No Visible Bruises Quotes

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Read any news story today about domestic violence homicide and you’re likely to see some version of the question why didn’t she leave? What you almost surely won’t see is why was he violent?
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
I wished there had been obvious signs of destruction on all of us kids: bruises or burn marks, something that indicated how violent our house was, but words and neglect don't leave visible marks. And that confuses even the person who knows better. (169)
Monica Holloway (Driving with Dead People)
That’s the thing with trauma to the body—it shows up instantly. In breaks and bruises, in burns and in blood. But the trauma on the inside, that’s harder to see. It creeps around your mind, poisons you with disquiet. It can hit you out of nowhere, debilitating and ruinous. There are no marks visible for those. None, save the shadows in your eyes.
Raven Kennedy (Glow (The Plated Prisoner, #4))
The average batterer, Adams told me, “is more likable than his victim, because domestic violence affects victims a lot more than it affects batterers.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
men are taught violence, but they are not taught intimacy. “Violence is a skill that we all had to learn just to stay with the pack growing up,” he said. “The trouble is, it doesn’t work for intimacy. That’s a whole different set of skills.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Michelle saw was what so many other women before her had seen: that an abuser appears more powerful than the system.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Campbell says twelve hundred abused women are killed every year in the United States.1 That figure does not count children.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
We now know it’s the ones who don’t show up in court, who don’t renew the restraining orders, who are in the most danger.”3
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
My heart has been bruised, and the scars will never heal because they will always be visible. Maybe they need to be visible as a reminder that I cannot go back.” ~Love is respect ♥~
Charlena E. Jackson (In Love With Blindfolds On)
the elephant in the room.” That we won’t say, simply, that it is men who are violent. It is men who take their violence out on masses of others. School shootings are carried out by young men. Mass murders. Gang warfare, murder-suicides and familicides and matricides and even genocides: all men. Always men. “Every commonly available domestic violence and official general violence statistic, and every anecdotal account about domestic and all other kinds of violence throughout the United States and around the world, point clearly to the fact that men almost monopolize all sectors of violence perpetration,” Sinclair wrote.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
This Person You Love Will Take Your Life
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
And for every woman killed in the United States from domestic violence homicide, nearly nine are almost killed.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Leaving is never an event; it’s a process.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
The very fact that intimate partner violence is so often addressed in civil court, rather than criminal court, gives insight into how we as a society still view it.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Victims who side with their abusers during police calls do so not out of instability, as many law enforcement officers assume, but out of a measured calculation toward their future safety.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Trauma wounds are invisible. We cannot see visible bruises, cuts, or scars. Yet, if we don’t tend to them, we can carry them throughout our lives. We may relive our trauma over and over, again.
Dana Arcuri (Soul Rescue: How to Break Free From Narcissistic Abuse & Heal Trauma)
He began to understand violence as the result of a belief system men all seemed to share, which told them they were the authority in their lives, that they were to be respected, obeyed. Top of the human hierarchy. It was a belief system that not only distanced them from people around them, but also limited their range, kept them boxed in by their own narrow ideas of what men could be and how men could behave.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Lynn Rosenthal. Rosenthal was the first White House liaison to the Office of Violence Against Women, a position created by the Obama Administration that remains unfilled two years into the Trump Administration
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
You could certainly say about half the cases of mass shootings are extreme incidents of domestic violence.” In other words, it’s not that domestic violence predicts mass shootings. It’s that mass shootings, more than half the time, are domestic violence.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
They stay in abusive marriages because they understand something that most of us do not, something from the inside out, something that seems to defy logic: as dangerous as it is in their homes, it is almost always far more dangerous to leave.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Arms and legs thrashing. The hammer of blood. I’m coming, says Jude. And holds her breath. Orgasm is brief, nonviolent. What color? I say Devastating blue, she says. The pale blue eyes of a murdered boy. Very nice. You remembered, she says. Jude comes in colors. How could I forget. Trembling blond orgasms that seem to piss her off and rare pink orgasms that never end. Chemical red orgasms that fill her with guilt and perfect orgasms black as fresh earth. Orgasms shadowy and gray that may or may not cause her to weep and orgasms the color of bruised skin, orgasms that fade from purple to yellow and remain visible for days.
