No Jumper Quotes

We've searched our database for all the quotes and captions related to No Jumper. Here they are! All 100 of them:

With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be.
Ray Bradbury (Fahrenheit 451)
I’m going to walk over to you,” I say, taking one step at a time in her direction like I’m talking down a jumper. “I’m going to put my arms around you and I’m going to hold you,” I pause before taking the last step, “and you’re going to let me.
Katja Millay (The Sea of Tranquility)
It's not the voting that's democracy, it's the counting.
Tom Stoppard (Jumpers)
I am not gone but merely walk within you.
Nicholas Evans (The Smoke Jumper)
We, more than others, should carry jumper and tow cables not only in our cars, but also in our hearts, by which means we can send the needed boost or charge of encouragement or the added momentum to mortal neighbors.
Neal A. Maxwell (All These Things Shall Give Thee Experience)
I am made for autumn. Summer and I have a fickle relationship, but everything about autumn is perfect to me. Wooly jumpers, Wellington boot, scarves, thin first, then thick, socks. The low slanting light, the crisp mornings, the chill in my fingers, those last warm sunny days before the rain and the wind. Her moody hues and subdued palate punctuated every now and again by a brilliant orange, scarlet or copper goodbye. She is my true love.
Alys Fowler
When it came to gunfire Jumper didn’t have any more sense than a red ant in a hot skillet.
Fred Gipson (Old Yeller)
No man may earn his heart's desire, lest first he brave the smoke and fire
Nicholas Evans (The Smoke Jumper)
The body tries to stop the mind from killing itself, no matter the cost. It is only the lack of strength, the fatigue that lets the jumpers fall at last.
Thomm Quackenbush (Of Christmas Present)
The average newspaper, especially of the better sort, has the intelligence of a hillbilly evangelist, the courage of a rat, the fairness of a prohibitionist boob-jumper, the information of a high school janitor, the taste of a designer of celluloid valentines, and the honor of a police-station lawyer.
H.L. Mencken
The important things in life never happened by accident. But even with those things that were meant to be, sometimes you had to wait awhile and then maybe give them a little nudge.
Nicholas Evans (The Smoke Jumper)
Mr Horsefry was a youngish man, not simply running to fat but vaulting, leaping and diving towards obesity. He had acquired at thirty an impressive selection of chins, and now they wobbled with angry pride.* * It is wrong to judge by appearances. Despite his expression, which was that of a piglet having a bright idea, and his mode of speech, which might put you in mind of a small, breathless, neurotic but ridiculously expensive dog, Mr Horsefry might well have been a kind, generous and pious man. In the same way, the man climbing out of your window in a stripy jumper, a mask and a great hurry might merely be lost on the way to a fancy-dress party, and the man in the wig and robes at the focus of the courtroom might only be a transvestite who wandered in out of the rain. Snap judgements can be so unfair.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Great,' I said. 'Visit exotic Australia. Get bitten by an exotic snake. Die exotically.
Steven Gould (Jumpers (Jumper #1-2.5))
That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.
Tana French (The Likeness (Dublin Murder Squad, #2))
Guilt could be as simple as that. There didn't have to be anything maudlin or self-pitying about it. It was a fact and you lived with the consequences, a kind of contract under which your actions led to inevitable obligations.
Nicholas Evans (The Smoke Jumper)
This because it is never really very cold in England. It is drizzly, and the wind will blow; hail happens, and there is a breed of Tuesday in January in which time creeps and no light comes and the air is full of water and nobody really loves anybody, but still a decent jumper and a waxen jacket lined with wool is sufficient for every weather England's got to give.
Zadie Smith (On Beauty)
Lucky Luke: I wonder how you manage to read with everything that's going on. Jolly Jumper: By turning the pages just like everyone else.
Morris (The Bridge on the Mississippi)
Brown-eyed sublime being. She of soft, deep cardigan pockets. Bubble-bath taker. Pool jumper. Cheese provider. Sunset glower. Heaven sent.
Sally Thorne (Second First Impressions)
If you want full length skirts and polo neck jumpers, then I suggest you find someone your own age.
Jodi Ellen Malpas (This Man (This Man, #1))
They drove south with the night falling soft and blue around them. Away to their right the Front Range stood out against the last red ribbon of the dying day like ramparts of some dread empire. Through the open windows came the smell of cooling earth and sage long baked by the sun.
