Destruction Before Creation Quotes

Creation comes before destruction.

And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to? But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to? And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more. But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we-- But then he was abruptly halted.

Before creation there must be destruction. If my soul stands in the way, then I'll toss it aside. Yes, I have no choice but to move forward.

If there is no extant God and no extant gods, no good and no evil, no right and no wrong, no meaning and no purpose: if there are no values that are inherently valuable; no justice that is ultimately justifiable; no reasoning that is fundamentally rational, then there is no sane way to choose between science, religion, racism, philosophy, nationalism, art, conservatism, nihilism, liberalism, surrealism, fascism, asceticism, egalitarianism, subjectivism, elitism, ismism. If reason is incapable of deducing ultimate, non-arbitrary human ends, and nothing can be judged as ultimately more important than anything else, then freedom is equal to slavery; cruelty is equal to kindness; love is equal to hate; war is equal to peace; dignity is equal to contempt; destruction is equal to creation; life is equal to death and death is equal to life. Nihilism represents the ultimate logical conclusion of our great values and ideals- because we must experience nihilism before we can find out what value these "values" really had.

The undiscovered is not far away. It’s not something to be found eventually. It is contained within what is right in front of us. The essence of reality is being born right now. It has never existed before. Reality is constant creation and destruction, and in this constant change is something unborn and undying, something that cannot be approached through the known or the past. It isn’t seen through striving to become something based on ideals stemming from former experiences. It comes to that which is being, not striving. In this state of being in the moment, without the known, without knowing at all, with neither past nor future, is a space that is not filled with time. And in this space, the undiscovered and ever-changing moment exists—a moment containing all possibilities, the totality of existence, absolute reality. Reality is now, and in the now, we can experience the true nature of the universe and the universal mind.

Destruction before Creation.

I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life. Originally published in The Washington Post Book World

It was nearly lunch-time before Blackie had finished and went in search of T. Chaos had advanced. The kitchen was a shambles of broken glass and china, the dining-room was stripped of parquet, the skirting was up, the door had been taken off its hinges, and the destroyers had moved up a floor. Streaks of light came in through the closed shutters where they worked with the seriousness of creators - and destruction after all is a form of creation. A kind of imagination had seen this house as it had now become. ("The Destructors")

Last night I thought about all that kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before." He got out of bed. "It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life and then I come along in two minutes and boom! it's all over." "Let me alone," said Mildred. "I didn't do anything." "Let you alone! That's all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?

The reductio ad absurdum of M.D.'s view, I argued, was that science devises ever bloodier means of war until humanity's powers of destruction overcome our powers of creation and our civilization drives itself to extinction. M.D. embraced my objection with mordant glee. 'Precisely. Our will to power, our science, and those v. faculties that elevated us from apes, to saves, to modern man, are the same faculties that'll snuff out Homo Sapiens before this century is out! You'll probably live to see it happen, you fortunate son. What a symphonic crescendo that'll be, eh?

An example of perfection in nature is the cockroach. It was living six million years before us and it may outlast us by that long. The brain of a cockroach is a splendid little engine. It doesn't evolve and it doesn't need to. The human brain is a disaster from the point of view of perfection--great intellectual power combined with primitive emotional reactions. Human beings today are living with terrible risks of their own creation--nuclear weapons, the exploitation of natural resources, the great disparity between the wealthy and the poor. Our brains will probably bring us to destruction, but we also have the possibility of growth, evolution. I prefer being a human. We shouldn't always look for perfection, in nature or our lives.

Before creation there must be destruction.

Tomorrow will be like today, and the day after tomorrow will be like day before yesterday," said Apollonius. "I see your remaining days each as quiet, tedious collections of hours. You will not travel anywhere. You will think no new thoughts. You will experience no new passions. Older you will become but not wiser. Stiffer but not more dignified. Childless you are, and childless you shall remain. Of that suppleness you once commanded in your youth, of that strange simplicity which once attracted a few men to you, neither endures, nor shall you recapture any of them anymore. People will talk to you and visit with you out of sentiment or pity, not because you have anything to offer them. Have you ever seen an old cornstalk turning brown, dying, but refusing to fall over, upon which stray birds alight now and then, hardly remarking what it is they perch on? That is you. I cannot fathom your place in life's economy. A living thing should either create or destroy according to its capacity and caprice, but you, you do neither. You only live on dreaming of the nice things you would like to have happen to you but which never happen; and you wonder vaguely why the young lives about you which you occasionally chide for a fancied impropriety never listen to you and seem to flee at your approach. When you die you will be buried and forgotten and that is all. The morticians will enclose you in a worm-proof casket, thus sealing even unto eternity the clay of your uselessness. And for all the good or evil, creation or destruction, that your living might have accomplished, you might just as well has never lived at all. I cannot see the purpose in such a life. I can see in it only vulgar, shocking waste.

