Newspaper And Coffee Quotes

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Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home — and regardless of whether or not I have been to bed — breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert… Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good music… All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.
Hunter S. Thompson
Happiness So early it's still almost dark out. I'm near the window with coffee, and the usual early morning stuff that passes for thought. When I see the boy and his friend walking up the road to deliver the newspaper. They wear caps and sweaters, and one boy has a bag over his shoulder. They are so happy they aren't saying anything, these boys. I think if they could, they would take each other's arm. It's early in the morning, and they are doing this thing together. They come on, slowly. The sky is taking on light, though the moon still hangs pale over the water. Such beauty that for a minute death and ambition, even love, doesn't enter into this. Happiness. It comes on unexpectedly. And goes beyond, really, any early morning talk about it.
Raymond Carver
It was what she'd most enjoyed about being married to Jim. It wasn't only the heady flush of emotions when they'd made love that enthralled her; more than that, it was the lazy mornings they'd spent reading the newspaper in bed while drinking coffee, or the cold December mornings they'd planted bulbs in the garden, or the hours they'd spent traipsing through various stores, picking out bedroom furniture, debating cherry or maple. Those were the moments she felt most content, when she finally allowed herself to believe in the impossible. Those were the moments when all seemed right in the world.
Nicholas Sparks (The Guardian)
In my perfect world order, it is cold all the time. Everyone wears sweaters and drinks coffee. People don't speak to each other; they read the newspaper. There is no loud music, and cats are in charge.
Michael Showalter (Mr. Funny Pants)
We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra. Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.
Sachin Kundalkar (Cobalt Blue)
Heaven, such as it is, is right here on earth. Behold: my revelation: I stand at the door in the morning, and lo, there is a newspaper, in sight like unto an emerald. And holy, holy, holy is the coffee, which was, and is, and is to come. And hark, I hear the voice of an angel round about the radio saying, "Since my baby left me I found a new place to dwell." And lo, after this I beheld a great multitude, which no man could number, of shoes. And after these things I will hasten unto a taxicab and to a theater, where a ticket will be given unto me, and lo, it will be a matinee, and a film that doeth great wonders. And when it is finished, the heavens will open, and out will cometh a rain fragrant as myrrh, and yea, I have an umbrella.
Sarah Vowell (Take the Cannoli)
There were two basic things in life, which no South Indian will ever compromise on: The Hindu newspaper, and his morning cup of coffee.
Ravi Subramanian (If God Was A Banker)
He closed the fridge door, made his last breakfast - scrambled eggs - and showered, dressed, combed his hair, left for the theater an hour early so he'd have time to linger with the newspaper over his second-to-last coffee at his favorite coffee place, all of the small details that comprise a morning, a life.
Emily St. John Mandel (Station Eleven)
Then it started to rain, so she went inside and made some coffee and did what she had never done in her life: tried the newspaper crossword. “What a stupid exercise,” said her dæmon after five minutes. “Words belong in contexts, not pegged out like biological specimens.
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
Books were everywhere in their large apartment. Histories, biographies, novels, studies on Quebec antiques, poetry. Placed in orderly bookcases. Just about every table had at least one book on it, and oftern several magazines. And the weekend newspapers were scattered on the coffee table in the living room, in front of the fireplace. If a visitor was the observant type, and made it further into the apartment to Gamache's study, he might see the story the books in there told.
Louise Penny (A Trick of the Light (Chief Inspector Armand Gamache, #7))
I took ten days off and by 11 o’clock on the first morning I had drunk fourteen cups of coffee, read all the newspapers and the Guardian and then… and then what? By lunchtime I was so bored that I decided to hang a few pictures. So I found a hammer, and later a man came to replaster the bits of wall I had demolished. Then I tried to fix the electric gates, which work only when there’s an omega in the month. So I went down the drive with a spanner, and later another man came to put them back together again. I was just about to start on the Aga, which had broken down on Christmas Eve, as they do, when my wife took me on one side by my earlobe and explained that builders do not, on the whole, spend their spare time writing, so writers should not build on their days off. It’s expensive and it can be dangerous, she said.
Jeremy Clarkson (The World According to Clarkson (World According to Clarkson, #1))
She paid for the coffee, took a used newspaper out of the bin, and sat in a comfortable leather armchair. She was shocked to see that people didn't move on after twenty minutes. Apparently, the price of one cup of coffee brought you the rental of an armchair and a free newspaper for as long as you liked, the whole morning if you wished.
William Kuhn (Mrs Queen Takes the Train)
We live now in an information technology. Flowers have always lived in an information technology. Flowers gather information all day. At night, they process it. This is called photosynthesis. As our neocortex comes into full use, we, too will practice photosyntesis. As a matter of fact, we already do, but compared for flowers, our kind is primitive and limited. For one thing, information gathered from daily newspapers, soap operas, sales conferences and coffee klatches is inferior to information gathered from sunlight.... Either because our data is insufficient or because our processing equipment is not fully on line, our own noctural processing is part-time work. The information our conscious minds receive during waking hours is processed by our unconscious during so called "deep sleep". We are in deep sleep only two or three hours a night. For the rest of our sleeping session, the unconscious mind is off duty. It gets bored. It craves recreation. So it plays with the material at hand. In a sense, it palys with itself. It scrambles memories, juggles images, rearranges data, invents scary or titillating stories. This is what we call "dreaming".
Tom Robbins (Jitterbug Perfume)
Our Yorkshire terrier, Prescott Peabody III, was getting up there in years, so he wasn’t as desperate for outside time as he used to be. He took so long to poop these days that I felt the desire to bring him a newspaper and a cup of coffee.
Annabel Chase (Magic & Mythos (Starry Hollow Witches, #8))
In the restroom, Pataki entered the biggest stall, his favorite, and sat his coffee and paper on a side table. He then unbuckled, unzipped, and pulled down his pants and boxers and sat on the toilet. He immediately peed a long, drawn-out pee. And then, as was his custom, he opened his newspaper, picked up his coffee mug, and began reading and sipping coffee as he waited for his number two to arrive.
Mallory Monroe (His Forbidden Love (Alex Drakos, #1))
The hipster narrative about gentrification isn’t necessarily inaccurate—young people are indeed moving to cities and opening craft breweries and wearing tight clothing—but it is misleading in its myopia. Someone who learned about gentrification solely through newspaper articles might come away believing that gentrification is just the culmination of several hundred thousand people’s individual wills to open coffee shops and cute boutiques, grow mustaches and buy records. But those are the signs of gentrification, not its causes. As
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
The Dr. Nuts seemed only as an acid gurgling down into his intestine. He filled with gas, the sealed valve trapping it just as one pinches the mouth of a balloon. Great eructations rose from his throat and bounced upward toward the refuse-laden bowl of the milk glass chandelier. Once a person was asked to step into this brutal century, anything could happen. Everywhere there lurked pitfalls like Abelman, the insipid Crusaders for Moorish Dignity, the Mancuso cretin, Dorian Greene, newspaper reporters, stripteasers, birds, photography, juvenile delinquents, Nazi pornographers. And especially Myrna Minkoff. The musky minx must be dealt with. Somehow. Someday. She must pay. Whatever happened, he must attend to her even if the revenge took years and he had to stalk her through decades from one coffee shop to another, from one folksinging orgy to another, from subway train to pad to cotton field to demonstration. Ignatius invoked an elaborate Elizabethan curse upon Myrna and, rolling over, frantically abused the glove once more.
