No Glass Ceiling Quotes

Jace shook his blond head in exasperation. "You had to make a crazy jail friend, didn't you? You couldn't just count ceiling tiles or tame a pet mouse like normal prisoners do?

Maybe that was why she couldn't cry, she realized, staring dry-eyed at the ceiling. Because what was the point in crying when there was no one there to comfort you? And what was worse, when you couldn't even comfort yourself?

Thirty minutes later, Rowan was still staring up at the ceiling, teeth gritted as he calmed the roaring in his veins that was steadily shredding through his self-control. That gods-damned nightgown. Shit. He was in such deep, unending shit.

It's difficult to see the glass ceiling because it's made of glass. Virtually invisible. What we need is for more birds to fly above it and shit all over it, so we can see it properly.

Anything you want to do, you can. Hurdles were made to be jumped. Glass ceilings were made to be smashed. But all that can be exhausting, so make sure you care for yourself too. There's great value in the things that bring you joy.

Samuel! Are you alright?" A vision of Samuel being brained by the falling bars rose up before Simon's eyes. Samuel's voice rose to a scream. "GO AWAY!" Simon looked sideways at Jace. "I think he means it." Jace shook his blond head in exasperation. "You had to make a crazy jail friend, didn't you? You couldn't just count ceiling tiles or tame a pet mouse like normal prisoners do?

An overhead light blinked and extinguished. Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall. A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.

…I was finding that reporting the news wasn't enough. I wanted to be more than just a paid observer. I wanted to be in the fight. I got my chance.

I myself shall continue living in my glass house where you can always see who comes to call, where everything hanging from the the ceiling and on the walls stays where it is as if by magic, where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later appear etched by a diamond.

The last few weeks of that summer, Janice lost interest in our conversations…. Her mind was taking her to other places, as though she was listening to a song or watching a movie or reading a book we could neither see nor hear.

Unofficially, we understood. There was a ceiling. Always had been, always would be. Even for him. Even for our hero, there were limits to the dream of assimilation, to how far any of you could make your way into the world of Black and White.

The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there to still be a glass ceiling.

There are enough closed doors and glass ceilings in the world. My comfort zone shouldn’t be one of them.

there are mountains growing beneath our feet that cannot be contained all we've endured has prepared us for this bring your hammer and fists we have a glass ceiling to shatter

Everything was comfortable, tasteful, as if the apartment were for lounging and nights by the fire. And there were so many books—on shelves, on the tables by the couch, stacked beside the large armchair before the curtained floor-to-ceiling window spanning the entire length of the great room. Smart. Educated. Cultured, if the knickknacks were any indication. There were things from across kingdoms, as if she'd picked up something everywhere she went. The room was a map of her adventures, a map of a whole different person. Aelin had lived. She'd lived, and seen and done things.

So let’s raise our glass to the accident season, To the river beneath us where we sink our souls, To the bruises and secrets, to the ghosts in the ceiling, One more drink for the watery road.

Many women arrange their lives around the people they love. Unfortunately, that arrangement takes up most of our days.

Although we were not able to shatter that highest and hardest glass ceiling this time, thanks to you it has 18 million cracks in it, and the light is shining through like never before, filling us all with the hope and the sure knowledge that the path will be a little easier next time, and we are going to keep working to make it so, today keep with me and stand for me, we still have so much to do together, we made history, and lets make some more.

We have no interest in breaking the glass ceiling while leaving the vast majority to clean up the shards. Far from celebrating women CEOs who occupy corner offices, we want to get rid of CEOs and corner offices.

When men shake hands with time, time crushes Them like tumblers; little pieces of glass.

Domination was and is at the heart of penis politics: a man maintaining power over a woman through gender or sex-based control…. Andrew (Cuomo) was the master of the art of penis politics. In Washington, he’d given me a job and then worked to undermine me in it. He made me feel as if I were no good at my job and, thus, totally dependent on him to keep it…. I had never seen anyone push so hard, day, noon, and night… But I was soon to learn that, as Andrew pushed up and up, some of us would be pushed aside.

Should I stay in Greenville, teach my students, or work for Mike Espy (in Washington, DC)….Capitol Hill had many more men than women walking the halls, whether they were members of Congress or congressional and committee staff or lobbyists. The receptionist was usually a woman, and the chief of staff, a man. Sometimes I wondered why anyone in Washington would want to listen to what a girl from Soso, Mississippi, had to say.