In Yosemite, we see how everyone can inherit the earth. But that gift requires a change of heart, a new intention, a deliberate turning. From now on, we must go forward, back into the world of violence and war, to do our part to end the killing, the suffering, and the ongoing destruction of Mother Earth. Yosemite, along with all of creation, calls us to wake up, stand up, and stop the insane destruction of the earth before it's too late.

For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?

Silence shudders and dies. Music fills my ears. My own creation. My own twisted beast. I form it from nothing but my own pain and torture. Dark, pulsing notes. Lashing chords. A song that’s all about bleeding and destruction. It twines with my heart and gives me energy when I had none before. I play until my fingers start throbbing. Then I stop. Spent.

[The Edfu Building Texts in Egypt] take us back to a very remote period called the 'Early Primeval Age of the Gods'--and these gods, it transpires, were not originally Egyptian, but lived on a sacred island, the 'Homeland of the Primeval Ones,' and in the midst of a great ocean. Then, at some unspecified time in the past, an immense cataclysm shook the earth and a flood poured over this island, where 'the earliest mansions of the gods' had been founded, destroying it utterly, submerging all its holy places, and killing most of its divine inhabitants. Some survived, however, and we are told that this remnant set sail in their ships (for the texts leave us in no doubt that these 'gods' of the early primeval age were navigators) to 'wander' the world. Their purpose in doing so was nothing less than to re-create and revive the essence of their lost homeland, to bring about, in short: 'The resurrection of the former world of the gods ... The re-creation of a destroyed world.' [...] The takeaway is that the texts invite us to consider the possibility that the survivors of a lost civilization, thought of as 'gods' but manifestly human, set about 'wandering' the world in the aftermath of an extinction-level global cataclysm. By happenstance it was primarily hunter-gatherer populations, the peoples of the mountains, jungles, and deserts--'the unlettered and the uncultured,' as Plato so eloquently put it in his account of the end of Atlantis--who had been 'spared the scourge of the deluge.' Settling among them, the wanderers entertained the desperate hope that their high civilization could be restarted, or that at least something of its knowledge, wisdom, and spiritual ideas could be passed on so that mankind in the post-cataclysmic world would not be compelled to 'begin again like children, in complete ignorance of what happened in early times.

The dissolving, uniting forces combine what to us have been incompatible: attraction with repulsion, darkness with light, the erotic with the destructive.  If we can allow these opposites to meet they move our inner resonance to a higher vibratory plane, expanding consciousness into new realms.  It was exciting, through my explorations some of which I share in later chapters, to learn firsthand that the sacred marriage or coniunctio, the impulse to unite seeming opposites, does indeed seem to lie at the heart of the subtle body’s imaginal world. One important characteristic of the coniunctio is its paradoxical dual action.  The creative process of each sacred marriage, or conjoining of opposites, involves not only the unitive moment of joining together in a new creation or ‘third,’ but also, as I have mentioned, a separating or darkening moment.5 The idea that “darkness comes before dawn” captures this essential aspect of creativity.  To state an obvious truth we as a culture are just beginning to appreciate.  In alchemical language, when darkness falls, it is said to be the beginning of the inner work or the opus of transformation. The old king (ego) must die before the new reign dawns. The early alchemists called the dark, destructive side of these psychic unions the blackness or the nigredo.  Chaos, uncertainty, disillusionment, depression, despair, or madness prevails during these liminal times of  “making death.” The experiences surrounding these inner experiences of darkness and dying (the most difficult aspects were called mortificatio) may constitute our culture’s ruling taboo. This taboo interferes with our moving naturally to Stage Two in the individuating process, a process that requires that we pass through a descent into the underworld of the Dark Feminine realities of birthing an erotic intensity that leads to dying. Entranced by our happily-ever-after prejudiced culture, we often do not see that in any relationship, project or creative endeavor or idea some form of death follows naturally after periods of intense involvement.  When dark experiences befall, we tend to turn away, to move as quickly as possible to something positive or at least distracting, away from the negative affects of grieving, rage, terror, rotting and loss we associate with darkness and dying. As

