Toes In The Sand Quotes

She worked her toes into the sand, feeling the tiny delicious pain of the friction of tiny chips of silicon against the tender flesh between her toes. That's life. It hurts, it's dirty, and it feels very, very good.

She had sand in her mouth and between her toes, the briny wind raising goose bumps on her skin, and the sweetest, spellbound feeling spilling from her heart. She could, at that moment, have died for him.

The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washed through them, knocking them off their feet. It's incomprehensible because there's nothing to compare it to. It's like trying to describe sand between your toes or snowflakes on your tongue to someone who's lived their whole life in a dark room. It sends the soul flying.

A long walk. A very long walk. Sand between my toes. The rough surf at times reaching and washing away my footprints. About a mile down the beach, I sat down and started thinking back through everything Vance had told me so far. Thought about what my next moves would be. Seeing the Asian guy tomorrow and having him snoop would settle one thing in my mind. Did Vance do it or not? Crucial. Until I knew that, I didn’t want to go any further.

Let my toes teach the shore how to feel a tranquil life through the wetness of sands Let my heart latch the door of blackness, as all my pain now blue sky understands

As a single mother, I feel like I carry the weight of the ocean on my shoulders trying to keep my head above water to keep from drowning. I try to stand firm as I dig my toes in the sand, but the troubling waves tend to wash the sand away from under my feet. I lose my balance, but I have to make the best of what I am given; take a leap of faith and start swimming.

To say that I enjoyed writing... is like saying I enjoy having fingers and toes. It's difficult to imagine life without them.

I've got my toes in the water, ass in the sand. Not a worry in the world, a cold beer in my hand. Life is good today. Life is good today. -from "Toes

context and memory play powerful roles in all the truly great meals in one's life. I mean, lets face it:when you're eating simple barbecue under a palm tree, and you feel sand between your toes, samba music is playing softly in the backgroud, waves are lapping at the shore a few yards off, a gentle breeze is cooling the sweat on the back of your neck at the hairline, and looking across the table, past the column of empty Red Stripes at the dreamy expression on your companion's face, you realize that in half an hour you're proably going to be having sex on clean white hotel sheets, that grilled chicken leg suddenly tastes a hell of a lot better

It is the simplest things in life that hold the most wonder; the color of the sea, the sand between your toes, the laughter of a child.

For chrissake folks what is this life if full of care we have no time to stand and stare? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not?

She was supposed to build sand castles on the beach and put her toes in the ocean,” Madame says.

Can you speak Espanol?" "Si." "I think you're lying." "What difference does it make? All I want is warm sunshine and sand between my toes.

Tom found himself writing "BECKY" in the sand with his big toe; he scratched it out, and was angry with himself for his weakness. But he wrote it again, nevertheless; he could not help it.

Because he is good and kind,” she explained softly, then went on. “Because he treats me like a princess. Because he makes me laugh. Because he makes me happy. Because he took the trouble to read to me when I could not read to myself. Because he fed me and gave me wine when I could not eat or drink at balls. Because when he kisses me my toes curl, and when he makes love to me I cannot contain my passion.

A girl who travels has learned how to dance barefoot. She’s learned to place her toes in the sand and dance through rhythm, not through rehearsed footwork. She’s learned to follow what she likes, not what she needs to like.

We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.

Color streamed into a toe of darkness testing the sand.

I would have liked to stick my toes in the sand, or ride a tall horse. Today, I will go buy fifty pounds of cat food, and like it.

I liked laughing, I found out, and music. I liked nice people, getting up early, and working hard. I liked simple pleasures, like my toes in the sand and someone to kiss.

My mother is soil and rain, clay, ash, sand, sun and moonlight. My mother is a weeping willow— strong, daring, dripping. My mother is oceans so salty and wild she can consume whole cities— but, mostly, she chooses to be calm turquoise, washing softly over toes in sand. She is vast— some places un-navigated. She is offering, felt without words, sacred, and restful. She grows life. —mother/Mother Earth

You're nervous around me. I don't bite." He turned his head and swept a gaze over her that went from head to toe and back again. "Unless you like that sort of thing.

When you've walked on daggers your entire life, you don't even know how to trust the softness of sand between your toes. -but you need to try anyway.

When my toes are sunk into warm sand and the ocean is lapping my feet, when I breathe in the scent of salt and hear the cry of a seagull, I know that I am returned to a place of restoration. I am home.I can heal here.

