Never Lend Books Quotes

Never lend books, for no one ever returns them; the only books I have in my library are books that other folks have lent me.

I hate to lend a book I love…it never seems quite the same when it comes back to me…

When I get hold of a book I particularly admire, I am so enthusiastic that I loan it to someone who never brings it back.

It's a gift. Never lend a book.

On rare occasions there comes along a profound original, an odd little book that appears out of nowhere, from the pen of some obscure storyteller, and once you have read it, you will never go completely back to where you were before. The kind of book you might hesitate to lend for fear you might miss its company. The kind of book that echoes from the heart of some ancient knowing, and whispers from time's forgotten cave that life may be more than it seems, and less.

A serious bibliophile never lends his books. In fact he does not even read his books, for fear of wearing them out.

When the web started, I used to get really grumpy with people because they put my poems up. They put my stories up. They put my stuff up on the web. I had this belief, which was completely erroneous, that if people put your stuff up on the web and you didn’t tell them to take it down, you would lose your copyright, which actually, is simply not true. And I also got very grumpy because I felt like they were pirating my stuff, that it was bad. And then I started to notice that two things seemed much more significant. One of which was… places where I was being pirated, particularly Russia where people were translating my stuff into Russian and spreading around into the world, I was selling more and more books. People were discovering me through being pirated. Then they were going out and buying the real books, and when a new book would come out in Russia, it would sell more and more copies. I thought this was fascinating, and I tried a few experiments. Some of them are quite hard, you know, persuading my publisher for example to take one of my books and put it out for free. We took “American Gods,” a book that was still selling and selling very well, and for a month they put it up completely free on their website. You could read it and you could download it. What happened was sales of my books, through independent bookstores, because that’s all we were measuring it through, went up the following month three hundred percent. I started to realize that actually, you’re not losing books. You’re not losing sales by having stuff out there. When I give a big talk now on these kinds of subjects and people say, “Well, what about the sales that I’m losing through having stuff copied, through having stuff floating out there?” I started asking audiences to just raise their hands for one question. Which is, I’d say, “Okay, do you have a favorite author?” They’d say, “Yes.” and I’d say, “Good. What I want is for everybody who discovered their favorite author by being lent a book, put up your hands.” And then, “Anybody who discovered your favorite author by walking into a bookstore and buying a book raise your hands.” And it’s probably about five, ten percent of the people who actually discovered an author who’s their favorite author, who is the person who they buy everything of. They buy the hardbacks and they treasure the fact that they got this author. Very few of them bought the book. They were lent it. They were given it. They did not pay for it, and that’s how they found their favorite author. And I thought, “You know, that’s really all this is. It’s people lending books. And you can’t look on that as a loss of sale. It’s not a lost sale, nobody who would have bought your book is not buying it because they can find it for free.” What you’re actually doing is advertising. You’re reaching more people, you’re raising awareness. Understanding that gave me a whole new idea of the shape of copyright and of what the web was doing. Because the biggest thing the web is doing is allowing people to hear things. Allowing people to read things. Allowing people to see things that they would never have otherwise seen. And I think, basically, that’s an incredibly good thing.

There is a simple rule: practice a kind of generous selfishness. Give a book to a friend, but don't lend it, because you will never get it back. ~ James Wood, author of The Book Against God.

I have never read anything quite like Mark Haddon's funny and agonizingly honest book, or encountered a narrator more vivid and memorable. I advise you to buy two copies; you won't want to lend yours out.

I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it. Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime. I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.

Besides,” said Mr Norrell, “I really have no desire to write reviews of other people's books. Modern publications upon magic are the most pernicious things in the world, full of misinformation and wrong opinions.” “Then sir, you may say so. The ruder you are, the more the editors will be delighted.” “But it is my own opinions which I wish to make better known, not other people's.” “Ah, but, sir,” said Lascelles, “it is precisely by passing judgements upon other people's work and pointing out their errors that readers can be made to understand your own opinions better. It is the easiest thing in the world to turn a review to one's own ends. One only need mention the book once or twice and for the rest of the article one may develop one's theme just as one chuses. It is, I assure you, what every body else does.” “Hmm,” said Mr Norrell thoughtfully, “you may be right. But, no. It would seem as if I were lending support to what ought never to have been published in the first place.

I don’t think there’s a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that’s what the best writing does, that’s what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It’s not about you. Whether you’re a genius or an idiot savant. It’s about the work. The work is more important than you. So it’s not about back-claps and plaudits and “isn’t that author smart.” It’s about, “this book really connected with me. And even though you, my friend, are very different from me, I’m lending it to you, because I think it will connect with you as well.” Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways.

