Nyc Moving Quotes

As they moved into the kick line for the big finale, her body tingled with anticipation and suddenly they were kicking in perfect tandem as the audience broke out into applause.

As I saw myself moving ever farther toward the social margin, nothing healed me of a sore and angry heart like a walk through the city. To see in the street the fifty different ways people struggle to remain human—the variety and inventiveness of survival techniques—was to feel the pressure relieved, the overflow draining off. I felt in my nerve endings the common refusal to go under.

I wanted to love the city. There is an electricity to the dullest day here that overpowers its clinging aroma. Friends have moved cityward, rarely seen again, each acting as though they relocated to Shangri-La, despite muggings and struggling.

Sometimes you have to make a bold but calculated move for the bigger picture.

I love walking. Walking might be my favorite pastime. It’s one of the reasons I moved to the pedestrian paradise that is NYC. It’s hiking that I try to avoid.

Royal Young has accomplished a rare feat in his fresh and riveting debut: he manages to recount his fascinating youth and unconventional family with a mixture of humor, scathing honesty and tenderness. Much more than simply a book about a kid who dreams of stardom, Fame Shark is a thoughtful, hilarious and moving love letter to his family and the Lower East Side of New York City.

Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.

We got up, still talking, and began to dance again. “I want to try something,” he said. “Okay, what?” “Twist your arms behind your back.” “Hmm, okay … Like this?” “Yes. And now I’ll hold you like that.” I licked my lips and gave him the look, and I said, “Okay.” “If you want me to stop, tell me.” “Okay. I’ll bite you if I don’t like it. If I’m okay, you get a kiss.” He smiled and clasped my wrists tight, pinioning my arms behind my back. The pressure twisted my shoulders back, just a bit, and thrust my breasts forward. We moved, and I felt my breasts pressing through the silk T-shirt against his chest. I kissed him. “I like it,” I said. “I like it when you hold me, when you have me … in your power.” He kissed me. It was a rapid, sudden, ravishing kiss. He let go of my wrists, and I flung my arms around him. We twirled around. He lifted me up. We plunged back down onto the divan. I was astraddle him, on my knees, looking down on him, breathless. “Lift it off,” he said. “You lift it off,” I said. I bowed, and he pulled the silk T-shirt over my head, leaving it halfway off for just a minute, and masking my face. He kissed me on the forehead through the silk. His lips pressed on my lips, and I hungrily tried to kiss, but I was a prisoner of the silk, and then, slowly, he pulled the T-shirt off my head, and my lips were free, and our lips met, and we kissed, a deep, free warm, liquid kiss. I was melting into him. His hands went up and down my back, sweeping, exploring, pressing, and caressing. He kissed my breasts, slowly, licking and biting each nipple.

NYC Great Movers - Hire, Move and Enjoy!

I can tell just by looking at her that she needs to know she can push me and that when she does, I won’t crumple. I know the look by now. Submissive women who crave dominance need this from time to time, and Diana’s no exception. I’ve likened it to a blind man finding his way in an unfamiliar room; once he knows where the walls are, his boundaries, he can move more freely.

There’s hardly anybody who hasn’t owned or at least ridden a bicycle at some point in his or her life. I mean, sure, you do come across people occasionally who never learned how to ride a bike, but it’s rare and a little unsettling. It’s like meeting Someone who can’t operate a washing machine, or a thirty-two-year-old guy who never learned how to pee standing up. You smile politely, you pity them silently, and then you move on down to the other end of the bar. Despite

Sometimes, down in the subway, a train Maxine's riding on will slowly be overtaken by a local or an express on the other track, and in the darkness of the tunnel, as the windows of the other train move slowly past, the lighted panels appear one by one, like a series of fortune-telling cards being deal and slid in front of her. The Scholar, The Unhoused, The Warrior Thief, The Haunted Woman... After a while Maxine has come to understand that the faces framed in these panels are precisely those out of all the city millions she must in the hour be paying most attention to, in particular those whose eyes actually meet her own - they are the day's messengers from whatever the Beyond has for a Third World, where the days are assembled one by one under non-union conditions. Each messenger carrying the props required for their character, shopping bags, books, musical instruments, arrived here out of darkness, bound again into darkness, with only a minute to deliver the intelligence Maxine needs. At some point naturally she begins to wonder if she might not be performing the same role for some face looking back out another window at her.

