Gambling Man Quotes

We've searched our database for all the quotes and captions related to Gambling Man. Here they are! All 100 of them:

God, there needed to be an anti-sex pill or something for when she was around him.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
I was your man, you were halfway around the world from me, honey, I’d fucking phone you … If you told me you needed a timeout, first, I wouldn’t fuckin’ let you have one. Second, I wouldn’t give you reason to fuckin’ want one. And last, you took off anyway, I’d fuckin’ phone.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
He put the knuckles of his fist to the table, leaned toward Niles and spoke quietly, cuttingly, in his rough, gravelly voice. “Fucked her last night, man, and this morning. Five times. Five. It was like she hadn’t been touched in a decade. So fuckin’ sweet. Damn,” he taunted, his eyes locked on Niles. “You’ve had her, you gotta know, not enough money in the world’s worth that.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Not one fuckin’ thing gentlemanly about protecting what’s yours. Looks like you’re gonna lose it, you do everything you can to stop that from happening.” Max looked back to Niles. “And you didn’t do that. She was a week away from me, she walked into a room I was in holdin’ another man’s hand, I’d lose my fuckin’ mind. Not at her. Wonderin’ where I lost my way and I’d talk to her about how to find my way back.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
I’ve seen you naked before, Maddie.” Her mouth dropped open. “You have not seen me completely naked, thank you very much.” His eyes glittered. “Actually, once before I have, when you were like five. You ran through the house buck-ass naked when you had chicken pox.” “Oh, dear God, why do you remember these things?” She was going to drown herself, right here in the tub.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Am I going to have to carry you? If so, it would complete my badass knight-in-shining-armor act with you today.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
...his gaze met hers. It was crazy. Dressed down in worn blue jeans and a black shirt, he was the most beautiful man she’d ever seen. And the moment was sort of perfect. Even with the deer head staring over his shoulder like a total creeper.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
A man who wouldn't cheat for a poke don't want one bad enough. --Augustus "Gus" McCrae
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
It was a Friday night, she was at a club, and a good-looking man was currently giving her the I-want-to-take-you-home-and-I-hope-I-last-longer-than-five-minutes look… and she was thinking about pie, a young adult book, and feeding her cat. She was so turning into the cat lady at twenty-seven. Sweet.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
His brother fell silent again, another oddity for Chad. Several seconds passed. “Bro, all of us are a little fucked up.” “No shit.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
You cheated!” He looked at her, wide-eyed with feigned outrage. “I beg your pardon. If you were a man, I would call you out for that accusation.” “And I assure you, my lord, that I would ride forth victoriously on behalf of truth, humility, and righteousness.” “Are you quoting the Bible to me?” “Indeed,” she said primly, the portrait of piousness. “While gambling.” “What better location to attempt to reform one such as you?
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
We must wait," she said. "They are involved in important buisness." Her tone was serious, almost reverntial. The two of them stopped, some five meters from the group of me. They were all leaning forward, staring intently at an upright rock placed in the middle of the circle. Will thought they must be praying, although no words were being said. Then, as one, they all slumped back with a roar of disappointment. "It flew away!" said one figure, and Will recognized the voice. It was the man who had rescued him. "Almost to the top and it flew away!" e lookd questioningly to Cieliema and she rolled her eyes at him. "Grown men gambling on two flies crawling up a stone." "Gambling?" he said. "I thought they were praying. She raised an eyebrow. "To them, it's much the same thing.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
He dipped his head, placing his mouth to the space below her ear. He nipped her there, just a tiny bite that sent a wave of heat through her veins. And then his lips moved lower, leaving a hot trail behind. “You drive me insane, absolutely freaking insane. Do you know that? I bet you do.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Wylan knew Nina could handle just about any man and any situation, but he didn’t think she should have to sit half-dressed in a drafty gambling parlor, perched on some leering lawyer’s lap. At the very least, she was probably going to catch cold.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She tried to swallow, to take a breath, but her eyes met his, and there was nothing but aching intensity in his gaze. And she was drawn in, swept away.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Yes, I can understand that a man might go to gambling table - when he sees that all that lies between himself and death is his last crown
Honoré de Balzac (The Wild Ass's Skin)
Those lips had curved into a knowing half smile that did funny things to her insides. And like a match tossed to gasoline, her body sparked alive and flames licked every inch of her.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Don’t stop,” she whispered. “I want to feel you inside me.” “I couldn’t stop now, even if I wanted.” He kissed her, marking her with all the passion and yearning she had felt for so long. “I need this. Damn it, I need you.” And then he plunged into her with one deep stroke.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Yeah, because when you’re attracted to someone, you actually enjoy kissing them and afterward, you don’t act like you kissed Adolf Hitler.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
There is a lure in power. It can get into a man's blood just as gambling and lust for money have been known to do.
Harry Truman
Chad stared at his publicist/babysitter/daughter of Satan. “Jesus, woman, I do not envy the man you end up with.” Miss Gore’s smile was pure evil. “Neither do I.
Jennifer L. Armentrout (Tempting the Player (Gamble Brothers, #2))
Madison rolled her eyes. “I blew a tire.” “Wait. I can’t hear you. Guys, can you keep it down?” His voice got a little farther away from the mouthpiece. “Maddie’s on the phone and she blew something.” The room erupted in male laughter. Oh. My. Freaking. God. “Sorry about that, honey. Now, what happened?” her father asked. “You blew a fire?” “I blew a tire! A tire! You know those things that are round and made of rubber?
