it follows you.

You, Madam, have Beauty to charm them all into Silence; a Look, a smile will disarm their Malice, and a Frown awe the whole Sex.

I had no idea this was happening!” the father moaned. “The boy acted on his own, I promise you!” “So, this has nothing to do with you?” I asked. “Th-that’s right…! Besides, do you think you could get away with doing this to a noble like me?” Hmph. The apple didn’t fall far from the idiot apple tree. He didn’t offer even a single apology. Honestly, I wished he’d just shut up already. My patience had reached its limit, so I went to silence him with a punch—

Silence is just like the color black. It’s meaningful. Strong. Deep. It does absolutely nothing yet explains everything. You can write pages about it. It’s elegant and noble without trying. All this, and it doesn’t even make a sound.

I thought of you when I read this quote from "A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace" by Brian Zahnd - "Jesus is introduced. (Standing ovation.) He stands before Congress and begins to deliver his speech. “Blessed are the poor …the mourners … the meek.” “Love your enemies.” “Turn the other cheek.” After a few perfunctory applauses early on, I’m pretty sure there would be a lot of squirming senators and uncomfortable congressmen. The room would sink into a tense silence. And when Jesus concluded his speech with a prophecy of the inevitable fall of the house that would not act upon his words (Matt. 7:26–27), what would Congress do? Nothing. They would not act. They could not act. To act on Jesus’s words would undo their system. The Sermon on the Mount doesn’t work in Cain’s system—no matter how noble or sophisticated. In the end, the US Congress would no more adopt the policies Jesus set out in the Sermon on the Mount than they were adopted by the Jewish Sanhedrin or the Roman Senate.

Were those statues there before?” Buer waves his little cuttlefish tentacles and moves his finger across the paper. “They’re new. A different icon for each of the Seven Noble Virtues.” He’s not lying. They’re all there. All the personality quirks that give Hellions a massive cultural hard-on. Cunning. Ruthlessness. Ferocity. Deception. Silence. Strength. Joy. They’re represented by a collection of demonic marble figures with leathery wings and forked tongues, bent spines and razor dorsal fins, clusters of eyestalks and spider legs. The colonnades look like the most fucked-up miniature golf course in the universe and they’re on what’s supposed to be the new City Hall. “I have an idea. How about instead of the Legion of Doom we put up the Rat Pack and the lyrics to ‘Luck Be a Lady’?” “Excuse me?” says Buer. “What I mean is, it looks a little fascist.” “Thank you.” “That wasn’t a compliment.

Consoler of our misery, religion is at the same time the most natural of our emotions. Unknown to us, all our physical sensations, all our moral feelings, awake it in our hearts. All that appears to us without limits, and that generates the notion of immensity - the sight of the sky, the silence of the night, the vast extent of the seas- all that leads us to tenderness or to enthusiasm - the consciousness of a virtuous action, of a generous sacrifice, of a danger bravely confronted, of the pain of another aided or comforted - all that stirs up in the depths our soul the primitive elements of our nature - the contempt for vice, the hatred of tyranny - feed our religious feeling. This feeling is intimately connected with all the noble, delicate and deep passions. Kike all these passions, it has something mysterious about it: for common reason cannot satisfactorily explain any of these passions.

The LORD puts to death and makes alive; He brings down to Sheol (the grave) and raises up [from the grave]. 7“The LORD makes poor and makes rich; He brings low and He lifts up. 8“He raises up the poor from the dust, He lifts up the needy from the ash heap To make them sit with nobles, And inherit a seat of honor and glory; For the pillars of the earth are the LORD’s, And He set the land on them. 9“He guards the feet of His godly (faithful) ones, But the wicked ones are silenced and perish in darkness; For a man shall not prevail by might.