In the back of my mind, I thought maybe I would find my Robert Redford in New Orleans. We made our way to the city by afternoon and planned to drive home when the sun rose over Lake Pontchartrain. We had no idea where else to go, except to Bourbon Street. We walked toward the bright lights and glowing colors of one strip club after another…. In 1975, Big Daddy’s was the top, topless go-go joint on Bourbon.

Driving home, I thought of Janice, wondering why I wasn’t upset or hurt by (William) Styron’s wine-soaked moves. Did I give his flirtations a pass because of the alcohol? Was it because he was a famous and a highly praised writer whom I'd wanted to meet? Or did I need to protect him since he was somebody, and I was nobody? I only knew that I didn’t feel abused, like I knew Janice had been…. Styron was famous. But so was Coach, at least in Soso.

Walking into the library, I took in my breath sharply and stopped: glass fronted bookcases and Gothic panels, stretching fifteen feet to a frescoed and plaster-medallioned ceiling. In the back of the room was a marble fireplace, big as a sepulchre, and a globed gasolier--dripping with prisms and strings of crystal beading--sparkled in the dim. There was a piano, too, and Charles was playing, a glass of whiskey on the seat beside him. He was a little drunk; the Chopin was slurred and fluid, the notes melting sleepily into one another. A breeze stirred the heavy, moth-eaten velvet curtains, ruffling his hair.

The glass ceiling of happiness is held in place by two stout pillars, one psychological, the other biological. On the psychological level, happiness depends on expectations rather than objective conditions. We don’t become satisfied by leading a peaceful and prosperous existence. Rather, we become satisfied when reality matches our expectations. The bad news is that as conditions improve, expectations balloon. Dramatic improvements in conditions, as humankind has experienced in recent decades, translate into greater expectations rather than greater contentment. If we don’t do something about this, our future achievements too might leave us as dissatisfied as ever. On

But in every way, the shared metaphors we use of female access to power - 'knocking on the door', 'storming the citadel', 'smashing the glass ceiling', or just giving them a 'leg up' - underline female exteriority. Women in power are seen as breaking down barriers, or alternatively as taking something to which they are not quite entitled.

Making God a man is the consolation prize that our forefathers gave themselves for not being the ones who were each blessed with a vagina.

When you break through a glass ceiling, you're going to get cut, and it's going to hurt.

Did you ever notice me at Keramzin?" He was silent for a long moment, and when I glanced at him, he was looking up at the glass ceiling. He'd gone red as a beet. "Mal?" He cleared his throat, crossed his arms. "As a matter of fact, I did. I had some very ... distracting thoughts about you." "You did?" I sputtered. "And I felt guilty for every one of them. You were supposed to be my best friend, not ..." He shrugged and turned even redder. "Idiot.

I myself shall continue living in my glass house where you can always see who comes to call; where everything hanging from the ceiling and on the walls stays where it is as if by magic; where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later be etched by a diamond.

Kaltain unleashed the last of her shadowfire, tipping her face to the ceiling, toward a sky she'd never see again. She took every wall and every column. As she brought it all crashing and crumbling around them, Kaltain smiled, and at last burned herself into ash on a phantom wind.

I walk through the glass doors and into the lobby, which is floor-to-ceiling glass and steel. This fascinates me to no end, because buildings back in Portland are made of grass and mud.

The gender pay gap in Korea is the highest among the OECD countries. According to 2014 data, women working in Korea earn only 63 percent of what men earn; the OECD average percentage is 84.13 Korea was also ranked as the worst country in which to be a working woman, receiving the lowest scores among the nations surveyed on the glass-ceiling index by the British magazine The Economist.14 8 “Repeated Protests against Tuition Increase,” Yonhap News, April 6, 2011.

I gaze up at the ceiling. Through it. Past Kim and Chip's room on the second floor into the sky, space, heaven, hell. Who says hell is down? It could be up. It could be next door to heaven. Hell could be a subset of heaven, like a ghetto in the middle of a glass city.

There's no such thing as a glass ceiling for women. It's just a thick layer of men.

