“
The thing under my bed waiting to grab my ankle isn't real. I know that, and I also know that if I'm careful to keep my foot under the covers, it will never be able to grab my ankle.
”
”
Stephen King (Night Shift)
“
You want to remember that while you're judging the book, the book is also judging you.
”
”
Stephen King (Night Shift)
“
I'm an insomniac, my mind works the night shift.
”
”
Pete Wentz (Gray)
“
CUSTOMER: I’m always on night shift at work.
BOOKSELLER (jokingly): Is that why you’re buying so many vampire novels?
CUSTOMER (seriously): You can never be too prepared.
”
”
Jen Campbell (Weird Things Customers Say in Bookshops)
“
I'm getting really tired of bleeding. Someone stop the world, I want to get off.
”
”
Lilith Saintcrow (Night Shift (Jill Kismet, #1))
“
Fabulous. This night had shifted from the best to bad to Saw in record time.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I can barely stay awake," Metias had told me after his first night shift. "Does she honestly think we can guard anything after pulling an all-nighter? I was so out of it today that the Colonies' Chancellor himself could've walked into Batalla Hall and I wouldn't have known it.
”
”
Marie Lu (Legend (Legend, #1))
“
Reading is so much fun, but I’m tired of feeling like all the best parts of my life have been lived inside my own head.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
Amy Poehler was new to SNL and we were all crowded into the seventeenth-floor writers' room, waiting for the Wednesday night read-through to start. [...] Amy was in the middle of some such nonsense with Seth Meyers across the table, and she did something vulgar as a joke. I can't remember what it was exactly, except it was dirty and loud and "unladylike",
Jimmy Fallon [...] turned to her and in a faux-squeamish voice said, "Stop that! It's not cute! I don't like it."
Amy dropped what she was doing, went black in the eyes for a second, and wheeled around on him. "I don't fucking care if you like it." Jimmy was visibly startled. Amy went right back to enjoying her ridiculous bit.
With that exchange, a cosmic shift took place. Amy made it clear that she wasn't there to be cute. She wasn't there to play wives and girlfriends in the boys' scenes. She was there to do what she wanted to do and she did not fucking care if you like it.
”
”
Tina Fey (Bossypants)
“
He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen.
Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss.
Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.
”
”
Erin Morgenstern (The Night Circus)
“
I’d noticed soon after starting the job that whenever I got angry at the same things as everyone else, they all seemed happy. If I went along with the manager when he was annoyed or joined in the general irritation at someone skiving off the night shift, there was a strange sense of solidarity as everyone seemed pleased that I was angry too.
”
”
Sayaka Murata (Convenience Store Woman)
“
She walks in like a force of nature wrapped in a tight-fitting pencil skirt, and just like that... my morning unravels.
”
”
Tricia Newlan (Echoes of One Night: Forbidden Love Romance)
“
I requested off this damn night shift four times now. Barbara needs me. Barbara and little James. So I hope it's boy, so what?
”
”
Frank Miller (Batman: Year One)
“
Lysandra... Lady of Caraverre."
"There is no Caraverre," Darrow said.
Aelin shrugged. "There is now." Lysandra had settled on the name a week ago, whatever it meant, bolting upright in the middle of the night and practically shouting it at Aelin once she'd mastered herself long enough to shift back into her human form. Aelin doubted she'd soon forget the image of a wide-eyed ghost leopard trying to speak.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
When Catherine told me about this (tragedy nearby), I could only say, shocked, "Dear God, that family needs grace."
She replied firmly, "That family needs casseroles," and then proceeded to organize the entire neighborhood into bringing that family dinner, in shifts, every single night, for an entire year. I do not know if my sister fully recognizes that this _is_ grace.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
You also would love to hang out with Logan. And don’t even try to deny, you think Logan is super-hot. I know you. You like him, and he likes you. He was insanely worried about you last night. He’s either head over heels for you or he’s your guardian angel. He was insanely worried about you last night. If I didn’t know you had just met, I would swear he was in love with you.” Meredith said in an excited tone.
”
”
Hope Worthington (Shifting Moon: Shifting Moon Saga, Book 1)
“
The ladder had always held us before, we thought it would always hold us again, which is a philosophy that gets men and nations in trouble time after time.
”
”
Stephen King (Night Shift)
“
Let's talk, you and I. Let's talk about fear.
”
”
Stephen King (Night Shift)
“
The clock holds me nowhere. Nowhere. Nowhere. There is nothing else but now and the shifting depth of the night. I sit at a table alone smoking cigarettes and drinking coffee and listening and surviving. I should not be here or anywhere. I should not be breathing or taking space. I should not have been given this moment or anything else. I should not have this opportunity again to live. I do not deserve it or deserve anything yet it is here and I am here and I Have it all of it still. I won't have it again. This moment or this chance they are the same and they are mine if I choose them and I do. I want them. Now and as long as I can have them they are both precious and fleeting and gone in the blink of an eye don't waste them. A moment and an opportunity and a life, all in the unseen tick of a clock holding me nowhere. My heart is beating. The walls are pale and quiet. I am surviving.
”
”
James Frey (A Million Little Pieces)
“
As if the daytime wasn't bad enough, I dream about him. Every night for three nights in a row. I can't get out of that moment when I was in his head, feeling what he felt, hearing his thoughts as he kissed me. I can feel him loving me. And it kills me, that moment when I feel his love shift into fear.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
I thought I dreamed you." The words whisper from my parched throat.
His head tilts to one side, his mouth shifting to something less sarcastic, more amused. "That may be the most enchanting thing I've ever been told after spending the night with a girl.
”
”
Tammara Webber (Good For You (Between the Lines, #3))
“
He spends the majority of the evening in the company of Celia Bowen, whose elaborate gown changes color, shifting through a rainbow of hues to compliment whoever she is closest to.
”
”
Erin Morgenstern (The Night Circus)
“
His bondage had softened him. Irresponsibility had weakened him. He had forgotten how to shift for himself. The night yawned about him.
”
”
Jack London (White Fang)
“
Suddenly self-conscious, she shifted from one booted foot to the other. "I asked the cloud for battle-ready clothing, and this is what I got. There are slits all over the pants, for easy access to the weapons, I'm guessing. But the bustier has me stumped. Unless, of course, the cloud thinks my cleavage will stun my opponents into stupidity."
-Annabelle
”
”
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
“
no moon
the dark sky glad with stars
first crocus pokes winter in the ass
”
”
John C. Waugh (busted haiku)
“
Do you see the colours, Salama?' Kenan whispers.
The sunset is gorgeous, but it pales in comparison to him. He's drenched in the dying day's glow, a kaleidoscope of shades dancing on his face. Pink, orange, yellow, purple, red. Finally settling into an azure blue. It reminds me of Layla's painting. A colour so stark it would stain my fingers were I to touch it.
As the sun sinks, in those few precious moments when the world is caught between day and night, something shifts between Kenan and me. 'Yes,' I breathe. 'Yes.
”
”
Zoulfa Katouh (As Long as the Lemon Trees Grow)
“
From time to time, I would gaze up at the stars after a night shift and think that they looked like a glowing desert, and I myself was a poor child abandoned in the desert... I thought that life was truly an accident among accidents in the universe. The universe was an empty palace, and humankind the only ant in the entire palace. This kind of thinking infused the second half of my life with a conflicted mentality: Sometimes I thought life was precious, and everything was so important; but other times I thought humans were insignificant, and nothing was worthwhile. Anyway, my life passed day after day accompanied by this strange feeling, and before I knew it, I was old...
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
Little Words
When you are gone, there is nor bloom nor leaf,
Nor singing sea at night, nor silver birds;
And I can only stare, and shape my grief
In little words.
I cannot conjure loveliness, to drown
The bitter woe that racks my cords apart.
The weary pen that sets my sorrow down
Feeds at my heart.
There is no mercy in the shifting year,
No beauty wraps me tenderly about.
I turn to little words- so you, my dear,
Can spell them out.
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
Since there is no one else to praise me, I will praise myself -- will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows -- some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history -- But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, 'This fact I can do without.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
And so I rehabilitate myself - staying up late this Friday night in spite of vowing to go to bed early, because it is more important to capture moments like this, keen shifts in mood, sudden veering of direction - than to lose it in slumber.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Jim wasn’t just a badass. He was a badass who wrote a book for badasses on how to be a badder badass.
”
”
Ilona Andrews (Night Shift (World of Kate Daniels, #8.5; SPI Files, #0.5; Psy-Changeling, #12.5; Barbarian, #1))
“
The acknowledgement of a single possibility can change everything.
”
”
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
“
Story is something happening to someone you have been led to care about.
”
”
Stephen King (Night Shift)
“
Warmth slid through my veins as my body tensed in a welcomed, delicious way.
My eyes fluttered shut as his lips brushed mine once and then twice, as if he was getting reacquainted with the feel of them. The slight, barely there touch was nerve racking.
Cam shifted his weight onto his left arm and with his other hand, he spread his fingers along my cheek. He placed a kiss to the corner of my lips and the other side before sliding his hand back around the nape of my neck. His lips moved along my jaw, trailing a fiery path to my ear. A shiver danced along my skin, eliciting a deep, husky chuckle from him. His lips pressed against the sensitive spot under my ear, and a moan crawled up my throat.
“Goodnight, Avery.”
And then he kissed me—kissed me like he’d had right before he’d left the night of our date. Kissed me like he was a man starving for oxygen and I was the only air he needed to breathe. The hand around my neck held me there, raised up on my elbows as his mouth devoured mine. And that was the only word I could use to accurately explained how he kissed me.
Cam devoured me.
”
”
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
“
Reality never changes. Only our recollections of it do. Whenever a moment passes, we pass along with it into the realm of memory. And in that realm, geometries change. Contours shift, shades lighten, objectivities dissolve. Memory becomes what we need it to be.
”
”
Craig Davidson (The Saturday Night Ghost Club)
“
I felt comfortable as only one can on such a night, when all is miserable outside and all is warmth and comfort inside.