L'amour ne peut pas se passer d'échange, de petits billets doux que l'on s'adresse et se renvoie. L'amour est peut-être la plus belle forme du dialogue que l'homme a inventé pour se répondre à lui-même. Et c'est là justement que l'art du ventriloque a un rôle immense à jouer. Les grands ventriloques ont été avant tout des libérateurs : ils nous permettent de sortir de nos cachots solitaires et de fraterniser avec l'univers. C'est nous qui faisons parler le monde, la matière inanimée, c'est ce qu'on appelle la culture, qui fait parler le néant et le silence. La libération, tout est là. Je donne des leçons à Fresnes; les prisonniers apprennent à faire parler les barreaux, les murs, à humaniser le monde. Philoloque a dit qu'une seule définition de l'homme est possible : l'homme est une déclaration d'intention, et j'ajouterais qu'il fait qu'elle soit faite hors du contexte. Je reçois ici toutes sortes de muets intérieurs pour causes extérieures, pour cause de contexte, et je les aide à se libérer. Tous mes clients cachent honteusement une voix secrète, car ils savent que la société se défend. Par exemple, elle ferme les bordels, pour fermer les yeux. C'est ce qu'on appelle morale, bonnes moeurs et suppression de la prostitution authentique et noble, celle qui ne se sert pas du cul mais des principes, des idées, du parlement, de la grandeur, de l'espoir, du peuple, puisse continuer par des voies officielles. Il vient donc un moment où vous n'en pouvez plus et où vous êtes dévoré par le besoin de vérité et d'authenticité, de poser des questions et de recevoir des réponses, bref, de communiquer - de communiquer avec tout, avec le tout, et c'est là qu'il convient de faire appel à l'art. C'est là que le ventriloque entre en jeu et rend la création possible. Je suis reconnu d'utilité publique par monsieur Marcellin, notre ancien Ministre de l'Intérieur, et monsieur Druon, notre ancien Ministre de la Culture et j'ai reçu l'autorisation d'exercer de l'Ordre des Médecins, car il n'y a aucun risque. Tout demeure comme avant, mais on se sent mieux.

When he was twenty-four, André floated down to Saigon and returned with a wife standing upon his prow. Eugenia was the eldest child of Pierre Cazeau, the stately, arrogant owner of the Hôtel Continental, on rue Catinat. She was also deaf. Her tutors had spent the first thirteen years of her life attempting to teach her how to speak like a hearing person, as was dictated by the popular pedagogy of the time. Her tongue was pressed, her cheeks prodded, countless odd intonations were coaxed forth from her lips. Cumbersome hearing horns were thrust into her ears, spiraling upward like ibex horns. It was a torture she finally rejected for the revolutionary freedom of sign, which she taught herself from an eighteenth-century dictionary by Charles-Michel de l’Épée that she had stumbled upon accidentally on the shelf of a Saigon barbershop.1 Based on the grammatical rules of spoken language, L’Épée’s Methodical Sign System was unwieldy and overly complex: many words, instead of having a sign on their own, were composed of a combination of signs. “Satisfy” was formed by joining the signs for “make” and “enough.” “Intelligence” was formed by pairing “read” with “inside.” And “to believe” was made by combining “feel,” “know,” “say,” “not see,” plus another sign to denote its verbiage. Though his intentions may have been noble, L’Epée’s system was inoperable in reality, and so Eugenia modified and shortened the language. In her hands, “belief” was simplified into “feel no see.” Verbs, nouns, and possession were implied by context. 1 “So unlikely as to approach an impossibility,” writes Røed-Larsen of this book’s discovery, in Spesielle ParN33tikler (597). One could not quite call her beautiful, but the enforced oral purgatory of her youth had left her with an understanding of life’s inherent inclination to punish those who least deserve it. Her black humor in the face of great pain perfectly balanced her new husband’s workmanlike nature. She had jumped at the opportunity to abandon the Saigon society that had silently humiliated her, gladly accepting the trials of life on a backwater, albeit thriving, plantation. Her family’s resistance to sending their eldest child into the great unknowable cauldron of the jungle was only halfhearted—they were in fact grateful to be unburdened of the obstacle that had kept them from marrying off their two youngest (and much more desirable) daughters. André painstakingly mastered Eugenia’s language. Together, they communed via a fluttering dance of fingertips to palms, and their dinners on the Fig. 4.2. L’Épée’s Methodical Sign System From de l’Épée, C.-M. (1776), Institution des sourds et muets: par la voie des signes méthodiques, as cited in Tofte-Jebsen, B., Jeg er Raksmey, p. 61 veranda were thus rich, wordless affairs, confluences of gestures beneath the ceiling fan, the silence broken only by the clink of a soup spoon, the rustle of a servant clearing the table, or the occasional shapeless moan that accentuated certain of her sentences, a relic from her years of being forced to speak aloud.