Without the thought, though the material parts already exist, the form does not and cannot. The creation is not a product of the matter and is not simply a rearrangement of the matter. The amount of matter in the universe is limited, and its possible rearrangements, though the sum of them would amount to astronomical figures, is also limited. But no such limitations of numbers applies to the creation of works of art. The poet is not obliged, as it were to destroy the material of a Hamlet in order to create a Falstaff, as a carpenter must destroy a tree form to create a table form. The components of the material world are fixed; those of the world of imagination increase by a continuous and irreversible process, without any destruction or rearrangement of what went before. This represents the nearest approach we experience to creation out of nothing, and we conceive of the act of absolute creation as being an act analogous to that of the creative artist. Thus Berdyaev is able to say: "God created the world by imagination.

I AM NOT EVIL. Then why do you destroy? CLARIFY. You do heinous things. EXPOUND. You kill. THOSE THAT ARE KILLED BECOME ANOTHER THING. Yes, dead! Destroyed. DEFINE DESTROY. To demolish, damage, ruin, kill. DEFINE CREATE. To give rise to, fashion something from nothing, take raw material and invent something new. THERE IS NO SUCH THING AS NOTHING. ALL IS SOMETHING. WHERE DOES YOUR “RAW MATERIAL” COME FROM? WAS IT NOT SOMETHING BEFORE YOU FORCED IT TO BECOME SOMETHING ELSE? Clay is just a lump of clay before an artist molds it into a beautiful vase. LUMP. BEAUTIFUL. OPINION. SUBJECTIVE. THE CLAY WAS SOMETHING. PERHAPS YOU WERE AS UNIMPRESSED WITH IT AS I AM BY HUMANS, YET YOU CANNOT DENY IT WAS ITS ESSENTIAL SELF. YOU SMASHED IT, STRETCHED IT, PULLED IT, SMELTED IT, DYED IT, AND FORCED IT TO BECOME SOMETHING ELSE. YOU IMPOSED YOUR WILL UPON IT. AND YOU CALL THIS CREATION? I TAKE A BEING AND MAKE ITS MOLECULES REST. HOW IS THAT NOT CREATION? IT WAS ONE THING AND IS ANOTHER. ONCE IT ATE, NOW IT IS EATEN. DID I NOT CREATE SUSTENANCE FOR ANOTHER WITH ITS NEW STATE? CAN THERE BE ANY ACT OF CREATION THAT DOES NOT FIRST DESTROY? VILLAGES FALL. CITIES RISE. HUMANS DIE. LIFE SPRINGS FROM THE SOIL WHEREIN THEY LIE. IS NOT ANY ACT OF DESTRUCTION, SHOULD TIME ENOUGH PASS, AN ACT OF CREATION?

Lying deep within the French Revolution were the seeds of its own destruction because the concepts of liberty, equality and fraternity are mutually exclusive. A society can be formed around two of them, but never all three. Liberty and equality, if they are strictly observed, will obliterate fraternity; equality and fraternity must extinguish liberty; and fraternity and liberty can only come at the expense of equality. If extreme equality of outcome is the ultimate goal, as it was for the Jacobins, it will crush liberty and fraternity. With his creation of a new nobility Napoleon dispensed with that concept of equality, and instead enshrined in the French polity the concept of equality before the law in which he believed wholeheartedly.

As he stands before the kids, I hear echoes of the first teachings, when Nanabozho received the same fire teachings from his father that my dad is passing on today, “You must always remember that fire has two sides. Both are very powerful. One side is the force of creation. Fire can be used for good—like on your hearth or in ceremony. Your own heart fire is also a force for good. But that same power can be turned to destruction. Fire can be good for the land, but it can also destroy. Your own fire can be used for ill, too. Human people can never forget to understand and respect both sides of this power. They are far stronger than we are. We must learn to be careful or they can destroy everything that has been created. We have to create balance.