She stood by the fireplace talking, in that beautiful voice which made everything she said sound like a caress, to Papa, who had begun to be attracted rather against his will (he never got over lending her one of his books and finding it soaked on the terrace), when suddenly she said, 'What a shame to sit indoors!' and they all went out on to the terrace and walked up and down.

Don’t change, Dorian; at any rate, don’t change to me. We must always be friends.” “Yet you poisoned me with a book once. I should not forgive that. Harry, promise me that you will never lend that book to anyone. It does harm.” “My dear boy, you are really beginning to moralise. You will soon be going about warning people against all the sins of which you have grown tired. You are much too delightful to do that. Besides, it is no use. You and I are what we are, and will be what we will be.

Fanfare for the Makers A cloud of witnesses. To whom? To what? To the small fire that never leaves the sky. To the great fire that boils the daily pot. To all the things we are not remembered by, Which we remember and bless. To all the things That will not notice when we die, Yet lend the passing moment words and wings. So fanfare for the Makers: who compose A book of words or deeds who runs may write As many who do run, as a family grows At times like sunflowers turning towards the light. As sometimes in the blackout and the raids One joke composed an island in the night. As sometimes one man’s kindness pervades A room or house or village, as sometimes Merely to tighten screws or sharpen blades Can catch a meaning, as to hear the chimes At midnight means to share them, as one man In old age plants an avenue of limes And before they bloom can smell them, before they span The road can walk beneath the perfected arch, The merest greenprint when the lives began Of those who walk there with him, as in default Of coffee men grind acorns, as in despite Of all assaults conscripts counter assault, As mothers sit up late night after night Moulding a life, as miners day by day Descend blind shafts, as a boy may flaunt his kite In an empty nonchalant sky, as anglers play Their fish, as workers work and can take pride In spending sweat before they draw their pay. As horsemen fashion horses while they ride, As climbers climb a peak because it is there, As life can be confirmed even in suicide: To make is such. Let us make. And set the weather fair. Louis Macneice

Who's Mrs. Gummidge?' 'If you're a good girl and get well soon I'll lend you the book.' 'Oh, somebody in a book! All you people like Nilla and the Cornishes and that man Darcourt seem to live out of books. As if everything was in books!' 'Well, Schnak, just about everything is in books. No, that's wrong. We recognize in books what we've met in life. But if you'd read a few books you wouldn't have to meet everything as if it had never happened before, and take every blow right on the chin. You'd see a few things coming...

You haven't any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it's been given. And that is all the obligation you have, all you have the right to expect. ("New York Blues")

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

It is often much harder to get rid of books than it is to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is a part of us. I have noticed that many people make a note of the day, month, and year that they read a book; they build up a secret calendar. Others, before lending one, write their name on the flyleaf, note whom they lent it to in an address book, and add the date. I have known some book owners who stamp them or slip a card between their pages the way they do in public libraries. Nobody wants to mislay a book. We prefer to lose a ring, a watch, our umbrella, rather than a book whose pages we will never read again, but which retains, just in the sound of its title, a remote and perhaps long-lost emotion.

you poisoned me with a book once. I should not forgive that. Harry, promise me that you will never lend that book to any one. It does harm.

If anyone is really determined to lend you a book, you never can get out of it!

One day I will lend this heart of mine out -- like a well-read library book -- to someone who'll decide to rip the return date straight out of the inner binding and never let me go.

Her account is that she tried to get out of having to read it, but it was no use." "And that's fair enough," sighed Craddock. "If anyone is really determined to lend you a book, you never can get out of it!

You just never know when you’ll want an escape hatch: mile-long lines at tollbooth plazas, the fifteen minutes you have to spend in the hall of some boring college building waiting for your advisor (who’s got some yank-off in there threatening to commit suicide because he/she is flunking Custom Kurmfurling 101) to come out so you can get his signature on a drop-card, airport boarding lounges, laundromats on rainy afternoons, and the absolute worst, which is the doctor’s office when the guy is running late and you have to wait half an hour in order to have something sensitive mauled. At such times I find a book vital. If I have to spend time in purgatory before going to one place or the other, I guess I’ll be all right as long as there’s a lending library

