Nice Typed Quotes

We've searched our database for all the quotes and captions related to Nice Typed. Here they are! All 100 of them:

The wind blew my words away from you. So while I told you I love you, the phrase was carried in the opposite direction and landed 333 miles away in the ears of a confused farmer. He was nice, though. He sent me a kind letter saying that while he was flattered, I wasn’t really his type.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Yes, boys are a little like shoes. Why? Well...They can be useful. But mainly...They are nice to look at. Getting the right one can be a lovely accessory to an outfit. There are times when you couldn't do without them. And there are times when you'd rather do without them. Get the wrong ones and they can hurt. There are many types and often the ones that look the nicest are completely unpractical.
Rachel Hill (A Girl's Guide to Guys: Meeting Them, Managing Them and All That Love Stuff)
One writer I know tells me that he sits down every morning and says to himself nicely, "It's not like you don't have a choice, because you do-- you can either type or kill yourself.
Anne Lamott (Bird by Bird)
And she laughed, and said she understood, and then off she drifted in that nice way she has. Responsive to the light, I would call it. The type of person who is that little bit more akin to the weather than most people, more obviously made of the same atoms as the earth than most people these days seem to be. Which explains Lanny.
Max Porter (Lanny)
William to Paris: "I always figured you for the in and out type. Kinda stealthy, leaving the girl wondering whether you'd been there or not. But I didn't know you were quite this stealthy." (Paris) "Nice to know you've considered my sex life" "Hasn't everyone?" "Screw you" "Again, hasn't everyone?
Gena Showalter
She was the type of librarian who has “Reading is supposed to be educational, not fun” tattooed somewhere.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Fortunately, Park seemed more bemused than offended. “Do you disapprove of human-werewolf relationships, Agent Dayton?” “No. Of course not. I—that’s not what I meant. I just didn’t understand...” Cooper trailed off, thoroughly uncomfortable, and Park took pity on him. “She’s not my type because I’m gay.” The silence was sharp. Vaguely Cooper was aware his mouth was hanging open. He shut it quickly. Then opened it again to say, “Oh, that’s nice.
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
The midwest is full of these types of people. The nice enoughs but with a soul made of plastic. Easy to mold, easy to wipe down. The woman's entire music collection is formed from Pottery Barn compilations. Her books shelves are stocked with coffee table crap The Irish in America, Mizzou Football - A History in Pictures, We Remember 911, something dumb with kittens. I knew I needed a pliant friend for my plan, someone I could load up with awful stories about Nick. Someone who would become overly attached to me. Someone who would be easy to manipulate. Who wouldn't think to hard about anything I said because she felt privileged to hear it.
Gillian Flynn (Gone Girl)
Well, I could never lie to you, Thor. I'm actually the All-Mother's undercover operative in the cause of niceness and puppies, and I'm here on a top-secret spy-type thingie. Shh! Don't tell anyone.
Al Ewing (Loki: Agent of Asgard, Vol. 1: Trust Me)
He was a thorough good sort; a bit limited; a bit thick in the head; yes; but a thorough good sort. Whatever he took up he did in the same matter-of-fact sensible way; without a touch of imagination, without a sparkle of brilliancy, but with the inexplicable niceness of his type.
Virginia Woolf (Mrs. Dalloway)
One two, one two, Type a word or two. Arrow left, arrow right, Keep those fingers nice and tight. Keys up, Keys down, Move those digits all around. One two, one two, Type a word or two.
Jazz Feylynn
Let me be frank," Joe's voice pulls me back. "You seem like a nice girl. So why the hell are you chasing down a rat bastard like Blake?" I smile at the description. "I thought you were his friend." "Can't help liking the son of a bitch." He squirms in the seat, trying to find a comfortable position. "Pardon me for saying so. You don't seem like his type." What is that suppose to mean? So I'm not dumb, snobby or slutty ... Oh.
Talia Vance (Silver (Bandia, #1))
I know that when a supersexy older girl with hips and breasts and nice hair wants to take off your glasses and to paint you a smoky eye she's merely trying to enroll you in a beauty contest she's already won. It's a kind of slummy, condescending gesture, like when rich people ask poor people where they summer. To me, this smacks of a blatant, insensitive "let them eat cake" type of chauvinism.
Chuck Palahniuk (Damned (Damned, #1))
There are definitely some hos on this campus,” she began. “And plenty more in this city. And the fact that you're so different from those types only makes it that much more likely that you'll fetch a nice figure on eBay for the popping of your cherry,” she joked suggestively.
Zack Love (The Syrian Virgin (The Syrian Virgin, #1))
The Midwest is full of these types of people: the nice-enoughs. Nice enough but with a soul made of plastic--easy to mold, easy to wipe down.
Gillian Flynn (Gone Girl)
This girl is very nice-looking,” Krum said, recalling Harry to his surroundings. Krum was pointing at Ginny, who had just joined Luna. “She is also a relative of yours?” “Yeah,” said Harry, suddenly irritated, “and she’s seeing someone. Jealous type. Big bloke. You wouldn’t want to cross him.” Krum grunted. “Vot,” he said, draining his goblet and getting to his feet again, “is the point of being an international Quidditch player if all the good-looking girls are taken?
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
It's not the type of work you can put on a business card. I sometimes play the game with myself, though. What would I put on a business card? Jill Kismet, Exorcist. Maybe on a nice heavy cream-colored card stock, with a good font. Not pretentious, just something tasteful. Garamond, maybe, or Book Antiqua. In bold. Or one of those old-fashioned fonts, but no frilly Edwardian script. Of course, there's slogans to be taken into account. Jill Kismet, Dealer in Dark Things. Spiritual Exterminator. Slayer of Hell's Minions.
Lilith Saintcrow (Hunter's Prayer (Jill Kismet, #2))
But she would welcome a certain type of man in particular: a good man, who was a nice guy, who didn’t play games and understood that her career was important to her, that she could never quit the business, that she was living her dream. A man that could give her an orgasm every night and not expect her to make breakfast in the morning.
Taylor Jenkins Reid (Malibu Rising)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
Bret Easton Ellis (American Psycho)
Definitely' Arthur said. 'Absolutely. He's not – you know. He barely talks. He reads books.' It was true; Gabriel was not his usual type, and he needed to be practical. It would be one thing to risk his neck for some confident, dashing prince with muscled thighs and witty repartee to truly die for, but Gabriel was quiet, and strange, and ultimately just- not worth the hassle. Even if he was nice to birds.