Two thousand years ago Archimedes famously said, “Give me a large enough lever and a place to stand and I will move the world!” Well, nobody ever gave him that lever, and that’s why the world is still in pretty much the same place now as it was then: between Venus and Mars, orbiting the sun, and crawling with idiots.

The tenement at 179 [East 93rd Street, NYC] was the first real home I can remember. Until we moved there we had lived like gypsies, never traveling far -- in fact never out of the neighborhood -- but always moving, haunted and pursued by eviction notices, attachments, and glinty-eyed landlord's agents. The Marxes were poor, very poor. We were always hungry. And we were numerous. But thanks to the amazing spirit of my father and my mother, poverty never made any of us depressed or angry. My memory of my earliest years is vague but pleasant, full of the sound of singing and laughter, and full of people I loved.

Cities pour forth a virus. Humans are infected and told to build cages that no one should want to live in. Or cities are a pyramid scheme: everyone is supposed to be there, I am an everybody, so I will move there and bring two others, who will bring two more.

One study found that the reading scores of students in a New York City elementary school were significantly lower if their classrooms were situated close to elevated subway tracks on which trains rattled past every four to five minutes. When the researchers, armed with their findings, pressed NYC transit system officials and Board of Education members to install noise-dampening materials on the tracks and in the classrooms, students’ scores jumped back up. Similar results have been found for children near airplane flight paths. When the city of Munich, Germany, moved its airport, the memory and reading scores of children near the new location plummeted, while those near the old location rose significantly.