Jennifer L. Armentrout (Tempting the Best Man (Gamble Brothers, #1))
The Crown Prince was camped at Nesson this very minute, on his way to the border to stand up to Akielos. He was a young man serious about his responsibilities, Charls said. Damen had to make an effort not to look over at Laurent, gambling, when he said it.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Every battle is a gamble, Snow. The man who does nothing also takes a risk.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Nine of us now seem to feel that the defendant is innocent, but we're just gambling on probabilities. We may be wrong. We may be trying to return a guilty man to the community. No one can really know. But we have a reasonable doubt, and this is a safeguard that has enormous value in our system. No jury can declare a man guilty unless it's sure. We nine can't understand how you three are still so sure. Maybe you can tell us.
Reginald Rose (Twelve Angry Men)
Chuang-tzu once told a story about two persons who both lost a sheep. One person got very depressed and lost himself in drinking, sex, and gambling to try to forget this misfortune. The other person decided that this would be an excellent chance for him to study the classics and quietly observe the subtleties of nature. Both men experience the same misfortune, but one man lost himself because he was too attached to the experience of loss, while the other found himself because he was able to let go of gain and loss.
Liezi (Lieh-tzu: A Taoist Guide to Practical Living (Shambhala Dragon Editions))
I dropped my arms and then I slid them around what felt like a man's waist. Then I cuddled closer. It felt like arms came around my waist too, and it also felt like a hand was trailing gently up and down my back. "You're sweet when you're sick." "I am?" "Hellion when you're riled." "Yes?" "Yeah." "Mm." Then he muttered, "Not sure which I like more.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Those who sought her never found her, yet she was known to come to the aid of those in greatest need. And, then again, sometimes she didn’t. She was like that. She didn’t like the clicking of rosaries, but was attracted to the sound of dice. No man knew what She looked like, although there were many times when a man who was gambling his life on the turn of the cards would pick up the hand he had been dealt and stare Her full in the face. Of course, sometimes he didn’t. Among all the gods she was at one and the same time the most courted and the most cursed.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
A man’s any man at all, no one fucks with his woman.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Maybe she thinks she’s not worthy. You want her, man, your job is to convince her she’s wrong.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Bridget decided she should at least enjoy some of the advantages of having a pretend boyfriend, especially the 3 Fs. Flowers. Fine Dining. Fine-looking man. And threw in an N: No expectations.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
Money can buy you anything. It can buy you casinos and developments and the gambling debts of weaker men. It can buy you lawyers and police. And, if you're the sort of man who can buy another man's son, money can buy you your very own type of justice.
Cari Waites (Gamble Everything (Gamble Everything #1-7))
Never bring a lot of money to where a poor man lives. He can only lose what little he has. On the other hand it is mathematically possible that he might win whatever you bring with you. What you must do, with money and the poor, is never let them get too close to one another.
Charles Bukowski (Ham on Rye)
There was a delicious possessiveness in the way he kissed her, as if he were staking his claim at the same time he was burning away the memories of anyone else for her. And he did. In an instant, there was nobody but him.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Yes," she moaned, and then nodded, just in case he didn't get the picture, because if he didn't, dear God, she was going to drown him in the bathtub. And wouldn't that be embarrassing to explain to the police and all the family?
Jennifer L. Armentrout (Tempting the Best Man (Gamble Brothers, #1))
His lips hovered over hers. “No,” he snarled. Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.
Diana Wynne Jones (The Tough Guide to Fantasyland)
مقامرة يخسر الرجل فيها حريته .. والمرأة سعادتها : الزواج
أنيس منصور (قالوا)
When the alternative is possible disaster, a man must gamble.
Chaim Potok (The Promise (Reuven Malther, #2))
Where is this conversation going?” Because she wanted to finish it, strip him naked, and finally get him where she’d always wanted him. Oddly, a heart shaped bed was never in her fantasies, but she was okay with improvising.
Jennifer L. Armentrout (Tempting the Best Man (Gamble Brothers, #1))
When he spoke, his lips brushed hers. “I want you. Bad. Right now. Against the wall. On my bed. The floor and maybe in the bathroom later. I have a shower stall and a Jacuzzi we could put to really good use. I know you’d like it.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
According to the three missed calls from her mother—who thought Madison had been kidnapped in the big, bad city and was now being held for an ungodly sum of money—the four text messages from her brother wondering if she knew how to navigate the beltway—because apparently little sisters couldn’t drive—and the voice mail from her father warning there was a problem with the reservations, she was late for brunch.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
One of the commonest things to do with savings is to lend them to some Government. In view of the fact that the bulk of the public expenditure of most civilized Governments consists in payment for past wars or preparation for future wars, the man who lends his money to a Government is in the same position as the bad men in Shakespeare who hire murderers. The net result of the man's economical habits is to increase the armed forces of the State to which he lends his savings. Obviously it would be better if he spent the money, even if he spent it in drink or gambling.
Bertrand Russell (In Praise of Idleness and Other Essays)
Dangers have their appeal because in danger your day-to-day, ordinary consciousness cannot function. Danger goes deep. Your mind is not needed; you become a no-mind. You are! You are conscious, but there is no thinking. That moment becomes meditative. Really, in gambling, gamblers are seeking a meditative state of mind. In danger – in a fight, in a duel, in wars – man has always been seeking meditative states.
Osho (The Book of Secrets: 112 Meditations to Discover the Mystery Within)
Daniel." His voice is soothing. "It's okay. You're okay. Remember we talked about the chair. We talked about the things that would happen here. The chair trains you to take the stuff that frightens you. Sounding is perfectly safe, I promise." Says the man without the metal rod up his cock.
Cari Waites (Gamble Everything (Gamble Everything #1-7))
Parents who spoil their children out of 'love' should realize that they are performing acts of child abuse. Although there are no laws against such abuse--no man-made laws anyway--this spiritual mistreatment may result in as much long-term personal and social damage as the worst physical abuse.