Nicholas Evans (The Smoke Jumper)
We each have an appointment with death. I’d rather die for a cause than die of old age never having done something important.
Brenda Drake (Thief of Lies (Library Jumpers, #1))
There is an abandonment, an escape, that physical labor bestows.
Steven Gould (Jumper (Jumper, #1))
She looks like a jumper to me. Jumpers do that a lot, stand on the edge and stare out. Never kill yourself in a Tube station. Tip number one. You might end up down here forever, staring at the wall." Stephen coughed a little. "Just giving advice," Callum said.
Maureen Johnson (The Name of the Star (Shades of London, #1))
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin. I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
Robert A. Heinlein (Glory Road)
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
You stupid woman, if rationality were the criterion for things being allowed to exist, the world would be one gigantic field of soya beans!
Tom Stoppard (Jumpers)
You never know if happy memories are going to become sad ones. They glow and shine in the vast realms of our subconscious, making that part of our brain feel like it’s filled with glitter. We pick them up and cradle them like expensive cats, or wriggle into them like they are jumpers we’ve left to warm on a radiator. Until the day when, for one reason or another, life can suddenly make this happy memory into a sad memory instead. Good memories exist in the naivety of not knowing any better.
Holly Bourne (The Places I've Cried in Public)
It was full of whispered words, the lure of stories waiting to be read, a rustle of promise that hung in the air. How many adventures were hidden here in paper and ink, how many great love stories, how many epic battles?
Mechthild Gläser (The Book Jumper)
Unlike Ronan, Adam's Aglionby jumper was second-hand, but he'd taken great care to be certain it was impeccable. He was slim and tall, with dusty hair unevenly cropped above a fine-boned, tanned face. He was a sepia photograph.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Be a team player, not a bandwagon jumper.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Harry Potter has to go into the lake and find his Wheezy—" "Find my what?" "—and take his Wheezy back from the merpeople!" "What's a Wheezy?" "Your Wheezy, sir, your Wheezy — Wheezy who is giving Dobby his jumper!" Bobby plucked at the shrunken maroon sweater he was now wearing over his shorts. "What?" Harry gasped. "They've got... they've got Ron?" "The thing Harry Potter will miss the most, sir!" squeaked Dobby.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.' And he said,'Well, we have to look into that.' And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?' And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!' He said, 'I'll have to give you medication.' I said, 'I don't want medication! I want the girl!' And he said, 'We have to work this through.' So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...
Woody Allen
His lips tasted of words. Of hundreds, thousands, millions of words and the stories hidden inside them. And they tasted of salt, like the sea below us.
Mechthild Gläser (The Book Jumper)
A mysterious ability, a broken promise, a life changed forever...
Kim Hornsby (The Dream Jumper's Promise (Dream Jumper, #1))
I will begin to remember our walk in the third person, as if I’d seen it from the Manhattan Bridge, but, at the time of writing, as I lean against the chain-link fence intended to stop jumpers, I am looking back at the totaled city in the second person plural. I know it’s hard to understand / I am with you, and I know how it is.  
Ben Lerner (10:04)
Australia eventually offered us sanctuary. Mum and Dad were overjoyed. Dad walked around the island asking people if they had any spare warm clothes. He collected a big bundle of jumpers and blankets because he’d heard about Australia—‘Beautiful country, friendly people, but really cold. It’s right near Switzerland.’ That’s my dad, great at rescues, crap at geography. We touched down in Sydney, Australia in thirty-degree Celsius heat and my family were thinking, Geez, Austria’s really hot, man!
Anh Do (The Happiest Refugee)
The rest of my Thursday can be summarised thus: - Nat tells me to bite her. - I don't. - I am forced to sit next to Toby for the entire two-and-a-half-hour return coach journey. - He tells me that water is not blue because it reflects the sky, but actually because the molecular structure of the water itself reflects the colour blue and therefore our art teacher is wrong and the authorities should be alerted. - I pull my jumper over my head. - I stay under my jumper for the next two hours.
Holly Smale (Geek Girl (Geek Girl, #1))
The important things in life always happened by accident. At fifteen she didn’t know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you’d stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever.
Nicholas Evans (The Smoke Jumper)
Anywhere, anytime.