Will Christopher Baer
I still carry a picture in my mind of an abuser who is a rageaholic, a monster, a person visibly and uncontrollably angry. Someone easily identifiable as a “bad guy.” I may even have operated under the idea that my own gut instincts would alert me to such a man. And what strikes me immediately—in fact, deeply unsettles me in a way—is how incredibly normal they all seem. Like a bunch of guys I’d go have a beer with. They are charming. They are funny, gregarious, shy, high-strung. Good-looking or not, well-dressed or not. They are Everyman. One of the hallmarks of domestic violence, Adams told me, is this false idea that abusers are somehow angry generally; rather, their anger is targeted—at a partner or at the partner’s immediate family. As a result, friends and acquaintances of abusers are often surprised to hear that they committed an assault.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Words cannot explain the bruise that festers into a river that runs deep filled with pain n sorrows which only the visible can cure
A.N. Knight
Men can relate to wanting their own daughters kept safe, kept from men like themselves, but somehow it doesn't extend to their partners.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Russia, which in 2017 decriminalized any domestic violence that doesn’t result in bodily injury.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Between 2000 and 2006, 3,200 American soldiers were killed; during that same period, domestic homicide in the United States claimed 10,600 lives.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
I can’t tell you how many abusers I’ve heard bemoaning their inability to stop loving the same women they assaulted so severely it landed them in prison.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
It’s not women who need to learn violence; it’s men who need to learn nonviolence.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Violence, he says, is not a “relationship problem. It is a problem of [a woman’s] partner’s commitment to violence.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
(a Google search for “estranged husband” and “killed” brings up more than fifteen million results).
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Domestic violence health and medical costs top more than $8 billion annually for taxpayers and cause victims to lose more than eight million8 workdays each year.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
The police acted as if the victims—Sally and Melanie—were overdramatizing the entire event. Some guy taking his own kid. It’s his kid after all. The gendered messages are crucial: men are strong; women are weak. Men have the power; women are powerless. Men are rational; women are hysterical. Whether you are a violent abuser or a law-abiding officer, the men on both sides of the Monson equation sent a message to the women.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
It's the cuts we hide inside that really do the damage. They rub and they niggle and they bruise and they bleed. And as the pain and anxiety grow in your head, they become far more dangerous than an visible open wound. Until eventually, you have to do something.
Jane Corry
Why victims stay isn’t the question we need to be asking. Rather, I think a better question is: how do we protect this person? No qualifiers. No musing about why she stayed or what she might appear to be doing or not doing. Just one simple question: how do we protect her?
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
In the United States, it wasn’t that there were no problems—poverty, disease, and natural disasters all happened here, too—but I’d forgotten how possible it was to live where, if you had the desire and the means, you could fairly easily insulate yourself from a lot of these problems.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Campbell’s slideshow lists grim domestic violence statistic after statistic: second leading cause of death for African American women, third leading cause of death for native women, seventh leading cause of death for Caucasian women. Campbell says twelve hundred abused women are killed every year in the United States.1 That figure does not count children. And it does not count the abusers who kill themselves after killing their partners, murder-suicides we see daily in the newspaper. And it does not count same-sex relationships where one or the other partner might not be “out.” And it does not count other family members, like sisters, aunts, grandmothers, who are often killed alongside the primary victim. And it does not count innocent bystanders: the twenty-six churchgoers in Texas, say, after a son-in-law has gone to a service to target his mother-in-law, or the two spa employees in Wisconsin killed alongside their client by her ex. The list is endless. And it does not count the jurisdictions who do not report their homicides, since homicide reporting is voluntary through the FBI’s Supplemental Homicide Reporting Data. So how many people are killed as a result of domestic violence each year? The bystanders, the other family members, the perpetrators’ suicides? The victims who just can’t take it anymore and kill themselves? The accidents that turn out not to be accidents at all, victims pushed out of cars and from cliffs or driven into trees. Tragedies forever uncategorized.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
That's the thing with trauma to the body-it shows up instantly. In the breaks and bruises, in the burns and in blood. But the trauma on the inside, that's harder to see. It creeps around in your mind, poisons you with disquiet. It can hit you out of nowhere, debilitating and ruinous. There are no marks visible for those. None, save the shadows in your eyes.