Sand from the Urns Green as mould is the house of oblivion. Before each of the blowing gates your beheaded minstrel turns blue. For you he beats his drum made of moss and of harsh pubic hair; With a festering toe in the sand he traces your eyebrow. Longer he draws it than ever it was, and the red of your lip. You fill up the urns here and nourish your heart.

Poor Father, I see his final exploration. He arrives at the new place, his hair risen in astonishment, his mouth and eyes dumb. His toe scuffs a soft storm of sand, he kneels and his arms spread in pantomimic celebration, the immigrant, as in every moment of his life, arriving eternally on the shore of his Self.

But this dagger – this was her first. Her favorite. The same one that had sliced off the boy’s toe on the beach and sent it rolling through the sand.

Until that moment she had not really noticed him. Now she felt as though she'd stubbed her toe on a rock, and looked down to find that it was part of a buried city.

Watch out for love (unless it is true, and every part of you says yes including the toes) , it will wrap you up like a mummy, and your scream won't be heard and none of your running will end. Love? Be it man. Be it woman. It must be a wave you want to glide in on, give your body to it, give your laugh to it, give, when the gravelly sand takes you, your tears to the land. To love another is something like prayer and can't be planned, you just fall into its arms because your belief undoes your disbelief.

She worked her toes into the sand, feeling the tiny delicious pain of the friction of tiny chips of silicon against the tender flesh between her toes. That’s life. It hurts, it’s dirty, and it feels very, very good.

We were getting closer and closer to that invisible line in the sand. The line that, when crossed, meant I’d no longer be Jamie Maysen’s wife. I’d be some other man’s girlfriend. A part of me wanted to run away from that line. Another wanted to take a flying leap to the other side. As it was, I was just standing with my toes on its edge. Frozen. Because I knew the man who’d pull me across was Cole. … He was the man of the future, patiently waiting on the other side of the line. I could imagine him standing there, holding out his hand. I wanted to take Cole’s hand.

Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.

I saw the camel put on its shirt An leave without tears for Mecca With a thousand and one Sand sellers and Dark crowds like scaly dragons But i could not follow them For sloth won out Against my ardour And daily habit resumed Its disjointed toe-dance

The sea always reminds me of that summer. How the entire world had seemed within reach back then. I remember sitting with my toes in the sand, the vastness of an ocean stretching out before me, and feeling as though the whole universe was mine to be had.

Vacations in my family are rare events squeezed between races. I can count them on one hand, and even those amount to only a few hours each. Shopping in Los Angeles. Sinking my toes into snow white sand in Florida. They are tiny slips of memory strung around horses.

That last thought was what made Nasir nudge Altair’s bare bicep with the toe of his boot. Altair’s right eye popped open instantly and Nasir clenched his jaw—he should have known. “For a moment, I thought you might do it,” Altair said. “Do what?” the girl asked. She yawned as she brushed her teeth with a siwak. Altair’s mouth curled into a grin. “Kiss me.” Nasir kicked him, and Altair’s laughter only increased.

buttons, and turns out his toes.' [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] 'That's different from what

I let every grain of sand slip through my fingers As the wind carried them away; Some drops of rain absorbed by the sand, Some dissolved in the sea. I'd go back carrying no traces Of where I'd been, But the sand settled between my fingers, And the grains falling off from my toes. I wouldn't soil the carpet on the floor If only I'd known...

Toe fungus?

She could handle a stray finger or even a toe, but eyeballs popped when they were stuck under one’s foot, and that seemed to be the line Evie’s mind had drawn in the sand.

The male voice was chocolate ice cream with hot fudge and marshmallow fluff, warm sand sifting between her toes, the perfect ending to a dramatic rom-com all rolled into one.

It happen’d one Day about Noon going towards my Boat, I was exceedingly surpriz’d with the Print of a Man’s naked Foot on the Shore, which was very plain to be seen in the Sand: I stood like one Thunder-struck, or as if I had seen an Apparition; I listen’d, I look’d round me, I could hear nothing, nor see any Thing, I went up to a rising Ground to look farther, I went up the Shore and down the Shore, but it was all one, I could see no other Impression but that one, I went to it again to see if there were any more, and to observe if it might not be my Fancy; but there was no Room for that, for there was exactly the very Print of a Foot, Toes, Heel, and every Part of a Foot; how it came thither, I knew not, nor could in the least imagine. But

I walked to the lip of the water and let the foamy tongue of the rushing liquid lick my toes. A sand crab burrowed a hole a few inches from my foot and then disappeared into the damp sand.…

I want Will. With his long nose and soft eyes. With his strong shoulders and hair wet from the ocean water. With his large hands and warm smile. With his shirt off and sand between his toes. But not only that. I want him with winter boots on and a hat on his head. I want to see him at Halloween and at Christmas and at Easter too. I don’t want my Will of summer. I want my Will of forever.

already she drew in the sand with her big toe: King Solomon, as though he were a rubber ball, an apocalyptic, bearded herring, an imperial walking-stick, an amalgam, half chicken and half Solomon.