Randy Alcorn (Money, Possessions, and Eternity: A Comprehensive Guide to What the Bible Says about Financial Stewardship, Generosity, Materialism, Retirement, Financial Planning, Gambling, Debt, and More)
I mind how I said to you once that there is a price for being good the same as for being bad; a cost to pay. And it's the good men that cant deny the bill when it comes around. They cant deny it for the reason that there aint any way to make them pay it, like a honest man that gambles. The bad men can deny it; that's why dont anybody expect them to pay on sight or any other time. But the good cant. Maybe it takes longer to pay for being good than for being bad.
William Faulkner (Light in August)
No, not at all. I’m an atheist. You could say that I’m agnostic, but that’s just a certain kind of atheist (laughs). An atheist is someone who lacks a belief in a supernatural, and that’s me. I can’t say with absolute certainty that there is nothing beyond the material world, but there’s no reason for me to think there is. If I were a gambling man I would put all my money on there not being anything other than this universe.
Steve Albini
What if a pair of us head off on our own?" Nollin proposed, panting. "A small detachment might avoid detection." "It's a gamble," Ferrin said. "If the duo gets noticed, they'll be defenseless. Who'd you have in mind?" "Some key delegates," Nollin said. "Perhaps myself and Aram." Rachel shook her head. Evidently, Nollin had noticed the critical role Aram had played during the escape. Ferrin laughed openly. "Aram, you've been promoted to essential!" "I'm generally more appreciated at night," the big man grumbled. "I'm going to the table, Nollin." "Maybe we should all remain together," Nollin repented.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
Lenin is said to have declared that the best way to destroy the capitalist system was to debauch the currency. By a continuing process of inflation, governments can confiscate, secretly and unobserved, an important part of the wealth of their citizens. By this method they not only confiscate, but they confiscate arbitrarily; and, while the process impoverishes many, it actually enriches some. The sight of this arbitrary rearrangement of riches strikes not only at security but [also] at confidence in the equity of the existing distribution of wealth. Those to whom the system brings windfalls, beyond their deserts and even beyond their expectations or desires, become "profiteers," who are the object of the hatred of the bourgeoisie, whom the inflationism has impoverished, not less than of the proletariat. As the inflation proceeds and the real value of the currency fluctuates wildly from month to month, all permanent relations between debtors and creditors, which form the ultimate foundation of capitalism, become so utterly disordered as to be almost meaningless; and the process of wealth-getting degenerates into a gamble and a lottery. Lenin was certainly right. There is no subtler, no surer means of overturning the existing basis of society than to debauch the currency. The process engages all the hidden forces of economic law on the side of destruction, and does it in a manner which not one man in a million is able to diagnose.
John Maynard Keynes (The Economic Consequences of the Peace)
From the straight-acting, butch, manly men like his Officer Hotness, to the twinkiest twinks who ever lived, like himself, and everywhere in between. He didn't have any right to tell anyone how to `be gay,
Fae Sutherland (Gambling On Maybe (GlitterBomb! #1))
I was your man, you were halfway around the world from me, honey, I'd fuckin' phone you," he said quietly. "Niles is reserved," I whispered. "Niles is an ass," he returned and my brows drew together. "You don't know him." "I know men, and I know he's not reserved, he's an ass." I pulled my head together, my hand from his and snapped, "Yes? And how do you know that?" "Because I've seen you naked, I've seen you sweet, I've seen you unsure and I've seen you riled and, seein' all that, I know, you were half a world away from me, I'd fuckin' phone." "Perhaps that's not the kind of relationship Niles and I have," I suggested snottily, but his words hit me somewhere deep, somewhere I didn't know I had. "You on a timeout?" "What?" "If you told me you needed a timeout, first, I wouldn't fuckin' let you have one, second, I wouldn't give you reason to fuckin' want one, last, you took off anyway, I'd fuckin' phone.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
A given man lives a life free from boredom by gambling a small sum every day. Give him every morning the money he might win that day, but on condition that he does not gamble, and you will make him unhappy.
Blaise Pascal (Pensees)
There was no better way to read a man’s character than to watch him play poker. Some played with the aim of holding on to what they had, others played to make a killing. For some it was gambling pure and simple, for others it was a game of skill involving small calculated risks. For some it was about numbers, for others it was about psychology.
Jeannette Walls (Half Broke Horses)
From this day, you are no longer children. If you have to fight, even if it is a friend, put him down as fast and hard as you possibly can. Kill if you have to, or spare him—but beware putting any man in your debt. Of all things, that causes resentment. Any warrior who raises his fist to you must know he is gambling with his life and that he will lose. If you cannot win at first, take revenge if it is the last thing you do. You are traveling with men who respect only strength greater than theirs, men harder than themselves. Above everything else, they respect success. Remember it.
Conn Iggulden (Genghis: Lords of the Bow (Conqueror, #2))
I had to come see what little Maddie Daniels was blowing.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
I couldn't ignore the fact that it felt good. So. Very. Good. To be held, in bed, in the arms of a tall, strong, handsome man.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Before the battle they had been discussing whether there might be life after death, and Windham and Rochester had made a pact that if there was, the first to die would come back and tell the other. But, said Rochester, he [Windham] never did.
Jenny Uglow
Conventional wisdom nor scientific, mathematical prove of randomness in life could do nothing to deter human's curiosity for the unknown, however small the chance of a positive outcome maybe.
Vann Chow (The White Man and the Pachinko Girl)
Arriving on Bainbridge Island is the opposite of arriving in Seattle. When you got in your car and waited to unload off the ferry in Seattle, you saw the Space Needle, cars, and a mound of urban construction. Once you exit the ferry terminal on Bainbridge, however, it’s mostly trees. Pine as far as the eye can see. Well, pines, firework and coffee stands, and eventually a casino. You drive through the Port Madison Indian Reservation when you leave the island. I couldn’t help but smile as I went past the casino. I didn’t really get gambling, since I’d never had money to throw away, but as I passed through all the beautiful countryside that I’m sure once belonged to the tribe, I sort of hoped they would rob the white man blind. Perhaps not politically correct, but the feeling was there all the same.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
And listening to all the things they would do if they had these things, Wang Lung heard only of how much they would eat and sleep, and of what dainties they would eat that they had never tasted,and how they would gamble in this great tea shop and in that, and what pretty women they would buy for their lust, and above all, how none would ever work again, even as they rich man behind the wall never worked.
