Army Cavalry Quotes

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This coffee falls into your stomach, and straightway there is a general commotion. Ideas begin to move like the battalions of the Grand Army on the battlefield, and the battle takes place. Things remembered arrive at full gallop, ensign to the wind. The light cavalry of comparisons deliver a magnificent deploying charge, the artillery of logic hurry up with their train and ammunition, the shafts of wit start up like sharpshooters. Similes arise, the paper is covered with ink; for the struggle commences and is concluded with torrents of black water, just as a battle with powder.
Honoré de Balzac
Christian nationalism is impoverished as it seeks a kingdom without a cross. It pursues a victory without mercy. It acclaims God’s love of power rather than the power of God’s love. We must remember that Jesus refused those who wanted to ‘make him king’ by force just as much as he refused to become king by calling upon ‘twelve legions of angels’.39 Jesus needs no army, arms or armoured cavalry to bring about the kingdom of God. As such, we should resist Christian nationalism as giving a Christian facade to nakedly political, ethnocentric and impious ventures.
N.T. Wright (Jesus and the Powers: Christian Political Witness in an Age of Totalitarian Terror and Dysfunctional Democracies)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
In the reign of the emperor Caracalla, an innumerable swarm of Suevi appeared on the banks of the Main, and in the neighbourhood of the Roman provinces, in quest either of food, of plunder, or of glory. The hasty army of volunteers gradually coalesced into a great and permanent nation, and, as it was composed from so many different tribes, assumed the name of Alemanni, or Allmen, to denote at once their various lineage and their common bravery.31 The latter was soon felt by the Romans in many a hostile inroad. The Alemanni fought chiefly on horseback; but their cavalry was rendered still more formidable by a mixture of light infantry selected from the bravest and most active of the youth, whom frequent exercise had enured to accompany the horsemen in the longest march, the most rapid charge, or the most precipitate retreat.32
Edward Gibbon (The Decline and Fall of the Roman Empire (The Modern Library Collection))
The strategy of Fabius was not merely an evasion of battle to gain time, but calculated for its effect on the morale of the enemy-and, still more, for its effect on their potential allies. It was thus primarily a matter of war-policy, or grand strategy. Fabius recognized Hannibal's military superiority too well to risk a military decision. While seeking to avoid this, he aimed by military pin-pricks to wear down the invaders' endurance and, coincidentally, prevent their strength being recruited from the Italian cities or their Carthaginian base. The key condition of the strategy by which this grand strategy was carried out was that the Roman army should keep always to the hills, so as to nullify Hannibal's decisive superiority in cavalry. Thus this phase became a duel between the Hannibalic and the Fabian forms of the indirect approach.
B.H. Liddell Hart (Strategy)
Wars, wars, wars': reading up on the region I came across one moment when quintessential Englishness had in fact intersected with this darkling plain. In 1906 Winston Churchill, then the minister responsible for British colonies, had been honored by an invitation from Kaiser Wilhelm II to attend the annual maneuvers of the Imperial German Army, held at Breslau. The Kaiser was 'resplendent in the uniform of the White Silesian Cuirassiers' and his massed and regimented infantry... reminded one more of great Atlantic rollers than human formations. Clouds of cavalry, avalanches of field-guns and—at that time a novelty—squadrons of motor-cars (private and military) completed the array. For five hours the immense defilade continued. Yet this was only a twentieth of the armed strength of the regular German Army before mobilization. Strange to find Winston Churchill and Sylvia Plath both choosing the word 'roller,' in both its juggernaut and wavelike declensions, for that scene.
Christopher Hitchens (Hitch 22: A Memoir)
Napoleon I., whose career had the quality of a duel against the whole of Europe, disliked duelling between the officers of his army. The great military emperor was not a washbuckler, and had little respect for tradition. Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. To the surprise and admiration of their fellows, two officers, like insane artists trying to gild refined gold or paint the lily, pursued a private contest through the years of universal carnage. They were officers of cavalry, and their connection with the high-spirited but fanciful animal which carries men into battle seems particularly appropriate. It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable. The names of the two officers were Feraud and D'Hubert, and they were both lieutenants in a regiment of hussars, but not in the same regiment. [The duel]
Joseph Conrad (A Set of Six)
In the middle of the sixth century there was, however, a period when the Roman dominion was revived in the West-from the East. During Justinian's reign in Constantinople, his generals reconquered Africa, Italy, and southern Spain. That achievement, associated mainly with the name of Belisarius, is the more remarkable because of two features-first, the extraordinarily slender resources with which Belisarius undertook these far-reaching campaigns; second, his consistent use of the tactical defensive. There is no parallel in history for such a series of conquests by abstention from attack. They are the more remarkable since they were carried out by an army that was based on the mobile arm-and mainly compose of cavalry. Belisarius had no lack of audacity, but his tactics were to allow-or tempt-the other side to do the attacking. IF that choice was, in part, imposed on him by his numerical weakness, it was also a matter of subtle calculation, both tactical and psychological.