A 2011 McKinsey report noted that men are promoted based on potential, while women are promoted based on past accomplishments.

Celaena stared at the ceiling, suddenly homesick, strangely wishing Sam was with her. At least if she were to fail, she’d fail with him.

No glass ceiling was ever shattered by a whiner.

They were blurring. The lies and truths and memories. Sleep and the blackness in the iron coffin. The days bound to the stone altar in the center of the room, or hanging from a hook in the ceiling, or strung up between chains anchored into the stone wall. It was all beginning to blur, like ink in water.

Our longing for community and purpose is so powerful that it can drive us to join groups, relationships, or systems of belief that, to our diminished or divided self, give the false impression of belonging. But places of false belonging grant us conditional membership, requiring us to cut parts of ourselves off in order to fit in. While false belonging can be useful and instructive for a time, the soul becomes restless when it reaches a glass ceiling, a restriction that prevents us from advancing. We may shrink back from this limitation for a time, but as we grow into our truth, the invisible boundary closes in on us and our devotion to the groupmind weakens. Your rebellion is a sign of health. It is the way of nature to shatter and reconstitute. Anything or anyone who denies your impulse to grow must either be revolutionised or relinquished.

But I would be happier if my daughter and her friends were crashing through the glass ceiling instead of the sexual ceiling,' Jong continued. 'Being able to have an orgasm with a man you don't love or having Sex and the City on television, that is not liberation. If you start to think about women as if we're all Carrie on Sex and the City, well, the problem is: You're not going to elect Carrie to the Senate or to run your company. Let's see the Senate fifty percent female; let's see women in decision-making positions--that's power. Sexual freedom can be a smokescreen for how far we haven't come.

All too often, women end up marrying their glass ceilings.

As a culture, we love a celebration. We love a first. We hold them high. We all marvel at headlines and highlight reels. But we rarely discuss the marks and scars and bruises that come with breaking through glass ceilings.

It occurred to me that some people couldn't handle too much love. That everyone loves as they're able, but more, they are loved as they're able. Some are indomitable and open, like an ocean, but others aren't made to tread those waves, cannot stay afloat those waters. We embrace the kind of love we can manage. Less can be the right measure. But when it isn't, we must learn we cannot squeeze a mountain into a room with a glass ceiling. Or everything shatters.

He stripped to his trunks, then dove into the pool. We all watched as he broke the surface and climbed from the water, his muscles slick and wet, his green eyes glowing in the half light of the glass ceiling. I heard Natalie and Sara both sigh, and Harry murmur that it almost made him want to go gay. Coby stretched out on a chaise beside me and asked, “So you still sorry you moved here?

I once asked the servants why none of them had blue eyes like my aunts. They replied that only the ladies could afford to buy the blue glass cups in which they kept their eyes at night to make them more blue and beautiful, and furthermore, if we went on asking silly questions, the rats that steal the faces of inquisitive children in order to wear them as masks would come to take us to live in the twilit world between the ceiling and the roof where no one ever dared to go.

It’s fifteen minutes until two when I arrive – just in time for the interview. I walk through the glass doors and into the lobby, which is also floor-to-ceiling glass and steel. This fascinates me, because buildings back in Portland are made of grass and mud.

So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.

Glass ceilings can't stop me. Glass slippers don't interest me. Glass mirrors don't define me. I decide who I will or I will not be. And I choose to be unbreakable untakeable unshakeable me.

And, yes, I’m all about independence and women running the world, but there’s something to be said about breaking the glass ceiling during the day and coming home to a man who’ll do everything in his power to remind you exactly who you belong to.

We can continue to say to our girls as they grow into women, 'Come up here and scrunch under this glass ceiling with me.' Or we can say to them, 'Let me break this ceiling so when you come up here with me, we can stand up straight under the open sky.

She walked as if through a forest. The pillars were furrowed like ancient trees, and into the woods the light seeped, colorful and as clear as song, through the stained-glass windows. High overhead animals and people frolicked in the stone foliage, and angels played their instruments. At an even higher, more dizzying height, the vaults of the ceiling arched upward, lifting the church toward God ... The song cut through her like a blinding light. Now she saw how deep in the dust she lay.

Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.

Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that.