Once in a very blue moon, John Tallow imagined his younger self standing down the timeline of his present life, bare toes curling in teenage beach sand, looking ahead to today and watching his future life collapse in on itself like a dying star. His future life becoming small and dark and dense, its gravity apparently grim and inescapable. Once in a very blue moon, John Tallow spent some cash on a bottle of vodka and drank it at home within an hour.

Soft hissing waves run over my toes. The floor is a beach and I am rolling on the sand and splashing in the water with a white heron. It turns gray and blue. No one can stop this. No one will take away my radiance even when it floods over me completely.

But taking my meal outside by the burning juniper in the fireplace with more desert and mountain than I could explore in a lifetime open to view, I was invited to contemplate a far larger world, one which extends into a past and into a future without any limits known to human kind. By taking off my shoes and digging my toes into the sand I made contact with that larger world - an exhilarating feeling which leads to equanimity. Certainly I was still by myself, so to speak - there were no other people around and there still are none - but in the midst of such a grand tableau it was impossible to give full and serious consideration to Albuquerque. All that is human melted with the sky and faded out beyond the mountains and I felt, as I feel - is it a paradox? - that a man can never find or need better companionship than that of himself.

Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)

I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.

Going barefoot is the gentlest way of walking and can symbolise a way of living - being authentic, vulnerable, sensitive to our surroundings. It’s the feeling of enjoying warm sand beneath our toes, or carefully making our way over sharp rocks in the darkness. It’s a way of living that has the lightest impact, removing the barrier between us and nature. — Adele Coombs, “Barefoot Dreaming

Turning back, she nodded at the man, offering another smile as she passed. She suspected they’d passed him about a dozen times in the grocery store during their back and forth. He looked vaguely familiar, and his smile was almost flirty, which was something Anders had apparently noticed, if she were to judge by the scowl presently on his face. Goodness, Anders looked almost jealous, Valerie thought, her smile unintentionally widening as she passed the man, which made his smile widen appreciatively. The whole thing made her feel pretty darned good and she walked straight back to Anders, grinned, and went up on her toes to kiss him on the cheek. “Smile. Life is good,” she said lightly before moving to the passenger door. “Cheeky,” Anders muttered, opening it for her before she could. Grinning, Valerie stepped up into her seat. She reached for her seat belt, and then gave a start when Anders leaned in, his face suddenly in front of hers. “That wasn’t a kiss,” he informed her when she stared at him wide-eyed. “This is.

It is, for one thing, a clear sunny day, which is no small piece of luck when you’re on a Northern California beach in October. The sand is actually warm between their toes, instead of dank and gritty; but the air also has the crisp autumnal bite that makes you want to wrap yourself in something soft. No one acts crabby, or restless, or bored. Billie has packed some particularly delicious sandwiches—pesto chicken for the adults, hummus for Olive (who has recently gone vegetarian)—and they wash these down with tepid cocoa from a thermos

She told me to keep writing. After my journal filled up, I bought another one. As I wrote and read my entries to Joan, I felt myself metamorphosing. My growth was like the tide, coming in waves, retracting out of reach, coming back. Sometimes undercurrents came, pulling at my feet, sucking the sand out from under them. I dug my toes in hard and closed my eyes and managed to stay mostly upright, but those riptides came anyway, guided by the same moon that looked so benevolent, so white and happy against the indigo sky, so serene and fat and innocent, so far away. (141)

The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washed through them, knocking them off their feet. It's incomprehensible because there's nothing to compare it to. It's like trying to describe sand between your toes or snowflakes on your tongue to someone who's lived their whole life in a dark room. It sends the soul flying.

The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well-prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washes through them, knocking them off their feet. It’s incomprehensible because there’s nothing to compare it to. It’s like trying to describe sand between your toes or snowflakes on your tongue to someone who’s lived their whole life in a dark room. It sends the soul flying.

Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.

Emma, calm down. I had to know-" I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?" His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?" I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel. Galen laughs. "Emma, it's not Rachel's money; it's mine." I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind. He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how." The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't. Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves. "I sell stuff to humans," he says. I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it. Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin. "Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history." Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.