Lex Croucher (Gwen & Art Are Not in Love)
I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
Wendy Higgins (Sweet Evil (Sweet, #1))
Players don’t like to play games. Silly as that sounds, players, narcissists, and most types of bad men search for weak prey—a woman they can control with the smallest possible investment from their side. They will not stick around the high-value woman because she’s too high maintenance for them.
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
Not about mean old nasty Mars, I tell you, mister! It’s your type that is going to boil for years, and suffer and break out in black pimples and be tortured——” “I must admit Earth isn’t very nice. You’ve described it beautifully.
Ray Bradbury (The Illustrated Man)
Not about mean old nasty Mars, I tell you, mister! It’s your type that is going to boil for years, and suffer and break out in black pimples and be tortured——” “I must admit Earth isn’t very nice. You’ve described it beautifully.
Ray Bradbury (The Illustrated Man)
Do you like that?" I'll say in surprise since it doesn't seem like her type of thing, and she'll look at me as if I'm mad. That!?" She'll say, "No, it's hideous" Then why on earth," I always want to say, "did you walk all the way over there to touch it?" but of course...I have learned to say nothing when shopping because no matter what you say... Read more - "I'm hungry", "I'm bored", "My feet are tired", "Yes, that one looks nice on you too", "Well, have both of them", "Oh, for fuck sake", "Can't we just go home", "Monsoon? Again? Oh for fuck sake", "then why on earth did you walk all the way over there to touch it?" - it doesn't pay, so I say nothing.
Bill Bryson (Notes from a Small Island)
Nice ass, but not his type. But thank feck his dick still worked.
C.D. Brennan (In Touch (Play On #1))
One writer I know tells me that he sits down every morning and says to himself nicely, "It’s not like you don’t have a choice, because you do—you can either type or kill yourself.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
It would be nice to have a cheeseburger. She laughed wryly at herself; a cheeseburger was what an American of a type she thought she would never be craved when travelling abroad.
Walter Tevis (The Queen's Gambit)
She’s a nice girl. Not my type.” “You don’t like them nice?” He had another cigarette going. The smoke was being fanned away from his face by his hand. “I like smooth shiny girls, hardboiled and loaded with sin.” “They take you to the cleaners,” Randall said indifferently.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
I’m trying to be nice, okay? We’re stuck with each other for the next year, so I want to make our lives easier. Just take the damn cookies. You can eat them, throw them out, feed them to your pet snake Nagini, whatever.” His mouth twitched. “Did you just compare me to Voldemort?” “What? No!” Maybe. “I used the snake as an example. You don’t seem like the type who’d have a furry pet.
Ana Huang (Twisted Love (Twisted, #1))
But then one time, you track down an email address and you're near a computer with Internet access so you don't have that nice cushion and you type what you're feeling and press send before you have a chance to talk yourself out of it. And then you wait, and wait, and wait, and nothing comes back, so all those things you thought were so important to say, really, they weren't. They weren't worth saying at all.
Gayle Forman (I Was Here)
I’ve got to admire the Aokis of this world. Their ability to lay low until the right moment, their knack for latching on to opportunities, their skill in fucking with people’s minds—that’s no ordinary talent. I hate their kind so much it makes me want to puke, but it is a talent. “No, what really scares me is how easily, how uncritically, people will believe the crap that slime like Aoki deal out. How these Aoki types produce nothing themselves, don’t have an idea in the world, and talk so nice, how this slime can sway gullible types to any opinion and get them to perform on cue, as a group. And this group never entertains even a sliver of doubt that they could be wrong. They think nothing of hurting someone, senselessly, permanently. They don’t take any responsibility for their actions. Them. They’re the real monsters. They’re the ones I have nightmares about. In those dreams, there’s only the silence. And these faceless people. Their silence seeps into everything like ice water. And then it all goes murky. And I’m dissolving and I’m screaming, but no one hears.
Haruki Murakami (The Elephant Vanishes)
Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos.
K.J. Bishop
When we meet someone, we form a first impression (“He seems like a really nice guy”), frequently with no apparent information on which to base it. This is because attributes of the person evoke in us something we’ve previously categorized as familiar and positive. The opposite can happen (“This guy is a complete jerk”) if some attribute taps into a previous negative experience. Our brain catalogs vast amounts of input from our family, community, and culture, along with what is presented to us in the media. As it makes sense of what it’s stored, it begins to form a worldview. If we later meet someone with characteristics unlike what we’ve cataloged, our default response is to be wary, defensive. In turn, if our brains are filled with associations based upon media-driven biases about ideal body type, or racial or cultural stereotypes, for example, we will exhibit implicit biases (and maybe overt bias).
Oprah Winfrey (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
I want you to understand a fundamental rule about love. You see, there are two kinds: the surface and the deep water. Now, Aphrodite emerged from foam,remember? Foam love is a nice feeling, but just as superficial. When it’s gone it’s gone, nothing remains. Always aim for the kind of love that comes from the deep. … foam love is interested in foam beauty. Sea love seeks sea beauty and you, my heart, deserve sea love, the strong and profound and enchanting type.
Elif Shafak (The Island of Missing Trees)
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next. A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him. Yes, those are the ones we worry about.
