Night Preface Quotes

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So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century - the degradation of man by the exploitation of his labour, the ruin of women by starvation and the atrophy of childhood by physical and spiritual night are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this.
Victor Hugo (Les Misérables)
Well, " I began,"I've been roped into shenanigans." Without preface, Catcher muttered a curse ,then leaned over slipped his wallet from his jeans, and pulled out a twenty-dollar bill, which he handed to Mallory.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilisation, artificially creates hells on earth, and complicates a destiny that is divine, with human fatality; so long as the three problems of the age — the degradation of man by poverty, the ruin of woman by starvation, and the dwarfing of childhood by physical and spiritual night — are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless.
Victor Hugo (Les Misérables)
the bouquet Between me and the world you are a bay, a sail the faithful ends of a rope you are a fountain, a wind, a shrill childhood cry. Between me and the world you are a picture frame, a window a field covered in wildflowers you are a breath, a bed, a night that keeps the stars company. Between me and the world, you are a calendar, a compass a ray of light that slips through the gloom you are a biographical sketch, a book mark a preface that comes at the end. between me and the world you are a gauze curtain, a mist a lamp shining in my dreams you are a bamboo flute, a song without words a closed eyelid carved in stone. Between me and the world you are a chasm, a pool an abyss plunging down you are a balustrade, a wall a shield’s eternal pattern.
Bei Dao
Preface to a Twenty Volume Suicide Note" for Kellie Jones, born 16 May 1959 Lately, I've become accustomed to the way The ground opens up and envelopes me Each time I go out to walk the dog. Or the broad edged silly music the wind Makes when I run for a bus... Things have come to that. And now, each night I count the stars. And each night I get the same number. And when they will not come to be counted, I count the holes they leave. Nobody sings anymore. And then last night I tiptoed up To my daughter's room and heard her Talking to someone, and when I opened The door, there was no one there... Only she on her knees, peeking into Her own clasped hands
Amiri Baraka
Contents Preface
Anonymous (The Arabian Nights Entertainments)
She may have prefaced this story by giving me the out of “boys will be boys,” but that shit isn’t right. That’s not an excuse; it’s a cop-out.
Dana Isaly (Secrets We Hunt (One Night, #2))
The critics greeted this book with a churlish and horrified outcry. Certain virtuous people, in newspapers no less virtuous, made a grimace of disgust as they picked it up with the tongs to throw it into the fire. Even the minor literary reviews, the ones that retail nightly the tittle-tattle from alcoves and private rooms, held their noses and talked of filth and stench. I am not complaining about this reception; on the contrary I am delighted to observe that my colleagues have such maidenly susceptibilities.
Émile Zola (Thérèse Raquin)
After an eventful journey - it was even life-threatening because of flooding in Como, which I only reached late at night - I arrived in Turin on the afternoon of the 21st, my proven place, my residence from then on. I took the same apartment that I had in the spring, via Carlo Alberto 6, III, across from the enormous Palazzo Carignano where Vittore Emanuele was born, with a view of the Piazza Carlo Alberto and the hills beyond. I went back to work without delay: only the last quarter of the work was left to be done. Great victory on 30 September; the conclusion of the Revaluation; the leisure of a god walking along the river Po. That same day, I wrote the Preface to Twilight of the Idols: I had corrected the manuscript for it in September, as my recuperation. - I never experienced an autumn like this before, I never thought anything like this could happen on earth, - a Claude Lorrain projected out to infinity, every day having the same tremendous perfection.
Friedrich Nietzsche (Twilight of the Idols)
IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.
Ernst Jünger (Storm of Steel)
Ode to Douglas Adams In the solar system we inhabit, we live on a small planet we all call Earth. Okay, when I say small, I mean it’s small compared to say, oh, Jupiter. Earth is something like a dime compared to Jupiter’s beach ball. On this Earth is a fairly large country we all call The United States of America. Of course, when I say fairly large, it’s like the U.S. is a piece of broccoli next to China’s really large cauliflower. Now that I think of it, that may not be a good comparison as it depends on the restaurant you go to. At the place I was at last night it would be a good comparison as the cauliflower was larger than the broccoli. Not that I’d touch either. I had a hamburger with fries and somebody at the next table had those ghastly vegetables. From the Preface to "Sex and the American Male." I was saddened by the passing of Douglas Adams and wrote the preface to sound a little like his "Hitchhiker's..." books and to honor him. I hope he's smiling.
Jay Williams (Sex and the American Male)
Dunes slithered slowly across the landscape like ravenous parasites, leeching the plants of their nutrients, leaving behind withered husks. The sand rode the wind currents, swirling like dervishes. The worst, though, were the monster wind storms that raked the land, prefaced by a wall of sand reaching a mile or so into the sky, bringing the blackness of night.
J.R. McLemore (Negative Spaces)
Ah, summer! The season when worry steps aside, delight takes over, and every day is as good as the amount of time spent outdoors. It's a chance to swim past the breakers, take outdoor showers, hold court from a pool float, or rely on nothing but your wits, a pineapple, rum, and a blender to make the most of an afternoon. When the only imperative is to unwind, unplug, and open up to a day of possibilities, you know you're going to have fun.
Marnie Hanel (Summer: A Cookbook: Inspired Recipes for Lazy Days and Magical Nights)
[F]or whenever I had taken in hand any Greek or Latin book, or had heard anything worth remembering, I used to jot down whatever took my fancy, of any and every kind, without any definite plan or order; and such notes I would lay away as an aid to my memory, like a kind of literary storehouse, so that when the need arose of a word or a subject which I chanced for the moment to have forgotten, and the books from which it had taken it were not at hand, I could readily find and produce it.” (Attic Nights, Preface.)
Aulus Gellius (The Attic Nights of Aulus Gellius Volume 2)
[F]or whenever I had taken in hand any Greek or Latin book, or had heard anything worth remembering, I used to jot down whatever took my fancy, of any and every kind, without any definite plan or order; and such notes I would lay away as an aid to my memory, like a kind of literary storehouse, so that when the need arose of a word or a subject which I chanced for the moment to have forgotten, and the books from which it had taken it were not at hand, I could readily find and produce it. (Attic Nights, Preface.)
Aulus Gellius (The Attic Nights of Aulus Gellius, Volume 1)