John Kennedy Toole (A Confederacy of Dunces)
And in what business is there not humbug? “There’s cheating in all trades but ours,” is the prompt reply from the boot-maker with his brown paper soles, the grocer with his floury sugar and chicoried coffee, the butcher with his mysterious sausages and queer veal, the dry goods man with his “damaged goods wet at the great fire” and his “selling at a ruinous loss,” the stock-broker with his brazen assurance that your company is bankrupt and your stock not worth a cent (if he wants to buy it,) the horse jockey with his black arts and spavined brutes, the milkman with his tin aquaria, the land agent with his nice new maps and beautiful descriptions of distant scenery, the newspaper man with his “immense circulation,” the publisher with his “Great American Novel,” the city auctioneer with his “Pictures by the Old Masters”—all and every one protest each his own innocence, and warn you against the deceits of the rest. My inexperienced friend, take it for granted that they all tell the truth—about each other! and then transact your business to the best of your ability on your own judgment.
P.T. Barnum (The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All Ages)
And suddenly the miracle happens. I look across at the woman who has just made some coffee and is now reading the newspaper, whose eyes look tired and desperate, who is her usual silent self, who does not always show her affection in gestures, the woman who made me say yes when i wanted to say no, who forced me to fight for what she, quiet rightly, believed was my reason for living, who let me set off alone because her love for me was greater even than her love for herself, who made me go in serch of my dream,; and suddenly, seeing that small, quiet woman, whose eyes said more than words, who was often terrified inside, but always courageous in her actions, who could love someone without humbling herself and who never ever apologized for fighting for her man - suddenly. my fingers press down on the keys.
Paulo Coelho (The Zahir)
I think there are crossroads in our lives when we make grand, sweeping decisions without even realizing it. Like scanning the newspaper headline at a red light, and therefore missing the rogue van that jumps the line of traffic and causes an accident. Entering a coffee shop on a whim and meeting the man you will marry one day, while he’s digging for change at the counter. Or this one: instructing your husband to meet you, when for hours you have been convincing yourself this is nothing important at all.
Jodi Picoult (My Sister's Keeper)
I took a sip of my coffee, sat the folder on the counter, and began reading the newspaper. “In the cold, gray dawn of September the twenty-eighth . . .” Dickens. “. . . The slippery bank where the life of Cody Pritchard came to an ignominious end . . .” Faulkner. “Questioning society with the simple query, why?” Steinbeck. “Dead.” Hemingway. Ernie
Craig Johnson (The Cold Dish (Walt Longmire, #1))
This is what Sweden is - quiet people leaning over the newspapers and coffee cups, each one with his own thoughts and destiny.
Henning Mankell (The Man from Beijing)
Linus makes us thermoses of coffee in the morning and we take them to the beach, where the sky is gray and the ocean is gray and it feels like being wrapped in a newspaper.
Rachel Khong (Goodbye, Vitamin)
Victor,” he asked, “what do adults do all day?” “Work,” Victor answered, “eat, shop, pay bills, use the phone, read newspapers, drink coffee, sleep.
Cornelia Funke (The Thief Lord)
On Sundays they went to a café and drank coffee. Ove read the newspaper and Sonja talked. And then it was Monday. And one Monday she was no longer there.
Fredrik Backman (A Man Called Otto)
In the train station, people were drinking coffee and reading newspapers. I felt glad to see that life was going on—actual life, where people were working and staying awake and trying to accomplish things, which was the point of coffee. There was a poem with that mood by Pasternak: “Don’t sleep, don’t sleep, artist.” It sounded better in Russian, because the word for “artist” had three syllables, it was an amphibrach, like “spaghetti,” or “appendix.” Don’t sleep, don’t sleep, gorilla, I thought as I went down the elevator to the subway platform.
Elif Batuman (The Idiot)
A man awakes every morning and instead of reading the newspaper reads Act V of Othello. He sips his coffee and is content that this is the news he needs as his wife looks on helplessly.
B.J. Ward (Jackleg Opera: Collected Poems, 1990 to 2013)
Personally I can think of nothing more exciting—certainly nothing you could do in a public place with a cup of coffee—than to read newspapers from a part of the world you know almost nothing about.
Bill Bryson (In a Sunburned Country)
What’s wrong?” Billy’s question had me looking up. My second-oldest brother was already  dressed for work in his suit and tie. “And shouldn’t you be fishing with Hank?” “I cancelled. I have an errand to run.” Grabbing a coffee cup from the cabinet, I tossed a thumb over my shoulder. “The toilet is acting funny.” “Like what? You mean satire?” This question came from Cletus, not bothering to glance away from where he was reading at the table. He was still in his pajamas, his curly hair a mess.Nevertheless, I was surprised to see him up so early. “No, I mean—” “I hope it’s a dark comedy,” he added, still not removing his attention from the newspaper. “Cletus. That’s disgusting.”Sitting across from Cletus, Duane’s tone was reprimanding. Finally, Cletus tore his eyes from the paper. “What?” “Dark comedy?” My twin lifted his eyebrows.“Meaning poop?” “No, Duane.” Cletus paired this with a suffering sigh. “That would make it a shitty comedy,” I piped in, adding fuel to the conversation fire as I was prone to do, feeling more myself as I smiled. “Y’all are a bunch of toilets,” Billy mumbled under his breath. We all turned our attention to our older brother, with Cletus speaking for us, “Let me guess, because toilets in this house actfunny?” Billy tilted his cup toward Cletus. “Exactly.” I grinned, the rawness in me settling. Being around my brothers was a salve and a good reminder. We had all lived through dark times—sometimes together, sometimes separately—yet here we were, making toilet jokes on a Wednesday before 7:00 AM.
Penny Reid (Beard in Mind (Winston Brothers, #4))
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
We jogged down to the promenade in companionable silence, Adam taking the occasional swig from his coffee and tearing off chunks of baguette to eat on the way. Any second now he'll get the newspaper out and start doing the crossword, I thought.
Clare Chambers (Bright Girls)
Mike rejoined them, carrying coffees on a tray and the New York Times, interrupting David’s introspection. “Guys, you are never going to believe this!” “They still print paper newspapers?” David said sarcastically. “You’re right, I don’t believe it.
William Hertling (Avogadro Corp (Singularity, #1))
In our world, that's the way you live your grown-up life: you must constantly rebuild your identity as an adult, the way it's been put together it is wobbly, ephemeral, and fragile, it cloaks despair and, when you're alone in front of the mirror, it tells you the lies you need to believe. For Papa, the newspaper and the coffee are magic wands that transform him into an important man. Like a pumpkin into a coach. Of course he finds this very satisfying: I never see him as calm and relaxed as when he's sitting drinking his six o'clock coffee. But at such a price! You pay such a price when you lead a false life! When the mask is taken away, when there's a crisis - and there's always a crisis at some point among mortals - the truth is terrible!
Muriel Barbery (The Elegance of the Hedgehog)
Having finished the newspaper, a second cup of coffee, and a kalatch with butter, he got up, brushed the crumbs from his waistcoat and, expanding his broad chest, smiled joyfully, not because there was anything especially pleasant in his heart - the smile was evoked by good digestion.