Brit Bennett (The Mothers)
The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' We sailed away from Hallasholm, we had to be real quick, For Kloof had eaten Erak's ax and chewed his walking stick. We sailed across the Stormwite and we struck a mighty storm. We had to wear our woolly caps to keep us nice and warm. We sailed around Cape Shelter and then south to Araluen. We called upon the people there to find out what was doin'. We chased an evil slaver to the market of Socorro. "We can't rescue them tonight," said Hal. "We'll get them out tomorrow." Lydia and the Ranger burned the market to the ground. The rest of us, we freed the slaves then headed out of town. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' The slave master named Mahmel was a nasty kind of thug, So Stiggy dropped a rock and crushed him like a bug. We sailed back to Cresthaven and we set the captives free. King Duncan said, "Well done, my lads, you're just the boys for me. My Ranger Gilan has to go hunt down some assassins So go along with him and give these wicked types a thrashin'." A pirate galley barred our way. We quickly overtook 'em. And Ingvar led the charge aboard to stab and chop and hook 'em. We beat the Tualaghi and the Scorpions as well. The Ranger stuck his saxe into the leader, the Shurmel. When all the assassins threw a fit of wild hysterics, Hal grabbed up the Shurmel's staff and brought it back for Erak. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin
John Flanagan
I think he is nice and tiresome. I differ from him on almost every point of any importance, and so, I expect - I may say I hope - you will differ. But his is a type one disagrees with rather than deplores. When he first came here he not unnaturally put people's backs up. He has no tact and no manners - I don't mean by that that he has bad manners - and he will not keep his opinions to himself
E.M. Forster (A Room with a View)
As we all know, poodles are a type of curly-haired dog preferred by petit bourgeois retirees, ladies very much on their own who transfer their affection upon their pet, or residential concierges ensconced in their gloomy loges. Poodles come in black or apricot. The apricot ones tend to be crabbier than the black ones, who on the other hand do not smell as nice. Though all poodles bark snappily at the slightest provocation, they are particularly inclined to do so when nothing at all is happening. They follow their master by trotting on their stiff little legs without moving the rest of their sausage-shaped trunk. Above all they have venomous little black eyes set deep in their insignificant eye-sockets. Poodles are ugly and stupid, submissive and boastful. They are poodles, after all
Muriel Barbery (The Elegance of the Hedgehog)
I spoke softly. “The cops will eat you alive, Benjamin Blue. You have to go.” Ben tensed, ready to argue. “Detective Hawfield died. This is going to get serious. It’s way too much heat for you. Please be sensible.” Ben hesitated. Then his shoulders slumped. “Maybe you’re right.” Deep breath. “But you’re taking away the other possibility, too.” “I don’t understand.” I glanced over my shoulder at the approaching vehicle. “What other possibility?” He smiled wanly. “Ben Blue, The Hero. That kinda would’ve been nice.” I paused, at a loss for words. My heart broke for him. “But that’s okay.” Ben dug keys from his pocket. “After all, we’re Virals, not heroes. And that’s fine. Plus, I’m not really the hero type.” He turned to leave. Impulsively, I grabbed Ben’s arm. Pulled him close. Smashed my lips against his. The kiss only lasted a second, but also an eternity. Then I stepped back and shoved Ben toward the Explorer. “Of course you’re the type.” I was grateful the darkness hid my blushes. “Now go.” Ben stared, stricken, thunderstruck. Hi and Shelton watched, wide-eyed with shock. “Weirdest birthday ever,” Hi whispered.
Kathy Reichs (Exposure (Virals, #4))
A lot of people like to listen to people talk about death because we don't do it enough...We make it taboo, and I think that gives it too much power...I hope that for some of you, this made sense. That the uncertainty I felt while typing it clicked something into place for you. In a world where we strive to be different, to stand out, to be unique and not be like anyone else, sometimes it's nice to know that we aren't different...We're all scared little apes burdened with thoughts, worries, and uncertainties. Even our fight to be different proves we're the same.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
It would be nice to think that the menacing aspects of North Korea were for display also, that the bombs and reactors were Potemkin showcases or bargaining chips. On the plane from Beijing I met a group of unsmiling Texan types wearing baseball caps. They were the 'in-country' team from the International Atomic Energy Agency, there to inspect and neutralize North Korea's plutonium rods. Not a nice job, but, as they say, someone has to do it. Speaking of the most controversial reactor at Yongbyon, one of the guys said, 'No sweat. She's shut down now.' Nice to know. But then, so is the rest of North Korean society shut down—animation suspended, all dead quiet on the set, endlessly awaiting not action (we hope) or even cameras, but light.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
As soon as I had believed that financial security purchased emotional security, I'd lived a dependent, conditional life. Now I realize that rather than mortgage myself for a dream life on a layaway plan, I prefer the rather nice kind of life I've stumbled into. My desire for a double oven has less to do with signaling that I belong to a certain class or have reached a type of perfection and more to do with the fact that I haven't figured out how to make a pot roast and an apple pie at the same time. So I make the pie ahead of time and reheat it. I think it was Mark Twain who said, 'Happiness is wanting what you have, not having what you want.' I tell my kids this, hoping they will learn to balance the act of pursuing with the act of savoring.
Liz Perle (Money, A Memoir: Women, Emotions, and Cash)
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
I am precisely the kind of nice upper-middle-class white girl whose relationship to substances has been treated as benign or pitiable - a cause for concern, or a shrug, rather than punishment. No one has ever called me a leper or a psychopath. No doctor has ever pointed a gun at me. No cop has ever shot me at an intersection while I was reaching for my wallet, for that matter, or even pulled me over for drunk driving, something I've done more times than I could count. My skin is the right color to permit my intoxication. When it comes to addiction, the abstraction of privilege is ultimately a question of what type of story gets told about your body: Do you need to be shielded from harm, or prevented from causing it? My body has been understood as something to be protected, rather than something to be protected from.
Leslie Jamison (The Recovering: Intoxication and Its Aftermath)
You’re not the type of man to fuck,” she countered. His brows shot up. “Oh really? I’m too nice of a guy?” “Something like that.” “I’m a man, Megan. We all have needs. Isn’t fucking one of them?” Her body trembled slightly at his words. She licked her lips before replying, “S-Stop saying that word-it isn’t you.” “So fucking isn’t me? Don’t tell me you think I’m totally asexual – that you can’t imagine me fucking a woman…fucking you.” He eased in closer to her. “We both know for a fact that you wanted nothing more than to fuck me the night of Noah’s baptism. Given the chance right now, you’d let me strip off your scrubs and fuck you up against the medicine cabinet.
Katie Ashley (The Pairing (The Proposition, #3))
I do three drafts handwritten and then it's typed up... They are different from each other, they are hopefully improvements in the sense you're going back over something. The first time you write it, it's the first thing that you can think. The second time you're trying to shape the dialogue, helping the characters. The third time you're doing it because you want the words to sound nice, hopefully making the prose better, making it more fun to read, making the jokes funnier and the scary bits scarier.
Clive Barker
She had fat fingered the sext! It was beyond awkward. Frantically, she typed in an apology, “Ned, meant to send boob photo to someone else. So sorry. Nice ass.
Samantha Bohrman (Ruby's Misadventures with Reality)
She’s the type of woman who insists that we have to empower other women, only to peel them apart and chop them up.
Laurie Elizabeth Flynn (The Girls Are All So Nice Here)
And what's your type?" "Someone nice." ... "Does that mean I'm nice?" "You can be." "Look at that. I'm suddenly your type.
Rina Kent (God of Malice (Legacy of Gods, #1))
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
I’ll just mention to her that you called her ‘the little woman’ and she can take care of you the next time she sees you. It was nice knowing you.” Adam typed out a quick reply to the text message.
