Samuel Morse Telegraph Quotes

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Samuel FB Morse's SECOND question over the telegraph was, "Have you any news?
Harold Holzer (Lincoln and the Power of the Press: The War for Public Opinion)
The inventor of the telegraph, which has proved so great a blessing to mankind, was Professor Samuel F. B. Morse of Massachusetts. Perhaps no other invention has exercised so beneficent an influence on the welfare of the human race.
John Clark Ridpath (History of the United States)
Edison’s famous “invention” of the incandescent light bulb on the night of October 21, 1879, improved on many other incandescent light bulbs patented by other inventors between 1841 and 1878. Similarly, the Wright brothers’ manned powered airplane was preceded by the manned unpowered gliders of Otto Lilienthal and the unmanned powered airplane of Samuel Langley; Samuel Morse’s telegraph was preceded by those of Joseph Henry, William Cooke, and Charles Wheatstone; and Eli Whitney’s gin for cleaning short-staple (inland) cotton extended gins that had been cleaning long-staple (Sea Island) cotton for thousands of years.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
The next year, Samuel F. B. Morse, a young man of many talents, best known as a painter, published a virulent treatise called Imminent Dangers to the Free Institutions of the United States through Foreign Immigration, urging the passage of a new immigration law banning all foreign-born Americans from voting.53 Morse then ran for mayor of New York (and lost). Meanwhile, he began devising a secret code of dots and dashes, to be used on the telegraph machine he was designing. He believed there existed a Catholic plot to take over the United States. He believed that, to defeat such a plot, the U.S. government needed a secret cipher. Eventually, he decided that a better use of his
Jill Lepore (These Truths: A History of the United States)
We have heard the stories: Duke Ellington would say, “I merely took the energy it takes to pout and wrote some blues.” 5 Tennessee Williams felt that “apparent failure” motivated him. He said it “sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.” Many have heard that Thomas Edison told his assistant, incredulous at the inventor’s perseverance through jillions of aborted attempts to create an incandescent light bulb, “I have not failed, I’ve just found 10,000 ways that won’t work.” 6 “Only one look is enough. Hardly one copy would sell here. Hardly one. Hardly one. Many thanks . . .” read part of the rejection letter that Gertrude Stein received from a publisher in 1912.7 Sorting through dross, artists, entrepreneurs, and innovators have learned to transform askew strivings. The telegraph, the device that underlies the communications revolution, was invented by a painter, Samuel F. B. Morse, who turned the stretcher bars from what he felt was a failed picture into the first telegraph device. The 1930s RKO screen-test response “Can’t sing. Can’t act. Balding. Can dance a little” was in reference to Fred Astaire. We hear more stories from commencement speakers—from J. K. Rowling to Steve Jobs to Oprah Winfrey—who move past bromides to tell the audience of the uncommon means through which they came to live to the heights of their capacity. Yet the anecdotes of advantages gleaned from moments of potential failure are often considered cliché or insights applicable to some, not lived out by all.
Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
Emerson spoke compassionately about fugitive slaves, he also wrote in his journal that “so inferior a race must perish shortly like the Indians,” while Samuel F. B. Morse, inventor of the telegraph, put the Negro just above the baboon in the great chain of being. These attitudes were so widespread that in 1842, while touring the United States, the English naturalist Charles Lyell was amazed at “the extent to which the Americans carry their repugnance to all association with the coloured race on equal terms.
Andrew Delbanco (Melville: His World and Work)