For three weeks straight I had been observing the ocean. On the twenty-first day, I saw a man running along the shoreline. I could hear his feet hitting the sand. It was the first time I was able to discern with utter precision every nuance, every gearshift, every soft click of another person's mind. He remembered that he was there to run, and he even remembered a time there was a reason for it. He did not remember the reason, nor did he want to. He feared he might be running for the old reasons, and didn't want to imitate himself. That would be running in place. Not too far down below the top shelves of memory he knew he was there to run for a reason, but still he decided to invent a different reason. He was reinvigorated by this decision to find a new reason, and ran even faster. He’d run seventeen miles when he realized in dismay that he'd forgotten to do it. He’d been running off the memory of an idea. He was exhausted and his lungs burned. He pushed his head into the sand and his legs ran in a circle around his head that he was screwing into the sand. He pushed down and screw-drove himself until only his toes stuck out. His toes were twined around each other. I could no longer hear his thoughts. Was he dead? His heart was still beating.

As he bent down and scratched her behind the ears like she was a harmless dog, I felt a sadness more acute than anything I'd ever felt before. Weylyn Grey didn't belong in my world. He belonged in theirs, and there was nothing I could say to convince him otherwise. My suspicions were only confirmed when he finally looked up and saw me. There was freedom in his face, relief mixed with sadness. In that moment, I could feel sand between my toes, water on my skin. I saw the sun melt into water until everything was starry and purple. I held Weylyn one last time in that dark place, then turned and walked into the bright white snow.

She moved closer to me. I put my arm around her, marveling at the smoothness of her skin. "Thrasius..." "Passia?" She paused, and I realized that she was gathering her courage to speak. "That night, in your cubiculum, I..." I took her hands and held them together between my own. "It's all right, Passia. You don't have to say anything." "You surprised me," she blurted out. "I surprised myself. It took everything I had not to keep you there with me." She leaned forward until our faces were close. "I know." There was nothing to do but kiss her, with all the passion I had harbored from the moment when she first appeared in the kitchen on the day of my arrival. Her lips were soft, and sweet like fresh Iberian honey. I ran my hands along her back and up into the tangle of her hair. My thumbs stroked the flesh of her neck and cheeks, and when they pulled away, her lips. We fell into the sand, twining together our summer-tanned limbs. Our hands roamed up and down the length of each other, slowly removing each article of clothing. I delighted in feeling the way the measure of my passion made my skin tingle with desire from head to toe. "Apicius always says you are the answer to his prayers. I think he is wrong. I think you are the answer to mine," she whispered in my ear before I entered her and we both cried aloud. The sound was washed away by the crash of waves beyond us.

I know what the problem is.” Curran pulled his shoulders back and flexed, warming up a little. I stole a glance. He had decided to fight in jeans and an old black T-shirt, from which he’d torn the sleeves. Probably his workout shirt. His biceps were carved, the muscle defined and built by countless exertions, neither too bulky nor too lean. Perfect. Kissing him might make me guilty of catastrophically bad judgment, but at least nobody could fault my taste. The trick was not to kiss him again. Once could be an accident; twice was trouble. “You said something?” I arched an eyebrow at him. Nonchalance—best camouflage for drooling. Both the werebison and the swordsman looked ready to charge: the muscles of their legs tense, leaning forward slightly on their toes. They seemed to be terribly sure that we would stay in one place and wait for them. Curran was looking at their legs, too. They must be expecting a distraction from the lamia. She sat cocooned in magic, holding on with both hands as it strained on its leash. “I said, I know why you’re afraid to fight with me.” “And why is that?” If he flexed again, I’d have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes. “You want me.” Oh boy. “You can’t resist my subtle charm, so you’re afraid you’re going to make a spectacle out of yourself.” “You know what? Don’t talk to me.

But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped. He grins. "You think I'm hot?" "My mom thinks you are." Except, Mom's not the one blushing right now. "Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me. "You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school." "We could fly down on the weekend. Be back before school on Monday." I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-" "No!" Galen and Toraf shout, startling me. "Why not? I won't go too deep-" "Out of the question," Galen says, standing. "You will not get in the water while I'm gone." I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness." Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.