Brenna Aubrey (For the Win (Gaming the System, #4))
Even if you do not recognize his features, dear reader, I am sure you have met him. He is the school bully too charming to get caught; the one who thinks up the cruelest pranks, has others carry out his dirty work, and still maintains a perfect reputation with the teachers. He is the boy who pulls the legs off insects and tortures stray animals, yet laughs with such pure delight he can almost convince you it is harmless fun. He’s the boy who steals money from the temple collection plates, behind the backs of old ladies who praise him for being such a nice young man. He is that person, that type of evil.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
It was nice and quaint and humble and had that air of classic Southern hospitality, but it wasn’t the type of place where you wanted to spend your whole life unless your whole life was already behind you.
Ania Ahlborn (Seed)
For instance, the previous run-on sentence is a sentence fragment, and it happened in part because of the really nice time my body was having making this lavender Le Pen make the loop-de-looping we call language. I mean writing. The point: I’d no sooner allow that fragment to sit there like a ripe zit if I was typing on a computer. And consequently, some important aspect of my thinking, particularly the breathlessness, the accruing syntax, the not quite articulate pleasure that evades or could give a fuck about the computer’s green corrective lines (how they injure us!) would be chiseled, likely with a semicolon and a proper predicate, into something correct, and, maybe, dull. To be sure, it would have less of the actual magic writing is, which comes from our bodies, which we actually think with, quiet as it’s kept.
Ross Gay (The Book of Delights: Essays)
First of all, he was not my type. He was nice, considerate, unselfish and grounded; qualities I’d never experienced in a man. Usually, I went for the self centered, screwed up, “I’m lost, will you be my mother” type.
Brenda Perlin (Shattered Reality (Brooklyn and Bo Chronicles: Book One))
She was the type who could not take a compliment. If he told her she looked nice, she’d give the reason instead of saying thank you. But he was the type who could not give a compliment, so he just said hello and let her in.
Lily King (Five Tuesdays in Winter)
But that evening, I didn’t hear anything, just the lady typing, which sounded like raindrops or starlings or pebbles being washed up on the beach by the waves. It was a nice sound, soothing, and pretty soon I just dozed off.
Ruth Ozeki (The Book of Form and Emptiness)
The sky is blue,’ came us. ‘What colour else can it be?’ Of course we knew really that the sky could be more than blue, two more, but why should any of us admit to that? I myself have never admitted it. Not even the week before when I experienced my first sunset with maybe-boyfriend did I admit it. Even then, even though there were more colours than the acceptable three in the sky – blue (the day sky), black (the night sky) and white (clouds) – that evening still I kept my mouth shut. And now the others in this class – all older than me, some as old as thirty – also weren’t admitting it. It was the convention not to admit it, not to accept detail for this type of detail would mean choice and choice would mean responsibility and what if we failed in our responsibility? Failed too, in the interrogation of the consequence of seeing more than we could cope with? Worse, what if it was nice, whatever it was, and we liked it, got used to it, were cheered up by it, came to rely upon it, only for it to go away, or be wrenched away, never to come back again? Better not to have had it in the first place was the prevailing feeling, and that was why blue was the colour for our sky to be.
Anna Burns (Milkman)
It's common to think of people in the military as conformists. But that's far from the truth in our community. Some pretty capable and colorful types join the SEAL teams, looking for bigger challenges than their high-flying careers or other interesting backgrounds can offer. Whether doctors, lawyers, longshoreman, college dropout, engineer or NCAA Division I superathlete, they were more than just good special operators. They were a cohesive team whose strength came from their widely diverse talents, educational backgrounds, upbringings, perspectives, and capabilities. They're all-American and patriotic, with a combination of practical intelligence and willpower that you don't want to get crossways with. Streetwise, innovative, adaptable, and often highly intellectual--these are all words that apply to the community. And the majority are so nice that it can be hard to envision their capacity for violent mayhem. BUD/S filters out four of five aspirants, leaving behind only the hardest and most determined--the best. I was so proud and humbled to be part of the brotherhood.
Marcus Luttrell (Service: A Navy SEAL at War)
W're both nice people, usually. But this wasn't a regular argument. It was the type of argument you can only have with people you're REALLY close to -- people you know so well you start to forget they're a different person from you, so it sort of feels like nobody can see you.
Allie Brosh (Solutions and Other Problems)
RubyMars: Have you heard anything else about when you’re leaving for good? AHall80: Not yet, but everything seems to be on schedule. Should be about 8 weeks. The longest 8 weeks of my life. RubyMars: I’m sure. AHall80: I want a shitty, greasy, deep dish pizza like you can’t imagine. I can already taste it. AHall80: A hot shower… a real bed… AC everywhere… RubyMars: Clean clothes? AHall80: Clean clothes. Clean socks. No sand. RubyMars: Clean underwear. RubyMars: No sand? I thought you were planning on going to the beach? AHall80: The beach is different. There’s water. It isn’t just desert and more desert. RubyMars: I guess that makes sense. RubyMars: My brother said once that his goal is to never see sand in his life again. AHall80: For real. RubyMars: What I didn’t finish saying was that he said that, but he’s gone to Cancun twice with his boyfriend, LOL. AHall80: It’s different. I’m over this sand shit. AHall80: Never again RubyMars: Does that mean you’re dead set on not re-enlisting? AHall80: … RubyMars: Whatever you want. I’m not judging. We don’t have to talk about it. AHall80: It’s not that I don’t want to talk about it… RubyMars: But you don’t want to talk about it. AHall80: :] Basically. RubyMars: I’ll change the subject then. RubyMars: Have you gone #2 lately? AHall80: Three days ago. RubyMars: Are you joking? AHall80: I wish. RubyMars: AARON AHall80: I know. I KNOW. RubyMars: Does it hurt? AHall80: Uh, when it comes out? RubyMars: Omg RubyMars: Aaron RubyMars: I meant your stomach. RubyMars: Does your stomach hurt? RubyMars: I can’t breathe RubyMars: Or type RubyMars: I didn’t mean your… rectum. RubyMars: Aaron? RubyMars: Aaron? RubyMars: Are you there? RubyMars: AARON? AHall80: You’re not the only one who couldn’t breathe or type. RubyMars: LMAO I’m crying. AHall80: me too AHall80: me too RubyMars: I mean… you can tell me if your butt hurts too, I guess. AHall80: Ruby, stop RubyMars: Seriously. You can tell me. I won’t judge. RubyMars: It happens. RubyMars: I think. AHall80: Stop RubyMars: I can’t breathe AHall80: I don’t know when the last time I laughed so hard was. AHall80: Everyone is looking at me wondering wtf happened. RubyMars: Your rectum happened AHall80: BYE RubyMars: I can’t stop laughing AHall80: You’re never hearing from me again RubyMars: There are tears coming out of my eyes. AHall80: Bye. I’ll write you again when I find my balls. RubyMars: It was nice knowing you. AHall80: BYE
Mariana Zapata (Dear Aaron)
So you’re working on solo material now?’ ‘I’m back in the studio.’ ‘Forming Wings?’ ‘Oh, I’m not sure I’m Paul.’ ‘So which one are you? Of the four basic personality types.’ ‘I don’t know. You tell me.’ She looked at his face, as if this might help. ‘George, I think.’ ‘Really? Doesn’t everyone want to be John?’ ‘The Pauls all want to be Johns and the Johns are generally unbearable. The Ringos are nice enough and fun. But a George is the classiest option. Trust me,’ she said, ‘a George is the thing to be,’ and he felt satisfied with that. ‘Right. What’s next?