the dance of the Shadow Warrior showed him that silence had its own grace and beauty (just as speech could be graceless and ugly); and that Action could be as noble as Words; and that creatures of darkness could be as lovely as the children of the light.

Biped Now that you have hit me,           I must dab at my mouth and smile quietly,           or not smile at all, but in some way show           I am noble, not base. And the dog inside,           who whimpers so piteously,       and would like to lick your hands —it feels so out of favour—           that dog must be silenced before its howling           betrays disgrace. But I am that dog.           It was I who howled, I who was hurt.           I felt the pain. And it is I           who despised myself.

And though he would give anything to let Ture in, he knew better. He’d been down this bloody path too many times. As soon as his lovers realized that they could never supplant Darling in his heart, they turned on him with a justified hatred. Maris couldn’t help how he felt. Darling owned him. He always had. Even though they could and would never be anything more than best friends, Darling was his heart. He’d been there for Maris when no one else had. When the entire universe had slammed down on him and no one had cared, Darling, alone, had traversed hell itself to save Maris’s life. He shuttered every time he thought of where he’d be without his noble prince. If he’d even be alive. Sighing, he lifted himself out of the water to sit on the edge of the pool while Ture continued swimming. Memories surged as he reached for a towel. Even now, he could see Darling the day they’d met as tiny kids on a playground. Because

Slughorn raised a pudgy hand and pressed his shaking fingers to his mouth; he looked for a moment like an enormously overgrown baby. “I am not proud . . .” he whispered through his fingers. “I am ashamed of what — of what that memory shows. . . . I think I may have done great damage that day. . . .” “You’d cancel out anything you did by giving me the memory,” said Harry. “It would be a very brave and noble thing to do.” Hagrid twitched in his sleep and snored on. Slughorn and Harry stared at each other over the guttering candle. There was a long, long silence, but Felix Felicis told Harry not to break it, to wait. Then, very slowly, Slughorn put his hand in his pocket and pulled out his wand. He put his other hand inside his cloak and took out a small, empty bottle. Still looking into Harry’s eyes, Slughorn touched the tip of his wand to his temple and withdrew it, so that a long, silver thread of memory came away too, clinging to the wand-tip. Longer and longer the memory stretched until it broke and swung, silvery bright, from the wand. Slughorn lowered it into the bottle where it coiled, then spread, swirling like gas. He corked the bottle with a trembling hand and then passed it across the table to Harry. “Thank you very much, Professor.” “You’re a good boy,” said Professor Slughorn, tears trickling down his fat cheeks into his walrus mustache. “And you’ve got her eyes. . . . Just don’t think too badly of me once you’ve seen it. . . .” And he too put his head on his arms, gave a deep sigh, and fell asleep.

there is silence—the holy silence of winter,

However, in the Renaissance there was a brilliant, uncanny reawakening of the classical ideal, of the noble method of valuing every- thing: Rome itself woke up, as though from suspended animation, under the pressure of the new, Judaic Rome built over it, which looked like an ecumenical synagogue and was called ‘Church’: but Judea triumphed again at once, thanks to that basically proletarian (German and English) ressentiment-movement which people called the Reformation, including its inevitable consequence, the restoration of the church, – as well as the restoration of the ancient, tomb-like silence of classical Rome. In an even more decisive and profound sense than then, Judea once again triumphed over the classical ideal with the French Revolution: the last political nobil- ity in Europe, that of the French seventeenth and eighteenth centuries, col- lapsed under the ressentiment-instincts of the rabble, – the world had never heard greater rejoicing and more uproarious enthusiasm!

