Nicholson Quotes

We read to know we're not alone.

I woke up thinking a very pleasant thought. There is lots left in the world to read.

I pray because I can't help myself. I pray because I'm helpless. I pray because the need flows out of me all the time- waking and sleeping. It doesn't change God- it changes me.

Books: a beautifully browsable invention that needs no electricity and exists in a readable form no matter what happens.

Experience is a brutal teacher, but you learn fast.

People told me I couldn't kill Nicholson, so I cast him in two roles and killed him off twice.

God creates us free, free to be selfish, but He adds a mechanism that will penetrate our selfishness and wake us up to the presence of others in this world, and that mechanism is called suffering.

But spending your life concentrating on death is like watching a whole movie and thinking only about the credits that are going to roll at the end. It’s a mistake of emphasis.

Here I am going to say something which may come as a bit of a shock. God doesn't necessarily want us to be happy. He wants us to be lovable. Worthy of love. Able to be loved by Him. We don't start off being all that lovable, if we're honest. What makes people hard to love? Isn't it what is commonly called selfishness? Selfish people are hard to love because so little love comes out of them.

The rain fell like dead bullets.

my mother never saw the irony of calling me a "son of a bitch

Self-sufficiency is the enemy of salvation. If you are self-sufficient, you have no need of God. If you have no need of God, you do not seek Him. If you do not seek Him, you will not find Him.

I'm going to take a wild guess here and say the hard-on you've been sporting all afternoon is not on account of Mr. Nicholson continually bending over to pick up the golf balls, right?" "For fuck's sake, Dad!" James cursed, looking horrified at his father, who just shrugged his shoulders at his son's shocked expression. "Whaaat? Just making sure," he added, hardly hiding his amusement.

Watching TV Mum said, 'Do you miss your dad?' and I said, 'Who?

So what he supposed to do? Grab Bobbie's ax and make like Jack Nicholson in The Shinning? He could see it. Smash, crash, bash: Heeeeeeere's GARDENER!

Today begins my walk with you. Where you go, I go. Where you stay, I stay. When you sleep, I will sleep. When you rise, I will rise. I will pass my days within the sound of your voice, and my nights within the reach of your hand. And none shall come between us. - Manth Vow

To put it another way, pain is God's megaphone to rouse a deaf world. Why must it be pain? Why can't he rouse us more gently, with violins or laughter? Because the dream from which we must be wakened, is the dream that all is well.

That was the problem with reading: you always had to pick up again at the very thing that had made you stop reading the day before.

You can tell it's a poem because it's swimming in a little gel pack of white space. That shows it's a poem.

Unbelievable! I said, "What would I be doing walking the streets at night as a stuffed olive- gate-crashing cocktail parties?

With my sunglasses on, I'm Jack Nicholson. Without them, I'm fat and 60. -Jack Nicholson

I am as I am. The world is as it is. Whether I am content with that has very little to do with it.

You need the art in order to love the life.

Listening to people espouse beliefs different from mine is informative, not threatening, because the only thing that can alter my worldview is a new and undeniable truth, and contrary to what Jack Nicholson says in 'A Few Good Men', "I CAN handle the truth.

Use your power gently.

You know Sven? The man who takes care of the gym?' he asked. He waited till he got a nod from Nicholson. 'Well, if Sven dreamed tonight that his dog died, he'd have a very, very bad night's sleep, because he's very fond of that dog. But when he woke up in the morning, everything would be all right. He'd know it was only a dream.' Nicholson nodded. 'What's the point exactly?' The point is if his dog really died, it would be exactly the same thing. Only he wouldn't know it. I mean he wouldn't wake up till he died himself.

I sincerely hope I’ll never fathom you. You’re mystical, serene, intriguing; you enclose such charm within you. The lustre of your presence bewitches me. I like the unreality of your mind; the whole thing is very splendid and voluptuous and absurd. It is not mere words on paper, Mrs. Nicholson, it is both my mind and heart addressing you.

He accepted what each moment brough him, and never troubled himself with matters that were outside his control.

Poetry is prose in slow motion.

Then on your tombstone, where you only get a little bit of space to sum up your life, some wax-faced creep chisels a set of meaningless numbers instead of poetry or a secret love or the name of your favorite candy. In the end, all you get is a few words.

إلهي، أدعوك في الملأ كما تُدعى الأرباب، وأدعوك في الخلاء كما تُدعى الأحباب. أقول في الملأ "يا إلهي"، وأقول في الخلاء "يا حبيبي".