David Nicholls (You Are Here)
But the modern Pharisees don’t see it that way. Instead, these critics put on their $100 blue jeans, leave their nice homes, drive their SUVs to the trendy coffee shop down the street, pull out their $1,000 MacBooks, sip their $8 coffees, and type blog posts about how wealth is evil.
Dave Ramsey (The Legacy Journey: A Radical View of Biblical Wealth and Generosity)
What the hell do you do with your money?” he asks with a shake of his head. “Invest. Save. I don’t know. Buy books.” “How about some shelves, huh? That might be nice. Look at these stacks and stacks of books. Don’t you think they would want a place to live? What kind of bookworm are you?
Meghan Quinn (He's Not My Type (The Vancouver Agitators, #4))
not everyone on this planet is going to like you. It doesn’t matter what you do, what your hairstyle looks like, what type of music you listen to, or how nice you are. Someone somewhere is going to hate you. And thinking you can do anything to change other people’s minds will lead you to insanity.
Perry Noble (Overwhelmed: Winning the War against Worry)
I thought maybe you were different, but you ended up being the same kind of lame guy that I perpetually date, and it just freaks me out a little. That maybe you’re the only type out there. These baby boys who run around in nice clothes, but all they really wanna do is breast-feed for the rest of their days …
Neil LaBute (Fat Pig: A Play)
These rich, white Harvard types. Everything they said sounded like a speech from a candidate for Congress. It was a nice thought, but if so many Americans were already angry at the sight of a black man in uniform, standing tall and proud with a gun in his hand, Aubrey doubted whether a chest full of medals would make a difference.
Julie Berry (Lovely War)
So he asked her what she’d like to drink. Her choice would be crucial. If she orders a decaf, he thought, I’m getting up and leaving. No one was entitled to drink a decaf when it came to this type of encounter. It’s the least gregarious drink there is. Tea isn’t much better. Just met, and already settling into some kind of dull cocoon. You feel like you’re going to end up spending Sunday afternoons watching TV. Or worse: at the in-laws’. Yes, tea is indisputably in-law territory. Then what? Alcohol? No good for this time of day. You could have qualms about a woman who starts drinking right away like that. Even a glass of red wine isn’t going to cut it. François kept waiting for her to choose what she’d like to drink, and this was how he kept up his liquid analysis of first impressions of women. What was left now? Coke, or any type of soda … no, not possible, that didn’t say woman at all. Might as well ask for a straw, too, while she was at it. Finally he decided that juice was good. Yes, juice, that was nice. It’s friendly and not too aggressive. You can sense the kind of sweet, well-balanced woman who would make such a choice. But which juice? Better to avoid the great classics: apple, orange, too popular. It would have to be only slightly original without being completely eccentric. Papaya or guava—frightening. No, the best is choosing something in between, like apricot. That’s it. Apricot juice: perfect. If she chooses it, I’ll marry her, thought François. At that precise instant, Natalie raised her head from the menu, as if emerging from a long reflection. It was the same reflection in which the stranger opposite her had just been absorbed. “I’ll have a juice…” “…?” “Apricot juice, I guess.” He looked at her as if she were a violation of reality.
David Foenkinos (Delicacy)
This idea about crossing borders many times a day on the internet…Well, imagine there’s a blogger in Australia and they’ve written a nice article and actually they want to be paid a little bit of money when people read their thing. He’s not set up on Visa, you don’t want to type out all this stuff on a credit card. Surely, if you were to pay him 50p’s worth of bitcoin for this incredible article that he’s written, or a piece of data that he’s calculated that for some reason has value to you, it enables little transactions like that to happen on a vast scale. You can do it quickly and simply and get rid of all this noise in the middle. Ironically, I think cryptos are more likely to push the world towards paid content than the other way around – because they enable it in a way that wasn’t possible before.
Dominic Frisby (Bitcoin: the Future of Money?)
I stopped typing and started having a conversation about the blog post with my boyfriend. He said he’d liked the part where the narrator had explained that, while she was disturbed by the revelation that the Internet writer had a girlfriend – because that meant he wasn’t the pure ethical person she’d perceived him to be via reading his literary criticism (which, !) –she was flattered and aroused that he was overcoming his principles in order to be with her. Keith said, “It’s like he can do no wrong. I thought that was nice.” I surprised myself by turning to him and shouting. “It’s a SLAVE MENTALITY. IT’S A SLAVE MENTALITY!!!” I tried to explain what I meant. I talked about how Ellen Willis had a theory that women didn’t know what their true sexuality was like, because they’d been conditioned to develop fantasies that enable them to act in a way that conforms to what men want from them, or what they think men want from them. And I thought about how Eileen Myles described the difference between having sex with men and having sex with women, how having sex with men was more about forcing yourself into what their idea of what sex was supposed to be. I told him that in my experience men do not often become suddenly charmed or intrigued by aspects of women that they have also perceived as off-putting or scary. Men, heterosexual men, don’t tend to make excuses for women and find reasons to admire them despite and even slightly because of their faults, unless their faults are cute little hole-in-the-stocking faults. Whereas women, heterosexual women, are capable of finding being ignored, being alternately worshiped and insulted, not to mention male pattern baldness, not just tolerable but erotic.
Emily Gould
The Misunderstood Social Butterfly   Like manipulative mothers, scheming co-workers act nice toward their intended target and present themselves as a victim. These schemers make themselves seem misunderstood and victimized to gain their target’s trust. The unwitting target then makes it his or her job to cover for the “victim,” making sure that the “victim” is protected from others.   This forms an exclusive bond between the two parties, with the manipulator effectively cutting off the target’s contact with other employees by painting them in a bad light. The target then becomes the manipulator’s personal pep squad, leaving the employee emotionally and mentally drained.   Typically, the person being manipulated in this type of relationship at work is someone who is hard working, trusting, and unfortunately, often times easy prey to a manipulator. The manipulator sees the victim as the person who is always working late and the person who always “tries to do the right thing”. The manipulator, conversely, often times is the one leaving early, skating by day-to-day, but occasionally has enough “golden opportunities” with the boss to make themselves the “favored employees”. Nearly always a gregarious and outgoing person, these manipulative people can be true terrors to those whom they manipulate.