Steven Gould (Jumper (Jumper, #1))
He and his brothers were heroes at heart - even if they were all bad boy on the outside
Anne Marsh (Burning Up (Smoke Jumpers, #1))
I’m a mad scientist. We don’t need lip gloss. We have jumper cables.
Mira Grant (Final Girls)
What did you—" He swallowed. His voice was raspy. "What did you do to him?" "Sightseeing. Your turn." He shivered. "No, that's all right.
Steven Gould (Jumper (Jumper, #1))
Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.
Tana French (The Likeness (Dublin Murder Squad #2))
Villanelle for my valentine Old love, I thought I'd never see the time because of all we've done and often said when I'd be yours, my dear, and you'd be mine. And what relief to soften, and resign the battle of the heart over the head. old love, I thought I'd never see the time when qualms and cold feet that could undermine all we've held out for, dissipate instead now that I'm yours, my dear and you are mine. I'm still amazed how our two lives align the two of us! A pair! Take it as read, old love, I thought I'd never see the time The tangle of our jumpers in the line, the battle for the blankets in our bed confirm that I am yours, and you are mine. So then, this is my pledge, my valentine: my hand's in yours for all that lies ahead. Oh love, there's never been a better time now that I'm yours, and finally, you're mine.
Elise Valmorbida (The Book of Happy Endings: True Stories About Finding Love)
Sentinels are sort of like Mary, aren’t we?” His voice was quiet. “We’re alone in the world, taken from our true parents. I like to think of the libraries as our secret garden. Our escape.
Brenda Drake (Thief of Lies (Library Jumpers, #1))
Often, when I have been feeling lonely, when a book as been thrust aside in boredom [...] I have lain back and stared at the shadows on the ceiling, wondering what life is all about [...] and then, suddenly, there is the echo of the swinging door, and across the carpet, walking with the utmost delicacy and precision, stalks Four or Five or Oscar. He sits down on the floor beside me, regarding my long legs, my old jumper, and my floppy arms, with a purely practical interest. Which part of this large male body will form the most appropriate lap? Usually he settles for the chest. Whereupon he springs up and there is a feeling of cold fur [...] and the tip of an icy nose, thrust against my wrist and a positive tattoo of purrs. And I no longer wonder what life is all about.
Beverley Nichols (Cats' A. B. C)
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected and tortured after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me?
Ray Bradbury (Fahrenheit 451)
Boo-hoo," said Dr Abbey. "Let me know when you people want to grow a pair and join the scientific community. We're looking for answers. We'd love access to your lab equipment." "You mean join the mad scientists," spat Kelly, guilt turning into anger in an instant. "You say potato, I say pass the jumper cables," said Dr Abbey.
Mira Grant (Deadline (Newsflesh, #2))
Tom Cruise isn't that big of a guy," my mom always says. I love how she tries to avoid using the word "short." Yeah," I tell her in return, "but he compensates by being Tom Cruise." Not that anyone really wants to BE Tom Cruise anymore now that he's a crazy couch jumper. But whatever.
Ann Edwards Cannon (The Loser's Guide to Life and Love)
He'd probably faint at the sight of their hoards of undies, make-up, and never-put-away tampon boxes.
Debbie Johnson (Never Kiss a Man in a Christmas Jumper)
Back in the Aerie she popped her lips percussively as she examined her booty. 'P-ilfering P-adgett's P-ockets Pr-oduces P-ossible P-ath to... to—' Well, clues and shit.
Steven Gould (Reflex (Jumper, #2))
Underneath he has on jeans and a baggy beige jumper that’s twenty quids’ worth of knitted depression.
Tana French (The Trespasser (Dublin Murder Squad, #6))
and jazz is like a bird who migrates or emigrates or immigrates or transmigrates, roadblock jumper, smuggler, something that runs and mixes in
Julio Cortázar (Hopscotch)
Clotheswise I’d packed only what was strictly necessary. The way I saw it, it was better to take one less cardigan than have to do without one of my favorite books.
Mechthild Gläser (The Book Jumper)
Why is it easier to get men to go to war than to see a counselor?
Steven Gould (Jumper (Jumper, #1))
Like the stubborn oose you pick from an acrylic jumper, some unseen static kept pulling his gaze back to the boy. James turned away. He knew if they caught him staring they would have a hundred names for him before he had a name for himself.