B.H. Liddell Hart (Strategy)
Alexander's succeeding campaigns, until he reached the borders of India, were militarily a 'mopping up' of the Persian empire, while politically the consolidation of his own. He forced the Uxian defile and the Persian 'Gates' by an indirect approach, and when he was confronted on the Hydaspes by Porus, he produced a masterpiece of indirectness which showed the ripening of his own strategical powers. By laying in stores of corn, and by distributing his army widely along the western bank, he mystified his opponent as to his intentions. Repeated noisy marches and counter-marches of Alexander's cavalry first kept Porus on tenterhooks, and then, through repetition, dulled his reaction. Having thus fixed Porus to a definite and static position, Alexander left the bulk of his army opposite it, and himself with a picked force made a night crossing eighteen miles upstream. By the surprise of this indirect approach he dislocated the mental and moral balance of Porus, as well as the moral and physical balance of this army. In the ensuing battle Alexander, with a fraction of his own army, was enabled to defeat almost the whole of his enemy's. If this preliminary dislocation had not occurred there would have been no justification, either in theory or in fact, for Alexander's exposure of an isolated fraction to the risk of defeat in detail.
B.H. Liddell Hart
This regiment included some of the most famous army officers of the era, including Colonel Albert Sidney Johnston, then–Lieutenant Colonel Robert E. Lee, Major George H. Thomas, Captains Edmund Kirby Smith and Earl Van Dorn, then-Lieutenant Fitzhugh Lee, and Lieutenant John Bell Hood—all of whom became general officers during the Civil War and five of whom commanded armies.
Eric J. Wittenberg (The Union Cavalry Comes of Age: Hartwood Church to Brandy Station, 1863)
Whatever the truth about the Deliverer, she will remain in my mind as she was shown on that statue, and all the other statues and murals, songs and stories: riding, at the head of her own swift cavalry, with a growing migration behind her and a decadent, vulnerable, defenceless and rich continent ahead; and, floating bravely above her head and above her army, the black flag on which nothing is written.
Ken MacLeod (The Sky Road (The Fall Revolution, #4))
[from Some words about 'War and Peace'] For a historian considering the achievement of a certain aim, there are heroes; for the artist treating of a man's relation to all sides of life there cannot and should not be heroes, but there should be men. [...] The historian has to deal with the results of an event, the artist with the fact of the event. An historian in describing a battle says: 'The left flank of such and such an army was advanced to attack such and such a village and drove out the enemy, but was compelled to retire; then the cavalry, which was sent to attack, overthrew...' and so on. But these words have no meaning for the artist and do not actually touch on the event itself. Either from his own experience, or from the letters, memoirs, and accounts, the artist realizes a certain event to himself, and very often (to take the example of a battle) the deductions the historian permits himself to make as to the activity of such and such armies prove to be the very opposite of the artist's deductions. The difference of the results arrived at is also to be explained by the sources from which the two draw their information. For the historian (to keep to the case of a battle) the chief source is found in the reports of the commanding officers and the commander-in-chief. The artist can draw nothing from such sources; they tell him nothing and explain nothing to him. More than that: the artist turns away from them as he finds inevitable falsehood in them. To say nothing of the fact that after any battle the two sides nearly always describe it in quite contradictory ways, in every description of a battle there is a necessary lie, resulting from the need of describing in a few words the actions of thousands of men spread over several miles, and subject to most violent moral excitement under the influence of fear, shame and death.
Leo Tolstoy
Britt carried ammunition to Fort Belknap for the Ninth Cavalry, who were allowed to gallop after the Comanche raiders as far north as the Red. They stopped and watered their horses from the silky oranges and reds of the river. The black Ninth Cavalrymen slapped their hands together in frustration. They wanted a fight. They wanted to prove themselves. Instead they had a boil-up of coffee and ate some biscuits. Then they tightened their cinches on the hated McClellan army saddles and turned around and came back.
Paulette Jiles (The Color of Lightning)
Europe—at least when it came to gunnery—had more in common with southern than with northern China. It was full of forts, had plenty of broken landscapes that constrained armies’ movements, and, because it was so far from the steppes (which made cavalry expensive), its armies always included a lot of slow-moving infantry. In this environment, tinkering with guns to squeeze out small improvements made a great deal of sense, and by 1600 so many improvements had accumulated that European armies were becoming the best on earth.