Sarah Goldberg (Manipulative People: Learn To Turn The Tables & Manipulate The Manipulator!)
No! It isn't fair! Rachel is EVERYONE'S type! I mean, she's attractive and athletic and well put together and successful and went to Yale and is making a difference in the world. What about ME? What about nice girls like me, who are just...well, nice? What about the nice girls? How are we supposed to compete with all of these competent, athletic, shower-taking girls, with their diplomas and their Palm Pilots and their teeny tiny butts?
Meg Cabot (Size 12 Is Not Fat (Heather Wells, #1))
I decided to call him Ford Prefect. (This was a joke that missed American audiences entirely, of course, since they had never heard of the rather oddly named little car, and many thought it was a typing error for Perfect.) I explained in the text that the minimal research my alien character had done before arriving on this planet had led him to think that this name would be “nicely inconspicuous.” He had simply mistaken the dominant life form.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
And so, beginning with the small early frustrations and deprivations, the child is helped to govern himself. his ego develops by learning to regulate his own food intake and feces evacuation: he has to learn to adapt to a social schedule, to an external measure of time, in place of a biological schedule of internal urges. In all this he makes a bitter discovery: that he is no longer himself, just by seeking pleasure. There may be more excitement in the world but the fun keep getting interrupted. For some strange reason the mother doesn’t share his glee over a bowel movement on the sofa. The child finds that he has to “earn" the mother’s love by performing in a certain way. He comes to realize that he has to abandon the idea of “total excitement" and “uninterrupted fun," if he wants to keep a secure background of love from the mother. This is what Alfred Adler meant when he spoke of the child’s need for affection as the “lever" of his education. The child learns to accept frustrations so long as the total relationship is not endangered. This is what the psychoanalytic word “ambivalence" so nicely covers: the child may hesitate between giving up what has previously been an assured satisfaction, and proceeding to a new type of conduct which will be rewarded by a new kind of acceptance. Does he want to keep the breast instead of switching to the bottle? He finds that if he makes this switch he gets a special cooing of praise and a little extra attention. Ambivalence describes the process whereby the infant is propelled forward into increasing mastery by his developing ego, while at the same time he is lulled backward into a safe dependence by his need for approval and easy gratification; he is caught in the bind, as we all are, between new and uncertain rewards and tried and tested ones.
Ernest Becker
the moderator asked Hillary how she felt when people said she was not “likable.” Now, this was the type of question that drove me nuts on several levels. It was trivial. It was unanswerable—what’s a person supposed to say to something like that? And it was indicative of a double standard that Hillary specifically and women politicians in general had to put up with, in which they were expected to be “nice” in ways that were never deemed relevant to their male counterparts.
Barack Obama (A Promised Land)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Around midnight, I got up from my bed and sat at my computer. I typed out a new blog post. I guess I’ve been sort of lucky in my life. Most of the people I’ve known have been pretty nice. Even when they haven’t known how to react to me or they’ve said something stupid or they’ve given me one of the looks, at least it wasn’t out of meanness. Maybe fear. Maybe ignorance. But not usually meanness. Sure, people have said mean things. People have made fun of me. People have been rude to me. But I never knew the degree to which people could be mean. And it turns out people can be meaner than I ever imagined. So I guess I’ve been lucky that I made it all the way to fourteen without having to come face to face with this unbearable level of meanness. And I don’t know what to do with this knowledge right now. I’ve always liked to believe the best in people—that people can change. That there’s good in everyone—or at least more good than bad in everyone. But I know now that I was wrong. It sucks to be wrong. And I don’t ever want to be wrong about that again. Then I deleted it.
Dusti Bowling (Momentous Events in the Life of a Cactus)
She had grown up with they type, science majors with little straight mouths and receding hairlines and those plastic liners in their shirt pockets in case their pens leaked, working away systematically at the problems, with government funds and nice little wives and children to go home to at night. But then she recognized this thought as sheer prejudice left over from her old life, before sheer womanhood had exploded within her and she realized that the world men had systematically made was all dreary poison, good for nothing really but battlefields and waste sites.
John Updike (The Witches of Eastwick)
It was the convention not to admit it, not to accept detail for this type of detail would mean choice and choice would mean responsibility and what if we failed in our responsibility? Failed too, in the interrogation of the consequence of seeing more than we could cope with? Worse, what if it was nice, whatever it was, and we liked it, got used to it, were cheered up by it, came to rely upon it, only for it to go away, or be wrenched away, never to come back again? Better not to have had it in the first place was the prevailing feeling, and that was why blue was the colour for our sky to be.
Anna Burns (Milkman)
Minutes later, the door flung wide and Ben drew in a ragged breath with a decent attempt to control his lungs. “All done? You cough for the nice lady?” “Yeah, it was everything I hoped for and more. Where have you been?” Ben hacked and then cleared his throat. “Art building.” Art…? Ben really wasn’t the artsy type. “Why?” “Isn’t it obvious?” Cam leaned toward me and whisper-hissed, “It’s the gayness.” Ben scowled at his brother. “Yes, all gays have an affinity for art. We lose control of our bodies and are pulled toward it like a tractor beam.” Eyes of warm whiskey glittered up at me as Cam kicked his legs out, landing on the carpet. “Told ya.
Ashlan Thomas (The Silent Cries of a Magpie (Cove, #1))
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
One time I went to Vancouver to talk to the students there, and they had a party with a real hot rock-type band playing down in the basement. The band was very nice: they had an extra cowbell lying around, and they encouraged me to play it. So I started to play a little bit, and since their music was very rhythmic (and the cowbell is just an accompaniment—you can’t screw it up) I really got hot. After the party was over, the guy who organized the party told me that the bandleader said, “Geez! Who was that guy who came down and played on the cowbell! He can really knock out a rhythm on that thing! And by the way, that big shot this party was supposed to be for—you know, he never came down here; I never did see who it was!
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
And come to think of it, he won't ever invite me to his place, not even once. I will never see the grazing animals, the farmhouse or the vineyards surrounding it. I will never see its interior, the cool tiles, the plaster walls, the dark rooms with low ceilings, the heavy, solid furniture. (I've invented all this, you know, precisely because I never saw it.) I won't ever meet his parents, not even from afar. There will be no handshake, no pleasantries exchanged between us; I presume that he would never have spoken to them about me, even inadvertently (he's not the inadvertent type). I would have liked to have seen which one he most resembled. Obviously, I wouldn't have betrayed him. I would've played the role of the nice schoolmate. I'm capable of playing any part.