Many religious fundamentalists around the world would like to see the establishment of theocracies — states where religion and government are closely intertwined. While some just reject separation of [name of place of worship] and state, others go further and insist that one religion’s tenets be made law. The normal arguments for a theocracy are that, for example, it would lend a greater sense of morality to the making and enforcement of laws. Or that as our laws were originally derived from some moral commandments in a particular religion, it makes sense to enthrone this religion as chief in the state. Basically, theocrats can talk until the cows come home about how great it would be if we were ruled by God, how great it would be if our laws followed God’s laws, and so forth. But this vision of theocracy will never come to be, and should never come to be. The fundamental problem with every theocracy is that is innately unfair. Not just unfair to those who do not follow the state religion, but also unfair to those who do not follow the state religion as it is understood and interpreted by the humans who run the state. After all, who really believes that all the Muslims in any of the Islamic theocracies we have today are happy? Those who believe the wrong things about Islam from one particular point of view are mercilessly vilified — the present civil war in Iraq is an excellent example. Why a theocracy would be unfair to those who don’t practice the state religion should be very apparent. Whatever flowery talk there may be of equality, if the laws are derived from one religion, then the laws will favour that religion, like it or not. At this point, supporters of theocracy often get riled up. This is because they can point topassages in their holy book which they argue justify their claims that their religion would be fair to all. On occasion they will also argue that their particular God’s laws are perfect.

Atticus’s rule was that while he would never lend a book, any of his friends were free whenever they liked to come up and read or even make their own copies. And it was here, beneath a head of Aristotle, that we found Atticus reclining that afternoon, dressed in the loose white tunic of a Greek, and reading, if I remember rightly, a volume of Kyriai doxai, the principal doctrines of Epicurus. He came straight to the point. “I was at dinner last

Percy Buckle looked around his little room and knew he never had to weigh a pound of flour again in his life. I can read all day. Even as a grocer he had been a bookish fellow. All his life it had been the same -- even when he was too tired to manage more than half a page of Ivanhoe in a night, even when he smelt inescapably of sprats and mackerel, he had been a member of a lending library, and a regular attendant at the Workingman's Institute.

I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.

In the presence of our families and friends, I take you, Celestia, to be my mate, my love, my consort, and my wife. Together, we can accomplish more than I could ever do alone. I will never let the pressures of the present and uncertainty of the future stop me from loving you, because you are my partner in mayhem, my enabler in trouble, and my companion in a life full of unexpected, strange adventures. I will encourage you to try new things and revisit the old to refresh your memories. I promise to celebrate our love daily, snuggle with you often, and make you laugh out loud. I vow to lend you my strength only when you need it, and to cheer you on from the sideline and support you when you don’t. I pledge to nurture and be respectful of your talents and quirks even when they involve dead animals.” He glanced at a raven in the back of the room, which I’d assumed was one of Odin’s. “You have a huge, kind, and giving heart, and I’m the lucky man you’ve given it to for safekeeping. I promise to never give you a reason to doubt my love for you, because this is just the beginning of our journey together. We have forever, and I will love you always.

We live in a world of broken promises. We live in a time when people treat their words lightly. We tell a friend we will call her next week for lunch knowing full well we do not have the time to do so. We promise a co-worker we will bring in that new book we love so much knowing full well that we never lend out our books. And we promise ourselves this will be the year we will get back into shape, simplify our lives and have more fun without any real intention of making the deep life changes necessary to achieve these goals. Saying things we don’t really mean becomes a habit when we practice it long enough. The real problem is that when you don’t keep your word, you lose credibility. When you lose credibility, you break the bonds of trust. And breaking the bonds of trust ultimately leads to a string of broken relationships. To

I’m rather an admirer of the book,” Robert said and took a sip from his glass. “Damien, when you marry, you might want to see if Brianna won’t lend it out to your bride. I promise you no regrets if you give it to your beloved. Let’s just say there are certain things a gentleman won’t address with his wife that Lady Rothburg has no trouble discussing in detail.” If his younger brother’s sinful grin was any indication, it was true. “I’m headed back to Spain tomorrow.” Damien pointed out. “So I doubt romance of any kind is in my future, but I’ll keep it in mind.” “One never knows.” Colton commented. “Had anyone said it was in mine, I would have protested vehemently.” How true. How could anyone have guessed his upright older brother would marry such a lovely but impulsive young lady and manage to become a different man than the upright, unapproachable Duke of Rolthven?