Raven Kennedy (Glow (The Plated Prisoner, #4))
Violent men are aware that they are violent and even take pride in the manliness of it to their friends,” he said. “But, they will often deny that their violence is actually violent when questioned. Their denial allows violent men to minimize the impact of their violence on their victims, blame them for it, and ask their families and friends to collude with them by approving it.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
As more women began to attend Sinclair’s community organizing events, some of the men Sinclair had already helped organize would complain about the women, and say women can’t be organized. Organization was for men. “Five years I’d been doing this city-wide organization,” Sinclair told me of his time in Detroit, “and that was all destroyed when these men said, ‘You can’t organize girls.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
That’s what he thinks his decision was in the moment when he received the news. Kill the guy, or not. But really, he says, he realized that wasn’t his decision at all. The decision was actually “Do I make it about me and go kill this motherfucker? Or do I make it about my daughter, and be there for her?” If he kills the guy, he takes himself out of his daughter’s life at the moment she needs him the most.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Police departments across the country fail to discipline officers for the same crimes that civilians are arrested for every day. A study from Florida between 2008 and 2012 noted that while only about 1% of officers remained on the job following a failed drug test, and 7% remained after a theft, nearly 30% of officers with domestic violence complaints were still employed in their same positions a year later.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
we have to address domestic violence today are a direct result of the passage of VAWA. At the time, then-senator Biden told the Associated Press, “[Domestic violence] is a hate crime. My objective is to give the woman every opportunity under the law to seek redress, not only criminally but civilly. I want to raise the consciousness of this country that women’s civil rights—their right to be left alone—is in jeopardy.”31
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Though in many states today, still, victims are barred from using their long histories of enduring violence at the hands of their partners in their own defense. One woman I spoke with who is incarcerated in North Carolina for first degree murder, Latina Ray, says she endured over a decade of abuse. Her partner beat her so badly that she lost the sight in her right eye entirely, yet her long history of victimization with him was never used in her case.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Funny how such innocuous details—the red blip of a voicemail, the single-page letter from a bank requesting a meeting to discuss the foreclosure, the subtle appearance of moving boxes in the garage—can upend your world. Unlike monsters or faeries or kidnappers, you never see these details coming. They don't draw blood or leave visible scars or bruises. You can't fight against them or use magick to fix them. You can only wait to see if you survive them.
M.A. Grant (Prince of Air and Darkness (The Darkest Court, #1))
He assumed the research would support his theory that abusers did far less of the housework and childcare. But Adams was shocked to find that both men did about the same amount in each home, 21%.1 Where the two groups tended to differ was that the non-abusers knew they were getting a good deal and appreciated and acknowledged their wives’ double shifts, whereas the abusers would say things like, “I do a lot more than most men, but does she appreciate that?