I am, I love – the stars at night, the beach sand between our toes, the gentle kiss of cool wind that brushes against your skin. The moon that beams light across the water. I am, I love – the welcome smile that greets you in the shyest way; eyes playful and filled with light. Oh the night. The colours which few truly notice. The beach, the beach – at night, I am, I love. The water that laps at the shores, kindred spirits dancing to the rhythmic waves and drumming carried from across the water. In my eyes a billions flecks of light, in your eyes the same constellations hold true. Alone to explore each other, together. Hushed, racing, slow, shy, bold, urgent, relaxed, and too long apart. And now, finally- the night sky, the beach, and you and I." Excerpt from the upcoming book "The spark (of a muse)". By Cheri Bauer

Above the roar of pounding waves, Kya called to the birds. The ocean sang bass, the gulls sang soprano. Shrieking and crying, they circled over the marsh and above the sand as she threw piecrust and yeast rolls onto the beach. Legs hanging down, heads twisting, they landed. A few birds pecked gently between her toes, and she laughed from the tickling until tears streamed down her cheeks, and finally great, ragged sobs erupted from that tight place below her throat. When the carton was empty she didn't think she could stand the pain, so afraid they would leave her like everybody else. But the gulls squatted on the beach around her and went about their business of preening their gray extended wings. So she sat down too and wished she could gather them up and take them with her to the porch to sleep. She imagined them all packed in her bed, a fluffy bunch of warm, feathered bodies under the covers together.

Above the roar of pounding waves, Kya called to the birds. The ocean sang bass, the gulls sang soprano. Shrieking and crying, they circled over the marsh and above the sand as she threw piecrust and yeast rolls onto the beach. Legs hanging down, heads twisting, they landed. A few birds pecked gently between her toes, and she laughed from the tickling until tears streamed down her cheeks, and finally great, ragged sobs erupted from that tight place below her throat. When the carton was empty she didn’t think she could stand the pain, so afraid they would leave her like everybody else. But the gulls squatted on the beach around her and went about their business of preening their gray extended wings. So she sat down too and wished she could gather them up and take them with her to the porch to sleep. She imagined them all packed in her bed, a fluffy bunch of warm, feathered bodies under the covers together.

What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!

he same goes for new situations. Imagine a child who’s more afraid of the ocean than are other kids the same age. Thoughtful parents recognize that this fear is natural and even wise; the ocean is indeed dangerous. But they don’t allow her to spend the summer on the safety of the dunes, and neither do they drop her in the water and expect her to swim. Instead they signal that they understand her unease, while urging her to take small steps. Maybe they play in the sand for a few days with the ocean waves crashing at a safe distance. Then one day they approach the water’s edge, perhaps with the child riding on a parent’s shoulders. They wait for calm weather, or low tide, to immerse a toe, then a foot, then a knee. They don’t rush; every small step is a giant stride in a child’s world. When ultimately she learns to swim like a fish, she has reached a crucial turning point in her relationship not only with water but also with fear

The same goes for new situations. Imagine a child who’s more afraid of the ocean than are other kids the same age. Thoughtful parents recognize that this fear is natural and even wise; the ocean is indeed dangerous. But they don’t allow her to spend the summer on the safety of the dunes, and neither do they drop her in the water and expect her to swim. Instead they signal that they understand her unease, while urging her to take small steps. Maybe they play in the sand for a few days with the ocean waves crashing at a safe distance. Then one day they approach the water’s edge, perhaps with the child riding on a parent’s shoulders. They wait for calm weather, or low tide, to immerse a toe, then a foot, then a knee. They don’t rush; every small step is a giant stride in a child’s world. When ultimately she learns to swim like a fish, she has reached a crucial turning point in her relationship not only with water but also with fear.

That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.

What’s insane about this—other than the fact we’ve never talked about it, not even once—is that I’m not nervous in any way. Just excited. We already feel like a married couple, and I say that in the best, non-boring way possible. He is stability and love. Security and confidence. I’m his tide, and he’s my anchor. Or maybe the sand itself. “Edie Van Der Zee, I want to dip my toes in the waves you make every single day for the rest of my miserable life. I want to fuck you—just you, only you, no one else—and a lot. Every. Single. Day. I want to live with you. I want to parade that fucked-up thing we have that keeps people raising eyebrows and thinking I’m a cradle-snatching douchebag, because fuck ’em, they’ll never have what we have. Will you marry me? I don’t ask for a lot. Not for kids, not for dinner, not for anything to be done in the house. I don’t ask you for anything other than what you’re willing to give me.” Luna peeks from the door, smiling. I turn my body to her, smiling. I expect her to sign me something. Something like “aw, gross,” or “Daddy is being silly again”. But she doesn’t. Instead, she arches one eyebrow, opens her lips, and lets the words fall out, awarding her father with the best present he could ever have. “Say yes.

The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.