Colonel Mickelson looks like he could defend Fort Hamilton by himself if Staten Island ever declared war and invaded... If Jack Nicholson looked like this when he yelled that Tom Cruise couldn't handle the truth, Cruise would have said, "Yes, you're right, I'm sorry. My bad.

All the fear in the world, and the violence that comes from the fear, and the hatred that comes from the violence, and the lonliness that comes from the hatred. All the unhappiness, all the cruelty, it gathers like clouds in the air, and grows dark and cold and heavy, and falls like grey snow in thick layers over the land. Then the world is muffled and numb, and no one can hear each other or feel each other. Think how sad and lonely that must be.

A bee rose up from a sun-filled paper cup, off to make slum honey from some diet root beer it had found inside.

His white admiral's jacket gleamed with medals, nut Loki wasn't exactly wearing it regulation-style. It was open over a black T-shirt featuring Jack Nicholson's face from The Shinnig. The caption read: HEEEERE'S LOKI!

all I can think of is Jack Nicholson in The Shining, grinning at us and announcing, here's Johnny. Well here's Sloane, motherfucker.

…you almost believe that you will never come to the end of a roll of tape; and when you do, there is a feeling, nearly, though very briefly, of shock and grief.

Sometimes I'll spend an hour writing a tiny email. I work on it until I've created the illusion that I've dashed it off in three minutes. If I make a typo, I let it stand. Sometimes in fact I correct the typo without thinking, and then I back up and retype the typo so that it'll look more casual. I don't know why.

Sweet serenity; the love and magic of two souls forever intertwined

My mother never saw the irony in calling me a son-of-a-bitch.

The whole point of straws, I had thought, was that you did not have to set down the slice of pizza to suck a dose of Coke while reading a paperback.

When we did eventually get to the party - me walking next to Dad's Volvo driving at five miles an hour - I had a horrible time. Everyone laughed at first but then more or less ignored me. In a mood of defiant stuffed oliveness I did have a dance by myself but things kept crashing to the floor around me. The host asked if I would sit down. I had a go at that but it was useless. In the end I was at the gate for about an hour before Dad arrived.

There is no good word for stomach; just as there is no good word for girlfriend. Stomach is to girlfriend as belly is to lover, and as abdomen is to consort, and as middle is to petite amie.

امح نفسك الترابية في السُكْر بالتأمل الإلهي

انظر في قلبك، لأن ملكوت السماوات والأرض فيك

This time the fight for our lives was real.

I don't wanna be a product of my environment; I want my environment to be a product of me.

Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.

...no animal likes to be pecked on the anus by a duck.

I used to think that one of the great signs of security was the ability to just walk away.

If you die, I'll die.' 'But is you live, I'll live.' - Bowman and Kestrel, Firesong

Guess it really was true: be careful what you wish for.

Perforation! Shout it out! The deliberate punctuated weakening of paper and cardboard so that it will tear along an intended path, leaving a row of fine-haired pills or tuftlets on each new edge! It is a staggering conception, showing an age-transforming feel for the unique properties of pulped wood fiber.

I made an egg salad sandwich and took a bite of it over the open silverware drawer. A piece of egg salad fell in among the forks. I swore softly with my mouth full. Another piece of egg salad fell in.

Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels.

My environment reflects the life I've led, the places I've visited and the people I've loved.

He tells me to go away, but I don't think love is anything like water. It doesn't slip off that easily.

If you think you’re attractive, you’re always attractive.

HARRINGTON: And God hears your prayer, doesn't he? We hear Joy's getting better. ... LEWIS: That's not why I pray, Harry. I pray because I can't help myself. I pray because I'm helpless. I pray because the need flows out of me, waking and sleeping. It doesn't change God, it changes me.

Notes of joy have a special STP solvent in them that dissolves all the gluey engine deposits of heartache. War and woe don't have anything like the range and reach that notes of joy do.

In the midst of aches in the joints, anxiety over the payment of bills, concern for the safety of those you love, envy of the rich, fear of robbers, dog-weariness at the end of a long day, and the unacceptable slipping away of youth, there does occasionally appear, like a ray of light piercing the clouds, a moment of joy. Perhaps you have entered the house and sat down before removing your boots. A friend has pressed a drink into your hands, and is telling you the latest news. You see from his face that he's glad you've come in; and you are glad too. Glad to be sitting down, glad of the warming glow of the dirnk, glad of your friend's furrowed brow and eager speech. For this moment, nothing more is required. It is in its way unimprovable. This is what I mean by the Great Enough.