Leo Tolstoy (Anna Karenina)
Do you know what it came from? said Luke. Mayday? No, I said. It’s a strange word to use for that, isn’t it? Newspapers and coffee, on Sunday mornings, before she was born. There were still newspapers, then. We used to read them in bed. It’s French, he said. From m’aidez. Help me.   Coming
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it. Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do? In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work. We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back. A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
Douglas Adams
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
My love, why did you leave me on Lexington Avenue in the Ford that had no brakes? It stalled in the traffic and broke down outside her window. She was writing a letter: I love you very much: Careful Now in capitals. That was a different letter. Yes, but I get confused. One day she saw a golden oriel in the orchard. One day she said, Then have your orgy with Blondie, work out your passion on her. I see it all, the poop of burnished gold. If I got angry and made a scene? But No. No. No, I believe you, of course, I believe you for didn't you say I was the one? Yes, you said, Take care of this girl for she is what makes my blood circulate and all the stars revolve and the seasons return. This was my dream, and why I had circles under my eyes this morning at breakfast. Everyone noticed it, and I think one of them sniggered. You don't take much interest in politics, do you? You never read the newspapers? I drank my coffee, but I had a slight feeling of nausea. It's to be expected, I don't mind it at all, it's nothing. My love, are you feeling better? He can't talk, he can only mutter. O my dear, O my dear, drink a little milk, lie down and rest a little. I will comfort you. I can carry love like Saint Christopher. It is heavy, but I can carry it. It's the stones of suspicion I stumble on. Did I say suspicion? No. No. No. It's nothing. I love you. A slight feeling of nausea, that's all. After a while I got out into the open air, and his face was the moon hanging in the snowy branches.
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
The gossip theory might sound like a joke, but numerous studies support it. Even today the vast majority of human communication – whether in the form of emails, phone calls or newspaper columns – is gossip. It comes so naturally to us that it seems as if our language evolved for this very purpose. Do you think that history professors chat about the reasons for the First World War when they meet for lunch, or that nuclear physicists spend their coffee breaks at scientific conferences talking about quarks? Sometimes. But more often, they gossip about the professor who caught her husband cheating, or the quarrel between the head of the department and the dean, or the rumours that a colleague used his research funds to buy a Lexus. Gossip usually focuses on wrongdoings. Rumour-mongers are the original fourth estate, journalists who inform society about and thus protect it from cheats and freeloaders. Most
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I bought a morning newspaper and found my way into a café. It always amazes me how seldom visitors bother with local papers. Personally I can think of nothing more exciting—certainly nothing you could do in a public place with a cup of coffee—than to read newspapers from a part of the world you know almost nothing about.
Bill Bryson (In a Sunburned Country)
The vintage dinette chairs featured chrome-plated steel legs and seats upholstered in black vinyl. Very 1950s. She liked the ’50s. The world hadn’t gone crazy yet. As she sat at a chromed table with a red Formica top, paging through the newspaper, she drank her first coffee of the day, which she called her “wind-me-up cup.” To
Dean Koontz (Ashley Bell)
He’s a really astonishing fellow, has friends everywhere. Did you know he was on safari with the Viceroy once? Some maharajah fellow was host. I must say I’m surprised he got so drunk. I don’t remember him even keeping up with me. He took me to my hotel last night, put me to bed and all that. Was in fine fettle, a strong arm to lean on. I was counting on him, actually, to get me through the day. But when I came downstairs this morning, the porter fellow told me Rhett had ordered coffee and a newspaper while he waited for me, then suddenly bolted without even paying. I went in the bar to wait for him—Scarlett, what is it? I can’t fathom you today. What are you crying for?
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
...to pick up an old-fashioned newspaper, ink barely dry, staining my fingers in that beautiful hue of grey that is messy and decadent at the same time. I lick to get to the Food section and the Arts and Entertainment section, my greedy little fingers wrapped around both the awkward pages of the dying art and my coffee mug as I curl into what I deem relaxation.
R.B. O'Brien
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
But the coffeehouse was still the best place to keep up with everything new. In order to understand this, it must be said that the Viennese coffeehouse is a particular institution which is not comparable to any other in the world. As a matter of fact, it is a sort of democratic club to which admission costs the small price of a cup of coffee. Upon payment of this mite every guest can sit for hours on end, discuss, write, play cards, receive his mail, and, above all, can go through an unlimited number of newspapers and magazines. Perhaps nothing has contributed as much to the intellectual mobility and the international orientation of the Austrian as that he could keep abreast of all world events in the coffeehouse, and at the same time discuss them in the circle of his friends. For, thanks to the collectivity of our interests, we followed the orbis pictus of artistic events not with two, but with twenty and forty eyes. What one of us had overlooked was noticed by another, and since in our constant childish, boastful, and almost sporting ambition we wished to outdo each other in our knowledge of the very latest thing, we found ourselves actually in a sort of constant rivalry for the sensational.
Stefan Zweig (The World of Yesterday)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
As she crossed the defence team, Indrani saw Sesha sitting in a chair with his legs crossed and looking cool and composed. Mythili, who was by his side, was offering him coffee from a flask. As if they were in a cinema house waiting for the movie to resume after intermission. When everything pointed to an adverse verdict, how could he be so relaxed? He was typing something into his cell phone; perhaps tweeting. He had a massive following on Twitter. It ranged from simple appreciation for his administrative prowess to absolute fetish over everything about him—his trademark cotton pants and shirt, which had become a rage among his female fans, his Santro car, which had become a symbol of simplicity and his frugal dietary habits, which somehow raised him to a sainthood and absolved him of anything wicked. The more the mainstream media like TV and newspapers worked against him, the stronger was the support he got from his Twitter followers.
Hariharan Iyer (Surpanakha)
When we got back to my room, Gilda gave the dog a bowl of water and set some newspaper down in the bathroom for her to pee on. After that was taken care of, I ordered the cheesecake and coffee that Gilda said she has a yen for, and then we continues talking. Sparkle didn’t make a sound — no barking or winning or heaving breathing — she just sat on the floor and looked at the two of us. It must have been strange for her. She was a year old and had been taken from a farm by a stranger, put on an airplane, driven in a limousine, and then hugged and kissed by another stranger. Even when the doorbell rang, she didn’t bark. I thought perhaps she wasn’t able to bark. The waiter brought in the cheesecake and  poured out some coffee for us. When Gilda and I started eating the cheesecake, we heard a little peep form Sparkle. She sounded more like a bird than a dog — a very polite bird — but it was obvious that she wanted her share of cheesecake, which Gilda gave her. So the three of us polished off the cheesecake — “One piece, three forks, please.
Gene Wilder (Kiss Me Like a Stranger: My Search for Love and Art)
How did you know you loved Gramps? The way I felt when I was with him. The things he did to me when he wasn't even touching me at all. Just being near him filled me up inside. And those feelings fade through the years. They peak and valley, coming and going, then the real stuff kicks in, and you truly find out if you love one another. Sometimes you think you have grown apart or made a wrong decision. But then you watch him sitting across the table, the same place he's sat for fifty years, having his coffee and reading his newspaper. And you remember all those old feelings, realizing you wouldn't trade him for anything.