”
”
Stephen King (Night Shift)
“
The living and the dead,
The awake and the sleeping,
The young and the old are all one and the same.
When the ones change, they become the others.
When those shift again, they become these again.
God is day and night.
God is winter and summer.
God is war and peace.
God is fertility and famine.
He transforms into many things.
Day and night are one.
Goodness and badness are one.
The beginning and the end of a circle are one.
”
”
Yukio Mishima (The Temple of Dawn (The Sea of Fertility, #3))
“
people come into your life for different reasons. Some are forever, but those are rare. Most people are seasonal—they’re with you for a reason and when that reason is fulfilled, they move on.
”
”
Erin Nicholas (She's the One (Just Everyday Heroes: Night Shift, #1))
“
I’ve committed every part of you to memory, did you know that? You’re so fucking beautiful that sometimes I can’t see straight. I want you so bad, I can’t take this shit. The first night we met was like being hit by a tornado all over again. You entering my life was a huge event and you shook and shifted everything for me. I want you to be mine and I want to be yours.
”
”
Cora Hawkes (Rocked Under (Rocked, #1))
“
Around Mik, my powers desert me. I lose basic motor function, like my brain focuses all neural activity on my lips and shifts into kiss preparedness mode way too early, to the detriment of things like speech, and walking.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
If you want to write, you write. The only way to learn to write is by writing.
”
”
Stephen King (Night Shift)
“
Love is the most pernicious drug of all. Let the romantics debate its existence. Pragmatists accept it and use it.
”
”
Stephen King (Night Shift)
“
It was 10:00 p.m., and their shift had ended four hours earlier, so they could turn their pagers off, a rare privilege.
”
”
Lin Wilder (Plausible Liars: A Dr. Lindsey McCall Medical Mystery 5 (The Dr. Lindsey McCall Medical Mystery Series))
“
Sprinkled across the black waters below were at least a hundred small boats set out to greet the Leviathan, their navigation lights like shifting stars. Among them loomed a glittering cruise liner, her fog horn bellowing in the night. The low groan grew into a chorus as the other great ships in the harbor joined in.
Perched on Volger's desk, Bovril attempted to imitate the horns, but wound up sounding like a badly blown tuba.
Alek smiled. "But they're already singing our praises!"
"They are Americans," Volger said. "They toot their horns for anything.
”
”
Scott Westerfeld (Goliath (Leviathan, #3))
“
You're my big brother. I knew you'd take care of me.
”
”
Stephen King (Night Shift)
“
The world breaks everyone and afterward many are strong at the broken places.
”
”
Alex Finlay (The Night Shift)
“
I glanced at Tamlin, biting my lip. I'd practically floated into my bedroom that morning. But Tamlin's gaze now roved my face as if searching for any tinge of regret, of fear. Ridiculous.
"You bit my neck on Fire Night," I said under my breath. "If I can face you after that, a few kisses are nothing."
He braced his forearms on the table as he leaned closed to me. "Nothing?" His eyes flicked to my lips. Lucien shifted in his seat, muttering to the Cauldron to spare him, but I ignored him.
”
”
Sarah J. Maas
“
Having a breakdown was like breaking a vase and then gluing it back together. You could never trust yourself to handle that vase again with any surety. You couldn't put a flower in it because flowers need water and water might dissolve the glue. Am I crazy, then?
”
”
Stephen King (Night Shift)
“
I’m always going to be a reader. And I’m always going to be a romantic.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
A family in my sister's neighborhood was recently stricken with a double tragedy, when both the young mother and her three-year-old son were diagnosed with cancer. When Catherine told me about this, I could only say, shocked, "Dear God, that family needs grace." She replied firmly, "That family needs casseroles," and proceeded to organize the entire neighborhood into bringing that family dinner, in shifts, every single night, for an entire year. I do not know if my sister fully recognizes that this IS grace.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
We walked toward the arcade and Noah shifted his hand to allow his fingers to rest beside mine. My heart galloped like a horse. This was Noah Hutchins. The Noah Hutchins that refused steady relationships or even dating. The Noah Hutchins that only wanted one-night stands. A stoner. My opposite. And right now, everything I wanted.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock.
But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else.
The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side.
Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully.
All of this takes hours.
The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played.
At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern.
After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes.
By noon it is a clock again, and no longer a dream.
”
”
Erin Morgenstern (The Night Circus)
“
Then his gaze shifted to the wild bush sprouting from her head. “Wow. Did I do that to your hair?” He looked oddly pleased at the thought.
Rylann made a mental note to throw a flat iron in her purse the next time she had sex in the shower with a billionaire ex-con. Not that there was
going to be a next time. “Not all of us are lucky enough to have freakishly perfect, shampoo-commercial hair. This is what happens when I get wet.”
His expression turned wicked. “I know exactly what happens when you get wet, counselor.”
Yep, she’d walked right into that one.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Isn't is lovely to be all together again?" Raffin said, throwing one arm around Po and the other around Bann.
--------
She wanted them near, even if they were subsumed by their own affairs, she needed them at sword practice in the morning, at dinner at night, moving and shifting around her, there and gone, back again, arguing, teasing, acting like people who knew who they were.
”
”
Kristin Cashore (Bitterblue (Graceling Realm, #3))
“
The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
”
”
Erin Morgenstern (The Night Circus)
“
There is nothing dishonorable about abandoning pain. Sometimes peace is most quickly found when a man simply stops avoiding it." He shifted slightly in the dark. "And you never again lay awake all night, staring at darkness and thinking of them.
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
Big Alpha Man does not stay in car. Big Alpha Man roar and beat manly chest.
”
”
Nalini Singh (Night Shift (Kate Daniels, #6.5; SPI Files, #0.5; Psy-Changeling, #12.5))
“
Because that’s what nonfictional men do: disappoint you.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
The night wears on; the fire dwindles; the wind shifts and my heart aches with nostalgia - summer camps and catching lightning bugs and August skies aflame with stars. The way the desert smells and the long, wistful sigh of wind rushing down from the mountains as the sun dips beneath the horizon.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
Last night. When I was bleeding out. I heard you.
Our eyes locked. And in that moment everything shifted. I saw what I had really done. I saw that I could be somebody's centre, their reason for staying. I saw that I could be enough.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
I moved quickly, putting myself between the two of them. "Stop it!" I shouted. "I have way too much to worry about right now to also have to pull you two off each other. Jeesh, talk about immature." Both guys kept glaring at each other over my head. "I said, stop it!" And I smacked their chests. That made them blink and shift their attention to me. Now it was my turn to do the glaring. "You know, you two are ridiculous with your puffing up and your testosterone and crap. I mean, I could summon the elements and kick both of your butts."
Heath shuffled his feet and looked embarrassed. Then he grinned at me, like a cute little boy whose mommy had just yelled at him. "Sorry, Zo. I forget you have some major mojo going on.
”
”
Kristin Cast (Hunted (House of Night, #5))
“
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable.
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
My roommates call me a hopeless romantic. I let them. It’s nicer than being called a lonely hermit.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
The plum-colored night sky was shifting to pink to make room for the day, which looked as though it might turn out “glorious and whimsical,” as the Key West Citizen had promised.
”
”
Lucy Burdette (Topped Chef (Key West Food Critic Mystery #3))
“
A troubled silence descends—the old times are shifting again; they are rearranging like fault lines. The past will not relent.
”
”
Kevin Barry (Night Boat to Tangier)
“
Sometimes you can pick who buys you, and for how much. That's what power really is.
”
”
Lilith Saintcrow (Night Shift (Jill Kismet, #1))
“
There’s a quote she’s always loved. She can’t remember who said it. Speak the truth, even if your voice shakes. She decides she’s going to stand her ground even if her voice shakes.
”
”
Alex Finlay (The Night Shift)
“
He hadn't meant to do it. That is to say, he hadn't set out in his car with the /intent/ to kill the janitor. But he /had/ unearthed Sykes's rotation schedule, and he /had/ gotten in his car at the same time that Sykes clocked out of his once-a-week night shift, and he /had/ seen him crossing the road, and he /had/ sped up.
”
”
Victoria Schwab
“
Colors shift like smoke within the branch beneath our feet. Sprites jump from leaf to leaf, leaving sprinklings of glittery dust in the air behind them. Droplets of water are strung like pearls from the silver strands of a spider’s web. Bluebottle glow-bugs stick to the leaves and branches, lighting up the night with their blue-green bodies. And high above us, clouds are draped like sashes of color across the sky. Amethyst, azure, jade.
”
”
Rachel Morgan (The Faerie Guardian (Creepy Hollow, #1))
“
The only indication of the passage of time lies in the heavens, the subtle shift of the moon. So Peeta begins pointing it out to me, insisting I acknowledge its progress and sometimes, for just a moment I feel a flicker of hope before the agony of the night engulfs me again.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Try it alone now," he said. "I taught you when you were six. You were a fine little rider then. Do you remember?"
"No!" said Azalea.
"You remembered how to ride last winter," said the King quietly. He had his arms crossed. "You rode very well, one night last winter, if I remember."
The horse beneath Azalea shifted, and she clutched to keep her balance.
"That was nearly a year ago," she stammered.
"Some things are burned into one's memory."
The King helped her down gently onto solid ground, and didn't say another word.
”
”
Heather Dixon Wallwork (Entwined)
“
I think I snapped a wheel at some point tonight. Or at the very least stepped over into the realm of Rod Serling’s Twilight Zone. (Cassandra)
How do you mean? (Wulf)
Well, let’s see…It’s only eleven o’clock and tonight I have gone to a club that seems to be owned by shape-shifting panthers, where a group of vampire hit men and one possible god attacked me. Went home only to be attacked again by said hit men, god, and then a dragon. Had a Dark-Hunter save me. My bodyguard my or may not be in the service of a goddess and now I just met a sleep spirit. Hell of a day, huh? (Cassandra)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
Naturally the villagers blamed bears. No one had ever seen a bear in Gavaldon, but this made them more determined to find one. Four years later, when two more children vanished, the villagers admitted they should have been more specific and declared black bears the culprit, bears so black they blended with the night. But when children continued to disappear every four years, the village shifted their attention to burrowing bears, then phantom bears, then bears in disguise. . . Until it became clear it wasn't it wasn't bears at all.