Pearl S. Buck (The Good Earth (House of Earth, #1))
For instance, suppose you offer somebody a choice: They can flip a coin to win $200 for heads and nothing for tails, or they can skip the toss and collect $100 immediately. Most people, researchers have found, will take the sure thing. Now alter the game: They can flip a coin to lose $200 for heads and nothing for tails, or they can skip the toss and pay $100 immediately. Most people will take the gamble. To the imagined rational man, the two games are mirror images; the choice to gamble or not should be the same in both. But to a real, irrational man, who feels differently about loss than gain, the two games are very different. The outcomes are different, and sublimely irrational.
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
There is no one else—there’s never been anyone else for me but you. You’re it, Maddie. And I swear to you, I will never treat you like my father did my mom. Hell, I couldn’t. I’m just not built like that man.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
A promising junior executive of IBM was involved in a risky venture for the company and managed to lose over $10 million in the gamble. It was a disaster. When Watson called the nervous executive into his office, the young man blurted out, 'I guess you want my resignation?' Watson said, 'You can't be serious. We've just spent $10 million educating you!
Warren Bennis (Leaders: The Strategies for Taking Charge (Collins Business Essentials))
I've come to gamble." The old man's mouth twitched. He put down his shish kebab and leaned toward Percy. "A gamble...how interesting. Information in exchange for the harpy? Winner take all?" "No," Percy said. "The harpy isn't part of the deal." Phineas laughed. "Really? Perhaps you don't understand her value." "She's a person," Percy said. "She isn't for sale.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
At the age of forty the life you have lived so far, always pro tem, has for the first time become life itself, and this reappraisal swept away all dreams, destroyed all your notions that real life, the one that was meant to be, the great deeds you would perform, was somewhere else. When you were forty you realized it was all here, banal everyday life, fully formed, and it always would be unless you did something. Unless you took one last gamble.
Karl Ove Knausgård (A Man in Love)
Fucked her last night, man, and this morning. Five times. Five. It was like she hadn’t been touched in a decade. So fuckin’ sweet.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
I was your man you were halfway around the world from me, honey, I’d fuckin’ phone you,
Kristen Ashley (The Gamble (Colorado Mountain, #1))
A man hurts your woman, you take yours from that man. You never take it from your woman.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Tommy, you're a good little man, but you can't gamble worth a cent. Don't try it over again.' He then handed him his money back, pushed him gently from the room, and so made a devoted slave of Tom Simson.
Bret Harte (The Outcasts of Poker Flat)
Jerome Falsoner, aged forty-five, was a bachelor who lived alone in a flat on Cathedral Street, on an income more than sufficient for his comfort. He was a tall man, but of a delicate physique, the result, it may have been, of excessive indulgence on a constitution none too strong in the beginning. He was well-known, at least by sight, to all night-living Baltimoreans, and to those who frequented race-track, gambling-house, and the furtive cockpits that now and then materialize for a few brief hours in the forty miles of country that lie between Baltimore and Washington.
Dashiell Hammett
The judge got down on his knees, and he prayed to God, he, Jemubhai Popatlal the agnostic, who had made a long hard journey to jettison his family’s prayers; he who had refused to throw the coconut into the water and bless his own voyage all those years ago on the deck of the SS Strath-naver. "If you return Mutt, I will acknowledge you in public, I will never deny you again, I will tell the world that I believe in you – you – if you return Mutt – " Then he got up. He was undoing his education, retreating to the superstitious man making bargains, offering sacrifices, gambling with fate, cajoling, daring whatever was out there - Show me if you exist! Or else I will know you are nothing. Nothing! Nothing! – taunting it.
Kiran Desai (The Inheritance of Loss)
Have you a room that you could let?" "Yes, I have a room that I could let, but I do not want to let it. I have only two rooms, and there are six of us already, and the boys and girls are growing up. But school books cost money, and my husband is ailing, and when he is well it is only thirty-five shillings a week. And six shillings of that is for the rent, and three shillings of that is for the rent, and three shillings for travelling, and a shilling that we may all be buried decently, and a shilling for the books, and three shillings is for clothes and that is little enough, and a shilling for my husband's beer, and a shilling for his tobacco, and these I do not grudge for he is a decent man and does not gamble or spend his money on other women, and a shilling for the Church, and a shilling for sickness. And that leaves seventeen shillings for food for six, and we are always hungry. Yes I have a room but I do not want to let it. How much could you pay?" "I could pay three shillings a week for the room." "And I would not take it." "Three shillings and sixpence." "Three shillings and sixpence. You can't fill your stomach on privacy. You need privacy when your children are growing up, but you can't fill your stomach on it. Yes, I shall take three shillings and sixpence.
Alan Paton (Cry, the Beloved Country)
He had a hint of a Southern drawl, as if he’d worked hard to hide it, but couldn’t quite rid himself of the last of it. It was rough and gravelly, and had the seductive warmth of sinking into strong arms in front of a cozy fire. To my surprise, a spark of that long-dead heat stirred in my belly. This wasn’t the sort of response a woman should have to finding a strange man in her barn.
Margaret Madigan (Gambling on the Outlaw (Nevada Bounty, #1))
From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.