Between Friday evening and Sunday afternoon, I broke into a total of six offices, one penthouse suite and a small bank, and cursed them all. I cursed the stones they were built on, the bricks in their walls, the paint on their ceilings, the carpets on their floors. I cursed the nylon chairs to give their owners little electric shocks, I cursed the markers to squeak on the whiteboard, the hinges to rust, the glass to run, the windows to stick, the fans to whir, the chairs to break, the computers to crash, the papers to crease, the pens to smear; I cursed the pipes to leak, the coolers to drip, the pictures to sag, the phones to crackle and the wires to spark. And we enjoyed it.

she had made her way up the corporate ladder by treading on the backs of more young women than you could count, and then, once she was through the glass ceiling, pulling the ladder up behind her. I remembered Rowan once saying, Tina is one of those women who thinks every bit of estrogen in the boardroom is a threat to her own existence.

Feminism, like wealth, does not trickle down, and while a small number of extremely privileged women worry about the glass ceiling, the cellar is filling up with water, and millions of women and girls and their children are crammed in there, looking up as the flood creeps around their ankles, closes around their knees, inches up to their necks.

Everything, including your set of hand-blown green glass dishes with the tiny bubbles and imperfections, little bits of sand, proof they were crafted by the honest, simple, hard-working indigenous aboriginal people of wherever, well, these dishes all get blown out by the blast. Picture floor-to-ceiling drapes blown out and flaming to shreds in the hot wind.

Still, I wonder if more women artists, musicians and writers aren't household names because we don't have enough faith in our own pursuits to give ourselves the time we desperately need to be transformed by a creative vision. Maybe that glass ceiling isn't really made of glass at all, but of sticky little fingers, dishes piled in the sink, and mortgages that demand two incomes.

I practiced saying I was gay to inanimate objects around the house. I told the soap dish in the bathroom, the ceiling fan above my bed, the blue drinking glass I favored above all the others simply because over the years its entire family had perished one by one during various interactions with hard surfaces around the kitchen and I'd convinced myself our solitude was linked. "I'm gay," I told these things. "I'm a homo." I would wait for the orphaned drinking glass to shatter, the ceiling fan to drop, or for the soap dish to let out a bloodcurdling scream. But nothing ever happened. The world went on as ever.

I stepped out of the box because I'm a woman who breaks locks. I break glass ceilings too, the sky knows my flair, boo. Where you see the word 'groundbreaking', know it's me being breathtaking. I'm a woman; I gave birth to all men.

When I saw that, the evidence left by two people, of love or something like it, desire at least, at least touch, between two people now perhaps old or dead, I covered the bed again and lay down on it. I looked up at the blind plaster eye in the ceiling. I wanted to feel Luke lying beside me. I have them, these attacks of the past, like faintness, a wave sweeping over my head. Sometimes it can hardly be borne. What is to be done, what is to be done, I thought. There is nothing to be done. They also serve who only stand and wait. Or lie down and wait. I know why the glass in the window is shatterproof, and why they took down the chandelier. I wanted to feel Luke lying besides me, but there wasn't room.

Thirty minutes later, Rowan was still staring up at the ceiling, teeth gritted as he calmed the roaring in his veins that was steadily shredding through his self-control. That gods-damned nightgown. Shit. He was in such deep, unending shit.

In all societies, both women and men are powerfully conditioned to repress the daily realities of (sexual harassment and workplace glass ceilings) and to collude with the rest of society in keeping these dimensions of shared experiences hidden.

He looked out over the reading room of the Bibliothèque nationale de France. It was one of the most beautiful libraries he had ever seen, the ceilings vaulted like the rib cage of a slain monster out of myth, and full of stained glass windows, book-lined walls, and Forged reference books that perched on slender golden racks, preening and flapping their covers.

Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise.

If women cut back on their ambitions en masse, institutional change will never happen and the glass ceiling will lower. We need to be there to demand equal pay, mandatory maternity leave, more human hours. Leaving the “dirty work” of working to the men is a way of muffling our own voices.

If you wanted to kill me, why haven't you smothered me in my sleep?" "No sport in that." She gestured towards the ceiling. "Can I expect to be strung up on that bar and gutted like a deer?" He looked up at the bar and frowned. "Too much sport. Lots of heave-hoeing. Big mess to clean up after. Instead, why don't you just drink the poison-laced whiskey?" He extended the glass toward her again and when she didn't move he said, "No? Okay then." He shot the drink. She might not want the edge taken off but he sure as hell did.