Douglas Stuart (Young Mungo)
Yes, falling in love requires a leap of faith. But people only jump because they don't know what the ground looks like. They believe their landing will be soft. That the ground is covered in soft stuff- feathers, down pillows, fluffy baby blankets, the shaggiest shag carpeting. But I've seen the ground. It is covered in lethal spikes fashioned fro the bones of other jumpers. The fall is not all survivable.
Nicola Yoon (Instructions for Dancing)
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar.
Ray Bradbury (Fahrenheit 451)
This is the crux of being a Creative Mother. It is more than how many jumpers you have knitted, or having an exhibition in a fancy gallery, or a bookshelf of your own books. It is about the act of living authentically whilst honoring your mother self and creative self. About saying yes to life, every part of your life, and finding how to weave them all together.
Lucy H. Pearce (Rainbow Way, The)
Sometimes you are able to keep moving because you are not really yourself anymore. Your entire brain can shrink to one pinhead of cognition, one star in a night. I was acquainted with it, this bright spot, because once or twice before it had taken over during my fiercest wrestling matches. Encapsuled in this pinhead lived a brute, a swimmer, a thirst, a hunger, a fire-hater, a grass-jumper. The same as anybody’s, probably, as any living person’s. I’m sure that yours and mine would push up for air with the same force:mass ratio. Would fin up, would open its frog mouth for air, would claw up, would gallop. This new self had all the personality of a muscle. Its haunches charged ahead of my heartbeat, leaving a wake of blood in my ears: KICK. KICK. KICK.
Karen Russell (Swamplandia!)
Because that saying about sticks and stones is a pack of lies. Unkind words hurt more than anything else. You end up carrying them around in your head, wondering if they’re true. Bruises fade, but self-doubt follows you forever.
Kate Lattey (Triple Bar (Pony Jumpers, #3))
teaching, even when it was just subbing, was like having a pair of jumper cables attached to some critical part of your brain. It was good that the kids could draw power from that part, but there was precious little left over. Many
Stephen King (The Bazaar of Bad Dreams)
He admired bears because everyone was afraid to disturb them while they slept and fish were so in love with bears that they jumper right into their mouths. He ate meat and never felt bad about it unless he saw how the animal was slaughtered or if the meat was not cooked properly but he thought thrice about killing bus.
Robb Todd
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be.
Ray Bradbury (Fahrenheit 451)
Excerpt: Here are some thoughts from Charlene the Star: “I’ll bet that’s why Mama put the word “Star” in my name. I have a feeling I’m going to be a star as a jumper.
Deanie Humphrys-Dunne (Charlene the Star (The Charlene the Star Series Book 1))
You’re a jumper. He’s a thinker.
Diane Chamberlain (The Good Father)
I am fat, and i lift up my jumper. This wasn't here yesterday, I say. This is trespassing.
Sarah Winman (Tin Man)
We choose who we will be; how we will act.
Raven Williams (Elven-Jumper (Realm Jumper Chronicles #1))
Maybe they had become volcano smoke jumpers, diving into an unknown risk to do a dangerous job because, in part, it was a social good and, in part, because they loved the big show.
Dick Thompson (Volcano Cowboys: The Rocky Evolution of a Dangerous Science)
Things it helps me to remember When in a bad mood, keep quiet or still. Baggy jumpers don’t suit you. When you’re tired you get doubtful. Difficulties come in spurts. Listen to the echo of your own voice. Avoid be strident. All aeroplanes go through clouds during their journeys. So do people during theirs. Often greater clarity comes out of confusion. You have to be puzzled before you find a solution. PMS often brings on a crisis of confidence. Ordinariness is restful. If someone is explosive in front of you, be silent. If you feel explosive, be silent.
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word “intellectual”, of course, became the swear word it deserved to be. You always dread the unfamiliar.