Dear Matt, In less than a day, I’ ll be standing on the same sand you stood on so many times before. Well, not the same sand, with the tides and winds and erosion and all of that, but the same symbolic sand. I’m so excited and scared that I can’ t sleep – even though I have to wake up in five hours! You know, I saved every one of your postcards. They’re here in a box under my bed – all the little stories you sent, like little pieces of California. Like the beach glass you guys always brought me. Sometimes I dump it out on my desk and press my ear to the pieces, trying to hear the ocean. Trying to hear you. But you don’ t say anything. Remember how you’ d come back from your vacation on the beach and tell me what it really felt like? What the ocean sounded like at dawn when the beach was deserted? What your hair and skin tasted like after swimming in saltwater all day? How the sand could burn your feet as you walked on it, but if you stuck your toes in, it was cold and wet underneath? How you spent three hours sitting on Ocean Beach just to watch the sun sink into the water a million miles away? If I closed my eyes as you were talking, it was like I was there, like your stories were my stories. In many ways, I feel as if I have memories of you there, too. Do you think that’s crazy? Matt, please don’ t think badly about Frankie’s contest. It’s just a silly game. It’s so Frankie, you know? No, I guess you wouldn’ t. You’ d kill her if you did! She just misses you. We all do. I’ ll look out for her, though. I promise. Please watch over us tomorrow, and for the next few weeks while we’re away. You’ ll be in my thoughts the whole time, like always. I’m going to find some red sea glass for you. I miss you more than you could ever know. Love, Anna

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg

They picked up shells and sea glass, pebbles smooth and white. The wind blew and the surf hissed warm over their toes, sucked the sand from under their soles. The rhythm, the pulse of the sea soothed and electrified.

You look very animalistic digging like that, I told him. Like a wee doggie who can’t reach his bone. Sand erupted as Tyrrik blurred up the dune to stand before me. I pursed my lips, trying to hold back the smile as I waited. He leaned over me, his onyx gaze studying my face. I felt his inhale as he took in my scent just as I was soaking in his pine and smoke smell. “You want to rethink that statement?” he asked, his voice low and menacing. My heart skipped a beat at the sound, but I stood on my toes and reached up, using a finger on each hand to press down the tops of his ears so they stuck out. “Nope,” I replied, raising my eyebrows as I shook my head. “Just like a wee doggie.” I inched closer to him and said, “Arf.

The sound that came out was as if it emanated from somewhere else, someone else. Like the perfect fairway iron, where thought is banished and swing is natural and harmonious and the connection so pure that you don’t feel it, you just lift your eyes to watch the ball fly long and straight and true and onto the green, as if hit by Tiger himself. I blew a note that was low and tender, a sound full of melancholy and history, as if the sax were telling its life story, exposing its soul, explaining its raison d’être. It was a singular note, nothing spectacular. Not Coltrane or Charlie Parker. Yet something very special. Audible tenderness.

As they strode through the meadow, she had the eerie sensation of walking atop waves. Except this was a sea of petals, not saltwater. Her toe caught on a fallen branch, and she stumbled a bit. "Are you all right?" Colin asked. She nodded. "I was just distracted. Wondering how much loam is in this soil." "What?" He set down his side of the trunk. Minerva did the same. "You know," she said. "Loam. A mix of clay and sand. In order for he soil to support this many bluebells, it would-" "You're standing in the middle of this," -he spread his arms wide to indicate Nature's splendor- " and you're thinking about loam in the soil? You spend far too much time staring at the ground." Rounding the trunk, Colin plucked her off her feet. With gentle strength, he tumbled her into the bluebells. She lay flat on her back, breathless and dizzy from the sudden inversion. From the sudden nearness of him. He lay down next to her. "There. Have a rest. Look up at the sky for a change." Minerva stared up from the uneven ground. Her heartbeat drummed in her ears, and a crushed green scent engulfed her senses. The grasses and bluebells towered over her, swaying in the gentle breeze and dripping loveliness. Above everything, the sky hovered brilliantly and blue. Nearly cloudless, save for a few wispy, changing puffs of white that were apparently too proud to mimic rabbits or dragons or sailing ships.

She felt the pull of sleep urging her to close her eyes. It reminded her of standing on the beach when she was a kid, and how the waves would lap over her feet. As the water retreated, the sand around her toes drained away with it, and the magnetic draw of the tide tugged at her feet.

His mom always joked that he spent so much time at the beach that he had saltwater running through his veins and never completely got the sand out from between his toes. In Jack’s mind, he wouldn’t have it any other way.

Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.