The question is, are you going to grow or are you going to just stay as you are out of fear and waste your precious human life by status quo-ing instead of being willing to break the sound barrier? Break the glass ceiling, or whatever it is in your own life? Are you willing to go forward? I suggest finding the willingness to go forward instead of staying still, which is essentially going backward, particularly when you have a calling in some direction. That calling needs to be answered. And it’s not necessarily going to work out the way you want it to work out, but it is taking you forward, and you are leaving the nest. And that never can be a mistake—to fly instead of staying in the nest with all the poop and everything that’s in there. TS:

To all the women, and especially the young women, who put their faith in this campaign and in me, I want you to know that nothing has made me prouder than to be your champion. Now, I know we have still not shattered that highest and hardest glass ceiling, but some day someone will and hopefully sooner than we might think right now.

Imagine there was a table covered with fleas,” he explains. “The fleas would jump and jump to heights unknown. Then a man came along and upturned a glass jar over the fleas. The fleas jumped and hit the top of the jar and could go no farther. Then the man removed the jar and yet the fleas did not jump higher than they had grown accustomed, because they believed there to still be a glass ceiling.

At the time, I thought the point was about representation: there should be more women chefs covered by the food media, just as there should be more people of color. But no, we’re talking about something much more vicious. It’s not just about the glass ceiling or equal opportunity. It’s about people being threatened, undermined, abused, and ashamed in the workplace. It’s embarrassing to admit how long it took me to grasp that.

Coz it’s big business, baby, and its smile is hideous. Top-down violence. Structural viciousness. Your kids are doped up on prescriptions and sedatives. But don’t worry 'bout that, man, Worry 'bout terrorists. The water level's rising! The water level's rising! The animals - the polar bears the elephants are dying. STOP CRYING START BUYING!! But what about the oil spill? Shh. No one likes a party-pooping spoilsport. Massacres massacres massacres/new shoes ghettoised children murdered in daylight by those employed to protect them. Porn live-streamed to your pre-teens bedrooms. Glass ceiling. No headroom. Half a generation live beneath the breadline - oh but it's Happy Hour on the high street! - Europe is Lost

Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns...

Tilting back in his chair he framed questions for the quaking ovoid of lamplight on the ceiling to pose to him: Supposing there be any soul to listen and you died tonight? They’d listen to my death. No final word? Last words are only words. You can tell me, paradigm of your own sinister genesis construed by a flame in a glass bell. I’d say I was not unhappy. You have nothing. It may be the last shall be first. Do you believe that? No. What do you believe? I believe that the last and the first suffer equally. Pari passu. Equally? It is not alone in the dark of death that all souls are one soul. Of what would you repent? Nothing. Nothing? One thing. I spoke with bitterness about my life and I said that I would take my own part against the slander of oblivion and against the monstrous facelessness of it and that I would stand a stone in the very void where all would read my name. Of that vanity I recant all.

Mismatched wooden shelves crammed with dusty glass vials, tiny reed baskets, and crumbling ceramic jars covered the walls. Lengths of dried herbs, animal parts, and objects she couldn't identify hung from the ceiling while clay amphorae competed for the small amount of floor space. Yaqub knew his inventory like the lines of his palms, and listening to his stories of ancient Magi or the hot spice lands of the Hind transported her to worlds she could hardly imagine.

...if I have a daughter I will tell her she can do anything, and I will mean it, because I have no other intention of informing her otherwise. As my mother did with me, and my mother's mother before her, I shall simply hide the truth from her. I will tell her that despite what others may whisper, there is no difference between her and any boy. I will tell her to work her hardest and try her best. And that if one day she looks around and finds that, despite her very best efforts, lesser men have superseded her, then she probably could have done better. These words may not be true, nor will they be fair, but I would hope that they ensure she never becomes a victim of her own femininity. I hope she will be empowered to pick herself up, study harder, work longer, and exceed her own expectations. I don't want my daughter to break any glass ceilings. I'd rather she never even contemplated their existence. Because glass ceilings, closed doors, and boys clubs are notions, they're ideas, and they're not tangible. You can't see, touch, or feel them. They can only exercise power over us if we choose to believe in them. So why lay down your own gauntlet? The cliche rings true, if you reach for the moon, you might just land on the stars. Throw a glass ceiling into the works, and it can only get in the way. And I suspect that deep down, every woman who ever truly excelled thought exactly this way. I doubt they ever gave much thought to the fact that they are women. I think they just really wanted to rock out. And they did; louder, harder, and better than anyone else around them. And at some point down the line, enough people took note.

Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything would be moving round me through the darkness: things, places, years. My body, still too heavy with sleep to move, would make an effort to construe the form which its tiredness took as an orientation of its various members, so as to induce from that where the wall lay and the furniture stood, to piece together and to give a name to the house in which it must be living. Its memory, the composite memory of its ribs, knees, and shoulder-blades offered it a whole series of rooms in which it had at one time or another slept; while the unseen walls kept changing, adapting themselves to the shape of each successive room that it remembered, whirling madly through the darkness. And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had collected sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke. The stiffened side underneath my body would, for instance, in trying to fix its position, imagine itself to be lying, face to the wall, in a big bed with a canopy; and at once I would say to myself, "Why, I must have gone to sleep after all, and Mamma never came to say good night!" for I was in the country with my grandfather, who died years ago; and my body, the side upon which I was lying, loyally preserving from the past an impression which my mind should never have forgotten, brought back before my eyes the glimmering flame of the night-light in its bowl of Bohemian glass, shaped like an urn and hung by chains from the ceiling, and the chimney-piece of Siena marble in my bedroom at Combray, in my great-aunt's house, in those far distant days which, at the moment of waking, seemed present without being clearly denned, but would become plainer in a little while when I was properly awake.

The walls were hung with rich tapestries representing the Triumph of Beauty. A large press, inlaid with agate and lapis-lazuli, filled one corner, and facing the window stood a curiously wrought cabinet with lacquer panels of powdered and mosaiced gold, on which were placed some delicate goblets of Venetian glass, and a cup of dark-veined onyx. Pale poppies were broidered on the silk coverlet of the bed, as though they had fallen from the tired hands of sleep, and tall reeds of fluted ivory bare up the velvet canopy, from which great tufts of ostrich plumes sprang, like white foam, to the pallid silver of the fretted ceiling. A laughing Narcissus in green bronze held a polished mirror above its head. On the table stood a flat bowl of amethyst.

The room became cinders. Kaltain pushed the chains off her as though they were cobwebs and arose. She disrobed as she walked out of the room. Let them see what had been done to her, the body they’d wasted. She made it two steps into the hall before they noticed her, and beheld the black flames rippling off her. Death, devourer of worlds. The hallway turned to black dust. She strode toward the chamber where the screaming was loudest, where female cries leaked through the iron door. The iron did not heat, did not bend to her magic. So she melted an archway through the stones. Monsters and witches and men and demons whirled. Kaltain flowed into the room, spreading her arms wide, and became shadowfire, became freedom and triumph, became a promise hissed in a dungeon beneath a glass castle: Punish them all. She burned the cradles. She burned the monsters within. She burned the men and their demon princes. And then she burned the witches, who looked at her with gratitude in their eyes and embraced the dark flame. Kaltain unleashed the last of her shadowfire, tipping her face to the ceiling, toward a sky she’d never see again. She took out every wall and every column. As she brought it all crashing and crumbling around them, Kaltain smiled, and at last burned herself into ash on a phantom wind.

In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.

You have to fight the people who say it can never be done. You have to fight the institutions that put up the glass ceilings that must be shattered. You have to fight your body when it tells you it is tired. You have to fight your mind when doubt begins to creep in. You have to fight systems that are in place to disrupt you and obstacles that are put in place to discourage you. You have to fight because you can't count on anyone else fighting for you. And you have to fight for people who can't fight for themselves. To get anything of real value, you have to fight for it.