SEVENTY THOUSAND YEARS AGO, HOMO sapiens was still an insignificant animal minding its own business in a corner of Africa. In the following millennia it transformed itself into the master of the entire planet and the terror of the ecosystem. Today it stands on the verge of becoming a god, poised to acquire not only eternal youth, but also the divine abilities of creation and destruction. Unfortunately, the Sapiens regime on earth has so far produced little that we can be proud of. We have mastered our surroundings, increased food production, built cities, established empires and created far-flung trade networks. But did we decrease the amount of suffering in the world? Time and again, massive increases in human power did not necessarily improve the well-being of individual Sapiens, and usually caused immense misery to other animals. In the last few decades we have at last made some real progress as far as the human condition is concerned, with the reduction of famine, plague and war. Yet the situation of other animals is deteriorating more rapidly than ever before, and the improvement in the lot of humanity is too recent and fragile to be certain of. Moreover, despite the astonishing things that humans are capable of doing, we remain unsure of our goals and we seem to be as discontented as ever. We have advanced from canoes to galleys to steamships to space shuttles – but nobody knows where we’re going. We are more powerful than ever before, but have very little idea what to do with all that power. Worse still, humans seem to be more irresponsible than ever. Self-made gods with only the laws of physics to keep us company, we are accountable to no one. We are consequently wreaking havoc on our fellow animals and on the surrounding ecosystem, seeking little more than our own comfort and amusement, yet never finding satisfaction. Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want?

In the land of Uz, there lived a man, righteous and God-fearing, and he had great wealth, so many camels, so many sheep and asses, and his children feasted, and he loved them very much and prayed for them. 'It may be that my sons have sinned in their feasting.' Now the devil came before the Lord together with the sons of God, and said to the Lord that he had gone up and down the earth and under the earth. 'And hast thou considered my servant Job?' God asked of him. And God boasted to the devil, pointing to his great and holy servant. And the devil laughed at God's words. 'Give him over to me and Thou wilt see that Thy servant will murmur against Thee and curse Thy name.' And God gave up the just man He loved so, to the devil. And the devil smote his children and his cattle and scattered his wealth, all of a sudden like a thunderbolt from heaven. And Job rent his mantel and fell down upon the ground and cried aloud, 'Naked came I out of my mother's womb, and naked shall I return into the earth; the Lord gave and the Lord has taken away. Blessed be the name of the Lord for ever and ever.' Fathers and teachers, forgive my tears now, for all my childhood rises up again before me, and I breathe now as I breathed then, with the breast of a little child of eight, and I feel as I did then, awe and wonder and gladness. The camels at that time caught my imagination, and Satan, who talked like that with God, and God who gave His servant up to destruction, and His servant crying out: 'Blessed be Thy name although Thou dost punish me,' and then the soft and sweet singing in the church: 'Let my prayer rise up before Thee,' and again incense from the priest's censer and the kneeling and the prayer. Ever since then - only yesterday I took it up - I've never been able to read that sacred tale without tears. And how much that is great, mysterious and unfathomable there is in it! Afterwards I heard the words of mockery and blame, proud words, 'How could God give up the most loved of His saints for the diversion of the devil, take from him his children, smite him with sore boils so that he cleansed the corruption from his sores with a pot-sherd - and for no object except to board to the devil! 'See what My saint can suffer for My Sake.' ' But the greatness of it lies just in the fact that it is a mystery - that the passing earthly show and the eternal verity are brought together in it. In the face of the earthly truth, the eternal truth is accomplished. The Creator, just as on the first days of creation He ended each day with praise: 'That is good that I have created,' looks upon Job and again praises His creation. And Job, praising the Lord, serves not only Him but all His creation for generations and generations, and for ever and ever, since for that he was ordained. Good heavens, what a book it is, and what lessons there are in it! What a book the Bible is, what a miracle, what strength is given with it to man! It is like a mold cast of the world and man and human nature, everything is there, and a law for everything for all the ages. And what mysteries are solved and revealed! God raises Job again, gives him wealth again. Many years pass by, and he has other children and loves them. But how could he love those new ones when those first children are no more, when he has lost them? Remembering them, how could he be fully happy with those new ones, however dear the new ones might be? But he could, he could. It's the great mystery of human life that old grief passes gradually into quiet, tender joy. The mild serenity of age takes the place of the riotous blood of youth. I bless the rising such each day, and, as before, my heart sings to meet it, but now I love even more its setting, its long slanting rays and the soft, tender, gentle memories that come with them, the dear images from the whole of my long, happy life - and over all the Divine Truth, softening, reconciling, forgiving!