Philippe Besson (Lie With Me)
In terms of the Trinity, I believe in the Father and the Holy Ghost but not really Jesus that much. Yes, Jesus was pretty badass because he stood up for what he believed in and was definitely an alpha and a man of his convictions, and all that respectable shit, and he took a hell of a beating in the end, but his message was wrong. All that turn the other cheek and love thy neighbor nonsense; be a lamb and so on. It’s silly and doesn’t work. The God of the Old Testament, the Father, that guy makes a lot more sense to me. He had it in him to be mean and spiteful. I get that I was made in the image of a guy who’d fuck over a nobody like Job basically for fun and to prove a point to a rival. I get that I was made in the image of a guy who’d kick two shitheads out of the Garden of Eden for disobeying Him. I get the idea of Him laying waste to entire cities with fireballs or whatever because He didn’t very much like the type of people that lived there (though Sodom and Gomorrah seem like just the sort of places I’d like to hang out). If God is love, it ain’t Jesus’. The Father’s love, tough love, is what works. Sometimes there’s difficulty distinguishing it from hate, and that’s why it applies to the way I live my life. Jesus’ message just makes people nice, makes them pussies, and while I’m thankful for it because it’s given me the upper hand throughout my life in very Christian America, believing in it, really, would be idiotic for anyone like me, a winner. And I believe in the Holy Ghost too mostly because I’ve felt Him working through me while doing really cool shit, like playing football and writing good songs or whatever. He’s what people mean when they say God-given talent, which I have a lot of.
A.D. Aliwat (Alpha)
Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment. He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in. “And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way. Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different. “Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain was telling him he was being a drunken idiot and that the man before him wasn't attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen. “It's not, Lachlan. It really isn't.” “But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant. Cormag cupped his face, capturing his undivided attention again. “No. Not that either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.
Elaine White (Decadent (Decadent, #1))
At the heart of every child is the need for play. Play is important for creativity, learning, and interacting with peers. But it’s also the way children communicate. If we want to show our children we love them, we need to play with them. Play is the magical portal to connection. Playing with our children isn’t about enjoying the activity as much as it is about connecting with them. Much as with love languages or personality types, understanding how our children play is critical. Author and psychologist Lawrence J. Cohen, the author of Playful Parenting, wrote, “Play is important, not just because children do so much of it, but because there are layers and layers of meaning to even the most casual play.” He pointed out the various layers of a father and son playing catch—from developing hand-eye coordination and the joy of learning a new skill to the bonding time the two are sharing. “The rhythm of the ball flying back and forth is a bridge,” Cohen wrote, “reestablishing a deep connection between adult and child; and comments like ‘good try’ and ‘nice catch’ build confidence and trust.
Ainsley Arment (The Call of the Wild and Free: Reclaiming Wonder in Your Child's Education)
You look nice,” he commented, before thanking her for the wine and making his way outside to the porch. Grateful he had turned away and so couldn’t see her blush, she fussed about in the kitchen for a while, preparing a dressing for the side salad, adding a few chopped herbs as an afterthought. Happy that all was well, she joined him, looking forward to another evening of lighthearted chat. “I thought we’d eat out here tonight, if that’s okay. It’s a lovely evening. We should make the most of it,” she said as she drew up a chair opposite him. “Definitely,” he replied, staring out toward Gull Rock. “Beautiful,” she sighed, realizing too late she was still looking at him as she spoke. Averting her eyes, she added, “The view, I mean.” “Oh, so not me?” he joked, one eyebrow raised in challenge. Recovering quickly, she grinned back. “You’re okay, I guess. Not my type, but I’m sure there’s plenty out there who’ll appreciate you.” “Thanks very much.” He appeared somewhat crestfallen. “I don’t know whether to be flattered or insulted.” “A bit of both, I think.” She winked, before heading back to the kitchen to bring dinner out.
Shani Struthers
tried to go to a counselor, but it was just too weird. Talking to some stranger about my feelings made me want to vomit. I did go to the library, and I learned that behavior I considered commonplace was the subject of pretty intense academic study. Psychologists call the everyday occurrences of my and Lindsay’s life “adverse childhood experiences,” or ACEs. ACEs are traumatic childhood events, and their consequences reach far into adulthood. The trauma need not be physical. The following events or feelings are some of the most common ACEs: •​being sworn at, insulted, or humiliated by parents •​being pushed, grabbed, or having something thrown at you •​feeling that your family didn’t support each other •​having parents who were separated or divorced •​living with an alcoholic or a drug user •​living with someone who was depressed or attempted suicide •​watching a loved one be physically abused. ACEs happen everywhere, in every community. But studies have shown that ACEs are far more common in my corner of the demographic world. A report by the Wisconsin Children’s Trust Fund showed that among those with a college degree or more (the non–working class), fewer than half had experienced an ACE. Among the working class, well over half had at least one ACE, while about 40 percent had multiple ACEs. This is really striking—four in every ten working-class people had faced multiple instances of childhood trauma. For the non–working class, that number was 29 percent. I gave a quiz to Aunt Wee, Uncle Dan, Lindsay, and Usha that psychologists use to measure the number of ACEs a person has faced. Aunt Wee scored a seven—higher even than Lindsay and me, who each scored a six. Dan and Usha—the two people whose families seemed nice to the point of oddity—each scored a zero. The weird people were the ones who hadn’t faced any childhood trauma. Children with multiple ACEs are more likely to struggle with anxiety and depression, to suffer from heart disease and obesity, and to contract certain types of cancers. They’re also more likely to underperform in school and suffer from relationship instability as adults. Even excessive shouting can damage a kid’s sense of security and contribute to mental health and behavioral issues down the road. Harvard pediatricians have studied the effect that childhood trauma has on the mind. In addition to later negative
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
What’d you think?” Dan asked as we buckled into the Acclaim after another Sunday under the big top. “I wonder if they realize their worship songs include both amillennial and premillennial theology,” I said with a sigh. “Also, what’s this business from the preacher about Moses writing Numbers? I mean, everyone knows Moses didn’t actually write the book of Numbers. It originated from a combination of written and oral tradition and was assembled and edited by Jewish priests sometime during the postexilic period as an exercise in national self-definition. You can look that up on Wikipedia. And, while we’re at it, a bit more Christology applied to the Old Testament text would be nice.” “Um, Rach, the sermon today was about humility.” Lord, have mercy. See, I’ve got this coping mechanism thing where, when I’m feeling frightened or vulnerable or over my head, I intellectualize the situation to try and regain a sense of control. . . . In some religious traditions, this particular coping mechanism is known as pride. I confess I preened it. I scoffed at the idea of being taught or led. Deconstructing was so much safer than trusting, so much easier than letting people in. I knew exactly what type of Christian I didn’t want to be, but I was too frightened, or too rebellious, or too wounded, to imagine what might be next. Like a garish conch shell, my cynicism protected me from disappointment, or so I believed, so I expected the worst and smirked when I found it. So many of our sins begin with fear . . .
