Night Of The Iguana Quotes

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It's almost impossible for anybody to believe that they're not loved by someone they believe they love. But honey, I love nobody.
Tennessee Williams (The Night of the Iguana)
Let's go down and swim in that liquid moonlight.
Tennessee Williams (The Night of the Iguana)
In one scene, when I was supposed to say, "In a pig's eye you are," what came out was, "In a pig's ass you are." Old habits die awfully hard.
Ava Gardner (Ava: My Story)
Nothing human disgusts me . . . unless it's cruel, violent. (spoken by the character Hannah Jelkes)
Tennessee Williams (The Night of the Iguana)
How calmly does the orange branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. Sometime while night obscures the tree The zenith of its life will be Gone past forever, and from thence A second history will commence. A chronicle no longer gold, A bargaining with mist and mould, And finally the broken stem The plummeting to earth; and then An intercourse not well designed For beings of a golden kind Whose native green must arch above The earth's obscene, corrupting love. And still the ripe fruit and the branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. O Courage, could you not as well Select a second place to dwell, Not only in that golden tree But in the frightened heart of me?
Tennessee Williams (The Night of the Iguana)
Youth must be wanton, youth must be quick, Dance to the candle while lasteth the wick, Youth must be foolish and mirthful and blind, Gaze not before and glance not behind, Mark not the shadow that darkens the way- Regret not the glitter of any lost day, But laugh with no reason except the red wine, For youth must be youthful and foolish and blind!
Tennessee Williams (The Night of the Iguana)
SHANNON: A man can die of panic. HANNAH: Not if he enjoys it as much as you, Mr Shannon.
Tennessee Williams (Night of the Iguana)
The spinner of my story set me on a collision course that began the night I walked into the Red Iguana, and it was sealed after escaping death’s clutches the day of the comet, but none of those fateful events would have happened if I hadn’t fallen in love with science. Just like in the movie, The Curious Case of Benjamin Button, I believe a series of events resulted in leading me to find my soulmate.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Honey, you're not operating on the realistic level anymore than I am.
Tennessee Williams (Night of the Iguana)
Oh, God, can't we stop now? Finally? Please let us. It's so quiet here, now.
Tennessee Williams ([Playbill]: The Night of the Iguana)
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
He took my hand and stopped walking then shook his head when I looked up at him. “Look, I didn’t want to do this on your birthday, but this isn’t working out.” I raised an eyebrow at him. No shit, Sherlock. I waited for him to continue. “This whole arrangement with you and Lane, it’s weird. You’re not kids anymore. I can put up with your choice of livelihood. Hell, I can even get used to the fact that you refuse to do yourself up in the morning before I wake up when you spend the night.” He paused at my frown. “But I won’t play second place man in a woman’s life. If you want to have any chance with me, you’re going to have to leave him. Move out; get your own place. Just quit having him around all the time.” “If I want to have a chance with you?” Wow, this man was a piece of work. I gazed over to Lane who didn’t look too happy as he watched what was happening. I turned back to Brian. “But who would get custody of Iggy? We can’t do that to him. It would break his fragile little heart! And joint custody won’t work. We can’t just move an iguana around in the middle of winter. Plus, have you tried moving that tank? It’s huge…” I said the last of my speech to his back as he simply turned and walked away. “Jackass.
Meaka Kyel (Terra's Wrath)
then I must have dropped off. It wasn’t much later that I awoke—the story of my life since my mate passed away. I get tired, wiped out, even, but can’t seem to sleep more than a few hours at a stretch. It’s such a weird time to be awake—noon. Spooky, really. There have been a few occasions when, tired of just standing there and hoping to fall back to sleep, I got up and flew around. The dining options were definitely interesting—lapdogs, ducklings, I even saw an iguana sunning himself on top of a Styrofoam cooler. But there was also a lot of traffic and noise. I never liked the world I saw during the day. Then I started hating the one I saw at night and wondered, What’s left? What changed things, albeit slowly, was learning. It’s like there’s a hole where my life used to be, and I’m filling it with information—about potatoes. About hot water heaters. Anything will do. These leeches, though. For the first time in memory, I was unable to sleep not because I was anxious but because I was excited. To live in a damp crowded asshole and sing—if these guys don’t know the secret to living, I don’t know who does.
David Sedaris (Squirrel Seeks Chipmunk)
Sleepless City (Brooklyn Bridge Nocturne)" Out in the sky, no one sleeps. No one, no one. No one sleeps. Lunar creatures sniff and circle the dwellings. Live iguanas will come to bite the men who don’t dream, and the brokenhearted fugitive will meet on street corners an incredible crocodile resting beneath the tender protest of the stars. Out in the world, no one sleeps. No one, no one. No one sleeps. There is a corpse in the farthest graveyard complaining for three years because of an arid landscape in his knee; and a boy who was buried this morning cried so much they had to call the dogs to quiet him. Life is no dream. Watch out! Watch out! Watch out! We fall down stairs and eat the humid earth, or we climb to the snow’s edge with the choir of dead dahlias. But there is no oblivion, no dream: raw flesh. Kisses tie mouths in a tangle of new veins and those in pain will bear it with no respite and those who are frightened by death will carry it on their shoulders. One day horses will live in the taverns and furious ants will attack the yellow skies that take refuge in the eyes of cattle. Another day we’ll witness the resurrection of dead butterflies, and still walking in a landscape of gray sponges and silent ships, we’ll see our ring shine and rose spill from our tongues. Watch out! Watch out! Watch out! Those still marked by claws and cloudburst, that boy who cries because he doesn’t know bridges exist, or that corpse that has nothing more than its head and one shoe— they all must be led to the wall where iguanas and serpents wait, where the bear’s teeth wait, where the mummified hand of a child waits and the camel’s fur bristles with a violent blue chill. Out in the sky, no one sleeps. No one, no one. No one sleeps. But if someone closes his eyes, whip him, my children, whip him! Let there be a panorama of open eyes and bitter inflamed wounds. Out in the world, no one sleeps. No one. No one. I’ve said it before. No one sleeps. But at night, if someone has too much moss on his temples, open the trap doors so he can see in moonlight the fake goblets, the venom, and the skull of the theaters.