It also taught him a useful trick for seducing opponents. After one rich and well-bred member spoke against him, Franklin decided to win him over: I did not, however, aim at gaining his favor by paying any servile respect to him, but, after some time, took this other method. Having heard that he had in his library a certain very scarce and curious book, I wrote a note to him, expressing my desire of perusing that book, and requesting he would do me the favor of lending it to me for a few days. He sent it immediately, and I returned it in about a week with another note, expressing strongly my sense of the favor. When we next met in the House, he spoke to me (which he had never done before), and with great civility; and he ever after manifested a readiness to serve me on all occasions, so that we became great friends, and our friendship continued to his death. This is another instance of the truth of an old maxim I had learned, which says, “He that has once done you a kindness will be more ready to do you another, than he whom you yourself have obliged.

Kay suffered from a congenital lack of energy, and after taking books out of W.H. Smith's lending libraries in Swindon and Marlborough she would succumb to a mysterious, destructive lassitude which prevented her from returning them until long after the dates written on the little tickets dangling reproachfully from their spines. Conscious of having incurred a debt which mounted terrifyingly with every day that went by, and unable to compute with even approximate accuracy the sum of the fines to which she might eventually be liable, she would postpone their settlement yet further. When at last Kay feared that some river of no return had been fatally crossed, she judged it too much to much of a risk to be seen passing W.H. Smith's shop windows in either town, and to escape notice, recognition and exposure she would condemn herself to inconvenient detours, dodging down side alleys or hiding behind traffic in the main streets except on safe Sundays and early-closing afternoons. Most of the borrowed books did in the end find their way back to the libraries(sometimes conveyed there by me) but one of her favourites - Without My Cloak by Kate O'Brien - still remained in her possession. Kay's sense of guilt at having in effect stolen Without My Cloak had become so overwhelming that she now refused to visit Marlborough or Swindon at all unless she was covered up in some sort of wrap as a token disguise - in fact(I made myself laugh at the thought as I waited for the hours to pass in my lonely dark hilltop watch) in those places she was never without her cloak!

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

Free” has an incredible power that no other pricing does. The Duke behavioral economist Dan Ariely wrote about the power of free in his excellent book Predictably Irrational, describing an experiment in which he offered research subjects the choice of a Lindt chocolate truffle for 15 cents or a Hershey’s Kiss for a mere penny. Nearly three-fourths of the subjects chose the premium truffle rather than the humble Kiss. But when Ariely changed the pricing so that the truffle cost 14 cents and the Kiss was free—the same price differential—more than two-thirds of the subjects chose the inferior (but free) Kisses. The incredible power of free makes it a valuable tool for distribution and virality. It also plays an important role in jump-starting network effects by helping a product achieve the critical mass of users that is required for those effects to kick in. At LinkedIn, we knew that our basic accounts had to be free if we wanted to get to the million users we theorized represented critical mass. Sometimes you can offer a product for free and still be profitable; in the advertising-driven business model, a large enough mass of free users can be valuable even if they never pay for your service. Facebook, for example, doesn’t charge its users a dime, but it is able to generate large amounts of high-gross-margin revenue by selling targeted advertising. But sometimes a product doesn’t lend itself to the advertising model, as is the case with many services used by students and educators. Without third-party revenue, the problem with offering your product to users for free is that you can’t offset your lack of sales by “making it up in volume.

The words looped in my head. Download it for free. Cheerful, triumphant. Download it for free! What a freaking bargain. “I’m sorry,” I said. “She found what?” "That website. Meems, what was the name again? Bongo or something?” Mimi looked up from her iPad. “What are you talking about?” “That website where you found Sarah’s book.” "Oh,” she said. “Bingo. Haven’t you heard of it? It’s like an online library. You can download almost anything for free. It’s amazing.” My hands were shaking. I set down Jen’s phone, and then I set down the wineglass next to it. Without a coaster. "You mean a pirate site,” I said. “Oh God, no! I would never. It’s an online library.” "That’s what they call it. But they’re just stealing. They’re fencing stolen goods. Easy to do with electronic copies.” "No. That’s not true.” Mimi’s voice rose a little. Sharpened a little. “Libraries lend out e-books.” “Real libraries do. They buy them from the publisher. Sites like Bingo just upload unauthorized copies to sell advertising or put cookies on your phone or whatever else. They’re pirates.” There was a small, shrill silence. I lifted my wineglass and took a long drink, even though my fingers were trembling so badly, I knew everyone could see the vibration. "Well,” said Mimi. “It’s not like it matters. I mean, the book’s been out for years and everything, it’s like public domain.” I put down the wineglass and picked up my tote bag. “So I don’t have time to lecture you about copyright law or anything. Basically, if publishers don’t get paid, authors don’t get paid. That’s kind of how it works.” "Oh, come on,” said Mimi. “You got paid for this book.” "Not as much as you think. Definitely not as much as your husband gets paid to short derivatives or whatever he does that buys all this stuff.” I waved my hand at the walls. “And you know, fine, maybe it’s not the big sellers who suffer. It’s the midlist authors, the great names you never hear of, where every sale counts … What am I saying? You don’t care. None of you actually cares. Sitting here in your palaces in the sky. You never had to earn a penny of your own. Why the hell should you care about royalties?” I climbed out of my silver chair and hoisted my tote bag over my shoulder. “It’s about a dollar a book, by the way. Paid out every six months. So I walked all the way over here, gave up an evening of my life, and even if every single one of you had actually bought a legitimate copy, I would have earned about a dozen bucks for my trouble. Twelve dollars and a glass of cheap wine. I’ll see myself out.