Laura Hillenbrand (Seabiscuit: An American Legend)
Since I encountered death, met death on every mountain path,conversed with death in my sleep, wrestled with death in the snow, gambled at dice with death, I have come to the conclusion that death is not an enemy but a brother. Death is a beautiful naked man who looks like Apollo, and he is notsatisfied with those who wither away in old age. Death is a perfectionist, he likes the young and beautiful, he wants to stroke our hair and caress the sinew that binds our muscle to the bone. He does all he can to meet us, our faces gladden his heart, and he stands in our path to challenge us because he likes a clean fair fight, and after the fight he likes to befriend us, clap us on the shoulder, and make us laugh at all the pettiness and folly of the living. At the conclusion of a battle he wanders amongst the dead, raising them up, placing laurels upon the brows of those most comely, and he gathers them together as his own children and takes them away to drink wine that tastes of honey and gives them the sense of proportion that they never had in life.
Louis de Bernières (Corelli’s Mandolin)
You’ll make twentyfive percent on your money by tomorrow noon. . . . Then if you want to hold you can on a gamble, but if you sell three quarters and hold the rest two or three days on a chance you’re safe as . . . as the Rock of Gibraltar.” “I know Viler, it certainly sounds good. . . . ” “Hell man you dont want to be in this damned office all your life, do you? Think of your little girl.” “I am, that’s the trouble.
John Dos Passos (Manhattan Transfer: A Novel)
The real excitement of being a girl - of being, that is, a woman in embryo - was that life was such a wonderful gamble. You didn't know what was going to happen to you. That was what made being a woman so exciting. No worry about what you should be or do - Biology would decide. You were waiting for The Man, and when the man came, he would change your entire life, you can say what you like, that is an exciting point of view to hold at the threshold of life.
Agatha Christie (Agatha Christie: An Autobiography)
The speculator's chief enemies are always boring from within. It is inseparable from human nature to hope and to fear. In speculation when the market goes against you you hope that every day will be the last day and you lose more than you should had you not listened to hope to the same ally that is so potent a success-bringer to empire builders and pioneers, big and little. And when the market goes your way you become fearful that the next day will take away your profit, and you get out too soon. Fear keeps you from making as much money as you ought to. The successful trader has to fight these two deep-seated instincts. He has to reverse what you might call his natural impulses. Instead of hoping he must fear; instead of fearing he must hope. He must fear that his loss may develop into a much bigger loss, and hope that his profit may become a big profit. It is absolutely wrong to gamble in stocks the way the average man does.
Jesse Livermore
There can be no doubt that the chief fault we have developed, through the long course of human evolution, is a certain basic passivity. When provoked by challenges, human beings are magnificent. When life is quiet and even, we take the path of least resistance, and then wonder why we feel bored. A man who is determined and active doesn't pay much attention to 'luck'. If things go badly, he takes a deep breath and redoubles his effort. And he quickly discovers that his moments of deepest happiness often come after such efforts. The man who has become accustomed to a passive existence becomes preoccupied with 'luck'; it may become an obsession. When things go well, he is delighted and good humored; when they go badly, he becomes gloomy and petulant. He is unhappy—or dissatisfied—most of the time, for even when he has no cause for complaint, he feels that gratitude would be premature; things might go wrong at any moment; you can't really trust the world... Gambling is one basic response to this passivity, revealing the obsession with luck, the desire to make things happen. The absurdity about this attitude is that we fail to recognize the active part we play in making life a pleasure. When my will is active, my whole mental and physical being works better, just as my digestion works better if I take exercise between meals. I gain an increasing feeling of control over my life, instead of the feeling of helplessness (what Sartre calls 'contingency') that comes from long periods of passivity. Yet even people who are intelligent enough to recognize this find the habit of passivity so deeply ingrained that they find themselves holding their breath when things go well, hoping fate will continue to be kind.
Colin Wilson (Strange Powers)
Death, of course, like chastity, admits of no degree; a man is dead or not dead, and a man is just as dead by one means as by another; but it is infinitely more horrible and revolting to see a man shattered and eviscerated, than to see him shot. And one sees such things; and one suffers vicariously, with the inalienable sympathy of man for man. One forgets quickly. The mind is averted as well as the eyes. It reassures itself after that first despairing cry: "It is I!" "No, it is not I. I shall not be like that." And one moves on, leaving the mauled and bloody thing behind: gambling, in fact, on that implicit assurance each one of us has of his own immortality. One forgets, but he will remember again later, if only in his sleep.
Frederic Manning (Her Privates We)
The only good thing for men therefore is to be diverted from thinking of what they are, either by some occupation which takes their mind off it, or by some novel and agreeable passion which keeps them busy, like gambling, hunting, some absorbing show, in short by what is called diversion...Thus men who are naturally conscious of what they are shun nothing so much as rest; they would do anything to be disturbed. It is wrong then to blame them; they are not wrong to want excitement - if they only wanted it for the sake of diversion. The trouble is that they want it as though, once they had the things they seek, they could not fail to be truly happy. That is what justifies calling their search a vain one. All this shows that neither the critics nor the criticized understand man's real nature. When men are reproached for pursuing so eagerly something that could never satisfy them, their proper answer, if they really thought about it, ought to be that they simply want a violent and vigorous occupation to take their minds off themselves, and that is why they choose some attractive object to entice them in ardent pursuit. Their opponents could find no answer to that.
Blaise Pascal (Pensées)
He wept when his father died and sobbed when he lost his mother, but way before that he told us only stupid men hide emotion. There’s strength in being who you are and feeling what you feel and not giving a shit what people think. He said one of the worst things a man could be is inauthentic. He told us never to willfully break a woman’s heart because there’d come a time when a woman would break ours and we’d feel what we’d made her feel and we wouldn’t be able to live with the guilt. He loved us and he showed it. He was proud of us and he showed it.” Johnny Gamble talking about his father
Kristen Ashley (The Hookup (Moonlight and Motor Oil, #1))
Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.