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
It's as if everything shifts around me, the pieces that didn't fit together finally twisting until they match. The terror that had been clouding and suffocating me begins to filter away, dissipating in the night. "I want something more too," I whisper. "I want more than looking back and wishing for what was or what could have been. Who I was or could have been. I want..." I lick my lips, tasting him. "I want you.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
People architect new lives all the time. I know this because I never see them again once they find these new lives. They have children or they move to new cities or even just to new neighborhoods or you hate their spouse or their spouse hates you or they start working the night shift or they start training for a marathon or they stop going to bars or they start going to therapy or they realize they don’t like you anymore or they die. It happens constantly. It’s just me. I haven’t built anything new. I’m the one getting left behind.
”
”
Jami Attenberg (All Grown Up)
“
I try not to sleep. It disturbs the circles I'm growing under my eyes.
”
”
Lilith Saintcrow (Night Shift (Jill Kismet, #1))
“
She was thinking about how quietly you could grow to depend on a person, almost like a junkie with a habit.
”
”
Stephen King (Night Shift)
“
I didn't like feeling things. Emotions were ever-shifting and devoid of logic, and they gave me no way to sink my blade into them.
”
”
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
“
Real life is never like the novels.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
Mom's note on the dining room table to me and Faith read:
Daughters of mine,
In case you haven't noticed, no one has seen the top of our dining room table in months. I seem to recall it is oak, but as the days dwindle by, I'm less and less sure. Perhaps this is because your school books, files, papers, magazines, letters, underwear, etc., are shielding it from normal use. My goal for you, dear offspring, to be accomplished in twenty-four hours (no excuses), is the clearing/exhuming of this space so that we may gather around it once again and spend quality time. Even though I am working the night shift, I will still be watching. Do it or die.
Your loving mother
”
”
Joan Bauer (Rules of the Road (Rules of the Road, #1))
“
The clock holds me nowhere. Nowhere. Nowhere. There is nothing else but now and the shifting depth of night. I sit at a table alone smoking cigarettes and drinking coffee and listening and surviving. I should not be here or anywhere. I should not be breathing or taking space.
”
”
James Frey (A Million Little Pieces)
“
By the time he had to head to San Francisco, for his night shift at the UCSF Medical Center emergency room, Mortenson had completed, sealed, and stamped six letters. One for Oprah Winfrey. One for each network news anchor, including CNN’s Bernard Shaw, since he figured CNN was becoming as big as the other guys. And a letter he’d written spontaneously to the actress Susan Sarandon, since she seemed so nice, and so dedicated to causes
”
”
Greg Mortenson (Three Cups of Tea: One Man's Mission to Promote Peace ... One School at a Time)
“
Nico's a good man, but like many men, he treats pregnant women like fragile flowers. They overlook the fact that, over the course of history, through famines, epidemics, and other extreme conditions, women survived longer and better than men. Having babies? A walk in the park next to what most men could endure. But whatever
”
”
Alex Finlay (The Night Shift)
“
If you wanted to predict how people would behave, Munger said, you only had to look at their incentives. FedEx couldn’t get its night shift to finish on time; they tried everything to speed it up but nothing worked—until they stopped paying night shift workers by the hour and started to pay them by the shift. Xerox created a new, better machine only to have it sell less well than the inferior older ones—until they figured out the salesmen got a bigger commission for selling the older one. “Well, you can say, ‘Everybody knows that,’ ” said Munger. “I think I’ve been in the top five percent of my age cohort all my life in understanding the power of incentives, and all my life I’ve underestimated it. And never a year passes but I get some surprise that pushes my limit a little
”
”
Michael Lewis (The Big Short: Inside the Doomsday Machine)
“
From time to time, I would gaze up at the stars after a night shift and think that they looked like a glowing desert, and I myself was a poor child abandoned in the desert.… I thought that life was truly an accident among accidents in the universe. The universe was an empty palace, and humankind the only ant in the entire palace.
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
She had her eyes on one ship in particular, had been watching, coveting, all day. It was a gorgeous vessel, its hull and masts carved from dark wood and trimmed in silver, its sails shifting from midnight blue to black, depending on the light. A name ran along its hull—Saren Noche—and she would later learn that it meant Night Spire. For now she only knew that she wanted it. But she couldn’t simply storm a fully manned craft and claim it as her own. She was good, but she wasn’t that good. And then there was the grim fact that Lila didn’t technically know how to sail.
”
”
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
In a world of shifting past, these memories are wheat in wind, fleet in dreams, shapes in clouds. Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened.
”
”
Alan Lightman (Einstein’s Dreams)
“
I often described my sudden shift in self-awareness as feeling as if a demon had entered my room in the middle of the night, startled me awake by whispering, "What if you were a man, sort of?" into my ear, then slithered out the window before I could ask any follow-up questions.
”
”
Daniel Mallory Ortberg (Something That May Shock and Discredit You)
“
True beauty isn’t in how big your breasts are, or how large your eyes are, or how pretty your nose is. All that is temporary. Breasts sag, skin gets wrinkles, waists become wider, and strong backs stoop. I tried to teach you this when you were younger, but I must’ve done a bad job, because you never learned it. True beauty is in how that person makes you feel. When a man truly loves you, the longer you are together, the more beautiful you will be to him. When he looks at you and you look at him, you won’t just see the surface. You will see everything you shared, everything you’ve been through, and every happy moment you hope for.
”
”
Ilona Andrews (Night Shift (World of Kate Daniels, #8.5; SPI Files, #0.5; Psy-Changeling, #12.5; Barbarian, #1))
“
Where does such tenderness come from?”
Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.
The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.
But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.
Where does this tenderness come from?
And what will I do with it? Young
stranger, poet, wandering through town,
you and your eyelashes—longer than anyone’s.
”
”
Marina Tsvetaeva
“
Insofar as story is concerned, and pleasure is concerned, there are not enough Stephen Kings to go around.
”
”
Stephen King (Night Shift)
“
There’s a lot of stress and strife in this world. The people you surround yourself with intentionally, that you care about and share things with, shouldn’t be part of that stress.
”
”
Erin Nicholas (She's the One (Just Everyday Heroes: Night Shift, #1))
“
The night, a living presence, was in constant motion, shifting itself, sighing, breathing. She wondered if perhaps it, too, was trying to get warm.
”
”
Laird Koenig (The Little Girl Who Lives Down the Lane)
“
After two stories, I blew out my light. The night was clear. My ceiling was the sky and an eyelash of the moon. By shifting from side to side, I made my hammock swing me into sleep.
”
”
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
“
The critical scene of the mystery is when the detective enters. The action shifts to Sherlock’s sitting room. The little Belgian man with the waxed moustache appears in the lobby of the grand hotel. The gentle old woman with a bag of knitting comes to visit her niece when the poison pen letters start going around the village. The private detective comes back to the office after a night of drinking and finds the woman with the cigarette and the veiled hat this is when things will change.
”
”
Maureen Johnson (Truly, Devious (Truly Devious, #1))
“
Does this mean I get to be part of the team?” She clapped her hands again.
“Yes,” Nate said.
“No,” Gabriel said at the same time.
“Duuuude,” Nate said to Gabriel between his teeth. “I really want to talk to this Mr. Brooks guy.”
“Fine.” Gabriel sighed. “Let her help. I don’t care. But if you die,” Gabriel pointed at Heather, “or get cursed or something, that’s your fault.”
Heather nodded merrily, still clapping. “Yay, I’m part of the team.”
“We’re not a team,” Gabriel said through gritted teeth.
Heather ignored him and looked at Nate. “I think we need a team name.”
“Ooh! Good idea.” Nate pointed a finger into the air. “How about Team Awesome?”
Heather wrinkled her nose. “Too vague. Team Super Secret Fountain Seekers?”
“Too specific.” Nate shook his head. “Team Ash Guy Hunters?”
“Ashman.” Heather shook her head. “Too hard to say.”
Nate scoffed. “And ‘Super Secret Fountain Seekers’ is easy to say?”
Gabriel huffed and started walking toward the door. “You guys can stay here and pick a name and a Team Captain or whatever, but I’m going to find Mr. Brooks.” He opened the door to leave, night falling on the forest around them.
Heather said, “Mr. Brooks doesn’t open his door when it’s dark outside.” She shrugged. “So we’re going to have to wait until tomorrow after school.”
Frustrated, Gabriel closed the cabin door on the setting sun. “Tomorrow then.”
“Perfect.” Nate nodded, shifting his eyes from Scarlet, to Gabriel, and then to Heather.
A moment passed.
“I call dibs on Team Captain,” Nate said.
Gabriel rolled his eyes.
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
Gradually his mouth shifted away from hers, and he bit softly at the delicate silk of her throat. He murmured things that shocked her, expressing himself not in flowery phrases, but with the raw simplicity of a man whose lust for her knew no limits. “I have no self-control where you’re concerned. Every minute that I’m not with you, all I can think about is being inside you. I hate everything that keeps you separate from me.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
It was a day like a slow-motion video of twilight. Uneventful, to put it mildly. The lead gray of the sky mixed ever so slowly with black, finally blending into night. Just another quality of melancholy. As if there were only two colors in the world, gray and black, shifting back and forth at regular intervals.
”
”
Haruki Murakami (Dance Dance Dance)
“
I noticed how utterly indifferent the passengers were to what they were doing, namely, flying through the air. A glance out of the window would have revealed furrowed fields of cloud stained smoke-blue and violet as night and morning changed shifts –- but how were they passing time in First, Business and Coach? Crosswords. In-flight movies. Computer games. E-mail. Creation sprawls like a dewed and willing maiden outside your window awaiting only the lechery of your senses –- and what do you do? Complain about the dwarf cutlery. Plug your ears. Blind you eyes. Discuss Julia Roberts’s hair. Ah, me. Sometimes I think my work is done.