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Sinclair is unapologetically unabashed about the gender specifics here. It is men who are violent. It is men who perpetrate the majority of the world’s violence, whether that violence is domestic abuse or war. Even those relatively few women who are violent, he says, are most often violent in response to men’s violence. Indeed, this is the single most effective argument I know for why it doesn’t make sense to arm women with guns to protect them against men with guns: because arming a woman with a gun is asking her to behave like a man, to embody the somatic and psychological and cultural experience of a man while simultaneously quelling all that women have been taught. It says to women, if you want to protect yourself from violent men, you need to become violent yourself. To Sinclair, this is exactly the wrong way to the solution. It’s not women who need to learn violence; it’s men who need to learn nonviolence.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
He talks about how he grew up believing women served men because he watched his grandmother and his female cousins all make the food and bring the food and clean up the food, and the boys sat watching the ball game. What were they all being taught? And now he’s a grown man and he knows, because he had to learn, how to feed himself, how to make his own damn omelet. “I had no concept of appreciation,” he says of his past girlfriends, of Kelly. “I never had a bad partner. I had a bad attitude.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
He says how they all learned as little kids that boys don’t cry. “Our dad or mom said, ‘Don’t cry now. Shake it off,’ right? Why not? It hurt. Why not cry? What’s wrong with crying? Boys didn’t get to cry because they were in pain, falling on gravel, but my daughter? Man. She was scooped up and held and kissed, and my son was told to stop crying.” He shakes his head. “Now, with the education I got, I’m like, ‘Come here, little man. I feel like crying with you. I know that hurt. It’s okay. Cry.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
Iris Murdoch (The Sea, the Sea)
It is easy to diminish what you experienced because no one hit you physically or sexually abused you. It is common for victims to wonder if they are blowing their experience out of proportion or overdramatizing it. They often see themselves as the one to blame. This is what the CN wants. They do things to distract you and throw you off of seeing the truth. So many victims stay quiet because they don’t feel they have the right to call it abuse. It is such a strong word that we generally associate with bruises and visible scars, with yelling and screaming.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
Indeed, this is the single most effective argument I know for why it doesn’t make sense to arm women with guns to protect them against men with guns: because arming a woman with a gun is asking her to behave like a man, to embody the somatic and psychological and cultural experience of a man while simultaneously quelling all that women have been taught. It says to women, if you want to protect yourself from violent men, you need to become violent yourself. To Sinclair, this is exactly the wrong way to the solution. It’s not women who need to learn violence; it’s men who need to learn nonviolence.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The states with fewer men’s deaths, Campbell tells the audience, are the states with good police responses, with good laws of protection, with decent resources for victims. In other words, Campbell says, “Abused women feel less like there’s no way out except to kill him.” In fact, since 1976 rates of men killed by women have dropped by nearly three-quarters.2 What she means is that there are states where abused women don’t have to resort to murdering their abusers to return to freedom. While there are no national statistics, some states collect this data. In New York, for example, two-thirds of incarcerated women in 2005 had been abused beforehand by the person they killed.3 Though in many states today, still, victims are barred from using their long histories of enduring violence at the hands of their partners in their own defense.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
In Crawford v. Washington the Supreme Court ruled that cross-examination is required of witnesses at trial unless a witness was unavailable (e.g., sick or dead). The court said that a defendant had the Constitutional right to face his accusers, that testimonial statements by witnesses who did not appear at trial were hearsay. And hearsay was not admissible. This meant victims who were too terrified to appear in court but were otherwise healthy could no longer allow prosecutors to use their statements. Post-Crawford, there is still some room for state courts to determine admissible evidence using their own discretion, but generally speaking Crawford had a profound effect on the movement of evidence-based domestic violence cases across the country. These days, victim statements are often inadmissible in court proceedings if a witness is uncooperative (as happens in as many as 70% of cases).
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
women who are violent, he says, are most often violent in response to men’s violence. Indeed, this is the single most effective argument I know for why it doesn’t make sense to arm women with guns to protect them against men with guns: because arming a woman with a gun is asking her to behave like a man, to embody the somatic and psychological and cultural experience of a man while simultaneously quelling all that women have been taught. It says to women, if you want to protect yourself from violent men, you need to become violent yourself. To Sinclair, this is exactly the wrong way to the solution. It’s not women who need to learn violence; it’s men who need to learn nonviolence. If men are taught not to cry, women are taught crying is acceptable. If men are taught anger is their sole allowable emotion, women are taught never to be angry. Men who yell are being men; women who yell are shrill or they’re drama queens or they’re hysterical. (Many before me have pointed out that there is no greater “drama” than a mass shooting, but the term “drama kings
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
They hugged, hard. It was shocking to hold him. The truth of him was right there beneath Ronan's hands, and it still seemed impossible. He smelled like the leather of the thrift store jacket and the woodsmoke he'd ridden through to get here. Things had been the same for so long, and now everything was different, and it was harder to keep up than Ronan had thought. Adam said, "Happy birthday, by the way." "My birthday's tomorrow." "I have a presentation I can't miss tomorrow. I can stay for"--Adam pulled away to check his dreamt watch--"three hours. Sorry I didn't get you a present." The idea of Adam Parrish on a motorcycle was more than enough birthday present for Ronan; he was senselessly turned on. He couldn't think of anything else to say, so he said, "What the fuck." Normally this was his job, to be impulsive, to be wasteful of time, to visibly need. "What the fuck." "That batshit bike you dreamt doesn't use gas," Adam said. "The tank's wood inside; I put a camera in it to look. Just as well I didn't have to stop for gas anyway because half the time, when I slow down, I dump the bike. You should see the bruises on my legs. I look like I've been fighting bears." They hugged again, merrily, waltzing messily in the kitchen, and kissed, merrily, waltzing more. "What do you want to do with your three hours?" Ronan asked. Adam peered around the kitchen. He always looked at home in it; it was all the same colors as he was, washed out and faded and comfortable. "I'm starving. I need to eat. I need to take off your clothes. But first, I want to look at Bryde.