Seventy thousand years ago, homo sapiens was still an insignificant animal minding its own business in a corner of Africa. In the following millennia it transformed itself into the master of the entire planet and the terror of the ecosystem. Today it stands on the verge of becoming a god, poised to acquire not only eternal youth, but also the divine abilities of creation and destruction. . Unfortunately, the Sapiens regime on earth has so far produced little that we can be proud of. We have mastered our surroundings, increased food production, built cities, established empires and created far-flung trade networks. But did we decrease the amount of suffering in the world? Time and again, massive increases in human power did not necessarily improve the well-being of individual Sapiens, and usually caused immense misery to other animals. . In the last few decades we have at last made some real progress as far as the human condition is concerned, with the reduction of famine, plague and war. Yet the situation of other animals is deteriorating more rapidly than ever before, and the improvement in the lot of humanity is too recent and fragile to be certain of. . Moreover, despite the astonishing things that humans are capable of doing, we remain unsure of our goals and we seem to be as discontented as ever. We have advanced from canoes to galleys to steamships to space shuttles – but nobody knows where we’re going. We are more powerful than ever before, but have very little idea what to do with all that power. Worse still, humans seem to be more irresponsible than ever. Self-made gods with only the laws of physics to keep us company, we are accountable to no one. We are consequently wreaking havoc on our fellow animals and on the surrounding ecosystem, seeking little more than our own comfort and amusement, yet never finding satisfaction. . Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want?

(which was a mistake, for the value of an aristocratic title, like that of a share quoted on the stock exchange, rises when in demand and falls when on offer. Everything we believe imperishable tends toward destruction; a social position, like everything else, is not given once and for all but, just like the power of an empire, is reconstituted from moment to moment through a sort of endless renewed process of creation, which explains the apparent anomalies of social or political history over half a century. The creation of the world did not happen “in the beginning,” it happens from day to day. The Marquise de Saint-Loup thought, “I am the Marquise de Saint-Loup,” in the knowledge that the night before she had turned down three invitations to dine with duchesses. But if to a certain extent her name enhanced the distinctly un-aristocratic circles which she entertained, by an inverse movement the circles which invited the Marquise devalued the name that she bore. Nothing resists such movements,

Winning will make you famous. Losing means certain death. The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The 'tributes' are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.

In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.

...once we build beyond a human scale, once we conceive ourselves as Titans or as gods, we are lost in magnitude; we cannot control or limit what we do. The statistics of magnitude call out like Sirens to the statistics of destruction. If we have built towering cities, we have raised even higher the cloud of megadeath. If people are as grass before God, they are as nothing before their machines.... ...Past the scale of the human, our works do not liberate us—they confine us. They cut off access to the wilderness of Creation where we must go to be reborn—to receive the awareness, at once humbling and exhilarating, grievous and joyful, that we are a part of Creation, one with all that we live from and all that, in turn, lives from us. They destroy the communal rites of passage that turn us the wilderness and bring us home again.

Before humans started messing around with the system, nature existed in harmony for millions of years—a beautiful symphony of seasonal change, birth and death, creation and destruction. This same harmony that drives the natural world applies to the intangible, emotional world of humans. We, too, must achieve harmony between all the elements of our lives, between the internal self and the external world.

What transcends us when we stand before a great river like divine Ganges or a great mountain with mist & snow covering its summit or the vision of sea at a beach? The feeling that we are so utterly small in this beautiful creation. No matter how great and relevant, we make ourselves feel, nature transcend us all the time with its beautiful visions and deeds whether creative or destructive, making us feel smaller and irrelevant.

Tales of other sorts ‒ mentioning rats not at all ‒ too find their tellers; as did Nate’s, which of course, sometimes does. You must know that any authentic storytelling would inform its readers that nearly all affairs involve rats at some level and in fact, billions upon billions of these glabrous tailed rodents are right now slinking to and skulking fro ‒ mostly sight unseen, yet visibly influencing more matters in more places on this earth than you've likely imagined to exist. This however, can be likewise observed about countless other matters; as far more intangible forces impact the fates than do those which are easily evident ‒ such as a lone star glinting in the night sky. Each with a past while evolving into its present as it is propelled toward a future that will itself have been inspired by more unstated factors than the totality of stars and rats that its cast of characters will glimpse ‒ whether deigning to count any at all ‒ during their combined life spans. So then, as it’s not so terribly peculiar recurrences reveal, Nate's story is not a linear one. To borrow from folklore once more, this can be seen in the Hero's Journey monomyth as well ‒ whereby its protagonist first resists, then ultimately heeds his call to purpose before returning home transformed. Yet neither can it nor any journey be strictly circular, as also shown by the ouroboros serpent eating its own tail to sustain life ‒ in symbolic demonstration of the universe's cyclic nature and reliance on destruction as an equal partner to creation.