He who bends down to give graciously to the poor that giving is carefully recorded in the books of heaven as lending to God who will never forget to pay back from His manifold stores.

There,” Lucetta proclaimed. “You’re completely buttoned. Now all we have to do is fix your hair, and you’ll be perfect.” “I don’t know how you’re intending to fix my hair, especially since it’s still soaking wet, and . . . stiff with sea salt.” “I’m an actress. Fixing appearances is my specialty.” Lucetta looked a little smug as she adjusted the large hat she’d plopped over her head. “My hair is salt-soaked as well, but no one will notice since I’ve arranged my hat just so, lending me a rather mysterious air.” “You could plop a bowl of fruit on your head and you’d still look mysterious,” Millie said. “I wish I had one of my caps handy. That would solve my hair crisis nicely.” Everett caught Millie’s eye. “I never liked your caps.” “They’re practical.” “And ugly,” Lucetta added, smiling over Millie’s head at him. She pulled a hat from behind her on the seat that was a little squished, and stuck it on Millie’s head, pulling a pin out of the bodice of her dress and sticking it through the hat. “There—you’re adorable.” “I

Love your enemies! Do good to them. Lend to them without expecting to be repaid. Then your reward from heaven will be very great, and you will truly be acting as children of the Most High, for he is kind to those who are unthankful and wicked.” —Luke 6:35 (NLT) The late-night call to the hospital twisted my stomach into a hard knot. Danny, a strong, passionate college student studying for ministry, had been in an accident. He lay in a medically induced coma, survival uncertain. I was one of his teachers. I rushed to the hospital and joined his friends. Danny’s parents had not yet arrived; they faced an agonizing four-hour drive. As we waited, we pieced together the tragic story. Danny had seen a homeless man begging on the side of the road. He sensed God’s whisper to feed him; the fast-food gift certificates he had in his pocket would be perfect. While turning his car around, he was T-boned by a pickup truck. His girlfriend suffered minor injuries; the other driver wasn’t hurt, but Danny now fought for his life. We waited and prayed and tried to comfort his parents when they arrived. The waiting stretched into days. Danny’s father, however, was not content with waiting. He had a mission. The day after the accident, he drove to the fast-food joint, loaded up with food, drove to that fateful place, and finished the task his son had begun. While his son lay in a coma, Danny’s father fed that same homeless man who would never fathom the cost of his meal; God’s boundless compassion, disguised as fast food. Danny’s recovery was slow but strong. I saw him recently, working on campus. He waved. He'd just gotten married. Danny, by his life and through his family, has become my teacher. Heavenly Father, grant me grace to press through my heartaches to a place of total forgiveness, supernatural love, and abundant life. —Bill Giovannetti Digging Deeper: Jn 15:4; Eph 4:32; Jas 2:8

A Remarkable Woman She is so exquisite Even without makeup on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her worth being undermined She is attentive Nonetheless, no one pays attention to her needs She is patient No matter how long it takes, she waits She is generous While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of the storms she faces sometimes She keeps moving forward Granting the hindrances along the way She stands in the gap And makes things happen She does not look down on others Regardless of some doing so to her She recognises those who shielded her on rainy days Whenever the sun shines upon her She keeps running her race Because she knows for her, grace is abundant She wears a smile always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation Cheerleader for economic revolution How the world adores such A remarkable woman!