Federico García Lorca (Poet in New York (English and Spanish Edition))
The iguana room of the Jardin des Plantes, with its illuminated cases, where dozing reptiles are hidden among branches and rocks and sand of the forest or the desert of their origin, reflects the order of the world, whether it be the reflection on earth of the sky of ideas or the external manifestation of the secret of the nature of creation, of the norm concealed in the depths of that which exists. Is it this atmosphere, more than the reptiles in themselves, that obscurely attracts Mr. Palomar? A damp, soft warmth soaks the air like a sponge; a sharp stink, heavy, rotten, forces him to hold his breath; shadow and light lie stagnant in a motionless mixture of days and nights: are these the sensations of a man who peers out beyond the human? Beyond the glass of every cage there is the world as it was before man, or as it will be, to show that the world of man is not eternal and is not unique.
Italo Calvino (Mr Palomar)
Perché, è tanto tempo che non le capita? Che ci sia qualcuno che vuole aiutarla?... Oppure... è stato cosi occupato dalle sue lotte con se stesso, che non ha notato quando c'era qualcuno che voleva aiutarla; magari per quel poco ch'era possibile?
Tennessee Williams (The Night of the Iguana)
Using the satellite phone connection, I finally reached Croc One. The captain, Kris, was in tears. I finally tracked down John Stainton, and he assured me that he hadn’t left Steve’s side. “I’ve got a charter plane coming,” John said. “I’ll get him home, Terri.” I asked about Steve’s personal effects. Steve had had on his khakis and wet-suit boots while he was diving, but because he had no jewelry or anything of value, the medical examiner had destroyed all his clothing. I was devastated. It’s completely unpredictable what one will hold dear in a time of grief, particularly in the case of an accident. I remember thinking, I’ve got to sit down with the powers that be and change these regulations. The family should decide what should be destroyed and what should be kept. I needed to focus on something other than losing Steve. That fact was just too hard to get my head around. As John arranged to bring Steve home, the media pressure steadily increased. I told Wes I wanted to go meet the plane, but that I wouldn’t take the kids. This was my time to be with my soul mate, and I needed to do it on my own. I headed out with a police escort. The Queensland police were considerate and professional, and an officer named Annie was personally assigned to make sure the overwhelming media attention did not interfere with my private moment to say good-bye to Steve. Wes accompanied me. It was night. As the seaplane came in, I recognized it as the same one that had taken Steve on many South Pacific adventures, in search of sea snakes, crested iguanas, or sharks. The ranks of police stood at attention. Many of them had met Steve previously. Once again, I was overwhelmed to see the looks of grief on their faces. The plane landed, and I had a moment to sit with Steve on my own. It was a bit of an effort to clamber up into the back of the plane. A simple wooden casket rested inside, still secured. I knew that who Steve was, his spirit and his soul, were no longer there, but it was strange how I couldn’t cry. I sat down and leaned my head against the wooden box that held his body and felt such strange peace. In some way, we were together again.
Terri Irwin (Steve & Me)
As John arranged to bring Steve home, the media pressure steadily increased. I told Wes I wanted to go meet the plane, but that I wouldn’t take the kids. This was my time to be with my soul mate, and I needed to do it on my own. I headed out with a police escort. The Queensland police were considerate and professional, and an officer named Annie was personally assigned to make sure the overwhelming media attention did not interfere with my private moment to say good-bye to Steve. Wes accompanied me. It was night. As the seaplane came in, I recognized it as the same one that had taken Steve on many South Pacific adventures, in search of sea snakes, crested iguanas, or sharks. The ranks of police stood at attention. Many of them had met Steve previously. Once again, I was overwhelmed to see the looks of grief on their faces. The plane landed, and I had a moment to sit with Steve on my own. It was a bit of an effort to clamber up into the back of the plane. A simple wooden casket rested inside, still secured. I knew that who Steve was, his spirit and his soul, were no longer there, but it was strange how I couldn’t cry. I sat down and leaned my head against the wooden box that held his body and felt such strange peace. In some way, we were together again.
Terri Irwin (Steve & Me)
Your family,” Hugh said. “I can’t believe the things you talk about.” I reminded him of the time his sister visited us in Normandy. I walked into the living room one afternoon and heard her saying to her mother, “Don’t you just love the feel of an iguana?” Who are you people? I remember thinking. That same night, after my bath, I overheard her asking, “Well, can’t you make it with camel butter?” “You can,” Mrs. Hamrick said, “but I wouldn’t recommend it.” I thought of asking for details—“Make what with camel butter?”—but decided I preferred the mystery. I’ll forever wonder what a guest from Paris meant when I walked into the yard one evening and heard her saying, “Mini goats might be nice.” Odder still: Hugh’s father came to visit with an old friend. The two had been discussing their time in Cameroon in the late 60s, and I entered the kitchen to hear Mr. Hamrick say, “Now was that guy a Pygmy, or just a false Pygmy?” I turned around and headed to my office, thinking, I’ll ask later. Then Hugh’s father died, as did his old friend. I suppose I could Google “false Pygmy,” but it wouldn’t be the same. I had my chance to find out, and I blew it.
David Sedaris (Calypso)