We are the slaves of slaves

A lot of people measure a man by what he's got. I've decided to measure myself by what I can give up.

It is better," says Eckhard, "to look at the wall. You look at the wall, you have your own thoughts. You look at he TV, you have the thoughts of the state.

Here comes Johnny!

Your own exploration therefore has to be personalized; you're doing it for yourself, increasing your own store of particular knowledge, walking your own eccentric version of the city.

The neurons that do expire are the ones that made imitation possible. When you are capable of skillful imitation, the sweep of choices before you is too large; but when your brain loses its spare capacity, and along with it some agility, some joy in winging it, and the ambition to do things that don't suit it, then you finally have to settle down to do well the few things that your brain really can do well--the rest no longer seems pressing and distracting, because it is now permanently out of reach. The feeling that you are stupider than you were is what finally interests you in the really complex subjects of life: in change, in experience, in the ways other people have adjusted to disappointment and narrowed ability. You realize that you are no prodigy, your shoulders relax, and you begin to look around you, seeing local color unrivaled by blue glows of algebra and abstraction.

In 1855, as the price of paper rose, Dr. Deck proposed to dig up 2 1/2 million tons of Egyptian mummies, ship them to New York, unroll them; and use their linen wrappings to make paper.

Teddy looked at him directly for the first time. Are you a poet?' he asked. A poet?' Nicholson said. 'Lord, no. Alas, no. Why do you ask?' I don't know. Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.' " - Teddy and Nicholson in "Teddy" (Nine Stories)

A dream will never be reality, unless you make it reality

الجمال والحب كالروح والجسد، الجمال كالمنجم والحب كالحجر الكريم، لقد كانا معا منذ الأزل، ولم يرحلا قط إلا مصطحبين

Whit’s fur ye’ll no go past ye.

Black midnight air painted the backdrop of that late second-state night.

I would like to visit the factory that makes train horns, and ask them how they are able to arrive at that chord of eternal mournfulness. Is it deliberately sad? Are the horns saying, Be careful, stay away from this train or it will run you over and then people will grieve, and their grief will be as the inconsolable wail of this horn through the night? The out-of-tuneness of the triad is part of its beauty.

Anyway, she sings like a mad tropical bird, and it's just a fondue of molten wanting and grieving and the sadness of the large naked swinging breasts and soft olive skin and everything that you wish you could remember and feel and know.

...in repairing the object you really ended up loving it more, because you now knew its eagerness to be reassembled, and in running a fingertip over its surface you alone could feel its many cracks - a bond stronger than mere possession.

I might be the only person on the face of the earth that knows you're the greatest woman on earth. I might be the only one who appreciates how amazing you are in every single thing that you do, and how you are with Spencer, "Spence," and in every single thought that you have, and how you say what you mean, and how you almost always mean something that's all about being straight and good. I think most people miss that about you, and I watch them, wondering how they can watch you bring their food, and clear their tables and never get that they just met the greatest woman alive. And the fact that I get it makes me feel good, about me.

It's time for bed. And here's what I'm going to do. I'm going to get in bed, and I don't have anyone to sleep with now, so what I do is I sleep with my books. And I know that's kind of weird and solitary and pathetic. But if you think about it, it's very cozy. Over a period of four, five, six, seven, nine, twenty nights of sleeping, you've taken all these books to bed with you, and you fall asleep, and the books are there. *** Some of the books are thick, and some are thin, some of the books are in hardcover and some in paperback. Sometimes they get rolled up with the pillows and the blankets. And I never make the bed. So it's like a stew of books. The bed is the liquid medium. It's a Campbell's Chunky Soup of books. The bed you eat with a fork.

Some artists are normal people who just happen to make things because we can't figure out how in the hell to communicate with people.

Lust shouts. Love whispers. Only the heart knows the difference.

Never rub another mans rhubarb

Adults teach children in three important ways: The first is by example, the second is by example, the third is by example.

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme.

At some point you have to set aside snobbery and what you think is culture and recognize that any random episode of Friends is probably better, more uplifting for the human spirit, than ninety-nine percent of the poetry or drama or fiction or history every published. Think of that. Of course yes, Tolstoy and of course yes Keats and blah blah and yes indeed of course yes. But we're living in an age that has a tremendous richness of invention. And some of the most inventive people get no recognition at all. They get tons of money but not recognition as artists. Which is probably much healthier for them and better for their art.