”
”
Glen Duncan (I, Lucifer)
“
The thing is, I don’t read romance novels for the realism. I read them because they make me feel seen and heard as a woman. They let me explore my desires—both the ones I’m proud of and the ones I clear from my search history—and they’ve taught me who I am and what I want. I’m always going to be a reader. And I’m always going to be a romantic.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
The hemulen woke up slowly and recognised himself and wished he had been someone he didn't know. He felt even tireder than when he went to bed, and here it was -- another day which would go on until evening and then there would be another one and another one which would be the same as all days are when they are lived by a hemulen.
He crept under the bedcover and buried his nose in the pillow, then he shifted his stomach to the edge of the bed where the sheets were cool. He took possession of the whole bed with outstretched arms and legs he was waiting for a nice dream that wouldn't come. He curled up and made himself small but it didn't help a bit. He tried being the hemulen that everybody like, he tried being the hemulen that no one liked. But however hard he tried he remained a hemulen doing his best without anything really coming off. In the end he got up and pulled on his trousers.
The Hemulen didn't like getting dressed and undressed, it gave him a feeling that the days passed without anything of importance happening. Even so, he spent the whole day arranging, organising and directing things from morning till night! All around him there were people living slipshod and aimless lives, wherever he looked there was something to be put to rights and he worked his fingers to the bone trying to get them to see how they ought to live.
It's as though they don't want to live well, the Hemulen thought sadly as he brushed his teeth. He looked at the photograph of himself with his boat which was been taken when the boat was launched. It was a beautiful picture but it made him feel even sadder.
I ought to learn how to sail, the Hemulen thought. But I've never got enough time...
Moominvalley in November
Chapter 5, THE HEMULEN
”
”
Tove Jansson (Moominvalley in November (The Moomins, #9))
“
Mirabelle loved the forest. It was cool and full of shadows and little shifting pools of sunlight. It was strange and secret, full of unknown things, magic things perhaps. It sheltered flocks of colored birds, and rabbits and squirrels and the big-eyed, delicate-footed deer. It breathed with the scent of flowers and the sound of running water, and at night it held all the stars in its branches.
”
”
Margaret Greaves (A Net to Catch the Wind)
“
He’d told them what Saturday night meant. The mattress, the plastic sheet. He told them of Matador in the fifth. He said he loved her from the very first time she’d talked to him, and it was his fault, it was all his fault. Clay melted, but didn’t break, because he deserved no tears or sympathy. ‘The night before she fell,’ he said, ‘we met there, we were naked there, and –’ He stopped because Catherine Novac – in a shift of gingerblondness – had stood and she’d walked towards him. She lifted him gently out of his chair and hugged him hard, so hard, and she patted his short flat hair, and it was so damn nice it hurt. She said, ‘You came to us, you came, you came.
”
”
Markus Zusak (Bridge of Clay)
“
I kissed you because I wanted to kiss you," he says. "I memorized poems for you because I wanted to be able to talk to you about the shit you like." He lowers his voice. "And I ate you out because it was my birthday and all I wanted was to make you come. That was for me, Kendall. All of that was for me. I didn't do it to be nice. I did it because I.Like.You.
”
”
Annie Crown (Night Shift (Daydreamers, #1))
“
there was a reason for everything that happened and that all of those reasons were like threads that, over time, wove together into the pattern of a person’s life. Every thread was necessary for the final pattern to be complete.
”
”
Erin Nicholas (She's the One (Just Everyday Heroes: Night Shift, #1))
“
The boundaries of this world are forever shifting – from day to night, joy to sorrow, love to hate, and from life itself to death; and who can say at what moment we may suddenly cross over the border, from one state of existence to another, like heat applied to some flammable substance? I have been given my own ever-changing margins, across which I move, continually and hungrily, like a migrating animal. Now civilized, now untamed; now responsive to decency and human concern, now viciously attuned to the darkest of desires.
”
”
Michael Cox (The Meaning of Night (The Meaning of Night, #1))
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me."
"What sort of things?"
"I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make."
Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours."
He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
”
”
Judith McNaught (Until You (Westmoreland, #3))
“
I didn’t think there was someone out there who was capable of really loving me,” Miller goes on. “I didn’t think there was someone out there who defied everything I knew.” He takes a long swig of his drink, keeping his eyes on William, who’s shifting uncomfortably on his stool, playing with his glass. “Then I found Olivia Taylor.
”
”
Jodi Ellen Malpas (Unveiled (One Night, #3))
“
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.
”
”
Michelle Zauner (Crying in H Mart)
“
A lot of people believe in working long days and doing double, triple, or even quadruple shifts. I'm not one of them. Neither Transmeta nor Linux has ever gotten in the way of a good night's sleep. In fact, if you want to know the honest truth, I'm a firm believer in sleep. Some people think that's just being lazy, but I want to throw my pillow at them. I have a perfectly good excuse, and I'm standing by it: You may lose a few hours of your productive daytime if you sleep, oh, say, ten hours a day, but those few hours when you are awake you're alert, and your brain functions on all six cylinders. Or four, or whatever.
”
”
Linus Torvalds (Just for Fun: The Story of an Accidental Revolutionary)
“
That is to say, he hadn’t set out in his car with the intent to kill the janitor. But he had unearthed Sykes’s rotation schedule, and he had gotten in his car at the same time that Sykes clocked out of his once-a-week night shift, and he had seen him crossing the road, and he had sped up. But it was a series of circumstances lined up in such a way that any one of them could so easily have shifted in a matter of seconds and spared the man’s life.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
MINDY TRUDGED to her computer. Today’s shift began at 2:10 p.m. Her schedule matched Watney’s every day. She slept when he slept. Watney simply slept at night on Mars, while Mindy had to drift forty minutes forward every day, taping aluminum foil to her windows to get any sleep at all.
”
”
Andy Weir (The Martian)
“
Somehow Geryon made it to adolescence. Then he met Herakles and the kingdoms of his life all shifted down a few notches. ... Geryon was going into the Bus Depot one Friday night about three a.m. to get change to call home. Herakles stepped oof the bus from New Mexico and Geryon came fast around the corner of the platform and there it was one of those moments that is the opposite of blindness. The world poured back and forth between their eyes once or twice.
”
”
Anne Carson (Autobiography of Red)
“
In the silence that followed, violent anger hit Blay from out of
nowhere.
Now his hands shook for a different reason.
“So,” Saxton said hoarsely. “How was your night?”
“What the hell happened down there?”
Saxton loosened his tie. Unbuttoned his collar. Took yet another
deep breath. “Family tiff, as it were.”
“Bullsh*t.”
Saxton shifted exhausted eyes over. “Must we do this?”
“What happened—”
“I think you and Qhuinn need to talk. And once you do, I won’t have to worry about being jumped like a felon again.”
Blay frowned. “He and I have nothing to say to each other—”
“With all due respect, the ligature marks around my neck would
suggest otherwise.”
-Lover at Last, pg. 188 of the galleys
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…
”
”
Richard Siken
“
Would you like me to take the first shift?’ Sylvain’s voice was pure silk.
A tendon worked in Carter’s jaw.
‘I want you to go f …’ he started, but Allie grabbed his arm.
‘Carter no. Calm down.’ She looked at the two of them. ‘You can both stay with me until one of you has to go somewhere, OK? Then the other will take over. No fighting. With each other, anyway.
”
”
C.J. Daugherty (Night School (Night School, #1))
“
Now goes under, and I watch it go under, the sun
That will not rise again.
Today has seen the setting, in your eyes cold and senseless as the sea,
Of friendship better than bread, and of bright charity
That lifts a man a little above the beasts that run.
That this could be!
That I should live to see
Most vulgar Pride, that stale obstreperous clown,
So fitted out with purple robe and crown
To stand among his betters! Face to face
With outraged me in this once holy place,
Where Wisdom was a favoured guest and hunted
Truth was harboured out of danger,
He bulks enthroned, a lewd, an insupportable stranger!
I would have sworn, indeed I swore it:
The hills may shift, the waters may decline,
Winter may twist the stem from the twig that bore it,
But never your love from me, your hand from mine.
Now goes under the sun, and I watch it go under.
Farewell, sweet light, great wonder!
You, too, farewell,-but fare not well enough to dream
You have done wisely to invite the night before the darkness came.
”
”
Edna St. Vincent Millay
“
If I die tonight it will be with every single thing unfinished (like, I suppose, any other night), and yet, what a gift to die on the verge of tears. I have spent my life trying to understand the way this rock and this ache go together, why a granite peak is more dramatic half dressed in clouds...,why sunlight under fog is better than the sum of its parts, why my best days and my worst days are always the same days, why (often) leaving seems like the only solution to the predicament of loving (each other) the world.
”
”
Pam Houston (Contents May Have Shifted)
“
My obsession is with the macabre. I didn't write any of the stories which follow for money, although some of them were sold to magazines before they appeared here and I never once returned a cheque uncashed. I may be obsessional but I'm not crazy. Yet I repeat: I didn't write them for money; I wrote them because it occurred to me to write them. I have a marketable obsession. There are madmen and madwomen in padded cells the world over who are not so lucky.
”
”
Stephen King (Night Shift)
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
Alexandria and its scholars […] never mistook the true nature of the past; they knew it to be the source of an ever-shifting present in which new readers engaged with old books which became new in the reading process. Every reader exists to ensure for a certain book a modest immortality. Reading is, in this sense, a ritual of rebirth.
”
”
Alberto Manguel (The Library at Night)
“
You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.
”
”
Max Barry (Company)
“
loves deep, winding conversations that go up and down, especially in the dead of night when everyone should be sleeping. She has forgotten the way conversations, really good ones, can change her — shape-shift her like a tree. Sometimes leave her bare, sometimes leave her fuller.