Rachel Held Evans
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
Anonymous
The people are pieces of software called avatars. They are the audiovisual bodies that people use to communicate with each other in the Metaverse. Hiro's avatar is now on the Street, too, and if the couples coming off the monorail look over in his direction, they can see him, just as he's seeing them. They could strike up a conversation: Hiro in the U-Stor-It in L.A. and the four teenagers probably on a couch in a suburb of Chicago, each with their own laptop. But they probably won't talk to each other, any more than they would in Reality. These are nice kids, and they don't want to talk to a solitary crossbreed with a slick custom avatar who's packing a couple of swords. Your avatar can look any way you want it to, up to the limitations of your equipment. If you're ugly, you can make your avatar beautiful. If you've just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these. Hiro's avatar just looks like Hiro, with the difference that no matter what Hiro is wearing in Reality, his avatar always wears a black leather kimono. Most hacker types don't go in for garish avatars, because they know that it takes a lot more sophistication to render a realistic human face than a talking penis. Kind of the way people who really know clothing can appreciate the fine details that separate a cheap gray wool suit from an expensive hand-tailored gray wool suit. You can't just materialize anywhere in the Metaverse, like Captain Kirk beaming down from on high. This would be confusing and irritating to the people around you. It would break the metaphor. Materializing out of nowhere (or vanishing back into Reality) is considered to be a private function best done in the confines of your own House. Most avatars nowadays are anatomically correct, and naked as a babe when they are first created, so in any case, you have to make yourself decent before you emerge onto the Street. Unless you're something intrinsically indecent and you don't care.
Neal Stephenson (Snow Crash)
Maddy’s going to pop soon,” Cooper said, finishing his beer and getting ready to head out. “Tucker is attached to her. It’s pretty fucking adorable. The guy about wets his pants every time she makes any noise that might be labor pain.” “You’ll be an uncle soon.” “I’m already an uncle,” Cooper mumbled, sliding on his jacket. “I just can’t hold the kid yet.” “You and Farah still planning on trying?” “No planning. We’re just trying now. She’s off the pill. Whenever it happens, it’ll be cool. Farah worries she’ll suck at being a mom. Can you believe that shit?” Cooper asked as his dark eyes warmed at the thought of his wife. “The way she takes care of Sawyer and me and everyone else and she thinks she’ll be a bad mom. These girls with their shit families get all fucked up in the head and no logic is going to fix it. They just need to face their fears and see how amazing they are when their idiot parents aren’t around to fuck things up.” “Should I fix things for Lark?” “I don’t know. If it was me, I’d go smack her stupid brother and father around. I don’t know if that’d be a good idea though. Those fucks aren’t low life drifters like Farah’s parents. That Larry asshole is a respectable member of the community. If you want to smack him around, you’ll need to do it in a more subtle way. Of course, if he ever fucks with you, we can just remind Mister Upstanding how his kind doesn’t run Ellsberg. It’s us dirty biker types who keep his house from burning down or his head from getting cracked open. If it comes down to it, I’ll help you take him down. Pop says behave. I say I’ve got my bud’s back.” Grinning, I shoved him away from me. “Crap. I’m worried you might hug me next.” “I was thinking about it,” Cooper said, smiling. “Farah’s turned me all nice and shit. I’m getting manners too. It’s disgusting.” “Horrifying,” I teased. “Thanks for the offer, but I feel like Lark needs to make a move. If she needs me to, I’ll burn down houses and crack open skulls. Right now, I feel like maybe she needs to find her way back to me. If she does, I’m keeping her and ruining anyone who tries to take her away.” “Now, there’s the punk ass jerk I became friends with.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Anyone want to help me start PAPA, Parents for Alternatives to Punishment Association? (There is already a group in England called ‘EPPOCH’ for end physical punishment of children.) In Kohn’s other great book Beyond Discipline: From Compliance to Community, he explains how all punishments, even the sneaky, repackaged, “nice” punishments called logical or natural consequences, destroy any respectful, loving relationship between adult and child and impede the process of ethical development. (Need I mention Enron, Martha Stewart, the Iraqi Abu Ghraib prisoner abuse scandal or certain car repairmen?) Any type of coercion, whether it is the seduction of rewards or the humiliation of punishment, creates a tear in the fabric of relational connection between adults and children. Then adults become simply dispensers of goodies and authoritarian dispensers of controlling punishments. The atmosphere of fear and scarcity grows as the sense of connectedness that fosters true and generous cooperation, giving from the heart, withers. Using punishments and rewards is like drinking salt water. It does create a short-term relief, but long-term it makes matters worse. This desert of emotional connectedness is fertile ground for acting-out to get attention. Punishment is a use of force, in the negative sense of that word, not an expression of true power or strength. David R. Hawkins, M.D., Ph.D. author of the book Power v. Force writes “force is the universal substitute for truth. The need to control others stems from lack of power, just as vanity stems from lack of self-esteem. Punishment is a form of violence, an ineffective substitute for power. Sadly though parents are afraid not to hit and punish their children for fear they will turn out to be bank robbers. But the truth may well be the opposite. Research shows that virtually all felony offenders were harshly punished as children. Besides children learn thru modeling. Punishment models the tactic of deliberately creating pain for another to get something you want to happen. Punishment does not teach children to care about how their actions might create pain for another, it teaches them it is ok to create pain for another if you have the power to get away with it. Basically might makes right. Punishment gets children to focus on themselves and what is happening to them instead of developing empathy for how their behavior affects another. Creating
Kelly Bryson (Don't Be Nice, Be Real)
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal. Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder. "I saw him first," Nicky said. "I thought you had Erik," Neil said. "I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three." Neil pretended to understand and changed the topic. "How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it [...]." The stadium door slammed open as Andrew showed up at last. [...] "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. [...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting." [...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all [...].
Nora Sakavic (The Foxhole Court (All for the Game, #1))