أحباب الله - وإن حال حبهم له بينهم وبينه - فإن لديهم شيئا أصيلاً، يَطلبون ويُطلَبون، نائمين أو مستيقظين لا يشغلهم طلبهم ولا حبهم، ولكنهم سُكارى في تأمل المحبوب. ومن الإثم في حق الحبيب أن تنظر في حبه، ومن العسف في الحب أن تبحث عن طلبك، وأنت وجها لوجه مع المطلوب.

Today begins my walk with you...Where you go, I go. Where you stay, I stay. When you sleep, I will sleep. When you rise, I will rise. I will pass my days within the sound of your voice, and my nights within the reach of your hand. And none shall come between us.

She slapped Kestrel’s face. Without thinking twice, Kestrel slapped her back, as hard as she could. The young woman burst into tears. The servant saw this, aghast. “Baby!” She exclaimed. “Oh, my poor baby!” “You’ve been kind to me,” said Kestrel, “and you’re very beautiful, but if you hit me again I’ll kill you.

All my tips and tricks and woes and worries are gong to come tumbling out before you. I'm going to divulge them. What a juicy work that is, 'divulge.' Truth opening its petals. Truth smells like Chinese food and sweat.

One French guy at a bar wanted several of us to "faire le parachutisme." He said it was easy, you just jumped out of a plane. It sounded very exciting but no, thank you. He said "I'm not a homo." I said it's not a question of whether or not you're a homo, I just don't want to jump out of a plane.

I remember, around age ten, beholding the scene in The Shining in which the hot young woman whom Jack Nicholson is lewdly embracing in the haunted hotel bathroom ages rapidly in his arms, screeching from nubile chick to putrefying corpse within seconds. I understood that the scene was supposed to represent some kind of primal horror. This was The Shining, after all. But the image of that decaying, cackling crone, her arms outstretched in desire toward the man who is backing away, has stayed with me for three decades, as a type of friend. She’s part baths-ghost, part mad-Naomi. She didn’t get the memo about being beyond wanting or being wanted. Or perhaps she just means to scare the shit out of him, which she does.

The fact that we had independently decided to sweep our apartments on that Sunday afternoon after spending the weekend together, I took as a strong piece of evidence that we were right for each other. And from then on when I read things Samuel Johnson said about the deadliness of leisure and the uplifting effects of industry, I always nodded and thought of brooms.

I don’t think that loneliness is necessarily a bad or unconstructive condition. My own skill at jamming time may actually be dependent on some fluid mixture of emotions, among them curiosity, sexual desire, and love, all suspended in a solvent medium of loneliness. I like the heroes or heroines of books I read to be living alone, and feeling lonely, because reading is itself a state of artificially enhanced loneliness. Loneliness makes you consider other people’s lives, makes you more polite to those you deal with in passing, dampens irony and cynicism. The interior of the Fold is, of course, the place of ultimate loneliness, and I like it there. But there are times when the wish for others’ voices, for friendliness returned, reaches unpleasant levels, and becomes a kind of immobilizing pain. That was how it felt as I finished packing up the box of sex machines.

Modern literary theory sees a similarity between walking and writing that I find persuasive: words inscribe a text in the same way that a walk inscribes space. In The practicse of Everyday Life, Michel de Certeau writes, 'The act of walking is a process of appropriation of the topographical system on the part of the pedestrian; it is a special acting-out of the place...and it implies relations among differentiated positions.' I think this is a fancy way of saying that writing is one way of making the world our own, and that walking is another.

Bad or good, movies nearly always have a strange diminishing effect on works of fantasy (of course there are exceptions; The Wizard of Oz is an example which springs immediately to mind). In discussions, people are willing to cast various parts endlessly. I've always thought Robert Duvall would make a splendid Randall Flagg, but I've heard people suggest such people as Clint Eastwood, Bruce Dern and Christopher Walken. They all sound good, just as Bruce Springsteen would seem to make an interesting Larry Underwood, if ever he chose to try acting (and, based on his videos, I think he would do very well ... although my personal choice would be Marshall Crenshaw). But in the end, I think it's best for Stu, Larry, Glen, Frannie, Ralph, Tom Cullen, Lloyd, and that dark fellow to belong to the reader, who will visualize them through the lens of the imagination in a vivid and constantly changing way no camera can duplicate. Movies, after all, are only an illusion of motion comprised of thousands of still photographs. The imagination, however, moves with its own tidal flow. Films, even the best of them, freeze fiction - anyone who has ever seen One Flew Over The Cuckoo's Nest and then reads Ken Kesey's novel will find it hard or impossible not to see Jack Nicholson's face on Randle Patrick McMurphy. That is not necessarily bad ... but it is limiting. The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.