Brooklyn James
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’ ‘I don’t know disassociation.’ ‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’ ‘Engulf means obliterate.’ ‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’ She’s not been looking at Mario this whole time, though Mario’s been looking at her. She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’ She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
David Foster Wallace (Infinite Jest)
She started her first croissant again on the morning the papers an-announced the wreck of the Lusitania. Dipping it into her coffee, she arranged her newspaper so that it would stay open without her having to deprive her other hand of its function of dipping, and exclaimed with horror, “How awful! It’s more frightful than the most terrible tragedies.” But those drowning people must have seemed to her reduced a thousand-fold, for, while she indulged in these saddening reflections, she was filling her mouth and the expression on her face, induced, one supposes, by the savour of the croissant, precious remedy for her headache, was rather that of placid satisfaction.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society—owing to the need, ordinarily developed at years of discretion, for some degree of mental activity—to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family—the monkey. And so Liberalism had become a habit of Stepan Arkadyevitch's, and he liked his newspaper, as he did his cigar after dinner, for the slight fog it diffused in his brain. He read the leading article, in which it was maintained that it was quite senseless in our day to raise an outcry that radicalism was threatening to swallow up all conservative elements, and that the government ought to take measures to crush the revolutionary hydra; that, on the contrary, "in our opinion the danger lies not in that fantastic revolutionary hydra, but in the obstinacy of traditionalism clogging progress," etc., etc. He read another article, too, a financial one, which alluded to Bentham and Mill, and dropped some innuendoes reflecting on the ministry. With his characteristic quickwittedness he caught the drift of each innuendo, divined whence it came, at whom and on what ground it was aimed, and that afforded him, as it always did, a certain satisfaction. But today that satisfaction was embittered by Matrona Philimonovna's advice and the unsatisfactory state of the household. He read, too, that Count Beist was rumored to have left for Wiesbaden, and that one need have no more gray hair, and of the sale of a light carriage, and of a young person seeking a situation; but these items of information did not give him, as usual, a quiet, ironical gratification. Having finished the paper, a second cup of coffee and a roll and butter, he got up, shaking the crumbs of the roll off his waistcoat; and, squaring his broad chest, he smiled joyously: not because there was anything particularly agreeable in his mind—the joyous smile was evoked by a good digestion.
Leo Tolstoy (Anna Karenina)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
The coffee served in the coffeehouses wasn’t necessarily very good coffee. Because of the way coffee was taxed in Britain (by the gallon), the practice was to brew it in large batches, store it cold in barrels, and reheat it a little at a time for serving. So coffee’s appeal in Britain had less to do with being a quality beverage than with being a social lubricant. People went to coffeehouses to meet people of shared interests, gossip, read the latest journals and newspapers—a brand-new word and concept in the 1660s—and exchange information of value to their lives and business. Some took to using coffeehouses as their offices—as, most famously, at Lloyd’s Coffee House on Lombard Street, which gradually evolved into Lloyd’s insurance market.
Bill Bryson (At Home: A Short History of Private Life)
Tommy, Kate and Jesse emerged from the cab, and were hit instantly by the smell of New Jersey. The scent was like something caught between the Fulton Fish Market on a hot summer day and mildewed newspaper. Their thick-bearded driver had followed Jesse’s explicit directions without fault, but he was still a little tentative behind the wheel. After four other cabbies on Broadway said, “I no go Jersey,” (and after Tommy subsequently responded with, “I don’t blame you pal”), they finally found a driver who reluctantly agreed to take them to the once-familiar warehouse. The three of them were so calm and stiff along the way; the only signs of life in the taxi seemed to be the empty coffee cups and candy wrappers sliding back and forth across the dashboard.
Ryan Tim Morris (The Falling)
He sent you a text message that read: FIre Sign - You're compatible with all signs. Your blood group breathes disappointment and happiness. You stick your tongue in the woman's mouth in order to cool down. The fog that burns on the ceiling is the steam of sweat. You buy pins and colored pictures from the shop. You pin them on your flesh when you receive a guest. The firewood comes to you throughout the night, wrapped in nightmares. When you wake up you have a bath on fire. You eat on fire. You read the newspapers on fire. You smoke a cigarette on fire. In the coffee cup you come across prophecies of fire. You laugh on fire. You have your lungs checked at the hospital, and they find a spring of errors that looks like a tumor. You dream of the final act: It goes out.
Hassan Blasim (The Corpse Exhibition and Other Stories of Iraq)
Inside a wool jacket the man had made a pocket for the treasure and from time to time he would jiggle the pocket, just to make sure that it was still there. And when on the train he rode to work he would jiggle it there also, but he would disguise his jiggling of the treasure on the train by devising a distraction. For example, the man would pretend to be profoundly interested in something outside the train, such as the little girl who seemed to be jumping high up on a trampoline, just high enough so that she could spy the man on the train, and in this way he really did become quite interested in what occurred outside the train, although he would still jiggle the treasure, if only out of habit. Also on the train he'd do a crossword puzzle and check his watch by rolling up his sleeve; when he did so he almost fell asleep. Antoine often felt his life to be more tedious with this treasure, because in order not to be overly noticed he had deemed it wise to fall into as much a routine as possible and do everything as casually as possible, and so, as a consequence, despite the fact that he hated his wife and daughter, he didn't leave them, he came home to them every night and he ate the creamed chicken that his wife would prepare for him, he would accept the large, fleshy hand that would push him around while he sat around in his house in an attempt to read or watch the weather, he took out the trash, he got up on time every morning and took a quick, cold shower, he shaved, he accepted the cold eggs and orange juice and coffee, he picked the newspaper off the patio and took it inside with him to read her the top headlines, and of course he went to the job.
Justin Dobbs
The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.
Meg Keene (A Practical Wedding: Creative Ideas for Planning a Beautiful, Affordable, and Meaningful Celebration)
Near Fort Jackson, South Carolina, the first "GI coffeehouse" was set up, a place where soldiers could get coffee and doughnuts, find antiwar literature, and talk freely with others. It was called the UFO, and lasted for several years before it was declared a "public nuisance" and closed by court action. But other GI coffeehouses sprang up in half a dozen other places across the country. An antiwar "bookstore" was opened near Fort Devens, Massachusetts, and another one at the Newport, Rhode Island, naval base. Underground newspapers sprang up at military bases across the country; by 1970 more than fifty were circulating. Among them: About Face in Los Angeles; Fed Up! in Tacoma, Washington; Short Times at Fort Jackson; Vietnam GI in Chicago; Grafiti in Heidelberg, Germany; Bragg Briefs in North Carolina; Last Harass at Fort Gordon, Georgia; Helping Hand at Mountain Home Air Base, Idaho. These newspapers printed antiwar articles, gave news about the harassment of GIs and practical advice on the legal rights of servicemen, told how to resist military domination.