Before I can ask Nancy where we should go next, she lifts her head and engages me with eyes blue as Rainbow Pool. She pulls off her left shoe and slips off her sock like she did in January over five years ago. Extending her leg beyond the ground-level boardwalk, she ever so lightly touches her big toe to a lonely clump of grass that somehow has managed to survive even though it is completely surrounded by the black sands only a few feet away from the blistering pool. Nancy puts an index finger to her lips cautioning me not to speak. No worries, my love, I reflect silently. You made it through, you survived, and you are well. Together we have made it back home.

Our son is thirty, residing on Earon in the hospitality industry, of all things. Could have joined the Academy, but he preferred the feel of sand between his toes and water splashing over his shins. I used to curse his choices, but the older I’ve become, the more I understand them. Maybe

Pitch darkness, sand inbetween my toes, lying on the ground. noiseless... just my woes and the waves sound. Don't know where the dark sky ends, nor where the ocean begins... it feels like i'm floating close to the stars.

They're the finest of salicornes, green beans from the sea, from Brittany, très exotique. I thought you'd adore them." She holds out a large bag and, without even opening it, the scent envelops me and I'm no longer in the restaurant. I'm running by the ocean, powdery sand sticking in between my toes, waves crashing around me as I dive into the sea with reckless abandon. The water swells into a froth, whipped like freshly made Chantilly. My body glistens with water droplets.

Beyond these, illuminated by past summers, one summer remained that stayed the sun long into the night after you had watched the others; others with their fathers knee-deep, belly-button unconcerned, roly-poly mothers stretching out of the sea. Whiter than starch hands on bat and ball, you failed to catch. Tents, buckets, spades; others that went on digging barricades. You castle-bound, spying on princesses, honey-gold, singing against the blue, if touched surely their skin would ooze? Aware of own smell, skin-texture, sun in eyes, lips, toes, the softness underneath, in between, wondering what miracle made you, the sky, the sea. Conscious of sound, gulls hovering, crying, or silent at rarer intervals, their swift turns before being swallowed by the waves. Then no sound, all suddenly would be soundless, treading softly, dividing rocks with fins, and sword-fish fingers plucking away clothes, that were left with your anatomy, huddled like ruffled birds waiting. A chrysalis heart formed on the water’s surface, away from the hard-polished pebbles, sand-blowing and elongated shadows. Away, faster than air itself, dragon-whirled. Be given to, the sliding of water, to forget, be forgotten; premature thoughts—predetermined action. In a moment fixed between one wave and the next, the outline of what might be ahead. On your back, staring into space, becoming part of the sky, a speckled bird’s breast that opened up at the slightest notion on your part. But the hands, remember the hands that pulled your legs, that doubled you up, and dragged you down? Surprised at non-resistance. Voices that called, creating confusion. Cells tighter than shells, you spinning into spirals, quick-silver, thrashing the water, making stars scatter. Narcissus above, staring at a shadow-bat spreading out, finally disappearing into the very centre of the ocean. They were always there waiting by the edge, behind them the cliffs extended. Your head disembodied, bouncing above the separate force of arms and legs, rhythmical, the glorious sensation of weightlessness, moon-controlled, and far below your heart went on exploring, no matter how many years came between, nor how many people were thrust into focus. That had surely been the beginning, the separating of yourself from the world that no longer revolved round you, the awareness of becoming part of, merging into something else, no longer dependent upon anyone, a freedom that found its own reality, half of you the constant guardian, watching your actions, your responses, what you accepted, what you might reject.

Rising after a few moments onto my elbows, I looked, for the first - and probably last - time in my life, at something I'd never seriously imagined I'd cast my eyes upon: a hundred miles of sand in every direction, a hundred miles of absolutely gorgeous, unspoiled nothingness. I wiggled my bare toes in the sand and lay there for a long time, watching the sun drop slowly into the dunes like a deflating beach ball, the color of the desert quickly transforming from red to gold to yellow ochre to white, the sky changing, too. I was wondering how a miserable, manic-depressive, overage, undeserving hustler like myself - a utility chef from New York City with no particular distinction to be found in his long and egregiously checkered career - on the strength of one inexplicably large score, could find himself here, seeing this, living the dream. I am the luckiest son of a bitch in the world, I thought, contentedly staring out at all that silence and stillness, feeling, for the first time in a while, able to relax, to draw a breath unencumbered by scheming and calculating and worrying. I was happy just sitting there enjoying all that harsh and beautiful space. I felt comfortable in my skin, reassured that the world was indeed a big and marvelous place.

Some of the details changed as the decades passed, but it was always on the beach. Somewhere exotic and warm, with waving palm trees before me and the ocean behind me. A soft dress flowing around my bare feet. My toes buried in the sand. And my hands clutching a bouquet of tropical flowers. The vibrant colors reflected back in the setting sun.