Grateful For You A gratitude poem from a Mother to her miracle child You are a wonderful treasure My love for you, I cannot measure In you, God gave me an Angel Through you, I was blessed by the Heavens An answered prayer of way back Just when I thought it was over My precious gift from Above, you showed up Filled with your bright smile and loads of fun You make me so fine Oh, what a privilege in life To be given such a sense of pride As I call you my child While you chose to be mine You are so kind You bring me hope every time I could go through heavy tides With you by my side I always rise You help me make long strides I cannot drown, not even once You give me a better chance To become a daring Mom I have peace, even in the storm Because you teach me to stay strong So glad you came along Never let me all alone What an honour to be your Mother! My perfect match Such a great catch! My very best friend Will you lend me a hand To walk beside you on this land? You are all I ever need And I am so grateful for you

I never lend books I expect to require again.

Never lend your name, or your money, or your books or your umbrella, or anything, to anybody - if you're wise.

... And the Colonel?' 'Went there one day with a book on India that Miss Blacklock had expressed a desire to read.' 'Had she?' 'Her account is that she tried to get out of having to read it, but it was no use.' 'And that's fair enough,' sighed Craddock. 'If anyone is really determined to lend you a book, you never can get out of it!

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

You’re right,” he said. “Books are company. They contain the thoughts and voices of other people who live or have lived in this world. All these authors have in common the fact that they’re buried here, opposite us. Even though you can’t hear them yet, they speak to us all the time. Not just them, the ones who never wrote a thing, too. You’d hear them if you didn’t have the radio on. If you start reading them, they’ll seem familiar to you, you’ll see.” (I thought of all the people I had seen arguing out loud with themselves on the streets.) He paused. I suppose he must have realized that once again I had begun to doubt his sanity. “Let me suggest something: go and stand in front of the bookshelf and choose a book you don’t know, any one you like. You can take it, I’ll lend it to you.

A book is a personal thing, associated with emotions and memories. So never ask anyone to lend you a book - buy your own.

Commit to mastering three to four new words every day. People with a rich vocabulary seldom have trouble articulating their views and display greater confidence while talking to people. The difference between a functional vocabulary and extensive vocabulary can be the difference between a black and white and vivid, colorful picture. Paint a picture with your words to make the conversation more interesting and compelling. Stay away from redundant words and phrases. Avoid using conversation fillers. Keep your sentences short, crisp and to the point. Do not use the most highfalutin words to flaunt your vocabulary. Instead be an effective communicator by using words that convey your ideas and feelings most appropriately. Less is always more in a conversation. Try to say more by using less yet effective words and phrases. Think of better and more articulate ways to convey your emotions and ideas, For example, you can say “famished” in place of “very hungry” or “livid” instead of “very angry or upset.” Try to convey your ideas using more effective words. Replace redundant words and phrases in your daily conversations. For example, instead of saying, “They said xyz about my looks” say “they commented on my looks.” The idea is to make your speech crisper, more articulate and tighter by replacing ineffectual words/phrases with more meaningful expressions. Everyday words and phrases such as “big” can become “gigantic,” “massive” or “colossal.” Similarly, scared can become “petrified” and “spooked,” hungry become “famished” and so on. Consciously think of more effective ways to convey the same meaning. This practice will make you come across as a more engaging, interesting and vibrant conversationalist. A richer and more power-packed vocabulary lends more character, feelings and sensory experiences to the conversation. The way to go about it is – Use a diary or notebook for listing new words and phrases you come across each day. You can also randomly pick three new words to learn from the dictionary every day, and try to use it in your speech or conversation. Install ‘word a day’ applications on your phones to keep enriching your vocabulary. It’s a work in progress. You’ll never know everything. Even if you believe you have a limited vocabulary or aren’t able to hold a conversation because you don’t know how best to express yourself, breathe easy. There are plenty of ways to build a powerful vocabulary if you have the initiative.

The book said a painter of people should never flatter his subjects. He neither should make women younger than they really are nor men handsomer. Do not lend affability to a scowler or grace to a lout. Such practices contradict the conscience of art.

pandemic. To Terra especially, who puts up with my daily texts, and who always manages to carve out hours from her own hectic life for our weekly critique call. Those check-ins kept me on track to complete this book. Terra, every page of this story has your mark on it. I would never have finished it without your endless patience for talking through plot knots and your gentle reminders to keep my characters in line. To my online writing group, Write Around the Block, and in particular the query support crew, thank you for your feedback and support: Becky Grenfell, Trey Dowell, Alex Otto, Haley Hwang, Jeremy Mitchell, Kim Hart, Mark Kramarzewski, Rachael Clarke, Janna Miller, Sean Fallon, and Lydia Collins. To Kirsten Baltz, thank you for lending your marine biology expertise

His heart is a sanctuary where God's love abides. He is always kind and loving enough to lend others a helping hand. His hands are never too busy to lift someone else.