Many people are being dragged toward wholeness in their daily lives, but because they do not understand initiation rites, they cannot make sense of what is happening to them. They are being presented with the possibility of rebirth into a different life. Through failures, symptoms, inferiority feelings and overwhelming problems, they are being prodded to renounce life attachments that have become redundant. The possibility of rebirth constellates with the breakdown of what has gone before. But because they do not understand, people cling to the familiar, refuse to make the necessary sacrifices, resist their own growth. Unable to give up their habitual lives, they are unable to receive new life. Unless cultural rituals support the leap from one level of consciousness to another, there are no containing walls within which the process can happen. Without an understanding of myth or religion, without an understanding of the relationship between destruction and creation, death and rebirth, the individual suffers the mysteries of life as meaningless mayhem—alone.

We live on a cursed earth in a cursed universe. Both are under the baleful influence of Satan, who is both “the god of this world” (2 Cor. 4:4), and “the prince of the power of the air” (Eph. 2:2). The devastating effects of the curse and satanic influence will reach a terrifying climax in the events of the Tribulation. Some of the various bowl, trumpet, and seal judgments are demonic, others represent natural phenomena gone wild as God lets loose His wrath. At the culmination of that time of destruction and chaos, Christ returns and sets up His kingdom. During His millennial reign, the effects of the curse will begin to be reversed. The Bible gives us a glimpse of what the restored creation will be like. There will be dramatic changes in the animal world. In Isaiah we learn that The wolf will dwell with the lamb, and the leopard will lie down with the kid, and the calf and the young lion and the fatling together; and a little boy will lead them. Also the cow and the bear will graze; their young will lie down together; and the lion will eat straw like the ox. And the nursing child will play by the hole of the cobra, and the weaned child will put his hand on the viper’s den. They will not hurt or destroy in all My holy mountain. (Isa. 11:6-9) “The wolf and the lamb shall graze together, and the lion shall eat straw like the ox; and dust shall be the serpent’s food. They shall do no evil or harm in all My holy mountain,” says the Lord. (Isa. 65:25) The changes in the animal world will be paralleled by changes in the earth and the solar system: Then the moon will be abashed and the sun ashamed, for the Lord of hosts will reign on Mount Zion and in Jerusalem, and His glory will be before His elders. (Isa. 24:23) The light of the moon will be as the light of the sun, and the light of the sun will be seven times brighter, like the light of seven days, on the day the Lord binds up the fracture of His people and heals the bruise He has inflicted. (Isa. 30:26) No longer will you have the sun for light by day, nor for brightness will the moon give you light; but you will have the Lord for an everlasting light, and your God for your glory. Your sun will set no more, neither will your moon wane; for you will have the Lord for an everlasting light. (Isa. 60:19-20)

Civilization was not poetry, heroism or myth; it was, instead, a sort of layer cake. City foisted upon city, life foisted upon life. The newer iterations replacing the old ones, burying them with their collective mistakes and regret. You’re looking at it wrong. It’s not destruction- it’s rebirth. To disappear and reappear. To be born, to die, to be reborn. Re, re, re: an implication that something exited before, in another form, and now has the opportunity to live again. You can tell me that cities and history, and life are about destruction, and maybe that’s true. But they’re also about something else. They’re about re-creation. Re, re, re But how do we know what phase we’re in? How do we know if Rome’s rising or falling? How do we know if the flames we see are flames of civilization’s failure or the beginnings of something else. We don’t I guess. Or maybe we do, and it’s a matter of perspective. Maybe it’s a matter of picking where you are, in the rise or in the fall, and saying that- regardless of what the historians and philosophers decide to call it- for you, this is a beginning. What is it that Homer tells the muse at the beginning of The Odyssey? Start from where you will. Start from where you will. Pick a point in the epic of the hero’s wanderings, and call that the opening of your story. It’s a deceptively simple instruction, she thinks, looking at the expectant faces before her. For any beginning she chooses won’t really be a beginning at all. It will carry with it the baggage and histories of the many lives that came before and when it’s gone, the lives that come after it will be built upon its back. Ruins are not endings, they are the foundations for the lives that have yet to come.