”
”
Alison Espach (The Wedding People)
“
The fire cackled musically. From it swelled light smoke. Overhead the foliage moved softly. The leaves, with their faces turned toward the blaze, were colored shifting hues of silver, often edged with red. Far off to the right, through a window in the forest could be seen a handful of stars lying, like glittering pebbles, on the black level of the night.
”
”
Stephen Crane (The Red Badge of Courage)
“
She had been struck by the figure of a woman's back in a mirror. She stopped and looked. The dress the figure wore was the color called ashes of roses, and Ada stood, held in place by a sharp stitch of envy or th woman's dress and the fine shape of her back and her thick dark hair and the sense of assurance she seemed to evidence in her very posture.
Then Ada took a step forward, and the other woman did too, and Ada realized that it was herself she was admiring, the mirror having caught the reflection of an opposite mirror on the wall behind her. The light of the lamps and the tint of the mirrors had conspired to shift colors, bleaching mauve to rose. She climbed the steps to her room and prepared for bed, but she slept poorly that night, for the music went on until dawn. As she lay awake she thought how odd it had felt to win her own endorsement.
”
”
Charles Frazier (Cold Mountain)
“
There was such a rush about me: wing, and tangled spray, and colors upon colors and shades of colors that were not colors at all but shifts of white and silver. If light like that were sound, it would sound like the sea on sand, and if my ears were eyes, they would see such a light.
I crouched there, gasping in the swirl of it, and a flood struck me, shallow and swift, turning up and outward like flower petals where it touched my knees, then soaking me to the waist in its bubble and crash. I pressed my knuckles to my eyes so they would open again. The sea on my lips with the taste of tears and the whole white night shouted and wept aloud.
”
”
Theodore Sturgeon (E Pluribus Unicorn)
“
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down.
“I take it we’re camping here, then?”
Royce said nothing, still refusing to acknowledge his existence.
“You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.”
Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.”
Royce shifted to his side, hood up.
“Yeah, well … thank Maribor and Novron I didn’t need your help that time.”
“Didn’t care for my help too much in the stable,” Royce said.
“It speaks!
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
One night, Ye was working the night shift. This was the loneliest time. In the deep silence of midnight, the universe revealed itself to its listeners as a vast desolation. What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end.
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
Silence is the creation of space, a space that memory needs to use . . . an incubator. We're dealing here with dimensions, stretching our inner muscles, pushing aside any interference. We're dealing with numbers, but not counting. Silence demands the nature of night, even in full day, it demands shadows.
”
”
Etel Adnan (Shifting the Silence)
“
You may have an occasion to be traveling in southern Maine yourself one of these days. Pretty part of the countryside. You may even stop by Tookey's Bar for a drink. Nice place. They kept the name just the same. So have your drink, and then my advice to you is to keep right on moving north. Whatever you do, don't go up that road to Jerusalem's Lot. Especially not after dark. There's a little girl somewhere out there. And I think she's still waiting for her good-night kiss.
”
”
Stephen King (Night Shift)
“
It strikes me how small everything is, our whole world, everything with a meaning - our stores and our raids and our jobs and our lives, even. Meanwhile the world just goes on the same as always, night cycling into day and back into night, an endless circle; seasons shifting and reforming like a monster shaking off its skin and growing up again.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
the first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks.
The bonfire ignites in an eruption of yellow flame.
Then second chime follows.
the second archer sends his arrow into the yellow flames, and they become a clear sky-blue.
A third chime with a third arrow. and the flames are a warm bright pink.
Flames the color of a ripe pumpkin follow the fourth arrow.
A fifth, and the flames are scarlet-red.
A sixth brings a deeper, sparkling crimson.
Seven, and the fire is soaked in a color like an incandescent wine.
Eight, and the flames are shimmering violet.
Nine, and violet shift to indigo.
A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.
”
”
Erin Morgenstern (The Night Circus)
“
That was only the beginning of the Nazi “Production Schedule.” Three hundred and sixty corpses every half hour, which was all the time it took to reduce human flesh to ashes, made 720 per hour, or 17,280 corpses per twenty-four hour shift. And the ovens, with murderous efficiency, functioned day and night. However, one must also take into account the death pits, which could destroy another 8,000 cadavers a day. In round numbers, about 24,000 corpses were handled each day. An admirable production record—one that speaks well for German industry.
”
”
Olga Lengyel (Five Chimneys: The Story of Auschwitz)
“
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me.
"But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay."
I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this.
I put the speech down picked up the microphone and came out from behind the podium.
"Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined.
"I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years.
"I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people."
....
"A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
Imagination seems to come fast and true in the morning and evening light, the bookends of the day, shifting as books come and go like moments in time. It’s during these times in which the phrases “It is so” and “It is not so” become “It might be so” and “It might not be so.” In this way, the black and white realism of the day transforms into colorful winged possibilities of morning and night.
”
”
Kayla Severson (Nature's 1st Gem Is Green)
“
Lucien kept rubbing at his temples as he ate, unusually silent, and I hid my smile as I asked him, “And where were you last night?”
Lucien’s metal eye narrowed on me. “I’ll have you know that while you two were dancing with the spirits, I was stuck on border patrol.” Tamlin gave a pointed cough, and Lucien added, “With some company.” He gave me a sly grin. “Rumor has it you two didn’t come back until after dawn.”
I glanced at Tamlin, biting my lip. I’d practically floated into my bedroom that morning. But Tamlin’s gaze now roved my face as if searching for any tinge of regret, of fear. Ridiculous.
“You bit my neck on Fire Night,” I said under my breath. “If I can face you after that, a few kisses are nothing.”
He braced his forearms on the table as he leaned closer to me. “Nothing?” His eyes flicked to my lips. Lucien shifted in his seat, muttering to the Cauldron to spare him, but I ignored him.
“Nothing,” I repeated a bit distantly, watching Tamlin’s mouth move, so keenly aware of every movement he made, resenting the table between us. I could almost feel the warmth of his breath.
“Are you sure?” he murmured, intent and hungry enough that I was glad I was sitting. He could have had me right there, on top of that table. I wanted his broad hands running over my bare skin, wanted his teeth scraping against my neck, wanted his mouth all over me.
“I’m trying to eat,” Lucien said.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Did you see the mailman while doing your rounds yesterday?"
Curran's face turned carefully blank. "Yes, I did."
"Did you do anything to scare him?"
"I was perfectly friendly."
"Mhm." Please continue with your nice story. Non-judgemental.
"He was putting things into the mailbox. I was passing by and I said, 'Hello, nice night.' And then I smiled. He jumped into his truck and slammed the door."
"Rude!" Julie volunteered.
"I let it pass," Curran said. "We're new to the neighborhood."
The former Beast Lord, a kind and magnanimous neighbor. "So you sneaked up behind him, startled him by speaking, and when he turned around and saw a six-hundred pound talking lion, you showed him your teeth?"
"I don't think that's what happened," Curran said.
"That's exactly what happened, Your Furriness." I laughed.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks.
The bonfire ignites in an eruption of yellow flame.
Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue.
A third chime with a third arrow, and the flames are a warm bright pink.
Flames the color of a ripe pumpkin follow the fourth arrow.
A fifth, and the flames are scarlet-red.
A sixth brings a deeper, sparkling crimson.
Seven, and the fire is soaked in a color like incandescent wine.
Eight, and the flames are shimmering violet.
Nine, and the violet shifts to indigo.
A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.
On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron.
And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.
”
”
Erin Morgenstern (The Night Circus)
“
I asked her to leave with me on our wedding night.”
“What?” my grandfather said, his composure further weakened. He too had believed this was all a childish bluff and suddenly felt the ground shifting under his feet.
“Oh, yes. We could have been in the Epidi Islands by now, or Mur. I would have taken her anywhere she wanted,” Eugenides assured him. “She wouldn’t abandon her people—she knew how Erondites would rule if she did.
”
”
Megan Whalen Turner (Return of the Thief (The Queen's Thief, #6))
“
Why? What kind of man would pleasure his woman by hurting her.' Angus paced across the path. ''Tis a man's duty, nay, his privilege, to give his woman all the pleasure she can bear. She should be panting and writhing with pleasure.'
Emma remained silent, staring at him. Did she not believe him?
He walked toward her. 'A real man would take all night if need be to make sure his woman was fully sated. She should be screaming that she canna endure any more.'
Emma's eyes widened.
'It should be a man's greatest pleasure to see his woman shuddering in the throes of passion.'
She took a deep breath and shifted her weight from one foot to another.
He paced back and forth. 'Only when she is begging for him should a man see to his own needs. And he should never, ever harm her.' He stopped in front of her 'Am I totally wrong in this?'
'No,' she squeaked.
”
”
Kerrelyn Sparks (Be Still My Vampire Heart (Love at Stake, #3))
“
You disgust me."
"Like you have room to talk," Cathy said. "You're as much a whore as I am."
Dan grabbed the hem of her shirt with both hands as she turned, in one easy move she peeled her tee and sports bra off and gestured at her bare chest.
"Oh my god, you see these? They're called breasts. Does this make me a whore? This?" Dan jerked a hand between them, and Cathy shifted uncomfortably in her chair. "This is what I do. I strip. I dance. I work a stage five nights a week. I give lap dances to creeps who can't get enough action on their own. But I don't let them touch me and I still make enough money to keep us afloat. Fuck you! I'm seventeen! I'm too young to be your mother!"
"No one asked you to be my mother..."
"I asked you to be mine. Thanks for failing so spectacularly at it.
”
”
Nora Sakavic
“
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story,
A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence.
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.
--"The Midnight Star", a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
A sensation rose in him, a high tingling of his blood. There came a wave, a wind that recognized him, that did not love him or hate him. He felt what he knew as the rising of his self, the shifting innerness that yearned and feared, that was more familiar to him than anything could ever be. He knew that an answering substance gathered around him, emanating from the trees and the stars.