was not a pleasant day, and to make matters worse it rained until late in the afternoon. The Story Girl had not recovered from the mortifications of the previous day; she would not talk, and she would not tell a single story; she sat on Rachel Ward's chest and ate her breakfast with the air of a martyr. After breakfast she washed the dishes and did the bed-room work in grim silence; then, with a book under one arm and Pat under the other, she betook herself to the window-seat in the upstairs hall, and would not be lured from that retreat, charmed we never so wisely. She stroked the purring Paddy, and read steadily on, with maddening indifference to all our pleadings. Even Cecily, the meek and mild, was snappish, and complained of headache. Peter had gone home to see his mother, and Uncle Roger had gone to Markdale on business. Sara Ray came up, but was so snubbed by Felicity that she went home, crying. Felicity got the dinner by herself, disdaining to ask or command assistance. She banged things about and rattled the stove covers until even Cecily protested from her sofa. Dan sat on the floor and whittled, his sole aim and object being to make a mess and annoy Felicity, in which noble ambition he succeeded perfectly.

It was time for them to start. A crowd of little boys and girls had collected round Lord Badgery's enormous car. The chauffeur, who felt that honour and dignity were at stake, pretended not to notice the children, but sat gazing, like a statue, into eternity. At the sight of Spode and Mr. Tillotson emerging from the house a yell of mingled awe and derision went up. It subsided to an astonished silence as they climbed into the car. "Bomba's," Spode directed. The Rolls-Royce gave a faintly stertorous sigh and began to move. The children yelled again, and ran along beside the car, waving their arms in a frenzy of excitement. It was then that Mr. Tillotson, with an incomparably noble gesture, leaned forward and tossed among the seething crowd of urchins his three last coppers.

Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course god has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither god nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither god nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.

He would not let himself be overawed by her consequence! He was also the son of noble parents, if not of a king. "Then-then they'll need more Dagons," he blurted out. "Let me go, please. Let me serve the king." "It is not my decision to make." "How can you stop me if I refuse to take vows as a monk when my novitiate is ended?" he demanded. She raised an eyebrow. "You have already pledged yourself to enter the church, an oath spoken outside these gates." "I had no choice!" "You spoke the words. I did not speak them for you." "Is a vow sworn under compulsion valid?" "Did I or any other hold a sword to your throat? You swore the vow." "But-" "And," she said, lifting a hand for silence-a hand that bore two handsome rings, one plain burnished gold braid, the other a fine opal in a gold setting, "your father has pledged a handsome dowry to accompany you. We do not betroth ourselves lightly, neither to a partner in marriage-" He winced as she paused. Her gaze was keen and unrelenting. "-nor to the church. If a vow can be as easily broken as a feather can be snapped in two-" She lifted a quill made from an owl feather from her table, displaying it to him. "-then how can we any of us trust the other?" She set down her feather. "Our oaths are what makes us honorable people. What man or woman who has forsworn his noble lord or lady can ever be trusted again? You swore your promise to Our Lady and Lord. Do you mean to swear that oath and live outside the church for the rest of your days?" Said thus, it all sounded so much more serious. No man or woman who made a vow and then broke it was worthy of honor.

Dat mule is liable tuh be dead befo' de week is out. You won't git no work outa him." "Didn't buy 'im fuh no work. I god, Ah bought dat varmint tuh let 'im rest. You didn't have gumption enough tuh do it." A respectful silence fell on the place. Sam looked at Joe and said, "Dat's a new idea 'bout varmints, Mayor Starks. But Ah laks it mah ownself. It's uh noble thing you done." Everybody agreed with that.