Ian Morris (War: What is it good for?: The role of conflict in civilisation, from primates to robots)
Once the mobilization button was pushed, the whole vast machinery for calling up, equipping, and transporting two million men began turning automatically. Reservists went to their designated depots, were issued uniforms, equipment, and arms, formed into companies and companies into battalions, were joined by cavalry, cyclists, artillery, medical units, cook wagons, blacksmith wagons, even postal wagons, moved according to prepared railway timetables to concentration points near the frontier where they would be formed into divisions, divisions into corps, and corps into armies ready to advance and fight. One army corps alone—out of the total of 40 in the German forces—required 170 railway cars for officers, 965 for infantry, 2,960 for cavalry, 1,915 for artillery and supply wagons, 6,010 in all, grouped in 140 trains and an equal number again for their supplies. From the moment the order was given, everything was to move at fixed times according to a schedule precise down to the number of train axles that would pass over a given bridge within a given time.
Barbara W. Tuchman (The Guns of August)
It was the mist which made everything strange, spread across the land, a seven-foot-thick blanket, stretched almost uniformly over the flat bottom of the valley, and the gentle slopes leading down into it. As silent as the mist, Codrin’s army moved out of the forest. An observer high above the ground would see rows of floating heads, arranged in a matrix, the distance between them almost regular. Having helmets of many different colors, the heads offered a striking contrast to the white-gray monotony of the mist. An army of floating heads. Unaware of their weird appearance from above, the heads continued their journey down, toward Lenard’s army. To an observer on the ground, nothing could be seen until it was too late. Lenard’s sleeping soldiers woke up when the ground trembled to the rhythm of more than a thousand horses trampling everything in their way. They woke up, and they died. Some of them died while they slept. When the last cry died away, and the fog finally lifted, the surviving men surrendered. At the end of the clash, which became known as the Battle of the Mist, Codrin found that he had lost only fifteen men. Lenard had lost half of his army, his son and his life.
Florian Armas (Respectant (Chronicle of the Seer 4))
And while the most desperate hours of the men within the Perimeter were passing, a second battle had been raging in their rear, back in the continental United States. When American soldiers went into action, it had become customary to provide them with a free issue of candy, cigarettes—and beer. In the places American troops fought, there were rarely any handy taverns or supermarkets. Reported to the home front, the “beer issue” rapidly became a national controversy. Temperance, church, and various civic groups bombarded the Pentagon and Congress with howls of protest against the corruption of American youth. One legislator, himself a man who took a brew now and then, tried a flanking attack against the complainers, saying on the floor of the House, “Water in Korea is more deadly than bullets!” But no one either polled the troops for their opinion or said openly that a man who was old enough to kill and be killed was also old enough to have a beer if he wanted it. Unable to shake the habit of acquiescence, the Army leaders bowed to the storm of public wrath. On 12 September the day the 3rd Battalion, 7th Cavalry, lost half its strength securing Hill 314, Far East Command cut off its beer ration. The troops could still buy beer, but only when and if the PX caught up with them.
T.R. Fehrenbach (This Kind of War: The Classic Military History of the Korean War)
The failure of emancipation to take root during the war is one of the great What ifs of the Revolution. Another is: What if blacks had not fought for the American cause? What if a slave had not saved Colonel William Washington’s life, with the result that his cavalry charge dissolved and the Battle of Cowpens had become a British victory? As the historian Thomas Fleming speculates, both North and South Carolina might well have gone over to the British. What if Glover’s regiment of Massachusetts sailors had not had the manpower to complete the evacuation of Washington’s army before the fog lifted in New York—and Washington himself, waiting for the last boat, had been captured? *
Henry Wiencek (An Imperfect God: George Washington, His Slaves, and the Creation of America)
This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,
Geraldine Brooks (Horse)
These inventions became, incidentally, increasingly revolting to me, for I was ineradicably marked by a touch of the old cavalryman's primitive evaluation. I admit that in the earliest times the horseman had a considerable advantage over the foot soldier. (On the other hand considerably higher expenses were involved.) But the advantage was balanced by the invention of gunpowder, so rightly lamented by Ariosto. It was the end of glorious armies like those led by Charles the Bold. Cavalry charges still took place of course – and I cannot consider it unfair for the infantryman to load and fire two or three times before he received his comeuppance – but after that, death came to the cavalry. The old Centaurs were overpowered by the new Titan. I had seen my own conqueror at close hand when I lay bleeding on the grass. He had unhorsed me – a sickly fellow, a pimply lad from the suburbs, some cutler from Sheffield or weaver from Manchester. He cowered behind his rubble heap, one eye shut, the other aiming at me across the machine gun, which did the damage. In a pattern of red and gray, he wove an evil cloth. This was the new Polyphemus or, rather, one of his lowest messenger boys with a wire mask before his one-eyed face. This was how the present masters looked. The beauty of the forests was past.
Ernst Jünger (The Glass Bees)