He stood staring at the constellations. Walt had sent him here, to find this, and he understood. He thought he understood. This was his heaven. It was not Broadway or the horse on wheels. It was grass and silence; it was a field of stars. It was what the book told him, night after night. When he died he would leave his defective body and turn into grass. He would be here like this, forever. There was no reason to fear it, because it was part of him. What he'd thought of as his emptiness, his absence of soul, was only a yearning for this.
”
”
Michael Cunningham (Specimen Days)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
you're Shane, right?'
He inched away from her and managed a quick nod as he twisted the rag he held in his fingers.
'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack.
'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant?
One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'
He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again.
Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true.
”
”
Susan Mallery (Summer Nights (Fool's Gold, #8))
“
I stare at the water. He stares at me. I can feel his gaze burning into my face, and I shift my head again, smiling wryly.
“Let’s hear it.”
“Hear what?”
“Some more lies. You know, how last night was just you doing me a favor, you don’t really want me, yada, yada.” I wave my hand.
To my surprise, he laughs.
“Oh my God. Was that a laugh? Reed Royal laughs, folks. Someone call the Vatican because an honest-to-God miracle has occurred.”
That gets me another chuckle. “You’re so annoying,” he grumbles.
“Yeah, but you still like me.”
He goes quiet. I think he’s going to stay that way, but then he curses under his breath and says, “Yeah, maybe I do.”
I feign amazement. “Two miracles in one night? Is the world ending?
”
”
Erin Watt, Paper Princess
“
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
”
”
Alice Sebold
“
Maman had been a gifted writer. Pari has read every word Maman had written in French and every poem she had translated from Farsi as well. The power and beauty of her writing was undeniable. But if the account Maman had given of her life in the interview was a lie, then where did the images of her work come from? Where was the wellspring for words that were honest and lovely and brutal and sad? Was she merely a gifted trickster? A magician, with a pen for a wand, able to move an audience by conjuring emotions she had never known herself? Was that even possible?
Pari does not know—she does not know. And that, perhaps, may have been Maman’s true intent, to shift the ground beneath Pari’s feet. To intentionally unsteady and upend her, to turn her into a stranger to herself, to heave the weight of doubt on her mind, on all Pari thought she knew of her life, to make her feel as lost as if she were wandering through a desert at night, surrounded by darkness and the unknown, the truth elusive, like a single tiny glint of light in the distance flickering on and off, forever moving, receding.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbowmen are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.
”
”
Hilary Mantel
“
Reaching into his pocket, he took out the amulet Isis had given him the night before, slipped it over Eve's neck.
"What's this for?"
"It looks better on you than me."
She narrowed her eyes at him. "Bull. You're being superstitious."
"No, I'm not," he lied and set her plate in with his before he shifted and began to unbutton her shirt.
"Hey, what are you doing?"
"Passing the time." His hands, clever and quick, swooped down to take her breasts. "It'll take an hour to get there by car."
"I'm not having sex in the back of a limo," she told him. "It's -- "
"Delicious," he finished and replaced his hands with his mouth.
”
”
J.D. Robb (Ceremony in Death (In Death, #5))
“
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with.
"Now, then," he said. "We can do this the easy way, or we can make things difficult."
With a soft snort, she turned her head. It was as if he'd ceased to exist.
Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored.
"Listen sharp, now." He gave her ear a rough tweak and sank his voice to a low threat. "If you know what's good for you, you'll do as I say."
Though she spoke not a word, her reply was clear: You can kiss my great wolly arse.
Confounded sheep.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
These were the distractions I had to choose from. There were no other lights burning downtown after nine o'clock. On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution.
The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all. On Tuesday nights the Owl Club danced; then there was a little stir in the streets, and here and there one could see a lighted window until midnight. But the next night all was dark again.
”
”
Willa Cather (My Ántonia)
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
There comes a moment for the immigrant's child when you realize you and your parents are assimilating at the same time. Later, I understood that we were both sifting, store to store, for some possible future -- that we were both mystified by the same fashions, trends, and bits of language. That my late night trips to the record store with my dad had been about discovery, not mastery. Later still, I came to recognize that assimilation as a whole was a race toward a horizon that wasn't fixed. The ideal was ever shifting, and your accent would never be quite perfect. It was a set of compromises sold to you as a contract. Assimilation was not a problem to be solved but the problem itself.
”
”
Hua Hsu (Stay True)
“
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
One may picture, too, the sudden shifting of the attention, the swiftly spreading coils and bellyings of that blackness advancing headlong, towering heavenward, turning the twilight to a palpable darkness, a strange and horrible antagonist of vapour striding upon its victims, men and horses near it seen dimly, running, shrieking, falling headlong, shouts of dismay, the guns suddenly abandoned, men choking and writhing on the ground, and the swift broadening-out of the opaque cone of smoke. And then night and extinction – nothing but a silent mass of impenetrable vapour hiding its dead.
”
”
H.G. Wells (The War of the Worlds)
“
Biju stepped out of the airport into the Calcutta night, warm, mammalian. His feet sank into dust winnowed to softness at his feet, ad he felt an unbearable feeling, sad and tender, old and sweet like the memory of falling asleep, a baby on his mother's lap. Thousands of people were out though it was almost eleven. He saw a pair of elegant bearded goats in a rickshaw, riding to slaughter. A conference of old men with elegant goat faces, smoking bidis. A mosque and minarets lit magic green in the night with a group of women rushing by in burkas, bangles clinking under the black and a big psychedelic mess of colour from a sweet shop. Rotis flew through the air as in a juggling act, polka-dotting the sky high over a restaurant that bore the slogan "Good food makes good mood". Biju stood there in that dusty tepid soft sari night. Sweet drabness of home - he felt everything shifting and clicking into place around him, felt himself slowly shrink back to size, the enormous anxiety of being a foreigner ebbing - that unbearable arrogance and shame of the immigrant. Nobody paid attention to him here, and if they said anything at all, their words were easy, unconcerned. He looked about and for the first time in God knows how long, his vision unblurred and he found that he could see clearly.
”
”
Kiran Desai (The Inheritance of Loss)
“
How long are you going to wait for this guy?”
I’m thrown by his sudden shift. “Ah . . . I don’t know.”
“Give me your keys.”
“What?”
“Give me your keys. I’m going to change your tire while we’re waiting.”
I fish in my purse and come up with a handful of keys. “You’re going to—”
“Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face.
I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though.
I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night.
He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face.
I can’t sit here and watch him do this.
He doesn’t look at me when I approach. “I told you to wait in the car.”
“So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?”
“When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.”
My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?”
His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.”
“You’re lucky I’m not kicking you while you’re down there.”
He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for —
Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand.
“Don’t kill me!”
“That was not my intention.”
Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand.
“Well, Severus? What message does Lord Voldemort have for me?”
“No — no message — I’m here on my own account!”
Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him.
“I — I come with a warning — no, a request — please —”
Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other.
“What request could a Death Eater make of me?”
“The — the prophecy… the prediction… Trelawney…”
“Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?”
“Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!”
“The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —”
“You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —”
“If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?”
“I have — I have asked him —”
“You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?”
Snape said nothing, but merely looked up at Dumbledore.
“Hide them all, then,” he croaked. “Keep her — them — safe. Please.”
“And what will you give me in return, Severus?”
“In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality.
That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Except that in your desperation the fake circus moon will blink at you: "It's a mistake! They'll set things right!"
And everything which is by now comprised in the traditional, even literary, image of an arrest will pile up and take shape, not in your own disordered memory, but in what your family and your neighbors in your apartment remember: The sharp nighttime ring or the rude knock at the door.
The insolent entrance of the unwiped jackboots of the unsleeping State Security operatives. The frightened and cowed civilian witness at their backs. (And what function does this civilian witness serve? The victim doesn't even dare think about it and the operatives don't remember, but that's what the regulations call for, and so he has to sit there all night long and sign in the morning. 1 For the witness, jerked from his bed, it is torture too—to go out night after night to help arrest his own neighbors and acquaintances.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
Isaiah runs his hand through my hair, and every cell in my body vibrates with the gentle pull. “Rachel.”
“Yes.” It’s hard to breathe.
“Kiss me.”
Isaiah doesn’t wait for my answer. Instead his lips meet mine and his arms wrap around my body. All the hesitancy I felt the first night we kissed evaporates like mist on the heels of a summer storm. Within seconds, our mouths open, and Isaiah slips his tongue against mine. I get lost, liking the way my body curves around his, liking the way my hands explore as if they have a mind of their own, and loving how Isaiah grips my hair while tracing my spine.
Tingles and shock waves and earthquakes and hurricanes. All of it takes place at the same time as our mouths move not nearly fast enough. Nothing seems fast enough. The closer I become, the closer Isaiah presses, and the more he presses, the more I want to crawl inside and live in this delicious world of warmth and fantastic hunger.
Isaiah hooks an arm around my waist, and I suck in a breath when he turns us and shifts me up against the door to his Mustang. My eyes widen and I stare up at him as he stares down at me. Our chests move in unison, as do our breaths. My fingers curl into the muscles of his arms, and I briefly close my eyes, loving how his body fits into mine.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Rave emerged spontaneously, neither planned or designed. It was a genuine grass roots phenomenon, egalitarian and welcoming. Thousands danced in fields all through the night, out under the moon, in order to achieve a trance-like, ecstatic state. It was a form of communion and it was pagan as fuck. Needless to say, it couldn't last. The press and the government, appalled by such non-violent having-of-a-good-time, moved quickly to crush it. Ultimately, though, they weren't quick enough. Rave grew too big too quickly, and it attracted the attention of those who felt they could make money from such events. Once this happened and the superstar DJs and the superclubs arrived, the focus shifted from the raw crowd back to the event itself. Rave's spell was broken.