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TWO YEARS AGO I FOUND AN IMAGE OF A KID WITH HER HANDS COVERING HER FACE. A SEATBELT REACHED ACROSS HER TORSO, RIDING UP HER NECK AND A MOP OF BLONDE HAIR STAYED SWEPT, FOR THE MOMENT, BEHIND HER EARS. HER EYES SEEMED CLEAR AND CALM BUT NOT BLANK, THE ROAD BEHIND HER SEEMED THE SAME, I PUT MYSELF IN HER SEAT THEN I PLAYED IT ALL OUT IN MY HEAD. THE CLAUSTROPHOBIA HITS AS THE SEATBELT TIGHTENS, PREVENTING ME FROM EVEN LEANING FORWARD IN MY SEAT, THE PRESSING ON INTERNAL ORGANS. I LEAN BACK AND FORWARD TO RELEASE IT, THEN BACKWARDS AND FORWARD AGAIN. THERE IT IS I GOT FREE. HOW MUCH OF MY LIFE HAS HAPPENED INSIDE OF A CAR? I WONDER IF THE ODDS ARE THAT I'LL DIE IN ONE, KNOCK ON WOOD-GRAIN. SHOULDN'T SPEAK LIKE THAT. WE LIVE IN CARS IN SOME CITIES, COMMUTING ACROSS SPACE EITHER FOR OUR LIVELIHOOD, OR DEVOURING FOSSIL FUELS FOR JOY. IT'S CLOSE TO AS MUCH TIME AS WE SPEND IN OUR BEDS, MORE FOR SOME. THE FIRST TIME I DID SHROOMS, MY MANAGER HAD TO COME RESCUE ME FROM CALTECH'S 'TRIP DAY. AS I GOT INTO HER CAR, I SWEAR TO GOD THE ALUMINUM CENTER CONSOLE IN HER PORSCHE TRUCK LOOKED LIKE IT WAS BREATHING, LIKE THE THROAT OF SOMETHING. ON THE FREEWAY, LEAVING PASADENA, WE SPOKE AND I LOOKED AWAY, OUTSIDE, AT THE WHEELS AND TIRES OF CARS DOING THAT OPTICAL ILLUSION THING THEY DO WHERE IT LOOKS LIKE THEY'RE SPINNING BACKWARDS, WHICH, ACCORDING TO GOOGLE, HAPPENS BECAUSE OUR BRAINS ARE ASSUMING SOMETHING COMPLETELY WRONG AND SHOWING IT TO US. STARING, I WAS TRANSFIXED BY ALL THE INDICATOR LIGHTS OSCILLATING AND THROBBING AGAINST THE WIND. WE DROVE THRU DOWNTOWN LA HEADED WEST, FLYING ON THE SAME FREEWAYS I USED TO RUN OUTTA GAS ON. WELCOMED IN BY THE PERENNIAL CREATURES, IMPERIAL PALM TREES AND CLIMBING VINES LIVING THEIR LIVES OUT JUST OFF THE SHOULDER. THE FEELING OF FAMILIAR ENHANCED, ON THE 10. I USED TO RIDE AROUND IN MY SINEWY CROSSOVER SUV, SMOKE AND LISTEN TO ROUGH MIXES OF MY OLD SHIT BEFORE IT CAME OUT, OR WHATEVER SOMEONE WANTED TO PLAY WHEN THEY HOOKED UP THEIR IPHONE TO THE AUX CORD A FEW YEARS AND A FEW DAILY-DRIVERS LATER I'M NOT DRIVING MUCH ANYMORE, IT'S BEEN A YEAR SINCE I MOVED TO LONDON, AT THE TIME OF WRITING THIS, AND THERE'S NO PRACTICAL REASON TO DRIVE IN THIS CITY. I ORDERED A GT3 RS AND IT'LL KEEP LOW MILES OUT HERE BUT I GUESS IT'S GOOD TO HAVE IN CASE OF EMERGENCY :) RAF SIMONS ONCE TOLD ME IT WAS CLICHE, MY WHOLE CAR OBSESSION MAYBE IT LINKS TO A DEEP SUBCONSCIOUS STRAIGHT BOY FANTASY. CONSCIOUSLY THOUGH, I DON'T WANT STRAIGHT A LITTLE BENT IS GOOD. I FOUND IT ROMANTIC, SOMETIMES, EDITING THIS PROJECT. THE WHOLE TIME I FELT AS THOUGH I WAS IN THE PRESENCE OF A $16M MCLAREN F1 ARMED WITH A DISPOSABLE CAMERA. MY MEMORIES ARE IN THESE PAGES, PLACES CLOSEBY AND LONG ASS-NUMBING FLIGHTS AWAY. CRUISING THE SUBURBS OF TOKYO IN RWB PORSCHES. THROWING PARTIES AROUND ENGLAND AND MOBBING FREEWAYS IN FOUR PROJECT M3S THAT I BUILT WITH SOME FRIENDS. GOING TO MISSISSIPPI AND PLAYING IN THE MUD WITH AMPHIBIOUS QUADS. STREET-CASTING MODELS AT A RANDOM KUNG FU DOJO OUT IN SENEGAL. COMMISSIONING LIFE-SIZE TOY BOXES FOR THE FUCK OF IT SHOOTING A MUSIC VIDEO FOR FUN WITH TYRONE LEBON, THE GENIUS GIANT. TAKING A BREAK-SLASH-RECONNAISSANCE MISSION TO TULUM, MEXICO, ENJOYING SOME STAR VISIBILITY FOR A CHANGE. RECORDING IN TOKYO, NYC, MIAMI, LA, LONDON, PARIS. STOPPING IN BERLIN TO WITNESS BERGHAIN FOR MYSELF, TRADING JEWELS AND SOAKING IN PARABLES WITH THE MANY-HEADED BRANDON AKA BASEDGOD IN CONVERSATION, I WROTE A STORY IN THE MIDDLE-IT'S CALLED 'GODSPEED', IT'S BASICALLY A REIMAGINED PART OF MY BOYHOOD. BOYS DO CRY, BUT I DON'T THINK I SHED A TEAR FOR A GOOD CHUNK OF MY TEENAGE YEARS. IT'S SURPRISINGLY MY FAVORITE PART OF LIFE SO FAR. SURPRISING, TO ME, BECAUSE THE CURRENT PHASE IS WHAT I WAS ASKING THE COSMOS FOR WHEN I WAS A KID. MAYBE THAT PART HAD IT'S ROUGH STRETCHES TOO, BUT IN MY REARVIEW MIRROR IT'S GETTING SMALL ENOUGH TO CONVINCE MYSELF IT WAS ALL GOOD. AND REALLY THOUGH... IT'S STILL ALL GOOD.