You’ve got to get cold to get warm,” Phoebe said. Now that is the truth. That is so true about so many things. You learn it first with sheets and blankets: that the initial touch of the smooth sheets will send you shivering, but their warming works fast, and you must experience the discomfort to find the later contentment. It’s true with money and love, too. You’ve got to save to have something to spend. Think of how hard it is to ask out a person you like. In my case, Claire asked me to go on a date to the cash machine, so I didn’t actually have to ask her. Still, her lips were cold, but her tongue was warm.

Teddy thought it over. "You know what the word 'affinity' means?" he asked turning to Nicholson. "I have a rough idea," Nicholson said dryly. "I have a very strong affinity for them. They're my parents, I mean, and we're all part of each other's harmony and everything," Teddy said. "I want them to have a nice time while they're alive, because they like having a nice time . . . But they don't love me and Booper - that's my sister - that way. I mean they don't seem able to love us just the way we are. They don't seem able to love us unless they can keep changing us a little bit. They love their reasons for loving us almost as much as they love us, and most of the time more. It's not so good, that way.

And then a man of forty or so, with a French accent, asked, "How do you achieve the presence of mind to initiate the writing of a poem?" And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, "Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day??" The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. "And that's my secret, such as it is," I said.

There's something narcissistic in the phrase "collected poems." Who's collecting them? The poem. How hard is that? That's not a real collection. Now if he had made a collection of water fountains, or of oven mitts, that would be a collection. Or if he'd collected editions of Festus, the long mad poem written somewhere in the nineteenth century by a lost soul named Bailey--that would be an achievement. But collecting your own poems? What's so great about that? And mixing and mingling them in with some new? New and and Collected Poems? Oh, well! Good job. Nice going.

It occurred to me, not exactly for the first time, that psychogeography didn't have much to do with the actual experience of walking. It was a nice idea, a clever idea, an art project, a conceit, but it had very little to do with any real walking, with any real experience of walking. And it confirmed for me what I'd really known all along, that walking isn't much good as a theoretical experience. You can dress it up any way you like, but walking remains resolutely simple, basic, analog. That's why I love it and love doing it. And in that respect--stay with me on this--it's not entirely unlike a martini. Sure you can add things to martinis, like chocolate or an olive stuffed with blue cheese or, God forbid, cotton candy, and similarly you can add things to your walks--constraints, shapes, notions of the mapping of utopian spaces--but you don't need to. And really, why would you? Why spoil a good drink? Why spoil a good walk?

The advantages of a hereditary Monarchy are self-evident. Without some such method of prescriptive, immediate and automatic succession, an interregnum intervenes, rival claimants arise, continuity is interrupted and the magic lost. Even when Parliament had secured control of taxation and therefore of government; even when the menace of dynastic conflicts had receded in to the coloured past; even when kingship had ceased to be transcendental and had become one of many alternative institutional forms; the principle of hereditary Monarchy continued to furnish the State with certain specific and inimitable advantages. Apart from the imponderable, but deeply important, sentiments and affections which congregate around an ancient and legitimate Royal Family, a hereditary Monarch acquires sovereignty by processes which are wholly different from those by which a dictator seizes, or a President is granted, the headship of the State. The King personifies both the past history and the present identity of the Nation as a whole. Consecrated as he is to the service of his peoples, he possesses a religious sanction and is regarded as someone set apart from ordinary mortals. In an epoch of change, he remains the symbol of continuity; in a phase of disintegration, the element of cohesion; in times of mutability, the emblem of permanence. Governments come and go, politicians rise and fall: the Crown is always there. A legitimate Monarch moreover has no need to justify his existence, since he is there by natural right. He is not impelled as usurpers and dictators are impelled, either to mesmerise his people by a succession of dramatic triumphs, or to secure their acquiescence by internal terrorism or by the invention of external dangers. The appeal of hereditary Monarchy is to stability rather than to change, to continuity rather than to experiment, to custom rather than to novelty, to safety rather than to adventure. The Monarch, above all, is neutral. Whatever may be his personal prejudices or affections, he is bound to remain detached from all political parties and to preserve in his own person the equilibrium of the realm. An elected President – whether, as under some constitutions, he be no more than a representative functionary, or whether, as under other constitutions, he be the chief executive – can never inspire the same sense of absolute neutrality. However impartial he may strive to become, he must always remain the prisoner of his own partisan past; he is accompanied by friends and supporters whom he may seek to reward, or faced by former antagonists who will regard him with distrust. He cannot, to an equal extent, serve as the fly-wheel of the State.