William Kennedy (Billy Phelan's Greatest Game)
JFK asked his brother, Attorney General Robert Kennedy, to break up organized crime. Nobody high-up in government has tangled the Mafia. J. E. Hoover, the hired hands of FBI and CIA, ran the assassination teams. They have been used since World War II. JFK was attempting to end the oil-tax depletion rip-offs, to get tax money from oil companies. JFK instituted the nuclear test ban treaty, often called “the kiss of death,” to oppose the Pentagon. JFK called off the Invasion of Cuba. He allowed Castro to live, antagonized narcotics and gambling, oil and sugar interests, formerly in Cuba. JFK asked his brother, Attorney General Robert Kennedy, to break up the CIA, the “hidden government behind my back.” Allen Dulles was fired. Dulles, the attorney for international multinationals, was angry. JFK planned to withdraw troops from Vietnam after the 1964 elections. Nov. 24, 1963, two days after JFK’s burial, the Pentagon escalated the Vietnam war … with no known provocations, after JFK was gone. There was no chance Kennedy could survive antagonizing the CIA, oil companies, Pentagon, organized crime. He was not their man. The assassination of JFK employed people from the Texas-Southwest. It was not a Southern plot. Upstarts could not have controlled the northern CIA, FBI, Kennedy family connections. This was a more detailed, sophisticated conspiracy that was to set the pattern for future murders to take place. The murder was funded by Permindex, with headquarters in Montreal and Switzerland. Their stated purpose was to encourage trade between nations in the Western world. Their actual purpose was fourfold: 1) To fund and direct assassinations of European, Mid-East and world leaders considered threats to the western world, and to Petroleum Interests of their backers. 2) Provide couriers, agents for transporting and depositing funds through Swiss Banks for Vegas, Miami and the international gambling syndicate. 3) Coordinate the espionage activities of White Russian Solidarists and Division V of the FBI, headed by William Sullivan. 4) Build, acquire and operate hotels and gambling casinos. See: Nomenclature of an Assassination Cabal, by William Torbitt.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Security ... what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut? Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes? Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences. As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
Hunter S. Thompson
She realized at once that he expected trouble and that he was used to handling deadly situations. It was the first time she’d actually seen him do it, despite their long history. It gave her a new, adult perspective on his lifestyle. No wonder he couldn’t settle down and become a family man. She’d been crazy to expect it, even in her fantasies. He was used to danger and he enjoyed the challenges it presented. It would be like housing a tiger in an apartment. She sighed as she saw the last tattered dream of a future with him going up in smoke. Tate looked through the tiny peephole and took his hand away from the pistol. He glanced at Cecily with an expression she couldn’t define before he abruptly opened the door. Colby Lane walked in, eyebrows raised, new scars on his face and bone weariness making new lines in it. “Colby!” Cecily exclaimed with exaggerated delight. “Welcome home!” Tate’s face contracted as if he’d been hit. Colby noticed that, and smiled at Cecily. “Am I interrupting something?” he asked, looking from one tense face to the other. “No,” Tate said coolly as he reholstered his pistol. “We were discussing security options, but if you’re going to be around, they won’t be necessary.” “What?” “I’m fairly certain that the gambling syndicate tried to kill her,” Tate said somberly, nodding toward Cecily. “A car almost ran her down in her own parking lot. She ended up in the hospital. And decided not to tell anyone about it,” he added with a vicious glare in her direction. “Way to go, Cecily,” Colby said glumly. “You could have ended up floating in the Potomac. I told you before I left to be careful. Didn’t you listen?” She shot him a glare. “I’m not an idiot. I can call 911,” she said, insulted. Colby was still staring at Tate. “You’ve cut your hair.” “I got tired of braids,” came the short reply. “I have to get back to work. If you need me, I’ll be around.” He paused at the doorway. “Keep an eye on her,” Tate told Colby. “She takes risks.” “I don’t need a big strong man to look out for me. I can keep myself out of trouble, thank you very much,” she informed Tate. He gave her a long, pained last look and closed the door behind him. As he walked down the staircase from her apartment, he couldn’t shake off the way she looked and acted. Something was definitely wrong with her, and he was going to find out what.
Diana Palmer (Paper Rose (Hutton & Co. #2))
It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
He was born in an obscure village, the child of a peasant. He grew up in another village, where he worked in a carpenter shop until he was 30. Then, for three years, he was an itinerant preacher. He never wrote a book. He never held an office. He never had a family or owned a home. He didn’t go to college. He never lived in a big city. He never traveled 200 miles from the place where he was born. He did none of the things that usually accompany greatness. He had no credentials but himself. He was only 33 when the tide of public opinion turned against him. His friends ran away. One of them denied him. He was turned over to his enemies and went through the mockery of a trial. He was nailed to a cross between two thieves. While he was dying, his executioners gambled for his garments, the only property he had on earth. When he was dead, he was laid in a borrowed grave, through the pity of a friend. [Twenty] centuries have come and gone, and today he is the central figure of the human race. I am well within the mark when I say that all the armies that ever marched, all the navies that ever sailed, all the parliaments that ever sat, all the kings that ever reigned—put together—have not affected the life of man on this earth as much as that one, solitary life.29 If
Norman L. Geisler (I Don't Have Enough Faith to Be an Atheist)
You love Robert, not me. You don’t love Lord Stuffy, so I tried to be like Robert.” The sweet idiot! She felt like weeping again. She began to protest, but he cut her off. “I don’t drink and I don’t gamble and I don’t have a mistress. I’m dull. You told me so, the first time we met. So I tried to change.” He frowned. “Not the mistress. I’ll never do that.” “Good,” she whispered. “I’m trying to be like Robert, but I’m no good at it. I drank wine. And brandy, lots of it. I didn’t like it and it made me sick. I played hazard and I lost.” He looked momentarily cheerful and her heart sank. “But I didn’t like that either. If I was a real man like Mr. Fox, or Robert, I’d have lost thousands.” The sadder he looked, the more her heart ached, a happy ache. “I failed you, Caro. I’m sorry, but I’m afraid I’ll always be Lord Stuffy,” he said, and closed his tortured, bloodshot eyes.