Howard Zinn (A People’s History of the United States)
Unlike Kate, by then I’d had a job. In fact, I’d had sixteen jobs, not including the years I worked as a babysitter before I could legally be anyone’s employee. They were janitor’s assistant (humiliatingly, at my high school), fast-food restaurant worker, laborer at a wildlife refuge, administrative assistant to a Realtor, English as a Second Language tutor, lemonade cart attendant, small town newspaper reporter, canvasser for a lefty nonprofit, waitress at a Japanese restaurant, volunteer coordinator for a reproductive rights organization, berry picker on a farm, waitress at a vegetarian restaurant, “coffee girl” at an accounting firm, student-faculty conflict mediator, teacher’s assistant for a women’s studies class, and office temp at a half a dozen places that by and large did not resemble offices and did not engage me in work that struck me as remotely “officey,” but rather involved things such as standing on a concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves and—with a pair of tweezers—placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
The neighborhood of Indian Village lay just twelve blocks west of Hurlbut, but it was a different world altogether. The four grand streets of Burns, Iroquois, Seminole, and Adams (even in Indian Village the White Man had taken half the names) were lined with stately houses built in eclectic styles. Red-brick Georgian rose next to English Tudor, which gave onto French Provincial. The houses in Indian Village had big yards, important walkways, picturesquely oxidizing cupolas, lawn jockeys (whose days were numbered), and burglar alarms (whose popularity was only just beginning). My grandfather remained silent, however, as he toured his son’s impressive new home. “How do you like the size of this living room?” Milton was asking him. “Here, sit down. Make yourself comfortable. Tessie and I want you and Ma to feel like this is your house, too. Now that you’re retired—” “What do you mean retired?” “Okay, semiretired. Now that you can take it a little bit easy, you’ll be able to do all the things you always wanted to do. Look, in here’s the library. You want to come over and work on your translations, you can do it right here. How about that table? Big enough for you? And the shelves are built right into the wall.” Pushed out of the daily operations at the Zebra Room, my grandfather began to spend his days driving around the city. He drove downtown to the Public Library to read the foreign newspapers. Afterward, he stopped to play backgammon at a coffee house in Greektown. At fifty-four, Lefty Stephanides was still in good shape. He walked three miles a day for exercise. He ate sensibly and had less of a belly than his son. Nevertheless
Jeffrey Eugenides (Middlesex)
Editing is the most obvious way of manipulating vision. And yet, the camera sometimes sees what you don’t - a person in the background, for example, or an object moving in the wind. I like these accidents. My first full-length film, Esperanza, was about a woman I befriended on the Lower East Side when I was a film student at NYU. Esperanza had hoarded nearly all the portable objects she had touched every day for thirty years: the Chock Full O’Nuts paper coffee cups, copies of the Daily News, magazines, gum wrappers, price tags, receipts, rubber bands, plastic bags from the 99-cent store where she did most of her shopping, piles of clothes, torn towels, and bric-a-brac she had found in the street. Esperanza’s apartment consisted of floor-to-ceiling stacks of stuff. At first sight, the crowded apartment appeared to be pure chaos, but Esperanza explained to me that her piles were not random. Her paper cups had their own corner. These crenellated towers of yellowing, disintegrating waxed cardboard stood next to piles of newspapers … One evening, however, while I was watching the footage from a day’s filming, I found myself scrutinizing a pile of rags beside Esperanza’s mattress. I noticed that there were objects carefully tucked in among the fraying bits of coloured cloth: rows of pencils, stones, matchbooks, business cards. It was this sighting that led to the “explanation.” She was keenly aware that the world at large disapproved of her “lifestyle,” and that there was little room left for her in the apartment, but when I asked her about the objects among the rags, she said that she wanted to “keep them safe and sound.” The rags were beds for the things. “Both the beds and the ones that lay down on them,” she told me, “are nice and comfy.” It turned out that Esperanza felt for each and every thing she saved, as if the tags and town sweaters and dishes and postcards and newspapers and toys and rags were imbued with thoughts and feelings. After she saw the film, my mother said that Esperanza appeared to believe in a form of “panpsychism.” Mother said that this meant that mind is a fundamental feature of the universe and exists in everything, from stones to people. She said Spinoza subscribed to this view, and “it was a perfectly legitimate philosophical position.” Esperanza didn’t know anything about Spinoza … My mother believed and I believe in really looking hard at things because, after a while, what you see isn’t at all what you thought you were seeing just a short time before. looking at any person or object carefully means that it will become increasingly strange, and you will see more and more. I wanted my film about this lonely woman to break down visual and cultural cliches, to be an intimate portrait, not a piece of leering voyeurism about woman’s horrible accumulations.
Siri Hustvedt (The Blazing World)
The exodus takes different forms in different countries. In Spain, many gifted young émigrés come from ordinary families without the connections to enter the Spanish elite. France exports ambitious people who can’t join the French elite because they didn’t go to a grande école. This amounts to a geographical reshuffling of elites. Amsterdam may be the future for cities like Paris and Madrid: a backwater inhabited by an increasingly impotent national elite, a delightful place for paceless mornings of coffee and newspapers.
Anonymous
Over coffee, he and Dramat decided that, in the interests of good working relationships, he would, despite the fact that he’d already been on suspension for close on two years, take vacational leave then meet with Ngobeni and Phiyega to clear the air. They had two weeks to reconsider their position. The meeting, a fortnight later, didn’t serve to do that at all. Johan says Ngobeni launched into him. She said I had humiliated and undermined her and leaked negative stories about her to newspapers. She
Jessica Pitchford (Blood on their Hands: General Johan Booysen Reveals His Truth)
Theodore Boone was an only child and for that reason usually had breakfast alone. His father, a busy lawyer, was in the habit of leaving early and meeting friends for coffee and gossip at the same downtown diner every morning at seven. Theo’s mother, herself a busy lawyer, had been trying to lose ten pounds for at least the past ten years, and because of this she’d convinced herself that breakfast should be nothing more than coffee with the newspaper. So he ate by himself at the kitchen table, cold cereal and orange juice, with an eye on the clock. The Boone home had clocks everywhere, clear evidence of organized people. Actually, he wasn’t completely alone. Beside his chair, his dog ate, too. Judge was a thoroughly mixed mutt whose age and breeding would always be a mystery. Theo had rescued him from near death with a last-second appearance in Animal Court two years earlier, and Judge would always be grateful. He preferred Cheerios, same as Theo, and they ate together in silence every morning. At 8:00 a.m., Theo rinsed their bowls in the sink, placed the milk and juice back in the fridge, walked to the den, and kissed his mother on the cheek. “Off to school,” he said. “Do you have lunch money?” she asked, the same question five mornings a week. “Always.
John Grisham (Theodore Boone: Kid Lawyer (Theodore Boone, #1))
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Years ago, a Liberal, modernistic preacher came down from a very restless night and sat down in the breakfast nook at the table. His wife fixed him a cup of coffee as he sat there pale and shaken. She asked, “What’s wrong?” He said, “I had a terrible dream last night. I dreamed I died and came up to a cloud. There was someone on that cloud who pointed his finger at me, and it looked like he had a hole in his hand. This one who was standing on the cloud pointed his finger at me and said, ‘Preacher, where are the souls of your wife and children?’ I said, ‘Souls? What souls?’ He pointed his finger at me and said, ‘Preacher, where are the souls of your mailman and your TV repairman and your newspaper boy?’ I said, ‘I don’t understand what you mean by souls. I don’t know where they are.
Peter S. Ruckman (The Judgment Seat of Christ)
It's easy to know if you have an Apollo case. The cops talk in whispers. They sip their coffee as if it tastes of the celebrity blood they've just wiped off their shoes. Carloads of FBI Special Agents point at maps and charts, pretending to know what they're talking about. But when the whole media circus arrives and pitches its tents all round the corpses, you know the ratings are going to the moon. That's why they're Apollos. Everyone will tune in. They all want to know. Take a seat. Apollo cases don't happen to ordinary Joes like you and me. They're reserved for the celebrities we've envied all our lives until their bloodstained bodies stare at us from the front pages of our newspapers. Then we're glad we're different from them.
Adam Jefferson (The Jesus Drug: The Miracle Pill)
On the other hand, coming into work at the last moment, reading the newspaper, drinking coffee, and socializing with your coworkers may seem fun and enjoyable in the short term but inevitably leads to lack of promotion, underachievement, and frustration in the long term.
Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
Drinks and snacks on me, apparently. Chow down, guys.” “I’m a little more interested in finding a phone,” I said. “And figuring out if that open front door means someone’s here.” “Nah,” Corey said. “They were so eager to get out of this dump that they forgot to lock up Sunday night.” “Hmm.” I walked behind the counter. Tucked beside the cash register was a folded newspaper. Beside it rested a paper cup of coffee. I touched the cup. “Cold?” Daniel said. “Not hot.” He reached over, pulled off the lid, and stuck his finger in the coffee. “Warmer than room temperature,” he said. He flipped over the paper to check the date. “Today’s.” “I don’t see a bathroom,” Corey said. “Maybe he’s outside, taking a leak.” Kenjii let out a sharp bark. “Sounds like someone found him.” He walked to the front door. When it didn’t open, he put his shoulder into it and pushed. “Um, try the handle,” Hayley said. “Um, there isn’t one.” Corey was right. It was the kind you pushed open from the inside, in case your arms were loaded with supplies. He hit it harder. It didn’t budge. Daniel went over and they both heaved on it. The door groaned, but didn’t open. “Is anyone else getting concerned?” Hayley said.
Kelley Armstrong (The Calling (Darkness Rising, #2))
To be wrong, and to be carefully wrong, that is the definition of decadence. The disease called aphasia, in which people begin by saying tea when they mean coffee, commonly ends in their silence. Silence of this stiff sort is the chief mark of the powerful parts of modern society. They all seem straining to keep things in rather than to let things out. For the kings of finance speechlessness is counted a way of being strong, though it should rather be counted a way of being sly. By this time the Parliament does not parley any more than the Speaker speaks. Even the newspaper editors and proprietors are more despotic and dangerous by what they do not utter than by what they do. We have all heard the expression "golden silence." The expression "brazen silence" is the only adequate phrase for our editors. If we wake out of this throttled, gaping, and wordless nightmare, we must awake with a yell. The Revolution that releases England from the fixed falsity of its present position will be not less noisy than other revolutions. It will contain, I fear, a great deal of that rude accomplishment described among little boys as "calling names"; but that will not matter much so long as they are the right names. THE
G.K. Chesterton (The Essential G.K. Chesterton)
I seasoned my coffee with molasses and apple cider vinegar, and returned to the table, picking up the newspaper once more.
Penny Reid (Engagement and Espionage (Solving for Pie: Cletus and Jenn Mysteries, #1))
Lost souls, with nowhere to go, nursed their coffees and read old newspapers they’d found left on the benches.
Alan Furst (Under Occupation (Night Soldiers, #15))
Assuming the sofa is of standard height, a good height for the coffee table is 16 inches (40 cm). There should be about 12 to 16 inches (30 to 40 cm) between the edge of the sofa and the table, so that sitting down is not a problem, but the table has to be close enough to allow a newspaper or coffee cup to be put down without the need to stand up or stretch too far.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
One evening, a young boy hopped up on his father’s lap and whispered, “Dad, we don’t spend enough time together.” The father, who dearly loved his son, knew in his heart this was true and replied, “You’re right and I’m so sorry. But I promise I’ll make it up to you. Since tomorrow is Saturday, why don’t we spend the entire day together? Just you and me!” It was a plan, and the boy went to bed that night with a smile on his face, envisioning the day, excited about the adventurous possibilities with his Pops. The next morning the father rose earlier than usual. He wanted to make sure he could still enjoy his ritual cup of coffee with the morning paper before his son awoke, wound up and ready to go. Lost in thought reading the business section, he was caught by surprise when suddenly his son pulled the newspaper down and enthusiastically shouted, “Dad, I’m up. Let’s play!” The father, although thrilled to see his son and eager to start the day together, found himself guiltily craving just a little more time to finish his morning routine. Quickly racking his brain, he hit upon a promising idea. He grabbed his son, gave him a huge hug, and announced that their first game would be to put a puzzle together, and when that was done, “we’ll head outside to play for the rest of the day.” Earlier in his reading, he had seen a full-page ad with a picture of the world. He quickly found it, tore it into little pieces, and spread them out on the table. He found some tape for his son and said, “I want to see how fast you can put this puzzle together.” The boy enthusiastically dove right in, while his father, confident that he had now bought some extra time, buried himself back in his paper. Within minutes, the boy once again yanked down his father’s newspaper and proudly announced, “Dad, I’m done!” The father was astonished. For what lay in front of him—whole, intact, and complete—was the picture of the world, back together as it was in the ad and not one piece out of place. In a voice mixed with parental pride and wonder, the father asked, “How on earth did you do that so fast?” The young boy beamed. “It was easy, Dad! I couldn’t do it at first and I started to give up, it was so hard. But then I dropped a piece on the floor, and because it’s a glass-top table, when I looked up I saw that there was a picture of a man on the other side. That gave me an idea! “When I put the man together, the world just fell into place.
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)
Harmon wasn’t a polished Ivy Leaguer like Cahill. He was tall, built like a brick shithouse, and he didn’t attend fancy parties. He usually drank alone in the decrepit back-alley bars of some of the worst hellholes in the world. He was a rough man with few attachments and only one purpose. When someone somewhere pushed the panic button, Harmon was what showed up. He had decided to meet the asset in Hong Kong. It made more sense than Shanghai and was much safer than Beijing, especially for a white guy. Harmon had chosen the coffee shop. A Starbucks knockoff. It was busy, with the right mix of Chinese and Anglos. People chatted on cell phones and pecked away at keyboards. They had buds in their ears and listened to music or watched videos on their devices. Whatever happened to a cup of coffee and a newspaper? Hell, he thought, whatever happened to newspapers?
Brad Thor (Act of War (Scot Harvath, #13))
Harvath sat in a corner of the Café Hawelka. A suppressed Beretta rested beneath a newspaper in his lap. Art posters covered the faded walls. The place smelled like chocolate and stale cigarettes. Taking a final sip of his coffee, he stood and set the newspaper on the table. His target was sitting with another man, near the window. Both were in their early thirties. Neither looked up. Approaching the table, Harvath said only, “Paris.” Then, placing the suppressor under the man’s jaw, pulled the trigger. Even though the Beretta was suppressed, the shot was still audible, and the man’s brains splattered across the café window were extremely visible.
Brad Thor (Foreign Agent (Scot Harvath, #15))
Sepahit-pahit kopi, tak sepahit berita di koran pagi.
Iwan Esjepe
After Per died, I couldn't stand to be in Oslo any more. All those people that weren't him, you know? There was this coffee shop we used in g oto, at the university. We'd just sit together, together but silen. Happy silent. Reading newspapers, drinking coffee. It was hard to avoid places like that. We used to walk around everywhere. His troublesome soul lingered on every street .. I kept telling his memory to piss the fuck off but it wouldn't. Grief is a bastard. If I'd have stayed any longer, I'd have hated humanity. So, when a research position came up in Svalbard I was like, yes, this has come to save me ... I wanted to be somewhere he had never been. I wanted somewhere where I didn't have to feel his ghost. But the truth is, it only half works, you know? Places are places and memories are memories and life is fucking life?
Matt Haig (The Midnight Library)
David stayed at the small coffeehouse for hours as usual. He drank cup after cup of strong coffee until his hands shook. He ate many bagels and waited. He was reserved and hid behind the newspaper, reading it again and again, not wanting to interact or be noticed by the people around him, even though he did steal a glance now and then.