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
Wishing I had a towel, I used my fingers to wipe the raindrops off my face. My wet face that had been partially protected by the brim of his cap. Which would have worked if the rain fell straight down. This had been slashing across. “Oh, no.” “What?” Jason said. “Turn on the light.” He did. I lowered the sun visor, looked at my reflection in the mirror, groaned, and slapped the visor back into place. “Turn the light off.” “What’s wrong?” I didn’t look at him, didn’t want him to see. “The makeup ran.” Not as badly as I’d expected, but I had dark smudges beneath my eyes and my bruising was more visible. “So what?” I leaned my head back. “I look worse than I did the night you met me.” “I thought you looked fine.” I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn’t see me. “What are you talking about? I looked like a Cirque de Soleil performer.” “What are you talking about?” “The black dots around my eyes?” He shook his head. “I’m lost.” “You were staring--” “Oh, yeah.” He gazed through the windshield. “Sorry about that. I’ve just never seen eyes as green as yours. I was trying to figure out if you wore contacts.” “You were looking at my eyes?” “Yeah.” “Not the makeup.” He turned his attention back to me. “I didn’t realize you were wearing any. That night, anyway. Tonight it’s pretty obvious.” “Oh.” Didn’t I feel silly? “I thought--” I shook my head. “Never mind.” On second thought… “You don’t like all the makeup?” “I just don’t think you need it. I mean, you look pretty without it.” Oh, really? That was totally unexpected. He started tapping the steering wheel like he was listening to a rock concert, or suddenly embarrassed, maybe wishing someone would shut him up. “Sorry I don’t have a towel in the car.” Subject change. He was embarrassed. How cute was that?
Rachel Hawthorne (The Boyfriend League)
In the painting, the face has been horribly lacerated by blows, swollen, with terrible, swollen and bloody bruises, the eyes open, the pupils narrow; the large, open whites of the eyes gleam with a deathly, glassy sheen. But strangely, as one looks at this corpse of a tortured man, a peculiar and interesting question arises: if this is really what the corpse looked like (and it certainly must have looked just like this) when it was seen by all his disciples, his chief future apostles, by the women who followed him and stood by the cross, indeed by all who believed in him and worshipped him, then how could they believe, as they looked at such a corpse, that this martyr would rise from the dead? Here one cannot help being struck by the notion that if death is so terrible and the laws of nature so powerful, then how can they be overcome? How can they be overcome when they have not been conquered even by the one who conquered nature in his own lifetime, to whom it submitted, who cried: “Talitha cumi”8 – and the damsel arose, “Lazarus, come forth”,9 and the dead man came forth? Nature appears, as one looks at that painting, in the guise of some enormous, implacable and speechless animal or, more nearly, far more nearly, though strangely – in the guise of some enormous machine of the most modern devising, which has senselessly seized, smashed to pieces and devoured, dully and without feeling, a great and priceless being – a being which alone was worth the whole of nature and all its laws, the whole earth, which was, perhaps, created solely for the emergence of that being! It is as though this painting were the means by which this idea of a dark, brazen and senseless eternal force, to which everything is subordinate, is expressed, and is involuntarily conveyed to us. Those people who surrounded the dead man, though not one of them is visible in the painting, must have felt a terrible anguish and perturbation that evening, which had smashed all their hopes and almost all their beliefs in one go. They must have parted in the most dreadful fear, though each of them also took away within him an enormous idea that could never now be driven out of them. And if this same teacher could, on the eve of his execution, have seen what he looked like, then how could he have ascended the cross and died as he did now? This question also involuntarily presents itself as one looks at the painting.