Miranda Neville (The Importance of Being Wicked (The Wild Quartet, #1))
One day, The road came. The road brought with it beer and cigarettes. The road brought Coca-Cola and disposable razors. The road brought all the wonderful things that we westerners know and hold close. But where did the road go? A few of the younger men decided to find out. They rode a buffalo cart along the road until they came to a town and then a train station. They hid in a bunch of rice sacks and took the train to the city, to the lights, to the jobs. There was this thing called money, with it you could buy stuff. You could gamble, drink, and be merry. After a period of two years, one of the young men returned to the village driving a new car. He showed the villagers all the beautiful things that he had bought. He said that there was work for everyone in the cities. He took another young man and two young women with him. They were pretty in a rural way and very hungry for money. Money was good. They liked it. It was a great adventure.
James A. Newman (The White Flamingo (Joe Dylan))
But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross. Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story. I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams--like the lives of all men who stop deceiving themselves. Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that--one in an awkward, the other in a more intelligent way, each as best he can. Each man carries the vestiges of his birth--the slime and eggshells of his primeval past--with him to the end of his days. Some never become human, remaining frog, lizard, ant. Some are human above the waist, fish below. Each represents a gamble on the part of nature in creation of the human. We all share the same origin, our mothers; all of us come in at the same door. But each of us--experiments of the depths--strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.
Hermann Hesse (Demian)
Chase took a long breath. “There’s no way around saying this, other than just coming straight out with it. I’ve been an idiot—an ass. Time and time again, I’ve done the wrong thing by you.” Her mouth dropped open. “And this whole time I’d been trying to do the right thing by not being with you. I didn’t want to betray Mitch by hooking up with his little sister. I didn’t want to somehow mess up our friendship either, because you have been such a huge part of my life.” He took a deep breath. “And I never wanted to be like my father—to treat you like he treated my mom. And it was stupid—I get that now. Chad was right. Father never loved our mother, but it’s different for me—it’s different for us. It always has been.” The whole time he spoke, he never looked away from her. She opened her mouth to say something but he rushed ahead. “But all I’ve managed to do is screw things up. That night in the club…I wasn’t drunk.” Madison shifted uncomfortably. “I know.” “It was a lame excuse, and I’m sorry. That night—I should’ve told you how I really felt. And every night thereafter,” he said, taking a step forward. “I should’ve told you how I felt the night in that damn cabin, too.” Her heart swelled as hope grew in a tangle of emotions she could never unravel. All of this seemed surreal. Tears rushed her eyes as she reached behind her, grasping the edges of her desk. “And how do you feel?” Chase’s smile revealed those deep dimples she loved, and when he spoke, his voice was husky. “Aw hell, Maddie, I’m not good at this kind of stuff. You…you are my world. You’ve always been my world, ever since I can remember.” At Bridget’s soft inhale, Madison placed a trembling hand over her mouth. Stepping forward, he placed a hand over hers, gently pulling it away from her mouth. “It’s the truth. You are my everything. I love you. I have for longer than I realized. Please tell me my boneheadedness hasn’t screwed things up beyond repair for us.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
…and the mousesized mousecolored spinster trembling and aghast at her own temerity, staring across it at the childless bachelor in whom ended that long line of men who had had something in them of decency and pride even after they had begun to fail at the integrity and the pride had become mostly vanity and selfpity: from the expatriate who had to flee his native land with little else except his life yet who still refused to accept defeat, through the man who gambled his life and his good name twice and lost twice and declined to accept that either, and the one who with only a clever small quarterhorse for tool avenged his dispossessed father and grandfather and gained a principality, and the brilliant and gallant governor and the general who though he failed at leading in battle brave and gallant men at least risked his own life too in the failing, to the cultured dipsomaniac who sold the last of his patrimony not to buy drink but to give one of his descendants at least the best chance in life he could think of.
William Faulkner (The Sound and the Fury)
He had panicked. Tessier cursed his own stupidity. He should have remained in the column where he would have been protected. Instead, he saw an enemy coming for him like a revenant rising from a dark tomb, and had run first instead of thinking. Except this was no longer a French stronghold. The forts had all been captured and surrendered and the glorious revolutionary soldiers had been defeated. If the supply ships had made it through the blockade, Vaubois might still have been able to defend the city, but with no food, limited ammunition and disease rampant, defeat was inevitable. Tessier remembered the gut-wrenching escape from Fort Dominance where villagers spat at him and threw rocks. One man had brought out a pistol and the ball had slapped the air as it passed his face. Another man had chased him with an ancient boar spear and Tessier, exhausted from the fight, had jumped into the water. He had nearly drowned in that cold grey sea, only just managing to cling to a rock whilst the enemy searched the shoreline. The British warship was anchored outside the village, and although Tessier could see men on-board, no one had spotted him. Hours passed by. Then, when he considered it was clear, he swam ashore to hide in the malodorous marshland outside Mġarr. His body shivered violently and his skin was blue and wrinkled like withered fruit, but in the night-dark light he lived. He had crept to a fishing boat, donned a salt-stained boat cloak and rowed out to Malta's monochrome coastline. He had somehow managed to escape capture by abandoning the boat to swim into the harbour. From there it had been easy to climb the city walls and to safety. He had written his account of the marines ambush, the fort’s surrender and his opinion of Chasse, to Vaubois. Tessier wanted Gamble cashiered and Vaubois promised to take his complaint to the senior British officer when he was in a position to. Weeks went past. Months. A burning hunger for revenge changed to a desire for provisions. And until today, Tessier reflected that he would never see Gamble again. Sunlight twinkled on the water, dazzling like a million diamonds scattered across its surface. Tessier loaded his pistol in the shadows where the air was still and cool. He had two of them, a knife and a sword, and, although starving and crippled with stomach cramps, he would fight as he had always done so: with everything he had.