In Conversation With The Earth! Hello I am Earth , your home, Hello I am human from Climate summit at Rome, Pleasure meeting you today, Well I thought you met and saw me everyday, Nevermind, human mind is a curious creation, Look at the devastation and your numb sensation, Water levels rising, Frequent wildfires are least surprising, Landslides burying people alive, For the poor Earth is no longer a place to thrive, CO2 emissions creating a blanket of doom, The world looks like a planet draped in agony and gloom, Deforestation has left me naked, By your callousness I feel raped, you humans are so ungrateful and wicked, The rising heat will kill us both, I will manage drifting in the universe but imagine your plight in the cosmic broth? You are the cause of your own extinction, And you seek mercy from me for this inevitable destruction, I am part of the universe the universe is not a part of me, And if there is a cause, an effect too there shall be! But I am wondering why you are still procrastinating, You are more interested in Mars’s Terraforming, Instead of saving your present home, Where there is Italy, Germany, India, America, Russia, China, many others and Rome, You seem to ignore my pleadings and warning signs, And somehow your conscience resigns, Into a slumber of thoughtlessness, And you seem willing to endure this perpetual feeling of restlessness, But refrain from acting now, Sometimes you just need to start, without wasting too much time on thinking how, This maybe my last conversation with you , my dear human being, It is time you believed in what you are seeing, A ravaged soul of mine, I fret and fume, yet you convince yourself I am fine, Because you can still breathe in my air, But how long, because you are offering me a bargain that is unfair, Very soon you may need protected air zones to survive, And then only those with a penny in the pocket shall be alive, Where will your less fortunate brothers and sisters go? I think after the great fall, today humanity has fallen really too low, Not placing restraint on their acts so ignoble, Although you see my scars so fresh and palpable, Anyway, why shall you care as long as you can breathe, And not realise the irony, the day you feel choked I too shall no more be able to breathe! Mars is a distant dream, Pay heed now when I yell and scream, Mars is just a reflection in the mirror, But I am the mirror, you just need to be a heedful observer, And act now before it is too late, And stop wasting time in a bureaucratically complex debate, Maybe this will be the last summer for you and me too, But I am still believing and expecting the best from you! By: Javid Ahmad Tak

One must propitiate the Divine Mother, the Primal Energy, in order to obtain God’s grace. God Himself is Mahāmāyā, who deludes the world with Her illusion and conjures up the magic of creation, preservation, and destruction. She has spread this veil of ignorance before our eyes. We can go into the inner chamber only when She lets us pass through the door. Living outside, we see only outer objects, but not that Eternal Being, Existence-Knowledge-Bliss Absolute.

This is the way of humanity. It has always been this way. A cycle of golden age, recession, depression, revolution, expansion, and eventually another golden age before it all falls apart again. Ad infinitum. In every human there is a want for more. A need for more. It is exactly that drive for more that allowed our species to crawl out of the primordial wilds. And it is exactly that want and need that drives me to ascension. Were Astrea intended to last forever, it too would undergo the natural cycle of societal creation and destruction and would eventually fall to ruin, just as every human society of the past was eventually crippled and destroyed by humanity’s inherent failures. But Astrea is a temporary refuge. A transient bastion that serves to buy me just enough time. Time enough to break the cycle forever.

Even while I dreamed I prayed that what I saw was only fear and no foretelling, for I saw the last known landscape destroyed for the sake of the objective, the soil bludgeoned, the rock blasted. Those who had wanted to go home would never get there now. I visited the offices where for the sake of the objective the planners planned at blank desks set in rows. I visited the loud factories where the machines were made that would drive ever forward toward the objective. I saw the forest reduced to stumps and gullies; I saw the poisoned river, the mountain cast into the valley; I came to the city that nobody recognized because it looked like every other city. I saw the passages worn by the unnumbered footfalls of those whose eyes were fixed upon the objective. Their passing had obliterated the graves and the monuments of those who had died in pursuit of the objective and who had long ago forever been forgotten, according to the inevitable rule that those who have forgotten forget that they have forgotten. Men, women, and children now pursued the objective as if nobody ever had pursued it before. The races and the sexes now intermingled perfectly in pursuit of the objective. the once-enslaved, the once-oppressed were now free to sell themselves to the highest bidder and to enter the best paying prisons in pursuit of the objective, which was the destruction of all enemies, which was the destruction of all obstacles, which was the destruction of all objects, which was to clear the way to victory, which was to clear the way to promotion, to salvation, to progress, to the completed sale, to the signature on the contract, which was to clear the way to self-realization, to self-creation, from which nobody who ever wanted to go home would ever get there now, for every remembered place had been displaced; the signposts had been bent to the ground and covered over. Every place had been displaced, every love unloved, every vow unsworn, every word unmeant to make way for the passage of the crowd of the individuated, the autonomous, the self-actuated, the homeless with their many eyes opened toward the objective which they did not yet perceive in the far distance, having never known where they were going, having never known where they came from.