Fyodor Dostoevsky (The Idiot)
Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him. Let her, Gregori persuaded softly. Look at him. Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached. “I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?” Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her. You didn’t tell me she was so beautiful, Shea reprimanded deliberately. In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently. Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed. “Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.
Christine Feehan (Dark Desire (Dark, #2))
NEXT TIME LEW got up into the embattled altitudes of the San Juans, he noticed out on the trail that besides the usual strikebreaking vigilantes there were now cavalry units of the Colorado National Guard, in uniform, out ranging the slopes and creeksides. He had thought to obtain, through one of the least trustworthy of his contacts in the Mine Owners Association, a safe-passage document, which he kept in a leather billfold along with his detective licenses. More than once he ran into ragged groups of miners, some with deeply bruised or swelling faces, coatless, hatless, shoeless, being herded toward some borderline by mounted troopers. Or the Captain said some borderline. Lew wondered what he should be doing. This was wrong in so many ways, and bombings might help but would not begin to fix it. It wasn’t long before one day he found himself surrounded—one minute aspen-filtered shadows, the next a band of Ku Klux Klan night-riders, and here it was still daytime. Seeing these sheet-sporting vigilantes out in the sunlight, their attire displaying all sorts of laundering deficiencies, including cigar burns, food spills, piss blotches, and shit streaks, Lew found, you’d say, a certain de-emphasis of the sinister, pointy hoods or not. “Howdy, fellers!” he called out, friendly enough. “Don’t look like no nigger,” commented one. “Too tall for a miner,” said another. “Heeled, too. Think I saw him on a poster someplace.” “What do we do? Shoot him? Hang him?” “Nail his dick to a stump, and, and then, set him on fahr,” eagerly accompanied by a quantity of drool visibly soaking the speaker’s hood. “You all are doing a fine job of security here,” Lew beamed, riding through them easy as a herd of sheep, “and I’ll be sure to pass that along to Buck Wells when next I see him.” The name of the mine manager and cavalry commander at Telluride worked its magic. “Don’t forget my name!” hollered the drooler, “Clovis Yutts!” “Shh! Clovis, you hamhead, you ain’t supposed to tell em your name.” What in Creation could be going on up here, Lew couldn’t figure. He had a distinct, sleep-wrecking impression that he ought to just be getting his backside to the trackside, head on down to Denver, and not come up here again till it was all over. Whatever it was. It sure ‘s hell looked like war, and that must be what was keeping him here, he calculated, that possibility. Something like wanting to find out which side he was on without all these doubts. . . .
Thomas Pynchon (Against the Day)
When Rocky bailed himself out it was an even more crucial message to Michelle. This time, it’s Not only am I stronger than you, but the system prioritizes my freedom over your safety.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
When I told friends I was going to a hostage negotiation and training session, they immediately imagined banks and a small gaggle of men in ski masks. Though the numbers are not tracked consistently, around 80% of all hostage situations in this country are a result of domestic violence,
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
or she is powerless in the face of it. Though the intellectual coercion required to make a man believe that his love and his violence stem from the same place inside himself is of course utterly duplicitous.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
The idea that a gun can “save” anyone in any situation has always seemed suspect to me. A gun is a passive instrument; it does what it’s told to do by a human. And humans make mistakes. I picture a home invasion, someone in bed, asleep, who wakes suddenly to find a stranger in the dark perched over the bed. How does the gun get into the homeowner’s hands? How does the safety get turned off? How does the bullet find its way into the target in those sheer seconds? Maybe it’s a quiet house; the homeowner is awakened, reaches under the mattress, silently gets out the gun, silently clicks off the safety, silently tiptoes downstairs. He can hear the thief, but the thief cannot hear him. Silently, he finds the thief holding a flat-screen TV and he shoots. Maybe it’s a movie theater. Guy walks in in the dark, starts shooting. Somewhere in the audience is another gun, a good guy. He shoots, too. Maybe it’s a hotel room. Guy starts shooting. A dozen people in the crowd have guns, but they’re good guys. Good guns. They start shooting back. How do you identify the good from the bad? The intentional from the accidental? Maybe it’s a sniper at a gas station. Someone with a Toyota has a gun. He’s a good guy. He shoots, too. Maybe it’s a kid, and another kid has a gun. A good kid with a gun. A good teacher with a gun. How do you know, how do I know, how does anyone know who is who, and which gun is which, in those panicky milliseconds? Where to run, how to hide? How does a plastic seat with a fabric top stop a bullet anyway? A car door? A locker door? A speaker? A particle board desktop? Doesn’t matter who’s good and who’s not. Bullets have no moral preference.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
In our society, if someone wants to be a hairstylist or a kickboxer or a hunting guide -or a schoolteacher- he or she must be trained and licensed by a state agency. No such requirement is necessary for parenthood. Anyone with a set of reproductive organs is free to create a child, no questions asked, and raise them as they see fit, so long as there are no visible bruises- and then turn that child over to the school system so the teachers can work their magic. Maybe we are asking too much of the schools and too little of our parents and kids?.