My numbed feet sank, wet sand slipping out from under my toes and pulling back without me, the ocean loving her shore but never loving me enough to fight for me in return.

Emma stared at the third appendage between her new husband's legs with fascination. Never having seen a naked man before, she had not known they carried one of those around with them. She had been too embarrassed to look when Fulk had been stripped and set abed with her. She leaned forward to get a closer look at the item now. It looked to be a shrunken, deformed leg, much like the arm of the girl in the village who had been born not quite right. She didn't have any fingers or thumbs on her small stump of an arm either, just as Amaury's extra small stump of a leg seemed devoid of toes. Perhaps this was not common to all men, she realised suddenly. Perhaps her husband was displaying a deformity.

There is something about the vastness of an ocean that makes me appreciate the omnipotence of God. Seeing as far as the eye can see, yet knowing it doesn’t even scratch the surface of the enormity of God’s power and presence, always causes my heart to reflect. I have read Psalm 139:17–18 countless times. My mind knows that God’s thoughts about me are precious and outnumber the grains of sand. But in that moment, actually standing with my toes in an unfathomable number of grains of sand, a new understanding of His love for me, and the assurance of His plans for me, stirred my heart with awe.

when you’ve walked on daggers your entire life, you don’t even know how to trust the softness of sand between your toes.

Theatre Impressions For me the tragedy's most important act is the sixth: the raising of the dead from the stage's battlegrounds the straightening of wigs and fancy gowns removing knives from stricken breasts, taking nooses from lifeless necks, lining up among the living to face the audience. The bows, both solo and ensemble the pale hand of the wounded heart, the curtseys of the hapless suicide, the bobbing of the chopped-off head. The bow in pairs- rage extends its arm to meekness, the victim's eyes smile at the torturer, the rebel indulgently walks besides the tyrant. Eternity trampled by the golden slipper's toe. Redeeming values swept aside with the swish of a wide- brimmed hat. The unrepentant urge to start all over tomorrow. Now enter, single file, the hosts who died early on, in Acts 3 and 4, or between scenes. The miraculous return of all those without a trace. The thought that they've been waiting patiently offstage without taking off their makeup or their costumes moves me more than all the tragedy's tirades. But the curtain's fall is the most uplifting part, the things you see before it hits the floor: here one hand quickly reaches for a flower, there another hand picks up a fallen sword. Only then one last, unseen hand does its duty and grabs me by the throat.

The day is bright and beautiful; she wants to relish in it, selfishly claim it, refusing to turn around in defeat. Taking off her shoes, she lies down on the sand, the warmth of the sun suffusing her skin, the rhythm of the waves barely lapping at her toes, and drifts into a hypnagogic state. As if at the center of the universe, her body humming to its ineffable tune, a sense of peace envelops her like a cocoon. The squawks of seabirds, the rolling waves, the faint voices of fishermen on their boats come in and out of her subconscious, caught between reality and a dream.

Theatre Impressions For me the tragedy's most important act is the sixth: the raising of the dead from the stage's battlegrounds the straightening of wigs and fancy gowns removing knives sfrom stricken breasts, taking nooses from lifeless necks, lining up among the living to face the audience. The bows, both solo and ensemble the pale hand of the wounded heart, the curtseys of the hapless suicide, the bobbing of the chopped-off head. The bow in pairs- rage extends its arm to meekness, the victim's eyes smile at the torturer, the rebel indulgently walks besides the tyrant. Eternity trampled by the golden slipper's toe. Redeeming values swept aside with the swish of a wide- brimmed hat. The unrepentant urge to start all over tomorrow. Now enter, single file, the hosts who died early on, in Acts 3 and 4, or between scenes. The miraculous return of all those without a trace. The thought that they've been waiting patiently offstage without taking off their makeup or their costumes moves me more than all the tragedy's tirades. But the curtain's fall is the most uplifting part, the things you see before it hits the floor: here one hand quickly reaches for a flower, there another hand picks up a fallen sword. Only then one last, unseen hand does its duty and grabs me by the throat.

The waves of the Pacific slap the sand between my toes and off in the distance the setting sun coaxes a million diamond-fish to pierce the ocean’s surface, stand on their tails, and shimmy.

When Gertrude Ederle struck out from France she left behind her a world which has believed for a great many centuries that woman is the weaker vessel. Much of government, most of law and practically all of morality is based upon this assumption. And when her toes touched the sands of England, she stepped out of the water into a brand-new world. It may be that she will turn out to be an even greater discoverer than Columbus. It was only a continent which he found.