David Cook (Heart of Oak (The Soldier Chronicles, #2))
Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.” “Wouldn’t I?” he asked softly. “Those are two very different issues.” Not for the first time, Elizabeth found herself at a loss to understand him. Suddenly his presence was vaguely threatening again; whenever he stopped playing the amusing gallant he became a dark, mysterious stranger. Raking her hair off her forehead, she glanced out the window. “It must be after three already. I really must leave.” She surged to her feet, smoothing her skirts. “Thank you for a lovely afternoon. I don’t know why I remained. I shouldn’t have, but I am glad I did…” She ran out of words and watched in wary alarm as he stood up. “Don’t you?” he asked softly. “Don’t I what?” “Know why you’re still here with me?” “I don’t even know who you are?” she cried. “I know about places you’ve been, but not your family, your people. I know you gamble great sums of money at cards, and I disapprove of that-“ “I also gamble great sums of money on ships and cargo-will that improve my character in your eyes?” “And I know,” she continued desperately, watching his gaze turn warm and sensual, “I absolutely know you make me excessively uneasy when you look at me the way you’re doing now!” “Elizabeth,” he said in a tone of tender finality, “you’re here because we’re already half in love with each other.” “Whaaat? she gasped. “And as to needing to know who I am, that’s very simple to answer.” His hand lifted, grazing her pale cheek, then smoothing backward, cupping her head. Gently he explained, “I am the man you’re going to marry.” “Oh, my God!” “I think it’s too late to start praying,” he teased huskily. “You-you must be mad,” she said, her voice quavering. “My thoughts exactly,” he whispered, and, bending his head, he pressed his lips to her forehead, drawing her against his chest, holding her as if he knew she would struggle if he tried to do more than that. “You were not in my plans, Miss Cameron.” “Oh, please,” Elizabeth implored helplessly, “don’t do this to me. I don’t understand any of this. I don’t know what you want.” “I want you.” He took her chin between his thumb and forefinger and lifted it, forcing her to meet his steady gaze as he quietly added, “And you want me.” Elizabeth’s entire body started to tremble as his lips began descending to hers, and she sought to forestall what her heart knew was inevitable by reasoning with him. “A gently bred Englishwomen,” she shakily quoted Lucinda’s lecture, “feels nothing stronger than affection. We do not fall in love.” His warm lips covered hers. “I’m a Scot,” he murmured huskily. “We do.” “A Scot!” she uttered when he lifted his mouth from hers. He laughed at her appalled expression. “I said ‘Scot,’ not ‘ax murderer.” A Scot who was a gambler to boot! Havenhurst would land on the auction block, the servants turned off, and the world would fall apart. “I cannot, cannot marry you.” “Yes, Elizabeth,” he whispered as his lips trailed a hot path over her cheek to her ear, “you can.
Judith McNaught (Almost Heaven (Sequels, #3))
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.” He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest. “I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say? For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue. “You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.” He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?” I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was? “Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him. There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor. “Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
Robin Hobb (Golden Fool (Tawny Man, #2))
Elizabeth, we’re going to have to stop.” Elizabeth’s swirling senses began to return to reality, slowly at first, and then with a sickening plummet. Passion gave way to fear and then to anguished shame as she realized she was lying in a man’s arms, her shirt unfastened, her flesh exposed to his gaze and touch. Closing her eyes, she fought back the sting of tears and shoved his hand away, lurching into an upright position. “Let me rise, please,” she whispered, her voice strangled with self-revulsion. Her skin flinched as he began to fasten her shirt, but in order to do it he had to release his hold on her, and the moment he did, she scrambled to her feet. Turning her back to him, she fastened her shirt with shaking hands and snatched her jacket from the peg beside the fire. He moved so silently that she had no idea he’d stood until his hands settled on her stiff shoulders. “Don’t be frightened of what is between us. I’ll be able to provide for you-“ All of Elizabeth’s confusion and anguish exploded in a burst of tempestuous, sobbing fury that was directed at herself, but which she hurtled at him. Tearing free of his grasp, she whirled around. “Provide for me,” she cried. “Provide what? A-a hovel in Scotland where I’ll stay while you dress the part of an English gentleman so you can gamble away everything-“ “If things go on as I expect,” he interrupted her in a voice of taut calm, “I’ll be one of the richest men in England within a year-two at the most. If they don’t, you’ll still be well provided for.” Elizabeth snatched her bonnet and backed away from him in a fear that was partly of him and partly of her own weakness. “This is madness. Utter madness.” Turning, she headed for the door. “I know,” he said gently. She reached for the door handle and jerked the door open. Behind her, his voice stopped her in midstep. “If you change your mind after we leave in the morning, you can reach me at Hammund’s town house in Upper Brook Street until Wednesday. After that I’d intended to leave for India. I’ll be gone until winter.” “I-I hope you have a safe voyage,” she said, too overwrought to wonder about the sharp tug of loss she felt at the realization he was leaving. “If you change your mind in time,” he teased, “I’ll take you with me.” Elizabeth fled in sheer terror from the gentle confidence she’d heard in his smiling voice. As she galloped through the thick fog and wet underbrush she was no longer the sensible, confident young lady she’d been before; instead she was a terrified, bewildered girl with a mountain of responsibilities and an upbringing that convinced her the wild attraction she felt for Ian Thornton was sordid and unforgivable.
Judith McNaught (Almost Heaven (Sequels, #3))
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)