Steven D. Levitt
The noise all around them, the fastidious clatter of flatware against china, the shimmers of laughter and light conversation, receded until it seemed as if they were the only two people in the room. She looked down at his hands, sturdy and long-fingered, the nails filed until only the thinnest white crescents were visible at the fingertips. They were immaculately clean, but the tanned skin was a bit dry and roughened at the knuckles. There were a few small scars left from nicks and scrapes, and the last vestige of a dark bruise lingering beneath one thumbnail. As Phoebe tried to picture those capable hands being soft and manicured, she found it impossible. No, they weren’t pretty. But they were beautiful.
Lisa Kleypas (Devil's Daughter (The Ravenels #5))
He agreed never to strike my face or neck where marks would be visible, as long as he could bruise the rest of me.
Susan Abulhawa (Against the Loveless World)
Urination and defecation are physical functions, like sweating and digestion, that happen below our level of consciousness, and are controlled by the autonomic nervous system. Sacral nerves in the brain stem—which happens to be the final part of the brain to expire—control the sphincter muscles. So urination and defecation weren’t a sign of fear, McClane showed Strack, but rather evidence that each of those victims had been very near death. And each one of those cases had been prosecuted as a misdemeanor.14
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
For battered men, who comprise anywhere from 15% to 40% of the victims in America (depending upon which study you read6), the stigma is even greater. Men rarely seek out shelter. They rarely call law enforcement. The culture that tells women to keep the family intact, to find love and be loved at all costs, is the same culture that emasculates and shames men in abusive situations, that tells men if they are victims, it is because they are weak and not real men. It is the same culture that tells them violence is acceptable as a response to any external threat or internal pain, but tears are not. It is a culture that limits both victim and perpetrator, the abused and the abuser.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Former United Nations Secretary-General Kofi Annan called violence against women and girls the “most shameful human rights violation”3 and the World Health Organization called it a “global health problem of epidemic proportions.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
They didn’t show terror or hysterics. They weren’t screaming. They weren’t crying. They had gone still, their eyes in a kind of catatonia. My god, Sally thought, they’ve seen this before. They’ve seen their father like this.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Victims often side with their abusers publicly, to family, to police, to prosecutors. Because long after the police leave, even after charges are filed and a sentence meted out, it is with the abuser that a victim must continually negotiate her life. And the life of her children.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
The law gave me an entirely new vocabulary, a language that non-lawyers derisively referred to as "legalese." Unlike the basic building blocks- the day-to-day words- that got me from the subway to the office and back, the words of my legal vocabulary, more often than not, triggered flavors that I had experienced after leaving Boiling Springs, flavors that I had chosen for myself, derived from foods that were never contained within the boxes and the cans of DeAnne's kitchen. Subpoenakiwifruit. InjunctionCamembert. Infringementlobster. Jurisdictionfreshgreenbeans. Appellantsourdoughbread. ArbitrationGuinness. Unconstitutionalasparagus. ExculpatoryNutella. I could go on and on, and I did. Every day I was paid an astonishing amount of money to shuffle these words around on paper and, better yet, to say them aloud. At my yearly reviews, the partners I worked for commented that they had never seen a young lawyer so visibly invigorated by her work. One of the many reasons I was on track to make partner, I thought. There were, of course, the rare and disconnecting exceptions. Some legal words reached back to the Dark Ages of my childhood and to the stunted diet that informed my earlier words. "Mitigating," for example, brought with it the