Ray Bradbury (Fahrenheit 451)
I want to take you to the river that runs behind my house and show you where the dark water vanishes between the rocks but I can’t because nothing runs behind my house not even a lonely commercial highway I want to stand with you on the edge of a lonely commercial highway waiting for the jumper cables that will restart this engine and take us somewhere far beyond the confines of this poem
Hera Lindsay Bird (Hera Lindsay Bird)
I was all about resurrecting the lost art of the midrange jumper, but then one day I was shooting free throws—just standing at the foul line at the North Central gym shooting from a rack of balls. All at once, I couldn’t figure out why I was methodically tossing a spherical object through a toroidal object. It seemed like the stupidest thing I could possibly be doing. “I started thinking about little kids putting a cylindrical peg through a circular hole, and how they do it over and over again for months when they figure it out, and how basketball was basically just a slightly more aerobic version of that same exercise.
John Green (The Fault in Our Stars)
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers and swimmers instead of examiners, critics, knowers and imaginative creators, the word 'intellectual' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally 'bright,' did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of a well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world [...] there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors.
Ray Bradbury (Fahrenheit 451)
To be a desirable woman – the sky’s the limit. Have every surface of your body waxed. Have manicures every week. Wear heels every day. Look like a Victoria’s Secret Angel even though you work in an office. It’s not enough to be an average-sized woman with a bit of hair and an all-right jumper. That doesn’t cut it. We’re told we have to look like the women who are paid to look like that as their profession.
Dolly Alderton (Everything I Know About Love)
Unlike the Marines, who are given macho monikers like “jarheads,” the Coast Guard had long been denigrated in military circles as fey “puddle jumpers.” But just as 9/11 brought a newfound respect to firemen, Katrina did the same for the reputation of the Coast Guard. At the peak of rescue operations they had 62 aircraft, 30 cutters, and 111 small boats stepping up in rescue and recovery operations. They did it all one person at a time.
Douglas Brinkley (The Great Deluge)
Referring to Jumper the spider, who needs to hide himself in human form, and he's learning to act like a human. "I'm sure I can learn to walk faster than that," he said desperately. "But you'll also need to learn the nuances of human behavior. Such as not going around naked." "What's wrong with being natural?" he demanded. "Humans aren't natural. They are girt about by all manner of conventions. It will take time for you to catch up with them all.
Piers Anthony (Jumper Cable (Xanth, #33))
During the London riots in August 2011, I witnessed looters forming an orderly queue to squeeze, one at a time, through the smashed window of a shop they were looting. They even did the ‘paranoid pantomime’, deterring potential queue-jumpers with disapproving frowns, pointed coughs and raised eyebrows. And it worked. Nobody jumped the queue. Even amid rioting and mayhem – and while committing a blatant crime – the unwritten laws of queuing can be ‘enforced’ by a raised eyebrow.
Kate Fox (Watching the English: The Hidden Rules of English Behaviour)
As the man continues to stare at his mobile phone, his yellow safety vest loosens itself up and flaps wildly in the breeze, hitting him in the face. I watch him swat away at the vest, taming it under control aggressively. Pulling down the vest, he presses the Velcro back together and flattens it against his zip up brown jumper.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
Merry Christmas," said George. "Don't go downstairs for a bit." "Why not?" said Ron. "Mum's crying again," said Fred heavily. "Percy sent back his Christmas jumper." [I guess that's a sweater, though my jury is still out on it until I get a future confirmation.] "Without a not," added George. "Hasn't asked how Dad is or visit him [in the hospital] or anything..." "We tried to comfort her," said Fred, moving around the bed to look at Harry's portrait. "Told her Percy's nothing but a humongous pile of rat droppings--" "--didn't work," said George, helping himself to a Chocolate Frog. "So Lupin took over. Best let him cheer her up before we go down for breakfast, I reckon.
J.K. Rowling
At home I walked through a haze of belongings that knew, at least vaguely, who they belonged to. Grampar’s chair resented anyone else sitting on it as much as he did himself. Gramma’s shirts and jumpers adjusted themselves to hide her missing breast. My mother’s shoes positively vibrated with consciousness. Our toys looked out for us. There was a potato knife in the kitchen that Gramma couldn’t use. It was an ordinary enough brown-handled thing, but she’d cut herself with it once, and ever after it wanted more of her blood. If I rummaged through the kitchen drawer, I could feel it brooding. After she died, that faded. Then there were the coffee spoons, rarely used, tiny, a wedding present. They were made of silver, and they knew themselves superior to everything else and special. None of these things did anything. The coffee spoons didn’t stir the coffee without being held or anything. They didn’t have conversations with the sugar tongs about who was the most cherished. I suppose what they really did was physiological. They confirmed the past, they connected everything, they were threads in a tapestry.