”
”
J.M.R. Higgs (KLF: Chaos Magic Music Money)
“
Far in the future, Hannah will have a boyfriend named Mike with whom she'll talk about her father. She'll say she isn't sorry about her upbringing before the divorce, that she thinks in a lot of ways it was useful. Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which, in Hannah's observation, is something a lot of people struggle to understand well into adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises, when they occur, do not catch you off guard; you have never believed you live under the shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to an opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o' clock--these are enough. They are gifts.
”
”
Curtis Sittenfeld (The Man of My Dreams)
“
I wish we could always be together, Papa,” she whispered. “All of us.” He leaned closer to hear. “That you never had to leave again.”
“I wish the same.” His callused hands clasped one of hers. “I make you this promise. One day, when you give your throne to your own daughter, when your mother and I have white hair and wrinkles, we shall all live in Hróth together. Every winter, we will watch the sky lights, and every summer, we will dance and laugh under the midnight sun.”
“Truly?”
“My solemn oath.”
Glorian nodded, tears prickling. “I’d like that,” she said. “I’d like that more than anything.”
“Then let it be our dream.” His smile creased his eyes. “For now, I will see you in the summer, dróterning.”
Mustering her strength, Glorian shifted onto her elbows. Her father drew her into his embrace, the fur of his collar tickling her cheek.
“I love you, Papa.”
“And I you.” He planted a kiss on the top of her head. “Look after my heart. Rest, Glorian. Be strong.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
“
[33]* In the seventh month, when the heat is dreadful, everything in the building is kept open all through the night, and it’s delightful to wake on moonlit nights and lie there looking out. Dark nights too are delightful, and as for the sight of the moon at dawn, words cannot describe the loveliness. Picture her lying there, on a fresh new mat 1 placed near the outer edge of the gleaming wooden aisle-room floor, the low standing curtain pushed to the back of the room in a quite unseemly way. 2 It should normally be placed at the outer edge, but perhaps she’s concerned about being seen from within. Her lover must have already left. She is lying asleep, a robe drawn up over her head 3 – it is pale greyish-violet with deep violet inner lining, the outer surface a little faded, or perhaps it is a stiffish robe of rich gleaming damask. Beneath this, she is wearing a clove-tan or yellow gossamer-silk shift, and the long strings of her unlined scarlet skirted trousers trailing undone from below the hem of her clothing tell us that she must have fallen asleep with trousers still untied after her lover departed. The soft luxury of hair that lies piled in waves beside her speaks of its wonderful length.
”
”
Sei Shōnagon (The Pillow Book)
“
I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements. A remote explosion had occurred somewhere, perhaps back at Emerson's or that night in Bledsoe's office, and it had caused the ice cap to melt and shift the slightest bit. But that bit, that fraction, was irrevocable. Coming to New York had perhaps been an unconscious attempt to keep the old freezing unit going, but it hadn't worked; hot water had gotten into its coils. Only a drop, perhaps, but that drop was the first wave of the deluge. One moment I believed, I was dedicated, willing to lie on the blazing coals, do anything to attain a position on the campus -- then snap! It was done with, finished, through. Now there was only the problem of forgetting it. If only all the contradictory voices shouting inside my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance; yes, and avoided the uncertain extremes of the scale. But there was no relief. I was wild with resentment but too much under "self-control," that frozen virtue, that freezing vice. And the more resentful I became, the more my old urge to make speeches returned. While walking along the streets words would spill from my lips in a mumble over which I had little control. I became afraid of what I might do. All things were indeed awash in my mind. I longed for home.
”
”
Ralph Ellison (Invisible Man)
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What’s wrong?”
Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.”
He grunted, “Hmm, let me see what I can do.”
Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.”
He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head.
“Is that more comfortable for you?”
“Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.”
“What do you mean? Why can’t you relax?”
“Because you’re too close for me to relax.”
Bemused, he said, “Me being too close never bothered you when I was a tiger.”
“The tiger you and the man you are two completely different things.”
He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.”
“It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck.
He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred.
“Ren, can you not do that right now?”
He lifted his head. “You like it when I purr. It helps you sleep better.”
“Yes, well, that only works with the tiger. How can you do that as a man anyway?”
He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm.
“Uh, Ren? Explain to me how you plan to keep watch like this.”
His lips grazed my neck. “I can hear and smell the Kappa, remember?”
I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.”
Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.”
He kissed me softly and smiled. “I haven’t either.”
He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!”
He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
One of my favourite stories is about an old woman and her husband – a man mean as Mondays, who scared her with the violence of his temper and the shifting nature of his whims. She was only able to keep him satisfied with her unparalleled cooking, to which he was a complete captive. One day, he bought her a fat liver to cook for him, and she did, using herbs and broth. But the smell of her own artistry overtook her, and a few nibbles became a few bites, and soon the liver was gone. She had no money with which to purchase a second one, and she was terrified of her husband’s reaction should he discover that his meal was gone. So she crept to the church next door, where a woman had been recently laid to rest. She approached the shrouded figure, then cut into it with a pair of kitchen shears and stole the liver from her corpse.
That night, the woman’s husband dabbed his lips with a napkin and declared the meal the finest he’d ever eaten. When they went to sleep, the old woman heard the front door open, and a thin wail wafted through the rooms. Who has my liver? Whooooo has my liver?
The old woman could hear the voice coming closer and closer to the bedroom. There was a hush as the door swung open. The dead woman posed her query again.
The old woman flung the blanket off her husband.
– He has it! She declared triumphantly.
Then she saw the face of the dead woman, and recognized her own mouth and eyes. She looked down at her abdomen, remembering, now, how she carved into her own belly. Next to her, as the blood seeped into the very heart of the mattress, her husband slumbered on.
That may not be the version of the story you’re familiar with. But I assure you, it’s the one you need to know.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind.
But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again."
The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer.
This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building.
Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head.
It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped.
The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm.
A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape.
And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!"
But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!"
The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM.
She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!"
But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work.
Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life!
Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
The small Japanese immortal sat cross-legged, his two swords resting flat on the ground before him. He folded his hands in his lap, closed his eyes and breathing through his nose, forcing the chill night air deep into his chest. He held it for a count of five, then shaped his lips into an O and blew it out again, puncturing a tiny hole in the swirling fog before his face.
Even though he would never admit it to anyone, Niten loved this moment. He had no affection for what was to come, but this brief time, when all preparations for battle were made and there was nothing left to do but wait, when the world felt still, as if it was holding its breath, was special. This moment, when he was facing death, was when he felt completely, fully alive.
He’d still been called Miyamoto Musashi and had been a teenager when he’d first discovered the genuine beauty of the quiet moment before a fight. Every breath suddenly tasted like the finest food, every sound was distinct and divine, and even on the foulest battlefields, his eyes would be drawn to something simple and elegant: a flower, the shape of a branch, the curl of a cloud.
A hundred years ago, Aoife had given him a book as a birthday present. He hadn’t had the heart to tell her that she’d missed his birthday by a month, but he had treasured the book, the first edition of The Professor by Charlotte Bronte. It included a line he had never forgotten: In the midst of life we are in death. Years later, he’d heard Ghandi take the same words and shift them around to create something that resonated deeply within him: In the midst of death life persists.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
For you, a thousand times over."
"Children aren't coloring books. You don't get to fill them with your favorite colors."
"...attention shifted to him like sunflowers turning to the sun."
"But even when he wasn't around, he was."
"When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing."
"...she had a voice that made me think of warm milk and honey."
"My heart stuttered at the thought of her."
"...and I would walk by, pretending not to know her, but dying to."
"It turned out that, like satan, cancer had many names."
"Every woman needed a husband, even if he did silence the song in her."
"The first time I saw the Pacific, I almost cried."
"Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look."
"Make morning into a key and throw it into the well,
Go slowly, my lovely moon, go slowly.
Let the morning sun forget to rise in the East,
Go slowly, lovely moon, go slowly."
"Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you."
"All my life, I'd been around men. That night, I discovered the tenderness of a woman."
"And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child."
"America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America."
"...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan."
"...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty."
"...sometimes the dead are luckier."
"He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him."
"...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered."
"...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
”
”
Khalid Hosseini (The Kite Runner)
“
Look," Steven said, pointing at the sky.
The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before.
"That's them, isn't it?" she said. "The Fall?"
"Yes," Francesca said. "That's it. It looks just like the old texts say it would."
"It was just"-Luce furrowed her brow, squinting-"I can only see it when I-"
"Concentrate," Cam ordered.
"What's happening to it?" Luce asked.
"It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time."
"Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died.
"Then it is time for us to go," Daniel said to Luce.
"Up there?"
"Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-"
"I have to stop him?"
"Yes."
She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how."
"I told you she would say that!" Arriane whooped.
Daniel pulled her close. "Are you sure?"
She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away."
So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
She went to bed mentally exhausted but woke after only a few hours of disrupted sleep…because she could smell Judd’s scent in her quarters. Getting out of bed still half-asleep, she saw it was four a.m. She walked out wearing the satin slip she used as her nightgown, her feet bare.
“Judd?” For a second, she couldn’t locate him. Then her night vision kicked in and she found him seated in an armchair close to the coffee table.
He was watching her, his entire body motionless. It didn’t strike her that she should be afraid or even wary. Yawning, she walked over and sat on his lap, curling her body into the armchair. His arms came around her without hesitation, one hand curving around her shoulders, the other sliding to close over the bare skin of her upper thigh.
The sensual contact brought her to full wakefulness. Wrapping her arms around his neck, she nuzzled at his throat. “Are you okay?”
His hand shifted to slide between her thighs, surprising a shocked feminine sound out of her. “Judd? Baby?” Something was wrong. With a changeling male, she would’ve let her body soothe him, used touch to connect. But Judd was Psy…and hers. At that moment, she knew the answer to the question that had tormented her all day—she would hold him, accept him, no matter what.
That was what mates did.
She didn’t care if there was no bond—no one was going to tell her she wasn’t meant to be with this man. “What do you want?” she asked, but he remained silent. Deciding to let instinct guide her, she softened for him.