The times are demanding more of us right now. There are periods in history in which this happens. The Vedic tradition teaches that life works to a never-ending cycle of creation, maintenance and destruction. We’re born, we live, we die, then we are reborn in some form or other, and on we go. Physics, biology, quantum mechanics . . . they work to the same truth. You could say we’ve been in a maintenance phase for decades, if not centuries. But now things have gotten destructive, as they have before, and we need to step up from our comfortable lull – our acedia – go to our edge and serve. It’s in such times (of war, famine, plague, despotic rule) that religion and spirituality tend to lead us in this stepping up, reminding us of the noble worth of the hard bits – the sacrifice, the service, the radical faith. The beautiful questions to ask, then: How are we going to be of service? What are we willing to sacrifice to live the teachings of Buddha, Jesus, Mohammed, Gaia, The Universe – to save ourselves, and the world?

Life is not the opposite of death, but a continuum. Evolutionary nature is an engine of mystery- of things we do not and cannot know. Every step is simultaneously an act of destruction and of creation, of life. There is consolation in the fact that we are always living in the ruins of what went before.

It requires some courage to break a taboo [around the high likelihood of climate-induced collapse, as opposed to mere climate disruption]. It requires some courage to make people aware of darkness that they had not seen before or had turned away from. Especially when that darkness is not in the changing climate and the institutions that have damaged our world, but is also within us. Because we have all participated in both the creation of this disaster and the ignoring of it. Or being satisfied with ineffectual action that provided us with a believable myth of being a good person. As such, climate chaos is an invitation to go deeper into self-reflection and learn about why we have participated in such destruction. From that inquiry we may find ways of living that avoid making matters worse. Bringing attention to the darkness around us, ahead of us and inside of us is essential if we are then to light candles of wisdom. People who are bringing attention to the darkness are also lighting candles of wisdom. Candles only shine within darkness. As more candles are lit, so we can see each other anew. We can connect with what is burning inside our hearts and live from that truth more fully than before.

We were created to guide mankind into the future. To oversee the birth of a new race. One which will outstrip even our accomplishments. We do not set the fire so that we might rule the ashes, my brothers...no, we set it so that the old might give way before the new. Take comfort, my brothers. It is a battle we cannot lose, for we have already won.

Celsus cannot understand, either, why there was such a great gap between the creation of mankind and the sending of Jesus. If all who don’t believe are damned, why wait so long to enable them to be saved? “Is it only now after such a long age that God has remembered to judge the life of men? Did he not care before?”22 Moreover, why not send Jesus somewhere a bit more populous? If God “woke up out of his long slumber and wanted to deliver the human race from evils, why on earth did he send this spirit that you mention into one corner” of the world—and, Celsus implies, a backwater at that?23 He also queries why an omniscient, omnipotent God would need to send someone at all. “What is the purpose of such a descent on the part of God?” he asks. “Was it in order to learn what was going on among men? . . . Does not he know everything?

If the Edfu Texts contain a record of these events, as I have proposed, then we should take seriously the message they transmit, that there were survivors of the cataclysm who made it their mission to bring about: 'The resurrection of the former world of the gods. ... The re-creation of a destroyed world.' These survivors are said to have wandered the earth, setting out and building sacred mounds wherever they went, and teaching the fundamentals of civilization, including religion, agriculture, and architecture.

The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage. Another shift of memory, and Fionn pulled a long blade from the Cauldron, dripping water. A black blade, whose dark metal absorbed any trace of light around it. Bryce’s knees weakened. The Starsword. Two other figures stood there, veiled in the thick snow, but Bryce hardly got a chance to wonder about them before Silene’s narration began anew. They fought the Daglan and won, she went on. Using the Daglan’s own weapons, they destroyed them. Yet my parents did not think to learn the Daglan’s other secrets—they were too weary, too eager to leave the past behind.