unmistakable taste of elementary school cafeteria pizzas: rectangles of frozen dough topped with a ketchup-like sauce, the hard crumbled meat of some unidentifiable animal, and grated "cheese" that didn't melt when heated but instead retained the pattern of a badly crocheted coverlet. I had actually looked forward to the days when these rectangles were on the lunch menu, slapped onto my tray by the lunch ladies in hairnets and comfortable shoes. Those pizzas (even the word itself was pure exuberance with the two z's and the sound of satisfaction at the end... ah!) were evocative of some greater, more interesting locale, though how and where none of us at Boiling Springs Elementary circa 1975 were quite sure. We all knew what hamburgers and hot dogs were supposed to look and taste like, and we knew that the school cafeteria served us a second-rate version of these foods. Few of us students knew what a pizza was supposed to be. Kelly claimed that it was usually very big and round in shape, but both of these characteristics seemed highly improbable to me. By the time we were in middle school, a Pizza Inn had opened up along the feeder road to I-85. The Pizza Inn may or may not have been the first national chain of pizzerias to offer a weekly all-you-can-eat buffet. To the folks of the greater Boiling Springs-Shelby area, this was an idea that would expand their waistlines, if not their horizons. A Sizzler would later open next to the Pizza Inn (feeder road took on a new connotation), and it would offer the Holy Grail of all-you-can-eat buffets: steaks, baked potatoes, and, for the ladies, a salad bar complete with exotic fixings such as canned chickpeas and a tangle of slightly bruised alfalfa sprouts. Along with "mitigating," these were some of the other legal words that also transported me back in time: Egressredvelvetcake. PerpetuityFrenchsaladdressing. Compensatoryboiledpeanuts. ProbateReese'speanutbuttercup. FiduciaryCheerwine. AmortizationOreocookie.
Monique Truong (Bitter in the Mouth)
Coming out of the dark lane, I was blinded by the brilliant sunlight beating down into the principal plaza. The wind whooshed into me, flinging my hair into my eyes, and blinding me further. It was no wonder that I did not see the wall of flesh until I had smacked into it. There was no pathway there, no crevice between the close-pressed bodies. I pushed against them furiously, fighting the hands that shoved back. I heard exclamations of irritation and even pain as I battled my way through, All the same, and all, none were in a language I understood. The faces were a blur of anger and surprise, surrounded by the ever-present red. A young dark brown hair woman scowled at me, and the green and white scarf coiled around her neck looked like a gruesome wound. A child, lifted on a man's shoulders to see over the crowd, grinned down at me, his lips distended over a set of plastic angel fangs. The throng jostled around me, spinning me in the wrong direction. I was glad the clock was so visible, or I would never keep my course straight. All the same and all, both hands on the clock pointed up toward the merciless sun, and, though I shoved viciously against the crowd, I knew I was too late. I was not halfway across. I was not going to make it. I was stupid and slow and human even if I am not always, and we were all going to die because of it. I hoped Olivia would get out. I hoped that she would see me from some dark shadow and know that I had failed, so she could go home to Ray. I listened, above the angry exclamations, trying to hear the sound of discovery: the gasp, maybe the scream, as Marcel came into someone's view. Nevertheless, there was a break in the crowd- I could see a bubble of space ahead. I pushed frantically toward it, not realizing until I bruised my shins against the bricks that there was a wide, square fountain set into the center of the plaza. I was almost crying with relief as I flung my leg over the edge and ran through the knee-deep water. It sprayed all around me as I thrashed my way across the pool. Even in the sun, the wind was glacial, and the wet made the cold painful.
Marcel Ray Duriez (Nevaeh Going in and Out)
When I questioned whether she believed he really had changed, she said yes, but she also said she believed she could probably trigger him again in a minute.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)