His other hand tangled in her hair, tilting her head back in a sharp move. She went rather than resist. A woman who loved a dominant male had to know when to bend…and when to bite.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Evie…” His whisper stirred the tiny wisps at her hairline. “I want to make love to you.”
Her blood turned to boiling honey. Eventually she managed a stammering reply. “I-I thought y-you never called it that.”
His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense.
Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie’s breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, “I want to fill every part of you…breathe the air from your lungs…leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.”
She was now trembling so violently that she could hardly stand. “Your w-wound—we have to be careful—”
“You let me worry about that.” His mouth took hers in a soft, smoldering kiss. Releasing her hand, he gathered her body closer, applying explicit pressure against her shoulders, back, hips, until she was molded completely against him. Evie wanted him with a desperation that almost frightened her. She tried to catch his gently shifting mouth with her own, and pulled at his clothes with a fumbling urgency that made him laugh softly. “Slowly,” he murmured. “The night is just beginning…and I’m going to love you for a long time.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
That morning I sat in the front row with my head in my hands, totally stressed, praying, God, please don’t let my sermon be bad. I’m sure people thought I was in deep prayer for people in the room to have a fresh encounter with Jesus, but unfortunately I was only praying for myself. I desperately didn’t want to look like an idiot in front of the guest speaker who had been so amazing the night before. Then the Lord spoke to my heart: Banning, you have a choice. You can either be a preacher or you can be a son. If you decide to be a preacher, you’ll be good sometimes and at other times you won’t be that good. But if you decide to be a son, you’ll be great all the time, because you are a fantastic son. Everything changed for me in that moment. I said, God, I want to be a son. I don’t want to be anything else. I don’t want to be a preacher. I want to be a son. From that point on, something shifted for me. I was motivated by something different. Now, of course, I do want to be a good pastor, a good preacher, and a good leader. But none of that stuff is what drives me, because when I step off a stage and get alone with Jesus, I don’t want to hear Him say, Banning, you’re a great preacher. I want Him to say, Banning, you’re a great son.
”
”
Banning Liebscher (Rooted: The Hidden Places Where God Develops You)
“
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’
Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand.
‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
The Conqueror Worm Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
”
”
Edgar Allan Poe (The Conqueror Worm)
“
I wanted to tell Sam this. I wanted to tell him all of it, in beautiful handwritten letters or at least in long, rambling emails that we would later save and print out and that would be found in the attic of our house when we had been married fifty years for our grandchildren to coo over. But I was so tired those first few weeks that all I did was email him about how tired I was.
I'm so tired. I miss you.
Me too.
No, like really, really tired. Like cry at TV advertisements and fall asleep while brushing my teeth and end up with toothpaste all over my chest tired.
Okay, now you got me.
I tried not to mind how little he emailed me. I tried to remind myself that he was doing a real, hard job, saving lives and making a difference, while I was sitting outside manicurists' studios and running around Central Park.
His supervisor had changed the rota. He was working four nights on the trot and still waiting to be assigned a new permanent partner. That should have made it easier for us to talk but somehow it didn't. I would check in on my phone in the minutes I had free every evening but that was usually the time he was heading off to begin his shift.
Sometimes I felt curiously disjointed, as if I had simply dreamt him up.
One week, he reassured me. One more week.
How hard could it be?
”
”
Jojo Moyes (Still Me (Me Before You, #3))
“
How to Sleep at Night
Try to think of nothing.
That's the secret.
Try to think of nothing.
Do not think of work not done,
or of promises unkept, calls to return,
or agendas you have failed to prepare for meetings
yet unheld.
Think of nothing.
Do not think of words said and unsaid,
or minor scandals and major investigations,
of humiliations endured, insults suffered,
or retorts that did not spring to mind
in time.
Think of nothing.
Do not think of your wife,
of lonely children and their reproachful demands,
or the smile of the pretty woman
whose handshake lingered just a shade too long
in your palm.
Think of nothing.
Do not think of newspaper headlines,
of the insistent transience of the shortwave radio,
or the seductive stridency of the TV microphones
thrust so thrillingly
into your face.
Think of nothing.
Do not think of the waif on the foreign sidewalk,
her large eyes open in supplication,
her ragged shift stained by dirt and dust,
stretching her despairing hand towards you
in hope
No, do not think
of the solitary tear, the broken limb,
the rubble-strewn home, the choking scream;
never think
of piled up bodies, blazing flames,
shattered lives, or sundered souls.
Do not think of the triumph of the torturer,
the wails of the hungry,
the screams of the mutilated,
or the indifferent smirk
of the sleek.
Think of nothing.
then you will be able
to sleep.
”
”
Shashi Tharoor (Riot)
“
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
"Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life.
Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?"
"Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough."
Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ."
Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?”
“Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.”
“Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.”
Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?”
“A switcheroo . . . right. Remind me again how that works?” Jack asked.
“It’s because she’s got this big date tonight,” Kamin explained.
Jack cocked his head. “A date?”
Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.”
“I must’ve missed that one.”
“Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.”
“Ah . . . the Meet Cute,” Wilkins said with a grin.
Jack threw him a sharp look. “What did you just say?”
“You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.”
Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean.
Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.”
“She’s the maid of honor, see?” Kamin said.
Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language.
Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.”
“Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.”
Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?”
“Right, sorry. It was Slonsky’s suggestion.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
Why do you choose to write about such gruesome subjects?
I usually answer this with another question: Why do you assume that I have a choice?
Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline.
The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.”
Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.”
Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death.
To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.
”
”
Stephen King (Night Shift)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Do not fear the ghosts in this house; they are the least of your worries.
Personally I find the noises they make reassuring.
The creaks and footsteps in the night,
their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place
feel so much more like a home.
Inhabited.
Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me.
There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self,
feeling her wings kiss my palms so gentle,
and put her out, and watched her fly away.
I've little patience with the seasons here, but
your arrival eased this winter's chill.
Please, wander round. Explore it all you wish.
I've broken with tradition on some points. If there is
one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood.
Regard:
just tools, a washing-machine, a drier, a water-heater, and a chain of keys.
Nothing that can alarm you. Nothing dark.
I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune,
carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream
of making me forget what came before you walked
into the hallway of this house. Bringing a little summer in your glance, and with your smile.
While you are here, of course, you will hear the ghosts, always a room away,
and you may wake beside me in the night,
knowing that there's a space without a door,
knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound.
If you are wise you'll run into the night, fluttering away into the cold,
wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run,
so, if I wished, I could just follow you,
tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home.
The world flutters like insects. I think this is how I shall
remember you,
my head between the white swell of your breasts,
listening to the chambers of your heart.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
XII.
If there pushed any ragged thistle-stalk
Above its mates, the head was chopped, the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to baulk
All hope of greenness? Tis a brute must walk
Pashing their life out, with a brute's intents.
XIII.
As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupified, however he came there:
Thrust out past service from the devil's stud!
XIV.
Alive? he might be dead for aught I knew,
With that red gaunt and colloped neck a-strain.
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.
XV.
I shut my eyes and turned them on my heart,
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards, the soldier's art:
One taste of the old time sets all to rights.
XVI.
Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm to mine to fix me to the place,
The way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.
XVII.
Giles then, the soul of honour - there he stands
Frank as ten years ago when knighted first,
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!
XVIII.
Better this present than a past like that:
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.
XIX.
A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof - to see the wrath
Of its black eddy bespate with flakes and spumes.
XX.
So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.
XXI.
Which, while I forded - good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, of feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
- It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.
XXII.
Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
soil to a plash? Toads in a poisoned tank
Or wild cats in a red-hot iron cage -
XXIII.
The fight must so have seemed in that fell cirque,
What penned them there, with all the plain to choose?
No footprint leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.
”
”
Robert Browning
“
All that night, after I shut the door and left Number 16 empty, I went looking for the parts of my city that have lasted. I walked down streets that got their names in the Middle Ages: Copper Alley, Fishamble Street, Blackpitts where the plague dead were buried. I looked for cobblestones worn smooth and iron railings gone thin with rust. I ran my hand over the cool stone of Trinity’s walls and I crossed the spot where nine hundred years ago the town got its water from Patrick’s Well; the street sign still tells you so, hidden in the Irish that no one ever reads. I paid no attention to the shoddy new apartment blocks and the neon signs, the sick illusions ready to fall into brown mush like rotten fruit. They’re nothing; they’re not real. In a hundred years they’ll be gone, replaced and forgotten. This is the truth of bombed-out ruins: hit a city hard enough and the cheap arrogant veneer will crumble faster than you can snap your fingers; it’s the old stuff, the stuff that’s endured, that might just keep enduring. I tilted my head up to see the delicate, ornate columns and balustrades above Grafton Street’s chain stores and fast-food joints. I leaned my arms on the Ha’penny Bridge where people used to pay half a penny to cross the Liffey, I looked out at the Custom House and the shifting streams of lights and the steady dark roll of the river under the falling snow, and I hoped to God that somehow or other, before it was too late, we would all find our way back home.
”
”
Tana French (Faithful Place (Dublin Murder Squad #3))
“
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward.
When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind.
He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could.
I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution.
“Caleb,” I say. “Give me the backpack.”
“What?” he says.
I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.”
“Tris, no.” He shakes his head. “No, I won’t let you do that.”
“Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!”
“I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.”
Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!”
In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me.
I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway.
“Caleb,” I say, “I love you.”
His eyes gleam with tears as he says, “I love you, too, Beatrice.”
“Get down on the floor!” I yell, for the benefit of the guards.
Caleb sinks to his knees.
“If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand.
She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized.
The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it.
Shame ate into his gut.
Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within.
It wasn’t something Arin could bear to see. He returned to the oars and rowed.
Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel.
Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split.
He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war.
Of course he was certain that something was wrong.
Impossible. It was impossible to love a Valorian and also love his people.
Arin was the flaw.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure.
His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind.
Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream.
The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage.
The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
”
”
Thomas Ligotti (The Nightmare Factory)
“
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness.
So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare.
We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop.
Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive.
So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
”
”
Stefan Molyneux