Erik S. Meyers (Caged Time)
There had been a long article about the resurgence of stoicism in a newspaper he had picked up in the coffee bar—some of it, he recalled, underlined in red ink by an unknown reader. That happened to many of the newspapers and magazines there—somebody was furtively, and selectively, underlining certain things in red.
Alexander McCall Smith (The Man with the Silver Saab (Detective Varg, #3))
It's fucking adorable. She's so frustrated that she's restricted in her ability to move, she uses her other foot and kicks the coffee table.
Maren Moore (The Newspaper Nanny)
On the table spread out beside a coffee cup was a copy of El Diario, a Spanish language newspaper, also a saucer with cigarette stubs, a dirty plate, a tiny radio which emitted music. The music stopped and a man began to rattle off a commercial in Spanish. I turned it off. The silence fell like a bag of feathers.
Raymond Chandler (The Collected Raymond Chandler)
The Roe v. Wade decision had come down on a Monday in January of 1973, and I remember the afternoon newspapers sold out as word spread. I watched my daddy sit down in his chair and silently read, shake his head and then leave the paper on the coffee table. We never discussed it, but surely he knew that there were houses out in the country where women went to have the procedure, even before the ruling. I’d gone to one in Opelika, one where Miss Pope believed I could get safe care. And it had still been a risk. Surely Daddy understood that women needed a trustworthy place. Some women traveled to New York to have the procedure, but that was too far for most of us. Make no mistake about it, that ruling was a big deal.
Dolen Perkins-Valdez (Take My Hand)
It also helped us reevaluate what we really need in order to feel like we are home in any given place. Spoiler alert: it isn’t my clogs, and it isn’t even my sprinkle collection. A house becomes a home, I learned, when I can cook in it and giggle a bunch with the people that I love. It doesn’t need to be complicated, and the kitchen doesn’t need to be fancy or extensive. Home, I found, is just a big batch of shallot-heavy matzo brei, Nick reading his newspaper at the table with some coffee, Bernie cuddling her bunny, and a cat or three with some allergy meds. My face moisturizer and Roku stick also help.
Molly Yeh (Home Is Where the Eggs Are)
Instead of focusing, in the style of the “neural correlates of consciousness” (NCC) approach, on a single exemplary conscious experience—like the experience of “seeing the color red”—Tononi and Edelman asked what was characteristic about conscious experiences in general. They made a simple but profound observation: that conscious experiences—all conscious experiences—are both informative and integrated. From this starting point, they made claims about the neural basis of every conscious experience, not just of specific experiences of seeing red, or feeling jealous, or suffering a toothache. The idea of consciousness as simultaneously informative and integrated needs a little unpacking. Let’s start with information. What does it mean to say that conscious experiences are “informative”? Edelman and Tononi did not mean this in the sense that reading a newspaper can be informative, but in a sense that, though it might at first seem trivial, conceals a great deal of richness. Conscious experiences are informative because every conscious experience is different from every other conscious experience that you have ever had, ever will have, or ever could have. Looking past the desk in front of me through the window beyond, I have never before experienced precisely this configuration of coffee cups, computer monitors, and clouds—an experience that is even more distinctive when combined with all the other perceptions, emotions, and thoughts that are simultaneously present in the background of my inner universe. At any one time, we have precisely one conscious experience out of vastly many possible conscious experiences. Every conscious experience therefore delivers a massive reduction of uncertainty, since this experience is being had, and not that experience, or that experience, and so on. And reduction of uncertainty is—mathematically—what is meant by “information.” The informativeness of a particular conscious experience is not a function of how rich or detailed it is, or of how enlightening it is to the person having that experience. Listening to Nina Simone while eating strawberries on a roller coaster rules out just as many alternative experiences as does sitting with eyes closed in a silent room, experiencing close to nothing. Each experience reduces uncertainty with respect to the range of possible experiences by the same amount. In this view, the “what-it-is-like-ness” of any specific conscious experience is defined not so much by what it is, but by all the unrealized but possible things that it is not. An experience of pure redness is the way that it is, not because of any intrinsic property of “redness,” but because red is not blue, green, or any other color, or any smell, or a thought or a feeling of regret or indeed any other form of mental content whatsoever. Redness is redness because of all the things it isn’t, and the same goes for all other conscious experiences.
Anil Seth (Being You: A New Science of Consciousness)
Get complimentary newspapers delivered. Dress neatly. Finish your conversations straight away when a customer appears. Keep the shelves stocked. Use warm cups, not hot, not cold. Don’t serve cups with spills down the side. Set drinks up the same way all the time. Have a clear menu. Make sure all the light bulbs work. Repaint the room often. Room temperature butter. Opening and closing times written on the door. Take care of your espresso machine. Dry tables after you wipe them. Say hello to your co-workers. If you think someone’s not happy, ask. Smile.
Colin Harmon (What I Know About Running Coffee Shops)
Neanderthals and archaic Homo sapiens probably also had a hard time talking behind each other’s backs – a much maligned ability which is in fact essential for cooperation in large numbers. The new linguistic skills that modern Sapiens acquired about seventy millennia ago enabled them to gossip for hours on end. Reliable information about who could be trusted meant that small bands could expand into larger bands, and Sapiens could develop tighter and more sophisticated types of cooperation.1 The gossip theory might sound like a joke, but numerous studies support it. Even today the vast majority of human communication – whether in the form of emails, phone calls or newspaper columns – is gossip. It comes so naturally to us that it seems as if our language evolved for this very purpose. Do you think that history professors chat about the reasons for the First World War when they meet for lunch, or that nuclear physicists spend their coffee breaks at scientific conferences talking about quarks? Sometimes. But more often, they gossip about the professor who caught her husband cheating, or the quarrel between the head of the department and the dean, or the rumours that a colleague used his research funds to buy a Lexus. Gossip usually focuses on wrongdoings. Rumour-mongers are the original fourth estate, journalists who inform society about and thus protect it from cheats and freeloaders.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I have a goal: learn to play guitar in five months and be ready for the New Slits gig. I feel like a contestant on the reality-TV show Faking It. Take a bored Hastings housewife and turn her into a punk-rock guitarist in five months. [...] I ignore the pain of the wire cutting into the pads of my fingers. I don’t watch TV, read newspapers, meet anyone for coffee or lunch or do anything that will take a second away from my playing. I just do the minimum I have to do domestically and that’s it. Everything else stops. I take the guitar with me wherever I go, it’s always in the back of the car; if my daughter’s at a tennis lesson, I sit in the car, push the front seat back and practice whilst I wait for her.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
People chatted on cell phones and pecked away at keyboards. They had buds in their ears and listened to music or watched videos on their devices. Whatever happened to a cup of coffee and a newspaper? Hell, he thought, whatever happened to newspapers?