Jo Walton (Among Others)
I like your jumper,” she said into it. “You like my what?” Jared asked. Kami tugged at his sleeve in response and he laughed. “In the civilized land of the Americas, we call that a sweater. A jumper is a dress. You might as well have just said, ‘Why, Jared, what a fetching frock you’re wearing today.’ ” “Why, Jared, what a fetching frock you’re wearing today,” Kami said instantly, raising her head so she could lift her face up to his. “You look ever so pretty.” Jared laughed, a soft huff of breath, and rested his forehead gently against hers. “Your frock’s fairly fetching as well.” Kami closed her eyes, embarrassed to let him see she was happy he’d noticed. “Thanks.” “Not as fetching as mine, of course,” Jared added. “I am the prettiest.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
Do not despair—many are happy much of the time; more eat than starve, more are healthy than sick, more curable than dying; not so many dying as dead; and one of the thieves was saved. Hell's bells and all's well—half the world is at peace with itself, and so is the other half; vast areas are unpolluted; millions of children grow up without suffering deprivation, and millions, while deprived, grow up without suffering cruelties, and millions, while deprived and cruelly treated, none the less grow up. No laughter is sad and many tears are joyful. At the graveside the undertaker doffs his top hat and impregnates the prettiest mourner. Wham, bam, thank you Sam.
Tom Stoppard (Jumpers)
(...) I'm my very best self when I'm with him, but every day, I want him more than I need him. He taught me that love is patient, love is kind, love is calm and quiet. It's not a music video of big hair, big tears and erotic, electrical storms. It's two people pottering about a small flat making each other coffee. It's waking up every morning and feeling quietly delighted as you smell the sleep on his skin and observe the the way his tufty hair is framed by the pillow. It's sly hands sneaking up jumpers to stroke the silky skin underneath and wanting to share all your big news, bad news and pictures of especially adorable dogs. It's knowing that there's nothing that can't be talked over and solved by a walk to the park or a trip to the pub.
Daisy Buchanan (How to Be a Grown-Up)
I looked at Perston‐Smythe. "Are you going to let them do this?" Cox did smile then. "Dr. Perston‐Smythe is a contracted employee of the agency. Who do  you think notified us in the first place?" I took a step toward the desk and had the small pleasure of seeing the smile drop from Cox's  face. Five witnesses. Better make it good. I smiled then. "I have just one thing to say, then.  And I hope you'll report it to your superiors, of whom there must be many." Cox narrowed his eyes. "Yes?" "We mean no harm to your planet," I said. And jumped.
Steve Gould
In fact, a whole ex-girlfriend themed ghost train sounded genuinely terrifying. You'd get in and instead of a mummy mannequin covered in toilet roll popping out, it's her and you look down and you're wearing a baggy old jumper with a stain on the front. You turn the corner and you find yourself being forced to scroll through her Instagram and there are replies from a girl with tattoos and she looks exactly like the celebrity your ex fancies most. Right at the end, they play a video on a loop that's just screenshots of all the pathetic texts you sent when you were too heartbroken to have any dignity.
Ciara Smyth (The Falling in Love Montage)
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
Robert A. Heinlein (Glory Road)
Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.
John McPhee (A Sense of Where You Are: Bill Bradley at Princeton)
What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man?
Ray Bradbury (Fahrenheit 451)
The most compelling new idea that Bratton brought to life stemmed from the broken window theory, which was conceived by the criminologists James Q. Wilson and George Kelling. The broken window theory argues that minor nuisances, if left unchecked, turn into major nuisances: that is, if someone breaks a window and sees it isn’t fixed immediately, he gets the signal that it’s all right to break the rest of the windows and maybe set the building afire too. So with murder raging all around, Bill Bratton’s cops began to police the sort of deeds that used to go unpoliced: jumping a subway turnstile, panhandling too aggressively, urinating in the streets, swabbing a filthy squeegee across a car’s windshield unless the driver made an appropriate “donation.” Most New Yorkers loved this crackdown on its own merit. But they particularly loved the idea, as stoutly preached by Bratton and Giuliani, that choking off these small crimes was like choking off the criminal element’s oxygen supply. Today’s turnstile jumper might easily be wanted for yesterday’s murder. That junkie peeing in an alley might have been on his way to a robbery.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
Suicide attempts at the Empire State Building are rare, but the same unfortunately cannot be said about the Golden Gate Bridge in San Francisco, the most popular such site in the United States. (The Nanjing Yangtze River Bridge in China is widely regarded as the world’s most popular suicide bridge, and the Golden Gate Bridge is number two.) We don’t know, officially, how many people have taken their lives there because when the number hit 997, authorities stopped counting to avoid giving anyone the incentive of being jumper number 1,000. Whatever the number is, it could have been much higher. In 1994, California Highway Patrol Sergeant Kevin Briggs was assigned to patrol the bridge. Since then, he’s managed to talk an estimated 200 people out of jumping.