She had told Erstwhile too much in the past, and thus he knew that occasionally she did go crazy. Sometimes it was when she felt particularly trapped or hopeless, or when the tunnels were unusually dark or stuffy, or when she got stuck in a crawl-through. Sometimes it happened for no obvious reason at all. She would feel a terrible panic tightening her chest and giving her heart a queasy lollop, she would be fighting for breath . . . and then she would be recovering somewhere, shuddering and sick, devastation around her and her fingernails broken from clawing at the rock walls and ceilings.

delicate masks hiding some of their features better than others. Multiple luminium chandeliers sparkled from the golden ceiling, a string orchestra played from a balcony high above their heads, and at their ankles swirled a layer of misted cloud — kept in place by elemental magic, no doubt, as were the floating specks of light dotting the air, like starbursts hovering among the dancing couples. On the far side, the glass wall had been opened to a reveal a balcony beyond which the Serin lay, its surface dusted with enough luminium candles to make it sparkle brighter than the moonlight shining down on the city.

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

In order to move our culture forward, revolutionaries have had to speak and plan from the unseen order inside them. For those of us who were not consulted in the building of the visible order, igniting our imagination is the only way to see beyond what was created to leave us out. If those who were not part of the building of reality only consult reality for possibilities, reality will never change. We will keep shuffling and competing for a seat at their table instead of building our own tables. We will keep banging our heads on their glass ceilings instead of pitching our own huge tent outside. We will remain caged by this world instead of

I hope I am following in Harriet Tubman’s footsteps, because she had the capacity to dream of liberation. Not all of us allow ourselves to fulfill our dreams of freedom. Maybe you dream of being free from a job, a relationship, a city.… But acting on freedom can be the scariest thing we do. To believe we are so radically free that we can dream the craziest, wildest dreams for ourselves and then work nonstop to make them come true, no matter the odds. No matter the borders we have to cross. No matter how many glass ceilings we have to crash through. This struggle, the restless determination, the feeling of urgency that comes with working to make things better—it never really goes away.

One night, after we went to see him play live, Neil Young came back home with us and, after a few drinks, elected to perform his forthcoming album in its entirety for us at 2 a.m. Already alerted to the fact that an impromptu party was going on by the nerve-jangling sound of my friend Kiki Dee drunkenly walking into a glass door while holding a tray containing every champagne glass we owned, the delight of the adjoining flats at Neil Young performing his forthcoming album was audible. So that’s how I heard the classic ‘Heart Of Gold’ for the first time, presented in a unique arrangement of solo piano, voice and neighbour intermittently banging on the ceiling with a broom handle and loudly imploring Neil Young to shut up.

Everyone knows that children and teens want to blend in and follow the crowd. And from whom do they learn this lesson? Adults, of course. Let's face it: Americans follow the herd. If you want to be successful, we are told in myriad ways, conformity is the way to go. Look at corporate America, with its "team player" ethic and all the strict rules delineating what you can and cannot wear on Casual Fridays. Consider the cycles of women's fashion, which dictate when square-toed, chunky-heeled shoes are out and when pointy-toed, ankle-straining stilettos are in. And what about best-seller lists and electoral horse-race polls and movie box-office postings? Everyone wants to know what everyone else is reading and seeing and thinking--so that they can go out and read and see and think the very same things themselves. If adults possess this tendency to efface themselves in this way, teenagers have it magnified to the thousandth degree. But studying and following the fashions of the times are not enough; teens also feel a need to be associated with fashionable people--the popular people. Their goal is to crack the glass ceiling that separates mere mortals from the "in" crowd. If they are unsuccessful, and most are, they console themselves with a clique of their own. Even an unpopular clique is, the thinking goes, is better than no clique at all.

When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.

What did she say to you?" "Nothing." "Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you. "I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class." "So you hit her?" "No ... yes." "A girl puts her hair all over your books, so you break her nose?" "Well, I don't think it's broken, personally." "Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you." "God," I yelled exasperated. "She said something to upset me, okay?" "What? That you were ugly? That you smell? What?" I looked horrified. "I'm not ugly. I don't smell." He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason." "Never mind," I said. "That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said." "There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job. "I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why." "Just go," I said, as he stood up and paced the room. "I'll defend myself in court." He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged. "Go," I yelled. "Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty." "She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic." "Did you provoke her?" "Yes. I called her a racist pig due to some things she was saying." "Is she one?" "God, yes. The biggest.

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?" "For real?" "What's your source material, nigger?" "The Pew Research Center." Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades. "I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector.

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

Something Rich and Strange She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.

He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.