Brad Thor (Act of War (Scott Harvath, #13))
out her clothes – old canvas trousers and a rough shirt – and carried them into the bathroom. She showered quickly, hoping she wouldn’t wake anyone in the house, dressed and padded downstairs, softly like a burglar, a shoe in each hand. She made coffee and toast and sat at the table. Normally she might have walked out and bought a newspaper and read it with her breakfast. She might have listened to the radio. This morning she just drank her coffee and took one bite of the toast, which tasted like old leather, and stared into space. She had two mugs of coffee and threw the toast in the bin. She thought of the people sleeping in the house and then she thought of Whisky in his hutch out in the garden. The hammer. She went out into the garden where a light drizzle was falling and picked a handful of dandelion leaves from the lawn, which was in bad need of mowing. She opened the door of the hutch and threw them in. Whisky emerged from the inside of the hutch and began to munch on them. She reached past him and retrieved the hammer from under the straw. She walked back into the kitchen and laid it on the table. What should she do? Her immediate thought was to dispose of it. Surely that would be easy. She could put it into a litter bin or throw it into some bushes in a park or into a canal. It felt wrong, of course, but she had done so much destruction of evidence. Why not just do a little more? But this was the actual object that was used to kill Saul. Maybe, just maybe, it might be needed. After all, the murderer was still out there. She stared at it. Mabel had taken it. And Mabel had kept it. Why?
Nicci French (The Lying Room)
I was about to call you,’ she says. ‘Is everything OK?’ Libby nods, takes her phone out of her bag, then her lip balm and her cardigan, tucks the bag under her desk, unties her hair, ties it up again, pulls out her chair and sits down heavily. ‘Sorry,’ she says eventually. ‘I didn’t sleep last night.’ ‘I was going to say,’ says Dido. ‘You look awful. The heat?’ She nods. But it wasn’t the heat. It was the insides of her head. ‘Well, let me get you a nice strong coffee.’ Normally Libby would say no, no, no, I can get my own coffee. But today her legs are so heavy, her head so woolly, she nods and says thank you. She watches Dido as she makes her coffee, feeling reassured by the sheen of her dyed black hair, the way she stands with one hand in the pocket of her black tunic dress, her tiny feet planted wide apart in chunky dark green velvet trainers. ‘There,’ says Dido, resting the cup on Libby’s table. ‘Hope that does the trick.’ Libby has known Dido for five years. She knows all sorts of things about her. She knows that her mother was a famous poet, her father was a famous newspaper editor, that she grew up in one of the most illustrious houses in St Albans and was taught at home by a
Lisa Jewell (The Family Upstairs (The Family Upstairs, #1))
Images began scrolling. Crime scene photos. Scanned newspaper clippings. Pictures of flipped cars and fire-gutted buildings. Obituaries. Autopsy reports. Each item related to an accident or crime. I paused the slideshow to scan several articles. Detected the theme. Every crime was unsolved. Every accident was freakish and unexplained. Many incidents had numerous victims. Some were grisly. All were terrible. One after another the entries flashed on-screen. A few settings were identifiable. Seattle. New York City. Las Vegas. The majority were unrecognizable. Shelton turned to me. “So what, he’s into police reports? Disaster stories?” “They’re his work.” My stomach churned with revulsion. “Everything on here. This must be the Gamemaster’s private archive. A diary of his twisted games.” “Trophies.” Hi’s voice was hushed. “His collection. Every serial killer has one.” Ben’s fist slammed the coffee table. “I’ll kill this sick freak!” Suddenly the screen went blank. There were sounds like a videogame, then a new program opened. The Gamemaster’s face appeared. “Hello, Tory.” He smiled. “Welcome to my humble home.
Kathy Reichs (Code: A Virals Novel)
I barely even know how I didn't feel. I didn't feel like reading a newspaper, or having a coffee, or going for a jog, or watching television. Nor did I feel like crying behind the boiler in the basement. Or like trying out for something. I did't even feel like I had lost someone I deeply loved; this was different from that. I didn't feel like going to another movie and asking for extra butter on my popcorn. I didn't feel like talking to someone who would understand.
Rivka Galchen (American Innovations)
With that fence it’s a total blind approach to the back door, I thought. Anyone could be hiding around that corner. Guards don’t care. They’ve run this route a thousand times for a thousand days; they can’t manage to stay alert. Company should mix up their shifts better— “It’s embarrassing, isn’t it?” Harmony Black dropped into the chair beside me. She set down a cup of coffee and ruffled her own copy of the newspaper. “No operational discipline, not looking out for each other, it’s almost like they want to get hijacked.” “Agent.” My throat went tight. “Don’t mind me,” she said. “I’m just getting some fresh air. Please, keep planning your armed robbery. Pretend I’m not even here.” She set down her paper and picked up her cup. Then she looked me in the eye and slowly, loudly, slurped her coffee. I folded my newspaper and pushed back my chair. “It’s fine. I was just leaving.” “Oh? Where to? The Athens Credit Union? That laundromat off Bonanza Road? The Ford dealership on Fairfax? Can I come with? No, never mind, just go ahead and I’ll meet you there.” I gritted my teeth and walked away. Harmony slurped her coffee again and gave me a finger wave. “See you soon!” she called out behind me. I drove two blocks, pulled off to the side of the road, and took out my cell phone. Every instinct screamed that I was making a bad move, but that didn’t stop me from punching in the numbers and making the call. “Nicky,” I said, “that job still available?
Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
Oasis at Ground Zero Salvation Army representatives would certainly counsel you and pray with you if you wanted, and at Ground Zero the Salvationists in the shiny red “Chaplain” jackets were sought after for just that reason. Mainly, though, they were there to assist with more basic human needs: to wash out eyes stinging from smoke, and provide Blistex for parched lips and foot inserts for boots walking across hot metal. They operated hydration stations and snack canteens. They offered a place to rest, and freshly cooked chicken courtesy of Tyson’s. The day I arrived, they distributed 1500 phone cards for the workers to use in calling home. Every day they served 7500 meals. They offered an oasis of compassion in a wilderness of rubble. I had studied the maps in newspapers, but no two-dimensional representation could capture the scale of destruction. For about eight square blocks, buildings were deserted, their windows broken, jagged pieces of steel jutting out from floors high above the street. Thousands of offices equipped with faxes, phones, and computers, sat vacant, coated in debris. On September 11, people were sitting there punching keys, making phone calls, grabbing a cup of coffee to start the day, and suddenly it must have seemed like the world was coming to an end. I studied the faces of the workers, uniformly grim. I didn’t see a single smile at Ground Zero. How could you smile in such a place? It had nothing to offer but death and destruction, a monument to the worst that human beings can do to each other. I saw three booths set up in a vacant building across from the WTC site: Police Officers for Christ, Firemen for Christ, and Sanitation Workers for Christ. (That last one is a charity I’d like to support.) Salvation Army chaplains had told me that the police and fire had asked for two prayer services a day, conducted on the site. The Red Cross, a nonsectarian organization, had asked if the Salvationists would mind staffing it. “Are you kidding? That’s what we’re here for!” Finding God in Unexpected Places
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
The gossip theory might sound like a joke, but numerous studies support it. Even today the vast majority of human communication – whether in the form of emails, phone calls or newspaper columns – is gossip. It comes so naturally to us that it seems as if our language evolved for this very purpose. Do you think that history professors chat about the reasons for World War One when they meet for lunch, or that nuclear physicists spend their coffee breaks at scientific conferences talking about quarks? Sometimes. But more often, they gossip about the professor who caught her husband cheating, or the quarrel between the head of the department and the dean, or the rumours that a colleague used his research funds to buy a Lexus. Gossip usually focuses on wrongdoings. Rumour-mongers are the original fourth estate, journalists who inform society about and thus protect it from cheats and freeloaders.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
No more words just the rustle of the newspaper, the slurp of coffee, the clearing of the throat, the cup to table, the page to turn.
Rebecca Milton (The Ultimate Erotic Short Story Collection 33: 11 Steamingly Hot Erotica Books For Women)