Dan Lewis (Now I Know More: The Revealing Stories Behind Even More of the World's Most Interesting Facts (Now I Know Series))
What first comes across our minds About the stocky Mexican Pushing a mower across the lawn At 7 a.m. on a Saturday As the roar of the cutter wakes us? Let me take a guess. Why do they have to come so damn early? What do we make of his flannel Shirt missing buttons at the cuffs, Threadbare at the shoulders, The grass stains around his knees, The dirt like roadmaps to nowhere, Between the wrinkles of his neck? Let me take a shot. Dirty Mexican. Would his appearance lead us to believe He is a border jumper or wetback Who hits the bar top with an empty shot glass For the twelfth time then goes home To kick his wife around like fallen grapefruit Lying on the ground? First, the stocky Mexican isn’t mowing the lawn At 7 a.m. on a Saturday. He doesn’t work weekends anymore ever since He lost one-third of his route To laborers willing to work for next to nothing. Second, he knows better than to kneel On the wet grass because, well, the knees Of his pants will become grass-stained And pants don’t grow on trees, even here, Close to Palm Springs. Instead, after 25 years of the same blue collar work, Two sons out and one going to college, Rather than jail, and a small but modest savings In case he loses the remaining two-thirds Of his work—no matter how small and reluctantly The checks come in the mail— My father the stocky gardener believes He firmly holds his life In both his hands like pruning shears, Chopping branches and blossoms, Never looking downward as they fall to his feet In pieces like the American dream.
John Olivares Espinoza (The Date Fruit Elegies (Canto Cosas))
I'd thought about this for a long time. "That bank loses that much money in bad loans every  month. They make that much money in interest every day. They're a big bank. The money I  took was small change to them. No depositor was hurt." She shook her head. "I still can't approve of it. I don't think it's right." I felt my face go remote, still. I crossed my arms and felt cold. She spread her hands. "It doesn't change the fact that I still love you. I've missed you terribly.  I've missed your phone calls, and I've missed your body in bed next to me. I don't know what  to do about this. My loving you goes way beyond my disapproval of your theft." I uncrossed my arms and reached across the table for her. She leaned forward and we kissed  until the candle burned a hole in my shirt. Then we laughed and I held an ice cube to the  burn and the food came and everything was all right.
Steven Gould
I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
Sarah Rayner (One Moment, One Morning)
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
She brought the tea into the living room on a lacquered tray. The pot and cups were Japanese with unglazed rims. She poured. "Thanks," I said. "Well?" "Huh?" "Your family," she reminded. I sipped the tea. "This is really good. Really delicious." She raised her eyebrows. "That's what I thought. You're a good listener, Davy, and you can change the subject on a dime. You've hardly talked about yourself at all." "I talk... too much." "You talk about books, you talk about plays, you talk about movies, you talk about places, you talk about food, you talk about current events. You don't talk about yourself." I opened my mouth, then shut it again. I hadn't really thought about it. Sure, I didn't talk  about the jumping, but the rest? "Well, there's not much to say. Not like those stories of growing up with four brothers." She smiled. "It's not going to work. If you don't want to talk about it, that's fine. But I'm not going to be distracted again, nor fooled into talking about those idiots again." She poured more tea into my cup. I frowned. "Do I really do that?" "What? Not talk about yourself? Yes." "No, try and distract you." She stared at me. "You are fucking amazing. I've never seen someone so good at changing the subject." "I don't do it on purpose." She laughed. 
Steven Gould
Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.
Caitlin Moran (How to Be a Woman)
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)